Latest / Honey Badger Radio / Does she get it? Or are men still to blame? | Cozy Gaming Stream

Transcript

Does she get it? Or are men still to blame? | Cozy Gaming Stream · Honey Badger Radio

• 0:00
  Speaker 1: We're live. Hello everybody, and welcome to Honey Badger Radio.
• 0:02
  Speaker 1: My name is Brian. I'm here with Alison and this
• 0:04
  Speaker 1: is the I call them a cozy gaming streams. It's
• 0:09
  Speaker 1: like a way to cope with the loss of voidcat.
• 0:14
  Speaker 1: And uh, I mean that's what I that's yeah, that's
• 0:17
  Speaker 1: what I that's what I think anyways, and uh yeah,
• 0:20
  Speaker 1: we're gonna be playing some repo and also responding or
• 0:25
  Speaker 1: discussing this medium blog by Christina Lane entitled It's not
• 0:32
  Speaker 1: just men what women won't admit about struggling with female friendships.
• 0:37
  Speaker 1: So that should be interesting.
• 0:43
  Speaker 2: Yeah, yeah, like I was just like, that should be
• 0:46
  Speaker 2: interesting to take it. Yeah, I'm going to invite reallyquick.
• 0:53
  Speaker 1: Yeah I just sent it so.
• 0:57
  Speaker 2: Yeah, it just it just disappeared on me.
• 1:00
  Speaker 1: No, no, just go into the Steam Just go into the
• 1:02
  Speaker 1: Steam app and look at the bottom right corner. You
• 1:05
  Speaker 1: should see friends and chat there. Click on that and
• 1:08
  Speaker 1: you'll see the invitation. You'll see like all the friends
• 1:12
  Speaker 1: that are online. Then you should be able to do it.
• 1:15
  Speaker 2: So yeah, it's not showing me that. Let me just
• 1:18
  Speaker 2: do this again. Okay, there we go. There, it's showing
• 1:23
  Speaker 2: me now, Okay.
• 1:24
  Speaker 1: Good yep.
• 1:26
  Speaker 2: Yeah, I figured we could try this. It's a bit
• 1:27
  Speaker 2: of a change of pace. It's a woman who's I guess,
• 1:30
  Speaker 2: sort of getting it maybe, and we'll see if how
• 1:37
  Speaker 2: far she takes it, if she if she gets to
• 1:41
  Speaker 2: the moment of truth, then has to squerve away from it,
• 1:45
  Speaker 2: as if it was some form of some destructive force
• 1:52
  Speaker 2: that she has to avoid. Okay, I'm gonna put you
• 1:55
  Speaker 2: to zero there.
• 1:56
  Speaker 1: Yeah, sat right here.
• 1:59
  Speaker 2: Okay, all right, so I'm gonna make sure that my
• 2:03
  Speaker 2: yep looks like that's working. Are we just have Norwegian
• 2:06
  Speaker 2: for today?
• 2:08
  Speaker 1: Norwegian? We only have Gabriel.
• 2:10
  Speaker 2: That we have Gabriel. Yeah, not not even not the table. Huh,
• 2:14
  Speaker 2: it's just Gabriel.
• 2:15
  Speaker 1: Lindsay's got worse sleep than I did, so I can.
• 2:19
  Speaker 2: I'm already bracing. Yeah, I'm already bracing for your disappointment. Gabriel.
• 2:27
  Speaker 1: Uh me, Gabriel works alone. He's a loaner. Yeah, he
• 2:36
  Speaker 1: doesn't have a partner.
• 2:39
  Speaker 2: He's like a sniper in the waists.
• 2:41
  Speaker 3: Yeah.
• 2:44
  Speaker 2: But yeah, that's okay. So if you guys are tuning in,
• 2:46
  Speaker 2: we're gonna be discussing an article about a somatic coach.
• 2:53
  Speaker 2: Yeah coach, just a second, because that that's something that
• 2:58
  Speaker 2: I can't explain to you just the top of my head. Sorry,
• 3:02
  Speaker 2: I just stepped on my dog dog accidentally. He gave
• 3:06
  Speaker 2: me a look. Don't worry. He's he's big enough to
• 3:09
  Speaker 2: uh to handle it.
• 3:11
  Speaker 1: Oh yeah, Christina, Uh, Chris, Christina Lane coaching dot com.
• 3:19
  Speaker 1: Embody yourself instead of solving yourself. Somatic energy intuition. Oh
• 3:25
  Speaker 1: my god, this is the most somatic. Yeah.
• 3:29
  Speaker 4: This is.
• 3:31
  Speaker 1: Like arm movements. It's like, you know, if you're a
• 3:34
  Speaker 1: wizard and you cast a spell, there are some spells
• 3:37
  Speaker 1: that require uh somatic components, which means like body movements,
• 3:43
  Speaker 1: like waving of the arms. So maybe that's what it is.
• 3:46
  Speaker 1: Maybe it's some kind of yoga thing.
• 3:49
  Speaker 2: Avatar but not cool avatar the last traumatic. Yeah, somatic
• 3:57
  Speaker 2: spell casting. But I don't think it's that cool. It's
• 3:59
  Speaker 2: a as A somatic coach works on the premise that
• 4:02
  Speaker 2: emotional states, stress, and relational patterns are held in the body, posture, breath,
• 4:07
  Speaker 2: nervous system regulation, muscle tension, not just in thought, and
• 4:11
  Speaker 2: then you change them by working through bodily awareness rather
• 4:13
  Speaker 2: than along rather than or alongside talk. Uh, It's that's
• 4:19
  Speaker 2: probably sort of legitimate. I know that they're the originator
• 4:24
  Speaker 2: is uh pat Ogden sensor motive motor psychotherapy, so probably
• 4:30
  Speaker 2: it has some basis. I don't know how she approaches it,
• 4:35
  Speaker 2: but yes, this is this is this, this, this smacks
• 4:39
  Speaker 2: of being very womaning. This is a lot of woman
• 4:44
  Speaker 2: we're going to encounter.
• 4:45
  Speaker 5: Yeah, max.
• 4:49
  Speaker 2: Max womaning, womaning to the Max. I'm I'm woman maxic.
• 4:57
  Speaker 2: Yeah yeah, wol Maxing. We're we're encountering a woe man
• 5:00
  Speaker 2: a sort of situation. But regardless, this individual is willing
• 5:06
  Speaker 2: to criticize the sisterhood. I don't know how far she's
• 5:08
  Speaker 2: willing to criticize the sisterhood. I have looked at this
• 5:11
  Speaker 2: article and I see some a few deficits. I haven't
• 5:14
  Speaker 2: read it all the way to the end, but I
• 5:16
  Speaker 2: already see that there's a little asymmetry in blaming men
• 5:21
  Speaker 2: versus women. I know that she says that it's symmetrical.
• 5:24
  Speaker 2: But the problem is that in these articles often they
• 5:28
  Speaker 2: will talk about, well, there's not many articles like this,
• 5:33
  Speaker 2: because this is actually talking about how women are doing
• 5:36
  Speaker 2: something wrong. That that's as rare as head teeth. Let's
• 5:39
  Speaker 2: face it, especially on medium. But she basically does the
• 5:44
  Speaker 2: most both sides thing. And she says, I criticize men.
• 5:47
  Speaker 2: I'm like, well, you know, yeah, that's true. However, a
• 5:51
  Speaker 2: problem with criticizing men is that nobody ever acknowledges what
• 5:55
  Speaker 2: men bring to relationships by virtue of being men. It's
• 6:00
  Speaker 2: not fair. It's like it's all criticism and then you
• 6:02
  Speaker 2: like criticize women a little bit, and then you're like, wow,
• 6:05
  Speaker 2: but I'm also going to criticize men. It's like, well, yeah,
• 6:07
  Speaker 2: it's not. It's not symmetrical proposition because very few people
• 6:11
  Speaker 2: argue what women bring to relationships, you know, pits, but
• 6:15
  Speaker 2: lots of people argue that men bring nothing to relationships
• 6:19
  Speaker 2: because they don't have tits, or at least they usually don't.
• 6:24
  Speaker 2: But anyway, like so, I just wanted to point that out.
• 6:26
  Speaker 2: I don't think it's really that symmetrical the blame on
• 6:29
  Speaker 2: men and women in this article, although the focus is
• 6:32
  Speaker 2: not on men. So that's sort of in itself kind
• 6:35
  Speaker 2: of like relief, no, not relief, uh wow, breath of
• 6:41
  Speaker 2: fresh air. Breath of fresh air. Right, So yeah, And
• 6:46
  Speaker 2: I do find it interesting that this is now we've
• 6:49
  Speaker 2: had I've seen a relate like a matchmaker, a female
• 6:53
  Speaker 2: match maker call women out for their insane standards, and
• 6:58
  Speaker 2: now we're seeing a female somatic coach call women out
• 7:03
  Speaker 2: for they're insane excuse making. I don't know how else
• 7:08
  Speaker 2: to describe it. It's just ridiculous excuse making. And yeah,
• 7:12
  Speaker 2: so we could just read a little bit before we
• 7:14
  Speaker 2: go in. I know, uh maybe game. Oh right, I
• 7:18
  Speaker 2: should do that thing.
• 7:19
  Speaker 1: He should, He should know that. That's you know, that's
• 7:21
  Speaker 1: why we're here. So go ahead and do.
• 7:23
  Speaker 2: The things, all right, So, at any point throughout the show,
• 7:28
  Speaker 2: you want to send us a message, the very best
• 7:30
  Speaker 2: way for you to do so is to go to
• 7:32
  Speaker 2: feed the badger dot com slash just the tip. Let's
• 7:35
  Speaker 2: feed the badger dot com slash just the tip, very
• 7:38
  Speaker 2: best way for you to send us whatever funds you
• 7:40
  Speaker 2: want to send us because you like us or don't
• 7:42
  Speaker 2: like us because some of you just hate fund It's
• 7:47
  Speaker 2: very interesting, very interesting people, you guys are. But the
• 7:51
  Speaker 2: very best way for you to send us funds and
• 7:53
  Speaker 2: the very best way for you to send us a
• 7:54
  Speaker 2: message because you don't have to send that message through
• 7:58
  Speaker 2: YouTube's comment enhancement system, and you also get a little
• 8:01
  Speaker 2: more space to elaborate on your cosmic wisdom and all that.
• 8:04
  Speaker 2: It's all good. Go to feed the Badger dot com
• 8:06
  Speaker 2: slash just to tip, and if you want to support
• 8:09
  Speaker 2: the show, the support the fundraiser is live. And I
• 8:13
  Speaker 2: believe I have corrected every rooting problem because at one
• 8:20
  Speaker 2: point I think that the pop up didn't take you
• 8:25
  Speaker 2: to the right place. The actual link that I keep
• 8:29
  Speaker 2: giving out didn't take you to the right place. But
• 8:31
  Speaker 2: I fixed it all. So feed the Badger dot Com
• 8:34
  Speaker 2: slash support will now take you to the correct place
• 8:37
  Speaker 2: to help us out, and that is the best place
• 8:40
  Speaker 2: to do so. So feed the Badger dot Com slash
• 8:41
  Speaker 2: support and Badger nation dot online if you want to
• 8:45
  Speaker 2: join us in our discord community and read more about
• 8:48
  Speaker 2: the things that I talk about, in particular because I
• 8:52
  Speaker 2: sometimes upload additional research and analysis of these items that
• 8:57
  Speaker 2: we discuss. All right, do you want to start, Brian?
• 9:01
  Speaker 1: Yeah, Okay, So I'm not going to display the article
• 9:05
  Speaker 1: because it's just letters and that's boring. Uh So this
• 9:08
  Speaker 1: is by Christina Lane and it's entitled It's not just
• 9:11
  Speaker 1: Men What women won't admit about struggling with female friendships.
• 9:15
  Speaker 1: Some of our friendships aren't actually friendships anymore. They're just
• 9:19
  Speaker 1: mutual agreement to witness suffering without ever doing anything about it.
• 9:24
  Speaker 1: What kind of suffer do you want to go to
• 9:26
  Speaker 1: the store? First world country? I just want to point
• 9:30
  Speaker 1: out first world country. This person lives.
• 9:32
  Speaker 2: You suffer from a lack of suffering, madam. Yeah, do
• 9:37
  Speaker 2: you want to go into the game?
• 9:39
  Speaker 1: Should we? We might? We might end up having to
• 9:42
  Speaker 1: do a level if we go into the game. Do
• 9:44
  Speaker 1: you want me to read a little bit of it
• 9:45
  Speaker 1: then go into the game? No?
• 9:47
  Speaker 2: Yeah, maybe maybe maybe read a little bit of it, Like,
• 9:49
  Speaker 2: I don't think we'll be responding as quickly to it.
• 9:51
  Speaker 2: I was just thinking because it might give you, like
• 9:53
  Speaker 2: a visual that's better than us just flapping here.
• 9:56
  Speaker 1: Well, I don't think people mind the flapping that much.
• 9:59
  Speaker 1: Do you guys mind the fla?
• 10:00
  Speaker 2: Okay, okay, what are your opinions on the flapping? Okay?
• 10:04
  Speaker 1: Yeah, all right. So the text comes in at seven am,
• 10:10
  Speaker 1: three paragraphs. I don't even need to read it to
• 10:12
  Speaker 1: know what it says. Her husband did the thing he
• 10:16
  Speaker 1: always does. He really does suck. He's she's hurt again,
• 10:20
  Speaker 1: exhausted again, wondering if she's crazy again. She needs to vent,
• 10:24
  Speaker 1: she needs my perspective, needs validation that she's seeing things clearly.
• 10:30
  Speaker 1: I stare at my phone. I have work to do,
• 10:33
  Speaker 1: I have life to tend to. Carpool is waiting. I have,
• 10:37
  Speaker 1: if I'm honest, a limited amount of energy for other
• 10:39
  Speaker 1: people's problems since starting coaching, especially when those problems are
• 10:43
  Speaker 1: the same problems we've been discussing for years. I would
• 10:46
  Speaker 1: never let that happen in a coaching container either. I
• 10:49
  Speaker 1: don't want to help people tread water.
• 10:53
  Speaker 2: Okay, So I just have a question. How is it
• 10:56
  Speaker 2: that women will completely keep a lid on some rat
• 11:01
  Speaker 2: bastard who beats them black and blue, you know, every
• 11:05
  Speaker 2: every after every meal, for burning the toast or whatever,
• 11:10
  Speaker 2: but they will never stop talking. I mean, it should
• 11:12
  Speaker 2: it should be pretty salient if this guy is a
• 11:15
  Speaker 2: really bad news, right, It's hard to miss when a
• 11:19
  Speaker 2: man is bad news, really hard to miss usually, you know,
• 11:23
  Speaker 2: if your face hits it every day. So how is
• 11:27
  Speaker 2: it that she manages to well, how is it that
• 11:30
  Speaker 2: women manage to just keep a lid on it with
• 11:35
  Speaker 2: a truly abusive men and yet just dribble out this
• 11:38
  Speaker 2: stuff constantly with guys who probably the dude just wants
• 11:42
  Speaker 2: to sit at home with a beer, and she's like,
• 11:44
  Speaker 2: oh my god, I can't believe he's not spending every
• 11:48
  Speaker 2: breaking moment on me, like my werewolf, billionaire assassin, romantic
• 11:53
  Speaker 2: lead in my favorite stocking novel. Like, how do we
• 11:58
  Speaker 2: know that it really is him or that she has
• 12:03
  Speaker 2: she's incapable of settling into a relationship that doesn't revolve
• 12:06
  Speaker 2: around her constantly.
• 12:09
  Speaker 1: Yeah, I mean, like what even qualifies as what hurting
• 12:14
  Speaker 1: someone in this context? Here's the thing text in five minutes.
• 12:22
  Speaker 2: Yeah, considering this woman is already tired of her, I
• 12:25
  Speaker 2: think that the problem is her Like her friend, her
• 12:28
  Speaker 2: female friend is like, yeah, I'm done with you. Probably
• 12:32
  Speaker 2: then it's it's a her thing. Like these are two
• 12:35
  Speaker 2: These are two now points in favor of it being
• 12:37
  Speaker 2: a her thing. But I just my overall point is
• 12:40
  Speaker 2: women constantly talk about how they're they're silenced by abuse.
• 12:46
  Speaker 2: Where is that? I would like to see more of it,
• 12:49
  Speaker 2: honestly because it just doesn't seem to be happening in.
• 12:52
  Speaker 1: That's what I want for Christmas is more female Yes.
• 12:56
  Speaker 2: No female silencing. Like the thing is that they say
• 12:59
  Speaker 2: they they're constantly using the stolen valor of oh I'm
• 13:03
  Speaker 2: silenced by Women are silenced by abusive men. I'm like,
• 13:06
  Speaker 2: I don't see it. You guys aren't even silenced like
• 13:10
  Speaker 2: it could. Could you be more silenced? Please? God, I'm
• 13:15
  Speaker 2: an asshole, just.
• 13:17
  Speaker 3: Okay, Yeah, I just saying, don't.
• 13:20
  Speaker 2: Take the solid valor of being silenced by men's abuse.
• 13:25
  Speaker 2: And you're never fucking silenced, ladies. Yeah, you never stop talking.
• 13:31
  Speaker 2: You can't. You can't be like, yeah, we're all silenced
• 13:34
  Speaker 2: by the abusive men. Never stopped fucking talking about it,
• 13:37
  Speaker 2: but we stopped talking about it for once, and I'll
• 13:40
  Speaker 2: believe you. Okay, all right, that's all I'm saying.
• 13:43
  Speaker 1: Senior Sticks gave us two dollars super chat and says
• 13:47
  Speaker 1: I think it has to do with the old human settings.
• 13:51
  Speaker 1: Not really sure what that means, but thank.
• 13:53
  Speaker 2: You old human settings, the.
• 13:55
  Speaker 1: Old human settings.
• 13:58
  Speaker 2: Thank you from thank you for that that baffling statements.
• 14:03
  Speaker 1: Yeah, yeah, a little bit, all right anyway, Yeah, this
• 14:07
  Speaker 1: is hard enough. I'm not completely above this behavior myself.
• 14:11
  Speaker 1: I need to vent to my friends sometimes too. So
• 14:14
  Speaker 1: I'm annoyed because finding the balance between supporting someone in
• 14:18
  Speaker 1: seasons and feeling used is hard. Let's be clear. I'm
• 14:22
  Speaker 1: not annoyed because I don't care. I'm annoyed because I
• 14:25
  Speaker 1: do care, and caring hasn't changed anything.
• 14:29
  Speaker 2: Okay, I can I just point something out? Yeah, this
• 14:32
  Speaker 2: is shitty behavior if they're talking about venting, but probably
• 14:35
  Speaker 2: about their partner, like their male partner. Right, if you
• 14:38
  Speaker 2: have a problem with your male partner, you should bring
• 14:40
  Speaker 2: it up with him directly. And if this is a situation,
• 14:45
  Speaker 2: you just want to get it like outside opinion and
• 14:48
  Speaker 2: some advice about you know, how to approach something. Okay,
• 14:51
  Speaker 2: that's fine, But if you're just bitching, you're just ragging
• 14:54
  Speaker 2: on your partner, that's gross. Don't do it right, this venting,
• 14:59
  Speaker 2: I need to vent? No, you don't. You need to
• 15:01
  Speaker 2: be a jackass. And I immediately feel like this this
• 15:08
  Speaker 2: lowers me and lowers you in my estate, it's bratt
• 15:15
  Speaker 2: all right, Well that's abusive too, Like I mean, the
• 15:19
  Speaker 2: can't even answer answer to what you're saying.
• 15:23
  Speaker 1: No, we just fall to like, if she's complaining, it's
• 15:25
  Speaker 1: probably valid, but the complaining does appear to be wearing
• 15:29
  Speaker 1: down at this person. So the writers continues, the complaint
• 15:33
  Speaker 1: is the is the relationship now? Or the complaint is
• 15:36
  Speaker 1: the relationship now? So, like I think she's saying that
• 15:39
  Speaker 1: her relationship with her friend is basically just her friend
• 15:42
  Speaker 1: complaining to her about her husband. The venting is the bond.
• 15:46
  Speaker 1: And I'm starting to realize that some of my female
• 15:48
  Speaker 1: friendships aren't actually friendships anymore. They're just mutual agreement to
• 15:52
  Speaker 1: witness suffering without ever doing anything about it, which is
• 15:55
  Speaker 1: kind of everything try to avoid as a human. Yeah,
• 16:00
  Speaker 1: by refugees. I live by refugees. All of my income
• 16:06
  Speaker 1: comes from helping people in some way. I hustle hard
• 16:09
  Speaker 1: to get my three kids through school well and now
• 16:12
  Speaker 1: off to college. It's just what the fat. Yeah, But
• 16:20
  Speaker 1: often complaining feels too, feels core to having a female connection.
• 16:24
  Speaker 1: It's not just men we're struggling with, it's each other. Well,
• 16:27
  Speaker 1: I mean that's kind of true, isn't it. Yeah, women's
• 16:31
  Speaker 1: women bonding over their frustration and their unhappiness and their dissatisfaction,
• 16:37
  Speaker 1: bonding with other women over that. That's that's something I've
• 16:39
  Speaker 1: definitely seen.
• 16:41
  Speaker 2: Think that's why Christians are like, don't do that.
• 16:44
  Speaker 1: Yeah, don't don't gossip, don't compare your situation to others.
• 16:51
  Speaker 1: That's a really big one, yeah, senior, because you don't
• 16:56
  Speaker 1: know what other people are going through. Senior six gives
• 16:58
  Speaker 1: us two dollars and says the old factory human settings
• 17:01
  Speaker 1: is very strong. Oh, I see what you're saying.
• 17:03
  Speaker 2: Yeah, all right, okay, let's read a.
• 17:08
  Speaker 1: Little bit more so, continuing on complaint as currency. Somewhere
• 17:14
  Speaker 1: along the way, complaint became the primary mode of female connection.
• 17:18
  Speaker 1: I wonder if the Cave women complained. I feel the
• 17:21
  Speaker 1: need to be so clear. This is not occasional venting.
• 17:24
  Speaker 1: That's normal. That's human. I mean the relentless recursive loop
• 17:28
  Speaker 1: where every conversation circles back to what's wrong, who's failing us,
• 17:32
  Speaker 1: and what's not working. Yeah, that's talking to a woman.
• 17:36
  Speaker 1: I've sat them dinners where two hours pass and realize
• 17:40
  Speaker 1: nobody laughed at anything outside of a mean joke about
• 17:42
  Speaker 1: men or politics. Nobody got excited about anything personal.
• 17:47
  Speaker 2: Go ahead, okay, all right, so mean joke about men
• 17:50
  Speaker 2: or politics. So you skuys sit around being mean towards
• 17:55
  Speaker 2: men as a group. You sound delightful, just fantastic people,
• 18:03
  Speaker 2: just awesome, superlative. Good lord. Ugh, Okay, all right.
• 18:12
  Speaker 1: We just drained each other with an inventory of grievances.
• 18:16
  Speaker 1: Her husband doesn't help enough, her boss is a nightmare,
• 18:19
  Speaker 1: her mother in law is insufferable. Her kid is lost
• 18:22
  Speaker 1: at school and it is all his teacher's fault, education,
• 18:26
  Speaker 1: the government, lepedema and saggy necks, bad fat no, bad fat,
• 18:33
  Speaker 1: wrong suffering. The complaints are often valid. I'm not saying
• 18:37
  Speaker 1: they're not. But at some point talking about problems you're
• 18:40
  Speaker 1: not going to address becomes its own problem. And here's
• 18:43
  Speaker 1: what makes it particularly insidious. We call this intimacy. No
• 18:46
  Speaker 1: it's not about the nail though.
• 18:49
  Speaker 2: No, it's not.
• 18:50
  Speaker 4: You know what men do?
• 18:51
  Speaker 1: You know what men do when they get together and
• 18:54
  Speaker 1: they talk. If they complain about something, they're usually asking
• 18:58
  Speaker 1: for help, and other men will be like, Okay, here's
• 19:00
  Speaker 1: what you can do. Sometimes they want to vent, but
• 19:04
  Speaker 1: often if there is anything like that, it's about like
• 19:08
  Speaker 1: figuring out a way to address it. But what do
• 19:11
  Speaker 1: I know? Yep, I'm just a guy with it.
• 19:13
  Speaker 2: What do you know, Brian? Yeah, how could you possibly
• 19:17
  Speaker 2: know what it's like to have a penis? You need
• 19:19
  Speaker 2: to ask a woman or to be a man with
• 19:22
  Speaker 2: you know, a person a penis person? How could you
• 19:24
  Speaker 2: possibly know? You need to find the nearest woman and ask,
• 19:28
  Speaker 2: But not me, because I'm a pick me. You can't
• 19:30
  Speaker 2: ask me. I'm I'm I'm also an honorary person with
• 19:35
  Speaker 2: a penis because I you know, I don't hate them.
• 19:39
  Speaker 2: I don't go to I don't go to a a.
• 19:44
  Speaker 2: What are these women's husbands think? These women are sitting
• 19:47
  Speaker 2: around a damn table having a dinner party. Presumably, I
• 19:50
  Speaker 2: guess the husbands aren't aren't allowed, They're like excommunicated to
• 19:53
  Speaker 2: the garage or something, and they're they're they're ragging on
• 19:57
  Speaker 2: men like at this dinner party, and in no sense
• 20:02
  Speaker 2: that they have any sense of responsibility to anybody but
• 20:05
  Speaker 2: their own emotional catharsis. I guess. But yeah, like, yeah,
• 20:12
  Speaker 2: this is uh, this is unpleasant. Let's keep going.
• 20:15
  Speaker 1: Indeed, uh, we call this being real with each other.
• 20:20
  Speaker 1: We're convinced. We've convinced ourselves that the depth of our
• 20:23
  Speaker 1: friendship is measured by how much we can complain together,
• 20:26
  Speaker 1: how thoroughly we can dissect what's wrong with the men
• 20:29
  Speaker 1: in our lives, how completely we can validate each other's victimhood.
• 20:35
  Speaker 1: Women don't just struggle with men. They equally struggle with
• 20:39
  Speaker 1: female friendships that have devolved. They tell me about friends
• 20:42
  Speaker 1: they used to love spending time with, and now they're
• 20:45
  Speaker 1: avoiding them. They describe feeling guilty for not wanting to engage,
• 20:48
  Speaker 1: for not having the energy to absorb another monologue about
• 20:51
  Speaker 1: someone else's unchanging situation. The even harder part recognizing when
• 20:57
  Speaker 1: you've become that friend yourself. I'm fairly, but I can
• 21:01
  Speaker 1: look back on periods where I was subtracting everytha. I'm done.
• 21:06
  Speaker 2: I just want to finish, all right, Sorry about that. Yeah,
• 21:10
  Speaker 2: tasks gloop completed. Let me engage with this content. So
• 21:15
  Speaker 2: you have women who are all like looking for somebody
• 21:18
  Speaker 2: to trauma Dare I say complaint dump on trauma dump
• 21:23
  Speaker 2: the subset of complaint dumping. I doubt they really have
• 21:26
  Speaker 2: that much trauma, but whatever. So they're just they're looking
• 21:29
  Speaker 2: for somebody to give them undivided attention about whatever thing
• 21:33
  Speaker 2: they're complaining about. And now they're getting tired of each other,
• 21:37
  Speaker 2: because that's how they have a relationship with each other,
• 21:42
  Speaker 2: that they just exchange complaints or trauma or dump their
• 21:47
  Speaker 2: their load of complaints on each other. And they and
• 21:49
  Speaker 2: some of them are getting tired of it. And of
• 21:51
  Speaker 2: course a big part of the complaints are the men
• 21:54
  Speaker 2: in their life. And they have no compunction about this. Like,
• 21:57
  Speaker 2: do these women ever think? You know, how would I
• 21:59
  Speaker 2: feel if my husband just went to his friends and
• 22:02
  Speaker 2: started dumping over you know that my my vagina is loose,
• 22:07
  Speaker 2: my tickets are saggy, I don't pay enough bills, you
• 22:12
  Speaker 2: know that kind of thing, Like you just dump all
• 22:14
  Speaker 2: of my all of his complaints about me on his friends.
• 22:18
  Speaker 2: How would I feel if my husband was going to
• 22:21
  Speaker 2: a dinner party or going out for beers with his
• 22:24
  Speaker 2: friends and all they did all night was make jokes, well,
• 22:28
  Speaker 2: mean spirited jokes about women, not just jokes, but mean
• 22:32
  Speaker 2: spirited jokes about women, and complain about their wives. How
• 22:35
  Speaker 2: would you ladies feel about that? Would you be like, oh, yeah,
• 22:38
  Speaker 2: that makes sense. It's just venting, no, probably to force
• 22:42
  Speaker 2: your husband's for this behavior. Let's be honest. So I'm
• 22:46
  Speaker 2: gonna I'm gonna say that you Uh. First of all,
• 22:49
  Speaker 2: I seriously doubt that any of your complaints are legitimate.
• 22:53
  Speaker 2: And also I think you're horrible people. So I don't
• 22:57
  Speaker 2: know how many women are horrible people, but I think
• 23:00
  Speaker 2: the author of this article is a horrible person, and
• 23:04
  Speaker 2: she is also describing horrible people, all of whom are women.
• 23:08
  Speaker 2: I don't know. Like I said, I don't know what
• 23:10
  Speaker 2: percentage of women she's describing. Seems like she's taking this
• 23:15
  Speaker 2: is a sense they get a sense that she's see
• 23:17
  Speaker 2: seems to think she's describing most of them. I'll just
• 23:20
  Speaker 2: leave it to I'll defer to her expertise on the
• 23:24
  Speaker 2: nature of the average woman. So, yeah, you're all horrible people.
• 23:30
  Speaker 1: Maybe she's an expert in regulating and processing their her
• 23:36
  Speaker 1: emotions and that's what. Yeah, she goes to.
• 23:42
  Speaker 2: Dinner parties where they just insult men, and they insult
• 23:45
  Speaker 2: their husbands. And I'm guarantee that if some woman came
• 23:49
  Speaker 2: to here and said, you know, my husband goes to
• 23:52
  Speaker 2: his friends and they have beers and then she just
• 23:55
  Speaker 2: insults every part of my body and then he also
• 23:58
  Speaker 2: insults everything I do with my life. And and as
• 24:01
  Speaker 2: friends do the same thing with their with their wives,
• 24:04
  Speaker 2: what would they say to that? What would be the
• 24:06
  Speaker 2: response to that by this somatic coach. And yet she
• 24:09
  Speaker 2: just glosses over the back that these women are doing
• 24:12
  Speaker 2: this instead of holding them accountable. And again, if you
• 24:16
  Speaker 2: are willing to do this, I think your complaints about
• 24:18
  Speaker 2: your life are probably extremely distorted. Shall we say, okay, yeah,
• 24:27
  Speaker 2: do I want to do another section, or do a game.
• 24:31
  Speaker 1: Let's do a Let's play some of the game for now,
• 24:34
  Speaker 1: because the next section is kind of long. So I
• 24:37
  Speaker 1: did get a super chat. Let me read it out
• 24:39
  Speaker 1: really quick. Dark Kiki Mora gave us five super chat
• 24:43
  Speaker 1: and says, all grapists eat at Burger King because they
• 24:46
  Speaker 1: have to have it their way. Can't insert a message
• 24:50
  Speaker 1: into a super Chow on the new just the Tip site,
• 24:53
  Speaker 1: by the way, So I guess he's having problems with
• 24:56
  Speaker 1: just the Tip Superchow messages.
• 25:00
  Speaker 2: I haven't changed anything, so I don't I don't know
• 25:03
  Speaker 2: what's going on. I guess I could look at zap
• 25:06
  Speaker 2: here to see if it's screwed up. Does anyone else
• 25:09
  Speaker 2: want to try the super child? Feed the badger dot com,
• 25:11
  Speaker 2: slashes the tip, see if it works. How about when
• 25:16
  Speaker 2: when one of our regulars go go to feed the
• 25:18
  Speaker 2: Badger dot com, slash just the tip and see if
• 25:20
  Speaker 2: it works. Confirm or deny Dark Kiki Mora's experience. All right,
• 25:26
  Speaker 2: let's let's do this thing.
• 25:28
  Speaker 1: All right, let's do this when you're a level. There
• 25:30
  Speaker 1: we go. This is level like eight or nine or something. Okay,
• 25:40
  Speaker 1: if if it loads.
• 25:42
  Speaker 2: Holy shit, yeah, it's taking away.
• 25:44
  Speaker 1: There we go.
• 25:44
  Speaker 2: Maybe it's complaining about its husband.
• 25:47
  Speaker 1: No, no, we go zeum time.
• 25:51
  Speaker 2: Right, Okay, I need to remember how to Okay, so.
• 26:07
  Speaker 1: Yeah, yeah, I got I I here, put it, put
• 26:10
  Speaker 1: it in there, put it there. Yeahs, put a few
• 26:13
  Speaker 1: things in there. I'll grab this. Are you having trouble
• 26:17
  Speaker 1: take the No?
• 26:20
  Speaker 2: Yes, I'm probably I'm having trouble.
• 26:21
  Speaker 1: Oh here, Alison, take this. Put this in your inventory. Okay, bro,
• 26:27
  Speaker 1: I'll take the I'll take the shotgun. Take Lindsay's weapon.
• 26:33
  Speaker 1: Put it in your inventory. Don't use it. It'll save
• 26:36
  Speaker 1: you when you die. Uh yeah, do you want to
• 26:41
  Speaker 1: take this? This frying pan weapon? No, don't be this. No,
• 26:49
  Speaker 1: this one, this one, Allison, this one?
• 26:51
  Speaker 4: Okay?
• 26:52
  Speaker 2: Am I supposed to do something with the frying pan.
• 26:54
  Speaker 1: Rabbit and put it in your inventory. Pick one, two
• 26:56
  Speaker 1: or three? Right, I don't have a spare slot. All right,
• 27:03
  Speaker 1: I got the I got the drones. So all right,
• 27:06
  Speaker 1: you're with me?
• 27:09
  Speaker 2: Okay, okay, see.
• 27:17
  Speaker 1: What's over here?
• 27:23
  Speaker 2: Am I supposed to stay with you the entire way?
• 27:26
  Speaker 1: No, but just stay close ish, I'm gonna grab that.
• 27:32
  Speaker 2: Oh I see something over there.
• 27:35
  Speaker 1: Yeah, if you think you can get over there and
• 27:39
  Speaker 1: don't fall. Just be careful. There. There's a there are
• 27:42
  Speaker 1: pits there.
• 27:44
  Speaker 2: I see that. I'm I see that there. I am
• 27:47
  Speaker 2: walking on a board, Bryan, I'm not dying. I am
• 27:51
  Speaker 2: pretty fucking incompetent. I will admit that.
• 27:56
  Speaker 1: Okay, let me help you with that. It's heavy, right, Okay,
• 28:01
  Speaker 1: I got it. You can let it go, you can
• 28:04
  Speaker 1: let it out so I can't cross the cross the okay.
• 28:08
  Speaker 4: Cool, all right, I might as well learn, right, yeah.
• 28:12
  Speaker 1: Yeah, yeah, no, yeah, I'm helping. We'll put it in here,
• 28:15
  Speaker 1: put it in here, okay, all right, cool.
• 28:19
  Speaker 2: Unfortunately I still crouch every time I grab something.
• 28:23
  Speaker 1: Is that an accident?
• 28:26
  Speaker 2: I don't know how to fix it. It's it's something.
• 28:32
  Speaker 1: Okay, grab let's put that. Put that pacifier in here.
• 28:35
  Speaker 1: There should be a room. You see it? Oh, I see,
• 28:39
  Speaker 1: says I checked feed the badger. I can't enter messages
• 28:43
  Speaker 1: for super Chows during checkout. Put it yeah, yeah, that's it.
• 28:47
  Speaker 1: Oh yeah, it's in there.
• 28:48
  Speaker 2: Oh oh, I know. I had to get rid of
• 28:50
  Speaker 2: the uh checkout Oh god, damn. I had to get
• 28:57
  Speaker 2: rid of the checkout feature because it was it was writing.
• 29:01
  Speaker 2: It's like, okay, guys, yeah, you're just gonna have to
• 29:06
  Speaker 2: do it through super Chow for a bit or super
• 29:08
  Speaker 2: Chat because I need to fix that. I had to
• 29:11
  Speaker 2: do a whole bunch of stuff.
• 29:15
  Speaker 1: You have to fix that, like on your own time.
• 29:18
  Speaker 2: Yeah, I have to. It's gonna take a while. I
• 29:21
  Speaker 2: probably have to find a new plug in to integrate
• 29:23
  Speaker 2: with zapp here, which means I gotta fix all of
• 29:25
  Speaker 2: that crap. What was happening is that plug in was
• 29:30
  Speaker 2: leaking ad to Kart into the shop page. I think
• 29:37
  Speaker 2: it's basically broken because I upgraded the p HP and
• 29:42
  Speaker 2: I don't think it works well with the new version,
• 29:45
  Speaker 2: so it's a I think it. I think that particular
• 29:51
  Speaker 2: plug in has been There is a poo. There is
• 29:55
  Speaker 2: a golden pool here.
• 29:59
  Speaker 1: I'm just looking to see if there's anything else up here.
• 30:02
  Speaker 1: There's a little piggy face. Put this in the cart. Okay,
• 30:08
  Speaker 1: so how about this? You and I'm gonna put this
• 30:14
  Speaker 1: in the cart. You follow me with the cart, and
• 30:16
  Speaker 1: I'll carry the poo because it's heavy and I'm strong,
• 30:20
  Speaker 1: So I'm gonna carry the pooh. John.
• 30:25
  Speaker 2: I have to get to the cart, Yeah.
• 30:28
  Speaker 1: Just grab it by the handle and turn Yeah, turn around,
• 30:31
  Speaker 1: I'll go first. Wait, what's that sound. Oh there's a
• 30:37
  Speaker 1: traffic light up there too. Well, well, I don't know
• 30:39
  Speaker 1: if we can get that. But wait, what are you doing?
• 30:43
  Speaker 2: I don't know.
• 30:45
  Speaker 1: You grab the wrong thing. You gotta grab the cart.
• 30:47
  Speaker 1: You see where the hand is at?
• 30:49
  Speaker 2: Yeah, I know, I know, I don't I'm aware that
• 30:52
  Speaker 2: I grabbed the wrong thing.
• 30:53
  Speaker 1: Okay, okay, all right.
• 30:55
  Speaker 2: Hey you grabbed the cart. There we go.
• 30:57
  Speaker 1: All right, Now follow me downstairs. We're going back out.
• 31:00
  Speaker 1: We're gonna go drop this off at the extraction point.
• 31:04
  Speaker 2: Well, let me see if I can even turn here. Okay,
• 31:07
  Speaker 2: there we go. Think what you say. Let me just
• 31:09
  Speaker 2: orientate myself.
• 31:11
  Speaker 1: We're gonna extract.
• 31:14
  Speaker 2: I got you. I just give me a moment to
• 31:15
  Speaker 2: try to figure out how to go down the stairs.
• 31:18
  Speaker 1: Oh, no problem, no problem, do what you gotta do.
• 31:25
  Speaker 1: I'm gonna come over there and help you. Where are
• 31:29
  Speaker 1: you at?
• 31:31
  Speaker 2: I'm over I lost the ruby, so I'm trying to
• 31:34
  Speaker 2: move the ruby up into the cart.
• 31:36
  Speaker 1: Yes, thank you, Okay, just grab it, all right.
• 31:39
  Speaker 2: Just give me a second, I know. Okay, there we go.
• 31:44
  Speaker 2: There we go.
• 31:44
  Speaker 1: Grab it from this where the where the little hand
• 31:47
  Speaker 1: is at. Just press and hold it there and that's
• 31:49
  Speaker 1: how you hat. It's like the handle you see it. Yeah,
• 31:52
  Speaker 1: I got okay, just now.
• 31:55
  Speaker 2: I understood that part. I understood that part. I was
• 31:58
  Speaker 2: getting a bit confused by all these beige walls.
• 32:00
  Speaker 4: Damn it.
• 32:03
  Speaker 1: All right, it's clear, go downstairs.
• 32:05
  Speaker 2: I was like, in this this void of beige, it
• 32:09
  Speaker 2: this beige void.
• 32:11
  Speaker 1: All right, now come this.
• 32:12
  Speaker 2: Very unsettling Okay, yes that way.
• 32:16
  Speaker 1: Yeah, yes, I know, I'm just a wall.
• 32:20
  Speaker 2: Yeah, well, I appreciate that you're allowing me to get this.
• 32:25
  Speaker 1: This work over here. It's it's right over here. Literally,
• 32:29
  Speaker 1: just grab it and then bring it this way. Let's
• 32:32
  Speaker 1: move that. We don't need this.
• 32:33
  Speaker 2: I can't see you, so I it doesn't really help.
• 32:37
  Speaker 1: You can't because we're in discord.
• 32:39
  Speaker 2: I can't. It's like it's like, yeah, there's no there's
• 32:42
  Speaker 2: no positional information conveyed by your voice. Okay, here we go.
• 32:46
  Speaker 1: Okay, all right, there we go. Now put it on
• 32:50
  Speaker 1: you put it on there. Just go ahead and push
• 32:52
  Speaker 1: that stuff over. If you have to push it.
• 32:55
  Speaker 4: On there, go ahead, okay, all the.
• 32:58
  Speaker 1: Way, go go put push it yep, push it in
• 33:02
  Speaker 1: in okay, all right, now get back, get out of there. Okay,
• 33:09
  Speaker 1: I think that's good. There you go an extraction. You
• 33:16
  Speaker 1: did it sort of.
• 33:21
  Speaker 2: All by myself, not really, well.
• 33:23
  Speaker 1: Not really, but okay, Gabriel's already opened up the next one,
• 33:28
  Speaker 1: so I few.
• 33:29
  Speaker 2: Yeah.
• 33:30
  Speaker 1: Follow, that's a dead end right there. You can look
• 33:32
  Speaker 1: at remember, you can hit tab to look at your map.
• 33:34
  Speaker 1: You can see that there's a dead end. Yeah, if
• 33:39
  Speaker 1: you see a monster, run.
• 33:43
  Speaker 4: Better.
• 33:43
  Speaker 2: Better easier said than done. I'm not gonna go up
• 33:46
  Speaker 2: these stairs now, I'm gonna follow.
• 33:47
  Speaker 1: No, no, no, we're we're gonna go. There's something over here.
• 33:50
  Speaker 1: I'm gonna grab it really quick. It says there's something
• 33:57
  Speaker 1: over here. Maybe it's upstairs. Yeah it is. It's a
• 34:07
  Speaker 1: little stack of blocks. Okay, all right, so let's go
• 34:18
  Speaker 1: this way and uh's there we go some other stuff.
• 34:41
  Speaker 2: Oh, there's something in here.
• 34:43
  Speaker 1: What is it? What do you see?
• 34:46
  Speaker 2: It was like crawling in a.
• 34:49
  Speaker 1: Oh it's a it's an upscream. It's an upscream. Oh.
• 34:53
  Speaker 1: I hate those. It screams at you and not toot here.
• 34:57
  Speaker 1: I'm gonna throw them in the bit. That guy I
• 35:04
  Speaker 1: killed him, Okay, I just dragged him in the pit
• 35:07
  Speaker 1: and put this inside the cart. Mhm. He'll like shout
• 35:12
  Speaker 1: at you. Basically, it's a jump scare.
• 35:14
  Speaker 2: There's another thing in here?
• 35:16
  Speaker 1: What is it? Oh it's a balloon? No worries want
• 35:23
  Speaker 1: me to throw him? Oh he's dead.
• 35:28
  Speaker 2: Okay, I don't know if we're gonna get think our
• 35:29
  Speaker 2: Gabriel is also here. Okay, Kevin Bacon? You killed Kevin Bacon?
• 35:45
  Speaker 1: Yes, yes, okay, the puppet.
• 35:52
  Speaker 4: I got something.
• 35:55
  Speaker 3: Okay, he's upstairs.
• 36:03
  Speaker 1: What's upstairs? The orbs?
• 36:06
  Speaker 3: Alison's just coming down.
• 36:09
  Speaker 2: Where are you? Yeah? Where's the cart?
• 36:13
  Speaker 1: I'm going to the extraction with it right now? It's full?
• 36:18
  Speaker 2: So m m hmm. Okay, what what Gabriel? What m.
• 36:39
  Speaker 1: Going to bring the car back up? Or you can
• 36:41
  Speaker 1: just put it in the other cart.
• 36:44
  Speaker 5: Yeah, okays, huh, there's something down although I think you
• 36:56
  Speaker 5: guys already got it.
• 36:59
  Speaker 3: Bro damn it.
• 37:04
  Speaker 1: Yeah, Bumbla you threw it. Yeah, I don't know, but
• 37:15
  Speaker 1: that I don't know if that's that's what happened.
• 37:19
  Speaker 3: Yeah, strength strength and thrown.
• 37:23
  Speaker 1: Oh yeah, I have five strength as well. We're coming
• 37:28
  Speaker 1: back up to find Allison. I think she's she might
• 37:32
  Speaker 1: kill herself. Okay, I'll be careful with the with the
• 37:35
  Speaker 1: there's what upstairs? Milk?
• 37:37
  Speaker 2: Yeah, there's something.
• 37:38
  Speaker 1: Yeah, there's a big old there's a milk up here. Okay. Oh,
• 37:43
  Speaker 1: there's a little thing too. There's a little thing here here.
• 37:49
  Speaker 1: Grab this little thing, Allison, Allison, look at me. Turn around,
• 37:57
  Speaker 1: turn around. We'll be here here. It's take this. Take this?
• 38:05
  Speaker 2: Yeah?
• 38:07
  Speaker 1: Is that it should? I dropped it? He needs some milk?
• 38:24
  Speaker 2: Okay?
• 38:29
  Speaker 1: Yeah, I know. Yeah, you just throw it down like
• 38:36
  Speaker 1: I'm gonna bring it down. Uh? Should I extract you
• 38:44
  Speaker 1: guys want to do it?
• 38:48
  Speaker 4: H Uh?
• 38:58
  Speaker 2: I don't know.
• 39:00
  Speaker 4: I just destroyed something.
• 39:02
  Speaker 1: Oh okay, let me go find Alison here before we
• 39:06
  Speaker 1: do this.
• 39:09
  Speaker 2: I did not know that that would destroy it.
• 39:11
  Speaker 1: Oh, it's fine. I mean I just want to make
• 39:14
  Speaker 1: sure you're alive. There's definitely enough loot. Not worried about it.
• 39:19
  Speaker 1: But I don't know where you are.
• 39:22
  Speaker 2: Okay, I'm by Gabriel. I probably should get back to you.
• 39:28
  Speaker 1: I mean, you're probably safe with him too. I'm gonna
• 39:31
  Speaker 1: do the extraction. Then stay with Gabriel. I wonder you
• 39:33
  Speaker 1: go ahead and do this one.
• 39:36
  Speaker 2: Yeah, but there's something here, there's this thing.
• 39:39
  Speaker 4: Okay, Well, I.
• 39:40
  Speaker 1: Think you're kind of far, so just tell him that
• 39:44
  Speaker 1: I'm extracting.
• 39:47
  Speaker 2: I'm Gabriel Brian is extracting, So there was something over there.
• 39:56
  Speaker 1: You can get it later, O says, Rumble rants, let's
• 40:04
  Speaker 1: go for five dollars. Thank you. Oh, I see we
• 40:09
  Speaker 1: did get a We did get a five dollars super
• 40:12
  Speaker 1: chow from anonymous, So I guess something went through.
• 40:18
  Speaker 2: There. They can't they can't do the they can't write
• 40:23
  Speaker 2: anything is the problem right now?
• 40:25
  Speaker 4: Oh and it's because.
• 40:29
  Speaker 1: I see that's strange.
• 40:33
  Speaker 2: I mean, I could probably fix it fairly quickly, but
• 40:36
  Speaker 2: then I'd have to go to the other computer.
• 40:41
  Speaker 1: Senior Stick says for two dollars on rumble, does HBr
• 40:47
  Speaker 1: have robots for meetups so you may zoom?
• 40:53
  Speaker 2: What?
• 40:55
  Speaker 1: No, I'm lost?
• 40:56
  Speaker 2: Oh they did those with like like telepresence robots tell.
• 41:01
  Speaker 1: A presence for robots, no idea? Did we find any
• 41:08
  Speaker 1: uh cosmetics? Oh shit, that doesn't sound good.
• 41:21
  Speaker 2: Ray.
• 41:22
  Speaker 1: I heard him, but I don't see him. I don't know, Alison,
• 41:30
  Speaker 1: are you? Are you okay?
• 41:32
  Speaker 2: Yeah? I see him like he's right next to me.
• 41:35
  Speaker 2: But I got into this kind of thing. I don't
• 41:40
  Speaker 2: know if he can do anything I am I think so?
• 41:49
  Speaker 1: Are you safe? iPads on segues you got less back
• 41:57
  Speaker 1: on rumble what I'm sorry, guys, I'm not I'm not
• 42:04
  Speaker 1: getting Oh ship, oh ship, oh ship. I got grabbed.
• 42:16
  Speaker 1: Hey guys, you got grabbed.
• 42:22
  Speaker 2: By the ghost of Epstein.
• 42:25
  Speaker 1: Yeah, okay, well, don't worry. It's not gonna explode. Its
• 42:31
  Speaker 1: to it's too early. What do you want it? I'll
• 42:38
  Speaker 1: hold on.
• 42:39
  Speaker 2: If you hold still, I'll get it.
• 42:43
  Speaker 1: I got it. Oh uh okay, okay, I'm gonna let
• 42:48
  Speaker 1: it go. Just be careful with it.
• 42:52
  Speaker 2: Oh okay, where should I bring it?
• 42:56
  Speaker 1: Not towards me? Go go where I go? This way? Here,
• 43:00
  Speaker 1: follow me this way. Watch out the teller that you
• 43:07
  Speaker 1: broke it?
• 43:09
  Speaker 2: I did.
• 43:12
  Speaker 1: Okay, it's it's fine. You dropped it. You say ghosts
• 43:17
  Speaker 1: of Epstein as if he's dead. Yeah, it's fine, it's fine.
• 43:24
  Speaker 1: We're all fine. Here she dropped it, of course, it's okay.
• 43:31
  Speaker 1: It's okay. We got plenty We got plenty of stuff.
• 43:34
  Speaker 1: We got plenty of stuff. Is there is this there's
• 43:36
  Speaker 1: an extraction over here? Is this the last one? Yes? Okay? No, wait,
• 43:42
  Speaker 1: this is the third one? Or is there another one?
• 43:46
  Speaker 1: Is that the last one activated? No? I know, I know,
• 43:50
  Speaker 1: but I'm saying, are we saving that one for last yes, no,
• 43:56
  Speaker 1: this is Oh I see what you're okay, okay, yes, yes, yes,
• 44:00
  Speaker 1: I understand now, I understand the robes that. Yeah, I
• 44:08
  Speaker 1: have something for the robe.
• 44:10
  Speaker 2: Oh, here we go. I got something here? Where I
• 44:13
  Speaker 2: found something?
• 44:15
  Speaker 1: Did you go?
• 44:15
  Speaker 2: I'm off above here, yes, give me a second. Yeah,
• 44:19
  Speaker 2: baby head, Oh you probably should break that.
• 44:25
  Speaker 1: It's not that heavy. It's not that heavy. You can
• 44:29
  Speaker 1: I think it might cry. Uh are you are.
• 44:38
  Speaker 2: You able to take it? Are you able to take it?
• 44:43
  Speaker 1: Where are you right here?
• 44:44
  Speaker 2: Oh?
• 44:44
  Speaker 1: Yeah, just I mean I can. But it's small enough
• 44:48
  Speaker 1: that you can carry that. I can carry this.
• 44:51
  Speaker 2: I just don't know how to do.
• 44:53
  Speaker 1: You have to hold it. You can't put it away.
• 44:56
  Speaker 1: You have to hold it. Oh ship, the baby's coming alive.
• 45:00
  Speaker 4: Shut up, No, it's just okay, okay, what you keep, keep.
• 45:12
  Speaker 1: The last I'll leave that big thing. That's what I
• 45:17
  Speaker 1: was gonna grab the baby head and just oh no,
• 45:20
  Speaker 1: it's a freaking.
• 45:25
  Speaker 2: I think that I'm fucking up here.
• 45:35
  Speaker 1: Oh it's this for.
• 45:42
  Speaker 2: Me. Yeah, I'm chewing gum. I get sorry, I should
• 45:48
  Speaker 2: probably stop then.
• 45:50
  Speaker 1: Oh whatever, I can't really hear it. Okay, get over there, Okay,
• 46:08
  Speaker 1: I'm heading.
• 46:09
  Speaker 2: Back now, all right, so I found something.
• 46:14
  Speaker 1: There's some big things in here. Watch are you gonna
• 46:21
  Speaker 1: touch that?
• 46:23
  Speaker 2: Oh? Oh, you weren't telling me that there was something. No,
• 46:25
  Speaker 2: there's this thing right there. There's the egg, and then
• 46:28
  Speaker 2: there's this thing. I could touch it.
• 46:43
  Speaker 1: Oh no, I mean, oh shit, Alison, I think you
• 46:46
  Speaker 1: just killed yourself. Get out of there. How are you?
• 46:52
  Speaker 1: Did you take damage? Yes, okay, I wasn't sure, but
• 46:59
  Speaker 1: I didn't kill you. I wasn't sure if it was
• 47:01
  Speaker 1: one of those things that'll just kill you out.
• 47:03
  Speaker 2: Right, I only have ten percent left, okay.
• 47:06
  Speaker 1: Out of one hundred. Oh, Alison got locked out. But
• 47:11
  Speaker 1: I can't. I can't fix this right now. Okay, hold
• 47:17
  Speaker 1: on a second. I gotta bring her back in because
• 47:21
  Speaker 1: the thing, the thing times out. Then I got to
• 47:24
  Speaker 1: move her back. Okay, you're back.
• 47:29
  Speaker 2: Okay, I'm gonna I'm gonna go to the I'm gonna
• 47:32
  Speaker 2: go to the the truck. I'm gonna go squat underneath
• 47:38
  Speaker 2: the bench.
• 47:40
  Speaker 1: Do you know where it is?
• 47:42
  Speaker 2: Do you realize I've destroyed at least ten thousand dollars
• 47:45
  Speaker 2: worth of Oh shit, I'll go up.
• 47:49
  Speaker 1: I'll go up. You want me to go up there and.
• 47:51
  Speaker 2: Grab Okay, something just walked past.
• 47:54
  Speaker 1: Me, probably Gabriel. Oh this is the birthday. It's a birthday.
• 48:00
  Speaker 1: You want me to get that?
• 48:03
  Speaker 3: Here?
• 48:04
  Speaker 2: It's looking at me? Is that dangerous? Or can I leave?
• 48:14
  Speaker 1: All right? I don't want to can't get here.
• 48:17
  Speaker 2: Okay, I'm just gonna go to the I'm just gonna
• 48:21
  Speaker 2: go to the car. Where is the or the truck
• 48:24
  Speaker 2: or no, the truck.
• 48:25
  Speaker 1: Go with Gabriel. I'll I'll do the last extraction. But no,
• 48:29
  Speaker 1: there's no this isn't the last one. There's another one
• 48:31
  Speaker 1: after this, Allison.
• 48:33
  Speaker 2: Oh okay, Well I figured I could just go and
• 48:37
  Speaker 2: deal with the super chow issue.
• 48:44
  Speaker 1: Wow you could.
• 48:45
  Speaker 2: I don't have that abuilding?
• 48:48
  Speaker 1: Oh shit? Now, uh.
• 48:54
  Speaker 2: Right, what happened?
• 48:57
  Speaker 1: I fell? Brian?
• 49:02
  Speaker 2: Ah, I'm almost dead. I'm dead.
• 49:08
  Speaker 1: Oh hey yeah, hello, now we're both dead.
• 49:15
  Speaker 2: Now it's uh, it's now. Oh god. I could hear
• 49:20
  Speaker 2: I could hear Gabriel distantly swearing.
• 49:23
  Speaker 1: Sorry, it's okay. Hey wait wait, how did you wait?
• 49:29
  Speaker 1: You're still alive. You're in the wall again.
• 49:35
  Speaker 2: Oh my god? How did I but how did I
• 49:37
  Speaker 2: get plus fifty?
• 49:40
  Speaker 1: Oh you know what?
• 49:41
  Speaker 3: Uh?
• 49:41
  Speaker 1: Defibro resurrected you? You got resurrected by defibro.
• 49:45
  Speaker 2: Hold on, Okay, I'm how do I get out of
• 49:51
  Speaker 2: the wall?
• 49:52
  Speaker 1: I don't know?
• 49:52
  Speaker 2: You're How the fuck did I end up? Look up
• 49:56
  Speaker 2: in the wall in the ceiling again? How the oh?
• 50:00
  Speaker 4: I did this?
• 50:04
  Speaker 2: Just now like some kind of weird one of those
• 50:08
  Speaker 2: like seless Marble superpowers, Like I am geometry girl. Yeah,
• 50:15
  Speaker 2: like I'm geometry girl. I can, I can. I can
• 50:18
  Speaker 2: phase into walls. I just can't phase out of them. Okay,
• 50:23
  Speaker 2: come on.
• 50:24
  Speaker 1: Are you are you? Oh? No, wait, Allison just falling forever? Oh,
• 50:29
  Speaker 1: you're on the truck. Now you're on the truck. What
• 50:32
  Speaker 1: get up? Get up? Good? Okay, get underneath just just
• 50:36
  Speaker 1: don't don't look give horse in the mouth, just hide
• 50:38
  Speaker 1: under there.
• 50:39
  Speaker 2: And wait, I don't even know.
• 50:43
  Speaker 1: Lindy's alive. She's on I mean, Allison's alive. She's on
• 50:46
  Speaker 1: the truck. She what happened?
• 50:50
  Speaker 2: I don't know, because from my point of view, I
• 50:54
  Speaker 2: was stuck in a wall, and then I managed to jump,
• 50:58
  Speaker 2: and then I was falling and.
• 51:00
  Speaker 1: Now it's all it's all. Uh, it's all caught on
• 51:04
  Speaker 1: the stream. We all saw it.
• 51:06
  Speaker 2: What the hell just happened?
• 51:09
  Speaker 1: Yeah, she's she's on the truck. She fell through the
• 51:13
  Speaker 1: arc the geometry, and then she on the truck. On
• 51:17
  Speaker 1: the truck and teleported there. I fell. I fell in
• 51:22
  Speaker 1: the pit.
• 51:24
  Speaker 2: You fell in the pit. I got killed by this
• 51:27
  Speaker 2: Crawley thing. And then I was resurrected by the defibrillator
• 51:34
  Speaker 2: and then I ended up in the wall again. Like
• 51:37
  Speaker 2: last time, I was in the ceiling. This time I
• 51:39
  Speaker 2: think I was in the wall and I attempted to
• 51:41
  Speaker 2: jump out of the wall and then I started falling
• 51:45
  Speaker 2: and now I'm in the truck and none of it
• 51:48
  Speaker 2: makes sense to me, Like this is even less sense
• 51:51
  Speaker 2: than this game usually.
• 51:52
  Speaker 1: Makes back in it. Yeah, it was just like a
• 51:55
  Speaker 1: little like a little nudge in the wrong to the
• 51:59
  Speaker 1: wrong side, and I fell in the hole. Doesn't usually happen.
• 52:03
  Speaker 2: Okay, So I'm gonna see if I can fix the
• 52:06
  Speaker 2: super Child thing. Guys.
• 52:07
  Speaker 1: Yeah, I think if you're hitting under there, you're pretty good,
• 52:12
  Speaker 1: pretty safe.
• 52:13
  Speaker 4: So I'm going in.
• 52:14
  Speaker 2: I'm going into WU Commerce, guys, Wish me luck.
• 52:19
  Speaker 1: Todd Howard happened?
• 52:24
  Speaker 2: What's Todd Howard?
• 52:25
  Speaker 1: Todd Howard he like the dev or, one of the
• 52:28
  Speaker 1: guys that worked at Bethesda, right, the creators of Fallout
• 52:34
  Speaker 1: and the elder scrolls things like that.
• 52:40
  Speaker 2: Okay, I'm gonna I'm probably gonna have to annoy the
• 52:42
  Speaker 2: person who wanted me to get rid of this. I'm
• 52:44
  Speaker 2: gonna have to restart plug in, which may mean that
• 52:47
  Speaker 2: the ad kart thing goes back. All right, let's see, Uh,
• 52:56
  Speaker 2: which which plugin was it? It was the direct checkout Okay,
• 53:06
  Speaker 2: So guys, when I finish this up, somebody's got to
• 53:08
  Speaker 2: go and check this. And also, if you would please
• 53:13
  Speaker 2: consider supporting, you can go to if you slash support.
• 53:17
  Speaker 2: It's a listening that'd be very appreciated too.
• 53:20
  Speaker 1: I lost my drones and whatnot. So hey, okay, I'll
• 53:29
  Speaker 1: be back. I'm just gonna go get this. Hold on
• 53:32
  Speaker 1: a second, Okay.
• 53:36
  Speaker 2: I'm gonna try. I'm gonna try.
• 53:37
  Speaker 1: Uh, Alison, are you on the truck? Are you on
• 53:43
  Speaker 1: the truck?
• 53:44
  Speaker 2: I am on the truck. I am on the truck.
• 53:46
  Speaker 2: I fell into the truck and I did not move.
• 53:49
  Speaker 2: I think there's something on the truck that may be
• 53:52
  Speaker 2: quite scary. It's something on the truck.
• 53:57
  Speaker 1: It's just me. I'm calling you on the walkie talk.
• 53:59
  Speaker 2: Oh Hi, yeah, okay, Hi, are you dead?
• 54:03
  Speaker 1: No? Yes? Well no, yeah, just put it put it
• 54:11
  Speaker 1: in the cart. Yeah, I'm gonna go.
• 54:14
  Speaker 2: Guys, I'm I'm gonna go to feed the badger dot
• 54:17
  Speaker 2: com slash just the tip and put in something. See
• 54:21
  Speaker 2: if you can actually put anything anything in through the
• 54:23
  Speaker 2: uh the tip, like if you can put in a message. Yeah,
• 54:31
  Speaker 2: it's back, so you should be able to do that.
• 54:34
  Speaker 1: Worm.
• 54:36
  Speaker 2: Let me see if there's an update for this direct checkout.
• 54:43
  Speaker 1: There's something big up there, but.
• 54:49
  Speaker 4: I'm gonna get I'm gonna visit the plug in site.
• 54:53
  Speaker 1: Come on, caterpillar thing oops, a little just a little checkouts.
• 54:59
  Speaker 1: It's okay.
• 55:03
  Speaker 2: Let me see what we got here. Oh, lots of
• 55:05
  Speaker 2: corporate uh.
• 55:08
  Speaker 1: Art, yeah, corporate see what best? It's like my favorite
• 55:16
  Speaker 1: mh Google.
• 55:18
  Speaker 2: I think maybe they've Google Comision.
• 55:21
  Speaker 1: Bank bank art, kind of stuff you'd see in a bank.
• 55:29
  Speaker 2: Okay, so let's see direct checkout. I probably need check
• 55:36
  Speaker 2: out feel ruby berger.
• 55:38
  Speaker 1: Okay, I think we're just gonna do it, all right,
• 55:42
  Speaker 1: all right, there's a lot here. Okay, you go right,
• 55:46
  Speaker 1: I'll try to I'll try to knock this out and
• 55:48
  Speaker 1: head back. Oh all right, uh let's see can I
• 55:56
  Speaker 1: fit the Can I fit the ruby Burger on here? Maybe? Okay?
• 56:08
  Speaker 2: Are you alive.
• 56:11
  Speaker 1: No, well, yeah, yeah, I'm extracting. I got brought back
• 56:14
  Speaker 1: by Gabe.
• 56:19
  Speaker 2: John then get made me dinner, and it's just sitting
• 56:21
  Speaker 2: on the counter getting cold.
• 56:24
  Speaker 1: I go, I'm doing it. I'm doing it. Get on there,
• 56:29
  Speaker 1: Get on there, get get on there. Oh shit to do?
• 56:33
  Speaker 1: Birthday boy was just hanging around. That's fucking crazy. Yeah,
• 56:55
  Speaker 1: I just gotta yeah, Bye, I'm gonna make it. Don't
• 57:10
  Speaker 1: leave me. I'm gonna make it. Tell them not to
• 57:19
  Speaker 1: leave to make it. I'm gonna make it.
• 57:21
  Speaker 2: Did somebody try to go into Okay, so that works?
• 57:28
  Speaker 2: Did someone try going in and uh doing the feed
• 57:33
  Speaker 2: the badger? Please? Anyone listening?
• 57:35
  Speaker 1: All right? Made it?
• 57:36
  Speaker 2: See if we can get this. Yeah, it looks like
• 57:40
  Speaker 2: there's another one. Let me see if anything happen here.
• 57:47
  Speaker 1: All right, we're mad. We made it to the We
• 57:49
  Speaker 1: made it to the shop. So you can do whatever
• 57:51
  Speaker 1: you need to do.
• 57:53
  Speaker 2: Okay. No, I have done whatever I needed to do,
• 57:56
  Speaker 2: and now I'm trying to figure out the super chow.
• 58:00
  Speaker 4: All right.
• 58:00
  Speaker 2: I don't know if I'm gonna be able to do
• 58:02
  Speaker 2: it live here, guys, but I'll try. I see that.
• 58:07
  Speaker 2: Uh Jay has put something through twice. Sorry, I can't
• 58:12
  Speaker 2: get any more information on it than that it should
• 58:16
  Speaker 2: pop up. Let me post, let.
• 58:19
  Speaker 1: Me should we use this? Yeah, you're right, I do.
• 58:26
  Speaker 1: How do you know.
• 58:29
  Speaker 2: We probably should do more of the article? I mean,
• 58:31
  Speaker 2: this is gonna be something that's probably something I'm gonna
• 58:35
  Speaker 2: have to go back to the Zappier integration. I'm gonna
• 58:38
  Speaker 2: have to get a new plug in for the the
• 58:42
  Speaker 2: custom uh super chow field that I have, and I'm
• 58:47
  Speaker 2: gonna have to integrate everything over again, which is going
• 58:51
  Speaker 2: to be fun, so much fun.
• 58:57
  Speaker 4: Yep, well, so much fun.
• 59:01
  Speaker 1: I'm gonna read more of it. So come on, let's go. Yep,
• 59:05
  Speaker 1: I'm bringing you the inside the shop.
• 59:08
  Speaker 3: Okay, put in the managers up in them and there's
• 59:16
  Speaker 3: the key.
• 59:17
  Speaker 1: I don't know. I don't know where the key is.
• 59:20
  Speaker 1: But let's go upstairs. We're gonna go. We're gonna go
• 59:25
  Speaker 1: into the manager's office in the shop here.
• 59:28
  Speaker 2: And okay, so this is a Twitter handle, No, it
• 59:37
  Speaker 2: doesn't have the right And then there's two paypals, two
• 59:40
  Speaker 2: PayPal options.
• 59:41
  Speaker 4: Damn it.
• 59:42
  Speaker 2: Why is it doing that.
• 59:58
  Speaker 1: Anyway? Richard Bierre says, yeah, I did, but I still
• 1:00:03
  Speaker 1: can't enter a message.
• 1:00:06
  Speaker 2: Yeah, it looks like it's not working. All right, I'm
• 1:00:08
  Speaker 2: gonna have to take more time to figure this out,
• 1:00:11
  Speaker 2: so don't let's delay that for now, and let's get
• 1:00:15
  Speaker 2: to reading the article.
• 1:00:16
  Speaker 1: All right, I'm gonna read the article then, Okay, hang on, yep.
• 1:00:22
  Speaker 1: So the boundaries thing, we're living at an age of
• 1:00:27
  Speaker 1: the boundary, which is so complex. Every woman I know
• 1:00:30
  Speaker 1: has done the work, read the books, learned the language.
• 1:00:34
  Speaker 1: We can spot toxic behavior from a mile away. We
• 1:00:37
  Speaker 1: know our triggers, We've mapped our attachment patterns. We know
• 1:00:40
  Speaker 1: exactly why we married and dated all the wrong men. Okay,
• 1:00:49
  Speaker 1: never again.
• 1:00:50
  Speaker 2: We've really doubt that. I'm pretty sure the answer to
• 1:00:53
  Speaker 2: why you dated the wrong men is you got taken
• 1:00:57
  Speaker 2: in by a bunch of social paths because they have
• 1:01:00
  Speaker 2: a personality style that you found attractive. Narcissists and sociopaths
• 1:01:05
  Speaker 2: have a personality from style that women, for whatever reason,
• 1:01:08
  Speaker 2: find very attractive. I keep getting beeps. I think something
• 1:01:11
  Speaker 2: is running out of energy. But and that is uh okay.
• 1:01:16
  Speaker 2: So they create a false sense of warmth. They actually
• 1:01:21
  Speaker 2: act more like women, So they create that kind of
• 1:01:24
  Speaker 2: relational web warmth that women generate, and they uh it's
• 1:01:31
  Speaker 2: called love bombing. But what it is is like a
• 1:01:33
  Speaker 2: focused attention that the person really hasn't earned. Okay, so
• 1:01:38
  Speaker 2: you don't usually get that from somebody until after you've
• 1:01:40
  Speaker 2: developed a relationship with them. And the sociopath of the
• 1:01:44
  Speaker 2: narcissists presents it instantaneously, and they think people think they're
• 1:01:48
  Speaker 2: warm and charismatic and riveting or like, uh not riveting,
• 1:01:52
  Speaker 2: uh magnetic right, yeah, and uh that's what you got
• 1:01:59
  Speaker 2: taken in by. Right. It has nothing. It doesn't actually
• 1:02:02
  Speaker 2: really have anything to do with trauma or triggers or
• 1:02:06
  Speaker 2: anything like that. It's just simply they have the ability
• 1:02:11
  Speaker 2: to create a super stimulus, and for whatever reason, women
• 1:02:15
  Speaker 2: in this day and age embrace an ideology that makes
• 1:02:20
  Speaker 2: them more susceptible but being taken in by these men
• 1:02:23
  Speaker 2: because they don't understand men how men do or are,
• 1:02:29
  Speaker 2: And a lot of the stuff that they talk about
• 1:02:31
  Speaker 2: with boundaries and all of that other stuff literally selects
• 1:02:35
  Speaker 2: for sociopaths. We've been reading a whole bunch of this
• 1:02:39
  Speaker 2: stuff over time, and a lot of it is basically
• 1:02:43
  Speaker 2: how to become a woman who selects for sociopaths, selects
• 1:02:48
  Speaker 2: for men who signal correctly but have nothing underneath. And yeah, so,
• 1:02:55
  Speaker 2: I mean, you can do all the boundary work you want,
• 1:02:57
  Speaker 2: but all you're going to do is make yourself more
• 1:02:58
  Speaker 2: available to the men that you say you don't want,
• 1:03:01
  Speaker 2: but keep getting taken in because you don't know actually
• 1:03:04
  Speaker 2: how to judgment. All right, let's keep going.
• 1:03:07
  Speaker 1: Okay, never again we vowed Instagram reshares and Facebook monologues,
• 1:03:15
  Speaker 1: except yes, definitely again, because this todd really wants to change.
• 1:03:19
  Speaker 1: And yet somehow this hasn't made us better at relationships.
• 1:03:23
  Speaker 1: It's just made us faster at ending them. I watch
• 1:03:27
  Speaker 1: women in my life, women who've done years of therapy,
• 1:03:29
  Speaker 1: who posts about conscious relating, who can recite Brenne Brown
• 1:03:34
  Speaker 1: from Memory cut people out with stunning speed. Someone disappoints them,
• 1:03:39
  Speaker 1: triggers them, fails to meet their needs in precisely the
• 1:03:42
  Speaker 1: right way, and suddenly that person is toxic. The friendship
• 1:03:46
  Speaker 1: is over, the boundary is set, the decision is final.
• 1:03:50
  Speaker 1: They source material, they source mutual friends and mentors who
• 1:03:53
  Speaker 1: will sign off on the deal.
• 1:03:57
  Speaker 2: Yeah, go ahead, Okay, the relationship is over, right because
• 1:04:05
  Speaker 2: why because the man never evinced. The sociopaths So a
• 1:04:11
  Speaker 2: sociopathic personality. That's kind of what They term it love bonding,
• 1:04:14
  Speaker 2: this warmth, this focus, this lack of what every human
• 1:04:20
  Speaker 2: being who isn't a sociopath, and particularly men, because men
• 1:04:23
  Speaker 2: tend to be more introverted than women, so they're more
• 1:04:26
  Speaker 2: reserved generally, and it's because they have something to lose
• 1:04:30
  Speaker 2: in the bargain. And it's not just because of the
• 1:04:34
  Speaker 2: current legal landscape. It's always been the case. You'll find
• 1:04:38
  Speaker 2: the same kind of personality in like Darcy from like
• 1:04:42
  Speaker 2: the seventeen hundreds, which is pride and prejudice. Like it's
• 1:04:47
  Speaker 2: a more reserved personality that's a littlement Yeah, not really
• 1:04:52
  Speaker 2: that good at being extremely fluent verbality, shall we say,
• 1:04:58
  Speaker 2: And the sociopathic personality is fluent verbally. Uh. These kinds
• 1:05:03
  Speaker 2: of men are capable of being verbally fluid. They're capable
• 1:05:06
  Speaker 2: of signaling whatever the woman, whatever they think will will
• 1:05:10
  Speaker 2: get in the woman's pants. And they're very warm and
• 1:05:14
  Speaker 2: attentive because their behavior is more on a feminine register
• 1:05:19
  Speaker 2: than a manse. And so the women get taken in
• 1:05:23
  Speaker 2: by this behavior and they think that the problem is
• 1:05:27
  Speaker 2: that the sociopaths stopped behaving in that way once he
• 1:05:30
  Speaker 2: got what he wanted. Either, you know, just sex or
• 1:05:36
  Speaker 2: access to her bank account, whatever whatever he was after,
• 1:05:39
  Speaker 2: and they think that what they need to do is
• 1:05:43
  Speaker 2: find a man who behaves like that all the time.
• 1:05:46
  Speaker 2: So find another sociopath who behaves like that in the
• 1:05:49
  Speaker 2: beginning and then never stops behaving like that after he
• 1:05:53
  Speaker 2: gets what he wants from her. And so they're in
• 1:05:56
  Speaker 2: this constant merry go round of trying to okate this
• 1:06:00
  Speaker 2: behavior that is actually itself a red flag, like somebody
• 1:06:08
  Speaker 2: is loved bombing you after five minutes after having met you,
• 1:06:11
  Speaker 2: Like these women are like, oh my god, he's the
• 1:06:13
  Speaker 2: one I'll be like, no, this is a problem. This
• 1:06:15
  Speaker 2: is this is a red flag. Now we don't know
• 1:06:18
  Speaker 2: each other well enough for you to like me this much, right,
• 1:06:22
  Speaker 2: But they're like they're they're constantly trying to find this
• 1:06:25
  Speaker 2: and in some cases they're constantly like the the sociopath
• 1:06:28
  Speaker 2: is ropidoping them, so he's like, uh, doing the doing
• 1:06:32
  Speaker 2: the giving it sometimes withholding others uh and uh. And
• 1:06:38
  Speaker 2: they're constantly after that. And then the other thing is
• 1:06:40
  Speaker 2: that if they do find a man who is quote
• 1:06:44
  Speaker 2: unquote boring, like a normal dude, who's capable of committing
• 1:06:47
  Speaker 2: to them as soon as they he this guy commits
• 1:06:49
  Speaker 2: to them, he becomes a problem because he's no longer
• 1:06:53
  Speaker 2: inducing the fomo that made her give the you know,
• 1:06:55
  Speaker 2: the butterflies, the tinglis. So they what women are reporting
• 1:07:01
  Speaker 2: on is a completely disregulated mate selection criteria, and no
• 1:07:07
  Speaker 2: matter how much they look in their past and blame
• 1:07:10
  Speaker 2: their fathers, they're not going to fix it until they
• 1:07:13
  Speaker 2: realize what they're asking for in their partners is getting
• 1:07:17
  Speaker 2: them the wrong partners. What they're looking for is getting
• 1:07:20
  Speaker 2: them the wrong partners, and it has nothing to do
• 1:07:22
  Speaker 2: with their trauma. I'm sorry, ladies, that's just another excuse
• 1:07:25
  Speaker 2: for staying with the situation that's untenable. There's nothing to
• 1:07:29
  Speaker 2: do with that, because then it's about, oh, I got
• 1:07:31
  Speaker 2: to heal my trauma, and then suddenly I'll manifest a
• 1:07:35
  Speaker 2: man who is basically associopath with no downside. Such a
• 1:07:39
  Speaker 2: man does not exist anyway, So they just keep on
• 1:07:42
  Speaker 2: this merry go round of delusions about what they should
• 1:07:48
  Speaker 2: be looking for, and they never get off it because
• 1:07:50
  Speaker 2: they never correctly identify the problem, which is, if you
• 1:07:54
  Speaker 2: want a man, do not look for someone who is
• 1:07:58
  Speaker 2: necessarily relational. I mean, there are extroverted men who can
• 1:08:02
  Speaker 2: be friendly, but they will never be in the same
• 1:08:06
  Speaker 2: level of register as a sociopath, who's who's essentially intoxicating
• 1:08:11
  Speaker 2: you with his presence in order to extract from you.
• 1:08:15
  Speaker 2: That is like, it's like you're a fish in the deep,
• 1:08:19
  Speaker 2: in the deep, and you're attracted to bioluminescence, and then
• 1:08:24
  Speaker 2: you see this light and you're like, you're going to it,
• 1:08:27
  Speaker 2: and it's the most brilliant light you see in the deep,
• 1:08:30
  Speaker 2: and it's so wonderful and beautiful, and then you get
• 1:08:33
  Speaker 2: eaten by an anglerfish, or you get a big chunk
• 1:08:35
  Speaker 2: taken out of you by an anglerfish. But you keep
• 1:08:37
  Speaker 2: going back, and you convince yourself it's because, well, I
• 1:08:41
  Speaker 2: have a right to that light. I have a right
• 1:08:43
  Speaker 2: to that brilliant, intoxicating light. Well, unfortunately it only comes
• 1:08:49
  Speaker 2: with being eaten. All right, ladies, that's it. That's the
• 1:08:52
  Speaker 2: only place you're gonna get it unless you do the
• 1:08:55
  Speaker 2: work and then develop a relationship with a man and
• 1:09:00
  Speaker 2: then you might get it. Actually probably not. You're just like,
• 1:09:05
  Speaker 2: that's that that relational warmth comes from sociopaths and women.
• 1:09:12
  Speaker 2: I think you can get affection, and you can get
• 1:09:14
  Speaker 2: somebody who's going to show up for you. But that
• 1:09:17
  Speaker 2: level of relational warmth I don't think is to be
• 1:09:20
  Speaker 2: had with men. But on the other hand, you'll get
• 1:09:23
  Speaker 2: somebody who will have your back, you know, who will
• 1:09:28
  Speaker 2: do what he can to make your life better. Right,
• 1:09:32
  Speaker 2: you know, you may be maybe surly, well not like
• 1:09:35
  Speaker 2: abusive surly, but just sort of like stamp offish. But
• 1:09:38
  Speaker 2: then you have to ask yourself do you want to
• 1:09:40
  Speaker 2: do you want a woman, do you want a sociopath?
• 1:09:43
  Speaker 2: Or do you want a man? And if you want
• 1:09:45
  Speaker 2: a man, then you get a man with the characteristics
• 1:09:49
  Speaker 2: of a man the end. Just make your decision. And
• 1:09:52
  Speaker 2: the problem is that they are assuming or they they
• 1:09:56
  Speaker 2: feel entitled to the beautiful glow, but not the jaws
• 1:10:05
  Speaker 2: that will eat them that are attached to it. Well,
• 1:10:10
  Speaker 2: then that's the life you're going to have. You're going
• 1:10:11
  Speaker 2: to be on this constant Mary go round with a
• 1:10:15
  Speaker 2: bunch of sociopaths. Okay, keep going.
• 1:10:19
  Speaker 1: Okay, and yet before they realize it, there's almost no
• 1:10:27
  Speaker 1: one left in their life. Here's the paradox. The more
• 1:10:30
  Speaker 1: self work some women do, the less capable they become
• 1:10:33
  Speaker 1: of actually being in a real daily relationship with anyone.
• 1:10:37
  Speaker 1: They become so attuned to their own wounds, so vigilant
• 1:10:41
  Speaker 1: about their own boundaries, so quick to identify problematic behavior,
• 1:10:45
  Speaker 1: that there's no room left for other people's humanity, no
• 1:10:48
  Speaker 1: room for someone to have a bad day, to be
• 1:10:50
  Speaker 1: triggered themselves to be imperfect. The language of wellness and
• 1:10:55
  Speaker 1: consciousness has given us permission to be relationally ruthless while
• 1:11:00
  Speaker 1: feeling spiritually evolved about it. I wonder if you had
• 1:11:05
  Speaker 1: anything to do with that. And I think we need
• 1:11:07
  Speaker 1: to talk about what we're really doing, because setting boundaries
• 1:11:10
  Speaker 1: has become code for I don't have to deal with
• 1:11:13
  Speaker 1: anything uncomfortable, because cutting out toxic people has become a
• 1:11:17
  Speaker 1: way to avoid the actual work of relationship, which is
• 1:11:21
  Speaker 1: staying present with difficulty, having hard conversations, being seen in
• 1:11:25
  Speaker 1: complex ways, and recognizing that sometimes the problem is us.
• 1:11:32
  Speaker 2: Okay, yeah, well, okay, how are you operationalizing this?
• 1:11:39
  Speaker 1: I don't know, but that's pretty good to say. I mean,
• 1:11:41
  Speaker 1: I think that's a start. I wonder if she's not.
• 1:11:44
  Speaker 1: It's just like selling her product though, like this this
• 1:11:47
  Speaker 1: just an ad for you know, like I'm doing the
• 1:11:49
  Speaker 1: good kind of wellness. Men don't have mature language for this. Okay, now,
• 1:11:56
  Speaker 1: we're back on man bashing. The men in my life
• 1:11:59
  Speaker 1: complain about their wromantic partners in language that sounds honestly
• 1:12:02
  Speaker 1: pretty immature. My wife's not happy with me. She's always
• 1:12:07
  Speaker 1: upset about something. Nothing I do is good enough. And yes,
• 1:12:11
  Speaker 1: sometimes that's just avoidance of accountability. Todd wanted to feel
• 1:12:15
  Speaker 1: free and being suffocated by responsibilities to.
• 1:12:18
  Speaker 2: You gave her a lot of credit. You gave her
• 1:12:20
  Speaker 2: a lot of credit, and then she just spent it
• 1:12:22
  Speaker 2: all in like two sentences. Did you see that? Mm hmm. Yeah,
• 1:12:26
  Speaker 2: you're describing a man who could potentially be an abuse victim,
• 1:12:29
  Speaker 2: my dear, and then you're saying, well, he doesn't take
• 1:12:31
  Speaker 2: enough responsibility. No, she shouldn't have burnt the toast, that
• 1:12:37
  Speaker 2: kind of crap. That's how How is it that she
• 1:12:40
  Speaker 2: can build up like just a little bit of credit
• 1:12:42
  Speaker 2: and then just burn it, burn it to the ground
• 1:12:45
  Speaker 2: within a couple sentences. Of course, it's the man's fault.
• 1:12:49
  Speaker 2: She just got through telling us all about all of
• 1:12:52
  Speaker 2: these women who complain about their partners with each other
• 1:12:59
  Speaker 2: over I guess a glas glass of wine, which is
• 1:13:01
  Speaker 2: an unbelievably entitled and toxic behavior to begin with, and
• 1:13:06
  Speaker 2: we're just gonna skate over there. We're just gonna accept
• 1:13:08
  Speaker 2: that that's just female behavior. And now we've got to
• 1:13:10
  Speaker 2: the men, and what are the men quote unquote complaining
• 1:13:13
  Speaker 2: about that the women are never satisfied, which is basically
• 1:13:17
  Speaker 2: the men complaining about the women complaining. And she doesn't,
• 1:13:21
  Speaker 2: she doesn't queue in to any of this. Then she's
• 1:13:25
  Speaker 2: also complaining about the women.
• 1:13:26
  Speaker 1: Who complaining, like my mother, she's never said is fine exactly,
• 1:13:36
  Speaker 1: this is what it sounds like when the doves cry.
• 1:13:41
  Speaker 2: Uh, but do you see that?
• 1:13:43
  Speaker 1: She's like.
• 1:13:44
  Speaker 2: She starts this by saying, I women are complaining and
• 1:13:48
  Speaker 2: they're complaining too much and it's exhausting, and then she
• 1:13:52
  Speaker 2: describes women complaining about their husbands over a glass of wine,
• 1:13:56
  Speaker 2: which is shitty behavior on the on the face. And
• 1:13:59
  Speaker 2: now she's saying, but you know, I, uh, I, you
• 1:14:03
  Speaker 2: know I. Men are immature when they say that women
• 1:14:07
  Speaker 2: are never satisfied and constantly complaining. So she gets to
• 1:14:12
  Speaker 2: complain about women complaining. But when men say, hey, women
• 1:14:15
  Speaker 2: are complaining a lot, don't seem to be ever satisfied,
• 1:14:18
  Speaker 2: they're immature, Like, good lord, that's astounding, you know guys,
• 1:14:29
  Speaker 2: I honestly I'm at the point where women deserve their
• 1:14:32
  Speaker 2: spaghetti bowl of fuck because they can't even take one
• 1:14:37
  Speaker 2: step out of it without pivoting immediately to hypocrisy, double standards,
• 1:14:42
  Speaker 2: and man bashing. Yeah, like, I'm just like, Okay, so
• 1:14:49
  Speaker 2: you say I'm complaining about women complaining, then you describe
• 1:14:53
  Speaker 2: women complaining about their husbands, and then their husbands are like, well,
• 1:14:56
  Speaker 2: women are complaining, and then you're like, that's how imit?
• 1:14:59
  Speaker 2: Chat Chat Chad. They're selling a chat Chad, Like, and
• 1:15:06
  Speaker 2: you gave her credit.
• 1:15:07
  Speaker 1: Brian, Well, she said something worthy of giving credit. But
• 1:15:11
  Speaker 1: I mean I didn't think that she, you know, was
• 1:15:14
  Speaker 1: in it. We immediately after no, I figured it was
• 1:15:18
  Speaker 1: gonna get No, I knew it wasn't. It wasn't gonna
• 1:15:20
  Speaker 1: stay somewhat based. So uh, okay, let's see. But sometimes,
• 1:15:32
  Speaker 1: and I think we really need to be honest about this.
• 1:15:35
  Speaker 1: Men are describing something real we all know they are.
• 1:15:38
  Speaker 1: They're describing what it's like to live with someone who's
• 1:15:41
  Speaker 1: become consumed by negativity, someone whose default mode is complaint,
• 1:15:46
  Speaker 1: someone who is so focused on what's wrong that there's
• 1:15:49
  Speaker 1: no energy left for what could be right. You know
• 1:15:52
  Speaker 1: what I'm talking about women who spend too much time
• 1:15:55
  Speaker 1: talking about their trauma, their triggers, their needs, and that
• 1:15:58
  Speaker 1: they've lost the ability to actually be present with their
• 1:16:02
  Speaker 1: partner or anyone. Everything becomes about their process, Everything becomes
• 1:16:07
  Speaker 1: about what they are working through, and everyone in their
• 1:16:09
  Speaker 1: life is just supposed to hold space for all of
• 1:16:11
  Speaker 1: it indefinitely, without ever having needs or limits or interests
• 1:16:15
  Speaker 1: of their own. Yeah, you wonder where that comes from.
• 1:16:19
  Speaker 1: That sounds like entitlement. Are you going to okay? Yeah?
• 1:16:25
  Speaker 1: Go ahead?
• 1:16:27
  Speaker 2: No, No, you go ahead.
• 1:16:27
  Speaker 1: No, that's just gonna say. I mean, I don't know
• 1:16:29
  Speaker 1: if she's gonna like mention that. She's not gonna mention entitlement.
• 1:16:32
  Speaker 2: She's not gonna sue, No, she's not gonna mention entitlement.
• 1:16:35
  Speaker 2: She's not gonna mention the asymmetry that she's dancing around
• 1:16:38
  Speaker 2: and never actually explicitly says and may not even be
• 1:16:40
  Speaker 2: aware of. Where's the space for men complaining about women
• 1:16:44
  Speaker 2: aside from complaining that women are never satisfied? Right, And honestly,
• 1:16:49
  Speaker 2: that's that's not a complaint from entitlement. That's a complaint
• 1:16:53
  Speaker 2: from lack of entitlement. That that's a complaint from being
• 1:16:57
  Speaker 2: relationally disenfranchised, because why can't men, like women, have their
• 1:17:02
  Speaker 2: list of complaints about women? Why can't men come up
• 1:17:05
  Speaker 2: and go, well, these are my list of complaints about
• 1:17:07
  Speaker 2: you that I have to deal with, the things that
• 1:17:10
  Speaker 2: I have to swallow and just just compensate for or
• 1:17:13
  Speaker 2: just accommodate. And the answer is that this isn't even
• 1:17:16
  Speaker 2: in this conversation, right, this is not even considered that
• 1:17:21
  Speaker 2: men might have their own complaints aside from I'm never
• 1:17:25
  Speaker 2: I can't I can't seem to satisfy my wife, which
• 1:17:28
  Speaker 2: isn't necessary, isn't really a complaint. It's just a statement
• 1:17:32
  Speaker 2: of fact for a lot of these men. Yeah, it's
• 1:17:35
  Speaker 2: a literal statement of fact. It's not even a complaint.
• 1:17:37
  Speaker 2: It's just I can't satisfy this woman, she's never happy.
• 1:17:43
  Speaker 2: And then they and then there's no indication that men
• 1:17:46
  Speaker 2: have any right to have their own concerns and issues.
• 1:17:50
  Speaker 2: That's the asymmetry she's dancing around. She never mentions. I
• 1:17:53
  Speaker 2: don't even know if she's aware of it. I mean,
• 1:17:56
  Speaker 2: it might blow her mind to realize that men might
• 1:17:58
  Speaker 2: have their own complaints, legitimate, actual complaints right, their own
• 1:18:04
  Speaker 2: things that piss them off or irritate them or make
• 1:18:08
  Speaker 2: them uncomfortable, and they don't bring them up because there's
• 1:18:11
  Speaker 2: absolutely no space for it. And also because that's sort
• 1:18:17
  Speaker 2: of like men's nature. They really are adverse to feeling
• 1:18:21
  Speaker 2: like a burden, so they swallow this stuff, and women
• 1:18:26
  Speaker 2: dover realize how much they are bending over backwards for
• 1:18:29
  Speaker 2: the relationship, and so the entire conversation about relationships becomes
• 1:18:33
  Speaker 2: very one sided, to the point where somebody who talks
• 1:18:36
  Speaker 2: about her being some kind of enlightened person, this somatic
• 1:18:40
  Speaker 2: coach or reading, seems to be completely unaware that she
• 1:18:44
  Speaker 2: hasn't described what men's complaints. She's described men describing women
• 1:18:48
  Speaker 2: complaining and not being happy, which is just a stated fact.
• 1:18:52
  Speaker 2: And then she's also started off by saying, well, obviously,
• 1:18:56
  Speaker 2: when men complain about women never being happy, they're just
• 1:18:59
  Speaker 2: getting they're trying to get out of their responsibilities, like
• 1:19:03
  Speaker 2: men are always on a treadmill of making women happy. Right,
• 1:19:07
  Speaker 2: And she's only even allowing that men might be right
• 1:19:11
  Speaker 2: because she's tired of it. Yeah, so she's just using
• 1:19:15
  Speaker 2: it as ballast for her own opinion, not registering it
• 1:19:19
  Speaker 2: as something that should could be valid in its own right.
• 1:19:23
  Speaker 2: But anyway, let's keep going like I probably will go
• 1:19:27
  Speaker 2: for like a like maybe fifteen more minutes.
• 1:19:30
  Speaker 1: Yeah it's fine. I know that's like eat and stuff,
• 1:19:33
  Speaker 1: but okay.
• 1:19:34
  Speaker 2: I've been trying to eat like little bites in between.
• 1:19:38
  Speaker 1: Yeah yeah, uh okay. I wish I heard men using
• 1:19:42
  Speaker 1: more adult language to talk about their struggles with partnership,
• 1:19:45
  Speaker 1: like quote it's hard to build anything with someone who's
• 1:19:48
  Speaker 1: terrified of everything, or quote it's exhausting to come home
• 1:19:52
  Speaker 1: to someone who only sees what's wrong, or quote I
• 1:19:55
  Speaker 1: feel like I'm constantly managing her feelings instead of partnering
• 1:19:58
  Speaker 1: with her to build anything. Well, I mean, if you
• 1:20:00
  Speaker 1: know that's what they mean to say, why don't you
• 1:20:02
  Speaker 1: just go with that instead of complaining about Oh look,
• 1:20:05
  Speaker 1: you're complaining about women complaining too much and men not
• 1:20:10
  Speaker 1: complaining the way you think they should. When men are
• 1:20:13
  Speaker 1: just have like pretty direct you know, they're like, yeah,
• 1:20:17
  Speaker 1: it seems like I can't make her happy. That should
• 1:20:19
  Speaker 1: be enough to work from. Not well, you're not saying
• 1:20:21
  Speaker 1: that the right way. I feel like you should be
• 1:20:23
  Speaker 1: complaining the way these women are complaining. I don't know, ma,
• 1:20:27
  Speaker 1: she yeah, go ahead, I'm sorry.
• 1:20:30
  Speaker 2: Take them where they are from where they're at, because literally,
• 1:20:33
  Speaker 2: the men are complaining in the way that And the
• 1:20:36
  Speaker 2: thing is that she's so judgmental, Oh, men are immature. No,
• 1:20:42
  Speaker 2: they're labeling their observations in the modality that is native
• 1:20:46
  Speaker 2: to them, which is tasks and goals, right, not, I
• 1:20:52
  Speaker 2: feel so you are demanding that men not only articulate
• 1:20:57
  Speaker 2: the problems that they have there in their relations, but
• 1:21:00
  Speaker 2: articulate them in the way you want to hear them,
• 1:21:03
  Speaker 2: which is not more mature, lady. And it's certainly very
• 1:21:08
  Speaker 2: immature to regard yourself as the end all and be all,
• 1:21:13
  Speaker 2: the gold standard of human of human communication. That's incredibly immature.
• 1:21:20
  Speaker 2: It's incredibly entitled, you freaking new Roman. And not in
• 1:21:25
  Speaker 2: a good way either, I mean, in the pompous, egotistical,
• 1:21:29
  Speaker 2: my way is the only way kind of thing, because
• 1:21:33
  Speaker 2: that's where she's at here, instead of taking men's complaints
• 1:21:36
  Speaker 2: from where they are and how they vocalize them and
• 1:21:39
  Speaker 2: how they can sceptualize them. And we're not even complaints
• 1:21:42
  Speaker 2: men's observations unless you believe that men don't have the
• 1:21:46
  Speaker 2: right to autonomy over their own bodies. Them saying that
• 1:21:51
  Speaker 2: these women are demanding too much of me, and I
• 1:21:54
  Speaker 2: don't feel like I can fulfill. It is not really
• 1:21:56
  Speaker 2: a complaint. It is a observation of the tasks that
• 1:22:02
  Speaker 2: they have been set. But regardless, they are the did.
• 1:22:09
  Speaker 1: You just say irregardless? Oh sorry, did you say that?
• 1:22:14
  Speaker 4: I think so?
• 1:22:15
  Speaker 1: Did you? God? You're giving the angry eyes igardless?
• 1:22:20
  Speaker 2: I think I did? Yes, maybe regardless, God's glaring. Okay,
• 1:22:28
  Speaker 2: you got you got real angry eyes going on there.
• 1:22:32
  Speaker 2: It's like a burnt I burnt the toast moment. Okay,
• 1:22:35
  Speaker 2: but no, it's like she's not even meeting them where
• 1:22:38
  Speaker 2: they are in the language that they choose. Right, she
• 1:22:41
  Speaker 2: has You don't what the problem with all of these
• 1:22:44
  Speaker 2: women is they have no concept that men are their
• 1:22:49
  Speaker 2: own creature or their own beings, their own persons. They
• 1:22:53
  Speaker 2: have no concept of it, and they think that having
• 1:22:57
  Speaker 2: a concept of it is some kind of imposition them.
• 1:23:02
  Speaker 2: And that is the most incredibly entitled attitude you could
• 1:23:07
  Speaker 2: possibly have. And you, guys, all of you ladies, you're
• 1:23:10
  Speaker 2: getting bit in the ass by your own entitlement. That's
• 1:23:13
  Speaker 2: where your misery is coming from. You feel entitled to
• 1:23:16
  Speaker 2: things that are not possible, like us getting the getting
• 1:23:21
  Speaker 2: the sociopath super stimulus for free and somehow divorced from
• 1:23:28
  Speaker 2: the meatthook realities of a sociopath. Yeah, you're not entitled
• 1:23:32
  Speaker 2: to that, right. You just don't that that a superstimulus
• 1:23:36
  Speaker 2: is exactly that, a super That's what sociopaths do. They
• 1:23:39
  Speaker 2: create a sexual superstimulus that attracts women. Well, you are
• 1:23:44
  Speaker 2: not entitled to have that sexual superstimulus and somebody who
• 1:23:49
  Speaker 2: is in a sociopath because those two things go bundled together.
• 1:23:52
  Speaker 2: So stop asking for it. And you're not entitled to
• 1:23:56
  Speaker 2: have men not only articulate the problems they have but
• 1:24:00
  Speaker 2: also do it in the language that you think is correct. Right,
• 1:24:05
  Speaker 2: And you're not entitled to complain about your partner to
• 1:24:10
  Speaker 2: your female friends talking about him ragging him behind his back.
• 1:24:15
  Speaker 2: That's disgusting behavior. I mean, you're gonna do it, but
• 1:24:18
  Speaker 2: that means you are a disgusting person and you deserve
• 1:24:21
  Speaker 2: every bit of misery that you honestly are inflicting on yourself. Okay,
• 1:24:26
  Speaker 2: let's how much more of this this section do we have?
• 1:24:29
  Speaker 1: Well, where there there's only a little bit left in
• 1:24:35
  Speaker 1: this section.
• 1:24:36
  Speaker 2: You want to do another level, or.
• 1:24:39
  Speaker 1: If you want to, let me just read the section
• 1:24:42
  Speaker 1: and then we'll decide, and before anyone decides I'm giving
• 1:24:45
  Speaker 1: men a pass, I'm not, of course, this is like
• 1:24:48
  Speaker 1: the primary concern is like, are you giving men a pass?
• 1:24:52
  Speaker 1: You probably beat on them all the time, But okay,
• 1:24:55
  Speaker 1: men have their own patterned and well documented relational incompetence.
• 1:24:59
  Speaker 1: They very you often say they want partnership and then
• 1:25:02
  Speaker 1: crash out or pull back when things get real. They
• 1:25:05
  Speaker 1: avoid difficult conversations and reality in millions of creative ways.
• 1:25:10
  Speaker 1: They lack emotional vocabulary. I know all of this, but
• 1:25:13
  Speaker 1: that doesn't mean what they're experiencing isn't also true. There's
• 1:25:17
  Speaker 1: a problem, and it's easily weighted.
• 1:25:21
  Speaker 2: So okay, So basically what she said. What she said
• 1:25:25
  Speaker 2: is that men should emote, think, and communicate the way
• 1:25:30
  Speaker 2: women do, and if they don't, it's a problem. You know,
• 1:25:33
  Speaker 2: I'd love to live in a world where that was
• 1:25:34
  Speaker 2: the standard held to for women like you. If you
• 1:25:39
  Speaker 2: can't art if you can't articulate things like a man, lady,
• 1:25:41
  Speaker 2: you don't have problems. Shut up, make me a sandwich. Right.
• 1:25:48
  Speaker 2: If you can't identify the goal and the task loops
• 1:25:52
  Speaker 2: and the next action, you don't have a problem. Shut
• 1:25:55
  Speaker 2: up and do the laundry, right, that a world in
• 1:25:58
  Speaker 2: which women were held in because that's literally what she's doing.
• 1:26:01
  Speaker 2: She's holding men to women's standards, saying men don't live
• 1:26:05
  Speaker 2: up and saying that's a problem that men have. No,
• 1:26:09
  Speaker 2: it's a problem of your entitlement, lady. Even when you
• 1:26:13
  Speaker 2: do the book both sides, you're still fucking it up.
• 1:26:18
  Speaker 2: Oh god, damn. Like if this is the best womanhood
• 1:26:20
  Speaker 2: can produce, this somatic coach who can't tell her her
• 1:26:28
  Speaker 2: female clients. Yeah, your problem is your entitlements. Yeah, it's
• 1:26:32
  Speaker 2: not your trauma from your what your your father not
• 1:26:35
  Speaker 2: giving you a Malibu Stacey doll when you were like nine,
• 1:26:38
  Speaker 2: that's not your trauma. Your traumas you feel entitled to
• 1:26:43
  Speaker 2: the super stimulus provided by a sociopath without the meathook
• 1:26:49
  Speaker 2: realities of being with the sociopath. You get one or
• 1:26:52
  Speaker 2: the other, right you are, so you get either a
• 1:26:56
  Speaker 2: normal dude who is normal for a man, or you
• 1:27:01
  Speaker 2: get this, and if you want this, you get all
• 1:27:04
  Speaker 2: of the attendant problems one or the other. You are
• 1:27:09
  Speaker 2: not entitled to both. Shall we do a love them? Yeah, okay,
• 1:27:15
  Speaker 2: I'll see if my I'll see if my Jonathan was
• 1:27:19
  Speaker 2: going to charge my well, do you think it's charged yet?
• 1:27:26
  Speaker 1: Sorry?
• 1:27:26
  Speaker 2: My my ear my headphones just lost a charge.
• 1:27:31
  Speaker 1: Is that why your character is not talking anymore? Did
• 1:27:34
  Speaker 1: you buy it?
• 1:27:34
  Speaker 2: That's why my characters? All right? Am I talking now?
• 1:27:42
  Speaker 1: So?
• 1:27:43
  Speaker 2: Yeah, that's that's why, because it was screwed up. And again,
• 1:27:46
  Speaker 2: don't do super do super Child's guys. Oh hey, did
• 1:27:49
  Speaker 2: you set up set it up so people can send
• 1:27:52
  Speaker 2: in crazy stuff?
• 1:27:54
  Speaker 1: Not yet? I always use the fifty leave the hundred
• 1:27:58
  Speaker 1: for later. Uh not yet, because uh well, I figure
• 1:28:05
  Speaker 1: I would need a little bit of advance preparation for that.
• 1:28:08
  Speaker 1: But I I can set it up. I just can't
• 1:28:11
  Speaker 1: do it for today. We'll do it.
• 1:28:13
  Speaker 2: Can I use this?
• 1:28:16
  Speaker 1: Let her have whatever?
• 1:28:18
  Speaker 2: I'm gonna use this?
• 1:28:20
  Speaker 1: What's this?
• 1:28:21
  Speaker 4: Is?
• 1:28:21
  Speaker 1: Me? Who is it?
• 1:28:22
  Speaker 3: What's your strength?
• 1:28:24
  Speaker 1: My sprint is three, so I don't need it. I'll
• 1:28:28
  Speaker 1: take the strength of I forget. How are you're gonna
• 1:28:30
  Speaker 1: do it? Because you already have five? I also have five?
• 1:28:34
  Speaker 2: Oh okay, so it's B.
• 1:28:38
  Speaker 1: I don't know what B is. What are you talking about? Oh?
• 1:28:40
  Speaker 1: Because you're using a controller?
• 1:28:41
  Speaker 2: Hey? Can I do I get some of these things? Ever?
• 1:28:45
  Speaker 1: Yeah? You want to use there? You want a weapon.
• 1:28:49
  Speaker 2: No, I gotta I've really fucked you know what. I'm
• 1:28:52
  Speaker 2: not very good with the weapon. Okay, I'll take it.
• 1:28:56
  Speaker 1: Well, the only thing there is is weapons and drones. There, Alison,
• 1:29:14
  Speaker 1: I'm down here. I'm using the walkie talkie plugging plugged
• 1:29:22
  Speaker 1: down what.
• 1:29:25
  Speaker 2: I don't know how to use that to.
• 1:29:26
  Speaker 1: Break dance here? Hold on, break dance around around?
• 1:29:30
  Speaker 2: Oh, you swing it around.
• 1:29:32
  Speaker 3: It's like a pennant.
• 1:29:34
  Speaker 1: You just it's it's he uses real physics. That's the
• 1:29:39
  Speaker 1: main thing about this game is it has a you know,
• 1:29:41
  Speaker 1: use the physics engine. So if you swing, if you
• 1:29:44
  Speaker 1: just move the controller camera using a stick. Yeah, just
• 1:29:48
  Speaker 1: move the camera and you'll hit people with it.
• 1:29:51
  Speaker 3: Well's the sensitivity she might have losen.
• 1:29:53
  Speaker 1: You know? Yeah like that. Did you take damage in here?
• 1:29:59
  Speaker 2: Or no?
• 1:30:01
  Speaker 1: Yeah?
• 1:30:03
  Speaker 2: Okay, are we doing another level?
• 1:30:08
  Speaker 1: Yeah, let's do a level. Wait, what do I want
• 1:30:11
  Speaker 1: to put in my inventory?
• 1:30:12
  Speaker 3: I'll take the shotgun.
• 1:30:14
  Speaker 2: But you notice what I'm talking about, Like, the presumption
• 1:30:17
  Speaker 2: is that women have the right to go into dinner
• 1:30:20
  Speaker 2: parties and insult their husbands over a glass of wine
• 1:30:25
  Speaker 2: because they're venting, and then they have the husbands are
• 1:30:30
  Speaker 2: expected to communicate according to how the wives communicate. Oh god,
• 1:30:36
  Speaker 2: I don't even know. I don't even know what's so bad.
• 1:30:39
  Speaker 1: About it's really, it's just it's a pain in the
• 1:30:42
  Speaker 1: butt because it's, uh, there's there's a lot of narrow space.
• 1:30:47
  Speaker 1: You know, there isn't a lot of room. That's all.
• 1:30:49
  Speaker 1: That's the main issue with it. But it's fine, Okay,
• 1:30:55
  Speaker 1: just put it in there. Yeah, I know, I know.
• 1:30:59
  Speaker 1: Let's go. Wait did you just use the.
• 1:31:02
  Speaker 2: Yeah?
• 1:31:03
  Speaker 1: Sorry, it's okay, it's okay. She needed health anyways. I
• 1:31:08
  Speaker 1: think see if there's anything in here, I wanna look downstairs. Nah,
• 1:31:17
  Speaker 1: it's empty. All right, We're gonna go this way. Yo,
• 1:31:28
  Speaker 1: duh dunk skunk. Wait, your name is different. I feel like,
• 1:31:32
  Speaker 1: oh shit, wait, careful, come on, careful. Here. You see
• 1:31:39
  Speaker 1: there's a pit. There's just this little wooden planks to cross. Okay,
• 1:31:44
  Speaker 1: you're doing all right. There. We have three doors. See
• 1:31:58
  Speaker 1: what's in this one? It's a bath room. There's okay, cool,
• 1:32:04
  Speaker 1: there's some stuff over here. Sorry I knocked you down.
• 1:32:14
  Speaker 1: Did you did you knock her down again?
• 1:32:17
  Speaker 2: Yes?
• 1:32:20
  Speaker 1: Uh see? What if there's anything upstairs?
• 1:32:27
  Speaker 2: No?
• 1:32:27
  Speaker 1: Nothing up here? Anything in this room?
• 1:32:33
  Speaker 4: Oh?
• 1:32:36
  Speaker 1: Uh? Here?
• 1:32:40
  Speaker 2: Why is manner. Okay, you want me to put this
• 1:32:43
  Speaker 2: thing in put it?
• 1:32:44
  Speaker 1: Put it in here, Yeah, pick it up and put
• 1:32:46
  Speaker 1: it in this in the cart, put it in there. Okay,
• 1:32:50
  Speaker 1: just let it go, beautiful, you're getting the hang of this.
• 1:32:55
  Speaker 1: I think this is like a furnace area. There might
• 1:33:00
  Speaker 1: be stuff in here. Oh yeah, there is. There's a
• 1:33:03
  Speaker 1: gramophone there. If you see like anything that you can
• 1:33:06
  Speaker 1: interact with, like a door, open it up. Oh there's
• 1:33:09
  Speaker 1: a creepy doll. Uh. I think that's it. So let's
• 1:33:16
  Speaker 1: uh anything in here. Oh yeah, there's a couple of
• 1:33:19
  Speaker 1: things in here too. I'm gonna go ahead and load
• 1:33:23
  Speaker 1: this thing up, uranium cup and this pocket watch, and
• 1:33:40
  Speaker 1: let me see if I can get the doll in here?
• 1:33:44
  Speaker 2: Why is that matter? Like you guys are always upset
• 1:33:48
  Speaker 2: when we get headman matter.
• 1:33:50
  Speaker 1: It's like the least it's the most challenging because of
• 1:33:55
  Speaker 1: the uh, because of the space. Okay, it's because it's
• 1:34:08
  Speaker 1: a really tight space, so that makes it kind of
• 1:34:12
  Speaker 1: a challenge. Gramophone, gramophone, put it there. Okay, I think
• 1:34:23
  Speaker 1: we're good. I'm gonna head back. I got a few things.
• 1:34:33
  Speaker 1: What are you doing? You seem kind of just wandering
• 1:34:36
  Speaker 1: over there.
• 1:34:39
  Speaker 2: Well, here's a.
• 1:34:54
  Speaker 1: Okay, we're gonna go straight ahead. Richard Bierre says this
• 1:34:59
  Speaker 1: article all sounds like a version of the satire ad
• 1:35:03
  Speaker 1: from the Women Against Tired Iness Society. Let me see
• 1:35:06
  Speaker 1: if this is gonna set it off. No, it's not.
• 1:35:10
  Speaker 1: But that's that's good. That's good. That means we can unload. Oh,
• 1:35:22
  Speaker 1: it's also okay. This thing is okay, this this, that's it. Okay,
• 1:35:37
  Speaker 1: back back into the into the breach. It's looking all right.
• 1:35:59
  Speaker 1: M hm uh oh, what's up? Yeah, hey, I'm coming
• 1:36:15
  Speaker 1: into the next area. We need a few more things.
• 1:36:19
  Speaker 1: What was that? I hear something?
• 1:36:23
  Speaker 2: I just destroyed something.
• 1:36:25
  Speaker 1: Wait, something around? Do you hear that? Whoh oh, it's
• 1:36:40
  Speaker 1: the It was the fireplace. I thought it was something
• 1:36:44
  Speaker 1: stomping around. It sounded like something was stomping around. I
• 1:36:53
  Speaker 1: put some stuff on the extraction point already, So I
• 1:36:56
  Speaker 1: guess we could just do this. H Do you want
• 1:37:13
  Speaker 1: to like unload? Do you want to just unload or
• 1:37:16
  Speaker 1: do you want to just do it?
• 1:37:18
  Speaker 3: What can load?
• 1:37:21
  Speaker 1: Hey? Hey, hey, all right, that might there's nothing in it.
• 1:37:28
  Speaker 1: There's nothing in it.
• 1:37:29
  Speaker 3: Let's you have the car.
• 1:37:31
  Speaker 1: There's nothing in it.
• 1:37:34
  Speaker 3: We'll stop you know, okay.
• 1:37:35
  Speaker 1: Okay, okay, well you put it in there. I wasn't sure. Accident,
• 1:37:40
  Speaker 1: all right? Should we go back and get some other things?
• 1:37:43
  Speaker 2: A car?
• 1:37:44
  Speaker 1: You think, I think I'll go get the other car.
• 1:37:46
  Speaker 1: I think Alison just died. No, you don't, do.
• 1:37:53
  Speaker 3: You anyway?
• 1:37:55
  Speaker 4: No?
• 1:37:55
  Speaker 2: I didn't die. Oh yeah, there's these things that came in.
• 1:38:02
  Speaker 1: And they were like with dynamite sticks in their mouths
• 1:38:06
  Speaker 1: and stuff.
• 1:38:06
  Speaker 2: I just destroyed a bunch of fucking stuff. I just
• 1:38:10
  Speaker 2: give me a second.
• 1:38:10
  Speaker 3: Here, she keeps.
• 1:38:13
  Speaker 1: I think the bangers. She's got to learn it's okay.
• 1:38:17
  Speaker 2: I survived.
• 1:38:21
  Speaker 1: It says there's something in here, but I don't see anything.
• 1:38:26
  Speaker 2: Must be fixing something, Gabriel chill, I'm fixing something.
• 1:38:35
  Speaker 1: Softly quieted here O a tea kettle. I heard you.
• 1:38:51
  Speaker 1: I heard the commotion. Yeah, but uh.
• 1:38:56
  Speaker 3: Oh wow.
• 1:38:59
  Speaker 1: Well I think Alison ran into the I think Alison
• 1:39:01
  Speaker 1: ran into the bangers. Has I heard the explosions? Is
• 1:39:08
  Speaker 1: there anything in here? Oh yeah, hold on, you get
• 1:39:11
  Speaker 1: the cart. I'm gonna load it up with more stuff.
• 1:39:15
  Speaker 1: What's that? What do you got put in here? Okay,
• 1:39:21
  Speaker 1: imna grab there's a couple of things in here.
• 1:39:27
  Speaker 3: I haven't looked, an't everywhere?
• 1:39:29
  Speaker 1: Champagna, a bit of a bit of the bubbly, the bubbly,
• 1:39:35
  Speaker 1: and another tea kettle up here, okay, and a rhino.
• 1:39:51
  Speaker 1: Let's see is there anything this year? There we go,
• 1:39:58
  Speaker 1: let's see if is there anything in here? Oh it's
• 1:40:00
  Speaker 1: an extraction? Is this the closest one?
• 1:40:03
  Speaker 3: Oh yeah, you just found it. Take the copple back,
• 1:40:06
  Speaker 3: I'll do this.
• 1:40:07
  Speaker 1: Take the what the coffin? Oh the coffin? Oh yeah, yeah,
• 1:40:14
  Speaker 1: where's the coffin at?
• 1:40:17
  Speaker 2: Yeah?
• 1:40:23
  Speaker 1: Oh fuck, okay, we got to carry this. I'll do it.
• 1:40:27
  Speaker 1: I'll do it.
• 1:40:27
  Speaker 3: Wait, wait, no, last.
• 1:40:29
  Speaker 1: One, leave it for the last one. Okay, right here? Yeah, yeah,
• 1:40:34
  Speaker 1: it's true.
• 1:40:36
  Speaker 3: It's probably gonna be going.
• 1:40:38
  Speaker 1: Well, maybe what's over there? Oh that's even easier. Let
• 1:40:43
  Speaker 1: me grab this globe though, Just put in the I
• 1:40:45
  Speaker 1: think it'll fit in the cart and then we can
• 1:40:47
  Speaker 1: just extract. All right, all right, hold on there, maybe not,
• 1:41:04
  Speaker 1: maybe this won't work. Hold on put this down, gently,
• 1:41:09
  Speaker 1: gently put the look Yeah this, yeah, but I can
• 1:41:19
  Speaker 1: only put I can only push one card a time.
• 1:41:22
  Speaker 1: That's the thing. So I got it, I got all this,
• 1:41:28
  Speaker 1: I got this, son, I'm just gonna you know, is
• 1:41:34
  Speaker 1: Alison around.
• 1:41:36
  Speaker 2: I'm over here. I'm trying to find it live.
• 1:41:41
  Speaker 1: Extract. I'm gonna go to the extraction point. I'm gonna
• 1:41:45
  Speaker 1: do it. We got like a bit of customization too,
• 1:41:49
  Speaker 1: a bit of of the old cosmetics. Okay, it's just
• 1:41:57
  Speaker 1: straight back, all.
• 1:42:04
  Speaker 2: Right, Died.
• 1:42:06
  Speaker 1: What happens?
• 1:42:08
  Speaker 2: Well, I thought something was not quite as deep as
• 1:42:11
  Speaker 2: it actually was. Oh so you fell, Yeah, I fell
• 1:42:16
  Speaker 2: in a pit. But I was actually looking at him like, hey,
• 1:42:19
  Speaker 2: can I jump down? And I was like, well, well,
• 1:42:21
  Speaker 2: apparently not. I found out that I could not.
• 1:42:28
  Speaker 1: Well, I'll find your body.
• 1:42:30
  Speaker 4: Thank you, we're your head.
• 1:42:32
  Speaker 2: I appreciate that. I I I know we're not reading
• 1:42:40
  Speaker 2: as much of the article as we could. We could
• 1:42:42
  Speaker 2: probably pick it up next week, but I feel like
• 1:42:45
  Speaker 2: there's not going to be a lot of insight. Really no,
• 1:42:49
  Speaker 2: probably not not as enough as there needs to be.
• 1:42:55
  Speaker 2: And the irony is that if she if she got
• 1:42:57
  Speaker 2: what she wanted from men like this, this deep. What
• 1:43:00
  Speaker 2: she's saying is deep. I don't I don't think it
• 1:43:03
  Speaker 2: really needs to be deeper than I don't feel like
• 1:43:06
  Speaker 2: I can ever make you happy.
• 1:43:07
  Speaker 1: Well or yeah, I mean I think that like the
• 1:43:10
  Speaker 1: thing is is that she's trying to sell something. At
• 1:43:13
  Speaker 1: the end of the day, she's trying to sell herself,
• 1:43:15
  Speaker 1: and you know she's got to market it. So and
• 1:43:19
  Speaker 1: I think I'm getting I'm wanting to bet that on
• 1:43:21
  Speaker 1: her website it says that she works with men and women,
• 1:43:26
  Speaker 1: but I'm willing to bet that most of her clients
• 1:43:28
  Speaker 1: are women, like probably like over ninety percent of them.
• 1:43:32
  Speaker 1: Oh shit, oh.
• 1:43:36
  Speaker 2: Shit, I'm getting like another beep that everything is dying again.
• 1:43:47
  Speaker 4: M hmm.
• 1:43:49
  Speaker 3: And which Hanson died?
• 1:43:51
  Speaker 1: Yeah, I know she fell. Well just you see her?
• 1:43:56
  Speaker 1: Did you get her? Did you get her head? Or
• 1:43:58
  Speaker 1: have you not seen it? No?
• 1:43:59
  Speaker 3: I haven't seen it.
• 1:44:00
  Speaker 1: Okay, Well, she walked into a pit, I think because
• 1:44:02
  Speaker 1: she said that the hole that she went into was
• 1:44:05
  Speaker 1: deeper than she thought. So I'm sure we'll come across
• 1:44:08
  Speaker 1: her head at some point. Upstairs, they keep going, oh
• 1:44:17
  Speaker 1: is it this freaking room? I hate this room. So
• 1:44:21
  Speaker 1: I think about headman manner I'm not a fan of
• 1:44:23
  Speaker 1: is that some of the rooms are just they're like
• 1:44:25
  Speaker 1: so claustrophobic, whereas like the other levels are they're more open,
• 1:44:31
  Speaker 1: so like if you run into a monster or something like,
• 1:44:34
  Speaker 1: we can run into a monster right here, and we
• 1:44:36
  Speaker 1: just we just have to run away or face it
• 1:44:39
  Speaker 1: right away. We can't like regroup and back out and stuff.
• 1:44:44
  Speaker 1: You know, it was this stuffy monkey. Yeah, I got it,
• 1:44:51
  Speaker 1: got it, monkey shines return. Oh I wonder if Allison.
• 1:45:01
  Speaker 2: Okay, my headset is not like it's dying, so don't
• 1:45:09
  Speaker 2: worry about me for now.
• 1:45:11
  Speaker 1: Okay, yeah, take that.
• 1:45:14
  Speaker 2: I'm really.
• 1:45:17
  Speaker 1: Just be careful as a pit behind you. We'll find
• 1:45:25
  Speaker 1: Allison's head and and we'll do the level without her
• 1:45:29
  Speaker 1: for now. Before I unload that, there was another big thing. Yeah,
• 1:45:34
  Speaker 1: there's there's something. Oh there's a customization thing over here.
• 1:45:37
  Speaker 1: I'll get I'll get the piano. Yeah, Bella. Can I
• 1:45:49
  Speaker 1: just destroy Bella?
• 1:45:51
  Speaker 4: Wait?
• 1:45:51
  Speaker 1: Wait?
• 1:45:52
  Speaker 3: Wait oh my ship?
• 1:46:00
  Speaker 1: Wow? Did you see that was weird?
• 1:46:04
  Speaker 3: You can front? I mean you could buy so.
• 1:46:09
  Speaker 1: Fuck her. Not a fan of Bella's. Okay, I'm gonna
• 1:46:14
  Speaker 1: grab the the piano, but first I'm gonna let you
• 1:46:17
  Speaker 1: grab the customization thing. The Let me see what's over here. Yeah,
• 1:46:30
  Speaker 1: I hear that. There's like little things the Indians. Oh
• 1:46:35
  Speaker 1: there's another piano up there. But I don't think we
• 1:46:38
  Speaker 1: can take two. I think we have to just take
• 1:46:40
  Speaker 1: the one and fit them both on the attraction point one.
• 1:46:45
  Speaker 1: All right, all right, well let me get the one
• 1:46:48
  Speaker 1: from up here real quick. Up, get down here, get
• 1:46:58
  Speaker 1: down here. Oh. My brother used to work for a
• 1:47:06
  Speaker 1: moving company, and he used to say that, you know,
• 1:47:10
  Speaker 1: everybody complains about refrigerators and stoves and like like kind
• 1:47:15
  Speaker 1: of kitchen appliances, you know, but he said, the worst
• 1:47:18
  Speaker 1: thing is a piano. I was like, you've actually had
• 1:47:21
  Speaker 1: to carry a piano and he's like, yeah. It wasn't
• 1:47:24
  Speaker 1: one of these either. It wasn't like what they call
• 1:47:27
  Speaker 1: him the standing model. It was one of those grand
• 1:47:29
  Speaker 1: pianos you know on back films. Most Nah, I'm trying
• 1:47:42
  Speaker 1: to get this in here. Okay, let's go, let's go.
• 1:47:47
  Speaker 1: Come on, is it this way? It's right here, come on,
• 1:48:00
  Speaker 1: come on, let's go. It's what is it? I'm listening?
• 1:48:13
  Speaker 1: What is it? Stuck? Got it?
• 1:48:19
  Speaker 2: Yeah?
• 1:48:19
  Speaker 1: I think I'm gonna go stand it up, set it
• 1:48:22
  Speaker 1: up so that it'll go in too much. Yeah, I'm listening.
• 1:48:27
  Speaker 1: What what's up? Are you talking to me?
• 1:48:29
  Speaker 2: Well, I'm trying to figure out what to do, like,
• 1:48:30
  Speaker 2: because the thing is that I'm dead. Maybe I could
• 1:48:34
  Speaker 2: do a little bit more of an analysis of the
• 1:48:37
  Speaker 2: video of the article. But I need a bit of time.
• 1:48:39
  Speaker 3: So it broke something.
• 1:48:43
  Speaker 1: The shadow child broke something.
• 1:48:46
  Speaker 3: It's explosion. I'm not doing alcohol.
• 1:48:53
  Speaker 1: Hey, is the shadow child going get We're gonna go
• 1:48:55
  Speaker 1: get the other piano. Yea, what is the trutch coming?
• 1:48:59
  Speaker 3: Trutch coming?
• 1:49:00
  Speaker 1: We can throw them in the pit together.
• 1:49:03
  Speaker 3: We don't don't egypt.
• 1:49:06
  Speaker 1: Okay, you don't need me.
• 1:49:07
  Speaker 3: Then I'm gonna get the deal.
• 1:49:14
  Speaker 1: I don't have the range. I don't have the range.
• 1:49:16
  Speaker 1: It's gonna break mm hmm. It's okay, all right, see
• 1:49:25
  Speaker 1: we'll do both of these. Okay, I'm gonna go extract
• 1:49:32
  Speaker 1: these things. Uh well, I'm gonna push this on and
• 1:49:49
  Speaker 1: then hold the other one up. So we're just gonna
• 1:49:51
  Speaker 1: do that. Than wait, I'm turning sideways. Ship. Yeah, you
• 1:50:04
  Speaker 1: got it. No, you're good, you're good, You're good. Oh beautiful.
• 1:50:11
  Speaker 1: It's a little close. It's a little a little bit
• 1:50:14
  Speaker 1: of a close shave. They come in, Okay, they the animal.
• 1:50:21
  Speaker 1: I'm gonna get the where my where are my drones inside? Okay,
• 1:50:29
  Speaker 1: got that one, and where's the other one. Where's where's
• 1:50:33
  Speaker 1: my uh, where's my drone? I don't know?
• 1:50:38
  Speaker 3: Did they get destroyed.
• 1:50:39
  Speaker 1: They were I got the no, I got the feather drone,
• 1:50:42
  Speaker 1: but the indestructible drone. Oh you have its outside? All right,
• 1:50:48
  Speaker 1: let's roll Anna Max said, Hi, please play. Please try
• 1:50:57
  Speaker 1: playing the demo version of hex Storm Tears of Arcadia.
• 1:51:03
  Speaker 1: I'm really interested in your opinion. I'm self made game developer.
• 1:51:07
  Speaker 1: Heck Storm Tales of Arcadia. This isn't normally a gaming
• 1:51:11
  Speaker 1: stream like channel, but I'll look it up. What wha, wha, wha, wha, whoa,
• 1:51:16
  Speaker 1: whoa whoa. Sorry sorry sorry, Okay, have you seen Allison's
• 1:51:27
  Speaker 1: head yet? No?
• 1:51:28
  Speaker 2: Right, no, my head isn't. Maybe maybe I'm back in
• 1:51:33
  Speaker 2: the ceiling again.
• 1:51:35
  Speaker 1: Well, you probably didn't get resurrected. But like, if you
• 1:51:38
  Speaker 1: hit the E key, you can see where you are.
• 1:51:41
  Speaker 1: What's describe what? Describe your environment? When you get a chance,
• 1:51:45
  Speaker 1: Yeah I will.
• 1:51:46
  Speaker 2: I just have to attend to something fair.
• 1:51:49
  Speaker 1: I'm gonna hide under this ottoman.
• 1:51:52
  Speaker 3: What was happening?
• 1:51:53
  Speaker 1: What was it? All right? We got it? All right?
• 1:51:59
  Speaker 1: Go go open Then next thing, I'm gonna walk behind you. Yeah,
• 1:52:02
  Speaker 1: go go.
• 1:52:05
  Speaker 4: Yeah.
• 1:52:19
  Speaker 1: Okay, it wasn't misjudging the death. It was a chance
• 1:52:28
  Speaker 1: to eat dinner. Yeah, that's also possibly true. I get that.
• 1:52:36
  Speaker 2: Yeah, we got all right. Let me try to help
• 1:52:44
  Speaker 2: you find my head.
• 1:52:47
  Speaker 1: Yeah yeah, just tell me where you might be or
• 1:52:50
  Speaker 1: what's around you. If you look around, what do you
• 1:52:52
  Speaker 1: see right hand? Who'd you find out? His head.
• 1:53:02
  Speaker 3: Clown's coming?
• 1:53:05
  Speaker 1: Okay, okay, oh you found me?
• 1:53:08
  Speaker 2: No, no, I can't actually I can't actually hear you.
• 1:53:11
  Speaker 2: Guys in the game.
• 1:53:13
  Speaker 1: If you hit the E key, you can talk.
• 1:53:16
  Speaker 2: Okay, yeah, I can talk, but I can't hear anybody.
• 1:53:21
  Speaker 2: I can't hear Gabriel. I can just hear you, Brian.
• 1:53:23
  Speaker 1: Well that's because I'm on discord. But if you in
• 1:53:26
  Speaker 1: the game, if you can't hear Gabriel talking, then that
• 1:53:28
  Speaker 1: means you're far away from us because he uses his
• 1:53:30
  Speaker 1: proximity chat.
• 1:53:33
  Speaker 2: Okay, so I can't. I'm trying to figure out where
• 1:53:38
  Speaker 2: I am.
• 1:53:39
  Speaker 1: But well, what do you see when you look around?
• 1:53:43
  Speaker 2: I don't see anything really wait wait wait, no, I'm okay,
• 1:53:49
  Speaker 2: I see.
• 1:53:52
  Speaker 3: Oh get to activate ahead activated.
• 1:53:56
  Speaker 1: Reason to activate your head when you're able to, and
• 1:54:00
  Speaker 1: then start talking so that see we if we're close enough,
• 1:54:03
  Speaker 1: we can hear you. Okay, definitely in a room that's
• 1:54:07
  Speaker 1: been unlocked or opened up.
• 1:54:10
  Speaker 2: Yeah, I'm in a room. I'm beside like a table
• 1:54:13
  Speaker 2: and a chair.
• 1:54:14
  Speaker 1: She's beside a table and a chair.
• 1:54:18
  Speaker 2: That's at the end of a longish hallway.
• 1:54:21
  Speaker 1: Oh so she's in a hallway. Okay, and you did
• 1:54:29
  Speaker 1: you fall in? Is that how you died?
• 1:54:32
  Speaker 2: Yeah? But I'm now okay, I can see myself. There
• 1:54:36
  Speaker 2: are stairs going up.
• 1:54:40
  Speaker 1: Stairs, going up the okay, and then.
• 1:54:42
  Speaker 2: There's a chair and a table.
• 1:54:44
  Speaker 1: All right. Well that narrows it down, and I don't
• 1:54:47
  Speaker 1: mean that sarcastic.
• 1:54:48
  Speaker 2: Wait, go back.
• 1:54:49
  Speaker 1: She died by some stairs going.
• 1:54:52
  Speaker 2: Up Oh what wait wait.
• 1:54:54
  Speaker 1: Wait, wait are you Gabriel?
• 1:54:57
  Speaker 2: Now I'm talking to you. I guess I can't see
• 1:54:58
  Speaker 2: the map for you.
• 1:55:00
  Speaker 1: No, no, they need I don't know. But is there
• 1:55:05
  Speaker 1: an item in here?
• 1:55:08
  Speaker 2: Yeah? They're trying to find me.
• 1:55:14
  Speaker 1: The extraction.
• 1:55:15
  Speaker 2: I can talk now, okay, okay, yeah, I'm the All
• 1:55:25
  Speaker 2: I can tell you is I'm right at the base
• 1:55:29
  Speaker 2: of this bunch of stairs.
• 1:55:31
  Speaker 1: That's that helps. That helps? All right, I'm gonna do it, Gabrie.
• 1:55:35
  Speaker 1: I'm gonna extract. I'm gonna do it, all right.
• 1:55:46
  Speaker 2: Well, since I can't really help here, i'll I will
• 1:55:50
  Speaker 2: read out my analysis. Yeah, go ahead, all right, So
• 1:55:56
  Speaker 2: she complains about women complaining, but the complaint never tests
• 1:56:00
  Speaker 2: whether the husband earned it. So the original husband who
• 1:56:03
  Speaker 2: was described as totally earning it, but no, it wasn't operationalized,
• 1:56:08
  Speaker 2: So what did he do to earn it? As far
• 1:56:10
  Speaker 2: as we know, this woman is just bitching about her
• 1:56:13
  Speaker 2: husband behind her husband's back, right, which means she's reproducing
• 1:56:18
  Speaker 2: the exact move she's diagnosing. The grievance circulates without ever
• 1:56:22
  Speaker 2: touching the question of merit. So she's relaying this woman's
• 1:56:27
  Speaker 2: complain about her husband without determining or giving us any
• 1:56:30
  Speaker 2: indication that it has any merit. So she's circulating her
• 1:56:35
  Speaker 2: merit apparently a meritless grievance. And then she's complaining about
• 1:56:38
  Speaker 2: how women circulate merit like meritless grievances, The grievance circulates
• 1:56:43
  Speaker 2: without ever touching the question of merit. She's running complaint
• 1:56:46
  Speaker 2: as currency. One level up, the woman's complaining has become
• 1:56:51
  Speaker 2: her content, the material she bonds her readers and clients
• 1:56:55
  Speaker 2: did often, and resolving the question is he actually at all?
• 1:57:01
  Speaker 1: Just go to the abstraction point.
• 1:57:03
  Speaker 2: Would dissolve her piece the same way resolving the marriage
• 1:57:08
  Speaker 2: would dissolve her friend's bond. She is the thing that
• 1:57:12
  Speaker 2: she describes operating on the women instead of on the husbands.
• 1:57:18
  Speaker 2: Then the asymmetry when a man surfaces the same observation.
• 1:57:24
  Speaker 2: She's pent ten pages making the women complain aren't satisfied.
• 1:57:29
  Speaker 2: Her reflex is to score against the man. He's failing
• 1:57:33
  Speaker 2: his responsibilities. The identical observation gets opposite trick by speaker sex.
• 1:57:41
  Speaker 2: When a woman says women complain, it's brave self examination.
• 1:57:45
  Speaker 2: When a man says it, it's evidence of his inadequacy.
• 1:57:49
  Speaker 2: That's not a double standard in the loose sense. It's
• 1:57:51
  Speaker 2: the relational web source classification filter operating in real time.
• 1:57:55
  Speaker 2: The content is identical. The disposition flips entirely on whose
• 1:57:59
  Speaker 2: tra So if a woman says it, it's brave self reflection.
• 1:58:03
  Speaker 2: If the man says it, it's evidence of his inadequacy.
• 1:58:07
  Speaker 2: A man's accurate diagnosis is preclassified as a confession of deficiency.
• 1:58:12
  Speaker 2: She does to the man exactly what the institutional filter
• 1:58:15
  Speaker 2: does to operative criticism, routes it to the sources characters.
• 1:58:19
  Speaker 2: The content never gets evaluated like so she gets to
• 1:58:23
  Speaker 2: say it, but if a men say If men say it,
• 1:58:28
  Speaker 2: they're disqualified from having their opinion considered, and she never
• 1:58:36
  Speaker 2: turns the lens on her clients the way she turns
• 1:58:38
  Speaker 2: it on the men. The men get, are you deserving
• 1:58:41
  Speaker 2: of the complaint applied to them? By default they're presumed
• 1:58:44
  Speaker 2: to have failed responsibilities. The women get are you complaining
• 1:58:47
  Speaker 2: too much? But never is the complaint legitimate? And the
• 1:58:51
  Speaker 2: men never get do you have your own legitimate complaint
• 1:58:54
  Speaker 2: beyond the women's standards? The one male complaint she'll entertain
• 1:58:58
  Speaker 2: is the meta one you hold us to impossible standards,
• 1:59:01
  Speaker 2: and even that she only admits is ballast. As of
• 1:59:04
  Speaker 2: both sides, token spent to bite the right to return
• 1:59:07
  Speaker 2: to her real subject, which is women's complaining, which she
• 1:59:12
  Speaker 2: then immediately escapes from into a complaint about men's register.
• 1:59:16
  Speaker 2: Men don't say that that women complain. Like literally, she's
• 1:59:21
  Speaker 2: complaining about women complaining, and when men say, hey, women
• 1:59:23
  Speaker 2: complain too much, the problem is men's register. The maturity
• 1:59:27
  Speaker 2: of language pivot isn't incidental. It's the exit, the moment
• 1:59:30
  Speaker 2: the conversation approaches men have substantive grievances, she converts it
• 1:59:35
  Speaker 2: into a critique of how men gone down. Boy, she'd
• 1:59:41
  Speaker 2: have a field day with the.
• 1:59:42
  Speaker 3: Gabriel coundn.
• 1:59:48
  Speaker 1: Wedid it?
• 1:59:50
  Speaker 4: What?
• 1:59:50
  Speaker 2: Yay? I help not at all. I think I blew
• 1:59:55
  Speaker 2: up about ten thousand dollars and stuff.
• 2:00:00
  Speaker 1: We're still the maturity where rich?
• 2:00:02
  Speaker 2: Okay?
• 2:00:03
  Speaker 1: Where Rich?
• 2:00:04
  Speaker 3: Rich?
• 2:00:04
  Speaker 1: Where Rich?
• 2:00:06
  Speaker 2: The moment, the moment the conversation talking about immature conversations,
• 2:00:13
  Speaker 2: the moment the conversation approaches. We men have substantive greevances.
• 2:00:18
  Speaker 2: We're going to go into the shop.
• 2:00:19
  Speaker 1: Guys, come on.
• 2:00:22
  Speaker 2: Yeah, I know I'm gonna make I'm gonna present myself
• 2:00:24
  Speaker 2: for being hit with things. This is usually what happens
• 2:00:27
  Speaker 2: in here.
• 2:00:29
  Speaker 3: Is my first pair of my second pair of?
• 2:00:30
  Speaker 1: It is he got ears?
• 2:00:35
  Speaker 2: Do I have anything?
• 2:00:37
  Speaker 1: Yeah? Yeah, go ahead, approach and use it. You're going
• 2:00:39
  Speaker 1: to get a bit of cosmetics. You have to use
• 2:00:42
  Speaker 1: the use button. Yeah, there you go.
• 2:00:46
  Speaker 2: Oh cool, I look like I've been I've been told
• 2:00:54
  Speaker 2: you can.
• 2:00:54
  Speaker 1: Do it again. Thinking that. One more thing, Well, how
• 2:01:00
  Speaker 1: many coins do you have? Yeah, they're on the bottom, right,
• 2:01:02
  Speaker 1: you might have you might have more than two.
• 2:01:04
  Speaker 3: Ship shot ship's got a dog shot collar.
• 2:01:07
  Speaker 2: Oh my god, like that.
• 2:01:16
  Speaker 1: She probably has a whole bunch that she didn't use. Lips,
• 2:01:22
  Speaker 1: those overlay It's like an over the same one with me.
• 2:01:27
  Speaker 1: The bottom lip. It's really like a skull thing, I think, But.
• 2:01:32
  Speaker 3: Is that it?
• 2:01:32
  Speaker 1: You didn't know? No more? Okay, no more? Oh oh,
• 2:01:41
  Speaker 1: I got a leather jacket.
• 2:01:42
  Speaker 3: Let's go ship you grease the jacket.
• 2:01:46
  Speaker 1: Yeah, I'm a bad boy. Yeah, tunnle snakes and uh
• 2:01:56
  Speaker 1: no you no, no, I don't. I don't have matching
• 2:02:01
  Speaker 1: I don't have matching legs yet. Let me see. Yeah no, no,
• 2:02:07
  Speaker 1: no leg leg left, No I got I'm getting boned
• 2:02:13
  Speaker 1: on the on the leg stuff. But you know what,
• 2:02:15
  Speaker 1: that's okay, I'll remember I did get the jacket. Let
• 2:02:20
  Speaker 1: me see. Oh yeah, it's like a bomber jacket. And
• 2:02:24
  Speaker 1: I can change the color too. Let me uh go
• 2:02:27
  Speaker 1: to my presets. What could I rock this with? I
• 2:02:32
  Speaker 1: mean I could, don't I have like a so now.
• 2:02:36
  Speaker 2: I have a shock collar. I'm going for the hassan.
• 2:02:42
  Speaker 1: Look such a baby.
• 2:02:53
  Speaker 2: Oh boy, wow, I'm looking really eighties dystopian. Eighties dystopian. Here.
• 2:03:02
  Speaker 1: Can change the colors on it too, making a black jacket.
• 2:03:06
  Speaker 2: It's subtle.
• 2:03:09
  Speaker 1: I don't. I don't have like the greaser hair though,
• 2:03:12
  Speaker 1: I want the greaser hair.
• 2:03:14
  Speaker 2: Where are you guys?
• 2:03:21
  Speaker 1: Yeah? We're John Elton, John, Yeah.
• 2:03:26
  Speaker 2: Oh yah, you look like you look like a bold,
• 2:03:32
  Speaker 2: robotic consolo.
• 2:03:35
  Speaker 1: Finish in the jacket, finish your analysis, all right.
• 2:03:39
  Speaker 2: Yeah. The maturity language pivot isn't incidental. It's the exit,
• 2:03:45
  Speaker 2: the moment the conversation approaches men have substantial grievances, she
• 2:03:50
  Speaker 2: converts it to a critique of how men talk, a
• 2:03:52
  Speaker 2: form complaint that lets her drop the content complaint. She
• 2:03:56
  Speaker 2: does the men's grievance is what therapy speak does to everything,
• 2:04:00
  Speaker 2: to everything. Reframes the substance a substance problem as a
• 2:04:04
  Speaker 2: delivery problem. Well god, you know, like men don't even
• 2:04:09
  Speaker 2: get to the point where they get to complain about
• 2:04:11
  Speaker 2: specific things that women do that they can't stand.
• 2:04:14
  Speaker 4: M hm.
• 2:04:16
  Speaker 2: So the structure fully drawn, a relational web processor, that
• 2:04:21
  Speaker 2: is her running the complaint machine at the metal level,
• 2:04:24
  Speaker 2: who applies merit testing only to men, applies it to
• 2:04:28
  Speaker 2: them by default and to women. Never admits the strongest
• 2:04:32
  Speaker 2: male point only as currency to be spent buying back
• 2:04:35
  Speaker 2: her own floor, and pivots to form whatever pivots to form,
• 2:04:40
  Speaker 2: whatever substance gets close, what pivots to form whatever substance.
• 2:04:46
  Speaker 2: I don't even know what that means. The entitlement you
• 2:04:48
  Speaker 2: felt is the texture. Like I said, I said, this
• 2:04:50
  Speaker 2: is entitlement. Yeah, and the mechanism of the entitlement is
• 2:04:54
  Speaker 2: the recursion plus the sex key sorts filter. And that's
• 2:04:59
  Speaker 2: what goes to ca because it's the thing that's true
• 2:05:01
  Speaker 2: and nobody else is saying. She's entitled, gets you dismissed,
• 2:05:05
  Speaker 2: gets you dismissed. But she's running the exact same machine
• 2:05:09
  Speaker 2: she's diagnosing. So she's she's complaining about women complaining in
• 2:05:16
  Speaker 2: order to build a bond with their audience, and she's
• 2:05:19
  Speaker 2: saying that when women complain, they build bonds, they aren't
• 2:05:22
  Speaker 2: actually trying to change things. Meanwhile, she's offhandedly describing a
• 2:05:26
  Speaker 2: whole bunch of behaviors that are completely unanalyzed in her
• 2:05:32
  Speaker 2: female clients, entitlement behaviors, contemptuous behaviors, abusive behaviors, and that
• 2:05:42
  Speaker 2: she doesn't even notice that. She's just like glossing over
• 2:05:46
  Speaker 2: them entirely. Right, And this is the problem that women
• 2:05:50
  Speaker 2: are facing. Really, they have problems with other women, Okay, yeah,
• 2:06:00
  Speaker 2: and those problems all circle back to women's lack of accountability.
• 2:06:06
  Speaker 2: But they cannot let go of the idea that men
• 2:06:09
  Speaker 2: are to blame, okay, So they can never get to
• 2:06:14
  Speaker 2: a position where they solve the problem of women's accountability
• 2:06:18
  Speaker 2: because that would mean they have to question that men
• 2:06:21
  Speaker 2: are to blame. So we're just we're just watching a
• 2:06:25
  Speaker 2: woman trying to circle, trying to land this this particular
• 2:06:29
  Speaker 2: plane that requires recognizing women's accountability, but without ever letting
• 2:06:37
  Speaker 2: men off the hook for being blamed. I can't do that, No,
• 2:06:42
  Speaker 2: but it is amusing to watch them try. Yes, okay,
• 2:06:50
  Speaker 2: I'm gonna, I'm gonna, I'm gonna see what's going on
• 2:06:52
  Speaker 2: with the with the website. Briefly, I'll do any thank
• 2:06:54
  Speaker 2: you if there's any thank yous to be given. And
• 2:06:59
  Speaker 2: oh yeah, very very nice hair.
• 2:07:02
  Speaker 1: Thank you.
• 2:07:05
  Speaker 2: It's quite curly.
• 2:07:08
  Speaker 1: I got a little curl going on.
• 2:07:11
  Speaker 2: Yeah, oh yeah, now you have no, No, that's Gabriel,
• 2:07:14
  Speaker 2: not you.
• 2:07:15
  Speaker 1: No, Gabriel's got the hair I want. That's the hair
• 2:07:18
  Speaker 1: I want.
• 2:07:19
  Speaker 3: This is just.
• 2:07:20
  Speaker 1: Yeah, well, go ahead and do the thing you gotta do.
• 2:07:26
  Speaker 1: What is this thing on your neck? You can't really
• 2:07:28
  Speaker 1: see it. It's go ahead. I'm just looking at what
• 2:07:32
  Speaker 1: you got going on there.
• 2:07:35
  Speaker 2: All right, So let me just check the blog or
• 2:07:38
  Speaker 2: just check the.
• 2:07:41
  Speaker 1: Sight I'm listening.
• 2:07:46
  Speaker 2: Oh yeah, go ahead, I'm just trying to figure about
• 2:07:52
  Speaker 2: what's going on here. Okay, let me see.
• 2:08:04
  Speaker 1: I'm gonna turn this on, so behave Okay.
• 2:08:06
  Speaker 2: So once again, guys, after the show's over, if you
• 2:08:08
  Speaker 2: want to send us a message, you can do so
• 2:08:10
  Speaker 2: at feed the Badger dot com let's feed the Badger,
• 2:08:15
  Speaker 2: or sorry, you want to send us a messag feedbbadger
• 2:08:17
  Speaker 2: dot com slash just the tip, very best way for
• 2:08:19
  Speaker 2: you to send us a tip and a message with
• 2:08:21
  Speaker 2: that tip, and I will see if there is anything
• 2:08:28
  Speaker 2: to thank people. Sorry, this is a little bit more complicated.
• 2:08:30
  Speaker 2: Now take a moment, and if you want to support
• 2:08:35
  Speaker 2: the show, that's at Feedbadger dot com slash support. I
• 2:08:39
  Speaker 2: will see if, like I can, if there's anything going
• 2:08:42
  Speaker 2: on here. I'll fix the super chow thing. Hopefully I'll
• 2:08:45
  Speaker 2: have it done by tomorrow. And nope, it doesn't look
• 2:08:50
  Speaker 2: like it. I'm gonna see what's going on, all right,
• 2:08:54
  Speaker 2: So yeah, so for now, I guess, uh, I guess.
• 2:08:57
  Speaker 2: Wait a bit on the super the the just the tip.
• 2:09:00
  Speaker 2: I got to figure that out now. Actually you should
• 2:09:02
  Speaker 2: be able to put something through now.
• 2:09:04
  Speaker 1: You should, but maybe no messages is that the issue.
• 2:09:08
  Speaker 2: Actually it's not going through at all. The heck's going
• 2:09:11
  Speaker 2: on here? Okay, just put a hold on that feed
• 2:09:15
  Speaker 2: the Badger dot com slash support if you want to
• 2:09:17
  Speaker 2: support the show and looks like I don't have me,
• 2:09:20
  Speaker 2: thank you, so I will hand it back to you
• 2:09:22
  Speaker 2: Brian to take us out or unless you want to
• 2:09:25
  Speaker 2: enjoy more shenanigans.
• 2:09:26
  Speaker 1: No no, no, wait, no want. I'm ready to wrap
• 2:09:28
  Speaker 1: it up. This is good. We got I gotta go
• 2:09:30
  Speaker 1: to sleep soon. So yeah, if you guys like this video,
• 2:09:35
  Speaker 1: please hit like subscribe. If you're not already subscribed, hit
• 2:09:38
  Speaker 1: the bellf notifications, leave us a comment, let us know
• 2:09:41
  Speaker 1: what you guys think about what we talked about in
• 2:09:43
  Speaker 1: the show today, and share the video because Sharon's caring.
• 2:09:46
  Speaker 1: Thank you guys so much for coming on this episode
• 2:09:49
  Speaker 1: of this cozy gaming stream, and we would talk to
• 2:09:52
  Speaker 1: guys in the next one. See you tomorrow.