Latest / Artists on Artists on Artists on Artists / Going Deep with Method Actors

Transcript

Going Deep with Method Actors · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to artists on Artists on artists on artists,
• 0:07
  Speaker 1: stay in the scene. We're talking to method actors.
• 0:12
  Speaker 2: Method acting is a very specific technique developed in the nineteenth.
• 0:18
  Speaker 3: Hundreds twentieth century.
• 0:20
  Speaker 2: Others would say that involves actors specifically committing to their
• 0:26
  Speaker 2: role beyond just when the camera rolls. And we got
• 0:30
  Speaker 2: a bunch of those together to talk about process.
• 0:33
  Speaker 4: So whether you're in character at Crafty or in character
• 0:37
  Speaker 4: at your home, we have got some people who know
• 0:40
  Speaker 4: about that.
• 0:42
  Speaker 5: So Stanislavsky and listening, is there a way we could
• 0:48
  Speaker 5: do this conversation without the mics? I feel like having
• 0:51
  Speaker 5: a mic makes me feel like I'm not like actually
• 0:53
  Speaker 5: genuinely talking to you guys.
• 0:54
  Speaker 3: Oh yeah, you know.
• 0:55
  Speaker 2: In my method acting process, usually to imagine that the
• 1:00
  Speaker 2: mic is something else in the world, right, and so
• 1:07
  Speaker 2: it's like easier.
• 1:08
  Speaker 3: For me to do.
• 1:09
  Speaker 5: When do you have a conversation with someone and have
• 1:10
  Speaker 5: a mic?
• 1:11
  Speaker 3: You know what I mean? Well exactly.
• 1:12
  Speaker 2: That's why it's in organic, because if I'm in the
• 1:13
  Speaker 2: nineteenth century, I wouldn't have a mic. You know, if
• 1:15
  Speaker 2: I'm bowling, I wouldn't have a mic. So I always
• 1:17
  Speaker 2: imagine that it's some sort of growth. So if maybe
• 1:20
  Speaker 2: it's helpful for you to imagine that it's a growth
• 1:23
  Speaker 2: of your hand.
• 1:24
  Speaker 5: Yeah, it's a growth in my hand. I love that.
• 1:25
  Speaker 4: And actually I require a microphone because when I shot
• 1:30
  Speaker 4: this movie ten years ago you made heard of it.
• 1:33
  Speaker 4: Stand up, when I played Jerry Seinfeld, I was in
• 1:38
  Speaker 4: method for that role, and so I developed a permanent
• 1:41
  Speaker 4: need to hold a microphone.
• 1:43
  Speaker 5: See that is a very specific instance in which this
• 1:46
  Speaker 5: makes sense.
• 1:46
  Speaker 6: Yes, yes, exactly, yes, thank you.
• 1:49
  Speaker 3: Well, so are you able to continue if we don't?
• 1:52
  Speaker 5: Yeah, that's why I asked. But it seems like it
• 1:55
  Speaker 5: seems like I can push through. I loved this idea.
• 1:58
  Speaker 5: I'd love to try on this idea of what it
• 2:00
  Speaker 5: is like if this mic is a part of my hand. Sure, yes,
• 2:04
  Speaker 5: and yeah, yeah.
• 2:06
  Speaker 6: Yes, do whatever feels right, Do whatever feels.
• 2:09
  Speaker 5: Thank you for checking in. I appreciate holding space for that.
• 2:11
  Speaker 4: And yeah, well, well this is It's wonderful to be
• 2:17
  Speaker 4: around so many actors who share.
• 2:20
  Speaker 6: The same process.
• 2:21
  Speaker 4: I believe it's it's a testament to our bravery, it's
• 2:25
  Speaker 4: a testament to our our fortitude, and I believe it's
• 2:31
  Speaker 4: a testament to our gratitude and our generosity.
• 2:37
  Speaker 1: I love that. I really love that.
• 2:40
  Speaker 5: What's so special about this is like to begin to
• 2:43
  Speaker 5: start to have a conversation is to is to begin
• 2:47
  Speaker 5: anew exactly. And it's it feels like we're opening it's
• 2:52
  Speaker 5: a it's a blossom, right.
• 2:53
  Speaker 2: Yeah, it's really nice. And it's nice to be kind
• 2:57
  Speaker 2: of in a community and a camaraderie because I think
• 3:00
  Speaker 2: we face a lot of criticism from the rest of
• 3:04
  Speaker 2: the community.
• 3:06
  Speaker 3: Usually when it comes to.
• 3:07
  Speaker 1: Our approach is kind of looked looked upon us as
• 3:11
  Speaker 1: kind of weird.
• 3:11
  Speaker 4: I would say sometimes sometimes, but until you dive all
• 3:16
  Speaker 4: the way in, it's impossible to say that that doesn't work.
• 3:21
  Speaker 4: It doesn't work. You can't knock it. As Jerry Seinfold
• 3:24
  Speaker 4: would say, you can't knock it until you've tried it.
• 3:27
  Speaker 3: Yeah.
• 3:27
  Speaker 1: Yes, yes, that's such a Seinfold thing.
• 3:30
  Speaker 4: It's it is so and and he's so brave, and
• 3:34
  Speaker 4: he's so brave and that and and that's such a
• 3:36
  Speaker 4: signature of what of what the essence of Jerry?
• 3:38
  Speaker 6: Oh, I miss him?
• 3:40
  Speaker 3: You miss seeing him exactly.
• 3:41
  Speaker 1: Oh, I've never met the man.
• 3:42
  Speaker 3: Well okay, but you miss him inside you.
• 3:45
  Speaker 6: I miss having him here?
• 3:46
  Speaker 3: Yeah, yeah, Well before we get into that. I think
• 3:49
  Speaker 3: we should probably get to know each other.
• 3:50
  Speaker 1: I love Tourse.
• 3:52
  Speaker 5: Let's get to know each other where we are now.
• 3:54
  Speaker 3: It's probably so rare for us to even introduce ourselves.
• 3:57
  Speaker 4: Well really, and maybe you don't have to say if
• 4:02
  Speaker 4: you don't, well, okay, you kind of do. Is anyone
• 4:05
  Speaker 4: currently in method right now? It's sort of like if
• 4:08
  Speaker 4: you're a cop, you have to tell me sure.
• 4:09
  Speaker 3: Yeah, well I can, Yeah I can. I can attest
• 4:12
  Speaker 3: to that. I am. I am method right now. But
• 4:15
  Speaker 3: but it's it's no big deal.
• 4:17
  Speaker 5: What is the role you're so?
• 4:19
  Speaker 3: I am playing a like mid thirties.
• 4:24
  Speaker 2: Kind of oh kind of like like kind of hipster
• 4:28
  Speaker 2: ish kind of character.
• 4:30
  Speaker 3: The movie is he's just kind of trying to.
• 4:32
  Speaker 2: Figure himself out in life and silver Lake and he
• 4:35
  Speaker 2: works you hard and stuff like that.
• 4:36
  Speaker 4: But so you, I must say, your method is incredible
• 4:41
  Speaker 4: because you look exactly like that, and thank you so.
• 4:43
  Speaker 2: Much, thank you so much. You know it's hard for me.
• 4:46
  Speaker 2: So I'm having what I like to call kind of
• 4:47
  Speaker 2: a lucid moment right where where I am talking like myself,
• 4:52
  Speaker 2: but I'm within a skin, you know, so, so I'm
• 4:55
  Speaker 2: still in character.
• 4:55
  Speaker 3: I can't break it because I'm going to set tomorrow.
• 4:58
  Speaker 5: I was going to ask, are you in the middle
• 4:59
  Speaker 5: of shooting?
• 5:01
  Speaker 2: Are you the story I'm shooting tomorrow, and yeah, so
• 5:06
  Speaker 2: I'm I'm and and we're kind of beginning, so it's
• 5:09
  Speaker 2: it's it's a big moment.
• 5:10
  Speaker 1: Are you Are you comfortable saying your real name?
• 5:12
  Speaker 3: And yeah, character, I can say my real name.
• 5:14
  Speaker 2: So my character's name is uh, Roderick McDavid, and my
• 5:18
  Speaker 2: name is Robert de Niro.
• 5:20
  Speaker 3: And so it's really nice to meet you guys.
• 5:22
  Speaker 1: Wow.
• 5:23
  Speaker 4: Yeah, well now wow, And I must ask and I
• 5:26
  Speaker 4: know the answer, but it's hard to tell over audio.
• 5:30
  Speaker 6: Are you that, Robert?
• 5:31
  Speaker 3: Yeah, so I am legendary actor.
• 5:34
  Speaker 1: Very hard to tell over audio. Yeah, not film, though
• 5:36
  Speaker 1: we can see that it's you, Robert.
• 5:38
  Speaker 4: Yeah, we can see.
• 5:42
  Speaker 2: Yeah.
• 5:42
  Speaker 3: So I'm I'm.
• 5:43
  Speaker 2: I'm Academy Award winning actor and legend Robert de Niro
• 5:46
  Speaker 2: originally from New York.
• 5:47
  Speaker 3: I'm such a New York boy. And please don't make
• 5:51
  Speaker 3: me do my famous lines.
• 5:52
  Speaker 6: Congratulations you're in character.
• 5:54
  Speaker 3: I mean, I'll do them. Are you talking to me?
• 5:56
  Speaker 3: I'll do them?
• 5:56
  Speaker 2: You know you got it. You got Robert de Niro
• 5:58
  Speaker 2: to say it good.
• 6:00
  Speaker 5: You're interesting because you're doing it as who's your.
• 6:02
  Speaker 2: Roderick Mcroderick David. Yeah, Roderick McDavid. Yeah, his last name
• 6:07
  Speaker 2: changes a bunch because that's.
• 6:10
  Speaker 6: Part of keeps getting married or what.
• 6:12
  Speaker 7: Well.
• 6:12
  Speaker 3: Yeah, yeah, he keeps trying to rEFInd himself.
• 6:15
  Speaker 2: He's kind of a little bit lost and he's trying
• 6:16
  Speaker 2: to figure himself out and so so that's kind of
• 6:19
  Speaker 2: what he's up to.
• 6:20
  Speaker 3: But yeah, it's you know, I have nipples, Greg, can
• 6:22
  Speaker 3: you mail me? I'll do that line.
• 6:23
  Speaker 2: Everyone's always asking me, And as Robert de Niro, I
• 6:26
  Speaker 2: don't like doing the lines, but as Roderick McDavid, I
• 6:29
  Speaker 2: love it, So it's fine with me, and I'll talk
• 6:31
  Speaker 2: about anything.
• 6:31
  Speaker 5: We live in both places. The duality of that, it's
• 6:34
  Speaker 5: a it's a dual citizenship.
• 6:35
  Speaker 2: If I may, it is I have two passports, one
• 6:38
  Speaker 2: as one as Roderick and one is Robert de Niro.
• 6:40
  Speaker 3: We'll get it.
• 6:41
  Speaker 4: We'll get yes, yes about the paperwork of method acting,
• 6:45
  Speaker 4: because we do.
• 6:47
  Speaker 1: I cannot wait. It's one of my favorite subjects.
• 6:50
  Speaker 4: Stacks and stacks and stacks of different social security numbers
• 6:54
  Speaker 4: for different people.
• 6:54
  Speaker 6: I've played like.
• 6:56
  Speaker 1: Agents, but silly.
• 6:58
  Speaker 3: I know it's so funny, but who are you guys?
• 7:01
  Speaker 3: I spilled the beans?
• 7:03
  Speaker 1: Oh well, well.
• 7:05
  Speaker 6: I can go if you I couldn't tell if you
• 7:08
  Speaker 6: were itching.
• 7:09
  Speaker 1: Oh no, I'm always itching, always itching, So you go ahead, please.
• 7:16
  Speaker 3: My buddy al Pacino is always itchy. Go ahead.
• 7:18
  Speaker 6: Okay, So this is fantastic, this is awesome. Okay, I would.
• 7:25
  Speaker 5: Say this is awesome, awesome, this is awesome.
• 7:29
  Speaker 6: Okay, okay.
• 7:34
  Speaker 4: My name is Cassandra O'Connell and I am a method actress.
• 7:40
  Speaker 4: I am originally Louisiana by way of London, and I
• 7:45
  Speaker 4: have played many, many, many people over my career, and
• 7:49
  Speaker 4: I've developed a type of method acting where I not
• 7:53
  Speaker 4: only channel the actor that I am performing, I also
• 7:58
  Speaker 4: channel a director that I would like to work with.
• 8:01
  Speaker 4: I channel a director to direct the character, and so
• 8:06
  Speaker 4: I will have these sort of internal conversations between the
• 8:12
  Speaker 4: the creative mind the director because the main problem I've
• 8:17
  Speaker 4: found with method acting is that, yes, you're this character,
• 8:21
  Speaker 4: You're running around. I'm in character as Margaret Thatcher and
• 8:26
  Speaker 4: I'm making eggs as Margaret Thatcher. But who is there
• 8:30
  Speaker 4: to tell me how to make the eggs really hard?
• 8:33
  Speaker 5: So you're being yourself really hard because you're being yourself,
• 8:37
  Speaker 5: your your core soul, and you're being the soul you're painting.
• 8:41
  Speaker 7: I e.
• 8:42
  Speaker 5: Margaret Thatcher in this instance, and a third saw, which
• 8:45
  Speaker 5: is exactly what a mess.
• 8:47
  Speaker 6: So that's when I have to channel the Bard.
• 8:49
  Speaker 4: I often channel Shakespeare. I say, Margaret, try again, try again,
• 8:55
  Speaker 4: but can you flip them faster?
• 8:58
  Speaker 1: You very interesting? Go ahead?
• 9:01
  Speaker 6: Well I am.
• 9:02
  Speaker 4: Him, So that is exactly how he sounds.
• 9:05
  Speaker 3: Can I ask?
• 9:06
  Speaker 5: I mean, I think we've all we've we've we've all
• 9:09
  Speaker 5: talked about this. It is a very American. Well no,
• 9:12
  Speaker 5: it's not an American thing, but American actors love method acting,
• 9:16
  Speaker 5: and a lot of British people think we're just uh,
• 9:20
  Speaker 5: you know, laying it on thick.
• 9:22
  Speaker 1: And you must have been so so inspired by Louisiana.
• 9:26
  Speaker 1: You're by way of Louisiana.
• 9:28
  Speaker 6: Yes, yes, exactly. Well that's another thing of method acting.
• 9:31
  Speaker 6: I'm sure this happens to you.
• 9:32
  Speaker 4: You acquire all these accents and then all of a
• 9:36
  Speaker 4: sudden you gotta reconcile you are a roller coaster.
• 9:41
  Speaker 6: Now I'm Toby Keith.
• 9:42
  Speaker 1: Oh you played, to course.
• 9:45
  Speaker 4: I played Toby Keith and it was directed by al Pacino.
• 9:50
  Speaker 3: I know Al love doing that. Al had a great
• 9:52
  Speaker 3: time doing awesome.
• 9:54
  Speaker 1: Did you embody for that?
• 9:56
  Speaker 4: Well, it was directed by al Pacinos. So hey, everybody,
• 10:00
  Speaker 4: it's Ella Dan. I just want to say Toby Keith
• 10:03
  Speaker 4: was great to work.
• 10:04
  Speaker 1: Well, okay, so let me just check it out.
• 10:06
  Speaker 3: I feel like I'm at Dan Tana's with my buddy
• 10:07
  Speaker 3: al Pacino. Where's Marty? Matty's right here? Who I am?
• 10:14
  Speaker 6: Marty?
• 10:14
  Speaker 4: Direct me when I was when I was playing a
• 10:17
  Speaker 4: Dumbo for a live action remake of Dumbo and he
• 10:21
  Speaker 4: was scrapped. Anyway, The point is I have one hundred
• 10:24
  Speaker 4: and forty five characters in my head that I cycle through,
• 10:28
  Speaker 4: and it's like Pokemon cards.
• 10:29
  Speaker 6: Acquire a new one, help you with a new character.
• 10:33
  Speaker 3: That's really really incredible. That's amazing.
• 10:37
  Speaker 1: It is my turn.
• 10:41
  Speaker 3: No one made a joke.
• 10:42
  Speaker 5: Sorry, no one said anything.
• 10:45
  Speaker 1: Hello. My name is Edward Boof, Edward Boof, and I
• 10:51
  Speaker 1: am a method actor. I am uh well, I'm originally well,
• 10:57
  Speaker 1: I'm originally actually from London at England by.
• 11:01
  Speaker 6: Way of London.
• 11:01
  Speaker 1: Yes, and I well, I have studied here now in
• 11:05
  Speaker 1: America for quite a long time. I've been in America
• 11:10
  Speaker 1: for so long, which is so fun and so interesting.
• 11:14
  Speaker 1: I'm not currently in method, but I have had. I
• 11:18
  Speaker 1: just finished a character, and as you guys know, sometimes
• 11:22
  Speaker 1: the soul lingers around.
• 11:24
  Speaker 6: Yes, it's like a hunting Yes.
• 11:26
  Speaker 2: Yes, and can I just say both? Am I sensing
• 11:29
  Speaker 2: an umlat on that O? It's it's an umlat Yeah?
• 11:32
  Speaker 2: The oh you umlat you f oh.
• 11:36
  Speaker 3: I wasn't expecting that.
• 11:38
  Speaker 2: It's always fun to see a numla on you because
• 11:40
  Speaker 2: it's almost like that you kept going. It's what everything
• 11:45
  Speaker 2: It wasn't over, like it took a break and then
• 11:46
  Speaker 2: it had one little last player.
• 11:49
  Speaker 1: You are so funny and so bad.
• 11:52
  Speaker 2: I know that's they call me the bad boy of
• 11:53
  Speaker 2: film Kate far Have you guys seen it? I want
• 11:56
  Speaker 2: to ask you a question.
• 11:57
  Speaker 5: God, you're in such character so there's a lot of awesome.
• 12:02
  Speaker 6: Can I just say this is awesome?
• 12:04
  Speaker 1: Please?
• 12:05
  Speaker 3: I'm one of you guys.
• 12:06
  Speaker 5: I just can't believe it. You're so deep in there.
• 12:08
  Speaker 2: I'm pretty deep in there, but it is me. I
• 12:11
  Speaker 2: wanted to ask you a question because there is kind
• 12:14
  Speaker 2: of a I think I'm seeing on the internet.
• 12:18
  Speaker 3: My wife loves TikTok. She shows it to me all
• 12:20
  Speaker 3: the time.
• 12:21
  Speaker 1: Oh, your seventeen year old wife. Eighteen year old wife.
• 12:23
  Speaker 3: No, she's older than that.
• 12:25
  Speaker 6: Okay, I should hope.
• 12:26
  Speaker 3: So my wife is older. My current wife is definitely
• 12:30
  Speaker 3: older than that.
• 12:30
  Speaker 8: Sorry, do you want to look that up? I don't
• 12:34
  Speaker 8: need to look that up. I know for a fact
• 12:36
  Speaker 8: that Robert's wife is older than so much. Go ahead,
• 12:43
  Speaker 8: don't make him come out. Okay, Roderick is here.
• 12:46
  Speaker 2: Okay, but Robert can still fight, Okay, Okay, just be clear.
• 12:52
  Speaker 2: My question for you is there's there's a kind of
• 12:55
  Speaker 2: a lot of ardor and there's a lot of mocking
• 12:59
  Speaker 2: going on on TikTok for people who accidentally stay in
• 13:04
  Speaker 2: their characters, or you can tell they.
• 13:05
  Speaker 3: Haven't left it.
• 13:06
  Speaker 2: You know, I'm thinking of one of my good buddies,
• 13:08
  Speaker 2: Austin Butler. I'm wondering, is that happening to you or
• 13:11
  Speaker 2: are you getting Are people saying that you've.
• 13:13
  Speaker 1: Changed the TikTok has been mean to me? They say
• 13:18
  Speaker 1: I cannot change my voice now. Before I took on
• 13:22
  Speaker 1: my last role, which was a Muppet, I.
• 13:27
  Speaker 6: Was going to say, was it Kermit the Frog?
• 13:31
  Speaker 1: It wasn't a Kermit, but it was definitely a prominent
• 13:33
  Speaker 1: muppet they invented a new muppet called Harold Deane and
• 13:37
  Speaker 1: that's why would you rap on that? I rapped on
• 13:39
  Speaker 1: him about a year and a half ago. Oh okay,
• 13:42
  Speaker 1: And so I've been taking voice lessons to try to
• 13:45
  Speaker 1: get my old voice back, but I just can't seem
• 13:47
  Speaker 1: to get it back.
• 13:48
  Speaker 4: This is so interesting, and I hope you don't take
• 13:51
  Speaker 4: any offense to this, but I feel as though, and
• 13:54
  Speaker 4: I don't know if you feel this way, the bar
• 13:56
  Speaker 4: for what you can go method for has significantly lowered. Yes,
• 14:00
  Speaker 4: you can go method for things that one needn't do, and.
• 14:04
  Speaker 1: I should be, but I'm not I really should it
• 14:09
  Speaker 1: does It.
• 14:10
  Speaker 2: Doesn't a way for me from our our camp, you know,
• 14:13
  Speaker 2: because I came up and I was early in the
• 14:16
  Speaker 2: days I was working with Lee Strasburg. I was working
• 14:18
  Speaker 2: with people at the Actors Playhouse in New York. And
• 14:22
  Speaker 2: it does kind of feel like people will It's almost
• 14:25
  Speaker 2: like using fine silverware and fine dining wear to eat
• 14:30
  Speaker 2: fast food on Like it's like this is a an
• 14:32
  Speaker 2: honorable method and now people are just kind of using
• 14:35
  Speaker 2: it for shiite. Great hearing that from Robert de Niros himself, Well,
• 14:39
  Speaker 2: call them like I see them.
• 14:41
  Speaker 5: I fear that's a judgment. And I fear that if
• 14:45
  Speaker 5: the food is good, meet the food meaning the text right,
• 14:49
  Speaker 5: and the text meaning is so right. So if the
• 14:52
  Speaker 5: food is good, I think any cutlery of any kind,
• 14:57
  Speaker 5: which being the process that you bring to that is
• 15:00
  Speaker 5: where the river meets the road.
• 15:02
  Speaker 3: Yeah. Yeah, wow, Oh that's sod.
• 15:06
  Speaker 6: That's just fantastic.
• 15:07
  Speaker 5: What is your high guys? I am Jewel saucing and
• 15:13
  Speaker 5: I I have been doing method for the last ten years.
• 15:20
  Speaker 5: My first method role you probably would recognize me. I
• 15:23
  Speaker 5: did that commercial you lant liquor.
• 15:28
  Speaker 6: And pray tell.
• 15:29
  Speaker 4: What was that advertising?
• 15:33
  Speaker 1: Just just remind us was right it was?
• 15:37
  Speaker 3: Who are you calling a cootie queen liquor? Yeah, thank you?
• 15:43
  Speaker 5: Sorry, I forgot it because she's gone. And when I
• 15:46
  Speaker 5: when I put that on right now for you to
• 15:47
  Speaker 5: remember that is me like putting on like a funny hat.
• 15:51
  Speaker 5: That is not who she was, right, and that girl
• 15:54
  Speaker 5: I said goodbye to her many years ago, right, and
• 15:57
  Speaker 5: I have now stepped into it. I'm so great. I've
• 16:00
  Speaker 5: had so many great mentors in my life and so
• 16:02
  Speaker 5: many great directors that now I'm working in the feature
• 16:05
  Speaker 5: space and I'm really grateful for that, but it started.
• 16:08
  Speaker 5: I want to say I was one of the first,
• 16:10
  Speaker 5: I think, to bring method acting to commercials and to
• 16:13
  Speaker 5: bring it to thirty second clips.
• 16:15
  Speaker 4: And I because you're on set on a commercial for
• 16:19
  Speaker 4: such a short time. Yeah, probably one to four days
• 16:23
  Speaker 4: of the maximum.
• 16:24
  Speaker 5: And I'll tell you can I say I back then,
• 16:28
  Speaker 5: I don't think I thought you would need to bring
• 16:30
  Speaker 5: method acting to commercials. But that script was so difficult
• 16:34
  Speaker 5: for me to crack that I had.
• 16:36
  Speaker 4: To well, it's so inorganic, right, right, Yes, it's a
• 16:39
  Speaker 4: little bit fuddling, yes, And I.
• 16:41
  Speaker 5: Remember I had done like a hot happy Honda Day's
• 16:43
  Speaker 5: commercial before that, and that was just and that was
• 16:45
  Speaker 5: me just going you know, like we're just we're just
• 16:47
  Speaker 5: clocking in and clocking out. I was in like an
• 16:50
  Speaker 5: awful relationship at the time, and I was just like
• 16:52
  Speaker 5: I was just throwing shit at a wall, getting my
• 16:54
  Speaker 5: paycheck and going out, right, And then I get this script, right,
• 16:59
  Speaker 5: and I'm looking at at it and I'm saying, where
• 17:01
  Speaker 5: in the hell do I begin? And that's when I
• 17:05
  Speaker 5: went and I think I have to go back to
• 17:07
  Speaker 5: what I learned in theater school.
• 17:10
  Speaker 2: I do have to say art it imitates life because
• 17:12
  Speaker 2: when I first saw that commercial, I know, I know,
• 17:14
  Speaker 2: you're playing a completely different character, but I also saw,
• 17:17
  Speaker 2: I said, this actress, this woman is in an awful
• 17:21
  Speaker 2: relationship in her life.
• 17:24
  Speaker 1: You brought and that is half of it. It's the
• 17:26
  Speaker 1: window into the soul. You could empathize with the character
• 17:30
  Speaker 1: and that was your grounding point because you were living.
• 17:33
  Speaker 5: I like to call it a key, a key from
• 17:36
  Speaker 5: your soul to the next. Right, what is the key
• 17:38
  Speaker 5: that gets me from jewel into Well.
• 17:43
  Speaker 1: Let's just for a second, I'd love to jump over
• 17:45
  Speaker 1: to maybe your most famous work in the commercial space,
• 17:48
  Speaker 1: when you were the Get Connected for Free girl rapping,
• 17:50
  Speaker 1: Oh my gosh again, the Get Connected for free for
• 17:54
  Speaker 1: education connection girl.
• 17:56
  Speaker 3: I was working for an hourly rage.
• 17:57
  Speaker 1: I went to high school, didn't do great.
• 18:04
  Speaker 5: I can't even I don't even remember who she is
• 18:08
  Speaker 5: because she's because she she's because I will say, as
• 18:11
  Speaker 5: a method actor, which I'm really interested to talk to
• 18:13
  Speaker 5: you about, because of course, just me, just you, because we.
• 18:17
  Speaker 6: Should I was gonna say we should have all, but.
• 18:20
  Speaker 5: Because I my mental sanity relies on flushing these people away,
• 18:27
  Speaker 5: I could not go home with any of my roles
• 18:32
  Speaker 5: once once we wrap, Once we wrap, granted, granted, when
• 18:35
  Speaker 5: we're in it, I'm living in a different spot now.
• 18:37
  Speaker 4: Where they when when you wrap, and then you get
• 18:40
  Speaker 4: an email a week later that says, so sorry, we.
• 18:43
  Speaker 6: Have to do some pickups.
• 18:44
  Speaker 5: Then I call the airbnb I stayed at it as
• 18:46
  Speaker 5: the character, and I say I need to get back
• 18:48
  Speaker 5: in there. And then I take and I go back
• 18:51
  Speaker 5: in because we should talk. We should talk how deeply
• 18:53
  Speaker 5: method because some methods, some method actors are just not
• 18:56
  Speaker 5: getting out of character when they call cut, and then
• 18:59
  Speaker 5: some go into deep process weeks before. I do not
• 19:02
  Speaker 5: live in the home Jewel lives in when I am
• 19:05
  Speaker 5: playing another role that is huge for me. Where they sleep,
• 19:08
  Speaker 5: where they lie their bed.
• 19:10
  Speaker 2: Yeah, for me, when I was in The Irishman, it
• 19:12
  Speaker 2: was really hard to step away from that because I
• 19:15
  Speaker 2: was playing this guy his entire life, right, I was
• 19:17
  Speaker 2: playing this hitman, and it was really challenging. And I
• 19:21
  Speaker 2: also to play a young guy and then you know,
• 19:23
  Speaker 2: I haven't been young for seventy years.
• 19:25
  Speaker 1: But now look at you and yeah, I know, and
• 19:27
  Speaker 1: so now you're playing thirty.
• 19:28
  Speaker 3: Well you know, I.
• 19:30
  Speaker 2: Am so staunchly against Ai. And everyone was saying that
• 19:32
  Speaker 2: was one of the first big steps for AI, and
• 19:34
  Speaker 2: I said, well, Bobby d is not going to support
• 19:36
  Speaker 2: AI from now on.
• 19:37
  Speaker 3: I said, no more, I'm done.
• 19:39
  Speaker 2: And so I said, I'm going to get back into it,
• 19:41
  Speaker 2: and I'm going to get back in the swing, and
• 19:42
  Speaker 2: I'm gonna I'm going to dust off these old boots
• 19:45
  Speaker 2: and I'm going to get back to using my body
• 19:47
  Speaker 2: to transform into a different incredible So you know, I
• 19:51
  Speaker 2: tried that during Dirty Grandpa, and that was easy.
• 19:55
  Speaker 1: So film, Thank you, thank you.
• 19:58
  Speaker 3: It was pretty amazing. It was a of it.
• 20:00
  Speaker 4: It was very prolistical in terms of prolific.
• 20:06
  Speaker 2: It was a two and a half movie with that concept.
• 20:10
  Speaker 2: It was prolific. Many were saying it was very long.
• 20:13
  Speaker 3: It was.
• 20:13
  Speaker 2: It was really fun and it was And that was
• 20:15
  Speaker 2: an interesting character getting method because I'm not a dirty grandpa.
• 20:18
  Speaker 3: I have wonderful grandkids and and.
• 20:20
  Speaker 1: It was a child, a very young child.
• 20:23
  Speaker 2: I do have a young child, and it keeps me
• 20:25
  Speaker 2: young too, And I'm doing this for him. I'm doing
• 20:27
  Speaker 2: this for him doing you're actually you are thinking of
• 20:30
  Speaker 2: al Pacino. But I also have a you know you.
• 20:32
  Speaker 3: Too, Yeah, yeah, yeah.
• 20:35
  Speaker 1: You too, both of you you dogs, dirty dirty old dogs.
• 20:40
  Speaker 1: And I love you, I really do, Robert. I love you,
• 20:44
  Speaker 1: but you're a dirty dog. Well, no, Robert might be
• 20:49
  Speaker 1: wrong with that. Nothing wrong Roderick. It's just trying to
• 20:52
  Speaker 1: figure himself out.
• 20:54
  Speaker 4: I feel it feels easier to call you out as
• 20:58
  Speaker 4: Roderick because you are doing such an amazing job as
• 21:01
  Speaker 4: Roderick that I feel like I can say to your face,
• 21:04
  Speaker 4: you're a dirty, disgusting little dog.
• 21:06
  Speaker 3: Whatever you want to say.
• 21:07
  Speaker 5: But who's the dog, Roderick or Robert?
• 21:09
  Speaker 6: And that's what we're answer the question. That's what we're
• 21:12
  Speaker 6: here to figure out.
• 21:13
  Speaker 3: I don't think Roderick's a dog. I think he's confused.
• 21:15
  Speaker 3: I think he's trying his hardest.
• 21:16
  Speaker 1: And do you think or do you know?
• 21:18
  Speaker 3: Oh?
• 21:19
  Speaker 5: I know, I know, But why do you why do
• 21:21
  Speaker 5: you stop yourself on think you're.
• 21:23
  Speaker 3: Not gonna get me. You're not gonna get me, and
• 21:25
  Speaker 3: you're not gonna teach a.
• 21:26
  Speaker 6: Patrick on the apps.
• 21:28
  Speaker 5: I'm teaching Roderick. I'm not teaching Robert.
• 21:30
  Speaker 2: Roderick's on the apps and he just switched his bumble
• 21:33
  Speaker 2: to be interested in men and women.
• 21:35
  Speaker 3: That's very inort.
• 21:36
  Speaker 5: How did Robert how did he build the confidence to
• 21:39
  Speaker 5: do as How did they build the confidence to do that?
• 21:42
  Speaker 1: How long did that take?
• 21:44
  Speaker 2: He went outside a West Hollywood bar and he was
• 21:47
  Speaker 2: looking at and he was he was like, that can't
• 21:50
  Speaker 2: be me. He said, but what if there's people like
• 21:52
  Speaker 2: me that aren't in those bars? And he started looking
• 21:55
  Speaker 2: kind of online.
• 21:56
  Speaker 6: This is awesome.
• 22:00
  Speaker 1: This is awesome.
• 22:01
  Speaker 4: I have to ask another question, do you, as Robert
• 22:05
  Speaker 4: de Niro, know how to operate the apps that Roderick
• 22:08
  Speaker 4: or is that a skill you only know is Rodrick?
• 22:10
  Speaker 5: Is Robert de Niro get help dealing with the apps.
• 22:13
  Speaker 5: So when Roderick came over, he flew.
• 22:17
  Speaker 3: I've never felt older than looking at these apps.
• 22:19
  Speaker 2: I wasn't even on the apps when I was, you know,
• 22:21
  Speaker 2: in the seventies and eighties, you know, hanging out the
• 22:23
  Speaker 2: chateau is easy for me to meet somebody.
• 22:25
  Speaker 3: So being on these apps was really really hard.
• 22:29
  Speaker 2: And when you look at the apps on an iPhone
• 22:32
  Speaker 2: where the font is so large, it's the font takes
• 22:37
  Speaker 2: up so much that the scroll the sheer amount of
• 22:40
  Speaker 2: scrolling because there's so much.
• 22:41
  Speaker 3: Text on these Yes, and.
• 22:46
  Speaker 2: I have the big iPhone too, it's the Max, and
• 22:49
  Speaker 2: so the pictures are not even as big as the
• 22:52
  Speaker 2: font and so it's it gets confusing and a lot
• 22:56
  Speaker 2: of these these acronyms people are using and all that stuff,
• 23:00
  Speaker 2: all the pronouns and stuff. I understand pronouns, but it's
• 23:03
  Speaker 2: very confusing for me. I mean, I'm in my eighties,
• 23:06
  Speaker 2: you know, so.
• 23:06
  Speaker 3: It's it's tough.
• 23:07
  Speaker 5: Wow. Wow.
• 23:10
  Speaker 3: Anyways, how old are you guys?
• 23:11
  Speaker 5: In character? That's my question, like being like are you
• 23:15
  Speaker 5: are you in there before you start rolling?
• 23:19
  Speaker 3: Like?
• 23:20
  Speaker 5: What are you in there? Weeks before?
• 23:22
  Speaker 3: How long?
• 23:22
  Speaker 1: Well, for me, I would say, I get in character
• 23:26
  Speaker 1: about it.
• 23:26
  Speaker 6: Oh, this is just.
• 23:30
  Speaker 1: Sorry, Yes, this just so I have the voice and
• 23:33
  Speaker 1: I have the up at arms.
• 23:34
  Speaker 3: Yeah, the arms went up.
• 23:36
  Speaker 1: I've been told that sometimes my arms act like they're
• 23:39
  Speaker 1: being pulled by other people's strings.
• 23:41
  Speaker 6: I'll do it over here, so you can make this
• 23:42
  Speaker 6: part of your things.
• 23:43
  Speaker 3: Can I ask? Can I ask for a quick enough
• 23:45
  Speaker 3: to move?
• 23:45
  Speaker 1: It shouldn't be a problem. So you've been told that,
• 23:47
  Speaker 1: I've been told. I noticed.
• 23:49
  Speaker 3: So when you're told that, how do you react and
• 23:51
  Speaker 3: how do you change?
• 23:52
  Speaker 1: I kind of go oh no, oh, no, whoa who
• 23:56
  Speaker 1: are you talking about? Okay, so we won't tell you
• 23:59
  Speaker 1: that it's actually terrible it's painful.
• 24:01
  Speaker 6: Thing because he did tell you and.
• 24:03
  Speaker 3: Then yeah, it's okay, no, no, no, it's fine. I'm
• 24:05
  Speaker 3: just wondering.
• 24:06
  Speaker 2: It's because it's almost like you're being told, you know
• 24:09
  Speaker 2: what I mean.
• 24:09
  Speaker 3: It's like almost like people in your life to bring.
• 24:11
  Speaker 1: You completely subconscious. Okay, it's completely subconscious completely.
• 24:15
  Speaker 5: What's so funny about sitting down at the table with
• 24:17
  Speaker 5: so many other actors? Does I feel like I'm slowly
• 24:19
  Speaker 5: going what the fuck anyone is saying?
• 24:26
  Speaker 6: Exactly?
• 24:27
  Speaker 4: Well, it's so hard to keep track of the conversation
• 24:29
  Speaker 4: that is constantly.
• 24:30
  Speaker 6: Happening in your brain.
• 24:31
  Speaker 4: And to your point, I've developed a system. Usually it
• 24:35
  Speaker 4: used to well, the industry used to move slower. I
• 24:38
  Speaker 4: used to have months to get into a character, and
• 24:40
  Speaker 4: now I've slowed that process down to a quick thirty
• 24:44
  Speaker 4: seconds seance where I cut out a newspaper clipping of
• 24:47
  Speaker 4: the picture of.
• 24:48
  Speaker 6: The man, oh, the woman, all the non.
• 24:51
  Speaker 4: Binary person, and I light fire to a candle in front,
• 24:56
  Speaker 4: and I go to another dimension and I turn and
• 25:00
  Speaker 4: I say, Okay, now I am Barbara Cochran from Shark Tank.
• 25:04
  Speaker 6: Now I'm Barbara Cochran.
• 25:06
  Speaker 1: I heard there's a big movie coming up about Barbara
• 25:09
  Speaker 1: Corkran's life.
• 25:10
  Speaker 6: Yes, it is about my life.
• 25:11
  Speaker 3: Is it called baby Shark.
• 25:12
  Speaker 9: It's called baby Shark because I'm the bad baby of
• 25:16
  Speaker 9: Shark Tank. I'm delivering deals and I'm delivering them fast.
• 25:20
  Speaker 9: Barbara Cochran has started a production company and it should edna, thank.
• 25:26
  Speaker 6: You, thank you for saying that you should. And so
• 25:29
  Speaker 6: I've been and.
• 25:30
  Speaker 1: Wow, that's insane. I would love to learn to get out.
• 25:32
  Speaker 6: It's very fair. You have to learn to be nimble,
• 25:34
  Speaker 6: you have to learn to be efficient. We all know
• 25:37
  Speaker 6: the anecdote.
• 25:38
  Speaker 4: Where what is his name called, not Daniel da Lewis,
• 25:42
  Speaker 4: but someone else who I have up here and I
• 25:44
  Speaker 4: have met.
• 25:45
  Speaker 6: He's gonna kill me when I get out of it
• 25:47
  Speaker 6: and can remember his name.
• 25:48
  Speaker 4: But that line where he said, frankly, my boy boy,
• 25:50
  Speaker 4: why don't you try acting?
• 25:52
  Speaker 3: So that's Laurence Olivier said that to Dustin Hoffman.
• 25:55
  Speaker 6: Oh I did say that. That was Laurence Olivier.
• 26:00
  Speaker 1: Say it gets confusing quick, I did, so I did.
• 26:03
  Speaker 6: Holding on for dear life.
• 26:05
  Speaker 3: I think, especially when you talk, I think it's all three.
• 26:11
  Speaker 6: It's confusing, and it's something that I'm doing. It's confusing.
• 26:15
  Speaker 1: I'm Dolly Parton, you're doing every biopic imaginable minute.
• 26:21
  Speaker 3: I didn't want to ask you a question. I want
• 26:22
  Speaker 3: to go back a little bit.
• 26:23
  Speaker 4: Who do you want to ask Dolly Parton, Sir Lords Olivier,
• 26:26
  Speaker 4: Toby Keo.
• 26:27
  Speaker 3: Or Barbarak and ask you the actor?
• 26:30
  Speaker 10: Oh?
• 26:30
  Speaker 3: Okay, great, So I'm glad to know that's who's on deck.
• 26:34
  Speaker 3: But just a heads So I want to ask you.
• 26:37
  Speaker 2: You mentioned something where you said he's gonna get mad
• 26:40
  Speaker 2: at me later if I don't.
• 26:42
  Speaker 3: Call his name right now.
• 26:44
  Speaker 2: So I wanted to ask you a little bit about
• 26:46
  Speaker 2: are there man that man?
• 26:49
  Speaker 3: And also are there the characters inside of you? Are
• 26:52
  Speaker 3: they mean to you? Sometimes? Are they critical of you?
• 26:55
  Speaker 1: Well?
• 26:56
  Speaker 6: Sometimes they are quite rude to me.
• 27:00
  Speaker 3: Here's a follow up.
• 27:01
  Speaker 4: Arry Seinfeldt is brutal to me. He is so brutal.
• 27:05
  Speaker 4: He keeps observing things comedically about how I brush my teeth.
• 27:10
  Speaker 4: He says, what's the deal about how you brush your teeth?
• 27:13
  Speaker 4: You're going at it like a jackhammer.
• 27:15
  Speaker 1: An absolutely perfect to the.
• 27:19
  Speaker 6: Points the deal with the toothpaste?
• 27:22
  Speaker 3: To his point, can you show us how you brush
• 27:23
  Speaker 3: your teeth?
• 27:24
  Speaker 4: Okay, Well, I don't understand why this should be such
• 27:27
  Speaker 4: an issue. I take the toothbrush, I put on the toothpaste,
• 27:30
  Speaker 4: and then I.
• 27:31
  Speaker 6: Go and then it's electric.
• 27:44
  Speaker 1: And then so it becomes so in your head you've
• 27:47
  Speaker 1: methoded it into electric toothbrush, or it becomes it actually
• 27:51
  Speaker 1: physically becomes an electric tooth.
• 27:54
  Speaker 6: Well, I've asked a dentist.
• 27:55
  Speaker 4: It's because I go so fast that it legally becomes
• 27:59
  Speaker 4: an electric toothbrush at that point.
• 28:00
  Speaker 6: Leally, Yes, I've been to court. I've been to you well.
• 28:10
  Speaker 4: A crest and all those two days. Okay, so they're
• 28:17
  Speaker 4: suing the people involved in this lawsuit who have been
• 28:19
  Speaker 4: brushing their teeth this way off, Toby Keith, Me, Cassandra O'Connell,
• 28:23
  Speaker 4: and Barbara Cochran.
• 28:26
  Speaker 6: I got out of that one quick.
• 28:28
  Speaker 3: I don't know how long I can do this.
• 28:32
  Speaker 7: Now.
• 28:32
  Speaker 4: What oh you're telling me? I'm the one who have
• 28:34
  Speaker 4: to live with all these people? Thanksgiving is a nightmare.
• 28:38
  Speaker 3: How about your show us what Thanksgiving? Well?
• 28:41
  Speaker 6: I actually have a clip from Thanksgiving?
• 28:43
  Speaker 1: Thank god you have a clip?
• 28:46
  Speaker 6: Hey, what's the deal with all these peas on the table?
• 28:49
  Speaker 6: This is correct.
• 28:50
  Speaker 4: Have you ever noticed how a pea looks like tiny wsabbi?
• 28:53
  Speaker 4: But you never you never know when you pick it up.
• 28:56
  Speaker 1: I think we've got to send her into a home.
• 28:58
  Speaker 5: Mom, mom, be here, be here right now.
• 29:01
  Speaker 6: What you want me, Barbara Cochran to be here?
• 29:05
  Speaker 5: That's not my mom's mom.
• 29:08
  Speaker 4: Look, my son and my daughter could make a million
• 29:11
  Speaker 4: dollars today if you just applied yourself, put your money
• 29:14
  Speaker 4: in a roth.
• 29:15
  Speaker 1: I ra we want, we want our real mom back,
• 29:19
  Speaker 1: show us a real mom.
• 29:21
  Speaker 6: Well, I'm Dolly Parton and I'm here to be your mother.
• 29:25
  Speaker 6: You are the sweetest girl in the world. You're the
• 29:27
  Speaker 6: sweetest boy in the world. Think you too are precious.
• 29:30
  Speaker 5: I'll take it.
• 29:32
  Speaker 1: Lady.
• 29:32
  Speaker 3: Why did you film that? Why did you film that?
• 29:35
  Speaker 3: Why did you bring that?
• 29:36
  Speaker 5: That would be the saddest clip?
• 29:40
  Speaker 1: Why did you.
• 29:42
  Speaker 5: Got it like on a on a flash strick?
• 29:45
  Speaker 6: Yes, I thought this was the perfect clip. I love
• 29:49
  Speaker 6: clippable moments.
• 29:50
  Speaker 5: I will say that that was a clip of method actor.
• 29:53
  Speaker 5: In the real it was. The cameras aren't really going,
• 29:57
  Speaker 5: But your life is still going.
• 29:59
  Speaker 6: Yeah, And I missed my daughter and son so much.
• 30:04
  Speaker 4: Where are they they They moved to Santa Clarita and
• 30:08
  Speaker 4: they've they've been no contact.
• 30:11
  Speaker 3: About twenty minutes out of La but they haven't too far.
• 30:15
  Speaker 1: Really, I guess thirty makes it baked. You're taking the
• 30:19
  Speaker 1: two ten.
• 30:19
  Speaker 4: No, I live in Pasadena far too far to actually
• 30:23
  Speaker 4: a lot closer.
• 30:24
  Speaker 1: It's just right up the two tents.
• 30:25
  Speaker 6: No, you don't understand. I live in every way.
• 30:28
  Speaker 5: Now you made it better.
• 30:29
  Speaker 1: That's that's not even the trafficking part of the two
• 30:31
  Speaker 1: tens either.
• 30:34
  Speaker 6: No, I mean it's impossible.
• 30:36
  Speaker 4: I have to get up in the morning, I have
• 30:37
  Speaker 4: to go to True Food Kitchen and get my salad,
• 30:39
  Speaker 4: and I'll never make it over to Santa Clarina.
• 30:42
  Speaker 1: Right that True Food is right near the two ten entrance,
• 30:46
  Speaker 1: right near Colorado Entrance.
• 30:50
  Speaker 6: But you go to park. Have you ever tried to
• 30:51
  Speaker 6: park on Colorado?
• 30:52
  Speaker 3: Come on, have you ever tried to park in New
• 30:54
  Speaker 3: York City? I'm dealing with that all the time. But
• 30:56
  Speaker 3: are you well? No, I mean no.
• 31:00
  Speaker 2: And Tribeca I don't have to worry about that. I
• 31:04
  Speaker 2: don't know it's a walking town.
• 31:06
  Speaker 6: So I have a question.
• 31:07
  Speaker 4: Has anyone faced any scorn from your fellow actors on
• 31:12
  Speaker 4: set for your methods?
• 31:13
  Speaker 3: You have? Yeah, I mean commercial acting isn't ready for
• 31:16
  Speaker 3: the work you're bringing.
• 31:17
  Speaker 5: No, And that's why I thank God, I've transitioned out.
• 31:21
  Speaker 1: What features have you been working on?
• 31:23
  Speaker 5: I am working on.
• 31:25
  Speaker 1: I saw one. It was so good. I loved your
• 31:28
  Speaker 1: work in CROs three where you were in that crocodile
• 31:31
  Speaker 1: movie CrOx three.
• 31:33
  Speaker 5: Yes, yes, yes, yes, it was the first of its kind.
• 31:37
  Speaker 5: Yet it's a.
• 31:40
  Speaker 3: Yes.
• 31:41
  Speaker 5: I'm sorry, I see. That's the crazy part is I
• 31:43
  Speaker 5: flushed it out. Well, that's such a.
• 31:45
  Speaker 4: Good strategy of movie making, is you start on the
• 31:48
  Speaker 4: third so people think it's a.
• 31:50
  Speaker 6: Successful franchise, and then you work your way back. It's
• 31:52
  Speaker 6: actually a genius.
• 31:53
  Speaker 5: Yeah, but it was an incredible movie. We worked with
• 31:56
  Speaker 5: Steve Irwin's son.
• 31:59
  Speaker 3: I love Rob and I love Bendy.
• 32:01
  Speaker 5: Bendy love Bendy.
• 32:02
  Speaker 3: They're good friends. I've had them over for dinner. Who
• 32:04
  Speaker 3: has I have Robert n has now Roger doesn't know them.
• 32:09
  Speaker 2: Roger just has a bunch of people who say they're musicians,
• 32:12
  Speaker 2: but they just like music.
• 32:15
  Speaker 5: But I love the feature space because you could stay
• 32:18
  Speaker 5: in it for longer. And yeah, I was in character
• 32:22
  Speaker 5: as a crocodile for that.
• 32:24
  Speaker 6: And did that alter your diet at all?
• 32:27
  Speaker 5: Yeah? It altered the way I sleep, sleep facing down.
• 32:32
  Speaker 6: That was the heart to it.
• 32:35
  Speaker 1: That was the hardest sleeping on your stomach.
• 32:36
  Speaker 5: It was like, yes, it was. That was the hard
• 32:39
  Speaker 5: facing down.
• 32:40
  Speaker 3: For a crocodile? Is it on its back?
• 32:42
  Speaker 5: So that's facing down as a human. That's facing up.
• 32:45
  Speaker 8: Now as a human is facing up.
• 32:49
  Speaker 6: So what's the answer.
• 32:51
  Speaker 5: That's where the rubber meets the road.
• 32:53
  Speaker 2: Because like their belly and their eyes are on different
• 32:56
  Speaker 2: sides of their body, So what's down for them up?
• 33:00
  Speaker 4: Okay, you know now I do see what you're saying.
• 33:04
  Speaker 6: I do feel like I am.
• 33:06
  Speaker 5: I flushed it out.
• 33:07
  Speaker 1: So what was that method like for you? I mean,
• 33:09
  Speaker 1: what did you have to take in? What you have
• 33:10
  Speaker 1: to learn about a crocodile to become one?
• 33:12
  Speaker 5: Well, I okay, I love talking to a muppet. It's
• 33:18
  Speaker 5: so fun.
• 33:18
  Speaker 1: Oh it's not. It's not a muppet, it's me. I.
• 33:24
  Speaker 5: What I had to do was it was a lot
• 33:26
  Speaker 5: of submerging in water, right like, and it was trying
• 33:29
  Speaker 5: to find a place to live in and I found
• 33:32
  Speaker 5: the place in Echo Park that had a huge pond,
• 33:35
  Speaker 5: and I I started I started just slowly just checking
• 33:39
  Speaker 5: my emails in the pond, right just sitting in there,
• 33:41
  Speaker 5: just just my my bottom half, right, and I was
• 33:44
  Speaker 5: sitting up like a human, and then slowly but surely,
• 33:47
  Speaker 5: I'd get lower and lower and I'd just lay down.
• 33:52
  Speaker 3: That's nice, Yeah, it's nice.
• 33:54
  Speaker 1: What did you learn?
• 33:55
  Speaker 5: I mean, what did I learn? I think it's less
• 33:58
  Speaker 5: about this is where what I think about it method,
• 34:01
  Speaker 5: It's less about what I'm learning and more just putting
• 34:03
  Speaker 5: my body there. Did I learn anything different? I don't know.
• 34:07
  Speaker 5: Does an alligator learn anything? But does he learn anything?
• 34:12
  Speaker 6: But that's just who he is, that's nature, that's just
• 34:18
  Speaker 6: who he is.
• 34:19
  Speaker 5: That is just who he is.
• 34:21
  Speaker 6: That's so brave.
• 34:22
  Speaker 3: And we dipped into and that's interesting.
• 34:24
  Speaker 5: We're dipping in, and the circle of concentration might be
• 34:28
  Speaker 5: right here, m And that circle of concentration gets bigger
• 34:31
  Speaker 5: and bigger and bigger, and suddenly I am a crocodile.
• 34:33
  Speaker 5: I didn't learn anything to be a crocodile. I am
• 34:36
  Speaker 5: just a crocodile totally.
• 34:38
  Speaker 4: So as a crocodile, did you ever feel jealous of
• 34:40
  Speaker 4: maybe more successful crocodiles like lile Lyle crocodile, for example, Well, no,
• 34:45
  Speaker 4: I went to so.
• 34:46
  Speaker 5: That movie we wrapped, We wrapped Crock three, and I
• 34:48
  Speaker 5: went I went to go see it with my niece.
• 34:51
  Speaker 5: I went to go see Lila Crocodile, and I was
• 34:52
  Speaker 5: looking at that actor and I was like, and I know,
• 34:54
  Speaker 5: it's like stop motion. I think animation, yes, And I
• 34:57
  Speaker 5: was like, where where is the animal? I just heard
• 35:02
  Speaker 5: you don't see it right? And I was like, this
• 35:04
  Speaker 5: is this is what happens when you are so deep
• 35:07
  Speaker 5: in process you see other people who are just dipping
• 35:10
  Speaker 5: in process, barely in it, and I just called bullshit.
• 35:13
  Speaker 1: It was a pity. It was devastating. Shawn Mendez didn't
• 35:17
  Speaker 1: go full method for lyl out.
• 35:19
  Speaker 5: But here's the thing.
• 35:20
  Speaker 6: A disrespect.
• 35:21
  Speaker 1: It's a disrespect.
• 35:23
  Speaker 5: Since Austin Butler did Elvis, I cannot see any Elvis
• 35:27
  Speaker 5: impersonator because it just looks so tacky to me. Yet
• 35:31
  Speaker 5: their work isn't less full of it isn't full of
• 35:34
  Speaker 5: less integrity. But Austin went there. He went there, So
• 35:38
  Speaker 5: anyone who doesn't go all the way there, I am
• 35:41
  Speaker 5: left feeling a gap.
• 35:43
  Speaker 2: Here's my question, do you guys ever have issues with
• 35:46
  Speaker 2: when you are method on set other actors or crew
• 35:49
  Speaker 2: members being frustrated. Jared Letto famously sent boxes of dog
• 35:53
  Speaker 2: shit to other people on the Suicide Squad. You know,
• 35:56
  Speaker 2: sometimes you have to use the other people at your disposal,
• 36:00
  Speaker 2: and that could be a very frustrating thing, you know.
• 36:02
  Speaker 2: Bradley Cooper was well known for calling Carry Mulligan in
• 36:05
  Speaker 2: character it's under Bernstein while Kerry Mulligan was putting her
• 36:07
  Speaker 2: actual child down for bed, and she'd be like, Oh,
• 36:10
  Speaker 2: I gotta go be Lennard Bernstein's wife for a second.
• 36:13
  Speaker 2: Excuse me, Marcus Mumford. You know that stuff that Carrie
• 36:15
  Speaker 2: told me when we were having dinner. So, yeah, do
• 36:19
  Speaker 2: you guys have issues with that?
• 36:20
  Speaker 1: So for me, yes, I did. I had a couple issues.
• 36:23
  Speaker 1: People were very very upset at my antics on set, yeah,
• 36:27
  Speaker 1: because they thought it was just a little too much.
• 36:30
  Speaker 1: You know. I got screamed at some of the handlers
• 36:33
  Speaker 1: of the puppets because I was trying to have full
• 36:36
  Speaker 1: blown conversations and get to know youse and fights and
• 36:41
  Speaker 1: drama with a couple of the other puppets. So I
• 36:45
  Speaker 1: would try to sit down with Miss Piggy and the
• 36:47
  Speaker 1: handler had to sit with Miss Piggy the whole time
• 36:50
  Speaker 1: and pretend the Miss Piggy was real.
• 36:52
  Speaker 3: Can I ask what the role classification was for this
• 36:54
  Speaker 3: character you played?
• 36:55
  Speaker 1: So I was you know how. You know how in
• 36:58
  Speaker 1: the Muppets movie there's usually human. I was the human. Okay,
• 37:02
  Speaker 1: but in my head it would only be real for
• 37:05
  Speaker 1: me to make sense of it is if this man
• 37:07
  Speaker 1: was a muppet.
• 37:08
  Speaker 6: So you were not a muppet.
• 37:12
  Speaker 1: I was not cast formally as a muppet. But for me,
• 37:15
  Speaker 1: the world only made sense if I was a muppet.
• 37:18
  Speaker 2: Okay, And if you may, can I ask what number
• 37:20
  Speaker 2: you were on the call sheet?
• 37:22
  Speaker 1: Yeaes of case? I was eighteen?
• 37:26
  Speaker 6: Okay, okay, okay, I think I think.
• 37:29
  Speaker 9: Even a say this.
• 37:31
  Speaker 4: There has to be regulation on how low you are
• 37:34
  Speaker 4: on the car sheet.
• 37:35
  Speaker 6: If you're allowed to be method, what's wrong? You cannot
• 37:37
  Speaker 6: be method if you are lower than five on the.
• 37:39
  Speaker 3: Call the limit? Set the limit.
• 37:41
  Speaker 1: Hey, okay, you guys think it was so easy, peasy,
• 37:45
  Speaker 1: No way. I was a coffee shop owner and I
• 37:47
  Speaker 1: had to give Kermit the Frog a coffee. What am
• 37:50
  Speaker 1: I supposed to do? Just be a man?
• 37:51
  Speaker 4: No?
• 37:52
  Speaker 1: I have to be a muppet.
• 37:55
  Speaker 6: Oh no, this is what Kermit does when he's stressed.
• 38:01
  Speaker 3: You catcher, we're letting the demons out of Pandora.
• 38:10
  Speaker 4: She's gonna sell me gum, She's gonna sell me gum
• 38:13
  Speaker 4: and I've already bought too much gum.
• 38:15
  Speaker 3: Orbit Did you can? I ask? And you can stay
• 38:18
  Speaker 3: in character too. Did you meet.
• 38:19
  Speaker 2: That that very did you meet that very interesting British
• 38:24
  Speaker 2: woman that was cleaned that daddy mouth that was in
• 38:26
  Speaker 2: those commercials?
• 38:27
  Speaker 1: Yeah?
• 38:27
  Speaker 5: I know she was a wonderful woman.
• 38:28
  Speaker 3: Awesome, amazing.
• 38:32
  Speaker 6: Oh, I'm so sorry to me to uncovered.
• 38:35
  Speaker 1: Let's talk about this.
• 38:36
  Speaker 5: Let's talk about sex as a method actors.
• 38:39
  Speaker 4: Oh, that is actually a gray area.
• 38:42
  Speaker 3: Because you.
• 38:44
  Speaker 6: Because you don't know who you're having sex with.
• 38:47
  Speaker 5: Okay, and her and I hooked up and I was liquor.
• 38:53
  Speaker 5: I was in there, yeah, and she was and she
• 38:56
  Speaker 5: was orbit Orbit.
• 38:57
  Speaker 3: Yeah, you can't.
• 38:59
  Speaker 5: Even talk about It's like I don't remember the commercial
• 39:01
  Speaker 5: because I flushed it away. But what was interesting was
• 39:04
  Speaker 5: when we came back, I was like, Wow, would Jewel
• 39:07
  Speaker 5: look up with her?
• 39:09
  Speaker 6: Would she would?
• 39:10
  Speaker 4: She?
• 39:10
  Speaker 1: I did?
• 39:12
  Speaker 5: I am Jewel right, and Jewel is there? And I
• 39:15
  Speaker 5: wanted to do that, yes, but in character, I wanted
• 39:18
  Speaker 5: to do it more.
• 39:19
  Speaker 4: Now, when you played the mucinex germ blob, because that
• 39:22
  Speaker 4: was you correct.
• 39:23
  Speaker 5: Yes, yes, yes, I was in prosthetics for three months.
• 39:27
  Speaker 6: Yes, that was all three d it was all real.
• 39:30
  Speaker 3: How many days of shooting?
• 39:32
  Speaker 6: Half day.
• 39:36
  Speaker 4: Point five point five days of shooting?
• 39:40
  Speaker 5: Said, we just need a six, not a full twelve.
• 39:43
  Speaker 1: So that's fine for you guys, right, but me, that's
• 39:48
  Speaker 1: a problem for you.
• 39:49
  Speaker 2: Oh well, well that's that's the that's the money shot, baby,
• 39:53
  Speaker 2: that's number one. How many lines did you have?
• 39:55
  Speaker 1: I had three lines? Yeah, that's okay, that's wrong with it.
• 39:59
  Speaker 5: A I stop of the call sheet.
• 40:01
  Speaker 4: That's a spokesperson, that's a recurring There's going to be
• 40:04
  Speaker 4: many many spots for that one campaigned.
• 40:07
  Speaker 5: I did at least fifty spots in that one and
• 40:09
  Speaker 5: half day.
• 40:10
  Speaker 3: Yeah, I mean, look, we had the the.
• 40:12
  Speaker 6: You're also fast. I had congratulations on that.
• 40:15
  Speaker 5: I mean I would be like musin X and then
• 40:16
  Speaker 5: we callcott. They'd hit me a Santa hat. We did
• 40:19
  Speaker 5: the holiday spot that.
• 40:22
  Speaker 1: I don't think they understand that I was man for
• 40:28
  Speaker 1: more than just a man in a hand. So can
• 40:33
  Speaker 1: I ask a muppet?
• 40:34
  Speaker 3: Did you so that's that?
• 40:35
  Speaker 4: Oh so you're the man in the hand of the Muppets.
• 40:38
  Speaker 3: That's the song from the Muppet movie right.
• 40:42
  Speaker 1: With with that was just a little freestyle, okay. The
• 40:45
  Speaker 1: song in the hand the muppet is am I a man?
• 40:49
  Speaker 6: Oh yeah, yeah, okay, yes, ah my, So.
• 40:53
  Speaker 3: That was your kind of rights free take on.
• 40:55
  Speaker 4: It incredible, Thank you for doing it right free.
• 40:58
  Speaker 5: So ask you, how does Dolly Barton have sex versus
• 41:01
  Speaker 5: Barbara Cochran.
• 41:03
  Speaker 4: Well, Dolly has it more sweet and simple, sweet and simple,
• 41:08
  Speaker 4: nothing funny, nothing, nothing, nothing too.
• 41:11
  Speaker 6: Out of the woodwork.
• 41:12
  Speaker 4: And I don't feel too good about, uh, you know,
• 41:16
  Speaker 4: just playing.
• 41:17
  Speaker 6: All my nasty little secrets.
• 41:18
  Speaker 4: But let's just say I am a dog in the bedroom.
• 41:23
  Speaker 6: But Barbra, Now, Barbara likes something fucked up.
• 41:29
  Speaker 4: Barbara likes it upside down, and she doesn't know who's
• 41:32
  Speaker 4: doing it. Barbara in the sets that in the sets
• 41:41
  Speaker 4: that my husband wears a blindfold and a cape and
• 41:44
  Speaker 4: a mask.
• 41:45
  Speaker 1: Who is he?
• 41:46
  Speaker 6: Well, he's cheap.
• 41:51
  Speaker 1: Guy, so he can't see.
• 41:54
  Speaker 4: He's talk about everything forehand, it's all okay, is it
• 42:01
  Speaker 4: like a halloween mask?
• 42:02
  Speaker 3: And you take it off and he's blindfolded under it.
• 42:06
  Speaker 4: So we don't want to take any chances because you
• 42:09
  Speaker 4: don't know who he is.
• 42:10
  Speaker 6: I really don't like to know the identity of my husband.
• 42:12
  Speaker 6: It's sort of it's sort of it's something for me, so.
• 42:15
  Speaker 4: I put the mask on as sort of an insurance
• 42:18
  Speaker 4: policy in case the mask. You know how cheap these
• 42:20
  Speaker 4: Halloween masks are. They fly right off if you go
• 42:22
  Speaker 4: upside down, which we are. So it's it's just in case.
• 42:27
  Speaker 4: But the person she's having sex with is my husband,
• 42:31
  Speaker 4: uh Denared O'Connor, and and that's not that's not I'm
• 42:41
  Speaker 4: I'm not saying anything about Shinead O'Connor.
• 42:47
  Speaker 2: We didn't think that your husband's name was a comment
• 42:49
  Speaker 2: on Shonado O'Connor.
• 42:51
  Speaker 3: We were taking it as truth.
• 42:52
  Speaker 4: I guess this all the time, and I just want
• 42:55
  Speaker 4: to get out in front of it.
• 42:56
  Speaker 6: He's not making a comment on Shinado O'Connor.
• 42:59
  Speaker 3: That just is his Can I say?
• 43:00
  Speaker 1: It just sounds more like your sex life is a channels,
• 43:03
  Speaker 1: not anything to do with your method, you know what.
• 43:04
  Speaker 5: I take personal responsibility for asking you this. You were
• 43:07
  Speaker 5: telling you were telling me how you brush your teeth,
• 43:09
  Speaker 5: and I was like, I want to know more.
• 43:11
  Speaker 1: This is wrong. This is wrong for me. I forget
• 43:15
  Speaker 1: for me. Sex is a method actor is really tough
• 43:19
  Speaker 1: for me as a muppet. Muppet method actor, it's been difficult.
• 43:24
  Speaker 6: So you don't have genitals if you're a muppet.
• 43:27
  Speaker 1: Because you don't have genitals. You're a muppet. So where
• 43:30
  Speaker 1: do I find the middle ground? And since ending my
• 43:34
  Speaker 1: role has a muppet two years ago, I have had difficulty, difficulty,
• 43:42
  Speaker 1: difficulty figuring it out. How it's going to work with
• 43:44
  Speaker 1: my sex life, with my beautiful, beautiful, beautiful girl friend.
• 43:47
  Speaker 5: Okay, this was two years ago and you're eighteenth on
• 43:50
  Speaker 5: the call sheet.
• 43:51
  Speaker 6: Why are you.
• 43:51
  Speaker 5: Still in character?
• 43:52
  Speaker 1: I can't let it go?
• 43:54
  Speaker 6: And how do you make money?
• 43:55
  Speaker 1: I don't. So my dad runs a military complex.
• 44:04
  Speaker 3: Hold on a minute, Hold on a minute. On that one.
• 44:07
  Speaker 2: There's the rub a military So a military complex is
• 44:10
  Speaker 2: an idea?
• 44:10
  Speaker 3: Does he run the idea?
• 44:11
  Speaker 2: Or does or did he open a business called the
• 44:14
  Speaker 2: military complex, which is a target like a.
• 44:17
  Speaker 6: Coffee shop slash wine bar gets past.
• 44:20
  Speaker 3: Nothing gets past Bobby d I'll tell you that.
• 44:22
  Speaker 1: Very interesting question. He runs a military complex. So what
• 44:25
  Speaker 1: that means is he actually is rich enough to own
• 44:28
  Speaker 1: his own kind of army paramilitary.
• 44:31
  Speaker 6: He's got a militia.
• 44:33
  Speaker 1: He's got a militia and he holds him in a complex.
• 44:36
  Speaker 3: And it's a for profit militia.
• 44:38
  Speaker 1: It's a it's making a martally nonprofit Okay, it's a nonprofit,
• 44:43
  Speaker 1: non for profit, not for profit. Okay, do the paper.
• 44:48
  Speaker 3: So you're doing you're doing pro bono war.
• 44:51
  Speaker 4: War to anyone who needs you. Oh you need some soldiers. Well,
• 44:56
  Speaker 4: we're an extra military force. We are not assigned to government.
• 45:00
  Speaker 4: Will do whatever. So yes, that's how I survive. Okay, so,
• 45:08
  Speaker 4: but so that might be problem.
• 45:10
  Speaker 1: I'm just looking for the next role that's gonna bump
• 45:12
  Speaker 1: me out of being a little bit of a muppet.
• 45:13
  Speaker 5: Oh so you think you can't go back to who
• 45:16
  Speaker 5: you are by yourself, You have to wait for the
• 45:19
  Speaker 5: next role.
• 45:20
  Speaker 1: I'm hoping that whatever the next role comes, I can
• 45:23
  Speaker 1: bump out of being a muppet and find myself again.
• 45:28
  Speaker 5: Dream.
• 45:29
  Speaker 6: Yeah, what's your dream role?
• 45:30
  Speaker 10: I would love something juicy, something ancient. Something I'm thinking
• 45:36
  Speaker 10: Moses or or or Jesus or something like that.
• 45:40
  Speaker 2: So that's gonna be It's it's probably a big walk
• 45:43
  Speaker 2: from where you are now.
• 45:44
  Speaker 1: I think they're very similar.
• 45:46
  Speaker 3: Can I give you some advice?
• 45:47
  Speaker 2: I'm just an actor, right, I mean, I'm Robert de Niro,
• 45:49
  Speaker 2: But I'll give you a little bit.
• 45:50
  Speaker 1: And this is awesome that we got assist called this
• 45:53
  Speaker 1: is awesome.
• 45:53
  Speaker 3: And I'm glad we talked about what we did with
• 45:55
  Speaker 3: me Robert de Niro in the room.
• 45:59
  Speaker 2: What I will say is, you know, when I was
• 46:04
  Speaker 2: in Raging Bull, I got really into boxing. Right when
• 46:07
  Speaker 2: I was in Godfather Too, I got really into Italian food,
• 46:09
  Speaker 2: and I kept those parts of me and I allowed
• 46:12
  Speaker 2: myself to say, oh, I like this thing, and I'm
• 46:14
  Speaker 2: going to move forward with these things. So I think
• 46:18
  Speaker 2: you can recognize there's something in you that likes being
• 46:21
  Speaker 2: a muppet, and then you can let that be part
• 46:23
  Speaker 2: of it and maybe let it out at at certain moments.
• 46:25
  Speaker 2: But it doesn't have to be your whole life, and
• 46:28
  Speaker 2: you can get back to your normal life.
• 46:30
  Speaker 6: Yeah, oh, oh it's happening. Oh, get there.
• 46:35
  Speaker 2: And before we meet who he actually is, I do
• 46:38
  Speaker 2: want to say sometimes you got to be careful because
• 46:39
  Speaker 2: you don't know who they are.
• 46:41
  Speaker 4: Yeah, any anything we want to say before before.
• 46:43
  Speaker 3: Before he goes. I like, I liked your spirit. I
• 46:48
  Speaker 3: did like it, didn't want it.
• 46:51
  Speaker 5: It just like that she said, you haven't been.
• 46:53
  Speaker 3: Able to do it for two years.
• 46:57
  Speaker 4: I think I should go no contact with your father.
• 47:00
  Speaker 4: You can talk to my children if you want. Apparently
• 47:01
  Speaker 4: it's quite easy.
• 47:04
  Speaker 3: So this isn't what I meant. Go ahead. I meant
• 47:08
  Speaker 3: just like, let that be part of you. It sounds
• 47:10
  Speaker 3: like it seems like it's being expelled from your body.
• 47:17
  Speaker 6: Hello, Oh shit, who's this?
• 47:21
  Speaker 1: Shit? Oh shit?
• 47:23
  Speaker 5: Who are you?
• 47:24
  Speaker 1: I am blank? I am nothing, I am ready?
• 47:31
  Speaker 5: Oh no, do you guys have an episode? O?
• 47:36
  Speaker 8: Folks?
• 47:37
  Speaker 4: I feel like this all the time. Hi, I'm President
• 47:39
  Speaker 4: Joe Biden. We gotta and we gotta get this country together.
• 47:44
  Speaker 4: We gotta get this country together and everything.
• 47:47
  Speaker 6: Ye, your folks, you got it. There's solving. There's one
• 47:49
  Speaker 6: hundred and sixty eight thousand people on his table, and
• 47:51
  Speaker 6: we gotta get them together.
• 47:53
  Speaker 3: Can I ask you? Is there anyone else who wants
• 47:55
  Speaker 3: to come say hi? Before we go?
• 47:58
  Speaker 4: Wella, let me let me think back of the recesses
• 48:02
  Speaker 4: of my brain.
• 48:03
  Speaker 3: I know there's one hundred and fifty in there.
• 48:05
  Speaker 4: Okay, okay, who is that?
• 48:12
  Speaker 1: It's a brand new person. We heard that person?
• 48:16
  Speaker 6: Uh yeah, uh yeah. I'm Benny Saftie.
• 48:20
  Speaker 3: Oh my god, I just kind of.
• 48:22
  Speaker 6: Talk like this. I just kind of talk like a
• 48:24
  Speaker 6: normal guy.
• 48:24
  Speaker 4: And I'm Alreadyana Kandy, and I'm in a little sweatshirt.
• 48:28
  Speaker 5: I don't buy that one that one just really just
• 48:35
  Speaker 5: smacked me in the face.
• 48:36
  Speaker 4: And I'm Lisa Barlow from Real Housewives of Salt Lake City.
• 48:41
  Speaker 5: Sickly seem gets carpet clean there.
• 48:46
  Speaker 1: So it's all coming out now, Robert.
• 48:50
  Speaker 3: No, I'm good.
• 48:52
  Speaker 6: This has been Artists on Artists on Artists on Artists
• 48:54
  Speaker 6: answering the question.
• 48:55
  Speaker 3: Now.
• 48:55
  Speaker 6: That's why they call it showbiz. We'll see you next time.
• 49:03
  Speaker 3: What's up? Artists?
• 49:04
  Speaker 2: If you like this podcast, we have a Patreon that
• 49:06
  Speaker 2: we'd love for you to join. We have a lot
• 49:08
  Speaker 2: of after shows and we do a lot of super
• 49:10
  Speaker 2: silly fun stuff and play games and do drafts, so.
• 49:13
  Speaker 5: So join find our patreon it Artists on Artists on
• 49:16
  Speaker 5: Artists on Artists. We'd love to see you there.
• 49:18
  Speaker 3: We'll see you there, and we're waiting.
• 49:19
  Speaker 5: We're waiting, so just anytime you get there, just like
• 49:22
  Speaker 5: text me when you're on your way.
• 49:23
  Speaker 3: Text us when you're on your way, and we'll just
• 49:24
  Speaker 3: kind of open the door for you. Can't wait to
• 49:26
  Speaker 3: see you there, see you there.
• 49:27
  Speaker 5: Are you close?
• 49:29
  Speaker 3: No worries, we're hanging, but like, we'd love to see
• 49:32
  Speaker 3: you there.
• 49:33
  Speaker 1: Artists on Artists on Artists on Artists.
• 49:35
  Speaker 7: This is an improvised Hollywood Roundtable podcast created, performed, and
• 49:38
  Speaker 7: produced by Kylie Brakman, Jeremy Colhane, Angela Giiritana, and Patrick McDonald.
• 49:43
  Speaker 7: Music is by Gabriel Ponton. The opinions expressing this podcast
• 49:46
  Speaker 7: do not reflect the opinions of anyone who works on it,
• 49:49
  Speaker 7: not even the performers, because this is an improvise podcast
• 49:52
  Speaker 7: and we're stupid.
• 49:53
  Speaker 1: Full video versions.
• 49:54
  Speaker 7: Of AOAOAOA are available on YouTube, so please like and
• 49:57
  Speaker 7: subscribe and leave us a five star review wherever you
• 50:00
  Speaker 7: get your podcasts.
• 50:01
  Speaker 1: Good night, Hollywood, HM,