Latest / The Breakfast Club / Beenie Man & Rip Micheals Talk 'Wild N' Out Live Tour, Dancehall Culture, DJ Envy Vs. DJ D-Wrek, Safaree's Breakfast Club Rap + More

Transcript

Beenie Man & Rip Micheals Talk 'Wild N' Out Live Tour, Dancehall Culture, DJ Envy Vs. DJ D-Wrek, Safaree's Breakfast Club Rap + More · The Breakfast Club

• 0:00
  Speaker 1: Morning.
• 0:00
  Speaker 2: Everybody is d J en Vy just hilarious. Charlamagne the God,
• 0:04
  Speaker 2: we are the breakfast club. Laura La Rosa is here
• 0:07
  Speaker 2: as well. We got some special guests.
• 0:08
  Speaker 1: In the building.
• 0:09
  Speaker 3: That's right in this today's episode of Breath Cub sponsored
• 0:11
  Speaker 3: you by we just had.
• 0:17
  Speaker 4: That's right now, Meanie man his head as well.
• 0:21
  Speaker 5: You feeling I'm perfect. I'm feeling well.
• 0:24
  Speaker 1: Yeah.
• 0:25
  Speaker 5: I got my tie on? Yeah, yeah, why you have
• 0:28
  Speaker 5: your tie on today? It's just a sak I love it.
• 0:33
  Speaker 1: Right.
• 0:34
  Speaker 3: You're gonna start telling people him doing perfect man, because
• 0:37
  Speaker 3: you are right like you know whatever God got playing
• 0:39
  Speaker 3: for you and however you're moving, Yeah, got.
• 0:42
  Speaker 6: To make you a perfect life. Ready to do hm.
• 0:51
  Speaker 2: It's luthor Beanie. I reached to have to be there
• 0:52
  Speaker 2: a couple of weeks ago. The first time I went to, uh,
• 0:55
  Speaker 2: what part of what part of you make it?
• 0:57
  Speaker 4: Will you tell the story every time Beanie Man, come on.
• 1:02
  Speaker 7: Last week, he held you down.
• 1:17
  Speaker 2: It was in the hood, took me to this amazing
• 1:22
  Speaker 2: place to eat. It was on the beach, it was beautiful.
• 1:23
  Speaker 1: It was just so.
• 1:25
  Speaker 2: When I went there last week, I reached out to him,
• 1:27
  Speaker 2: but I wanted to go back to that beach because
• 1:29
  Speaker 2: it was just a beautiful place and it was crazy.
• 1:30
  Speaker 1: Yeah, he looked out for you.
• 1:33
  Speaker 2: He wasn't there was the same thank you because he
• 1:35
  Speaker 2: introduced me to that place, and I was just he
• 1:38
  Speaker 2: went there.
• 1:38
  Speaker 1: And I wasn't there. That's all.
• 1:47
  Speaker 5: I think. I was. Yeah, in America, how.
• 1:50
  Speaker 8: Did you become the headliner for the while at Buckley?
• 1:53
  Speaker 6: I don't know, but let's get that call. And somebody said,
• 2:09
  Speaker 6: well man, I said why not, And I say, yeah,
• 2:12
  Speaker 6: we're doing this in the Barclays.
• 2:13
  Speaker 5: We need you. I'm like, okay, this much.
• 2:19
  Speaker 9: Right here and I'll be I feel like we needed
• 2:21
  Speaker 9: I felt like, you know, for the lounges the while.
• 2:23
  Speaker 9: I told me going we never had a Creean headline,
• 2:26
  Speaker 9: but no one is ever headlined. I went out out
• 2:29
  Speaker 9: to and I was like, in Brooklyn, one better.
• 2:31
  Speaker 1: Way to kick it off.
• 2:33
  Speaker 6: But the king still looking that my press see canoe
• 2:38
  Speaker 6: still brooking that my plasted so a long time looking
• 2:42
  Speaker 6: a simmer. Still so we really like it. Still some
• 2:45
  Speaker 6: I go over there. Still I gotta do something. Still,
• 2:48
  Speaker 6: so's it? So I government attacked and the plan for
• 2:51
  Speaker 6: and it's it And them said right after that's it
• 2:55
  Speaker 6: because that question, and is it?
• 2:58
  Speaker 5: And yeah, it is it?
• 2:59
  Speaker 4: So and Brooklyn it's a classic class.
• 3:04
  Speaker 2: How you're gonna jump Nick Cannon because you got Beanie
• 3:07
  Speaker 2: Man versus Nick Canning, you got the Knicks verse Nick
• 3:09
  Speaker 2: Cann and how many?
• 3:10
  Speaker 5: How many classes you're gonna do?
• 3:11
  Speaker 9: So understand this. So beinge Man, I didn't know how
• 3:14
  Speaker 9: funny and hilarious Beanie Man was.
• 3:16
  Speaker 1: I thought you was just gonna get a clothes.
• 3:19
  Speaker 5: He was like.
• 3:20
  Speaker 1: He was like, no, I came to murder everyone. Nick
• 3:23
  Speaker 1: shot fire. I was like, so, now it's the King
• 3:24
  Speaker 1: of dance all versus the King of kids. So I
• 3:26
  Speaker 1: think I got what song?
• 3:35
  Speaker 4: Is Nick gonna perform against Beanie Man? Playing the games?
• 3:38
  Speaker 1: That's what.
• 3:41
  Speaker 9: Man can actually freestyle and beatinge Man got barred like literal.
• 3:44
  Speaker 1: He was on. He was just like, he's killing Nick.
• 3:49
  Speaker 5: I'm talking about King' come got nothing on the King
• 3:54
  Speaker 5: what you're talking about?
• 3:58
  Speaker 1: So we're ready?
• 3:59
  Speaker 3: So is it gonna be a same?
• 4:00
  Speaker 1: Yeah, he's on the other side, he said, I don't
• 4:02
  Speaker 1: want to just perform it. I want to go he said.
• 4:04
  Speaker 1: We clash.
• 4:04
  Speaker 6: And now you see I love the show and I
• 4:07
  Speaker 6: telling life my love the show. The vibes and with
• 4:11
  Speaker 6: a man like happiness and like have fun and be
• 4:14
  Speaker 6: on stage right that and having fun right to comedians
• 4:17
  Speaker 6: given joke and thing manature cared plan you actual cared.
• 4:21
  Speaker 5: But the next month man.
• 4:23
  Speaker 6: A freestyle, you are freestyle. I love that thing. I
• 4:26
  Speaker 6: love it, love it, love it, love it, love it,
• 4:28
  Speaker 6: love it because I'm a dancer artist, and I come
• 4:31
  Speaker 6: to clashes because right through my life, you know, soundclash
• 4:35
  Speaker 6: from I am here from the eighties, then come right
• 4:40
  Speaker 6: through the nineties with clash May and bonticular clash and
• 4:44
  Speaker 6: clash May and Ninjaman.
• 4:46
  Speaker 5: Clash is just clashing right too.
• 4:48
  Speaker 6: So it's part of my whole entire building up, you know,
• 4:52
  Speaker 6: to become the man that I am today. So with
• 4:55
  Speaker 6: all clashes, I just I'm an artist, but I am not.
• 5:00
  Speaker 6: I am an artists and this nick them. No, it's
• 5:03
  Speaker 6: not that I'm a artist because me freestyle if it
• 5:07
  Speaker 6: did right to Yeah, I don't know what the Americans
• 5:12
  Speaker 6: and the American style. I'm not a rapper. I don't
• 5:14
  Speaker 6: do that thing. I'm a dance original phone diation and DJ.
• 5:18
  Speaker 2: That's what's clash still as big now as was before
• 5:22
  Speaker 2: because I don't see it as much I don't see
• 5:23
  Speaker 2: the excitement.
• 5:23
  Speaker 6: No more well, you see, there's no more shows. That's
• 5:28
  Speaker 6: a problem. So that's what I'm trying, bringing back my show.
• 5:32
  Speaker 6: You know, some says, which I'm doing August fifteenth in Jamaica,
• 5:36
  Speaker 6: because there's no more shows. You know, there's no more sting,
• 5:40
  Speaker 6: there's no more reggaesan splash, there's no more ram Jump,
• 5:43
  Speaker 6: there's no more shows. So clash kind of becomes a
• 5:48
  Speaker 6: well our internet game. So any man clash clash my record,
• 5:53
  Speaker 6: missing the song that you sing that song, missing that
• 5:56
  Speaker 6: song that you sing that song, But there was there's
• 5:58
  Speaker 6: nobody going on stage saying all right, can't clash?
• 6:03
  Speaker 5: Is that because of money? There's a challenge money.
• 6:05
  Speaker 6: It's not really money. It's because you have someone bad
• 6:10
  Speaker 6: behind your back. But when I'm coming in frontier, it
• 6:13
  Speaker 6: is a different thing, you know. So you have some
• 6:15
  Speaker 6: artists where I don't think them them like the Face
• 6:18
  Speaker 6: the Fierce Clash. I think them like the online clash,
• 6:22
  Speaker 6: because online clash is not really a gain the money and.
• 6:24
  Speaker 5: I sell the record.
• 6:25
  Speaker 6: It does I get people that I listened to the song,
• 6:28
  Speaker 6: I say, yeah, the new song someone jumped Tod and
• 6:31
  Speaker 6: they hear the new song, someone jump, you're the new song.
• 6:34
  Speaker 6: Miss some money, yo, miss someoney, come out to that
• 6:36
  Speaker 6: new song tomorrow. And that's what clashes now.
• 6:39
  Speaker 4: But you like the confrontation.
• 6:41
  Speaker 3: What we.
• 6:44
  Speaker 1: Welcome he'd be ready welcome, Yeah.
• 6:48
  Speaker 6: He was ready read You see music without you see well,
• 6:53
  Speaker 6: when they come to competition in music, I think it
• 6:56
  Speaker 6: makes the thing nicer because the vibe get different, because
• 7:01
  Speaker 6: the vibe different when ye're DJ up on stage. Of course,
• 7:04
  Speaker 6: you know you're rap the crowd, the audience, everybody. You
• 7:07
  Speaker 6: go down and go you beat them Monday the night show.
• 7:10
  Speaker 6: But when people here you are freestyling in a different mind,
• 7:13
  Speaker 6: a different way.
• 7:14
  Speaker 5: It's just wicked.
• 7:16
  Speaker 6: Because I ride to close the shore, you know, just
• 7:19
  Speaker 6: to close the shore and just be nice and got
• 7:21
  Speaker 6: me out, is it? But sometimes you forget involved, you know,
• 7:26
  Speaker 6: you have forget involved. Sometimes you have to change your vibe,
• 7:29
  Speaker 6: change the narrative. Yeah, you know it's not all the time.
• 7:32
  Speaker 6: You just want to see us, so ever, may they
• 7:34
  Speaker 6: just see us y'all walk up and say, yo, got
• 7:37
  Speaker 6: mush up the place, and you just got mash up
• 7:39
  Speaker 6: the place and come on for the stage.
• 7:40
  Speaker 5: You know, sometimes you.
• 7:41
  Speaker 6: Want we'll have vibe a job. You want to laugh,
• 7:44
  Speaker 6: you know, sometimes you just want have fun.
• 7:46
  Speaker 8: Yeah, the Barclay is about to go up, It's about
• 7:51
  Speaker 8: to be crazy.
• 7:52
  Speaker 9: I just think that, like, you know what we're doing
• 7:54
  Speaker 9: now with it because we're bringing it back. And then
• 7:56
  Speaker 9: when I was at the Netflix the joke and I
• 7:57
  Speaker 9: was like, you know what, we really need to bring
• 7:58
  Speaker 9: it back because it started to tour started amazurs started
• 8:01
  Speaker 9: right there in Queen. So I was like, you know what,
• 8:02
  Speaker 9: how do we make it better? How do we come
• 8:04
  Speaker 9: back to the bark this center. How do we just
• 8:05
  Speaker 9: and infuse everything and just make it the biggest thing ever?
• 8:08
  Speaker 9: Because I just left with April fool and I'm gonna
• 8:09
  Speaker 9: come back with this. And I was like, mvy is
• 8:11
  Speaker 9: going against Direct number one?
• 8:13
  Speaker 1: And then we got.
• 8:13
  Speaker 2: Nick, I am not going against Direct.
• 8:18
  Speaker 3: You're always putting people against the other boy and and
• 8:21
  Speaker 3: and Boosie said he ain't doing it.
• 8:22
  Speaker 1: Yeah, I don't know what happened with that boy. They
• 8:24
  Speaker 1: ain't never know what he had agreed. No, Boozy agreed
• 8:28
  Speaker 1: with book had.
• 8:29
  Speaker 9: Money and everything that somebody will be there. No, No,
• 8:32
  Speaker 9: we took all that off because they were both like, hey,
• 8:35
  Speaker 9: did it turned into something we want a whole bunch
• 8:36
  Speaker 9: of money stuff, and I was.
• 8:37
  Speaker 5: Like, oh, okay, cool, so both of them no longer.
• 8:39
  Speaker 1: No longer.
• 8:41
  Speaker 5: But I'm not batting Direct Direct is opening up for me.
• 8:43
  Speaker 5: I'm not. It's not a battle. He's opening up.
• 8:45
  Speaker 4: DJ Direct cut the beat O.
• 8:49
  Speaker 1: You scared him.
• 8:53
  Speaker 9: No, I got MVY, even though I'm wan sure I
• 8:55
  Speaker 9: got MVY.
• 8:57
  Speaker 5: Ladies and gentlemen. He's opening up from you time.
• 9:00
  Speaker 1: Yes, they will be on the same That sounds like
• 9:02
  Speaker 1: a battle in me.
• 9:03
  Speaker 5: He's gonna be first, He's gonna he's gonna DJ set
• 9:06
  Speaker 5: up here.
• 9:06
  Speaker 1: We got DJ.
• 9:07
  Speaker 5: He's gonna introduce me and then DJ.
• 9:09
  Speaker 3: You know why I got Direct because what Beanie was saying,
• 9:12
  Speaker 3: like he directs still be in the midst of confrontation
• 9:15
  Speaker 3: and competition, Like you don't be doing that when the
• 9:17
  Speaker 3: last time you went head up with somebody, you don't.
• 9:18
  Speaker 1: Gotta do that a battle. Yes, I mean got.
• 9:22
  Speaker 5: A battle the nineties.
• 9:24
  Speaker 1: But do you be hearing his transition in his.
• 9:26
  Speaker 5: Don't say nothing? He just I do this for if
• 9:31
  Speaker 5: you do up battling.
• 9:32
  Speaker 1: Can we need to people need to see this because
• 9:34
  Speaker 1: they need to stop playing with I.
• 9:37
  Speaker 9: Really do I think got stream. He's going to destroy
• 9:40
  Speaker 9: so you so many people need tell me the video.
• 9:42
  Speaker 1: I posted and gotta come. They definitely gotta do that.
• 9:46
  Speaker 5: Are they playing your talent? They are, Yes, they are.
• 9:49
  Speaker 5: They are keeping you up.
• 9:51
  Speaker 2: They don't know. I know, they don't know they're playing
• 9:54
  Speaker 2: with the playing I know.
• 9:56
  Speaker 5: Just start slapping them from me.
• 10:00
  Speaker 6: Come on now, director is a week DJ. No disrespect
• 10:03
  Speaker 6: to you, but this is.
• 10:05
  Speaker 1: J Yes, what I means.
• 10:14
  Speaker 7: Don't know.
• 10:15
  Speaker 5: Just let him go, Just let him go.
• 10:17
  Speaker 1: So, yeah, it will be a d J thing right here.
• 10:19
  Speaker 5: Yeah, yeah, you got d jail, d jail.
• 10:22
  Speaker 9: We set it up like a real battle and I
• 10:23
  Speaker 9: think that's the somebody, but it's all the funny.
• 10:26
  Speaker 5: You know, got a direct moments, have some ever just
• 10:29
  Speaker 5: go kill somebody there, you go.
• 10:32
  Speaker 4: Kill some boy said kiss him.
• 10:51
  Speaker 1: It's Caribbean prime.
• 10:54
  Speaker 4: Tell you.
• 11:02
  Speaker 3: I want to ask about dancehol right, Yeah, has dance
• 11:06
  Speaker 3: all become more global but less Jamaican?
• 11:09
  Speaker 6: Well, well, Dancehall, I've never been less jermmaking because if
• 11:15
  Speaker 6: even come from Africa as DJA like a jammaker and
• 11:18
  Speaker 6: you're doing Jamaica, so you know, make it for realized
• 11:22
  Speaker 6: that you don't have to be a Jammacan to be
• 11:24
  Speaker 6: Jamaican anymore? Is it When I come from jamaaqueens antelet's
• 11:29
  Speaker 6: can come from or I'm clear, But danceall is more
• 11:32
  Speaker 6: global and I love it. The reason why, if you
• 11:35
  Speaker 6: do something and nobody don't do it, it's never good
• 11:37
  Speaker 6: in at the first place you get to. So if
• 11:40
  Speaker 6: the world want to adapt to your music and deal
• 11:43
  Speaker 6: with your music and put it out there, you know,
• 11:46
  Speaker 6: it becomes a part of it.
• 11:47
  Speaker 5: I really appreciate it.
• 11:49
  Speaker 6: You know, but it's never less Jamaican because we're always
• 11:52
  Speaker 6: here and we're still there.
• 11:53
  Speaker 5: You get me.
• 11:54
  Speaker 6: I have a new album working and soon finished, so
• 11:58
  Speaker 6: I'm going to put that out. Then, you know, you
• 12:00
  Speaker 6: have other artists have other album come come out, and
• 12:02
  Speaker 6: other artists at a sung release. But you see, music
• 12:07
  Speaker 6: is music. You have Jammy can that do hip hop?
• 12:09
  Speaker 6: You have Jammy can that do R and B? You
• 12:11
  Speaker 6: have Jammy I cannot do afro beat? You have Jammy
• 12:14
  Speaker 6: can do every different type of music. But if somebody
• 12:17
  Speaker 6: do yours, that means its very important for you to
• 12:21
  Speaker 6: continue doing what you're doing because you're doing something good.
• 12:24
  Speaker 3: How do you protect the dance all culture while still
• 12:27
  Speaker 3: wanting it to evolve and continue to grow glove.
• 12:30
  Speaker 6: Well, what you do is be yourself as a dance
• 12:35
  Speaker 6: artist and just be yourself. Do what Jammy can do.
• 12:37
  Speaker 6: You do what dance I'll do it. You keep yourself
• 12:42
  Speaker 6: in the right way where you're supposed to be, you know,
• 12:44
  Speaker 6: because if it's arrested money, just be arrested. If it's
• 12:47
  Speaker 6: a ballad, ama, be a balladular is it? So you're
• 12:51
  Speaker 6: just supposed to be the artist that you are every time.
• 12:54
  Speaker 6: If I'm an expect roots and culture from you, will
• 12:57
  Speaker 6: give them that. You know, I'm an saying, expect girl
• 13:00
  Speaker 6: tune from you. You give them that and manual expect
• 13:03
  Speaker 6: badness from you, you give them that. They Just be
• 13:06
  Speaker 6: yourself and keep yourself to where you're supposed to be here.
• 13:08
  Speaker 6: Then you have some artists and do everything you do culture, girl,
• 13:12
  Speaker 6: badman tune everything, because I'm just a dance artist. That's
• 13:16
  Speaker 6: what I do. I do music for people that love music.
• 13:19
  Speaker 6: So we have all different type of sets. So we
• 13:22
  Speaker 6: have the girl set, we have the gangster set, then
• 13:25
  Speaker 6: we have the culture set. Then you know, then you
• 13:28
  Speaker 6: got the mad set because you have a bigger one.
• 13:31
  Speaker 6: I listen to music and them like for your clean music.
• 13:34
  Speaker 6: So you know you have the part the w you
• 13:35
  Speaker 6: do to and then you have a part with the
• 13:37
  Speaker 6: girl and want broked. You make them broke out. You
• 13:39
  Speaker 6: know that that's all it is. So that's all and
• 13:42
  Speaker 6: your protect dance alto is protecting.
• 13:46
  Speaker 5: You yourself as the artist. You know you have to know.
• 13:51
  Speaker 6: You get the rights, you get arm you can't show
• 13:55
  Speaker 6: your master's all these things.
• 13:57
  Speaker 5: You know, protect yourself. And because.
• 14:01
  Speaker 6: Since I've let everybody wanted to do of us some
• 14:03
  Speaker 6: being a man classic every man Calum this minute to
• 14:06
  Speaker 6: wander all that a man calum next minute to more
• 14:08
  Speaker 6: and we could slam my mon calven the next minute
• 14:10
  Speaker 6: to wander something that I'm being the man Catillac. So
• 14:14
  Speaker 6: you know it's still going on and it's still happening
• 14:17
  Speaker 6: and people still want to hear it.
• 14:18
  Speaker 2: That means yeah, there, how do we how do we
• 14:21
  Speaker 2: get dance or back to where it was before?
• 14:23
  Speaker 1: Right?
• 14:24
  Speaker 5: You remember one time you would hear Jamaican.
• 14:27
  Speaker 2: Music or dance or music on radio, right, you would
• 14:29
  Speaker 2: hear it entwined with everything else that's doing everything right.
• 14:31
  Speaker 5: But now it seems like it's back.
• 14:33
  Speaker 2: To a specialty thing where you're only gonna hear it
• 14:35
  Speaker 2: Sundays and now I mean, so, how do we get
• 14:37
  Speaker 2: it back to the point where it's just part of
• 14:39
  Speaker 2: world music?
• 14:40
  Speaker 6: Yeah, I think you see back in the days when
• 14:44
  Speaker 6: all of us will say off contract. I remember the
• 14:46
  Speaker 6: time I said, you know, all of us, you'll say
• 14:49
  Speaker 6: off contract. A man signed with Sonya and mane signed
• 14:51
  Speaker 6: with virgin a man signed with that. None of that
• 14:54
  Speaker 6: they get to me. And then the contracts at like
• 14:58
  Speaker 6: see them, them, them doing so in attractive look at you.
• 15:01
  Speaker 6: And so I think that's where the music gets up
• 15:05
  Speaker 6: beating because there's nobody working the music like all them
• 15:09
  Speaker 6: used to work the music. So right now the music
• 15:11
  Speaker 6: has been working by artists are by we call it
• 15:15
  Speaker 6: internet are mm hmm, social media, but there is no
• 15:22
  Speaker 6: liber a machine that there behind him for press guests. Yes,
• 15:27
  Speaker 6: I think that's what really happening right now.
• 15:29
  Speaker 1: To that.
• 15:31
  Speaker 5: We need a power you. Yeah, this is the first
• 15:35
  Speaker 5: time performing at Barcleys. Yeah, my first.
• 15:40
  Speaker 4: It's gonna be here.
• 15:41
  Speaker 5: I did you Yeah, I know I did.
• 15:47
  Speaker 8: That is it's a lot of people that claim to
• 15:50
  Speaker 8: be Jamaican by way of Brooklyn. So how do you
• 15:52
  Speaker 8: feel about you know, different people in the.
• 15:56
  Speaker 5: Yeah, your culture.
• 15:58
  Speaker 1: Yeah, well you see.
• 16:01
  Speaker 5: Brooklyn is a place for a dancer right from Langland.
• 16:06
  Speaker 6: Long long London long like Brooklyn downside from seventies, you
• 16:20
  Speaker 6: know from you know, from the nineties them just a
• 16:23
  Speaker 6: bit and you know every fifties just a bit of
• 16:26
  Speaker 6: a other disuse church I've knew and I had so
• 16:30
  Speaker 6: you have you know, you have a legend and Aladam
• 16:33
  Speaker 6: Club come back in at the days. So Brooklyn was
• 16:36
  Speaker 6: like one of the first places I've been to new
• 16:40
  Speaker 6: in America. It is one of the first places I
• 16:43
  Speaker 6: performed in Brooklyn. See yeah, so I really my tone,
• 16:47
  Speaker 6: you know. Yeah, remember that's when I noticed it. Yeah,
• 16:51
  Speaker 6: one place and just got walk Remember one time I
• 16:54
  Speaker 6: was in there the park and decides said, remember my
• 17:00
  Speaker 6: friend of Han and jumped off the truck like a
• 17:04
  Speaker 6: mad man.
• 17:06
  Speaker 5: End up, run board two.
• 17:07
  Speaker 6: Black people and come out for the park just because
• 17:11
  Speaker 6: what building so Brooklyn.
• 17:16
  Speaker 5: Yes, the truck.
• 17:18
  Speaker 10: He jumped off the truck, the man man and he
• 17:20
  Speaker 10: got hit by a car.
• 17:35
  Speaker 6: I get off the chuck before I was supposed to
• 17:38
  Speaker 6: get off the chuck and everybody was coming off the
• 17:40
  Speaker 6: parkway and then they saw me.
• 17:44
  Speaker 5: I went crazy.
• 17:45
  Speaker 6: So I have to run two blacks up the road
• 17:48
  Speaker 6: deep in our house shut down the shadow them police.
• 17:52
  Speaker 5: To take me out of.
• 17:54
  Speaker 4: A random house.
• 17:55
  Speaker 5: Yeah, just running.
• 17:59
  Speaker 1: The door was so I just pushed.
• 18:04
  Speaker 6: There was a beating man and they pulled on the
• 18:07
  Speaker 6: shutters because everybody started getting crazy.
• 18:09
  Speaker 5: It was crazy. Yeah, and it was you know, the
• 18:13
  Speaker 5: labor they think. There was a lot of people. So
• 18:17
  Speaker 5: I was under the VP. Ch mm hmm people, oh VP.
• 18:23
  Speaker 8: Yeah, I forgot about you over here talking about the ocean.
• 18:25
  Speaker 8: He's saying, not no, damn ocean.
• 18:32
  Speaker 1: I went to check a.
• 18:33
  Speaker 6: Friend by Ocean Avenue. I was going by Ocean Avenue
• 18:38
  Speaker 6: to check a friend and then I after two cough
• 18:42
  Speaker 6: was wicked.
• 18:43
  Speaker 5: But it's nice.
• 18:46
  Speaker 3: I look when he talked like we all like, its
• 18:51
  Speaker 3: interesting because when he wants you to understand him, you will.
• 18:54
  Speaker 1: You don't want you to understand.
• 18:57
  Speaker 5: Yeah, that's how I'm Jamaican. H you can be black man.
• 19:03
  Speaker 5: You know what's going on here.
• 19:13
  Speaker 1: You can't.
• 19:17
  Speaker 5: Stop stop me? So yeah, something for child sometime for
• 19:24
  Speaker 5: nice looking Yeah.
• 19:26
  Speaker 3: Yeah, why you didn't have Safari go up against Beanie
• 19:28
  Speaker 3: man right now?
• 19:30
  Speaker 9: Man, this was really important to me because I used
• 19:33
  Speaker 9: to hold squads. I used to being prints, like a
• 19:35
  Speaker 9: lot of.
• 19:35
  Speaker 1: Things I remember he's playing with playing with Wow. Okay,
• 19:42
  Speaker 1: he's playing with Candy.
• 19:46
  Speaker 5: That's an adaptation.
• 19:49
  Speaker 2: Don't play with you know, don't play with Beanie, you
• 19:51
  Speaker 2: PLAYNNA plays right.
• 19:52
  Speaker 1: Now bringing it back in no what.
• 19:57
  Speaker 5: Anyway, this Sunday, What Time to.
• 19:59
  Speaker 1: Do is a eight o'clock It's gonna be iconic. Man.
• 20:01
  Speaker 9: We got so many different things, so many surprises, and
• 20:04
  Speaker 9: the actual wound out auditions today, so we got about
• 20:07
  Speaker 9: five six other people that actually that will be five
• 20:09
  Speaker 9: thousand at.
• 20:10
  Speaker 1: Going on the day.
• 20:14
  Speaker 3: The early it's gonna be crazy so far. Yeah, you
• 20:19
  Speaker 3: don't want to bring them.
• 20:20
  Speaker 11: Up, you know anyway that put on the beat, Put
• 20:32
  Speaker 11: on the beat freestyle?
• 20:33
  Speaker 5: Okay, would beat? What kind you play?
• 20:35
  Speaker 3: Beat?
• 20:36
  Speaker 4: Right fast?
• 20:36
  Speaker 5: Please? Please?
• 20:37
  Speaker 4: Are you gonna be there?
• 20:38
  Speaker 10: You know?
• 20:39
  Speaker 5: Pretty pretty?
• 20:44
  Speaker 9: Put on the beat like playing with me?
• 20:50
  Speaker 4: Yeah, like we don't understand.
• 20:52
  Speaker 1: They don't understand.
• 20:53
  Speaker 5: Like when it gets crazy, you don't.
• 20:57
  Speaker 3: No crazy crazy, I can't maybe play the Farry bust
• 21:07
  Speaker 3: of blanks.
• 21:10
  Speaker 1: That's not messing with playing, that's what he.
• 21:14
  Speaker 5: Oh yeah he did be doing.
• 21:15
  Speaker 2: Stop stop stop playing play plays.
• 21:18
  Speaker 1: Stop playing this. Maybe he don't even like Farry bors.
• 21:23
  Speaker 5: I don't know what I'm Okay these people. Somebody asked,
• 21:34
  Speaker 5: where did you see this? Who tell them to stop this?
• 21:37
  Speaker 6: Caramelas the Grammy artist FASTI all your aptomatist and governor,
• 21:41
  Speaker 6: the forces for Tamera and the McClarty sim crass they
• 21:46
  Speaker 6: watch minims. Is that we partied, then I know my
• 21:49
  Speaker 6: gun faction. I'm going supermarket gonna by releasing them or
• 21:53
  Speaker 6: Tina basket. Listen, when did the jay your tarket we landed,
• 21:57
  Speaker 6: first friend come enjoyed by Michu and Amlias, my glanma,
• 22:03
  Speaker 6: my first st ning, My god, my role like thunder
• 22:05
  Speaker 6: you're about this weeknap to one now but saying that
• 22:08
  Speaker 6: thunder can't chat.
• 22:09
  Speaker 1: To me maker more just down that your.
• 22:13
  Speaker 5: Like a conjuct.
• 22:14
  Speaker 6: You're saying, man, big gunner, you were wonder and shutter
• 22:17
  Speaker 6: flying that your father would like to not your.
• 22:30
  Speaker 5: Minute.
• 22:31
  Speaker 1: Oh my god, we'll be outside outside shirt Sundays. Which
• 22:40
  Speaker 1: was the white young man.
• 22:42
  Speaker 5: You just like that young man.
• 22:44
  Speaker 1: You got so many different people.
• 22:45
  Speaker 9: Man, get the early got people that win't even now
• 22:49
  Speaker 9: we get stream Adrian Brown and coming.
• 22:54
  Speaker 1: That's gonna be is coming coming. So it's just gonna
• 22:57
  Speaker 1: be a human will.
• 22:58
  Speaker 2: Be in the buildings because the last one. If you
• 22:59
  Speaker 2: haven't got your tickets, get your ticket and we'll see
• 23:02
  Speaker 2: you on Sunday.
• 23:03
  Speaker 1: He will be headlined at all. Be up there looking.
• 23:07
  Speaker 1: That was effortless.
• 23:10
  Speaker 10: Let me do that was.
• 23:13
  Speaker 5: We're talking real proud about you. Don't worry about it.
• 23:16
  Speaker 1: I got my guy right there, all the way back
• 23:17
  Speaker 1: to like.
• 23:18
  Speaker 5: My guy as well, we go back to that.
• 23:20
  Speaker 1: Sorry you're going.
• 23:21
  Speaker 5: That's right, we got it. It's the Breakfast Club. Good morning.
• 23:23
  Speaker 5: We'll see y'all on Sunday.