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Gunsmoke — Billy the Kid [episode 1], Broadcast 4/26/1952 (Western Radio Drama) · Gunsmoke | Old Time Radio

• 0:12
  Speaker 1: Around Dodd City in the territory on West. The just
• 0:17
  Speaker 1: one way to handle the killers and the spoilers, And
• 0:20
  Speaker 1: that's with the US Marshall and the smell of gun smokes.
• 0:49
  Speaker 2: Gun spoke.
• 0:50
  Speaker 3: The story of the violins that moved west with young America,
• 0:54
  Speaker 3: the story of a man who moved with it.
• 0:56
  Speaker 4: Matt Dillon, United States Marshall.
• 1:09
  Speaker 5: Wanted from murder, Wanted from murder. Clay Richards Lay Richards,
• 1:16
  Speaker 5: age thirty one, six feet eyes, brown hair.
• 1:22
  Speaker 6: Red eyes, brown hair red.
• 1:26
  Speaker 7: Hey, how'd you like me to print his picture on
• 1:28
  Speaker 7: these notices? I got a wood cut. Let me show you,
• 1:31
  Speaker 7: Ernie Batch, you Marshall, copy of that front page. Interviewing
• 1:35
  Speaker 7: Clay's wife yesterday, I noticed a tin type on the
• 1:38
  Speaker 7: mantle their wedding photograph.
• 1:40
  Speaker 6: So first thing, you know, I.
• 1:42
  Speaker 7: Snitched it very thunfu. Yeah, oh I'll take it. And
• 1:46
  Speaker 7: then I propped it up in front of me and
• 1:48
  Speaker 7: caught me this wood guy. Ain't she prime? Ain't she
• 1:52
  Speaker 7: just elegant, real elegant, good likeness, don't you think? Of
• 1:55
  Speaker 7: course he was seven or eight years younger.
• 1:57
  Speaker 1: With Yeah, it's a good likeness. That doesn't show what
• 2:01
  Speaker 1: makes the law abiding man like and try to rub
• 2:04
  Speaker 1: a bank doesn't look like a man who murdered an
• 2:07
  Speaker 1: old cashier and a Chinese cook who just happened to
• 2:10
  Speaker 1: be there.
• 2:12
  Speaker 2: But it's a good likeness there.
• 2:14
  Speaker 6: It is a picture like this your addresses up.
• 2:16
  Speaker 2: The front page, don't it. Yeah, it's a little.
• 2:18
  Speaker 1: Masterpiece, mister hine Tower, A notable contribution to the culture
• 2:21
  Speaker 1: of Dutch City.
• 2:22
  Speaker 6: Well, thank you, Marshall. Does fetch your eye, don't it.
• 2:25
  Speaker 7: I'm printing an extra five hundred copies of the Weekly,
• 2:28
  Speaker 7: and I bet I sell them all. Too bad the
• 2:30
  Speaker 7: cashier's shot went wild. If he'd managed to kill Clay
• 2:34
  Speaker 7: or even wing him, why, I bet I could sell
• 2:35
  Speaker 7: a thousand extra companies.
• 2:37
  Speaker 2: We must be.
• 2:37
  Speaker 1: Thankful for the blessings we do received, mister Hinetower.
• 2:41
  Speaker 7: Oh I am Marshall, I am why just for it
• 2:43
  Speaker 7: happened yesterday afternoon. I didn't know what I was going
• 2:45
  Speaker 7: to build my columns with. And then, like Manna from heaven,
• 2:49
  Speaker 7: two murders in.
• 2:50
  Speaker 1: The bank robbery attempted bank robbery, mister hide Tower, he
• 2:53
  Speaker 1: turned and ran for he got his hands on so
• 2:55
  Speaker 1: much as a dollar.
• 2:56
  Speaker 2: Still, as you say, like man, I'm talking business.
• 3:03
  Speaker 6: What is it Chester, can wait, asked mister Dylan.
• 3:10
  Speaker 2: Yeah, prent Clay's picture on those notices. Mister high Tower,
• 3:13
  Speaker 2: where were we?
• 3:14
  Speaker 6: Uh? Eyes brown hair, red oh.
• 3:17
  Speaker 1: Yes, also known as red bricktop and sorrow.
• 3:23
  Speaker 2: He didn't answer to no other nicknames, did he? No,
• 3:26
  Speaker 2: that's what they call him, all right?
• 3:28
  Speaker 1: Tennant big letters, four hundred dollars reward, dead, alive and
• 3:34
  Speaker 1: at the bottom apply Matt Dillon Marshall, Dodge City print,
• 3:40
  Speaker 1: two hundred copies.
• 3:41
  Speaker 2: How soon?
• 3:42
  Speaker 1: Okay? I send Chester over for him. No, good morning,
• 3:46
  Speaker 1: mister high Tower, Chester.
• 3:55
  Speaker 6: I think those posters are doing any good. Richard is
• 3:58
  Speaker 6: probably over the line in Oklahoma. Colorad him now and
• 4:01
  Speaker 6: strawberry rowna. He is the fastest in the county.
• 4:04
  Speaker 2: He has no money.
• 4:05
  Speaker 1: He panicked and ran out of the bank.
• 4:07
  Speaker 2: Where he got a penny.
• 4:09
  Speaker 1: I think he'll try to get help from his wife
• 4:11
  Speaker 1: or brother a friend.
• 4:12
  Speaker 2: The first chance he has.
• 4:13
  Speaker 1: Maybe they're nice that stays around here somewhere. I uh,
• 4:22
  Speaker 1: I'm sorry I turned on.
• 4:23
  Speaker 2: You like that.
• 4:23
  Speaker 6: Just why that's all right? Mister don out all night
• 4:26
  Speaker 6: with a posy. Noshek Man's bound get touched.
• 4:28
  Speaker 1: No, it's not that, it's it's the way.
• 4:33
  Speaker 2: It's the way people use the thing. Like is the
• 4:36
  Speaker 2: men riding in Posse last night?
• 4:38
  Speaker 1: They enjoyed it, so they were hunting fox or Possum
• 4:43
  Speaker 1: High Tower back there.
• 4:44
  Speaker 2: He acts like it was a birthday treat.
• 4:45
  Speaker 1: Especially gotten up for him. Everybody finds the way to
• 4:49
  Speaker 1: use it.
• 4:53
  Speaker 2: What was it you wanted to tell me?
• 4:55
  Speaker 6: Oh?
• 4:56
  Speaker 7: I got a kid, a little boy locked up in
• 4:58
  Speaker 7: the cell away from home back in Cottonwood.
• 5:01
  Speaker 2: Ed's late turned him over too.
• 5:03
  Speaker 6: When he comes through on stagecoach. Just now, kid about
• 5:06
  Speaker 6: twelve years old?
• 5:07
  Speaker 2: Who's is he?
• 5:08
  Speaker 6: With? A woman? Is Bonnie?
• 5:09
  Speaker 7: She runs the boarding house in Cottonwood. It's his kids,
• 5:13
  Speaker 7: always running away a little while. I guess he flagged.
• 5:16
  Speaker 6: Ed for ride on the road halfway between there and here.
• 5:18
  Speaker 6: So who's head seen him stand there with his bundle
• 5:20
  Speaker 6: on his shoulder. He knowed what he was up to,
• 5:22
  Speaker 6: so he told kid he'd help him and then turn
• 5:24
  Speaker 6: him over to us when.
• 5:25
  Speaker 1: He got to me, all right, we'll send a telegram
• 5:27
  Speaker 1: to the mother to come fetch him. Well, come on
• 5:30
  Speaker 1: in Chester and shut the door. You're letting it never
• 5:33
  Speaker 1: horse flying Kansas.
• 5:35
  Speaker 7: I think you better cancel the order for them notices
• 5:38
  Speaker 7: on the dutchman's coming up the street, and he's leading
• 5:41
  Speaker 7: a strawberry own and Clay Richards is right across his back, like.
• 5:48
  Speaker 1: A sack of wheat across the saddle. Last time I
• 5:52
  Speaker 1: saw him, two days ago, he was standing at the bar,
• 5:56
  Speaker 1: lefting his head off, the sack of wheat across the saddle,
• 6:02
  Speaker 1: and followed by half the saloon bombs and loafers in town.
• 6:07
  Speaker 3: All right, Chester, make him keep back, ran back, you fella,
• 6:10
  Speaker 3: come on now back.
• 6:15
  Speaker 2: How it happens?
• 6:16
  Speaker 6: My gold, my old billy road.
• 6:18
  Speaker 2: He pushes open the fence last night and runs away.
• 6:21
  Speaker 8: I get your goat. What about Clay? Yeah, I tell you.
• 6:24
  Speaker 8: This morning I go to look for the gold. I
• 6:27
  Speaker 8: walk here there from near the river, I see Clay.
• 6:31
  Speaker 2: He sits there.
• 6:33
  Speaker 6: I said, hello, Clay, you get.
• 6:36
  Speaker 2: Us when you know the dog?
• 6:39
  Speaker 4: Hey was your best friendly?
• 6:40
  Speaker 2: Help you buy your farms and help Clay me. No, no,
• 6:50
  Speaker 2: my brother.
• 6:51
  Speaker 9: He was like we mus in the water together, bitter listen,
• 6:56
  Speaker 9: killing brother.
• 7:00
  Speaker 2: Nobody not since Kenny's burke. Please dead when.
• 7:04
  Speaker 5: I find him.
• 7:05
  Speaker 2: I don't even own his inside. Quick, Chester, give me
• 7:12
  Speaker 2: a hand with Clay, all right. I will not tolerate
• 7:23
  Speaker 2: a disturbance. You know me, I got in Chester, took
• 7:30
  Speaker 2: his legs alright, kicking door shut. I don't care Clay
• 7:41
  Speaker 2: on his table, Chester. What you do with Clay's gun
• 7:49
  Speaker 2: is Holster's empty gun. Clay, I ain't got it.
• 7:52
  Speaker 9: I don't even own.
• 7:53
  Speaker 2: One, Chester, See if it slipped out.
• 7:55
  Speaker 6: If it was empty. Coming up the street, first thing
• 7:57
  Speaker 6: I noticed.
• 7:58
  Speaker 4: Maybe it's all that has that.
• 8:00
  Speaker 9: The customer who has three in less than a day,
• 8:03
  Speaker 9: or bountiful harvest my feesis month, will keep me in luxury.
• 8:08
  Speaker 2: In luxury, dark guy. When I have an inquest, as
• 8:10
  Speaker 2: soon as possible.
• 8:11
  Speaker 9: As soon as I finished the autopsy. Shouldn't take long
• 8:14
  Speaker 9: with a practice I've had this week.
• 8:16
  Speaker 2: You know, late afternoon, right with you. I'll take him
• 8:19
  Speaker 2: up to my office right now. No, thank you, Jester.
• 8:23
  Speaker 2: I can carry him all by myself. Here. You just
• 8:25
  Speaker 2: open the door there like a good fellow.
• 8:31
  Speaker 9: Yeah, Marshall, tell the city fartish.
• 8:34
  Speaker 2: I'd like to make a deal.
• 8:36
  Speaker 9: When the corpses are as famous, is this one back
• 8:39
  Speaker 9: in fifty three and San Francisco, I knew earned a
• 8:42
  Speaker 9: fortune exhibit in the head of Walking Marietta.
• 8:45
  Speaker 6: Tell them if they let me keep the remains.
• 8:47
  Speaker 2: I'll do the autopsies for shut the door, Chester, Zegwa.
• 8:54
  Speaker 2: Where is it, Jim at Clay on the river by
• 8:56
  Speaker 2: the fort? This site by the fort right out there, Chester,
• 8:59
  Speaker 2: and see if you can find Clay's gun. Maybe he
• 9:01
  Speaker 2: dropped it when he was shot. I did not shoot. Sure,
• 9:06
  Speaker 2: I did not. I had no reason to. I did not.
• 9:08
  Speaker 4: I didn't know.
• 9:09
  Speaker 2: You listen to me.
• 9:10
  Speaker 1: Maybe you think Dodger's got so big. I don't know
• 9:12
  Speaker 1: about everything that goes on here. Well, if you do,
• 9:14
  Speaker 1: you're wrong. If you think I don't know about the
• 9:16
  Speaker 1: bank having an overdue mortgage on your farm, you're wrong.
• 9:19
  Speaker 2: Four hundred dollars is reason enough for a struggling farmer
• 9:22
  Speaker 2: like you, no good. I am a human being.
• 9:27
  Speaker 1: To a peace officer, Ziglier, that's enough grounds for suspicion.
• 9:31
  Speaker 1: But whether you did it or not, we decided at
• 9:33
  Speaker 1: your trial. In the meantime, you just stop yammering about it.
• 9:36
  Speaker 1: Try me, even when I shoot somebody else, stand trial
• 9:39
  Speaker 1: if they find it's justifiable homicide, and they probably will,
• 9:43
  Speaker 1: being a wanted man, and they'll.
• 9:44
  Speaker 2: Let you off. And if not, please I am permitted
• 9:49
  Speaker 2: to go. Now go are you crazy? Are you? Foh
• 9:54
  Speaker 2: the stuck up? I must look after you. Sit right down.
• 9:57
  Speaker 2: You want to be lynched. You're trying to get yourself murdered.
• 9:59
  Speaker 1: If you've forgotten about Clay's brother, Adam, what difference does
• 10:04
  Speaker 1: it make whether he believes it or not. His brother's
• 10:06
  Speaker 1: been killed. Everybody's looking to him to do something about it,
• 10:08
  Speaker 1: and he knows it. You want me to guess where
• 10:11
  Speaker 1: he is right this minute. He's one of them saloons,
• 10:13
  Speaker 1: lapping up courage to come in here and ask me
• 10:15
  Speaker 1: to give you to him for a present. You want
• 10:18
  Speaker 1: to know who's with him ever, will forever, bumb ever
• 10:21
  Speaker 1: slob in town, slapping him on the back and telling
• 10:24
  Speaker 1: him what a shame it is taking him on to
• 10:27
  Speaker 1: kill you so that they can have some.
• 10:29
  Speaker 2: Excitement and some fun.
• 10:32
  Speaker 1: Maybe you deserve kill him, but it's my job to
• 10:34
  Speaker 1: uphold the law, and I'm not letting you out of here.
• 10:37
  Speaker 1: You might spend your time trying to think up a
• 10:39
  Speaker 1: better story, That is, if you intend to stay in
• 10:42
  Speaker 1: this town all right now?
• 10:44
  Speaker 2: Think back. Didn't Claig Gofer his gun before you shot him?
• 10:47
  Speaker 2: To you? I didn't. If I'm not underrest, you have
• 10:51
  Speaker 2: no right to keep me here.
• 10:53
  Speaker 6: I got to look after my farm.
• 10:55
  Speaker 2: I go all right, Chester walking on, Yes.
• 10:57
  Speaker 6: Mister, come on, step out something this cage?
• 11:05
  Speaker 2: Is he foke? Who's in there?
• 11:07
  Speaker 1: Chester?
• 11:08
  Speaker 6: That a little runaway from Cottonwood? Oh?
• 11:13
  Speaker 2: Come over here, Son, Come over here to meet her?
• 11:18
  Speaker 10: Find of who you are?
• 11:21
  Speaker 11: You do you bet you're Matt Dylon Gil. I knowed
• 11:25
  Speaker 11: you're right off, He's pointed out to me one day
• 11:28
  Speaker 11: back home. Philler says you was the fastest gun throwing Kansas.
• 11:32
  Speaker 2: Why wouldn't be awful interested to hear that? I'm afraid?
• 11:36
  Speaker 11: Hiller says you was faster than older, faster than wild
• 11:39
  Speaker 11: bro Hickock and haysitying that master center, any of them.
• 11:43
  Speaker 11: How many fellas are you killed?
• 11:46
  Speaker 2: You don't keep scoring, Son, It's something you try to forget.
• 11:50
  Speaker 2: Not me.
• 11:52
  Speaker 11: Someday I'll be famous like you, And for every Filler
• 11:55
  Speaker 11: I kill, I'll put a notch on my gun. People
• 11:58
  Speaker 11: see those notches, and they don't know. They better not
• 12:01
  Speaker 11: try to let.
• 12:02
  Speaker 2: You run away from home. Bobby, don't you know your
• 12:04
  Speaker 2: mother is likely to worry about She won't worry.
• 12:07
  Speaker 11: She's too busy working. Ain't gonna make me go back
• 12:09
  Speaker 11: or you wouldn't do that, would you, Well, because it
• 12:12
  Speaker 11: wouldn't stop me for long. I'd only run away again.
• 12:14
  Speaker 2: Where are you off doing such a sweat?
• 12:16
  Speaker 11: Texas, California, Mexico. I don't accomplish things. They're not like
• 12:21
  Speaker 11: living in old cottonwood. If you let me go somebody,
• 12:24
  Speaker 11: when I'm famous, you can tell people you help get
• 12:26
  Speaker 11: me started.
• 12:30
  Speaker 2: But well, that's a pretty strong inducement. And I'll have
• 12:34
  Speaker 2: to think about it for a while.
• 12:35
  Speaker 1: And look, while I'm making up my mind, I want
• 12:38
  Speaker 1: you to give me your word, word of a man
• 12:40
  Speaker 1: who'll be famous someday, that he won't try to run
• 12:43
  Speaker 1: away from me.
• 12:45
  Speaker 2: Otherwise I'll have to have Chester lock you up again.
• 12:48
  Speaker 2: Oh shake gun there, and good good at Chester. I
• 12:53
  Speaker 2: want you to go look for Clay's gun. Yes, and
• 12:56
  Speaker 2: on the way, stop off of a sudden that telegram
• 13:00
  Speaker 2: you know?
• 13:02
  Speaker 6: Oh that telegram? Yes?
• 13:07
  Speaker 2: Sorry, Chester, go ahead, Yes, where's that murdering dog? Oh?
• 13:14
  Speaker 4: They are you?
• 13:15
  Speaker 2: Not a single step further?
• 13:19
  Speaker 4: I want him Dylan. He murdered Clay shot him down
• 13:22
  Speaker 4: without giving him a chance.
• 13:24
  Speaker 2: How do you know?
• 13:25
  Speaker 4: Because Clay wouldn't have let anyone catch him off, God.
• 13:27
  Speaker 2: Except a friend, A friend, and that Dylan, give me
• 13:33
  Speaker 2: that Dutchman try to take him. It's like that, It's
• 13:39
  Speaker 2: like and it's true.
• 13:41
  Speaker 4: With the Fellas say you made a deal with the Dutchman.
• 13:43
  Speaker 4: They give him the reward to protect him if he'd
• 13:45
  Speaker 4: killed Clay for you.
• 13:46
  Speaker 1: That was the deal was Yeah, the Fellas say, why
• 13:49
  Speaker 1: I'd make such a deal, Dylan.
• 13:52
  Speaker 4: It ain't no longer a secret around Tyler. You and
• 13:54
  Speaker 4: France he won each other. But Clay was in the way.
• 13:56
  Speaker 4: You had him kill so you could get his wife.
• 13:58
  Speaker 2: Do you deny it?
• 14:00
  Speaker 3: No?
• 14:02
  Speaker 2: No, we'll serve as well as any other crazy story
• 14:07
  Speaker 2: to work you with.
• 14:09
  Speaker 4: You think you're safe behind that start, don't you. Well,
• 14:12
  Speaker 4: Clay have friends, lots of them.
• 14:14
  Speaker 1: I'm coming back with them, friends who will get the
• 14:16
  Speaker 1: Dutch one and you and anyone else who tries to
• 14:18
  Speaker 1: stop us.
• 14:19
  Speaker 2: All right, An I'll be waking Yeah.
• 14:25
  Speaker 11: You wait, who I've seen something pretty and didn't.
• 14:32
  Speaker 2: I ast j Yeah almost, I don't another find of whiskey?
• 14:39
  Speaker 2: You want to do it?
• 14:54
  Speaker 4: We will return for the second act of gun Smoke
• 14:56
  Speaker 4: in just a moment.
• 14:57
  Speaker 2: But first.
• 14:58
  Speaker 3: Many radio shows win high popularity with the prizes and
• 15:01
  Speaker 3: cash they give away, but there's one show that tops
• 15:04
  Speaker 3: because the head man gives away as little as possible.
• 15:06
  Speaker 3: What other radio program could it be? But the Jack
• 15:09
  Speaker 3: Benny Shaw is all be listening. Here's the second act
• 15:13
  Speaker 3: of gun smoke, son.
• 15:33
  Speaker 1: Yeah, my drawer in front of you. There you'll find
• 15:36
  Speaker 1: a small bottle of oil in the no, no, one
• 15:38
  Speaker 1: of the right. Yeah, I said, now, bring a little
• 15:41
  Speaker 1: brush to huh.
• 15:45
  Speaker 6: It's an It's not.
• 15:47
  Speaker 2: Bad, but a little stif just a little. Do you
• 15:51
  Speaker 2: have a trigger?
• 15:52
  Speaker 12: Have never seen before?
• 15:54
  Speaker 2: Oh? You're a move a trigger or a tied back
• 15:56
  Speaker 2: against the guard? You know you have to do? Yeah?
• 16:01
  Speaker 2: I got it's faster. Yeah, that's about it. Now it's
• 16:06
  Speaker 2: a trigger. I remember that. What in the world for? Well?
• 16:10
  Speaker 11: I remember everything you told me about the Texas Holster
• 16:13
  Speaker 11: and the Spring Holster and the double roll and filing
• 16:16
  Speaker 11: off the site.
• 16:18
  Speaker 7: Any luck, chest Roser, not any I went to the
• 16:21
  Speaker 7: store first and asked mister Denton what kind of ammunition
• 16:23
  Speaker 7: Clay Richard used to buy, and he told me Clay
• 16:25
  Speaker 7: had a double action forty four. I scarred that riverbank
• 16:29
  Speaker 7: a half mile each way from the fore.
• 16:31
  Speaker 6: Damn, not a sign of it.
• 16:33
  Speaker 7: I got that telegram off you know who ought to
• 16:35
  Speaker 7: be here pretty soon, only seven eight miles from.
• 16:40
  Speaker 2: It set fire in town.
• 16:42
  Speaker 7: Funeral services from mister Grinnell or the cashier. So so
• 16:46
  Speaker 7: it's awful hot weather.
• 16:49
  Speaker 1: Yeah, any of your guns need oiland.
• 16:53
  Speaker 2: I don't think so. Yeah. Sure. When Adam left, he
• 16:56
  Speaker 2: said he'd be coming back with some friends.
• 16:59
  Speaker 7: I know I stopt that.
• 17:00
  Speaker 6: They all began to just now to rinse out of
• 17:02
  Speaker 6: my mouth. Adam was there talking mighty ugly and mighty big.
• 17:07
  Speaker 6: He's got his size.
• 17:07
  Speaker 7: We're falling.
• 17:09
  Speaker 2: When do you think any minute now?
• 17:11
  Speaker 6: Mister Dylon it wants me to take bob body here
• 17:14
  Speaker 6: to one of the hotels.
• 17:16
  Speaker 2: Maybe I want to see you.
• 17:17
  Speaker 1: I think you'll be safely here Chester, behind stone walls
• 17:20
  Speaker 1: and dodging about the streets, rubbing necking.
• 17:21
  Speaker 6: You keep your head down, shunning your hair's.
• 17:25
  Speaker 2: To you.
• 17:26
  Speaker 1: She ought to be in the morning, if she cared
• 17:28
  Speaker 1: for Clay at all anymore, she ought to be in
• 17:30
  Speaker 1: black Man.
• 17:31
  Speaker 2: Oh lord, I find them more beautiful moment time. Have
• 17:35
  Speaker 2: you heard what they're saying? What are they saying, Francie.
• 17:40
  Speaker 6: That you made Pete Sigla kill him?
• 17:42
  Speaker 2: Because I'm sorry that got back to you Francis, it's
• 17:45
  Speaker 2: all over. Dodge Adam almost strangle.
• 17:47
  Speaker 3: Me before they dragged him off.
• 17:49
  Speaker 2: I didn't you believe me? How was the shot up?
• 17:58
  Speaker 2: Francis is just one of those crazy stories. They needed one,
• 18:01
  Speaker 2: and they made one.
• 18:02
  Speaker 12: But mad everyone believes it.
• 18:04
  Speaker 13: On my way down here, people were pointing, whispering old women,
• 18:09
  Speaker 13: clucking their tongues at me. They believe it.
• 18:11
  Speaker 1: They'll forget it as soon as this is over. They
• 18:13
  Speaker 1: remember that even if we once did go with each other,
• 18:16
  Speaker 1: it was finished and done with, even before the war ended,
• 18:19
  Speaker 1: before you even met Clay.
• 18:22
  Speaker 13: No, they won't forget it for the rest of my life,
• 18:26
  Speaker 13: as long as I stayed here.
• 18:30
  Speaker 2: Yeah, doc, what is it?
• 18:32
  Speaker 6: Am? I?
• 18:33
  Speaker 1: What is it?
• 18:34
  Speaker 2: Doc? Our tops he's finished.
• 18:36
  Speaker 6: I examined his liver and.
• 18:37
  Speaker 9: Lights his lessus misses Richards. Doc Oh, I beg your
• 18:42
  Speaker 9: pardon him. I'm sure I have made no disrespect for
• 18:44
  Speaker 9: the departy. Well, well, Clay was shot all right, But
• 18:47
  Speaker 9: from the nats of the womb and the coagulation of
• 18:49
  Speaker 9: the blood, I'd say it happened sometime yesterday. I'd say
• 18:52
  Speaker 9: the cashier's bullet didn't go wild.
• 18:54
  Speaker 2: After all, I could a dead man gallop away.
• 18:56
  Speaker 9: But the wound wasn't what killed Clay. The ball the
• 19:00
  Speaker 9: rib case bounced off twenty two calibra it was. And
• 19:03
  Speaker 9: what deal kill him was the stab in the back,
• 19:05
  Speaker 9: right through the spine, inflicted sometime this morning. Now news,
• 19:09
  Speaker 9: I can judge by a small blade two three inches long.
• 19:12
  Speaker 9: It could have been a borrow knife. Thanks, please, except
• 19:16
  Speaker 9: when I can do it, mister Richard, you call the
• 19:18
  Speaker 9: inquest anytime you're ready.
• 19:20
  Speaker 2: Marshall Chester, close the door, you see.
• 19:24
  Speaker 6: You see I didn't do it. I didn't shoot them.
• 19:26
  Speaker 2: All right, Maybe you said you never carried a gun. Look, Franci,
• 19:33
  Speaker 2: go home and give Matters a chance to Simon.
• 19:37
  Speaker 6: Ask you something.
• 19:40
  Speaker 2: Yeah, turn pizza to your house into the street. All right, Francy,
• 19:48
  Speaker 2: they're itch and they get their hands on him. Let
• 19:50
  Speaker 2: them have them.
• 19:51
  Speaker 13: You'll prove that story is a lie, that you didn't
• 19:54
  Speaker 13: make a deal with him. Please, Math, I have to
• 19:57
  Speaker 13: live here. Tell me I have to live here. M Yes,
• 20:08
  Speaker 13: don't look at me like that.
• 20:12
  Speaker 1: Go home, Frenzy, go home, or leave town or hang
• 20:18
  Speaker 1: yourself or anything you like.
• 20:20
  Speaker 4: Just go away, no way right now?
• 20:30
  Speaker 7: How bought me a bottle at the aliph Agains? Mister dining,
• 20:33
  Speaker 7: was careful drinking. No, I guess the funeral is over.
• 20:39
  Speaker 2: There'll be others.
• 20:41
  Speaker 6: Funny now I miss that bell? Awful quiet, ain't it?
• 20:45
  Speaker 2: It's just just about unscheduled. Are you ready? Chester?
• 20:53
  Speaker 6: Yes?
• 20:53
  Speaker 2: You you? I used the shotgun if I were you.
• 20:56
  Speaker 2: It's more effective when there's a mom to be dealt with. Oh, yes, right,
• 20:59
  Speaker 2: Am Ziggler and you two son.
• 21:02
  Speaker 1: If prouble starts lying down flat on the floor and
• 21:05
  Speaker 1: keep your head down all the time, don't go out
• 21:07
  Speaker 1: to see what's happening.
• 21:07
  Speaker 2: You understand me, all right, Dylan co Chester.
• 21:17
  Speaker 1: I want you to stand here in the doorway after
• 21:18
  Speaker 1: I go out, where you can cover the back door
• 21:20
  Speaker 1: and meet at the same time.
• 21:22
  Speaker 4: Yes, you just really.
• 21:24
  Speaker 2: All right? Chester, opening door.
• 21:33
  Speaker 6: It's my duty to warn all of you that you're
• 21:37
  Speaker 6: in the breach of the peace.
• 21:39
  Speaker 4: I've sworn up all the law.
• 21:41
  Speaker 2: I've killed men in order to do it, and I'm
• 21:43
  Speaker 2: prepared to do so again.
• 21:45
  Speaker 1: He was a Dutchman, dun.
• 21:51
  Speaker 2: I asked you to be sensible and leave quietly.
• 21:54
  Speaker 10: But if you refuse to listen to reason, if you
• 21:57
  Speaker 10: insist upon being fools, if you've already decided to act
• 22:01
  Speaker 10: like wolves instead of humans, and there's nothing I can
• 22:05
  Speaker 10: say to make you change your minds.
• 22:08
  Speaker 2: All right, you'll want Peter's igler, and he's not.
• 22:11
  Speaker 13: Going twenty feet behind me, so come on and get him.
• 22:14
  Speaker 2: Many of you, one at a time, or all it wants.
• 22:16
  Speaker 2: Come on, what's one of you wants to die?
• 22:19
  Speaker 6: First?
• 22:20
  Speaker 2: You? You? You?
• 22:26
  Speaker 4: Adam?
• 22:28
  Speaker 7: What do you say, Adam?
• 22:29
  Speaker 2: You'll let him here? Don't let this star on my coat?
• 22:31
  Speaker 4: Stop here, come on there, I'm not wearing it now.
• 22:36
  Speaker 2: I'll come on.
• 22:37
  Speaker 6: Draw at him.
• 22:37
  Speaker 2: Draw you all right, mister Dylon, Yeah, get his gun
• 22:55
  Speaker 2: man a lie.
• 22:56
  Speaker 9: I couldn't even see your hand move and minds you'll oh,
• 23:00
  Speaker 9: don't tell me, don't do you make one single funny
• 23:04
  Speaker 9: remark and I'll knock you down.
• 23:05
  Speaker 2: You're just taking to your office and get to work.
• 23:08
  Speaker 6: I never do mean too a fend Marshall in my
• 23:11
  Speaker 6: line of work.
• 23:12
  Speaker 2: Well bodies, there's just so much lum.
• 23:14
  Speaker 1: Make all the jokes about him, you please, but not
• 23:16
  Speaker 1: to me and not in my hearing. In my line
• 23:18
  Speaker 1: of work, there's nothing humorous about death.
• 23:22
  Speaker 2: Give him my hand, Chester, You know I can handle
• 23:24
  Speaker 2: the Marshals. Thank you, Thank you the same?
• 23:27
  Speaker 12: Can you direct me to the Marshall's office.
• 23:30
  Speaker 2: Yes, ma'am right here, I'm Marshall Doylon.
• 23:33
  Speaker 12: I left Cottonwood soon as I got your telegram.
• 23:35
  Speaker 6: I'm miss Bonnie.
• 23:36
  Speaker 3: Where's my boy?
• 23:37
  Speaker 4: Oh?
• 23:37
  Speaker 2: We have him? Man Satan Son here, Let me help
• 23:40
  Speaker 2: you down. It's that horse Chester right way. Man.
• 23:45
  Speaker 12: Oh, I'm just sorry he puts in all that trouble, Marshall.
• 23:48
  Speaker 12: The truth of the matter is he is a wild one.
• 23:50
  Speaker 12: I'm no mistake. Takes after his father, one straight after another.
• 23:56
  Speaker 1: Trouble at all I enjoyed children like to have Bob
• 24:02
  Speaker 1: Bob your mass here, Son, Chester, where's the boy?
• 24:08
  Speaker 2: You let him slip past?
• 24:09
  Speaker 6: You know, mister, he never got past me. Look, so
• 24:12
  Speaker 6: that door's open.
• 24:13
  Speaker 2: You see me?
• 24:14
  Speaker 3: And he hides.
• 24:15
  Speaker 2: Heiled at the devil. We'll round him up for you. Man,
• 24:18
  Speaker 2: don't worry. I don't know why I bother holding him back.
• 24:21
  Speaker 12: If he's run away once, He's run away a thousand times.
• 24:26
  Speaker 2: This time he ran because I wouldn't buy him a gun.
• 24:28
  Speaker 12: He wanted a real one. That boy's just gone crazy.
• 24:32
  Speaker 12: I swear he got him a nice balling knife instead.
• 24:36
  Speaker 12: I reckon it didn't signify And off he.
• 24:38
  Speaker 6: Runs bow knife.
• 24:42
  Speaker 2: Chester finds a kid, Marshall, has he done something bad?
• 24:47
  Speaker 2: I told him to use it careful.
• 24:49
  Speaker 9: He promised he'd use it.
• 24:51
  Speaker 1: No, never mind, Chester, he's got plays Strawberry Rowin would
• 24:55
  Speaker 1: never catch.
• 24:55
  Speaker 2: Up to try to bring him up right, tell him
• 24:58
  Speaker 2: to be good, but it don't. You just don't listen.
• 25:02
  Speaker 1: Calm yourself, ma'am, Just calm yourself. Here's his little bundle,
• 25:05
  Speaker 1: mister dinner, Well give it to him. That's pretty heavy.
• 25:11
  Speaker 2: Here. You're better not to and I am open it
• 25:13
  Speaker 2: with you. The moment he was born, he's been nothing
• 25:16
  Speaker 2: but tribulation to Now, please, ma'am.
• 25:20
  Speaker 6: What you got in a Chester shirt? Stalking piece of sausage.
• 25:26
  Speaker 2: And this forty four double action? Yes, mister Dylan, that's
• 25:32
  Speaker 2: Play's gun. So he didn't manage to keep it long,
• 25:36
  Speaker 2: did he?
• 25:37
  Speaker 1: Man If he wants a gun that bad, he's bound
• 25:40
  Speaker 1: to get hold of another one somewhere somehow.
• 25:45
  Speaker 2: Chester. Call mister hine Tower.
• 25:47
  Speaker 6: Over, Hey, and come on over, mister Dylon.
• 25:54
  Speaker 9: Wantn't you.
• 25:56
  Speaker 2: Have water? Oh Ziegler, I forgot all about you. Chester,
• 26:03
  Speaker 2: Where the keys here we are? It'll be safe for
• 26:12
  Speaker 2: you to go home now I can go back by
• 26:15
  Speaker 2: the phone. Yeah, that's right, I'll send for you for
• 26:17
  Speaker 2: the trial.
• 26:19
  Speaker 7: Watch where you're going. You don't excuse me, Yes, Marshall,
• 26:24
  Speaker 7: mister high Tower. It appears that we can do business
• 26:27
  Speaker 7: after all. I get some paper and a pencil. I
• 26:30
  Speaker 7: want some notices.
• 26:31
  Speaker 2: Printed, fire away. I wanted for murder. I wanted murder.
• 26:36
  Speaker 2: What's the boy's name?
• 26:38
  Speaker 5: Bonnie William, Bonnie William, Bonnie William Bonnie.
• 26:44
  Speaker 2: Aged twelve. I had about five feet hairlight, eyes blue,
• 26:51
  Speaker 2: and I suppose he's known any other name.
• 26:55
  Speaker 12: Everybody just told him Billy.
• 26:58
  Speaker 2: The Kid, oh so known as Billy.
• 27:02
  Speaker 1: The Kid.
• 27:19
  Speaker 3: Gun Smoke, under the direction of Norman McDonald, stars William
• 27:23
  Speaker 3: Conrad as Matt Dylan US Marshall. Tonight's story was specially
• 27:27
  Speaker 3: written for Gun Smoke by Walter Newman, with music composed
• 27:30
  Speaker 3: and conducted by Rex Cory. Featured in Tonight's cast were
• 27:33
  Speaker 3: Don Diamond, Parley Bear, Harry Bartel, and Howard McNair, with
• 27:38
  Speaker 3: Richard Bials, Paul dubav Georgia Ellis and Mary Lansing join
• 27:42
  Speaker 3: us again next week as Matt Dylan US Marshall fights
• 27:45
  Speaker 3: to bring law and order out of the wild violence
• 27:48
  Speaker 3: of the West.
• 27:49
  Speaker 4: In gun Smoke.
• 28:08
  Speaker 3: Those longtime favorites Amos and Andy are rising to.
• 28:11
  Speaker 4: New heights in their CBS Radio.
• 28:13
  Speaker 3: Series on Sunday nights. Heard on most of these same stations.
• 28:16
  Speaker 3: Amos and Andy find trouble as constantly as ever and
• 28:19
  Speaker 3: make it just as funny and it's human, as they
• 28:22
  Speaker 3: have for more than twenty years. Be sure to hear
• 28:24
  Speaker 3: Amos and Andy this Sunday, won't You right after the
• 28:27
  Speaker 3: Jack Benny Show.
• 28:28
  Speaker 4: This is Roy Rowan speaking.
• 28:30
  Speaker 3: And remember there's fast funny quizzing on the Bob Hawk
• 28:34
  Speaker 3: Show every Monday evening.
• 28:37
  Speaker 4: This is the CBS Radio Network.