Latest / Artists on Artists on Artists on Artists / Stock Photo Models (with Lily Sullivan)
Transcript
- 0:04Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
- 0:07Speaker 2: This week on the show, you've seen them excited, angry, scared,
- 0:11Speaker 2: and little horny.
- 0:13Speaker 1: This week on the show, we're talking to stock photo models.
- 0:17Speaker 3: Stock photos are photos that are are can be purchased
- 0:22Speaker 3: by companies for various meetings and needs, and it's a
- 0:27Speaker 3: staple in the graphic design and late night graphics world.
- 0:34Speaker 4: So get ready to pose like a business man. We're
- 0:37Speaker 4: talking to stock photo models. Let's listen in.
- 0:44Speaker 2: It's it's really great to just kind of be here
- 0:46Speaker 2: with you, being able to funny howqu we could be.
- 0:52Speaker 5: It's absolute.
- 0:56Speaker 1: This one likes to move like yes.
- 0:58Speaker 3: And it's interesting. We've been sitting talking, you know, just
- 1:01Speaker 3: shooting the ship for like fifteen minutes or whatever. Usually
- 1:03Speaker 3: by that point I've taken two thousand photos.
- 1:06Speaker 5: That's right, two.
- 1:10Speaker 1: Fifteen. I don't know what you.
- 1:11Speaker 3: Guys would staff your stats are your your PM photos
- 1:16Speaker 3: per minute? Yes, I don't know what you guys are
- 1:18Speaker 3: working with, but I'm rocking around two twenty fifteen.
- 1:21Speaker 6: Before the accident, I was at four hundred. I remember,
- 1:26Speaker 6: one hundred's pretty good. It was really good. Well, you know,
- 1:30Speaker 6: I rolled down a mountain. That changed everything for me.
- 1:34Speaker 4: Obviously, you were doing that photo shoot that it had.
- 1:37Speaker 4: You just rolled down and it just got great.
- 1:40Speaker 6: They wanted me to do one of those, you know,
- 1:42Speaker 6: the woman rolling in the field, and then I just
- 1:45Speaker 6: kept going and I rolled off of a cliff and
- 1:49Speaker 6: I rolled into a school bus.
- 1:50Speaker 4: A minute, can I say the photos that they got,
- 1:54Speaker 4: the photos that they got.
- 1:55Speaker 5: From that, I used those photos still.
- 1:58Speaker 4: I thought it was.
- 1:59Speaker 6: Good though, because you know, yes, those children and those
- 2:02Speaker 6: were those children's last moments and we got that all
- 2:05Speaker 6: on film.
- 2:06Speaker 5: And how beautiful that.
- 2:07Speaker 4: How many times can you find a stock photo that's
- 2:09Speaker 4: woman rolling into school to school bus searching it and
- 2:13Speaker 4: we just didn't have it.
- 2:14Speaker 5: We didn't have that before.
- 2:15Speaker 2: I want to be so clear. Into school bus doors
- 2:18Speaker 2: were open, flew into school was like thing.
- 2:20Speaker 1: Pong ball bounced.
- 2:22Speaker 6: It's amazing how many kids I hit. I was like,
- 2:27Speaker 6: you know that thing in the TV that bounces from
- 2:29Speaker 6: corner to corner the logo.
- 2:31Speaker 5: I was like that, but slower, and I hit lower.
- 2:34Speaker 6: Lower, and I hit every kid and every kid, I
- 2:37Speaker 6: mean I demolished every.
- 2:39Speaker 7: Child, all so fast down that you roll up a
- 2:42Speaker 7: couple of stairs into a car yeah.
- 2:44Speaker 3: Really, it's an amazing sort of physic and to keep.
- 2:47Speaker 5: That momentum, it really is.
- 2:51Speaker 1: Yes, so crazy.
- 2:52Speaker 4: Can I say I kind of blamed the kids. I
- 2:54Speaker 4: blame slow enough that they could have gotten.
- 2:57Speaker 5: Have you seen my campaign online? I have. I've been
- 3:00Speaker 5: trying to sue the families.
- 3:01Speaker 4: Yes, they can't go to sue the family.
- 3:03Speaker 5: Because I just feel like they need too much of
- 3:06Speaker 5: a big of a deal about it.
- 3:07Speaker 4: Do you want to introduce yourself?
- 3:08Speaker 7: Oh my god, I'm so sorry to say, because of you,
- 3:11Speaker 7: we have landscape coordinators.
- 3:13Speaker 5: I know, all hail, please introduce yourself. I am Chlamydia Gunnaria.
- 3:18Speaker 6: I am a stock photo model. Obviously. I got my
- 3:24Speaker 6: start in salads. Yes, you guys, remember I did. I
- 3:29Speaker 6: was woman eating salad, I was woman eating sub but
- 3:32Speaker 6: then I really went hard into salad and I.
- 3:36Speaker 4: Had a cornered the market for a little.
- 3:38Speaker 5: I absolutely there's chlamydia again.
- 3:40Speaker 4: I know.
- 3:41Speaker 3: I know because my wife goes out for a lot
- 3:43Speaker 3: of the same the stuff you do, and she's like,
- 3:47Speaker 3: anytime she comes home from an audition, she goes, Chlamydia
- 3:50Speaker 3: was in the waiting room. Well, I know, and then
- 3:51Speaker 3: she doesn't book it.
- 3:52Speaker 6: I know I'm so sorry. I'm so sorry, But there's
- 3:56Speaker 6: just something about me that makes when you see me
- 3:58Speaker 6: near a salad, you know I haven't touched it. You
- 4:01Speaker 6: know I have not eaten a bite of it, and
- 4:03Speaker 6: I will not. And that's exactly what you want for
- 4:06Speaker 6: a stock photo with a salad rags.
- 4:08Speaker 2: Of riches do to go from sandwiches a salad. I
- 4:10Speaker 2: heard those salad girls are mean the salad.
- 4:12Speaker 6: The salad market, I mean, and I put myself in
- 4:14Speaker 6: this category. Now, of course salad girls are absolute cunts.
- 4:19Speaker 6: But once you get in, you are in.
- 4:22Speaker 5: I mean that.
- 4:23Speaker 4: Yeah. Yes, they are loyal, They are fierce and loyal.
- 4:26Speaker 4: They are once the doors are open, you are locked in.
- 4:29Speaker 3: That flood gates.
- 4:30Speaker 2: You're so like aspirational, right, Like your story is one
- 4:33Speaker 2: that I you're gosh, I can't believe I'm getting this
- 4:36Speaker 2: emotional this fast.
- 4:37Speaker 1: You're the reason I.
- 4:38Speaker 4: Got always get you always get emotional.
- 4:41Speaker 1: Wow, the reason I got a stock modeling because like,
- 4:43Speaker 1: to go from the comfort of sandwich modeling into the
- 4:46Speaker 1: coldness of salad modeling. Yes, it's it's such a risky.
- 4:49Speaker 8: Move, especially coming from you.
- 4:51Speaker 3: That's big.
- 4:52Speaker 5: That is a really big price.
- 4:53Speaker 1: Thank you thank you.
- 4:54Speaker 4: You go ahead introduce you.
- 4:55Speaker 1: I mean sure, I don't know. I'll introduce myself. Yeah. Yeah,
- 4:59Speaker 1: my my name is Brian Dart. I am you might
- 5:04Speaker 1: know me. I do two things.
- 5:05Speaker 2: I do mad in front of laptop and mad after
- 5:08Speaker 2: having head sex kind of mad in.
- 5:10Speaker 1: Bed, mad in the laptop. Is I mean the money
- 5:15Speaker 1: shot do it?
- 5:16Speaker 4: Yes?
- 5:18Speaker 3: I have a calendar with man mad at computer image
- 5:23Speaker 3: number fourteen ninety two. It's in It's July, and it
- 5:28Speaker 3: every day I look at it and I go, that's
- 5:30Speaker 3: fucking funny, and things could be worse.
- 5:32Speaker 4: You know.
- 5:33Speaker 6: Well, I always say I kind of wish for a
- 5:35Speaker 6: financial crisis or something because I know I'm going to
- 5:37Speaker 6: see a picture of you in front of the computer
- 5:39Speaker 6: the day.
- 5:41Speaker 2: I'm kind of living in opposite world you are. My
- 5:44Speaker 2: good days are the computer's bad days. Yes, so it's sometimes,
- 5:48Speaker 2: you know, well, but you know, I thank God for
- 5:50Speaker 2: you know, Max Sonoma, thank God for mac Yosemite.
- 5:54Speaker 1: You know when those updates are coming, I know I'm
- 5:56Speaker 1: getting a check because that people are going to be
- 6:01Speaker 1: in front of that computer. It's one of the most
- 6:03Speaker 1: downloaded photos. It's really downloaded.
- 6:06Speaker 7: And Mack Cobra gets you an update, and then there's
- 6:08Speaker 7: a check.
- 6:09Speaker 2: Relate because I'm emotional, right and I feel this. I
- 6:12Speaker 2: feel it like that.
- 6:13Speaker 1: I feel mad at computers sometimes. Can anyone relate? Yeah?
- 6:19Speaker 4: Yes, No, what's more relatable? No?
- 6:24Speaker 5: I get along so well with my computer.
- 6:27Speaker 3: That's the salads already changing.
- 6:29Speaker 5: I know I'm a fucking cunt. I don't know what
- 6:33Speaker 5: else to say, but you, I mean you.
- 6:37Speaker 4: Thank you?
- 6:37Speaker 9: Yeah, yeah, they, yes, are going to have your attention.
- 6:49Speaker 1: Police.
- 6:50Speaker 4: Thank you.
- 6:51Speaker 10: Please run out of the carpet, please, thank you, yes,
- 6:59Speaker 10: thank you, roll it out, thank you.
- 7:01Speaker 3: Over here, over here, and polls click click.
- 7:05Speaker 1: Photograph each gentleman wearing.
- 7:09Speaker 4: Yes, thank you, guys, thank you, and gentlemen, thank.
- 7:17Speaker 7: You, guys.
- 7:19Speaker 3: Exits on to your left and to your right.
- 7:21Speaker 1: Thank you. Don't shoot, that's sure, I get that.
- 7:24Speaker 5: Your neighbor first, put it on yourself.
- 7:26Speaker 1: Put your cell phones please.
- 7:28Speaker 3: Okay, your captain speaking, the Showman has.
- 7:32Speaker 7: Arived two households Mona where we lay out marriage in
- 7:40Speaker 7: the galaxy far far away.
- 7:42Speaker 1: We're going to need a bigger boat. Thank you. Okay,
- 7:47Speaker 1: you guys want to move on. That's awesome. We don't know.
- 7:55Speaker 5: We need to hear from the king.
- 7:59Speaker 4: Come on. Okay, fine, thank you, thank you, thank you,
- 8:02Speaker 4: thank you.
- 8:03Speaker 1: Guys.
- 8:03Speaker 4: Yeah, I know, I'm kind of a titan in this industry.
- 8:08Speaker 4: I was the first model to put on a costume,
- 8:11Speaker 4: a costume, and I kind of cornered the market of
- 8:15Speaker 4: zany searches because you know, when I was coming up
- 8:19Speaker 4: that you know, it was really you do stock photos
- 8:21Speaker 4: for magazines and stuff. But I thought the Internet SEO
- 8:25Speaker 4: search engine is going to change this. I'm going to
- 8:28Speaker 4: start taking making my guy take photos of me and
- 8:30Speaker 4: zany costume so they can search wizard on the beach.
- 8:34Speaker 4: And that's where I show ups as a Wizard on
- 8:37Speaker 4: the beach, can I say?
- 8:37Speaker 1: And I don't want to get emotional.
- 8:38Speaker 2: I think what's amazing about what you do we go
- 8:41Speaker 2: is you put on these costumes, but your face is.
- 8:48Speaker 4: Guy in a wizard costume. It's guy in a wizard clearly.
- 8:58Speaker 3: And I see the wizard.
- 8:59Speaker 7: Costume and for the audio listener, his mouth's a straight line,
- 9:02Speaker 7: yet his eyes are absolutely dead.
- 9:06Speaker 1: That's my favorite.
- 9:09Speaker 3: He doesn't like it, he doesn't want to be it.
- 9:11Speaker 4: He's just like you.
- 9:12Speaker 3: He's just like everyone.
- 9:13Speaker 4: You know.
- 9:14Speaker 1: It's like, what am I doing in this?
- 9:17Speaker 3: But you wondered how I got here?
- 9:19Speaker 4: You wonder how I got here? Branking me?
- 9:23Speaker 5: I saw you actually recently.
- 9:25Speaker 6: You're in that sun Yes, yes, you're in a chicken
- 9:29Speaker 6: costume and you're in a bathroom and there is a
- 9:33Speaker 6: woman who's drowned herself in the tub next to you.
- 9:36Speaker 6: And I was like, what is this supposed to be?
- 9:39Speaker 6: And then I said, you're gonna have the answer. I
- 9:41Speaker 6: need to ask you about it.
- 9:42Speaker 1: What was that?
- 9:43Speaker 4: So that was man in chicken costume finds himself in
- 9:47Speaker 4: precarious situation?
- 9:49Speaker 3: Was that the title of the job.
- 9:51Speaker 4: Yeah, that was the title that And so yeah, she's drowned,
- 9:54Speaker 4: head in toilet, down in the toilet, and I'm like this,
- 9:58Speaker 4: oh god, here we go. What happened here?
- 10:01Speaker 5: So good?
- 10:02Speaker 1: Thank you?
- 10:03Speaker 4: Because you know I found with like I don't want
- 10:05Speaker 4: to get into it so early, but with A, I
- 10:09Speaker 4: we have to up our game and I have to
- 10:11Speaker 4: go more avant garde and more avant garde and more
- 10:14Speaker 4: onvant guard with every stock photo.
- 10:16Speaker 1: You know what I actually think AI stands for and imposition?
- 10:20Speaker 5: WHOA, that's really good.
- 10:23Speaker 3: For you?
- 10:27Speaker 1: Like that? I'm thinking of posting that on on X
- 10:30Speaker 1: because I'd be careful I.
- 10:32Speaker 6: Would be careful to. I think, just go ahead and
- 10:34Speaker 6: burn your passport, like we really don't want them coming
- 10:37Speaker 6: after us.
- 10:39Speaker 5: I'm careful the entity.
- 10:41Speaker 1: And you want to go, well yeah yeah, man, yeah
- 10:46Speaker 1: I'd like to go.
- 10:47Speaker 3: Is that okay? Yeah? No, I was so deferential.
- 10:50Speaker 1: To you know, and I'm excited for you to go.
- 10:53Speaker 3: God, never meet your heroes.
- 10:57Speaker 4: Come on, like, do you want to go?
- 11:01Speaker 5: And go ahead and go whenever you're.
- 11:02Speaker 4: Ready and go and go and when you start.
- 11:06Speaker 3: I actually, this is just this is interesting because I
- 11:09Speaker 3: just thought I had a little more industry respect. But
- 11:12Speaker 3: I guess the kind of stock photos I do don't
- 11:14Speaker 3: get no respect. And that's part of it. Hi, I'm
- 11:18Speaker 3: I'm I'm Stephen, Stephen CABLEMO and I do I do
- 11:26Speaker 3: blue collar stock photo.
- 11:28Speaker 5: I do blue collar stock photo.
- 11:30Speaker 3: I do the working man stock.
- 11:31Speaker 1: Phone unsung hero of stock photos.
- 11:34Speaker 3: Exactly. When you get a bunch of stock photo models together,
- 11:37Speaker 3: you get a business woman, you get a person. You
- 11:40Speaker 3: get a working.
- 11:42Speaker 4: Man, a business business a person.
- 11:46Speaker 1: Exactly.
- 11:48Speaker 3: You know, sometimes you need a second one to fill
- 11:50Speaker 3: out your third thing.
- 11:51Speaker 7: Listen, it's hard to look at you without a fish,
- 11:54Speaker 7: is that?
- 11:55Speaker 4: I think that's why I was confused because you actually
- 11:57Speaker 4: are dressed very you know, kind of upper scale top shop.
- 12:03Speaker 3: Yes to top man, top man, top made, well man,
- 12:09Speaker 3: pant listen like you know it's it's I am not
- 12:13Speaker 3: my work, right, I've never look at these hands. These
- 12:16Speaker 3: are manicured fingers, callous onum, not a callousanum. But when
- 12:20Speaker 3: I go into the studio, I'm a different guy.
- 12:22Speaker 1: Right.
- 12:22Speaker 3: I got elbars to hold on my hand, I got
- 12:25Speaker 3: a lady to yell out in New York, and I
- 12:28Speaker 3: got my wife at home and she's waiting on the
- 12:30Speaker 3: groceries I mean to bring home.
- 12:32Speaker 2: You're doing such incredible work. I would say some of
- 12:34Speaker 2: yours are the most cinematic of stock photos. Usually we
- 12:37Speaker 2: barely see your face, your heads down on a two
- 12:40Speaker 2: by four sun coming up.
- 12:44Speaker 1: It's you see a strong frame.
- 12:45Speaker 6: The amount of helmets I've seen at your house and masts.
- 12:49Speaker 3: Please, I'm taking you to the helmet basement, I remember.
- 12:55Speaker 2: And you know what I would say, what I would say,
- 12:58Speaker 2: we're being generous. He does have a basement. He does
- 13:01Speaker 2: have a man cave. It is a studio apartment.
- 13:05Speaker 6: It's more like the crass case now that you're saying,
- 13:08Speaker 6: man is it incredible in there.
- 13:11Speaker 4: Helmets.
- 13:12Speaker 3: It's an amazing basement. You go into my bedroom, which
- 13:16Speaker 3: is the kitchen, you open a flat and then you
- 13:19Speaker 3: get down in there and it's helmets walls. Let me
- 13:24Speaker 3: tell you something about the helmets. Every helmet is a helmet.
- 13:28Speaker 3: I've won on a job.
- 13:29Speaker 7: That's huge, that's huge, and that's what gives the room
- 13:32Speaker 7: so much worth.
- 13:33Speaker 1: I heard you buy a new helmet for every job
- 13:35Speaker 1: I do.
- 13:36Speaker 3: I do.
- 13:36Speaker 5: I hope you expend it.
- 13:43Speaker 3: To my accountant. In April, I bring in the list
- 13:46Speaker 3: and he says, let me guess hard hats dog ham.
- 13:49Speaker 3: We're writing it off.
- 13:51Speaker 5: And I bet you, I bet you google the word
- 13:53Speaker 5: vest and it's just the computer.
- 13:57Speaker 3: New Year's You know, I'm sitting on Mozilla Google invest
- 14:01Speaker 3: in hardad because you got to bring your own props
- 14:05Speaker 3: a lot of the time if you want it to
- 14:06Speaker 3: look real.
- 14:07Speaker 5: I make a lot of these bozos.
- 14:08Speaker 3: These can we talk about can I get political? Talk
- 14:12Speaker 3: about the bozos at pixel Bay?
- 14:15Speaker 4: About they are bozos?
- 14:22Speaker 1: What is that?
- 14:23Speaker 3: What it's my pixel it.
- 14:30Speaker 1: Pixel Bay, pixel Bay?
- 14:32Speaker 10: Yeah, Ice talk through and through that sound you kind
- 14:38Speaker 10: of were seing you like what you're doing. The tune
- 14:41Speaker 10: of a mystery. That's what I.
- 14:45Speaker 4: Led.
- 14:47Speaker 1: What it's down the.
- 14:49Speaker 7: Sound you're going on and doing, so I'm like, what
- 15:01Speaker 7: a bummer, but also not a lot of unanswered question, but.
- 15:05Speaker 1: It's a lot What armor.
- 15:14Speaker 5: Those guys suck?
- 15:15Speaker 1: But what's going on back there? This is what is
- 15:17Speaker 1: going on?
- 15:18Speaker 5: Oh, I got here, the.
- 15:23Speaker 3: Time has come.
- 15:24Speaker 5: What's up? I'm Josie Rosie.
- 15:27Speaker 1: You know me.
- 15:28Speaker 7: I am, you know the Titan of the I. I
- 15:32Speaker 7: corner all of the pregnant women's stuff. I have a glue.
- 15:37Speaker 7: I have a gluten intolerance that has served me for you. Well,
- 15:41Speaker 7: I have one bite of a bagel in the morning
- 15:43Speaker 7: and I look like a woman in earthird dry mester.
- 15:46Speaker 5: So what level of bloat I am?
- 15:49Speaker 7: And and I watch your YouTube video where you explain
- 15:53Speaker 7: the bloat control.
- 15:54Speaker 3: How you can go eight months to four months just
- 15:57Speaker 3: by depending a bagel.
- 15:59Speaker 7: And depending on the grain that I put in the
- 16:01Speaker 7: right So I you know, there's a lot of our
- 16:04Speaker 7: models that are in our industry and they want to
- 16:06Speaker 7: start a family.
- 16:06Speaker 8: So then they get in this industry and they.
- 16:08Speaker 4: Try to do pregnant stuff.
- 16:10Speaker 7: I know the same person tomorrow as I am ten
- 16:14Speaker 7: months from now, as I am in two years, I'm
- 16:17Speaker 7: gonna be pregnant looking, and you could tell me what
- 16:20Speaker 7: trimester you want to.
- 16:21Speaker 8: Tell my agent.
- 16:24Speaker 7: And then I'll look at the gluten and I'll have
- 16:26Speaker 7: it in the morning and then I'm there and you're
- 16:27Speaker 7: famously Barren is the funny, famous famous I did those
- 16:33Speaker 7: two girls a long time ago.
- 16:41Speaker 3: But are you Barren?
- 16:42Speaker 5: Yeah?
- 16:43Speaker 3: Right, because you did?
- 16:44Speaker 1: Whoa?
- 16:44Speaker 5: No, I'll tell you I'm Baron.
- 16:49Speaker 3: You resolve the note, you bear it.
- 16:51Speaker 1: If you wear it, you wear it like again, I'm
- 16:53Speaker 1: kidding emotional, you wear like.
- 16:54Speaker 2: A you are honestly like like you are so proudly Barren.
- 16:58Speaker 1: It's so cool to be so proud.
- 17:00Speaker 7: It is a funny way to be like Like like
- 17:02Speaker 7: you said, like you're you're like a little fashionista, but
- 17:05Speaker 7: you're not super into.
- 17:06Speaker 5: You don't work with your hands a lot.
- 17:08Speaker 7: Yeah, I don't want kids and I work.
- 17:16Speaker 3: Of what I said.
- 17:18Speaker 5: No, No, I.
- 17:18Speaker 7: Think I heard fashion Eta, So I think you know
- 17:22Speaker 7: you're wearing all these like gay.
- 17:23Speaker 5: Ships and it's like you're fashionist.
- 17:25Speaker 11: Oh I got yeah anyway, But I'll say I I
- 17:37Speaker 11: have no business with kids.
- 17:38Speaker 5: I hate kids, but I work in kids print.
- 17:41Speaker 4: You know what I mean like, yeah, that's the beauty
- 17:44Speaker 4: of your work. In all of our work, you convince
- 17:46Speaker 4: us that you understand what it's like to be a
- 17:48Speaker 4: mother expecting that photo of you disappointed and waiting for
- 17:53Speaker 4: your husband to come back, crossed arms.
- 17:55Speaker 1: Can you do it for us one time?
- 17:57Speaker 8: Yeah, I'll even stand up if they want.
- 17:59Speaker 1: I don't think that's gonna help.
- 18:00Speaker 5: That's okay, I'll do it down here.
- 18:02Speaker 3: And how many months are you right now?
- 18:04Speaker 5: Yeah? Which, what kind of big old did you have today?
- 18:07Speaker 8: Everything?
- 18:07Speaker 7: So it gets really big and look at that because
- 18:10Speaker 7: I remember the producers for that show wanted a third
- 18:13Speaker 7: trimester and I said, okay, I said, get me grained
- 18:16Speaker 7: and get me garlic.
- 18:17Speaker 1: And it's not even me garlic and get me That
- 18:19Speaker 1: was the beauty of it.
- 18:22Speaker 4: It was the beauty of that photo was it wasn't
- 18:24Speaker 4: only disappointed, you were almost like here he goes again.
- 18:27Speaker 7: And that's my comment and that's my my commentary on men.
- 18:30Speaker 7: And that's what I think we have to talk about today. Yes,
- 18:32Speaker 7: is every stock photo model, yeah, has a little actor's secret,
- 18:36Speaker 7: has some commentary they are giving on the world that
- 18:38Speaker 7: isn't usually coordinated with the job.
- 18:41Speaker 1: Yes, that we are bringing is our point of view.
- 18:45Speaker 1: I like yes, married like a.
- 18:46Speaker 7: I can't bring yes. I like to see the storyboard
- 18:49Speaker 7: and go, okay, now where do I fit in? What's
- 18:51Speaker 7: the story I want to tell?
- 18:52Speaker 3: Yes, yeah, exactly.
- 18:54Speaker 6: I mean, you guys, well, I just think, you know,
- 18:56Speaker 6: you never know what really you're going to bring to
- 18:59Speaker 6: something until the world sees it. Obviously, you guys know
- 19:02Speaker 6: when I blew up only so many years ago.
- 19:06Speaker 5: I absolutely blew.
- 19:09Speaker 6: I went, I went, I blew up like nobody else
- 19:14Speaker 6: has in I was at the teen Choice Words and
- 19:18Speaker 6: I gave one of the awards to the smallest smallest kid.
- 19:28Speaker 5: I did that, and that kid was funny, so funny.
- 19:32Speaker 6: But yeah, no, if you remember the meme, of course
- 19:34Speaker 6: I'm saying this, everyone of course knows it.
- 19:38Speaker 5: Where there's the boy with the girl.
- 19:42Speaker 6: They're walking somewhere and a beautiful woman passes and he
- 19:47Speaker 6: turns sees her, and then I am the jealous girlfriend
- 19:51Speaker 6: in that.
- 19:52Speaker 7: And yes, can I tell you that's the Judy Garland
- 19:59Speaker 7: somewhere over the r BO of our industry.
- 20:01Speaker 6: You just don't know how much that's going to speak
- 20:03Speaker 6: to somebody, and that really I know that people say
- 20:06Speaker 6: that meme like everyone's making fun of it now, but
- 20:09Speaker 6: you have to know that when that first happened, that
- 20:12Speaker 6: felt so real for me.
- 20:14Speaker 5: I love betrayal.
- 20:15Speaker 3: Amazing how much you can communicate in just a look,
- 20:19Speaker 3: just a look, because you know, I think they say
- 20:21Speaker 3: a picture's worth a thousand words, but a stock photo's
- 20:25Speaker 3: worth about ten dollars.
- 20:29Speaker 5: I say, I did make ten dollars from that.
- 20:34Speaker 4: The picture's worth a thousand words worths And you did,
- 20:40Speaker 4: Yeah you didn't see any.
- 20:41Speaker 5: Royalty, No, you shoulder work in that.
- 20:44Speaker 6: Yeah, so I had both of my shoulders dislocated for
- 20:47Speaker 6: that job.
- 20:49Speaker 5: I wanted them to be able to go fully around.
- 20:52Speaker 6: So if you notice, if you look back on the shot,
- 20:55Speaker 6: my shoulders are fully turned.
- 20:57Speaker 5: My head is only like this.
- 20:59Speaker 1: And do you have a personal mutilator?
- 21:01Speaker 3: I do?
- 21:02Speaker 5: I like this? I mean to have someone I work with.
- 21:05Speaker 6: It's any contract him out or I do contract him out?
- 21:09Speaker 5: I mean I kind of.
- 21:09Speaker 6: I go on whatever That website is where you get
- 21:12Speaker 6: you can hire a personal task task grabbit, but for mutilators.
- 21:16Speaker 1: Oh, yeah, a rabbit.
- 21:20Speaker 6: So I got I got Jonathan, which I know you've
- 21:23Speaker 6: worked with Jonathan.
- 21:24Speaker 1: Johnathan got my head so small?
- 21:28Speaker 5: What did he do for that. I remember small for years.
- 21:32Speaker 1: Thought that was a photoshop.
- 21:34Speaker 3: He took a guy.
- 21:35Speaker 5: That guy, he's a good guy. He's a great guy.
- 21:37Speaker 1: Yeah. I had maybe three thoughts tops a day at
- 21:40Speaker 1: that point.
- 21:40Speaker 4: And that's but that legendary photo of you yelling get
- 21:43Speaker 4: your computer with a small head.
- 21:44Speaker 1: Exactly I was wearing.
- 21:46Speaker 2: I was wearing a helmet that you buy to eat
- 21:50Speaker 2: ice cream out of at a baseball game.
- 21:51Speaker 3: Yes, that sounds like a boss. In two thousand and eight,
- 21:54Speaker 3: that was you could not escape it.
- 21:56Speaker 4: It was like, oh, can we talk about this too.
- 21:58Speaker 4: I feel like you started a trend which was insane.
- 22:01Speaker 4: We didn't understand what viral meant. We didn't understand that
- 22:03Speaker 4: we were in industry that.
- 22:04Speaker 1: We couldn't know viral.
- 22:05Speaker 4: And now I feel like every photoshoo wants at least
- 22:09Speaker 4: fifteen attempts at a viral stock photo.
- 22:12Speaker 1: And then it's hard.
- 22:14Speaker 5: It's hard.
- 22:15Speaker 1: I can't create viral, you know.
- 22:17Speaker 5: And I almost feel like it taints the set. When
- 22:19Speaker 5: someone brings that up.
- 22:20Speaker 7: I'm like, gosh, it's it's like it's just not the
- 22:23Speaker 7: space and time you have to it's always the ones
- 22:26Speaker 7: you don't know, right, right, Yeah, don't you never know?
- 22:28Speaker 4: You never know.
- 22:29Speaker 1: I have to ask too, because this has never happened
- 22:31Speaker 1: to me, per se.
- 22:32Speaker 2: I'm mostly used in power points, but for you, I
- 22:36Speaker 2: am just so curious.
- 22:38Speaker 1: I know you're famously Lemdia. You're an impath, and your
- 22:42Speaker 1: name is Chlamydia.
- 22:44Speaker 3: Chlamydia is an EmPATH. That's something something we've always said.
- 22:47Speaker 6: We always are talking about how honestly I can spread empathy.
- 22:51Speaker 5: Every when people were.
- 22:52Speaker 1: Putting text over you and saying you are dog food,
- 22:55Speaker 1: you are the cults, you are a Paul Giamati. You
- 22:59Speaker 1: know this all the time of people you were because
- 23:01Speaker 1: that's what they were saying. They were relating that relationship
- 23:04Speaker 1: to something in their life.
- 23:05Speaker 6: What was it like to be honest with you, I
- 23:08Speaker 6: blacked that part out of my life.
- 23:10Speaker 1: That was before How did you do that?
- 23:13Speaker 5: That was honestly after the accident.
- 23:16Speaker 6: Not not the one we were talking about, but the
- 23:18Speaker 6: one before that one, Oh, where I was getting I
- 23:23Speaker 6: was getting shot up through off a trampoline.
- 23:26Speaker 5: Yeah, and when they were making those electric back in
- 23:29Speaker 5: the day.
- 23:30Speaker 4: Yeah, and they double bounced.
- 23:31Speaker 1: You too high.
- 23:31Speaker 6: They double bounced me too high, and I hit an
- 23:33Speaker 6: airplane and it was full of school kids.
- 23:36Speaker 5: It was full of kids going on to Italy.
- 23:40Speaker 1: On I was gonna say that sounds like a Luigias.
- 23:46Speaker 5: It was a Luigiascalante. He was so incredible.
- 23:50Speaker 4: He's pushing the value.
- 23:51Speaker 5: He really does. I was so fucking high, you guys,
- 23:54Speaker 5: And obviously these kids had it coming. Middle schooler shouldn't
- 23:58Speaker 5: go to Italy.
- 24:00Speaker 3: They should. They appreciated tar pits.
- 24:05Speaker 5: They're not even going to take it in a sanitation building.
- 24:08Speaker 1: But they eat craft. Why give them a handmade penny?
- 24:12Speaker 6: That is how I feel. I just felt like those
- 24:14Speaker 6: kids should not go. And obviously you guys saw my
- 24:17Speaker 6: gofund me. I am trying to sue the families.
- 24:21Speaker 4: Trying to get the money to sue defamation.
- 24:23Speaker 6: Because there's all this uproar about hitting the airplane. I'm
- 24:27Speaker 6: just like, shut up, look at the photo. If you
- 24:30Speaker 6: see the photos those photos are see the photo, because
- 24:33Speaker 6: then you'll forgive me.
- 24:34Speaker 5: That's what I said.
- 24:35Speaker 4: Oh that's great, it's what I was trying to hit
- 24:38Speaker 4: the airplane at all. In that photo. You're kind of
- 24:40Speaker 4: like this, no no, no no.
- 24:42Speaker 6: Right, Well I was screaming no no, and then I
- 24:45Speaker 6: hit the airplane obviously, and it went up and it
- 24:47Speaker 6: hit another airplane and exploded.
- 24:49Speaker 5: Yeah, double double where two classrooms.
- 24:52Speaker 4: You came right back down the landing on the tripoline
- 24:54Speaker 4: and it just kind of bounced until you were normal.
- 24:56Speaker 5: Did you ever hear about the airplane above that second airplane?
- 24:59Speaker 1: Kids coming back from Italy?
- 25:01Speaker 7: There was a second You know, the kids shouldn't be
- 25:02Speaker 7: coming back from Italy.
- 25:05Speaker 3: Better be a one way truck. I don't want to
- 25:08Speaker 3: hear it.
- 25:09Speaker 7: God, if you're going, if we're going to Italy and
- 25:12Speaker 7: your kids stay there.
- 25:14Speaker 3: Come on, come back and go. Oh the pasta is worse.
- 25:17Speaker 1: Yeah, no, ship, we got you girl there, crazy got
- 25:20Speaker 1: so much.
- 25:21Speaker 3: Girls, so much everyone really toxic to your girlfriend.
- 25:26Speaker 6: It's just outrageous, obviously, So I appreciate it.
- 25:29Speaker 5: You guys. I love you guys.
- 25:31Speaker 4: On set accidents, you would not believe how many accidents
- 25:35Speaker 4: I've had in these costumes.
- 25:36Speaker 5: I can't believe it.
- 25:37Speaker 4: Yes, it's like I know that the King does a
- 25:40Speaker 4: lot of work. I'm kind of the industry standard of working,
- 25:44Speaker 4: but sometimes it's hard to put on a costume and
- 25:47Speaker 4: take it off.
- 25:48Speaker 1: Well.
- 25:48Speaker 6: Yes, yeah, and I remember you screaming ten to ten
- 25:51Speaker 6: two ten.
- 25:52Speaker 1: One, No one can hear you one and then it
- 25:54Speaker 1: got so bad.
- 25:55Speaker 4: It was a ten two.
- 25:56Speaker 3: Didn't you get caught out of that bowling ball costume?
- 25:58Speaker 4: Yes, yes, they had cut me out. I was sweating
- 26:01Speaker 4: like a hog, so I was so wet. I was
- 26:07Speaker 4: just covered in my own sweat.
- 26:09Speaker 5: Oh god, that's what I remember.
- 26:11Speaker 4: It was what it was a what the hog moment?
- 26:15Speaker 1: What the hog?
- 26:16Speaker 4: So in the industry we have a ton of what
- 26:18Speaker 4: the hawk moments? What the hog?
- 26:20Speaker 3: The hog?
- 26:21Speaker 1: Wait, what the hog?
- 26:23Speaker 6: That's when you look like you're getting getting like burst
- 26:26Speaker 6: out of the costume.
- 26:27Speaker 5: You're all wet, you're covered in stuff.
- 26:29Speaker 4: Oh, what the hog? What the holl?
- 26:33Speaker 2: Named famously after Cedric Hogg from the nineteen eighties photo shoots.
- 26:37Speaker 2: Famously famously he was just notoriously a stickler, a hard ass,
- 26:42Speaker 2: and he would make you shoot three thousand, four thousand photos.
- 26:45Speaker 1: Remember this is the eighties. We were doing this on
- 26:47Speaker 1: Super eight film.
- 26:48Speaker 5: Everyone was on so much cocaine. They're pouring sweat, so
- 26:50Speaker 5: we're all wet already. Right, it was city hog City.
- 26:54Speaker 7: I think in his biography they really explained you guys,
- 26:56Speaker 7: h Yeah, I.
- 27:00Speaker 1: Read, yeah, I did. I mean.
- 27:03Speaker 4: It's a picture book.
- 27:05Speaker 3: I have read this picture book. It's devastating.
- 27:10Speaker 4: It really tells a story. It's beautiful because they don't
- 27:12Speaker 4: even use his stock photos. They just use whatever the
- 27:15Speaker 4: best stock photo is to explain what's going on exactly.
- 27:18Speaker 3: And if you're a true EmPATH and a true arbiter
- 27:22Speaker 3: of the form, you understand it.
- 27:23Speaker 1: Right.
- 27:23Speaker 3: I think that words get such a such a golden
- 27:26Speaker 3: pedestal we put we put all these words at the top,
- 27:30Speaker 3: But how do you explain something with just a look?
- 27:34Speaker 6: And you're reminding me, Oh sorry, I was just gonna
- 27:36Speaker 6: say you're any Most people don't know that. Most stock
- 27:39Speaker 6: models we can't read, and we got to talk about them,
- 27:43Speaker 6: and we need to talk about the more.
- 27:44Speaker 5: We need to raise awareness.
- 27:45Speaker 4: Are you guys going to learning Annex classes still or no?
- 27:48Speaker 5: Sylvan Learning Center arly membership you do zoom zoom zoom.
- 27:53Speaker 3: I'm actually doing Kuman. It's been it's been great.
- 27:56Speaker 12: I love Couman, good people over the good people, the
- 27:59Speaker 12: s A T. I am hooked on Phonic. It's so great.
- 28:06Speaker 1: I was going to a class and then I keep
- 28:08Speaker 1: trying to go back, but they changed the classroom and
- 28:10Speaker 1: I haven't found it again.
- 28:13Speaker 7: That's oh, they probably sent it in an email that
- 28:15Speaker 7: you couldn't read.
- 28:16Speaker 2: But yeah, probably the day that they were going to
- 28:18Speaker 2: tea how to read emails.
- 28:20Speaker 5: How do they expect us to answer emails? Is my question?
- 28:22Speaker 4: Literally, I mean, what do they want me to do?
- 28:26Speaker 4: I can't And that's my problem with words. I mean,
- 28:29Speaker 4: like you can't. Words can't describe the feeling of you're driving, you're.
- 28:35Speaker 5: Getting into your stock.
- 28:36Speaker 7: Mar It's gonna say, Okay, I see the big pumpkin.
- 28:41Speaker 5: I see the big pumpkin, like you know what it
- 28:44Speaker 5: looks like. You're the plug And have you ever done
- 28:46Speaker 5: the plug in the outlet?
- 28:47Speaker 4: Yes, well that outlet, my friend is an outlet and
- 28:51Speaker 4: it's a man. And I'm going, yeah, most.
- 28:55Speaker 5: People don't know actually that your brother is that old.
- 28:58Speaker 6: Guy and memes who has that smile.
- 29:05Speaker 5: It's kind of like, yes, that's my brother.
- 29:07Speaker 1: Yeah, that's my brother. He's a lot older than Gerardo.
- 29:11Speaker 5: Gerard.
- 29:13Speaker 1: He's so sweet.
- 29:14Speaker 4: He really I don't think it was in You're a
- 29:18Speaker 4: fashion so Gerardo, but Gerard Low It'll take it. Such
- 29:24Speaker 4: a sweet brother. He's one of the best brothers I've
- 29:26Speaker 4: ever had. He taught you so much, taught me so much.
- 29:29Speaker 4: The simplicity of looking down the camera lens and trying
- 29:33Speaker 4: to look at the camera and portray something. And words
- 29:36Speaker 4: can't capture that. How many words are you going to
- 29:39Speaker 4: use to capture that?
- 29:40Speaker 3: I was on a shoot with your brother and he
- 29:43Speaker 3: did the most magnificent thing where he you know, I
- 29:46Speaker 3: was carrying a lumbar and he was saying, you got bar. Yeah, yeah, lumbard.
- 29:53Speaker 3: I don't know the names of the stuff, I just
- 29:56Speaker 3: hold them. So I was holding this lumbar and I
- 30:00Speaker 3: had to it was it was angry construction worker, that's
- 30:03Speaker 3: what I was doing. So I was furrowing my brow
- 30:04Speaker 3: and he said, don't furrow feel whoa And last when
- 30:09Speaker 3: I locked in and we got the shot. He's so simple.
- 30:12Speaker 3: What year was that, twenty seventeen, I'd say.
- 30:15Speaker 7: I want to say it was early, like twenty tens,
- 30:17Speaker 7: when naturalism was like starting to be a big Yeah, twenty.
- 30:20Speaker 4: Tens was big.
- 30:21Speaker 2: I think it was the rise of my Space and Facebook.
- 30:24Speaker 2: I think people were trying to you know, photos weren't
- 30:28Speaker 2: aspirational anymore.
- 30:29Speaker 1: They were connectable. Yeah, friendships exactly. Well, that's how you
- 30:33Speaker 1: get real emotions.
- 30:34Speaker 4: If I say angry, I don't want to see this, Yeah, exactly,
- 30:37Speaker 4: I want you to feel angry, but you'll make your
- 30:39Speaker 4: face go.
- 30:41Speaker 1: You know. That's the beauty of what we're doing.
- 30:43Speaker 6: And that when some would say gave constipation, but I
- 30:46Speaker 6: actually could feel the anger when I'm in the room
- 30:48Speaker 6: with you, you know what I mean.
- 30:50Speaker 2: What we're all talking about, like photos are so much
- 30:53Speaker 2: greater than words.
- 30:54Speaker 1: And there's a group of people that figure that out.
- 30:56Speaker 1: It's called the ancient Egyptians. Yeah, I petition to go
- 31:01Speaker 1: back to.
- 31:02Speaker 5: With us be the ancient. It's called the ancient Eclipsis.
- 31:11Speaker 1: It's called hieroglyphs. It's called hieroglyphs.
- 31:14Speaker 5: I don't care. Ellipsis just kidding, that's what you said.
- 31:19Speaker 6: Anyways, A lot of the blood from your head is
- 31:22Speaker 6: going to the.
- 31:25Speaker 7: Totally okay nutrients and all the things in my body
- 31:30Speaker 7: are trying to work on the digestion and and other
- 31:32Speaker 7: parts of my body just slip on through then helbe it.
- 31:38Speaker 3: Exactly.
- 31:39Speaker 4: He I love that. Hell, you know what, that's the thing,
- 31:45Speaker 4: it's like ancient higher this. You think about that those
- 31:47Speaker 4: were stock photos and they probably didn't even get paid
- 31:50Speaker 4: for their work.
- 31:51Speaker 5: I bet they.
- 31:53Speaker 1: Wings open cat cat cats never.
- 31:57Speaker 6: Paid cat And I said this, I Remember I was
- 32:01Speaker 6: on the chuote for you guys. Remember the picture of
- 32:03Speaker 6: me and eating a salad in front of nine to eleven.
- 32:06Speaker 5: Yeah, yes, yeah, and yes right.
- 32:11Speaker 4: And it's wild that you guys did that. You guys,
- 32:15Speaker 4: what was your captain?
- 32:18Speaker 1: Remember when?
- 32:19Speaker 5: Remember?
- 32:19Speaker 6: And you know, originally there was supposed to be a
- 32:21Speaker 6: cat in that photo. Originally there was supposed to be
- 32:24Speaker 6: a cat. The fuck up and they cut the cat out,
- 32:26Speaker 6: and I said, I think the cat should be in
- 32:28Speaker 6: the shot because the cat was going to be walking
- 32:31Speaker 6: on the ruins in the background of me eating the
- 32:35Speaker 6: salad with nine to eleven.
- 32:37Speaker 3: And that would have said so much.
- 32:38Speaker 6: And I said keep the cat, and they said we can't.
- 32:41Speaker 6: It's just it's too much.
- 32:42Speaker 4: And that's your bravery. I mean, nine to eleven is happening,
- 32:46Speaker 4: and you decide to do a photo shoot.
- 32:49Speaker 5: Yeah, I said. It was still smoldering. I said, let's
- 32:53Speaker 5: get out there.
- 32:55Speaker 3: You understood that this is a once in a lifetime opportunely,
- 33:02Speaker 3: I said, let's get the shot.
- 33:03Speaker 5: You understand, give me a Caesar and a car moving.
- 33:06Speaker 5: It was this Caesar. I will say that I could
- 33:08Speaker 5: tell it.
- 33:08Speaker 4: Was as dark as it is as it is. People
- 33:11Speaker 4: need stock photos of nine to eleven and a girl
- 33:13Speaker 4: eating a salad.
- 33:14Speaker 3: It's a selfless act.
- 33:16Speaker 5: Thank you.
- 33:16Speaker 3: You're doing it for the person who needs to google
- 33:19Speaker 3: that for their job later.
- 33:20Speaker 5: But can we say something about you?
- 33:22Speaker 7: And I think a lot of the people here right
- 33:23Speaker 7: now it's that Can we assume our audience is smart?
- 33:27Speaker 1: Yeah?
- 33:28Speaker 5: That's a really good question. Can we assume?
- 33:31Speaker 7: I feel as if all these stock photo directors and
- 33:34Speaker 7: here I'm open up Pandora's box about you?
- 33:39Speaker 5: So talking about your pussy again? Something?
- 33:48Speaker 1: It's probably the bagel that you ate. It probably tolerant.
- 33:59Speaker 7: Sometimes they just have that slab a gluten and it
- 34:01Speaker 7: really fucks me up.
- 34:02Speaker 1: I think you have maybe crones or something. Yeah.
- 34:05Speaker 5: No, I think you are sick and I we've talked
- 34:07Speaker 5: about this before. I think you're very sick.
- 34:09Speaker 4: I'm rich.
- 34:14Speaker 5: Stop. Wasn't that episode fun?
- 34:16Speaker 7: But don't you wish those people would just drop the voices,
- 34:18Speaker 7: be themselves and have a spelling bee?
- 34:20Speaker 1: Well?
- 34:20Speaker 4: Have we got news for you? You can join our
- 34:23Speaker 4: patreon at an artist on artists on, artists on, artists
- 34:26Speaker 4: on patroon dot com Patreon and get exclusive backstage content,
- 34:31Speaker 4: exclusive post shows where we just frick around, and this
- 34:34Speaker 4: season we've got an Oscar draft. Yeah, we're going head
- 34:37Speaker 4: to head and choosing who wins the Oscars see.
- 34:40Speaker 5: The airly good Bye, oh bye bye bye.
- 34:46Speaker 1: Anyway, what we're talking about.
- 34:50Speaker 3: Directors and out you like?
- 34:53Speaker 5: What directors do you like?
- 34:54Speaker 1: Let's talk about it.
- 34:54Speaker 10: Well.
- 34:55Speaker 2: I also say this too. Everyone thinks they can just
- 34:58Speaker 2: you know, in this age where there's a cam on
- 35:00Speaker 2: your phone, you think you can be a stock photo director.
- 35:02Speaker 2: You cannot know. These guys light something so that there
- 35:06Speaker 2: is no shadow, there is no definition.
- 35:08Speaker 4: They light it so well it becomes generic.
- 35:12Speaker 3: Somehow it's blinding.
- 35:14Speaker 4: There's no dynamic sense that they're lighting at all. It's
- 35:18Speaker 4: so beautiful.
- 35:18Speaker 5: You should have no idea where in the world you are,
- 35:21Speaker 5: what time of.
- 35:22Speaker 3: Day it is.
- 35:23Speaker 1: And they do three things.
- 35:25Speaker 2: Straight on shot, far away shot, sometimes little sideways.
- 35:28Speaker 1: I love a little sideways. Do you guys do anything
- 35:31Speaker 1: different for that?
- 35:32Speaker 5: I go sideways, join extra and on a white syke.
- 35:36Speaker 1: It's kind of like you're ruining their work.
- 35:41Speaker 3: Get on, that's the thing.
- 35:42Speaker 5: I keep turning with the cameras so it looks straight on.
- 35:47Speaker 3: And that's the kind of thing you could do. Once
- 35:49Speaker 3: you've been in this industry and start to go no,
- 35:52Speaker 3: you know, I know this is going to be seen.
- 35:54Speaker 3: I know this is going to be sent around. I'm
- 35:56Speaker 3: not gonna do it the way you do it.
- 35:57Speaker 4: I love. That's always your slogan. I'm not gonna do it,
- 36:00Speaker 4: do it the way you do. That's how you get
- 36:02Speaker 4: true blue collar vibes.
- 36:03Speaker 5: You're always on site.
- 36:05Speaker 13: You're like like, I'm how old do I'm on a doc,
- 36:09Speaker 13: I'm on a a a demolished house, I'm on I'm
- 36:15Speaker 13: in the architecture room where they make the blueprints.
- 36:17Speaker 3: I'm everywhere. I'm in all those places, and I'm working. Man,
- 36:21Speaker 3: I'm absolutely working. And I had to. You know, we
- 36:25Speaker 3: could talk about training. Maybe to trained at uh Stokislavski.
- 36:35Speaker 1: Oh, here we go. Let's talk about the schools.
- 36:41Speaker 3: I trained in Starkoslavsky. They teach you the the five method, right, yes,
- 36:45Speaker 3: and it's a it's a method of you know, you
- 36:47Speaker 3: go on set and a director is going to put
- 36:50Speaker 3: you in a position and then they're gonna ask for
- 36:52Speaker 3: five emotions angry, happy, hungry, in love.
- 36:56Speaker 5: Hungry can you show us? Can you show us?
- 36:59Speaker 3: And so so go angry, so good, happy, and love?
- 37:07Speaker 3: I think I said hungry twice and hungry.
- 37:19Speaker 2: Well, that's a little that's a little external, right, I
- 37:22Speaker 2: went to shoot a hogen and.
- 37:27Speaker 5: We go there, we go.
- 37:29Speaker 1: We're internal, right.
- 37:30Speaker 2: You have to have a rich internal life, and if
- 37:31Speaker 2: you don't feel it in here, it's not going to
- 37:34Speaker 2: come out. So that's what I have to get really
- 37:36Speaker 2: angry at at a at a computer. And sometimes it
- 37:39Speaker 2: isn't the computer to me. Sometimes it's my landlord. Sometimes
- 37:42Speaker 2: it's my nephew, you know, like my nephew.
- 37:47Speaker 3: Sometimes what's your nephew done?
- 37:50Speaker 4: In real?
- 37:50Speaker 1: Nephew is a bully to me?
- 37:52Speaker 6: Oh gosh, I hate kids.
- 37:58Speaker 3: I know what we know should perish.
- 38:03Speaker 7: Becaulmy has killed hundreds of kids.
- 38:09Speaker 6: Well, and so that's what some would say, but you know,
- 38:11Speaker 6: legally I wouldn't, but I think they should die.
- 38:13Speaker 10: No.
- 38:14Speaker 2: I mean he's annoying. I mean, what does he do.
- 38:16Speaker 2: I'll give you three hours with my nephew and we'll
- 38:18Speaker 2: see what happens. Because I am just up to the
- 38:20Speaker 2: brim with him. He doesn't respect me, he doesn't listen
- 38:22Speaker 2: to me, and he eats all the snacks that are
- 38:24Speaker 2: for meat.
- 38:25Speaker 5: I hate him.
- 38:26Speaker 4: I have so many warheadsheads right.
- 38:34Speaker 3: There.
- 38:34Speaker 2: I made a nephew, and I have so many snacks
- 38:37Speaker 2: for him on the nephew shelf, and he reaches above
- 38:39Speaker 2: it to my warheads. Should the nephew we have Graham crackers,
- 38:42Speaker 2: if we have devil food cake snack wells, and that's it,
- 38:45Speaker 2: And he can have those all he wants. But my
- 38:47Speaker 2: warheads are mine because my warheads muscularize my face.
- 38:52Speaker 14: Ye.
- 38:52Speaker 3: Yeah, there you go, there you go, always work.
- 38:56Speaker 5: There's a lot of gluten on the nephew shelf.
- 38:58Speaker 1: Yeah, maybe there's something.
- 38:59Speaker 4: There she dig in.
- 39:00Speaker 1: Maybe, I mean, he's not allergic like you are.
- 39:03Speaker 7: Okay, well that's interesting, so all right, let's keep that bucket.
- 39:07Speaker 1: Yes what I learned?
- 39:11Speaker 8: Okay, I solitude.
- 39:13Speaker 3: I saw that.
- 39:16Speaker 6: You're looking really sick today.
- 39:21Speaker 3: Can I ask you something? Have you heard of pregnancy pillows?
- 39:27Speaker 1: Yes?
- 39:28Speaker 3: So it's it's a it's a a fake pregnancy belly
- 39:32Speaker 3: the actors wear in the plays and stuff when they
- 39:34Speaker 3: need to play a pregnant person.
- 39:36Speaker 5: Well, how do you get a good looking, uh belly button? Well,
- 39:40Speaker 5: I guess button's look fake on those things. I bet
- 39:42Speaker 5: they look really realistic.
- 39:43Speaker 3: Honestly, they actually do a pretty good job.
- 39:48Speaker 5: My whole life work here. I wore one at my
- 39:51Speaker 5: nine to eleven shoot, actually.
- 39:52Speaker 4: Yeah, pregnant more than at nine eleven eating salad. The
- 39:56Speaker 4: search results, you don't know how many people are searching
- 40:01Speaker 4: exact line is.
- 40:03Speaker 2: Talking about that because now we're dipping our toes into fetish.
- 40:05Speaker 1: Well, can I say what.
- 40:17Speaker 5: You can't go down? Yeah?
- 40:20Speaker 12: Yeah, yeah, yeah, yeah.
- 40:23Speaker 4: What I learned at university n y U stock.
- 40:29Speaker 5: No, wait, what studio, because I was at Stella ad Freeler.
- 40:40Speaker 1: That's what I did. I also did sell a Yeah
- 40:46Speaker 1: I like that.
- 40:47Speaker 5: That's what I must have missed each other by a
- 40:49Speaker 5: couple of years.
- 40:49Speaker 4: Yeah, yeah, yeah, when did you graduate?
- 40:51Speaker 1: I don't know me neither.
- 40:54Speaker 4: Okay, yeah, so I know I used Starting under Stella
- 40:58Speaker 4: ad Freeler, I learned that you want to be so
- 41:03Speaker 4: careful with finish because we are right on the brim
- 41:06Speaker 4: of becoming a fetish. And what you have to do
- 41:08Speaker 4: in order to not make it finish is make it
- 41:11Speaker 4: just twenty more boring.
- 41:13Speaker 1: That's the idea anymore, that's an exclusive.
- 41:16Speaker 4: Nobody will get off if you look too predictably.
- 41:19Speaker 5: No, you have to turn off part of your brain.
- 41:21Speaker 6: And that's something I actually learned in theater, working doing
- 41:24Speaker 6: stock Spear.
- 41:27Speaker 3: I did you do stock Spear in the park?
- 41:29Speaker 6: I did stocks Bear in the park in Oregon and
- 41:32Speaker 6: in New York and.
- 41:35Speaker 4: Silver Stocks Silverstock Summer stock stock Spear, Oh at.
- 41:39Speaker 7: The organ at stock at stock Spear Festival.
- 41:42Speaker 6: Yes, And honestly, what that taught me is, you know,
- 41:47Speaker 6: people are only going to get so much of this.
- 41:48Speaker 6: It's better to turn off part of your brain. And
- 41:51Speaker 6: people can see that on stage. They can see you going,
- 41:54Speaker 6: I don't want them to fully understand me. I am
- 41:56Speaker 6: a little stupid, and they like that.
- 41:59Speaker 3: And they feel good.
- 41:59Speaker 4: They'll see I'm not good at this quote unquote.
- 42:03Speaker 1: I miss live stock by the way. You should go
- 42:04Speaker 1: to those when I was a kid. You're so fun
- 42:06Speaker 1: to watch the amount of blackouts.
- 42:10Speaker 5: Can I show you one of my favorite monologues I did?
- 42:12Speaker 14: Yeah wow wow, because some people do that monologue and
- 42:24Speaker 14: they linger way too long on the.
- 42:27Speaker 3: But you gave it a natural moment and that's the
- 42:30Speaker 3: key to stock Spear. You got to speak it like
- 42:32Speaker 3: you do.
- 42:33Speaker 5: I did, no hands.
- 42:37Speaker 2: Was that from Three Sisters eating Salad Picnic Park Girlfriends?
- 42:43Speaker 5: Yes, yeah, you're so good. It was from Pamlet pamphlet.
- 42:51Speaker 1: Well, No, wait, did you say pamphlet.
- 42:56Speaker 5: Pamphlet is pamlet.
- 42:58Speaker 1: You're not supposed to say pamphlet in theaters.
- 43:05Speaker 3: Tomorrow.
- 43:05Speaker 1: Stock motels are very superstitious. You cannot say you can.
- 43:09Speaker 3: Say pamphlet in the theater. You just can't say stock beth.
- 43:15Speaker 5: Unless do three stock photos quick?
- 43:19Speaker 1: What was it?
- 43:23Speaker 4: Confused, confused, over joyed?
- 43:25Speaker 3: Yeah, that's from Uh, that's from that's from middle aged
- 43:29Speaker 3: man on his birthday.
- 43:30Speaker 5: Yeah, I'm sure.
- 43:33Speaker 3: We've all done that monologue.
- 43:34Speaker 7: Yeah, because trying to get into the industry that these
- 43:37Speaker 7: days with that monolog, I know something else, trying.
- 43:41Speaker 4: To get into the industry hate and you know what
- 43:43Speaker 4: you're doing. You hate trying with this new do you
- 43:47Speaker 4: guys like I know it started what twenty years ago?
- 43:50Speaker 4: But stock video video every single director now once goes okay,
- 43:58Speaker 4: and now we're gonna switch to record and you have
- 44:01Speaker 4: to bring it to life and make it a gift
- 44:03Speaker 4: and make it all these things. And it's hard.
- 44:06Speaker 1: You don't need to we don't need to reinvent the
- 44:08Speaker 1: wheel here.
- 44:08Speaker 2: Literally, there's gonna be no world in which stock photos
- 44:13Speaker 2: are not a premier use of generic photography.
- 44:17Speaker 3: Stalk videos are a fad. They're gonna go away, mark
- 44:20Speaker 3: my word.
- 44:20Speaker 7: I also think you look stupid if you ask us
- 44:22Speaker 7: if we do gifts. You're you recognizing me on the
- 44:25Speaker 7: street and you ask me if I do a gift,
- 44:27Speaker 7: letting you know it's offensive.
- 44:28Speaker 5: It's not our industry.
- 44:29Speaker 6: Absolutely, you get recognized more than anyone I know. I
- 44:32Speaker 6: feel it everywhere we go. Everywhere we go, I recognized
- 44:39Speaker 6: because your your your belly is so big in comparison
- 44:43Speaker 6: to the average pregnant woman.
- 44:44Speaker 5: I feel like people stop you. Yeah.
- 44:46Speaker 7: But here's the crazy thing is if I take a
- 44:48Speaker 7: couple of days off of bread or gluten, it's like
- 44:51Speaker 7: it's like I put a It's like I'm a model.
- 44:53Speaker 5: It's like I'm Emma Stone with a baseball. Wow, you
- 44:55Speaker 5: can't see me. I will never be able to see her.
- 44:57Speaker 4: No, she would disappear.
- 45:00Speaker 1: I already have a lot of haters, but not for
- 45:02Speaker 1: long because then they have their baby.
- 45:04Speaker 3: Yeah, he only hates you while they're pregnant.
- 45:07Speaker 7: I'm I'm watching you a little, you little punk.
- 45:12Speaker 1: I'm sorry.
- 45:14Speaker 4: Well, I'll say you think about the video. It's so hard.
- 45:16Speaker 4: You can't really play like I'm in a costume in
- 45:19Speaker 4: a video because you gotta go over.
- 45:23Speaker 3: Well, in that video, you start asking questions. You go, well,
- 45:25Speaker 3: how did the guy get in the costume? Didn't he yeah,
- 45:29Speaker 3: didn't he make show up? How do you get here?
- 45:31Speaker 6: Some of that like and you can see the beads
- 45:32Speaker 6: of sweat drinking down your face. I just feel like
- 45:35Speaker 6: it takes you out.
- 45:35Speaker 4: Of it, you know, And so I start improvising. I'm
- 45:38Speaker 4: doing all these improv classes at Biostock, and it's great.
- 45:42Speaker 1: They are teaching me relationships are the most important things.
- 45:46Speaker 1: That way.
- 45:46Speaker 5: Sharna help help stock. Yeah, yes, she's incredible. Her dogs
- 45:53Speaker 5: are so they're always there.
- 45:58Speaker 4: So I start making choice, he says, I'm going, Oh no,
- 46:01Speaker 4: let's pretend like you're okay, give me a scenario.
- 46:03Speaker 1: You're in a pirate costume. Okay, say just go for it.
- 46:06Speaker 1: We're gonna shoot you for and it's just a pirate
- 46:08Speaker 1: I'm on a boater.
- 46:09Speaker 4: Is there somebody around?
- 46:10Speaker 1: Oh, you're on a white sic.
- 46:11Speaker 4: Okay, I'm on a white sic and I'm in a
- 46:12Speaker 4: pirate costume. Oh no, we gotta get to the ship.
- 46:17Speaker 5: Go is he running? I don't he exceeded.
- 46:26Speaker 1: Running a lot.
- 46:27Speaker 5: Where's he running?
- 46:29Speaker 1: Is this?
- 46:32Speaker 5: Immediately? This is what they teach at the house.
- 46:36Speaker 3: The camera going to follow you.
- 46:38Speaker 5: And this is what China does best, stuff like this.
- 46:42Speaker 1: Okay, I'm on the ship. I'm on a ship.
- 46:48Speaker 5: He's running. I guess.
- 46:51Speaker 1: I think this is.
- 46:52Speaker 4: Improv This is my teachers have told me. This is
- 46:54Speaker 4: really good.
- 46:54Speaker 5: God, you are stuck. Someone give him a bagel.
- 46:57Speaker 1: God. So yeah, that's what I do.
- 46:59Speaker 5: I not your stuff.
- 47:03Speaker 1: I get.
- 47:04Speaker 4: I just start getting in my head when the cameras
- 47:05Speaker 4: start rolling. I know, I just I don't know what
- 47:07Speaker 4: to do, and I just start thinking, what would this
- 47:09Speaker 4: pirate do. He'd probably take off, you know, he'd probably run.
- 47:16Speaker 5: I mean, there's something about you and that pirate. I mean, like,
- 47:19Speaker 5: here's a question I don't want to get too.
- 47:20Speaker 8: Yeah, there was one thing you got to be except
- 47:24Speaker 8: stock photo model, like a pirate.
- 47:30Speaker 5: You know, what would you want to be?
- 47:32Speaker 2: It's funny, you know, as you say that, I was
- 47:34Speaker 2: thinking about, you know, one of the two things that
- 47:36Speaker 2: I do. One of them is matt a computer, and
- 47:38Speaker 2: the other one is frustrated in bed. But I've had
- 47:40Speaker 2: some I've had to do some boyfriend shoots. Oh where
- 47:45Speaker 2: I'm laying.
- 47:46Speaker 1: With a girl and we're coming cuddling in bed it's
- 47:49Speaker 1: fun kind of sun pouring in Sunday morning. I did
- 47:52Speaker 1: a deliver coffee in bed breakfast and bed thing with
- 47:55Speaker 1: a little tray.
- 47:56Speaker 5: Wow, good for you.
- 47:58Speaker 1: I think I'd like to be a boyfriend.
- 48:00Speaker 4: What happened to those photos?
- 48:01Speaker 1: Could do they just not like the look of it.
- 48:03Speaker 5: No, they're out there, they're out there, and you're famously single.
- 48:06Speaker 1: Yeah, I'm famously single. And I just said I think
- 48:11Speaker 1: I'd like to be, yeah, a boyfriend.
- 48:14Speaker 3: Do you think you fell in love with that other
- 48:17Speaker 3: model on set or do you think that was just
- 48:19Speaker 3: giving you the taste.
- 48:21Speaker 1: I I did have a conversation with her, but I
- 48:26Speaker 1: don't think she heard me.
- 48:30Speaker 4: Because it was girlfriend wearing headphones.
- 48:32Speaker 3: Yes, the picture where you're proposing and she's like rocking.
- 48:40Speaker 5: Out the lady in bed, she's laying there.
- 48:43Speaker 1: Everyone gives the cult exactly. Boyfriend proposes as girlfriend listens
- 48:48Speaker 1: to music.
- 48:49Speaker 2: Yeah, And I think what's so crazy is just you
- 48:52Speaker 2: should speak from your heart. And I said, Bethany, I've
- 48:54Speaker 2: known you for years. We've sat in bed together with.
- 48:57Speaker 1: You know what, I've lived this whole life.
- 48:59Speaker 2: We have pictures together, you know. All the pictures are
- 49:01Speaker 2: us of us having a relationship.
- 49:03Speaker 4: Yeah, it's hard that her headphones are only off when
- 49:09Speaker 4: you're upset after sex?
- 49:11Speaker 1: Yeah?
- 49:11Speaker 4: Yeah, can you give us that face?
- 49:13Speaker 1: Upset after sex?
- 49:14Speaker 4: So good at it?
- 49:16Speaker 3: See, it's crazy.
- 49:17Speaker 7: I see that face and I think my my computer
- 49:21Speaker 7: is broken.
- 49:22Speaker 5: I know. It's so amazing.
- 49:23Speaker 1: You can work for multiple things computer broken? Is this?
- 49:30Speaker 10: Yeah?
- 49:31Speaker 1: Yeah, so good.
- 49:32Speaker 2: Sometimes it's a little bit kind of in the eyes, like,
- 49:34Speaker 2: oh no, what I didn't mean for it.
- 49:36Speaker 1: To go there? Yeah, I know, yeah, yeah.
- 49:42Speaker 5: What do you guys want to be?
- 49:45Speaker 3: Look I saw I was hanging around with my wife
- 49:49Speaker 3: got to do a shoot.
- 49:50Speaker 5: That was so.
- 49:53Speaker 3: It just made me jealous. It made me really jealous.
- 49:57Speaker 3: She was an underwater scuba diver.
- 49:59Speaker 8: Oh yes, well, what do you want to swimmer?
- 50:05Speaker 5: It seems like you could do that anytime you wanted.
- 50:09Speaker 3: No, I never Could's.
- 50:10Speaker 1: So interesting that you had to specific underwater.
- 50:14Speaker 6: Well as opposed to you and I have seen scuba
- 50:17Speaker 6: diver in gym, which is like.
- 50:20Speaker 3: Yes, me, where is the wrong place?
- 50:27Speaker 5: Scuba diver on elliptical is one of my favorites.
- 50:32Speaker 4: I could do that video that.
- 50:34Speaker 3: I love your scuba diver playing piano.
- 50:37Speaker 1: Thank you?
- 50:37Speaker 3: Yeah, God, it's really just It's so relatable.
- 50:41Speaker 1: On this piano.
- 50:42Speaker 5: I'm drowning in keys.
- 50:46Speaker 1: I was doing wait wait what happened? So you did?
- 50:49Speaker 1: You want to be a under one?
- 50:51Speaker 3: She's sitting there and look, I'll get to it. Okay,
- 50:54Speaker 3: just skip it, just be come on.
- 50:58Speaker 4: Time is money a shell?
- 51:00Speaker 3: But I'm soft underneath. Look my wife she's under water
- 51:04Speaker 3: and I'm watching her shoot and she's underwater, so.
- 51:06Speaker 5: You're underwater as well.
- 51:07Speaker 3: Watch under there video village is underwater. I'm underwater and
- 51:14Speaker 3: I'm watching my wife and she's blowing bubbles and I thought, man, God,
- 51:20Speaker 3: that would be amazing to do, to be like a
- 51:23Speaker 3: fish and to have what I want. I think most
- 51:27Speaker 3: of all is to be one of those move maids
- 51:29Speaker 3: in the aquarium, you know what I mean, one of
- 51:32Speaker 3: those ladies who goes into the aquarium and she's got
- 51:35Speaker 3: a tail.
- 51:36Speaker 5: Yeah, that's nice.
- 51:37Speaker 2: So I do think those are two separate jobs. I
- 51:39Speaker 2: think the mermaids are a type of job, and I
- 51:41Speaker 2: think an aquarium is it. I don't see them kind
- 51:44Speaker 2: of combined.
- 51:45Speaker 1: I don't want to be kind of auarium.
- 51:48Speaker 5: I've seen them at like a restaurant.
- 51:52Speaker 1: Type kind of, but not next to like a sunfish.
- 51:56Speaker 3: I swear it's happened before. I had a dream about
- 52:00Speaker 3: this and it felt so real. You know. Maybe what
- 52:04Speaker 3: I'm like most of all is to be asleep and
- 52:06Speaker 3: to be completely a piece.
- 52:07Speaker 5: Oh wow, I meet.
- 52:10Speaker 7: I want to be completely at peace without a brain
- 52:12Speaker 7: because I want to be a bag at.
- 52:17Speaker 5: What do you mean?
- 52:19Speaker 8: I want to be a hole?
- 52:22Speaker 3: Do you want to be a whole thing?
- 52:24Speaker 5: I want to be a whole thing.
- 52:26Speaker 8: I want to be a thick bag.
- 52:29Speaker 3: You want no boobs? Do chin?
- 52:33Speaker 5: How thick are we talking?
- 52:34Speaker 3: Like?
- 52:34Speaker 5: If I'm making the sandwich am by taking out the innards.
- 52:36Speaker 6: Of that bread, you know what I'm talking about.
- 52:42Speaker 5: You can't taste the turkey because the bread is big.
- 52:46Speaker 7: I want to be able to fit into a car.
- 52:48Speaker 7: I want to be such a piece of big bread.
- 52:50Speaker 1: Can I be honest? You're kind of like.
- 52:54Speaker 14: No?
- 52:54Speaker 1: You know what?
- 52:55Speaker 6: When I think of you? Because correct me if I'm wrong.
- 52:57Speaker 6: You've had a East infection for how aren't like you?
- 53:01Speaker 3: Famously?
- 53:02Speaker 10: I am.
- 53:05Speaker 5: Infection one. You have the Guinness Book World Record for
- 53:08Speaker 5: East infections, the Yennest the Yennest Book of World.
- 53:18Speaker 1: See you're very much like a back Yet.
- 53:22Speaker 12: I think you can achieve the street sick.
- 53:27Speaker 8: I'm getting sick.
- 53:28Speaker 6: Oh gosh, well this is going to sound a little bit.
- 53:33Speaker 6: I don't know, County. I would love to just be
- 53:39Speaker 6: a normal supermodel.
- 53:43Speaker 5: I mean I obviously am beautiful enough.
- 53:46Speaker 6: Yeah, but you know, recently I was in I was
- 53:50Speaker 6: doing a beach shoot in Quadalajara.
- 53:54Speaker 1: Yeah, I didn't quite do an accident were about and
- 54:00Speaker 1: it took a next hail out.
- 54:04Speaker 6: And I was in the water, and you know, I
- 54:09Speaker 6: was eating a salad and all of a sudden, this
- 54:15Speaker 6: big wave came and it hit me, and obviously I
- 54:18Speaker 6: got into that accident.
- 54:19Speaker 5: It knocked me into that cruise.
- 54:21Speaker 6: Ship full of kids, and the kids started just pouring
- 54:25Speaker 6: out the sides, drowning, drowning, drowning, And I remember thinking, it.
- 54:30Speaker 4: Is also like a bowling ball. That's not something we
- 54:33Speaker 4: haven't talked about it.
- 54:34Speaker 7: You know what Disney had it comeing doing an all
- 54:36Speaker 7: kids Disney cruise.
- 54:37Speaker 5: I mean, when were the parents.
- 54:40Speaker 1: The captain should have been an adult.
- 54:42Speaker 5: Everyone was kids.
- 54:43Speaker 3: They had a full kid stack.
- 54:45Speaker 5: I'm like, I hate this.
- 54:46Speaker 3: I absolutely from the kids, chefs.
- 54:50Speaker 1: Kids running the cruise more. That's more than they need to.
- 54:53Speaker 7: No, I won't trust a kid with my credit card
- 54:55Speaker 7: processing in giving me another cruise, just as far as
- 54:58Speaker 7: I could throw them.
- 55:03Speaker 6: And I just thought to myself when I was you know,
- 55:08Speaker 6: I was kind of jack and Rose with this little boy,
- 55:12Speaker 6: and I pushed him off and I took the I
- 55:15Speaker 6: took the door, and I floated back to shore. And
- 55:18Speaker 6: I thought this would not have happened if I was
- 55:21Speaker 6: just a regular supermodel.
- 55:26Speaker 5: So to me, sometimes our job is so hard. That's
- 55:33Speaker 5: what happened to you.
- 55:34Speaker 6: I wish it was easier. And now I'm getting emotional.
- 55:37Speaker 6: I wish it wasn't so hard.
- 55:40Speaker 4: Literally, what can I ask?
- 55:42Speaker 3: And maybe I'm no therapist? What's stopping you from walking?
- 55:47Speaker 3: The spring?
- 55:47Speaker 5: Some of them along my head?
- 55:50Speaker 6: Like you said, my head is so heavy. Yeah, I
- 55:54Speaker 6: can really only stand or sit.
- 55:57Speaker 4: Have you see me?
- 56:00Speaker 5: And they weigh the models and that's why you rolled
- 56:02Speaker 5: off the girl.
- 56:03Speaker 1: Yeah, girl, talk to Jonathan and he took he took
- 56:05Speaker 1: to you four pounds out of my head.
- 56:06Speaker 5: Yeah, I would love that. I mean, I just feel
- 56:09Speaker 5: like it's a it's a disability.
- 56:11Speaker 2: At this point, I claim it your head that keeps
- 56:16Speaker 2: boring holes through huge machines.
- 56:19Speaker 8: Anything.
- 56:20Speaker 6: I'm waiting on the money from the families, honestly, and
- 56:24Speaker 6: once I have that, I think I'm just going to
- 56:25Speaker 6: get a lot of the surgeries that you know on
- 56:27Speaker 6: my head and stuff.
- 56:29Speaker 5: So that's it's But what about you?
- 56:31Speaker 3: What about me?
- 56:32Speaker 5: Did we already do your underwater?
- 56:34Speaker 3: Look? I did underwater and you you.
- 56:36Speaker 5: We haven't done money.
- 56:37Speaker 1: You want to know?
- 56:38Speaker 5: I think we all I think we all know we
- 56:39Speaker 5: haven't heard him.
- 56:40Speaker 1: We haven't had to be a big star.
- 56:42Speaker 3: And you ever want to be in a costume that
- 56:44Speaker 3: that you're happy with.
- 56:45Speaker 5: Please answer the question.
- 56:56Speaker 1: It's an emergency, you guys now entering the court of
- 57:03Speaker 1: this guy.
- 57:05Speaker 3: Condition or temperature okay? For your circu.
- 57:09Speaker 1: You have the right to remain attentive.
- 57:15Speaker 5: This is great, Jerry beloved. We are gathered here today.
- 57:20Speaker 4: We got a beautiful float coming down. Thank you, No guys,
- 57:25Speaker 4: thank you. I want to be a judge. I want
- 57:30Speaker 4: to be a judge. I want to rule on court
- 57:32Speaker 4: cases municipal want to be an elected circuit judge to
- 57:40Speaker 4: do that.
- 57:40Speaker 5: What are your politics behind the curtain?
- 57:43Speaker 4: Politics behind the curtain?
- 57:44Speaker 1: You pay me off?
- 57:47Speaker 3: Now that sounds like a joke.
- 57:49Speaker 1: If you ran on the platform of you can pay
- 57:52Speaker 1: me off. I think you.
- 57:53Speaker 4: Would, and just one time, I want to be up
- 57:57Speaker 4: there and give a genuine duke.
- 57:58Speaker 5: Duke nice, you really care about this?
- 58:04Speaker 4: Look at my hair.
- 58:06Speaker 5: I want that for you so bad.
- 58:07Speaker 3: You deserve that.
- 58:08Speaker 4: I want to be a judge.
- 58:09Speaker 3: That's so exciting.
- 58:11Speaker 7: It's nice to gather around with people like minded and
- 58:13Speaker 7: talk about what we wish we were doing.
- 58:16Speaker 1: Hey, maybe to wrap us up, we go to work
- 58:20Speaker 1: a little bit.
- 58:20Speaker 2: Maybe we throw out some scenarios and we all throw like,
- 58:23Speaker 2: let's imagine we're having kind of a big stuck photo
- 58:26Speaker 2: shoot right now.
- 58:26Speaker 5: Oh my god, it's so fun. I'd love to work
- 58:29Speaker 5: with all of you.
- 58:30Speaker 1: It epic collab.
- 58:32Speaker 3: This was this was a prompt that my wife went
- 58:35Speaker 3: out for so jealous of prompt. It was a prompt
- 58:38Speaker 3: that and so listen. It's a bunch of HR representatives
- 58:44Speaker 3: getting good news. It's the big HR high five.
- 58:47Speaker 4: The HR when things are going yes, yes, the relationship
- 58:54Speaker 4: to the officer.
- 58:55Speaker 3: Everyone's in tiptop shape. No harassed.
- 58:58Speaker 5: Does anyone on maternityly No? No, as she's about she's going, yeah,
- 59:05Speaker 5: she's six weeks.
- 59:06Speaker 7: Okay, ready, Hey, Papa John's I need three big baggots.
- 59:10Speaker 5: They make baggette.
- 59:13Speaker 4: I don't think we have time for Papa Jaw to order.
- 59:15Speaker 5: I'm calling my guy, Papa John. Oh yeah, he's the
- 59:18Speaker 5: guy in your car.
- 59:19Speaker 4: Yeah, okay, ready, ready, hey, ready, three two?
- 59:23Speaker 1: One?
- 59:27Speaker 4: Really good job, awesome, Just noticing we can't really see
- 59:30Speaker 4: each other.
- 59:30Speaker 5: No, I was trying to see you guys.
- 59:34Speaker 1: Yeah, okay, let's do it again. Let's do it one
- 59:36Speaker 1: more time. Okay. Yeah.
- 59:37Speaker 4: Then we give individual prompts. You then you go.
- 59:41Speaker 3: I like that, that's easy.
- 59:42Speaker 1: Okay. What do we want to see Chlamydia do?
- 59:44Speaker 4: Okay, okay, Chlamydia COMMI I.
- 59:47Speaker 3: Want to I want to see you eating salad at
- 59:49Speaker 3: a wedding.
- 59:50Speaker 5: Oh gosh, okay.
- 59:51Speaker 7: Okay, yes, yeah, yes, here we go.
- 1:00:01Speaker 1: Oh yeah, you notice I.
- 1:00:05Speaker 6: Was holding the ball because I'm standing in front of
- 1:00:07Speaker 6: the altar.
- 1:00:07Speaker 4: Yes, you're staying in front of the altar.
- 1:00:10Speaker 1: Holding the balls.
- 1:00:10Speaker 5: Hard work too, You get a stumpfyed for that.
- 1:00:12Speaker 6: I never eat the bowl. This is one of my tricks.
- 1:00:14Speaker 6: I never put the ball on the table. The bulls
- 1:00:16Speaker 6: always in hand.
- 1:00:16Speaker 5: Good for you like this.
- 1:00:19Speaker 3: It looks like you're inconvenienced.
- 1:00:23Speaker 4: Okay, okay, I want to see you. Uh, you're pregnant
- 1:00:27Speaker 4: and you're waiting in your car for some fast food
- 1:00:30Speaker 4: to be delivered, but they're going to slow delivered to
- 1:00:33Speaker 4: my car. Delivered to your car. You have to go
- 1:00:35Speaker 4: park because they're taking It's.
- 1:00:35Speaker 2: One of those embarrassing ones where they ask you to
- 1:00:37Speaker 2: wait because your food is so much.
- 1:00:40Speaker 5: Make you go to a parking space.
- 1:00:42Speaker 12: Pretty much scarlet letter modern here, Yeah, the modern scarlet letter.
- 1:00:48Speaker 1: Pretty much embarrassing that could ever happened to you.
- 1:00:51Speaker 7: And this is perfect because my leftover Papa John bagead
- 1:00:54Speaker 7: is perfect for this.
- 1:00:54Speaker 1: You're perfect fast amazing a wow.
- 1:01:05Speaker 6: And picture in the camera from here and really you
- 1:01:07Speaker 6: could only see fourhead.
- 1:01:14Speaker 4: Do you think I'm about to pop at.
- 1:01:15Speaker 6: This little.
- 1:01:20Speaker 5: And then if I'm early early pregnancy ago.
- 1:01:22Speaker 8: Soon one of these months.
- 1:01:26Speaker 5: The fashion he's over there, okay, all right, okay, okay, okay.
- 1:01:34Speaker 4: You you got two guys working on a tree behind you,
- 1:01:37Speaker 4: and you're trying to tell them the tree needs to
- 1:01:40Speaker 4: fall a certain way.
- 1:01:42Speaker 6: Yeah, or it's gonna hit this other tree where there's
- 1:01:44Speaker 6: a small cat.
- 1:01:45Speaker 7: And it's kind of like an overall like trees are
- 1:01:48Speaker 7: going away and now building.
- 1:01:49Speaker 1: These guys are goose. They're always goofy, these guys of.
- 1:01:53Speaker 3: Course, they're making my job harder and the job of
- 1:01:56Speaker 3: the person looking at the picture harder. Yeah, okay, that's
- 1:01:59Speaker 3: how I okay, these bozos, these bosos, these bosos.
- 1:02:02Speaker 4: I'm it.
- 1:02:07Speaker 5: Wow.
- 1:02:12Speaker 1: That was amazing, amazing.
- 1:02:15Speaker 5: It was just screaming, what are you bozos?
- 1:02:18Speaker 1: Do you have? That's supposed that was shot in the wide?
- 1:02:22Speaker 1: You are far back.
- 1:02:23Speaker 9: There's a lot of trees around your story behind.
- 1:02:27Speaker 3: Me as well.
- 1:02:28Speaker 2: Yeah, sure, love, Okay, we got to get a good
- 1:02:31Speaker 2: costume for you.
- 1:02:33Speaker 1: Let's say you're dressed as like a slutty maid.
- 1:02:36Speaker 6: Yeah, I was gonna say sexy nurse, floody maid and
- 1:02:40Speaker 6: you just found out that your wife is cheating on you,
- 1:02:42Speaker 6: and she has been for the last five years. And
- 1:02:45Speaker 6: you're laying in bed next to her and the guy
- 1:02:47Speaker 6: is coming out of the closet and you're realizing, oh
- 1:02:50Speaker 6: my god, moment she's been sleeping with him.
- 1:02:52Speaker 4: Okay, wow, So I'll have to do an act out
- 1:02:54Speaker 4: and then you'll you'll know when this photos. I kind
- 1:02:57Speaker 4: of like get into it.
- 1:02:59Speaker 1: I can't wait for this.
- 1:03:01Speaker 3: H o, God, God, you're out.
- 1:03:12Speaker 4: Sometimes you gotta play out before you look down there
- 1:03:15Speaker 4: you look down.
- 1:03:15Speaker 5: Okay, you're ready for yours. You're trying to say l
- 1:03:19Speaker 5: O L on your computer.
- 1:03:21Speaker 7: Okay, it's not sending you finally send the words l O.
- 1:03:25Speaker 1: L l O.
- 1:03:27Speaker 5: W Oh no, you're already doing it okay instead of
- 1:03:33Speaker 5: your wife.
- 1:03:34Speaker 1: Okay, this is really good. Thank you guys. Let me
- 1:03:36Speaker 1: just find my internal Okay.
- 1:03:42Speaker 5: I'll look at it.
- 1:03:43Speaker 3: Warm up.
- 1:03:44Speaker 8: I've never seen a warming.
- 1:03:49Speaker 3: Pinky, go back.
- 1:03:50Speaker 5: Let's look at the details. Oh, pinky, Oh, look at that.
- 1:03:55Speaker 1: This was the moment before you want to see the moment.
- 1:03:58Speaker 5: Oh, that's the moment you realize. God, it's so good
- 1:04:01Speaker 5: the details.
- 1:04:02Speaker 4: Because, as they always say in stock photo shoots, open
- 1:04:05Speaker 4: your eyes.
- 1:04:07Speaker 6: You know, your eyes can never be wide enough in
- 1:04:09Speaker 6: a stock photo, can't be brighter, and your eyes can't
- 1:04:14Speaker 6: be wider the whites of the eyes that.
- 1:04:17Speaker 5: Want to see whites fully around. Sometimes when I'm eating salad,
- 1:04:20Speaker 5: I go, yeah, whoa, And that is normal.
- 1:04:25Speaker 2: You know that if you see all the whites around,
- 1:04:27Speaker 2: that's actually a real disorder that usually conotes mental disorder.
- 1:04:31Speaker 3: Yes, and yes, it's actually like great evil in you.
- 1:04:35Speaker 4: Yes, yeah, all the whites of your eyes, it is real.
- 1:04:38Speaker 4: I'll tell you.
- 1:04:40Speaker 1: Now.
- 1:04:40Speaker 7: I'm looking at everyone set that off with like an
- 1:04:42Speaker 7: allergy of some sort.
- 1:04:44Speaker 5: Let me see your eyes.
- 1:04:46Speaker 1: Whoa, whoa.
- 1:04:48Speaker 4: Well, I'll tell you what makes all my white eyes
- 1:04:50Speaker 4: come out. If I see a photo out there and
- 1:04:54Speaker 4: the water mark is still there, Oh my god, do it.
- 1:04:57Speaker 1: That's what we're leaving you with. Hey for the stock phone.
- 1:05:01Speaker 1: Don't take photos of us at restaurants. Okay, we have
- 1:05:03Speaker 1: somebody else that does that.
- 1:05:04Speaker 6: Send us the ten dollars at least, bend us the
- 1:05:07Speaker 6: ten yea, or just send over a loaf cake.
- 1:05:10Speaker 5: At least at least. I love you all, I love you.
- 1:05:14Speaker 5: Let's just the group chat going again. Let's do all
- 1:05:18Speaker 5: those pictures, because it's.
- 1:05:21Speaker 1: Just all those picture.
- 1:05:21Speaker 5: One of us get really tight.
- 1:05:25Speaker 3: Brunch with a picture and you're not responding.
- 1:05:27Speaker 5: It's all those pics.
- 1:05:29Speaker 2: You see the picture of are the only group I
- 1:05:32Speaker 2: text with.
- 1:05:32Speaker 5: I don't know how to text with anyone else.
- 1:05:34Speaker 7: It's a gift of waffles with a question mark yes,
- 1:05:38Speaker 7: and then someone's in the clock with a question mark,
- 1:05:41Speaker 7: and then we can get past that.
- 1:05:43Speaker 6: We're always stuck at what time.
- 1:05:47Speaker 3: I mean, there's there's the number one. So if we're
- 1:05:49Speaker 3: all for you at one, we can't also just put one.
- 1:05:53Speaker 1: It's not what is that how it works? I understand numbers.
- 1:06:01Speaker 5: I know we can all plan it right now, but
- 1:06:02Speaker 5: I would rather we just light up the chain. Let's
- 1:06:05Speaker 5: light up the change.
- 1:06:07Speaker 4: If I send a stock photo to the group of you,
- 1:06:09Speaker 4: I'm working.
- 1:06:10Speaker 1: If I send a stock photo of you, I'm ready.
- 1:06:15Speaker 1: This has been Artists on artist and Artists and Artists
- 1:06:17Speaker 1: answer the question. Now that's trying to call it show biz.
- 1:06:20Speaker 7: For our guest, Thank you to the beautiful Dynasty Type
- 1:06:28Speaker 7: Bye Guys.
- 1:06:29Speaker 2: By Artists on Artists on Artists on Artists is an
- 1:06:32Speaker 2: improvised Hollywood round table podcast created, performed, and produced by
- 1:06:36Speaker 2: Kylie Braakman, Jeremy Colhayne, Angela gier Atana, and Patrick McDonald's
- 1:06:41Speaker 2: music is by Gabrielle Ponton. The opinions expressed on this
- 1:06:44Speaker 2: podcast do not reflect the opinions of anyone who works
- 1:06:46Speaker 2: on it, not even the performers, because this is an
- 1:06:48Speaker 2: improvised podcast and we're stupid. All video versions of AOA
- 1:06:52Speaker 2: O ao A are available on YouTube, so please like
- 1:06:55Speaker 2: and subscribe and leave us a five star review wherever
- 1:06:58Speaker 2: you get your podcasts.
- 1:07:00Speaker 1: Night, Hollywood, MHM.