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Private Eyes West Coast Has Hit The CW Starring Actress Cindy Sampson · Arroe Collins Like It's Live

• 0:00
  Speaker 1: Here's the thing. It's a podcast network. 21 different podcasts
• 0:04
  Speaker 1: to choose from. 21 different mindsets, releases, exposures, discoveries, and
• 0:10
  Speaker 1: just a place for you to be you. Arrow.net. A-R-R-O-E.net.
• 0:15
  Speaker 1: Enjoy your exploration.
• 0:17
  Speaker 2: Good morning.
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  Speaker 1: How are you doing, Cindy?
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  Speaker 3: I'm great. How are you, Errol?
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  Speaker 1: Absolutely fantastic and very excited to share a conversation with
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  Speaker 1: you because you are proving to everybody that it's like,
• 0:26
  Speaker 1: because so many people have been binge watching, but it's
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  Speaker 1: like you're living in the presence of now by giving
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  Speaker 1: us now the privatized West Coast. You're saying, hey, look,
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  Speaker 1: that's okay back there, but here's where we are now.
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  Speaker 1: Pick up the story and let's go forward. That's what
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  Speaker 1: I love about this show on CW.
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  Speaker 2: Yeah, it's pretty impressive. I can't believe it. We're having
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  Speaker 2: a resurgence of the original, which you think you film something,
• 0:51
  Speaker 2: people see it, and then it leaves, but it's come back.
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  Speaker 2: People are streaming it, they're tuning in, they're watching for
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  Speaker 2: the first time.
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  Speaker 3: It's pretty amazing.
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  Speaker 2: We're super grateful to all the fans. It's been an
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  Speaker 2: epic return to television for us.
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  Speaker 1: Well, don't you think it has a lot to do with, A,
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  Speaker 1: the actors, because we believe you, because we're living vicariously
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  Speaker 1: through you, and then, B, those writers, because those two
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  Speaker 1: have got to come together like Daryl Hall and John Oates,
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  Speaker 1: and all of a sudden we now have a hit
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  Speaker 1: song on the TV.
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  Speaker 3: You know what?
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  Speaker 2: I'm speechless that I actually get to film this with
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  Speaker 2: Jason Priestley again. We had such a grand time the
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  Speaker 2: first time around. It worked so well. We worked so
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  Speaker 2: well together. And now we're getting a second kick out
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  Speaker 2: of the can. And it's so surreal to be able
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  Speaker 2: to do it. Once we were on set for Privatize
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  Speaker 2: West Coast, it took one minute.
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  Speaker 3: It was like riding a bike. We were... Right back
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  Speaker 3: where we were.
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  Speaker 2: Like, no time had passed whatsoever for the two of us.
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  Speaker 2: It's so easy to work with that man. And we
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  Speaker 2: had new writers, which you wouldn't expect when you watch
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  Speaker 2: Privatized West Coast. If you've seen the original series, we
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  Speaker 2: had two new showrunners, Jennifer Kasabian and Sarah Dodd, and
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  Speaker 2: they really captured... Matt Shade and Angie Everett, the dialogue,
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  Speaker 2: it was snappy.
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  Speaker 3: Everything is exactly as it was, only better. New coast,
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  Speaker 3: new cases.
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  Speaker 2: It's just everything better than the original.
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  Speaker 1: Well, don't you think it's because in reality, and I'm
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  Speaker 1: the foolish one here because I'm a body watcher. In
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  Speaker 1: other words, I'm sitting there watching facial expressions. I'm watching
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  Speaker 1: how you use your hands. I'm watching everything about it.
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  Speaker 1: And I'm so into what you guys are doing. I'm going,
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  Speaker 1: this is ad lib. They're sitting here. They're doing improv.
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  Speaker 1: There's no way that this is in a script. And
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  Speaker 1: yet you guys make it feel so real.
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  Speaker 2: Thank you so much. That is such a wonderful compliment.
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  Speaker 3: Oh, my God.
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  Speaker 2: You know, when we did the first series, things were
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  Speaker 2: changing because we were ironing out what the show was
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  Speaker 2: and what the characters were. So we used to get
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  Speaker 2: our lines every single morning. So Jason and I never
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  Speaker 2: memorized our lines until the makeup trailer the morning before shooting.
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  Speaker 2: So maybe if it felt that way. And now we're
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  Speaker 2: just so old.
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  Speaker 3: And good at this, I guess, after.
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  Speaker 2: 60 episodes working together. It was so much fun. The
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  Speaker 2: new premise added a whole bunch of different energy. Like
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  Speaker 2: we're married. We have a baby. We're parenting. We're co-working
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  Speaker 2: as parents. There's all this relatable humor in there. And
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  Speaker 2: I feel like that just upped the ante. It kept
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  Speaker 2: it fresh. We're on the new coast, like being in Victoria.
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  Speaker 2: instead of the urban epicenter of Toronto, it really added
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  Speaker 2: this breezy, fresh feel. The show just feels so different.
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  Speaker 2: It's all the same dynamic in a new setting that
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  Speaker 2: just keeps it on its toes.
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  Speaker 1: Said my favorite word, Victoria. That is my place. And
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  Speaker 1: the thing about it is, what I love most about
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  Speaker 1: Victoria is that you feel like that you're not even
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  Speaker 1: on this planet. You're in a completely different universe. There's
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  Speaker 1: something about Victoria with the live music, the performers, everything
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  Speaker 1: around there is just so amazing.
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  Speaker 2: I had never been to Victoria and I can attest
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  Speaker 2: that I had the most magical summer there last year
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  Speaker 2: filming this show. It was, it was such an epic
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  Speaker 2: place of beauty. And I mean the breathtaking scenery all
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  Speaker 2: around you, like mountains, ocean, there's palm trees. It's just,
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  Speaker 2: there's so many flowers. It doesn't look real. It's really,
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  Speaker 2: people thought that we were standing in front of a
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  Speaker 2: fake backdrop with some of the photos and it's just,
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  Speaker 2: That's exactly what it looks like. The drone shots in
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  Speaker 2: the first episode of Privatized West Coast really, I do think,
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  Speaker 2: sell it.
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  Speaker 3: It is such a beautiful part of the world. The
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  Speaker 3: people there are lovely.
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  Speaker 2: There's a small town vibe, but there's also a great cosmopolitan.
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  Speaker 2: Restaurants and like it's just it's the best of everything
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  Speaker 2: you can when we weren't filming we were taking seaplanes
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  Speaker 2: to salt spring islands and doing bike ride doing bike
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  Speaker 2: rides like we were hiking there was like it's just
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  Speaker 2: it is the greatest place i cannot sell this enough
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  Speaker 2: we're so fortunate to have moved there i'm so excited
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  Speaker 2: to go back and work there next summer Um, I
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  Speaker 2: can't believe we've been picked up for season two already.
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  Speaker 2: Like we're just stoked about the whole thing.
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  Speaker 1: We got caught up in customs at, in Victoria and, and,
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  Speaker 1: and the strangest thing about it was it was the
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  Speaker 1: first time anybody had ever grabbed my journal and started
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  Speaker 1: reading it right there at customs. And, and I looked
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  Speaker 1: at the guy and I go, Oh, you're looking for
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  Speaker 1: a new TV show. Do you know that if I
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  Speaker 1: wouldn't have said that he probably would have been a
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  Speaker 1: stern jerk the entire time. But he started laughing going,
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  Speaker 1: I'm going to find a new show in your writing.
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  Speaker 1: But that's what I love about Victoria is that they
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  Speaker 1: get it. They're real people there. And you can feel
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  Speaker 1: it inside what you're shooting because everybody's got a positive
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  Speaker 1: vibe about them.
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  Speaker 3: It's so true. It's a magical place.
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  Speaker 2: I mean, if I describe it, if you land in
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  Speaker 2: Victoria Airport, you take one road. It's just one street
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  Speaker 2: that takes you to downtown Victoria. Like it's wildly small
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  Speaker 2: in the most beautiful way.
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  Speaker 3: Yeah, it's just the greatest place. The people there are
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  Speaker 3: very laid back.
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  Speaker 2: I mean, I'm from Nova Scotia, so I'm the other coast,
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  Speaker 2: but it's like similar in that small town friendly vibe.
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  Speaker 1: So now, you be with Jason Priestley. I got to
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  Speaker 1: ask you a question. How long did it take him
• 6:29
  Speaker 1: to convince you to get into a race car? Because
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  Speaker 1: that man loves his racing.
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  Speaker 2: Listen, that man, okay, aside from being excellent at driving
• 6:40
  Speaker 2: a vehicle, he's also quite the maniac. There was one
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  Speaker 2: time filming the original series that I believe our wheel
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  Speaker 2: came off. That wasn't his fault. But he takes those
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  Speaker 2: turns very fast. He is always trying to outdo himself.
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  Speaker 2: We don't have the Porsche anymore. We've upgraded from the 911.
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  Speaker 2: And yeah, there was many times I thought maybe we
• 7:03
  Speaker 2: were going to take flight in that thing because he
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  Speaker 2: gets it going pretty fast.
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  Speaker 1: Do you ever feel like Angie and Matt in real life?
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  Speaker 1: I mean, other things in your life where you go, oh,
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  Speaker 1: I know exactly what I would have reacted to if
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  Speaker 1: that were on the TV show.
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  Speaker 2: Oh, yeah.
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  Speaker 1: Oh, I would have acted so much differently.
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  Speaker 3: All the time.
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  Speaker 2: I mean, yeah, I play that game every day.
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  Speaker 1: Yeah, because I mean, and once again, that goes all
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  Speaker 1: the way back to what we were talking about, the
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  Speaker 1: realism of this show. And I feel like that we're
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  Speaker 1: living vicariously through you. That's why I always argue they're
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  Speaker 1: not on script. They're sitting here and they're living it
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  Speaker 1: and they're playing it out the way that life would
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  Speaker 1: play out if they were these two people.
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  Speaker 3: That's just like a wonderful compliment.
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  Speaker 2: But, you know, we don't really.
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  Speaker 3: Ad-lib all that much.
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  Speaker 2: Although they would let us, probably, because we've played these
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  Speaker 2: characters for so long. It's been 10 years. We've done
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  Speaker 2: 60 episodes. So we are kind of like a well-oiled machine.
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  Speaker 2: Our show, you know, I mean, we did get an
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  Speaker 2: entirely new crew.
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  Speaker 3: So it was just Jason and I were the stragglers.
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  Speaker 3: We're the hanger-on-ers. But, yeah.
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  Speaker 1: Yeah. Please do not move. There's more with Cindy Sampson
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  Speaker 1: coming up next. Private Eyes West Coast. It's back on
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  Speaker 1: CW and we are back with Cindy Sampson. So one
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  Speaker 1: of the things I got to give kudos to your
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  Speaker 1: guys's promotions department at CW because the very moment that
• 8:32
  Speaker 1: you guys were getting ready to go to put it
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  Speaker 1: up on the air, all of a sudden everything on
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  Speaker 1: my social media started saying Private Eyes West Coast. I mean,
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  Speaker 1: I love that because I'm in the marketing department. When
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  Speaker 1: you can tap into my everyday world and for me
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  Speaker 1: to say, oh my God, put that on the calendar
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  Speaker 1: right now, we better be there.
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  Speaker 3: We've been wildly impressed.
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  Speaker 2: I have people in my own life just being like
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  Speaker 2: every commercial break or everything I do on the internet,
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  Speaker 2: we see privatized West Coast. It has been so amazing.
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  Speaker 2: We are so excited to hit the U.S.
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  Speaker 3: Market.
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  Speaker 2: Like we could not be more grateful for all the
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  Speaker 2: amazing support.
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  Speaker 3: CW has knocked it out of the park.
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  Speaker 2: So I really hope that we... Live up to our
• 9:19
  Speaker 2: side of the bargain. I hope people love the show
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  Speaker 2: because it's the you know, so the excitement leading up
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  Speaker 2: to it has been amazing. And I really hope everyone
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  Speaker 2: loves it as much as we loved making it.
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  Speaker 1: OK, you just touched on something that we talk about
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  Speaker 1: a lot, and that is, is that when a show
• 9:35
  Speaker 1: is produced and written in Canada. There is a Canadian
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  Speaker 1: sound and look about it. Why is it I don't
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  Speaker 1: feel that in Privatized West Coast, that this show is
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  Speaker 1: so international and so global that it can be in
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  Speaker 1: our own backyard and we're going to believe that Privatized
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  Speaker 1: West Coast is that show and it doesn't come from Canada.
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  Speaker 1: There's just something about Canadian shows that have a vibe
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  Speaker 1: about it.
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  Speaker 3: It's very true.
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  Speaker 2: We do have our Canadian content is quite Canadian content
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  Speaker 2: but this is a little glossier so we're hoping it's
• 10:04
  Speaker 2: got international appeal to it um you know it's things
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  Speaker 2: have changed in the last couple of years in the
• 10:12
  Speaker 2: industry and we really feel like the U S has
• 10:16
  Speaker 2: really embraced a lot of Canadian content. We're so happy
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  Speaker 2: about it. And, uh, CW is like knocking it out
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  Speaker 2: of the park. They, they have so much Canadian content
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  Speaker 2: on and the, and the reception has been amazing and
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  Speaker 2: we couldn't be happier.
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  Speaker 1: So now, one of the things that I loved was
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  Speaker 1: that you include your baby on the set, that really
• 10:39
  Speaker 1: is a family event. I love that kind of stuff
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  Speaker 1: because that is an open door into a future. Are
• 10:44
  Speaker 1: you predicting a producer, a director in the future, and
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  Speaker 1: you're going to be starring in your own child's production?
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  Speaker 1: I would be. I'd be saying, you've got a job
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  Speaker 1: to do. Go write that script for me right now.
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  Speaker 1: We need to be working together in the future.
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  Speaker 3: Dean, it's funny you said that.
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  Speaker 2: Are you talking about Cindy Samson or Angie Everett? Because
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  Speaker 2: we both got a baby in between the original series
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  Speaker 2: and The Private Eye of.
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  Speaker 1: The West Coast. Yeah, exactly. Well, first of all, on
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  Speaker 1: the TV show, what's going to happen is that they're
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  Speaker 1: going to become a private eye anyway. But it's going
• 11:14
  Speaker 1: to be a modern-day private eye, and somehow, some way,
• 11:16
  Speaker 1: it's going to include drones and Mars. So, I mean,
• 11:19
  Speaker 1: there's so much hope for this show, even 10, 15
• 11:21
  Speaker 1: years from now.
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  Speaker 2: Listen, I'll tell you, that baby, and it's twins, that
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  Speaker 2: baby was the best actor any day that they were
• 11:30
  Speaker 2: on set. They were just like, oh my gosh. It
• 11:34
  Speaker 2: was so, we didn't really know how it would work.
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  Speaker 2: We're like, what are we doing here?
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  Speaker 3: What are we filming? Full house?
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  Speaker 2: How we're working with a baby and it just infused
• 11:42
  Speaker 2: the set with such hilarity like it was so fun
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  Speaker 2: and fresh to work with a child and we had
• 11:49
  Speaker 2: such a great time these.
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  Speaker 3: Kids were spectacular.
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  Speaker 2: To work with they were so present they were so
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  Speaker 2: funny um it was they were dolls i i can't
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  Speaker 2: even express how much how great they were to work
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  Speaker 2: with and they're definitely getting their own show those two
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  Speaker 2: kids yeah i will i will gladly work on their
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  Speaker 2: show in the future Well.
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  Speaker 1: I never understood why W.C. Fields said you're not supposed
• 12:11
  Speaker 1: to work with kids when, in fact, that's exactly who
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  Speaker 1: I want to work with because I know they're going
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  Speaker 1: to say the darndest thing at the different, most unbelievable time,
• 12:18
  Speaker 1: and I'm going to be entertained, they're going to be entertained,
• 12:20
  Speaker 1: and we got it on film. Boom, this is what
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  Speaker 1: the show is. That's what I love about working with
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  Speaker 1: kids is that they really do get it. They have
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  Speaker 1: no fear.
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  Speaker 3: It's so true. And also, you know what? You work
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  Speaker 3: less hours.
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  Speaker 2: You can only work.
• 12:34
  Speaker 3: A certain amount of hours, and that's a beautiful thing, too.
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  Speaker 3: Short and sweet.
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  Speaker 1: Oh, my God. And see, once again, that's part of
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  Speaker 1: the magic of Privatized West Coast on CW is the
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  Speaker 1: fact that I feel like that you guys are one
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  Speaker 1: of us. You're so real in this because you have
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  Speaker 1: the family, because you're doing things. Because with true crime,
• 12:54
  Speaker 1: are we not all PIs out here?
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  Speaker 2: We are all PIs out here, especially in today's day
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  Speaker 2: and age. The online sleuthing of everything that exists.
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  Speaker 3: Absolutely.
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  Speaker 2: But at least at Private Eyes, we can laugh about it.
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  Speaker 1: So what are you learning from those sets? Are we
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  Speaker 1: going to start seeing some writing and directing from you
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  Speaker 1: as well? Because this is the type of show where
• 13:15
  Speaker 1: people say, oh, I remember when and now look at
• 13:19
  Speaker 1: where they are today.
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  Speaker 2: You know, directing is a whole different ballgame. And I
• 13:27
  Speaker 2: directed an episode of the original series. And then I'm
• 13:30
  Speaker 2: going to probably be directing in season two.
• 13:32
  Speaker 3: Jason directs every season.
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  Speaker 2: He's been doing it since he was 22 years old
• 13:38
  Speaker 2: on 90210. So it's like riding a bike for him.
• 13:43
  Speaker 2: He doesn't even have to think about it. I, on
• 13:45
  Speaker 2: the other hand.
• 13:47
  Speaker 2: It's a different feeling directing, but it's also very exciting
• 13:52
  Speaker 2: and scary. And it's good to be scared and put
• 13:54
  Speaker 2: yourself in those situations where you're not as confident.
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  Speaker 3: Just winging it. That's a terrible way to describe it.
• 14:04
  Speaker 1: One of the things that you guys have mastered is
• 14:07
  Speaker 1: the eye-to-eye contact. In other words, it's like a couple
• 14:10
  Speaker 1: who's been married for a long time, and all you
• 14:12
  Speaker 1: have to do is just kind of look at them,
• 14:13
  Speaker 1: and you know exactly what they just said. How did
• 14:15
  Speaker 1: you guys understand that and bring that to the screen?
• 14:18
  Speaker 1: Because you can look at each other, and as a viewer,
• 14:21
  Speaker 1: I'm going, oh, oh, it's about to get hot here.
• 14:25
  Speaker 2: You know what? It's funny you said that because we
• 14:27
  Speaker 2: really still had that in sync thing. Like we turned
• 14:30
  Speaker 2: and walked at the same time. We always turn and
• 14:32
  Speaker 2: look at each other at the same time.
• 14:33
  Speaker 3: It's so instinctual. We don't plan it. It just happens.
• 14:36
  Speaker 2: It existed from day one and it still exists. I mean,
• 14:40
  Speaker 2: it's also a kind of, you know, people say chemistry
• 14:43
  Speaker 2: and like chemistry either exists or sometimes it grows or sometimes.
• 14:47
  Speaker 3: It fades. I don't know.
• 14:49
  Speaker 2: But we had a chemistry test from the get go
• 14:51
  Speaker 2: and we were laughing the first moment we met each other.
• 14:53
  Speaker 2: So I feel like that really has stood the test
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  Speaker 2: of time for us.
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  Speaker 1: OK, OK. If you're going to talk like that, you
• 14:58
  Speaker 1: got to tell me about the outtakes then. I mean,
• 15:00
  Speaker 1: do you ever just sit back and look at those?
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  Speaker 1: Because radio people will laugh about their stupid mistakes all
• 15:04
  Speaker 1: the time. But I mean, my God, to have outtakes,
• 15:07
  Speaker 1: that's got to be some serious entertainment right there with
• 15:10
  Speaker 1: the two of you.
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  Speaker 2: I have not seen our outtakes from Privatized West Coast,
• 15:15
  Speaker 2: but I do have outtakes from every single season we
• 15:17
  Speaker 2: did of the original series.
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  Speaker 3: And it's the best thing to watch ever.
• 15:22
  Speaker 2: But it also just kind of verifies how much fun
• 15:26
  Speaker 2: we actually have doing this show and how much fun
• 15:28
  Speaker 2: we have going to work every day.
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  Speaker 1: So now how do you deal with the new layers
• 15:33
  Speaker 1: of the show? Because in reality, if you study who
• 15:35
  Speaker 1: your viewers are and the way we are, it's almost
• 15:37
  Speaker 1: like we're trying to write the story and we haven't
• 15:39
  Speaker 1: even seen the show yet. What is wrong with us
• 15:42
  Speaker 1: as viewers where we're trying to get to the finish
• 15:44
  Speaker 1: line before you guys?
• 15:46
  Speaker 2: I think that you viewers actually were the ones that
• 15:49
  Speaker 2: knew best because in the original series, if you would
• 15:52
  Speaker 2: have told Jason and I that Angie and Shade get
• 15:55
  Speaker 2: together and it works, we would have said no. We
• 15:56
  Speaker 2: kept thinking it was will they, won't they? And if
• 15:59
  Speaker 2: they ever end up together, that's the end of the show.
• 16:01
  Speaker 2: And yet that is the starting point. And it was
• 16:04
  Speaker 2: the viewers, it was the fans that wanted them to
• 16:07
  Speaker 2: get together. And when I read the first pilot episode
• 16:09
  Speaker 2: of Privatize West Coast, I was like, oh, this does work.
• 16:12
  Speaker 2: This is something we can do. And now it's this
• 16:15
  Speaker 2: wonderful beginning where everything's new and the viewers knew best.
• 16:20
  Speaker 2: They knew better than we did because here we are.
• 16:22
  Speaker 2: And now we've got new cases, new everything, new pots
• 16:29
  Speaker 2: to pull from with all of this stuff.
• 16:31
  Speaker 3: Everything for the new series. It's going to be great.
• 16:35
  Speaker 3: That was a terrible sentence. That was very poorly described.
• 16:38
  Speaker 1: You know what that chemistry is all about because you
• 16:41
  Speaker 1: know the competition is sitting there going, we got to
• 16:42
  Speaker 1: figure out what Angie and Matt are doing. What are
• 16:45
  Speaker 1: Cindy and Jason doing here? Because they got chemistry. We
• 16:48
  Speaker 1: got to figure it out. Got to figure it out.
• 16:49
  Speaker 1: And all of a sudden, everybody's trying to be you guys.
• 16:51
  Speaker 1: And it's like, stop. Just be yourself.
• 16:56
  Speaker 3: Yeah.
• 16:56
  Speaker 2: I mean, it just kind of works, doesn't it?
• 16:58
  Speaker 3: It's like one of those things where you don't have
• 17:00
  Speaker 3: to try too hard. You just let it be and
• 17:01
  Speaker 3: it grows from there.
• 17:03
  Speaker 2: We this new influx of characters, though, we have we
• 17:06
  Speaker 2: have three new cast members that have really infused new
• 17:09
  Speaker 2: energy into everything. And they're hilarious in their own ways.
• 17:12
  Speaker 2: And that was that was really great. So, yeah, we
• 17:16
  Speaker 2: just get to be ourselves.
• 17:17
  Speaker 3: It's the exact same dynamic.
• 17:18
  Speaker 2: It was very easy for us.
• 17:20
  Speaker 1: It's so funny when you talk about new energy and
• 17:22
  Speaker 1: stuff like that, because I would be the one that
• 17:24
  Speaker 1: they would kick off the set because I'll laugh about anything.
• 17:28
  Speaker 1: And so I just know that you guys are delivering
• 17:30
  Speaker 1: those lines. And I'll sit there and say, how did
• 17:32
  Speaker 1: she not break out in laughter in that moment? Because
• 17:35
  Speaker 1: I would have lost it.
• 17:36
  Speaker 3: No, but I did. You did.
• 17:37
  Speaker 2: We did. We did.
• 17:38
  Speaker 3: We do all the time. We absolutely do. Yes. Trust me.
• 17:42
  Speaker 2: It's very hard to get through some things. And we
• 17:44
  Speaker 2: had so many funny guest stars this year. And there
• 17:47
  Speaker 2: was a lot of breaking character.
• 17:49
  Speaker 3: But.
• 17:50
  Speaker 2: You know, that's that's what makes it fun. I feel
• 17:53
  Speaker 2: like that that's what makes it.
• 17:55
  Speaker 3: We have good energy. There's good vibes around it all.
• 17:57
  Speaker 2: Wow.
• 17:58
  Speaker 1: And kudos once again to CW, because I do have
• 18:00
  Speaker 1: the CW app and I do rely on it. It
• 18:02
  Speaker 1: is my one place that I go to where I
• 18:04
  Speaker 1: can get privatized West Coast. It is the app for
• 18:07
  Speaker 1: those viewers that have got the smart TVs and they
• 18:09
  Speaker 1: don't know where to find it. Go get that app.
• 18:14
  Speaker 3: That's amazing. I will also.
• 18:17
  Speaker 1: Listen to you, my God.
• 18:19
  Speaker 2: Oh, my God.
• 18:19
  Speaker 1: You know timing, don't you? And we're running out of
• 18:21
  Speaker 1: time here. But how did you learn that pacing of time?
• 18:24
  Speaker 1: Because comedians say that is something that takes a lifetime
• 18:27
  Speaker 1: to craft. But you guys have mastered timing.
• 18:32
  Speaker 3: Thank you.
• 18:32
  Speaker 2: That is so sweet.
• 18:34
  Speaker 3: I really appreciate that.
• 18:36
  Speaker 2: You know, do I take credit here or.
• 18:39
  Speaker 3: Do I just throw it back to the editors? Very
• 18:41
  Speaker 3: good editing, perhaps?
• 18:43
  Speaker 1: No, I'm giving it to you. I'm sorry. You've got
• 18:46
  Speaker 1: to give them the inflection, the pitch, the volume, the tone.
• 18:50
  Speaker 1: They sit there with their cutting agents. It starts with you.
• 18:54
  Speaker 3: Let's hope.
• 18:55
  Speaker 2: Let's hope everyone feels the same way you do. I
• 18:57
  Speaker 2: really appreciate it, and I hope everyone tunes in to
• 19:01
  Speaker 2: see it.
• 19:01
  Speaker 1: Well, you've got to come back to this show any
• 19:03
  Speaker 1: time in the future. The door is always going to
• 19:04
  Speaker 1: be open for you.
• 19:07
  Speaker 3: Thanks, Errol. I really appreciate it.
• 19:08
  Speaker 1: You be brilliant today, okay?
• 19:10
  Speaker 3: Okay. You too.