Latest / What's Your (Least) Favorite Scary Movie? / #195: Hostel Part II (2007)

Transcript

#195: Hostel Part II (2007) · What's Your (Least) Favorite Scary Movie?

• 0:06
  Hello, What's your least favorite scary movie?
• 0:13
  Let Em Bleed. Welcome to What's your least
• 0:15
  favorite scary Movie? The podcast where we talk about
• 0:18
  the good, the bad, the ugly, and the absurd, and all of our
• 0:21
  favorite. And least favorite.
• 0:22
  Scary movies. Because we believe every horror
• 0:24
  movie rifely has its fan base. Even if we don't always get it.
• 0:27
  My name is Travis. My name is Jessie and today we
• 0:30
  are going back to to the Hostel franchise to.
• 0:33
  Slovakia. To Slovakia, this time with
• 0:36
  Hostel Part 2. First announcement we did our
• 0:42
  two beer not to be on Sunday, came out late Sunday.
• 0:46
  Nothing else is going on for anybody at all, so I'm sure
• 0:51
  everybody's listened to it, but if not, you can find that on our
• 0:53
  feed. We covered video violence.
• 0:55
  Yeah, weird little movie? Yes, for sure.
• 0:59
  So I recommend people check that one out 'cause it was a good
• 1:02
  time. Yeah, definitely.
• 1:03
  We had. We had a lot of fun with it.
• 1:05
  Yeah, that's it. OK.
• 1:08
  That's it for announcements. That's it for announcements,
• 1:10
  which means it's time for poll. Results.
• 1:13
  So the poll that we are talking about today is for last week's
• 1:17
  movie, which was my buddy Valentine 3D and we wanted to
• 1:21
  ask everybody who was your Valentine?
• 1:24
  We had four options. We have Tom Atkins or Burke.
• 1:29
  Tom, who is Jensen Ackles, can get confusing.
• 1:34
  It's a little bit confusing. Irene who is Betsy Rue, the
• 1:37
  actor and then Jay Pad? Jay pads.
• 1:40
  J Pads just because J pads. Yeah, because that's who Travis
• 1:44
  really wanted to be talking about.
• 1:46
  And unfortunately, we just got Jensen Ackles instead.
• 1:49
  We got the replacement, the second one.
• 1:53
  OK, so on Instagram, 43% voted for Tom Atkins or Burke.
• 1:58
  Not surprised. 57% voted for Tom Jensen Ackles.
• 2:03
  OK, nobody else got votes there. Wow.
• 2:06
  I know, right over on Twitter, 65% voted for Tom Atkins.
• 2:12
  Also not surprising. 25% voted for Jensen Ackles. 10% voted for
• 2:17
  Irene. Nobody voted for J Pads.
• 2:19
  Oh. No, No Love for J Pads.
• 2:22
  Well, I'm going to give him some love.
• 2:24
  J Pads is going to be my Valentine.
• 2:26
  He's my boy. Irene's going to be my
• 2:28
  Valentine. She's a badass.
• 2:29
  Irene would have been my Valentine if J Pads wasn't part
• 2:32
  of this poll. Honestly, J Irene was awesome.
• 2:34
  Yeah. Yeah.
• 2:36
  OK, all right, so that's it for her poll.
• 2:38
  So now we can talk about hostel Part 2.
• 2:41
  Indeed we can. So Hostel Part 2 was released
• 2:44
  June 8th, 2007. We watched it on Pluto TV
• 2:48
  because even though we own it on DVD, the DVD is finicky and we
• 2:52
  have to work really hard to make it work.
• 2:54
  But apparently that's just a curse with this movie, because
• 2:56
  we had issues with it even on Pluto TV on.
• 2:58
  Pluto. Yeah, it fucked up every single
• 3:00
  time like we would. We tried to rewind.
• 3:02
  Pause it for Talia to go outside and then when we hit play it
• 3:05
  jumped forward. So when we tried to rewind, it
• 3:07
  froze. Yeah, it froze.
• 3:09
  But it also made us watch six ads.
• 3:11
  And then once the ads were over, I was like, and we're free.
• 3:13
  It's we're frozen. Like, we can't, we can't play
• 3:16
  anymore. So I had to restart the whole
• 3:18
  app and then get it all going, watch more ads, and then we
• 3:21
  finally got it. It almost made me wish, like I
• 3:23
  should have just fought with the DVD at that point, 'cause I was
• 3:26
  getting pissed off. Yeah, but you can also watch it
• 3:30
  on Prime Free V or Plex. Or you can rent it through
• 3:34
  YouTube, Google Play your video. So those are all of our watch
• 3:37
  options. Written and directed by Eli
• 3:39
  Roth, music by Nathan Barr and special effects by KMB.
• 3:43
  Our boys. Specifically the N&B of of.
• 3:47
  The Nicotero and the burger. Yeah, Kay is gone.
• 3:51
  He's been gone for a minute. OK starring Lauren German is
• 3:55
  Beth, Heather Moderato is Lorna Bijou Phillips is Whitney, Roger
• 4:00
  Bart is Stuart, Richard Bergie is Todd and Vera Jordanova as
• 4:04
  Excel. Like that's the last name is
• 4:06
  Bergie. I know it might be burgy, but I
• 4:08
  like burgy. Burgy.
• 4:11
  OK, Travis, yeah, time for our favorite game budget.
• 4:15
  Oh, I butted. Well, the first one did pretty
• 4:20
  well. I would say they gave him some
• 4:23
  money to do the second one. So I'm going to say budget.
• 4:25
  Just barely, but yes, 10.2 million.
• 4:28
  Wow, that is barely there. You are right.
• 4:31
  It had an opening box office of 8.2 million and IMDb specified
• 4:35
  that this was in the USA and Canada.
• 4:38
  What? Did it not release everywhere
• 4:42
  else? It did, but that's the opening
• 4:45
  weekend gross for the US and Canada.
• 4:49
  Worldwide gross was 35.7 million and it has an IMDb score of 5.5.
• 4:56
  Wow. So just kind of there in the
• 4:57
  middle. Huh.
• 4:58
  Yeah, it's a little bit surprising.
• 4:59
  Yeah, a little bit. Especially because a lot of the
• 5:02
  reviews I found were generally like favorable and they were
• 5:05
  generally favorable from critics too.
• 5:07
  So really, it's a little bit surprising.
• 5:08
  That is surprising. So I have a theme for three
• 5:12
  movies from 2007. OK, what's the?
• 5:15
  Theme. The theme is violence.
• 5:16
  Violence. It's all right.
• 5:19
  So the first movie is inside. Oh, yeah, OK.
• 5:23
  Which released June 13th, 2007. It had a budget of €2.4 million
• 5:31
  and I got a worldwide gross of $792,000 has a 6.7 out of 10.
• 5:38
  That is probably my favorite of the new French extremity.
• 5:42
  That one remind me again which? One.
• 5:44
  The one with the pregnant woman. OK, And the lady is trying to,
• 5:47
  like, break into the house and still the baby.
• 5:49
  Yeah, that one is kind of fucked.
• 5:51
  Up. Yeah, it's a it.
• 5:52
  We we've watched it exactly one time and it just stuck with me.
• 5:55
  Yeah, might be due for a rewatch.
• 5:58
  OK, second movie. The Girl Next Door.
• 6:04
  That's just upsetting. That one is upsetting.
• 6:06
  It's based on a true story, and it's graphic in a way that makes
• 6:10
  me uncomfortable, especially knowing that it's based on a
• 6:13
  true story. That one is like funny in a way
• 6:16
  that like it has it shares the title of the other movie, The.
• 6:21
  Yeah, the comedy. About the porn.
• 6:23
  Star Yeah, yeah, yeah. Can you imagine getting mixed
• 6:26
  up? Oh my God, yeah.
• 6:29
  Like you go into the store and you ask for that and the clerk's
• 6:32
  like, well, that's kind of weird, but OK.
• 6:34
  Here you go. OK, so that released to the
• 6:37
  Montreal Fantasia Festival on July 19th, 2007.
• 6:42
  I don't have budget or gross information for it.
• 6:44
  OK, I I get the feel that that didn't have a wide release I.
• 6:47
  Don't think it did. It does have a 6.5 out of 10 on
• 6:51
  IMDb. OK.
• 6:53
  And that was weird, 'cause like, yes, it's based on a true story,
• 6:56
  but I feel like if it wasn't based on a true story, people
• 6:58
  would just call it torture porn. But.
• 7:00
  Yeah, I mean, that's what it was.
• 7:01
  For some reason, people think it legitimizes it, that it's based
• 7:04
  on a true story instead of being horrified.
• 7:07
  I yeah. And it's such gratuitous
• 7:10
  violence. It's.
• 7:12
  I feel uncomfortable. It's a very dark movie, yeah.
• 7:15
  Yeah, that that movie does get kind of fucked.
• 7:17
  Up like we'd heard about the details of the case and
• 7:19
  everything, but we still weren't prepared for what we were going
• 7:21
  to see, honestly, when we watched it.
• 7:23
  No, I feel like the movie is like, it's not well made enough
• 7:28
  to have it feel, like, super bad.
• 7:30
  You know what I mean? Like, I can watch it and I don't
• 7:33
  feel, like, emotionally drained, even though I'm watching some,
• 7:35
  like, horrific shit because, like, it's just, it's not the
• 7:38
  best movie, but it's OK Like the everything about it, though, is
• 7:42
  very upsetting. Like the whole story, everything
• 7:44
  that happens. I'm.
• 7:45
  I'm not saying that. Like, it's all pretty terrible
• 7:47
  stuff. Third maybe.
• 7:50
  OK. Funny games.
• 7:52
  Oh, and that one. Yeah, and this is the American
• 7:54
  remake shot for shot by the same director.
• 7:58
  I know people like, get mad about remakes, but you can't
• 8:00
  really have it be more legitimate than that.
• 8:02
  Yeah, right. I mean, yeah, he did it himself.
• 8:04
  I say American, it's English. I don't know if it's like where
• 8:07
  it's set probably. Made for like American.
• 8:09
  Audiences, because it's got like Hollywood Tim Roth in it.
• 8:13
  Oh, it does. Yeah.
• 8:14
  We. Didn't watch that.
• 8:14
  One did we? We watched the original 1.
• 8:16
  Didn't no we watched the the English remake?
• 8:17
  Oh, we did, Yeah. Oh yeah, Well, OK, that's the
• 8:20
  one that we watched. And I remember that being a very
• 8:22
  fucked up movie. Yeah, I I I enjoyed it.
• 8:25
  But yeah, it's definitely again, as one that sticks with you.
• 8:28
  Yeah, for sure. That released a BFI London Film
• 8:31
  Festival on October 20th, 2007. It had a budget of $15 million
• 8:36
  and a worldwide gross of 7.9 million, which is unfair, and an
• 8:41
  IMDb score of 6.5 out of 10. Nice.
• 8:44
  OK, you did a pretty good job getting some violent movies.
• 8:47
  Cute. Yeah, Apparently we were having
• 8:49
  a bad time collectively in 2007. Yeah, yeah, shit was getting
• 8:54
  bad. I don't have any taglines.
• 9:00
  There's no tagline. Taglines.
• 9:02
  Eli, what is wrong with you dude?
• 9:04
  Colin Yeah. He seems like the type of dude
• 9:06
  that would. Like he would love the tagline.
• 9:08
  It's such a horror convention. I can't imagine him being like,
• 9:11
  I don't feel like fucking dealing with that.
• 9:12
  I can imagine him going to the premiere and seeing the poster.
• 9:15
  He's like, guys, where's the tagline?
• 9:16
  He's. Like, yeah.
• 9:17
  Like, he actually wrote a bunch of taglines and they were like,
• 9:19
  now, yeah. God, I would be so mad.
• 9:22
  Somewhere he's listening to this episode and he's going to log
• 9:25
  into IMDb and like self report a bunch of tag lines.
• 9:29
  Yeah. Just for us.
• 9:32
  OK, I do have some fun facts, though not as in detail as the
• 9:36
  first hostel that we covered because we had a DVD with, you
• 9:40
  know, extras and stuff and we were able to watch that DVD,
• 9:44
  which is not the case with this one.
• 9:45
  But don't worry, Part 3 is on DVD.
• 9:49
  Well, you know, with the hostel part one, I listened to the
• 9:52
  commentary track on the Work from Home day not too long ago.
• 9:56
  It's weird. Quentin Tarantino was part of
• 9:59
  it. Oh man, that's a lot of energy
• 10:02
  to. The.
• 10:03
  I actually couldn't finish. OK, so Roth actually sought out
• 10:08
  German for the lead role of Beth after seeing Texas Chainsaw
• 10:13
  Massacre 2003. Oh, here we go again.
• 10:16
  We're talking about the weird, yeah.
• 10:18
  Chainsaw movies? I don't know which one that is.
• 10:20
  That one, I think. It's The Texas Chainsaw
• 10:23
  Massacre. That is the first remake, yeah,
• 10:27
  that's the one with the guy with the droopy mouth that you can do
• 10:30
  the. Impression.
• 10:32
  Yeah, it's a very. Big overpay, yeah.
• 10:35
  And honestly, like, you don't really notice it in that one.
• 10:37
  It's in the Ruins where he's like.
• 10:39
  No. You notice it?
• 10:41
  Well, you notice it after you watch the Ruins and you're like,
• 10:43
  Oh my God, it's the same, same guy.
• 10:45
  He has a big time whenever the sheriff swaps him in the mouth
• 10:49
  and loves his teeth out. Yeah, because I have teeth there
• 10:54
  to protect it. Yeah, no, in the ruins he is
• 10:57
  like the main guy and he goes to kiss his girlfriend and she'll
• 11:01
  say. Yeah, yes, he does the best
• 11:06
  fucking impression of that. I swear to God, It kills me
• 11:08
  every time she does it. She can nail the look perfectly
• 11:11
  if you guys know who we're talking.
• 11:13
  About overbite, so I don't have to like reach too hard, I just
• 11:16
  have to exaggerate it. You just.
• 11:17
  Gotta you gotta know. Maybe we need to.
• 11:19
  Post this system point SO people.
• 11:21
  Can know exactly what we're. Talking about.
• 11:24
  Anyway, yeah, he said. Even though she's like maybe 90
• 11:27
  lbs soaking, but she still has like a sense of badass about
• 11:30
  her, but at the same time has like a vulnerability where you
• 11:33
  feel for her. So he really wanted her.
• 11:34
  I think it's her eyes. I think she's got like the like,
• 11:36
  I'm through with this shit. Look on her face.
• 11:38
  Yeah. Like she can.
• 11:40
  Like, yeah, put up a fight. And he had Tyler Matarazzo in
• 11:43
  mind from day one and actually, like, flew her out.
• 11:46
  And she thought it was like, for an audition.
• 11:47
  But it was to offer her the part.
• 11:50
  So he flew her out to offer. It I guess I don't know What I
• 11:53
  read online is to be believed. You're here, no?
• 11:56
  Not You're mine. Part of the movie.
• 11:59
  Yeah. So the actor that played Sasha,
• 12:03
  Milan Natsuko, I'm really sorry. My, like, Slavic languages are
• 12:10
  tough. It's a lot of a lot of
• 12:13
  consonants. My mouth is not used to saying
• 12:16
  so. He was actually the former
• 12:20
  Slovak minister of culture. Yeah.
• 12:24
  And he agreed to do. Part of the reason he agreed to
• 12:26
  do this role is because Sasha is a Russian mob leader like his
• 12:30
  character is. And I guess there's like, still,
• 12:32
  like, lingering feelings of resentment towards Russians
• 12:37
  after Soviet occupation of Czechoslovakia.
• 12:41
  So I don't know enough about, like, world history.
• 12:45
  I'm woefully undereducated on all of that.
• 12:47
  So I don't know the full context of it, but it was something that
• 12:51
  was Alyssa. That's part of the reason he
• 12:52
  took it. I guess he like having a Russian
• 12:57
  be a bad guy. So take from that what you want.
• 12:59
  OK, that's pretty impressive that he plays the role really
• 13:03
  well. So a lot of the tunnel sequences
• 13:05
  in the factory and the exterior shots of the factory were just
• 13:08
  constructed sets. But they did get a lot of like
• 13:10
  photography, like of outdoor shots in Prague.
• 13:14
  And the harvest festival scene was shot in a village called
• 13:18
  Chesky Kromlov. So that was actually like, shot
• 13:23
  locally. That's cool.
• 13:25
  Mm hmm. In.
• 13:27
  Slovakia. I think so.
• 13:28
  Oh, cool. I didn't write down where it
• 13:30
  was. I should have written it down or
• 13:32
  Prague. Or Prague.
• 13:34
  That's right. Yeah, I don't know where Prague
• 13:35
  is in relation to Czechoslovakia or Slovakia.
• 13:38
  It's not even Czechoslovakia anymore.
• 13:41
  See, I know that much. It took about 45 setups for the
• 13:46
  special effects on Whitney's head during the scalping and
• 13:49
  bijou Phillips was actually like, I don't know if I could do
• 13:51
  a movie like this again. She was like, I enjoyed doing
• 13:53
  it, but it took me places that I didn't.
• 13:55
  I wasn't like, prepared to go. Yeah, I can imagine now being a
• 13:58
  very uncomfortable she's the one that gets the saw to the face.
• 14:00
  Right. Yeah.
• 14:01
  And that it was that specific, like set up, yeah.
• 14:04
  Tied up in her hair. Yeah, yeah, yeah.
• 14:07
  Heather Matarazzo performed the her death scene herself.
• 14:11
  They actually, it took two days to shoot it and they did like 5
• 14:14
  minute intervals of her being upside down.
• 14:16
  Yeah, that's a lot. And I feel like I had heard
• 14:19
  somewhere before that she actually did a little bit of
• 14:21
  training ahead of time to be able to hang upside down a
• 14:24
  little bit longer, like just to get used to the feelings.
• 14:26
  That way she wouldn't have to like be righted up.
• 14:31
  That's smart as often. So yeah.
• 14:32
  I think a similar thing happened with Tucker and Doe.
• 14:35
  Oh yeah, yeah. Maybe that's what I'm thinking
• 14:37
  of. Maybe that's what I'm getting
• 14:38
  mixed up with. Yeah, either.
• 14:40
  Way I can see Heather, mother. Yeah, I mean she's she's
• 14:42
  committed to her work. I fucking love Heather
• 14:44
  Matarazzo, if you guys haven't figured that out by now.
• 14:48
  So this movie is actually banned in Germany and New Zealand, but
• 14:51
  New Zealand did eventually allow censored forms of the DVD to be
• 14:55
  sold. Good.
• 14:56
  But releasing it is considered a crime.
• 14:59
  Seriously. By the Munich by rolling in the
• 15:02
  Munich Quirt. Wow, that's so crazy.
• 15:04
  Damn. So I think, yeah, I guess,
• 15:08
  'cause there's a lot of, and that was like, one of the
• 15:10
  biggest criticisms of the film was that, like, it portrays
• 15:14
  Eastern Europeans in a not, like, awesome light.
• 15:18
  Yeah, I've. I've seen that.
• 15:19
  And I think there's talking about the first one and this one
• 15:24
  too. I'm sure they both kind of go in
• 15:27
  the same conversation, but I know it did a lot of damage to,
• 15:30
  like, tourism over there. But like, I thought, like,
• 15:33
  apparently, like, the whole point is that the bad guys
• 15:38
  aren't from that area. They're all Russian.
• 15:39
  So it's like never meant to villainize the actual places,
• 15:43
  but like, say, like, hey, these are the bad guys.
• 15:45
  But like, that can totally get lost.
• 15:47
  Yeah, like just the fact that it's happening in that country
• 15:50
  can make it scary to go visit that type of place.
• 15:54
  Yeah, yeah. And then finally, and this is
• 15:59
  the fact that you wanted to be sure that I had on the list and
• 16:01
  I already had it on my list, but Ruggiero Pedado, the director of
• 16:06
  Cannibal Holocaust, has a cameo in this movie and his character
• 16:10
  is actually titled Italian Cannibal.
• 16:13
  Is it? Yeah, yeah.
• 16:14
  Yeah, and he is. He is eating poor little
• 16:17
  Miroslav alive. It's kind of a running theme for
• 16:20
  him in these movies 'cause he has a Takashi Miki.
• 16:24
  Yeah, yeah, yeah. Which, like I have a lot of
• 16:27
  complicated feelings about Eli Roth, but you got to respect the
• 16:31
  man's love for the genre. I fully recognize that he's done
• 16:35
  horrible shit or not done horrible shit, but he's like
• 16:38
  done like he's got like a weird past.
• 16:40
  Like he's got a track record that doesn't necessarily frame
• 16:43
  him in a good light with like how he handled his films in the
• 16:46
  past. In fact, one of the difficult
• 16:49
  things to hear him talk about is like.
• 16:51
  Women. In Hostel, in that Hostel
• 16:53
  commentary, yeah it was I think before it released on Blu-ray.
• 16:57
  So it was back whenever that first shot he he's got that dude
• 17:01
  bro talk and they were just kind of discussing with a lot of the
• 17:05
  things that they were saying. And I I like to think, and I
• 17:10
  could be completely wrong, but I feel like maybe the dude has
• 17:13
  like maybe grown past that. It was like we like, we all kind
• 17:17
  of talked like that back then, even though it's not necessarily
• 17:22
  good. And I'm not saying that makes it
• 17:24
  OK, but like, I recognize like like.
• 17:28
  There. Yeah.
• 17:28
  Like in the time, yeah that that dude bro talk was a little bit
• 17:33
  more there but also at the same time like it.
• 17:36
  And we talked about this in a cabin fever episode where, like,
• 17:39
  he would talk about like, oh, we need to get some women on the
• 17:41
  set to help these guys relieve some tension.
• 17:43
  Like that's yeah, that's a fucked up way of talking about
• 17:45
  another human being, especially when you're a director and
• 17:47
  you're in a position of power. That's different.
• 17:50
  Yeah, that's different from than just having that weird talk.
• 17:52
  And then there's also like with cabin fever.
• 17:54
  And I'd completely forgotten about this because we put it on
• 17:58
  once and we're both so immediately pissed off.
• 18:00
  But they talked about it on this past week's episode of This Ends
• 18:04
  at Prom, where they had a version of Cabin fever called
• 18:07
  Chick Vision, which like has like image of like an eye
• 18:12
  covering up all of the bloody parts, or hand covering up the
• 18:15
  screen during like, the bloody and gory parts of it really.
• 18:17
  Mm hmm. I remember us putting it on and
• 18:20
  we were like, what is this? And it happened.
• 18:21
  And we were like, well, this is fucking stupid and it pissed us.
• 18:23
  Both off, yeah, that is. Really.
• 18:24
  Yeah. I like, I blocked all of that
• 18:26
  out of my mind until they were talking about it and it came
• 18:28
  flooding back and I was like, yeah, that fucking pissed me
• 18:31
  off, so. He's now like at Thanksgiving.
• 18:34
  I I really, and I've seen him, he's on Joe Bob's show and I've,
• 18:37
  I've heard him talk. More, He does seem like he's
• 18:39
  grown, and I want to give him the benefit of the doubt, but he
• 18:43
  just so much of his, like Seminole horror work is like he
• 18:48
  just gives off such big dude bro energy that it's hard to like.
• 18:52
  And I do feel like with this movie that he he layered in some
• 18:57
  stuff that I didn't think he was capable of and I'm not sure how
• 19:00
  intentional all of it is. I don't want to give him too
• 19:03
  much or too little credit, you know what I mean?
• 19:05
  So, and I I want to be clear, I'm not going up the bat for him
• 19:08
  for the way he was back then, 'cause I recognize that he was
• 19:10
  like kind of a shitty dude. But like I think now I just.
• 19:15
  I don't. Know.
• 19:16
  Yeah. I liked the version of him that
• 19:17
  I saw talking about Thanksgiving.
• 19:19
  I like the like during the interviews and stuff.
• 19:21
  I like the Horner. Part of him, yeah.
• 19:23
  He can talk about like anything related to it.
• 19:26
  He's so good at that and he's clearly passionate about these
• 19:29
  types of movies. Yeah, like I said, I just have a
• 19:31
  lot of mixed feelings about him as a person.
• 19:33
  Yeah, no, I I 100. Percent or like the persona that
• 19:36
  he puts out there. Right, right.
• 19:37
  So. That being said, I think we're
• 19:40
  ready to go into our good, bad, ugly and absurd.
• 19:42
  OK. So, Travis, what's good about
• 19:44
  this movie? All right.
• 19:47
  I feel like this movie does a really good job of doing role
• 19:51
  reversal from the first movie. OK, so you had the dudes that
• 19:55
  you were following. In the first one, This one, you
• 19:57
  have the women that you are following.
• 19:59
  I like that approach. Like if we were to pitch a
• 20:01
  sequel, I'd be like, OK, let's see what it would be like with,
• 20:03
  you know, gender swapped. Like what the experience would
• 20:06
  be because like it's going to be a different experience for how
• 20:08
  they are treated in these different areas.
• 20:10
  Because you know. Obviously, like people interact
• 20:14
  with like the two different genders differently.
• 20:16
  Well, and it's just also the whole experience of being a
• 20:19
  woman in the world is very different than the experience of
• 20:22
  being a man in the world. And it's not like, you know, and
• 20:26
  I'm not saying things can't happen to men.
• 20:28
  Obviously it happens in the first one.
• 20:30
  But like you wouldn't be able to use the same setup well with a
• 20:33
  trio of women leading like. They played it like more creepy
• 20:37
  because, like with the train in this one, Like, it's creepy
• 20:40
  because you get these dudes praying on the girls and like,
• 20:43
  you get to like, see the dudes being creepy, like.
• 20:46
  Being, and that's one of the most egregious things about
• 20:48
  Excel's character, is that she's breaking girl code.
• 20:50
  She came in there to supposedly help ward off these creepy guys,
• 20:55
  but she actually suck them. Symptoms, Yeah.
• 21:00
  On. On them in the 1st place.
• 21:02
  Yeah, and she was coming in there so that way she could feed
• 21:04
  them to other creepy men. Like, yeah, she the ultimate
• 21:08
  breakage of girl code. See in in the first one on the
• 21:10
  train. Like, they just have an
• 21:11
  experience with like, a creepy guy in general.
• 21:14
  Yeah, just talking about eating salad with his fingers and rusty
• 21:18
  spoons and whatnot, but I like it.
• 21:22
  Just it's yeah, it's it has to be played differently.
• 21:25
  So I do, and a lot of people get mad that it's like so similar to
• 21:30
  the first one, but I think it's similar but it's told
• 21:32
  differently because it needs to be.
• 21:33
  And I think that's kind of missed on a lot of people.
• 21:36
  Yeah, it's like, it's good because if you're getting a
• 21:38
  similar enough story and, like, you're getting a lot of the
• 21:40
  similar beats, but, like, it's different enough for it to be a
• 21:43
  fresh take, Yeah. You also get, like, actual
• 21:47
  perspective from the people that are doing the killings.
• 21:50
  Yes, 'cause I think that that's nice to be able to explore that
• 21:53
  side of it, too. Like, you know, you get these
• 21:55
  people, like, they have seemingly normal lives where
• 21:58
  they're just like working, or they're with their families, or
• 22:02
  they're at dinner with their wife, you know, and all this
• 22:05
  dark shit is happening secretly. Like it's and that's
• 22:08
  interesting. And that's the other thing about
• 22:10
  it, too, is that with each movie we get more of an exploration
• 22:14
  of, like, the the larger implications of this, of this
• 22:18
  hunting club. Yeah.
• 22:20
  And in this one we definitely talk a lot about, like we see
• 22:23
  the bidding happening and we see that it's not just men, 'cause
• 22:26
  we do have the one woman that's doing it.
• 22:27
  And we see people like, going throughout various different
• 22:29
  parts of their lives doing it. And we also kind of see how much
• 22:33
  influence wealth has. Yeah, right.
• 22:36
  'Cause even our our final girl, she ends up winning because
• 22:39
  she's like, I've got fuck you money, fuck you.
• 22:42
  Fuck you. And fucked all of my friends
• 22:43
  too, basically. Like, I mean, they're.
• 22:45
  All they were dead already, but. She probably would have been
• 22:48
  like and fuck them, whatever. I mean, if she could have gotten
• 22:50
  them out, she would have, but. Maybe.
• 22:52
  It was she was taught she was chained up when Whitney got
• 22:55
  killed. Yeah.
• 22:56
  OK, That's. True, and she tried to stop
• 22:58
  Lorna from getting in the boat. It just felt like she had a
• 23:00
  completely turn of character in that moment there where she's
• 23:04
  like, OK, fine, I'm just gonna start killing people now.
• 23:07
  Well, here's the thing. Is that he well, that's the only
• 23:11
  way to get out of there alive. We had that established
• 23:13
  multiple. Times.
• 23:14
  Well, she had fuck you money. She couldn't be like look here's
• 23:16
  like. No, it didn't matter for Todd
• 23:19
  and Stuart. Remember.
• 23:21
  Like they? Well, they didn't have enough,
• 23:23
  is the thing Like he knew about Stuart's like, well, you already
• 23:27
  have like a mortgage and you got your kids.
• 23:29
  No, the money wouldn't. The money wouldn't have been
• 23:32
  enough to let them walk out of the Murder Club without also
• 23:35
  being complicit. That's part of how they are able
• 23:38
  to keep this network going. OK, OK.
• 23:40
  Fair enough. You're right.
• 23:42
  OK, so that's my good. OK, what's your good about this?
• 23:45
  On top of all the stuff I was charming it on OK.
• 23:47
  I do think that this tells a little bit more of a cohesive
• 23:50
  story, because that's one of the biggest problems I have with the
• 23:52
  first one is that it's like half like American Pie in Europe and
• 23:58
  then all of a sudden it's a horror movie halfway through I.
• 24:01
  Like that. I like that a lot, though I can
• 24:03
  understand how you like, you know, somebody else might not.
• 24:06
  Like it's just it's such an intense shift.
• 24:09
  Whereas in this one we do get like, you know, we get partying
• 24:13
  in the train bar, we get the harvest festival, we have these
• 24:17
  moments, but there's like a sinister feeling underneath.
• 24:21
  And we have like a more cohesive storyline other than my
• 24:24
  girlfriend, don't me. And I'm gonna go see some
• 24:26
  boobies like, which, yeah, I mean, it's a thing, but like,
• 24:30
  you know, it just there was more to it.
• 24:33
  And we still get like, some of that, like, cultural rhetoric,
• 24:36
  too, Like, 'cause we've got Lorna, who's a very sweet person
• 24:40
  and means well. But she infantilizes these
• 24:42
  people from the Village because she assumes that like, oh, they
• 24:45
  don't have, you know, it. They have kids that are making
• 24:49
  cider to sell at a festival, obviously.
• 24:51
  Like, they're poor and disenfranchised and all of this,
• 24:54
  like, she's making a lot of assumptions about the culture
• 24:57
  because it's different from her own.
• 24:58
  And she's, again, she's got good intentions, but it's still, it's
• 25:02
  like, it's so cringy to watch her, like, go over and try and
• 25:06
  talk to these children that way. Or like when she tries to give
• 25:09
  like the bubble gum gang kid. Like actual Yeah, mint.
• 25:14
  If you're not gonna give the dollar, at least give some
• 25:16
  bubble gum I. Know.
• 25:16
  Right. Like these kids.
• 25:18
  Yeah. Bubble gum.
• 25:18
  They just need candy. Like, yes.
• 25:20
  Not so good. Maybe when they're older, like,
• 25:22
  I get excited I'm in snow. But like as a kid, I would not.
• 25:25
  Yeah, yeah. So I I think we get a a little
• 25:28
  bit more story. I also like that we get, like we
• 25:31
  get a little bit of like fluidity with sexuality in this,
• 25:34
  because obviously there's some moments between Axel and Bev,
• 25:38
  but I feel like there's also like some moments between Todd
• 25:40
  and Stewart. You get in the first one, too,
• 25:42
  though. You get the guy that, like, he
• 25:45
  doesn't want to come out to his friends.
• 25:46
  And then you get the the dude that's gonna kill him.
• 25:49
  He's like, you know, I was like you.
• 25:51
  I feel like it's a much more mature version of the first one.
• 25:56
  Not that I think it's a mature, like it's gore.
• 25:59
  It's popcorn gore at the end of the day, no, But I definitely
• 26:02
  think it's a grown up from the first one.
• 26:04
  Yeah, I get you. It takes it a little bit more
• 26:06
  seriously. Yeah, maybe.
• 26:07
  OK. And I and them growing and
• 26:10
  showing the auctioneers is part of the reason that I like the
• 26:13
  third one because we get a wider and wider scope each time.
• 26:15
  So what's the next logical conclusion?
• 26:17
  Obviously people watching, embedding and that's why I will
• 26:20
  defend the third one and we'll get to that at some point, but.
• 26:22
  Oh yeah, I guess we will, You know.
• 26:25
  You know what? I'm down to talk about that one
• 26:26
  too. Like, honestly.
• 26:27
  Like I need to watch it again. Oh, don't worry, we can arrange
• 26:31
  that. OK.
• 26:33
  Time for bed, OK, I don't have a lot.
• 26:36
  For this. OK, but one thing I will say is
• 26:39
  I feel like the tension is a little bit lacking compared to
• 26:42
  the first one. And I think it's because this
• 26:44
  movie plays it to where we know the secret and the first one,
• 26:49
  all of the scenes are like about them not knowing what's going
• 26:52
  on. And like it's all framed without
• 26:54
  wanting to tell you what's going on.
• 26:57
  But this one, it's presented like, hey, you know about the
• 27:01
  hound group, you know what they're about.
• 27:02
  Like, we're not gonna like when we show you their place, it's
• 27:06
  not shy or framed and like as creepy of a way.
• 27:10
  Like the thing that I think the most about is like that scene in
• 27:13
  the first one where you just have the dude walking down the
• 27:16
  long hallway whistling and that is creepy.
• 27:19
  You don't have those atmosphere building scenes in this one, I
• 27:22
  don't think. However, counterpoint, OK, I
• 27:26
  think that they build tension, just in different ways, because
• 27:28
  in this one we're talking about the range that this club has and
• 27:32
  the power and control that it has.
• 27:35
  Because obviously, yeah, you can't put the Janie back in the
• 27:37
  bottle, you know what I mean? We can't have this secret club
• 27:41
  thing. So now we gotta figure out okay,
• 27:42
  what else do we do that's scary? It's a different kind of
• 27:44
  tension. The thing that I think is more
• 27:47
  scary though is not having that information, being a boogeyman
• 27:52
  type thing where it's scary and there's obviously a lot going
• 27:56
  on, but I don't know anything about it.
• 27:58
  All I know is I'm in this damp, dark place with somebody that
• 28:01
  has tools on the table that is going to try and torture me and
• 28:05
  that's just about it. So then the only other solution
• 28:08
  to that is to not have a sequel to this.
• 28:10
  Well, you can do it, but you can still build it like that.
• 28:13
  Like, you don't necessarily have to pull the curtains back and we
• 28:16
  can see the behind the scenes of how the business operates.
• 28:19
  You know, like when you introduce these two characters
• 28:22
  that are going through the process of bidding and they
• 28:25
  have, like, you know, they have to go there and they get the
• 28:28
  tattoo and they go about the rules and we get to see the head
• 28:30
  poncho of the whole place. You know what I mean?
• 28:32
  Like, we get that exposed. It's less of like a scary
• 28:36
  mystery thing. We just see it now.
• 28:38
  I know. But I think, I guess it's one of
• 28:41
  those things that's like the different things that you find
• 28:44
  scary because, yeah, the element of the unknown is scary.
• 28:47
  But I also think seeing how big and deep this goes, seeing how
• 28:50
  many people are involved in something so depraved, I think
• 28:54
  that's scary in a different kind of way.
• 28:56
  And again, if we don't have that, like we're just, we really
• 28:59
  will just be repeating the beats of the first movie.
• 29:02
  I feel like we have no. I feel like we need to progress
• 29:04
  the story a little bit. No, that's fine.
• 29:06
  You know, and I'm not seeing this movie lacks tension
• 29:09
  completely. Like, I'm not saying that it
• 29:10
  does have its own tension. I just prefer the first ones
• 29:13
  better in that. I mean, it is a different kind
• 29:16
  of tension. I will give you that.
• 29:17
  It work. That type of tension works for
• 29:19
  me, and I recognize that it exists in this movie in a
• 29:22
  different way. But if I had to pick between the
• 29:25
  two about which one I find more scary or creepy, I'm going to go
• 29:29
  with the first one because of that, OK?
• 29:31
  Because I don't like, it's like the same thing of like when you
• 29:33
  go too much into war about a killer.
• 29:35
  I don't like that as much. That takes away the creepiness
• 29:37
  about it. Just leave them be.
• 29:39
  Like, let them be a mystery, Let them be creepy.
• 29:42
  That's it. OK.
• 29:44
  All right, what's your bad? My bad is probably we have.
• 29:53
  So it's weird because again, I think a lot of people say that
• 29:58
  this repeated too much of the first one, but I think we get
• 30:01
  even like less torture stuff with it.
• 30:03
  We do. Yeah.
• 30:05
  That's another thing. So we get like little shots and
• 30:07
  glimpses and stuff and it's, I don't know, it just feels
• 30:11
  different like, and it does definitely feel like they
• 30:14
  shifted the tension being from like what's happening to the
• 30:16
  people in there to the focus being like the group, the
• 30:20
  hunting group. And I think it's got its pros
• 30:23
  and its cons. I think it's a shame that KNB
• 30:26
  doesn't get to shine the way they did in the first that's.
• 30:29
  The thing I think what you're trying to say is like, there's
• 30:31
  not as many notable moments in this one because like if you
• 30:34
  look at the first one, you got the one where he gets his tendon
• 30:37
  cut. That is fucking creepy.
• 30:39
  That's terrible. You get the Japanese student
• 30:43
  that gets her eyeball, like torched out, like you get those
• 30:49
  moments that I feel like stand out more than like.
• 30:52
  Oh no, my stand out moment between all three movies.
• 30:55
  The one that comes to mind immediately when I think of
• 30:57
  Hostel is I think of her cutting off his Ding donger.
• 31:00
  Oh, is that really what you think?
• 31:01
  Of yes. It's the first thing I think of.
• 31:03
  That one is gnarly. That is gnarly.
• 31:04
  I like if I had to pick one from this one.
• 31:07
  I think the upside down like Scythe that Heather Mataratsu.
• 31:11
  Yeah, yeah. Gets is pretty great.
• 31:13
  I also like the saw to the face, so where he gets stuck and he
• 31:16
  has to like see, like I didn't like seeing that, you know?
• 31:19
  Yeah, it definitely. It feels like even though we
• 31:21
  expanded the hunting group, it does feel like maybe the cast is
• 31:24
  smaller in a weird way. Yeah.
• 31:26
  So I think you're right. Yeah.
• 31:29
  But yeah, that's really my only bad.
• 31:31
  OK, now for ugly. I have Whitney slipping alcohol
• 31:38
  to Warneth when she doesn't really, she doesn't drink.
• 31:41
  She's made it very clear to them.
• 31:42
  And you know what? People are OK to have that
• 31:44
  boundary. You don't have to force others
• 31:45
  to have. Like, yeah, Like, just because
• 31:47
  you have fun getting drunk doesn't mean other people will,
• 31:49
  do you know what I mean? And it's not like she's
• 31:51
  necessarily uptight. She's actually giving Whitney
• 31:54
  shit on the way to the festival. She can cut up and have fun
• 31:57
  without. Alcohol.
• 31:57
  Yeah, exactly. Is Whitney kind of to blame for
• 32:00
  Lorna's judgment and getting in that boat?
• 32:03
  Kind of does. She have some complicity with
• 32:05
  it. I.
• 32:05
  Mean Yeah, 'cause like it might not have I.
• 32:08
  It wouldn't have. I'm not saying Whitney's
• 32:10
  responsible for Lorna dying, but definitely, like Lorna made a
• 32:13
  bad Yeah, Lorna made a bad choice, not realizing she didn't
• 32:15
  have full control over her, like her faculty, her inhibitions.
• 32:18
  Yeah, yeah, she was drunk. And she's not used to that.
• 32:22
  Like, you know, feeling like I remember the first time I got
• 32:24
  drunk, I took my shirt off. I did not realize that your face
• 32:28
  goes not when you drink. Really.
• 32:30
  Yeah. And then I started conjugating
• 32:31
  verbs in Spanish. I'm not cool like.
• 32:34
  Wow, we had two different experiences.
• 32:37
  I was at Frat House. I don't think I was gonna be
• 32:39
  taking off my shirt, getting drunk.
• 32:40
  That's a good call. I was with a bunch of buddies
• 32:43
  and me and my friend were like, it's hot in here, isn't it?
• 32:45
  And like, yeah, it's really hot. And I'm like, OK, let's take our
• 32:47
  shirt. Off.
• 32:48
  That's still not like the time you flipped all of the tables in
• 32:50
  front of the dorms and. That was a different type of
• 32:52
  drunk. That was the first, that type of
• 32:54
  drunk. And the other thing I have is
• 32:59
  with the leader dude executing that kid, I get this execution
• 33:04
  style. Yes, and he makes the kids
• 33:07
  choose which one they're going to sacrifice.
• 33:11
  And I saw some people online were upset about it.
• 33:13
  But I think the whole point is to show that even like the
• 33:17
  bubble gum, 'cause we know the bubble gum gang, I can't see
• 33:20
  bubble gum gang. Did you call him the Bubble Gum
• 33:23
  King? I thought.
• 33:27
  I thought you said bubble gum king with country swing Bubble
• 33:30
  gum Kang. No, because I keep my brain is
• 33:33
  wanting to say kids, but it's gang, so it's coming out king.
• 33:37
  No, you know, but he is the bubble gum king.
• 33:40
  He's the king of all the bubble gum kids there.
• 33:42
  Anyway, I think, like, what it's definitely doing is because we
• 33:46
  know that they're like involved in the hunting club in a
• 33:49
  tangential kind of way, but we also know they can be bought and
• 33:53
  sold. And I think Sasha is like
• 33:54
  demonstrating like that. They need to play along, like
• 33:57
  they need to remember who's in charge and who ultimately
• 33:59
  controls their faith. To me, that scene had purpose
• 34:03
  and I understood. It No.
• 34:04
  It's got a purpose, but it's ugly.
• 34:06
  It's fucking. Oh yeah, killing the kid.
• 34:08
  Yeah, well, especially how he does it.
• 34:10
  Like, yeah, execution. Choose an execution style.
• 34:12
  Yeah, not good. What's your ugly?
• 34:15
  Definitely the dudes that were for sure going to assault Beth.
• 34:21
  And Whitney? God, yeah, those guys were very,
• 34:24
  very sketchy. Yeah, they were immediately
• 34:26
  sketchy. They where they just living in
• 34:28
  that train car 'cause like. The graffiti.
• 34:31
  Yeah, yeah, What the fuck is? That why is this so different
• 34:33
  from their train car? Like it doesn't mean darker too.
• 34:36
  It doesn't even look like a difference between like.
• 34:38
  I don't know how, like airplanes are like first class or
• 34:40
  whatever. Like the the car is the same
• 34:42
  size as theirs, like. I you know what great points I
• 34:45
  don't know, it did seem like that might have been where they
• 34:47
  reside. But yeah, so those dudes are are
• 34:50
  creepy. Also, Todd and Stuart's talk
• 34:55
  about like, this gives me chills.
• 34:58
  So when Todd says, like, it's an animal instinct, you just know
• 35:02
  when a man, like when they're capable of killing somebody, you
• 35:06
  can feel it. Yeah, and I got chills when he
• 35:08
  was talking about that, because there's definitely been times
• 35:11
  like that where there's been an encounter with a stranger on the
• 35:14
  street and I've just gotten bad. Vibes.
• 35:17
  And it's. I know exactly what he means.
• 35:19
  And it's just like that's ugly for the realness of it.
• 35:23
  Yeah, no, I like it's like that. Like instinctual thing inside.
• 35:29
  Like the lizard brain is telling you, danger.
• 35:31
  It's sensing something that you're not able to pick up
• 35:33
  directly. Yeah, but it's telling you to
• 35:35
  get out. That's instinct.
• 35:37
  Yeah, right there. OK, Absurd.
• 35:42
  My absurd the lack of tattoo care that they get wants to get
• 35:47
  their tattoos and that. Dude, Homie was just free.
• 35:51
  Handing I know my next thing He did not have a fucking template.
• 35:55
  But he's doing all of them the same.
• 35:57
  I know exactly. He's That's the only tattoo he
• 36:00
  does. But they also all look very
• 36:02
  shitty and all I can think of is on the tattoo subreddit that
• 36:06
  people would just feel like sick Ass Panther.
• 36:08
  Cover that shit with a Sick Ass Panther.
• 36:11
  Just thinking of like, you know, getting critiqued on Inkmaster
• 36:14
  like that shits. Jacked.
• 36:16
  Which tattoo is worse, the Bloodhound or acid cat?
• 36:21
  Bloodhound dude. Acid cat.
• 36:22
  I love acid. Acid cats one of I would wear
• 36:25
  the. I would.
• 36:26
  Cat acid cats. One of my favorites.
• 36:28
  I would get an acid cat tattoo. And honestly, if for being real
• 36:31
  though, for free handing, he's doing a pretty sick pound.
• 36:35
  Counts are tough, man. They got all those folds.
• 36:37
  It's like on Ink Master, when they're like it's hard to
• 36:39
  tattoo. Old people, yeah.
• 36:41
  You can be so easily disrespectful by doing all the
• 36:44
  wrinkles. Same thing with the hounds, like
• 36:46
  they got all those folds on their face.
• 36:48
  Yeah, although, yeah, no, I agree with you.
• 36:51
  Like, they're definitely those tattoos are going to get
• 36:53
  infected. Yeah, right.
• 36:55
  Like they don't have the wrapping.
• 36:56
  They just don't. Pretty sure they reuse the same
• 36:59
  needle between Todd and they. Did.
• 37:00
  He did not swap them out. Yeah, it's gross, dude.
• 37:04
  Like what? Somebody has a fucking disease,
• 37:06
  right? Well, we know Todd and Stewart
• 37:09
  have at least gotten gonorrhea. There's no indication that they
• 37:13
  haven't gotten other things as well, so.
• 37:15
  Probably not. Yeah, yeah.
• 37:17
  God yeah. The only other one I have is
• 37:22
  they hit table restaurant buzzers for when their people
• 37:25
  are ready. Range on those buzzers.
• 37:27
  I know. It's so funny.
• 37:29
  Like, I feel like that might have been like intentional
• 37:31
  humor, that it's like a. Little Oh, absolutely.
• 37:33
  Yeah. All right, what are your
• 37:36
  absurds? My absurd boy.
• 37:40
  The fact that Pulp Fiction is still playing in the lobby,
• 37:43
  That's a fun little moment. It's like the same scene, too.
• 37:46
  Yeah, yeah. No, It's like almost right
• 37:49
  after. I think the first time we were
• 37:50
  seeing the Ezekiel speech. Yeah, this time we see him like
• 37:54
  killing Marvin. Yeah, yeah.
• 37:56
  The scene where they're arguing right before they shoot Marvin,
• 37:59
  which obviously because Tarantino produced this, so it
• 38:02
  makes sense that that was thrown in there.
• 38:04
  They said the reason that they did that is it.
• 38:06
  Supposed to be in the same universe.
• 38:08
  No, it's not. That would be cool.
• 38:10
  Well, that would be weird. That would be in like the one of
• 38:13
  the universes that they have where like they are movies
• 38:15
  within the universe. OK, OK.
• 38:17
  But no, I think the reason that they had that in the first one
• 38:22
  and carried over into this one is because I think one of them
• 38:24
  did travel somewhere. Like I think they stay in like a
• 38:26
  hostel somewhere, OK? And they went there and they saw
• 38:30
  everybody gathered around in the hostel watching Pulp Fiction.
• 38:34
  It kind of makes me think of like in Midsummer, where she
• 38:37
  says the kids are watching Austin Powers A.
• 38:40
  Little bit different movie, but yeah, it's 80.
• 38:42
  Five. Yeah.
• 38:43
  Yeah. OK.
• 38:44
  So we got that. We've also got OK, I know what
• 38:50
  it was that I was thinking of. It's at the festival when the
• 38:52
  they're playing like the folksy, like fiddle music and
• 38:55
  everything, and everybody's doing traditional dances, but
• 38:57
  then like Whitney and Excel are out there like it's a fucking
• 39:01
  club. Yeah, like they're.
• 39:03
  Like. Grinding.
• 39:04
  And yeah. That is fun.
• 39:08
  That's such a fun moment like, and I get why it was there, but
• 39:12
  it's really hilarious. Yeah.
• 39:13
  OK, cool. OK.
• 39:15
  All right. Time to rate it.
• 39:17
  All right. I I like this movie.
• 39:19
  I like it. A why I think it's a good
• 39:21
  sequel. I think I'm gonna give it an 8.
• 39:24
  I'm gonna give it an 8 and. 1/2 all right.
• 39:26
  So we're starting off with an 8.25 and I feel like that's a
• 39:31
  good score for this movie. I agree.
• 39:34
  The credits are just going over a little friendly reminder about
• 39:37
  what this movie is about, which is the people killing young
• 39:40
  backpackers. Yeah.
• 39:41
  Pretty much, yeah. Somebody's going through
• 39:44
  somebody's personal belongings, burning their photos, clothes,
• 39:47
  all kinds of shit. Then we cut to Paxton from part
• 39:50
  one. He's falling asleep on the train
• 39:52
  after smearing a lot of blood on the window.
• 39:54
  So some guy who's probably not getting paid enough, although
• 39:57
  they're in Europe, so maybe he's actually being paid better
• 39:59
  wages. Probably.
• 40:00
  Yes, for this right here. Yeah, I always forget Paxton is
• 40:03
  in this movie. Yeah, just briefly.
• 40:06
  They take him to an Italian hospital.
• 40:08
  Or if you're me, when I was doing these notes on Italina
• 40:11
  Hospital. And some detectives come and
• 40:14
  speak to him and they ask about the place in Slovakia he had
• 40:18
  mentioned. And basically this is where they
• 40:20
  do a little brief recap of part one, throw in the throw in the
• 40:24
  exposition in a way that makes enough sense I'll allow it.
• 40:28
  And they ask how he survived and it flashes to him murdering a
• 40:32
  bunch of people fairly because how else was he gonna get out?
• 40:36
  But he was just like I escaped and they asked about the tattoo
• 40:43
  and the club and he's like he's. Like, how do you know that they
• 40:47
  are part of this organization? It's like they all have the same
• 40:49
  tattoo. And they're like, oh, well, it's
• 40:51
  interesting. We found a body at the same
• 40:53
  station you were in, murdered in the bathroom.
• 40:57
  And they have this Bloodhound dog tattoo that you're Speaking
• 41:00
  of. And does it perhaps look like
• 41:02
  this? He's like, not exactly.
• 41:05
  He's like, yeah, the guy, free hands.
• 41:06
  Yeah, we've. Told him he needs a template.
• 41:08
  Yeah, that definitely looks like you know, you just got it out of
• 41:11
  bubble gum machine. Calm down.
• 41:14
  You know, OK. But you know what would OK,
• 41:17
  well, OK, he wakes up here. Sorry I I got trapped.
• 41:19
  You got excited. I I got an exciting scenario.
• 41:23
  The poets here. OK, how would this have gone had
• 41:28
  we stuck with that one ending where he kidnaps the dude's kid
• 41:31
  instead of killing him? That would drastically change
• 41:36
  this opening here. I don't it would, but it also
• 41:39
  would drastically change the end of the first movie because it
• 41:42
  makes Paxton like. Kind of a bad.
• 41:44
  Guy. Yeah.
• 41:45
  It's harder to root for him when he's doing shit like that.
• 41:47
  That's. True.
• 41:48
  Yeah. So I I like that we went with
• 41:50
  that original ending and I like that we have this false start.
• 41:54
  So he wakes up, It's actually a nightmare he had about them
• 41:56
  possibly getting to him. And he gets up to go take
• 41:59
  medicine and his girlfriend is awake and he's like, do you want
• 42:02
  some food? And she's like, what?
• 42:03
  It is 3 in the morning and he's like, yeah, but I have to take
• 42:05
  this with food. Here's the thing, depending on
• 42:08
  how long they ate before they went to bed, he probably doesn't
• 42:11
  actually need food right this minute.
• 42:12
  Most of the time when medicines say take with food, it means
• 42:15
  don't take it on an empty stomach you.
• 42:16
  Just have some food in your system.
• 42:18
  Because I was on a medication for a long time that was like
• 42:20
  that. I couldn't take it in the
• 42:22
  morning because it would 100% of the time make me throw up.
• 42:26
  But I could take it before bed at 9:30, ten o'clock, even
• 42:30
  though we would have dinner at six.
• 42:32
  Like, right, It was fine. It just you can't process it
• 42:35
  when you're completely emptying. The rules.
• 42:37
  OK. Yeah.
• 42:37
  That's the kind of guy he is. And she's like, have you told
• 42:42
  Josh's mom? And he's like, I can't, I can't
• 42:44
  tell anybody because they can find us.
• 42:46
  And she's like, they can't find us here.
• 42:47
  I can't even find the place. And I've been coming here since
• 42:49
  I was a small child. I had to ask my sister for
• 42:51
  directions. So he's like, what the fuck you
• 42:52
  told my sister? And she goes, listen, I only
• 42:54
  took you back because I felt bad for you and also you keep waking
• 42:57
  me up, she doesn't come across super great.
• 43:00
  No, she's not. Yeah, you keep waking me up in
• 43:01
  the middle of the night, he's like, fine, it's not going to be
• 43:03
  a problem anymore. She's like, no, I didn't mean
• 43:06
  all the shitty things I just said.
• 43:08
  And then, OK, here's my, like, the funniest thing.
• 43:10
  It's like, nobody knows about this place wakes up, here's a
• 43:13
  chainsaw. Outside, there's a fucking
• 43:15
  groundskeeper. Somebody obviously knows where
• 43:17
  this is. Why is he not freaking out about
• 43:19
  the fact that they have a groundskeeper?
• 43:21
  Yeah, so she goes downstairs and she's talking to him and she
• 43:26
  walks in and it's actually his headless body and the cat is
• 43:29
  doing just cat things and licking the blood out of the
• 43:32
  stump of the neck. I would like to think that our
• 43:34
  cats would be better than that, but deep down I have a feeling
• 43:37
  that maybe they wouldn't be. No.
• 43:39
  As soon as Zoe realized we were dead and would not be able to
• 43:41
  feed her again, she'd be like, all right, it's every, every man
• 43:44
  for themselves. I'm going to start eating them.
• 43:47
  I will take Mommy because she's less hairy.
• 43:49
  It would need me first because I'm the one that, like, eats him
• 43:51
  at night. How dare you?
• 43:54
  Let's honor him by letting him be our final.
• 43:58
  OK, so and then we see what happened to, Paxton said.
• 44:02
  It was delivered to who? At this time, I just wrote a
• 44:05
  scary man. It's actually Sasha.
• 44:07
  I had him written down from here and from the rest of the movie
• 44:10
  as head honcho. Fitting, because he gets the
• 44:13
  head from Paxton and he's the head honcho, yeah.
• 44:16
  Then we cut to an art class where?
• 44:18
  Kids. Are yeah, kids are drawing some
• 44:20
  nudes. Yeah, and I thought that that
• 44:23
  was an interesting thing that they did with this one too is
• 44:25
  like instead of just like, you know, female nudity, they have
• 44:29
  male nudity in this. Yeah, we get two wing wingers.
• 44:31
  Yeah, two Ding dongers for sure. Yeah, so they're they're doing
• 44:36
  the drawing. Lorna is just completely spaced
• 44:38
  out. She's living in the moment.
• 44:42
  Why are you doing a fucking drawing class if you're not
• 44:44
  gonna be drawing and just writing in your journal instead?
• 44:47
  I this is definitely one of those like semesters abroad and
• 44:51
  it's like some art class or whatever and they have a lot
• 44:55
  more free time and it's really meant for kids that have a
• 44:57
  little bit of extra money. Not necessarily rich, because
• 45:01
  I've known people that have done it that aren't like Loaded.
• 45:05
  But yeah, it's definitely like I was a scholarship kid and
• 45:08
  there's no way I would have been able to ever do something like
• 45:10
  this. So for her, it's like more of
• 45:12
  like a vacation. Basically a.
• 45:14
  Little bit, yeah. Like, she gets a credit for it,
• 45:17
  but she's also getting the cultural enrichment.
• 45:19
  Right. OK, well, there's a female model
• 45:22
  that steps up and they all draw her.
• 45:25
  And then after the class is over, the model comes over to
• 45:28
  Beth and asks you the drawing. So I need to tell everybody here
• 45:33
  about one of our favorite Christmas traditions.
• 45:35
  We just watched this little Netflix original called
• 45:37
  Christmas Inheritance. Yes, and it has plop from the
• 45:42
  office. I do not remember the actor's
• 45:43
  real name and it doesn't actually matter.
• 45:46
  His character is in the back office.
• 45:49
  Where the the main protagonist of the movie finds him and he's
• 45:54
  like drawing in a sketch pad and he's like I never wanted you to
• 45:56
  see this and it cuts to the sketch pad and it is one of the
• 46:00
  worst drawings of a reindeer I've ever seen.
• 46:02
  That I would generally believe that they had plop draw that in
• 46:06
  the right. They didn't hire somebody to do
• 46:08
  a sketch like they did in this movie.
• 46:10
  And it feels like in this sketch, it's one of those very
• 46:13
  quick, like, we're practicing basic anatomy sketches, but the
• 46:17
  proportions are off a little bit, Yeah, but Axel's like, this
• 46:22
  is amazing. Can I buy it from you?
• 46:24
  And Beth's like, that's weird. Just take it.
• 46:27
  Yeah, right. Like this is just like a drawing
• 46:29
  of you. That's kinda not that great.
• 46:30
  She's like, I'm not gonna ever look at this again.
• 46:32
  You can have it. Yeah.
• 46:33
  And she's like, can I pay you back?
• 46:34
  Maybe get a drink? She goes, Sorry.
• 46:36
  We're getting on a train to Prague.
• 46:38
  Cutting. With them on the train to
• 46:39
  Prague. Well, cut to them.
• 46:43
  Waiting for the train to Prague, OK?
• 46:45
  Cuz she's arguing with her dad who wants to book The Four
• 46:50
  Seasons for them and she's like, no, nobody.
• 46:52
  Are you just gonna be staying at The Four Seasons?
• 46:55
  And they're Whitney's? Like, so why aren't we getting
• 46:58
  on the train yet? She's like, we're waiting for
• 47:00
  somebody. She's like, you did not invite
• 47:01
  Lauren. And she goes she was crying.
• 47:03
  Yeah, she basically begged to join them.
• 47:05
  She's homesick and she's like, she's homesick For Boston, was
• 47:09
  it. Boston was the place.
• 47:11
  Something like that. Yeah, it was funny.
• 47:13
  It's like, yeah, come on, like we're in fucking Rome.
• 47:16
  Yeah, get over yourself. Yeah.
• 47:18
  So they get on the train and Whitney is mean to Lorna.
• 47:22
  And at first you think Lorna is just like kind of oblivious to
• 47:26
  it, but we learn pretty quickly. She's actually just very
• 47:29
  patient. Yeah, and she can fucking give
• 47:32
  it back too. Yeah.
• 47:34
  But Whitney and Beth go to the car and Lauren is like, no, I
• 47:38
  don't drink. So I'm just gonna sit here and
• 47:40
  I'm gonna journal and she goes another new journal and she was
• 47:44
  like, yeah, I want those emotional callbacks.
• 47:45
  Lauren has been to therapy, yeah.
• 47:49
  So Beth and Whitney are going to the drink or get drinks and they
• 47:54
  get shoulder checked by creepy dude with a long hair and.
• 47:57
  Monster, yeah. Yeah, I guess one of those
• 47:59
  people that is like walking in the middle of the hall does not
• 48:02
  want to give any space. What the fuck are you supposed
• 48:04
  to do? Yeah, so he notices though that
• 48:08
  Lorna is still in the little cart by herself, so he starts to
• 48:11
  creep on her. So Axel is actually on the train
• 48:14
  at the bar and she said that what's her name?
• 48:20
  Beth inspired her that she was going to take a little vacation
• 48:22
  as well. And then Whitney does this move
• 48:24
  that's really amazing. She was like because they want
• 48:27
  to figure out how to get drugs and she was like watch this and
• 48:29
  she holds up a cigarette and immediately some dude's like,
• 48:33
  can I light that for you that. Was a good.
• 48:35
  What an amazing. That's a pro move right there,
• 48:38
  she made Eye. Contact with the dude she saw.
• 48:39
  The dude was like smoking and he's like, all right, that's my
• 48:41
  target right there. That only works, though, if you
• 48:46
  put out that confidence. Yeah, you know what?
• 48:48
  No, that's what I'm saying. It's a pro move.
• 48:50
  Yeah, for sure. So he comes over and she starts
• 48:53
  asking about drugs and she's like, we're definitely thinking
• 48:56
  like some X and bud. And then she looks over at Beth
• 49:00
  and Beth completely deadpants. This is amazing delivery.
• 49:03
  She's like, I don't know, PCP Angel dust crank like.
• 49:08
  And then when she's like, but next is fine.
• 49:11
  So guys like, OK, yeah, I think I got some in my bag back in my
• 49:15
  car. Come on back there with me.
• 49:17
  And it is sketch city. Yeah, graffiti all over the
• 49:20
  walls. They've definitely been living
• 49:22
  there. The dudes are basically licking
• 49:24
  their lips, staring at them. It's the most stereotypical
• 49:27
  dirty looking crew ever, like a bald guy in the corner with a
• 49:30
  knife. Why do you have a knife?
• 49:32
  Out and he's just stabbing a lady in a nudie mag.
• 49:35
  Yeah. What the fuck is wrong with this
• 49:37
  fucking dude? Like, is he trying to come on to
• 49:40
  them with that? It's like you guys like that
• 49:42
  shit. Yeah, well, and then basically
• 49:44
  they're like, well, we got to go back to our friend and they're
• 49:45
  like cool three of you. That means we won't have to take
• 49:48
  turns. What the?
• 49:49
  Fuck, dude, all right, they. They know about they're about to
• 49:53
  just kind of slip away, even though the dude's getting kind
• 49:55
  of aggro, and then he calls her fucking American cunt.
• 49:59
  That's. Her word?
• 50:00
  Yeah. That is, yeah.
• 50:02
  That is her sleeper agent signal, yeah.
• 50:04
  Yeah, she turns into an assassin.
• 50:05
  Yes. And she launches into like a
• 50:08
  whole tirade and Whitney has to like, hold her back and just
• 50:11
  scoot her off. And she's like, I'm sorry, I
• 50:13
  just really fucking hate that word.
• 50:15
  They get back to their car and the guy still learn his iPod and
• 50:18
  she's very shaken up. But Axel comes and she's like,
• 50:20
  hey, I just found this. And they're like, what?
• 50:22
  And she goes, what? I passed some dude coming out of
• 50:24
  your car and he dropped it and I assume it's not his because he
• 50:27
  didn't come back for it. So Oh yeah, the dudes were also
• 50:32
  coming down the hall when all this was happening.
• 50:34
  Yeah. They're banging on all the
• 50:35
  doors. Yeah, but basically they're gone
• 50:37
  at this point. So they should have been a
• 50:38
  little bit suspicious why they're not also having to deal
• 50:40
  with that trio. All this because, like they're
• 50:43
  knocking on the. Doors and then they hear a
• 50:44
  knocking and sexual and it's like, OK, yeah, I got your phone
• 50:47
  and I made those guys go away. Might worry thinking about that.
• 50:50
  One a little bit, but. They offered to let her.
• 50:53
  Stay in their car because they've got an extra seat slash
• 50:57
  bunk and she pulls out a drink and they all cheers.
• 51:02
  Nostrovia, Nostrovia, Nostrovia. Lorna Cheers with her.
• 51:07
  Capri Sun. Yeah, that was.
• 51:10
  So they're all talking. She is telling them that she
• 51:13
  decided she was going to go on a little like a spa vacation in
• 51:17
  Slovakia. Yeah, just have to get on a
• 51:19
  connecting train. In Prague, yeah.
• 51:21
  She's like, y'all can join me if you want to because they're.
• 51:23
  All like, yeah, that sounds amazing, because actually Lorna
• 51:25
  says that it sounds very. Therapeutic.
• 51:27
  That's true. Apparently there's like a big
• 51:29
  football. Game going on in Prague, which
• 51:31
  the football crew is all on that train partying dude.
• 51:34
  And we watched some videos. Of like people fighting at
• 51:37
  football games over in that general region and it's intense.
• 51:42
  People take football like their. Football.
• 51:44
  I think it was like hungry in Bulgaria that.
• 51:46
  We were watching the video of I think You're Right, Yeah.
• 51:49
  And some dude just got, like, thrown down the steps.
• 51:51
  It just gets taken very seriously.
• 51:53
  Apparently, just like, I'm sure we have some weird sports over
• 51:56
  here. They're like, they're like,
• 51:57
  people get really weird like that with football here too.
• 52:00
  Yeah, our American football. Yeah, our football.
• 52:03
  Yeah, they do ask Axel where they should stay.
• 52:06
  And of course she takes them to the hostel, the hostel, the
• 52:09
  hostel and. It's funny because they get
• 52:12
  there and. The guy says it's €10 and Beth
• 52:14
  goes to pull out her wallet and Whitney's like, I've got this,
• 52:19
  Yeah, don't worry. Guys.
• 52:21
  It's the dude from the first one to the the clerk, Yeah.
• 52:25
  So there's he tells them about the harvest festival that night,
• 52:28
  and Whitney uses some very 2007 language describing it until she
• 52:34
  sees Miroslav, who's like, oh, this sounds interesting.
• 52:36
  She's like, oh, we're definitely going, Oh yeah.
• 52:39
  He collects their passports and they get a room and then as they
• 52:43
  go up to their room he kind of goes into the backroom and
• 52:45
  downstairs into a hidden area where he starts scanning the
• 52:48
  passports in and this is where we start seeing some of the
• 52:50
  inner. Workings of the hunting club.
• 52:52
  But because all of these rich assholes are getting bidding
• 52:55
  alerts for these new I like this and the way that this.
• 52:59
  Is done. It's so cool how everybody is
• 53:01
  just like, it starts off with a dude golfing this guy like some
• 53:05
  Japanese business guys with them.
• 53:06
  Yeah. Yeah, that's Todd.
• 53:08
  We've got the Granddad at A2. Story merry go round, just like
• 53:12
  waving to his granddaughter. That was my favorite thing last
• 53:15
  night. Like you weren't.
• 53:16
  Amazed about anything else? But when that came up, you're
• 53:18
  like two-story carousel, like, well, hold on a.
• 53:22
  Minute. Listen, I come from the era
• 53:24
  where. Our local mall had a carousel
• 53:27
  indoors, and I used to beg my mom every time we went to the
• 53:32
  mall to rent the carousel. And one time she took me to a
• 53:35
  movie, it was Oliver and Company, and when we got out of
• 53:37
  the movie, they'd already turned off the carousel for the night.
• 53:41
  Yeah, this is such a memory. It's obviously a core memory.
• 53:45
  It's stuck with me. That's what it was all.
• 53:49
  Unleashed there last night when watching this movie.
• 53:52
  Double carousel, dude, if we were ever out anywhere.
• 53:55
  And we saw a double carousel. You know, I would make you ride
• 53:57
  that with me, or at least wait while I would ride.
• 53:59
  I would happily do that with you.
• 54:01
  I'm there with you, baby. Thank you anyway.
• 54:05
  Back to Yeah, So there's a large variety of.
• 54:08
  People on this bidding war going on, you see that Beth and
• 54:12
  Whitney and Lorna are all being auctioned.
• 54:15
  Don't. One thing I don't like about
• 54:17
  this is I don't see the final price that they sold for.
• 54:20
  Yeah, it starts with like 20. 5000.
• 54:23
  And it like slowly works up to 45 and that's the last price we
• 54:25
  see. Yeah, but it's up there.
• 54:28
  And it wasn't. Todd that saw the 40. 5000, so
• 54:32
  And we know he ends up winning and he bought 2, bought two,
• 54:35
  yeah, two Americans and. Americans are obviously the
• 54:38
  priciest type. Yeah, so Todd called.
• 54:41
  Stewart to inform them that they won the bid.
• 54:44
  And Stewart is in his house and he's not talking to his wife
• 54:48
  who's wearing a business suit and has dark hair.
• 54:51
  And that's important for later. Yeah.
• 54:53
  And they all two kids there though.
• 54:55
  Yeah. Put on the school bus.
• 54:57
  She and their two kids leave and he goes about cleaning the
• 55:01
  kitchen and he looks real grumpy and he's like, just tell your
• 55:05
  wife that you're gonna go meet a client.
• 55:07
  Yeah. So on their.
• 55:09
  Way to the Harvest Festival. Whitney says something about
• 55:12
  Lorna journaling the experience and she goes, yeah, I'll be able
• 55:16
  to talk about the experience and what a raving bitch you are.
• 55:19
  Yeah, Kind of earns everybody. 'S respect with that, especially
• 55:22
  Whitney when he was like all. Right.
• 55:25
  And then the. Bubble gum king.
• 55:27
  Arrives into. The Bubble Gum King.
• 55:33
  All the kids are demanding money or candy.
• 55:35
  They're speaking. So we don't really know.
• 55:38
  Doll, I guess is money. We do not know dollar, dollar.
• 55:42
  Dollar dollar. They say dollar.
• 55:44
  Yes all. Right, so they're asking.
• 55:45
  For money here. But they can be bought by yes,
• 55:48
  we do know that if you give them.
• 55:49
  Enough bubble gum, It'll outweigh the dollar, Right,
• 55:53
  Warner? Offers a mint, which doesn't go
• 55:56
  well. They spin in her face.
• 55:58
  Yeah, and. Axel manages to shoo them away.
• 56:02
  She says something in Slovakian and or maybe Russian.
• 56:05
  I don't really know. I don't know.
• 56:07
  I think these kids are actually. Slovakian.
• 56:08
  I think they're locals, yes. And I know that the.
• 56:11
  One like the Bubblegum King he is returning from the first one.
• 56:15
  Yeah, didn't age. That kid truly.
• 56:19
  Is a king. So, Todd.
• 56:21
  And Stewart arrive in. Slovakia.
• 56:23
  They're getting like the VIP treatment, and they're also
• 56:26
  given their little restaurant pages.
• 56:29
  That way they know when their table at LongHorn Steakhouse is
• 56:32
  ready. This is so funny.
• 56:36
  All right, so they're all having.
• 56:40
  Fun. They're enjoying themselves.
• 56:42
  Axel and Beth are sword fighting and Axel's like, hey, do we want
• 56:45
  this for a temporary apartment? And Lorna goes, Oh my God, those
• 56:47
  are €1000. And Whitney's like, do you not
• 56:50
  know that she's loaded? Isn't that kind of like that was
• 56:53
  a? Bad move on Whitney's part,
• 56:54
  because that's definitely confidential information, right?
• 56:56
  Yeah, and. She's like.
• 56:59
  Or maybe it's not confidential, but just something Whitney?
• 57:01
  Or Beth doesn't really like tell people.
• 57:04
  She strikes me as the type that just wants people to be friends,
• 57:07
  to be her friends and not because she's like, well, that's
• 57:09
  why I think it's not cool. On Whitney's part to tell that
• 57:12
  information. Because it's not her information
• 57:14
  to share with other people, Yes, because you never know.
• 57:16
  When people find out that you have that kind of money, it can
• 57:18
  change how they interact with you.
• 57:20
  I don't feel like it would change Lorna though.
• 57:22
  She's pure. She's true.
• 57:23
  We see. It didn't.
• 57:24
  Yeah. So she's.
• 57:25
  Cool, but. You know, it's still not a cool
• 57:28
  thing to do. I want more of this back story
• 57:30
  though. So her mom was because at first
• 57:32
  Lauren was like, oh, did she get a really big allowance And she
• 57:35
  goes, no, actually she puts her dad on the allowance.
• 57:37
  Her mom died when she was 12 and left everything to her.
• 57:39
  What is this back story dude? What if he is a hound?
• 57:43
  Like and I can get it from. One perspective, like, if you
• 57:46
  have a lot of money, you want to, like, make sure that your
• 57:48
  children are set up in case something happens to you.
• 57:50
  That the TAD got nothing. Yeah, Isn't that weird?
• 57:54
  Yeah, there's. A story there, Maybe the dad.
• 57:56
  Divorced, yeah. Maybe they were divorced and.
• 57:58
  Beth, like, doesn't hate him. So she's like, yeah, I'll give
• 58:02
  you money. Yeah, maybe.
• 58:04
  But I still need. You to work because.
• 58:06
  I want you to know the value of a dollar.
• 58:08
  Yeah, Yeah. It's an interesting dynamic.
• 58:10
  I and it could have been explored, but yeah, basically
• 58:14
  Whitney's like. She could buy this entire
• 58:16
  country if she wanted to. So those swords.
• 58:18
  Nothing. Not nothing.
• 58:20
  Which is good, because they're definitely not getting on the
• 58:23
  plane back to America, so. We cut back over to the boys.
• 58:29
  They get unsanitary tattoos. Yeah, sharing a needle they're
• 58:32
  getting. Hound tattoos.
• 58:34
  Stew's a little bit reluctant. He's like, what's my wife gonna
• 58:37
  think he's like, listen, I came here to kill.
• 58:41
  People, a tattoo. It's a little too far.
• 58:44
  Yeah 'cause that shit. Sticks with you, you know, Like
• 58:47
  how are you gonna explain that? Well, and then also like he's
• 58:50
  gonna he. Seems like he's on the fence
• 58:52
  anyway. And then he's gonna look at that
• 58:54
  too, and that tattoo. And every time he looks at that
• 58:56
  tattoo, he's gonna think about the fact that he killed
• 58:58
  somebody. That's true.
• 58:58
  But Todd points out that he managed to explain away the
• 59:02
  gonorrhea he got in Thailand. So there's that.
• 59:06
  I don't think he successfully explained that one.
• 59:09
  Away. His wife is probably like, OK,
• 59:11
  they just haven't ever had sex again.
• 59:12
  Yeah. OK, cool.
• 59:15
  And then the. Head lady that's there tells
• 59:18
  them that they have to get tattoo.
• 59:21
  It's part of the contract and it's the contract is completely
• 59:24
  non negotiable and there is laying this out like very
• 59:28
  ironclad throughout the whole movie that this club can and
• 59:32
  will murder anybody who doesn't follow their rules and that
• 59:35
  their reach is far and wide Big No Nos.
• 59:38
  So come. Back over to the festival,
• 59:40
  Whitney brings back some cider for everybody and give some to
• 59:44
  Warren and says don't worry, it doesn't have alcohol in it.
• 59:46
  And then she like looks over at Beth is like it has alcohol,
• 59:50
  like a shit ton of alcohol. Beth is like this has the most
• 59:52
  alcohol of. Any cider I've ever had, the
• 59:56
  women are dancing. To their folk.
• 59:57
  Music. Like they're in a club.
• 59:59
  Yeah, Todd and Stewart are watching.
• 1:00:01
  It's Stewart's birthday gift. What a weird, bubby birthday
• 1:00:05
  gift. I know, right?
• 1:00:06
  Like that they've. Been through some shit together.
• 1:00:08
  Apparently they were like, oh, we've not done anything else.
• 1:00:11
  So I guess we'd kill somebody now.
• 1:00:13
  Yeah. Happy.
• 1:00:14
  Birthday Bobby. Roman wants to dance with Lorna,
• 1:00:17
  and you can tell she's a little bit shocked, Like maybe she
• 1:00:20
  doesn't get asked to dance a whole lot, which is insane
• 1:00:23
  because Heather Matarazzi is a very beautiful woman.
• 1:00:26
  Yeah, yeah. And you know.
• 1:00:28
  Who he reminds me of? He reminds me of John Brennan.
• 1:00:32
  Yes. Absolutely.
• 1:00:35
  He's, that's why. He and John Brennan.
• 1:00:36
  That's why he gets. 2 lines because.
• 1:00:38
  If he says any more than that, we're going to hear that Jersey
• 1:00:40
  Monster come out of his mouth. So yeah.
• 1:00:45
  They're all in Boogie and having a good time.
• 1:00:47
  You see Stu and Todd across the party over there and stu's like,
• 1:00:53
  all right, I'm gonna go in for a closer look.
• 1:00:55
  Well, a guy that looks kind of. Like Eli Roth.
• 1:00:58
  How you coming over? And Bobby dude, like he has his
• 1:01:01
  brothers. Like going to movies?
• 1:01:03
  Yeah. Well, and his brother is listed
• 1:01:04
  as one of the. Assistant producers?
• 1:01:05
  No. OK, It could be him.
• 1:01:07
  Yeah, our associate producers. So he asks Beth to dance and she
• 1:01:11
  politely declines. And she's just like, I'm just
• 1:01:13
  watching. I'm not in the mood to dance and
• 1:01:15
  he's like, please dance with me and she's like, I said no, he
• 1:01:19
  goes, I tried to help you. I think I could have saved you
• 1:01:21
  like. Whoa, dude, calm.
• 1:01:23
  Down like that's too cryptic. And.
• 1:01:27
  Too much of the type of shit women get on a regular basis to
• 1:01:33
  take it serious. Yeah, that right there.
• 1:01:34
  Like what else is he's? Like, I fucking tried.
• 1:01:37
  Did you really do you asked her to dance?
• 1:01:39
  Have you thought about like, did she have to dance?
• 1:01:40
  Was dancing part? Was it crucial to her survival?
• 1:01:44
  I think his plan was to like gently.
• 1:01:46
  Whisper in her ear like what the situation was, but like, see the
• 1:01:49
  cool thing about a party? Going on is you can sit next to
• 1:01:53
  them and like, it's loud. Yeah.
• 1:01:54
  And then you'll be like hey I. Gotta get closer to speak.
• 1:01:56
  To you like, yeah, you can do so many things, but he walks away.
• 1:02:00
  And then the guy, the clerk at the hostel, kind of approaches.
• 1:02:04
  He's like, what did that guy say to you?
• 1:02:06
  And she's like, he just asked me to dance.
• 1:02:08
  And he's like, I'll make sure he never asked anybody to dance
• 1:02:11
  again. And she goes, it really wasn't
• 1:02:12
  that big a deal. He won't be a problem anymore,
• 1:02:15
  like. Dude, he just fucking asked her
• 1:02:16
  to dance. Like, I know he was kind of like
• 1:02:18
  not taking no for an answer, but it wasn't that bad where you
• 1:02:21
  have to kill. Yeah, yeah, like, I've
• 1:02:23
  definitely. Dealt with way creepier, guys.
• 1:02:26
  Yeah, multiple instances. Of bars like that's.
• 1:02:28
  Creepy, but that's not maliciously.
• 1:02:30
  Creepy. You know what I mean?
• 1:02:31
  Like, it's just like not being a creep, dude.
• 1:02:33
  And maybe you'll get somebody to dance with you.
• 1:02:36
  She. Backs up and accidentally throws
• 1:02:39
  her drink on Stewart and she apologizes by buying another
• 1:02:42
  drink. Oh, because like, the guy gives
• 1:02:43
  her a drink as a here. Drink this.
• 1:02:45
  Oh, yeah, yeah, that's. Yeah.
• 1:02:46
  And she's. Like, very smart.
• 1:02:48
  Yeah, she. Didn't see that drink.
• 1:02:50
  Being poor. Do you absolutely do not drink
• 1:02:52
  that? Yeah.
• 1:02:53
  Yeah, very good. Move and it's rule number one.
• 1:02:56
  I have all the people to. Spill it on great person.
• 1:02:59
  Stew on the wag right there. Make him look like he peed
• 1:03:01
  himself. Yeah, he probably did he
• 1:03:03
  himself. Fantastic.
• 1:03:04
  He probably did. Roman, they go to get in line.
• 1:03:07
  For the drink and Lorna comes over to say Roman wants to take
• 1:03:09
  her on a boat ride and she's like Lorna.
• 1:03:11
  Do you not get a boat on him? Please promise.
• 1:03:14
  And Lorna's like, oh, what? Because he's not Beth and
• 1:03:16
  Whitney appears, she goes, no, because he is a stranger and
• 1:03:19
  that's a boat And you're yeah, you're in a.
• 1:03:22
  Foreign country with people you don't know, like and Beth wants
• 1:03:25
  to say and you're also. Drunk.
• 1:03:26
  But Lorna doesn't know she's drunk, right?
• 1:03:28
  She's like, what is this feeling?
• 1:03:29
  Is this what happiness? Is like I don't need my journal
• 1:03:33
  anymore, so she promises that she won't go.
• 1:03:40
  Yeah, Beth and Stewart are drinking and talking, and when
• 1:03:43
  he goes to walk away, he says see you later, Beth.
• 1:03:45
  And she goes, how do you know my name?
• 1:03:47
  And he's like your friend said it.
• 1:03:48
  That's a. Good.
• 1:03:51
  That's a good save. And then she looks over and
• 1:03:54
  sees. Lorna with Roman in the boat and
• 1:03:57
  she tries to run to her, but obviously that's not gonna work.
• 1:04:00
  No, I can't run on water. Not Jesus.
• 1:04:02
  So they get to a shore. And he stakes the boat, and it
• 1:04:07
  looks like he's gonna. Kiss her and then?
• 1:04:09
  She's bagged by a couple other people and she still doesn't
• 1:04:13
  really understand what's happening.
• 1:04:14
  So she tries to run for Roman and he pushes her in the water.
• 1:04:17
  And it's just mean. Yeah, yeah.
• 1:04:20
  So we cut. To Whitney.
• 1:04:22
  And Beth going back to the hostel.
• 1:04:24
  Whitney is super fucking drunk. And Axel says she'll wait for
• 1:04:28
  Lorna, so that way Beth can take care of Whitney, cause Miroslav
• 1:04:32
  is trying to sleep with Whitney and Beth's like, listen, yeah,
• 1:04:36
  too drunk, too unknown, like not tonight like and Whitney.
• 1:04:42
  Is very easily. Swayed by like, a dildo.
• 1:04:45
  Like she just wants an orgasm. She doesn't really care who or
• 1:04:47
  what it's with, she just wants to get off.
• 1:04:49
  Yeah, so they make. It back to the hostel and she
• 1:04:52
  walks across the hall and before she saw like a couple having a
• 1:04:55
  very cute little couple, they're.
• 1:04:57
  Just enjoying their little trip in Slovakia.
• 1:04:59
  Walked like the dude. Josh from the.
• 1:05:01
  First movie, honestly. I mean, obviously it's not him
• 1:05:05
  because he died, but it looks a lot like him.
• 1:05:07
  A cool thing would have been like if this movie took place
• 1:05:10
  during the first one. Oh yeah, I wouldn't like that.
• 1:05:13
  But I did like. The opening.
• 1:05:15
  Scene. I think that opening scene with
• 1:05:16
  PAX is amazing. You gotta have one together.
• 1:05:19
  The opening. Scene's pretty good, but yeah,
• 1:05:20
  the dudes are going through her like their stuff and like
• 1:05:23
  bagging it up and they see her notice, so they just like slam
• 1:05:26
  the door. Then we catch Todd and Stuart
• 1:05:28
  running. And talking about Greg having
• 1:05:30
  sex and you can't convince me that this is not like a
• 1:05:34
  homoerotically charged conversation, the way they're
• 1:05:37
  talking about sensing sexual prowess in other men.
• 1:05:40
  It's like, you know that feeling like.
• 1:05:42
  Do you ever know the guy in your school that had sex for the
• 1:05:46
  first time? And it's like, we all knew when
• 1:05:48
  he came back that day that he had sex and you can just, it's
• 1:05:52
  like a Sensi guy. Like it's animalistic.
• 1:05:55
  It's like, I want that same thing.
• 1:05:56
  You can feel that same thing with people that have killed.
• 1:05:59
  If somebody's killed, they'll get off off that energy that
• 1:06:02
  they can fucking go there. Yeah, yeah.
• 1:06:05
  So yeah. Todd is getting impatient,
• 1:06:09
  'cause he can sense that Stuart's like dragging his feet
• 1:06:11
  and is unsure about all of this. So we.
• 1:06:14
  Get to the SPA. It looks beautiful.
• 1:06:17
  It's so nice. I wish we had Spas like.
• 1:06:19
  This. Here, it looks awesome.
• 1:06:21
  I want. I just wanna go to a spa like
• 1:06:23
  this and not have to get a fucking massage.
• 1:06:25
  I don't want a massage, but I want all of the other spa
• 1:06:27
  treatments I'm I'm pretty sure you could arrange.
• 1:06:30
  That I want a facial. I want a mud wrap.
• 1:06:32
  I wanna be in a little steamy. Yeah, that sounds fantastic.
• 1:06:36
  Be able to swim around too? Yeah, this one.
• 1:06:39
  Little Bridges and. Yeah, it's a nice little.
• 1:06:42
  It's a hot spring, which I don't think we really have those in
• 1:06:45
  Kentucky. We'd probably have to go to the
• 1:06:47
  western side of the country, most likely.
• 1:06:49
  So yeah, they're having a great. Time there.
• 1:06:51
  Meanwhile, Warren. Yeah, they don't know where
• 1:06:53
  Lauren is. But they assume she got laid, so
• 1:06:55
  they're happy for except in reality, she.
• 1:06:58
  Is currently tied upside down. She's about to be Madam Bath
• 1:07:01
  Reed. So she's bound and naked on this
• 1:07:06
  little track that takes her over top of a bathtub, and Roman
• 1:07:10
  pulls out a little torch, which has to be like a little nod to
• 1:07:13
  the first one, but he uses it to light the candles, which is a
• 1:07:17
  bit of overkill. However, my old man used to do
• 1:07:20
  the same thing. He had a little torch lighter.
• 1:07:22
  Yeah, honestly. Like instead of picking.
• 1:07:25
  Up the candles and lighting in that that way one at a time.
• 1:07:28
  Like I can see the torch being very convenient for that right
• 1:07:31
  there. Cuz there's a lot of candles.
• 1:07:32
  Yeah, yeah, this woman paid. For a body to kill and she paid
• 1:07:38
  for 500 candles in the wind, yeah.
• 1:07:42
  So Warren is. Just kind of dangling up there.
• 1:07:45
  And then the woman enters. She disrobes and she is gonna
• 1:07:50
  take a bloodbath. Yeah, she's got like, a little
• 1:07:52
  size. And she starts slashing Lorna's
• 1:07:56
  back before she takes a little handheld size type thing.
• 1:07:59
  I like that. I thought it was kind of funny.
• 1:08:00
  Yeah, I got my. Big one.
• 1:08:01
  And then I got my little tiny size and it's just for sweat and
• 1:08:05
  throats, cuz that's what she does.
• 1:08:08
  What a very. Theatrical way of choosing your
• 1:08:10
  murder like and I like how she gets this nice pretty setup
• 1:08:14
  where all the other yeah club members.
• 1:08:17
  Like have to go? Into their little shells, yeah,
• 1:08:19
  yeah. You know what?
• 1:08:20
  I didn't. Even think about that, but I.
• 1:08:21
  Wonder if she paid extra for that room.
• 1:08:23
  She had to both, yeah. And that was.
• 1:08:26
  Very that. One had like a water production
• 1:08:28
  value to it, yeah, she definitely did pay more and.
• 1:08:30
  She is credited. As miss.
• 1:08:32
  Bathory. Really.
• 1:08:33
  Yeah, that's her character name, which is appropriate.
• 1:08:37
  You guys aware of the Muniz era? We're still in the Muniz era in
• 1:08:41
  this moment. I don't necessarily wanna say
• 1:08:43
  good for her. But in a way, kinda good for
• 1:08:45
  her. She got it.
• 1:08:47
  She went all out with it. Yeah, she was theatrical about
• 1:08:49
  it. She made the she was like, how
• 1:08:51
  can I be as fucking weird as possible with this, yeah?
• 1:08:55
  OK, so Axel's comforting. Beth and she's kissing her
• 1:08:58
  gently on the shoulder. They look almost exactly the
• 1:09:01
  same when. They don't have their makeup.
• 1:09:03
  Yes, like I thought I was looking at Beth.
• 1:09:04
  And then she went. Over and started kissing at
• 1:09:06
  Beth. I was like, wait, what?
• 1:09:09
  Yeah. So.
• 1:09:10
  Beth ends up falling asleep and she wakes up and the spa is
• 1:09:13
  empty. And this is creepy as shit.
• 1:09:15
  Why did they not? Why did they leave her?
• 1:09:17
  There, why did everybody? She could have drowned.
• 1:09:20
  She could have drowned. Like at least.
• 1:09:22
  Like, I guess like Winnie, like, stepped away.
• 1:09:25
  Yeah, Whitney and Miroslav definitely were like.
• 1:09:27
  Kidnapped in this time? Yeah, well, they went to like a
• 1:09:29
  separate like spa. Room area.
• 1:09:31
  I guess they were gonna fucking steam.
• 1:09:32
  Definitely gonna. Fucking there, but then said.
• 1:09:34
  I guess they. Got kidnapped, so she starts.
• 1:09:37
  Looking. Around her locker was broken
• 1:09:39
  into, so all of her stuff is gone.
• 1:09:40
  And then she sees men in all black along with say it with me
• 1:09:45
  balaclavas. I thought you were gonna get it
• 1:09:49
  'cause it was Europe, God damn it.
• 1:09:52
  Travis, It's got to be. Uncomfortable being dressed.
• 1:09:54
  And all of that shit in a spa? Yeah, you know, it's, you know
• 1:09:58
  it's. Humid as a hell, it's probably
• 1:10:00
  waterboarding is. Like is like.
• 1:10:02
  Heavy, just pulling down their face.
• 1:10:06
  Yeah, that's that's not a good choice of.
• 1:10:09
  Wardrobe for that situation, like they went into that scene
• 1:10:12
  and they. Came out weighing 10 lbs, more
• 1:10:14
  just from all the trapped moisture.
• 1:10:16
  Beth hops the wall. Yeah, she's a.
• 1:10:19
  She's a. Feisty.
• 1:10:20
  Little character, and I like her for it.
• 1:10:22
  She sure is. However, when she.
• 1:10:25
  Jumps over the wall. She runs out into the road and
• 1:10:27
  it's a truck. And when you know it, it's
• 1:10:29
  potentially bubby. Roth.
• 1:10:30
  Yeah, who's noticeably beaten? Yeah, one of his teeth is
• 1:10:33
  broken. And he's like, I tried to help
• 1:10:35
  you and I'm not going to help you.
• 1:10:37
  Now. I get the sense that they made
• 1:10:39
  him leave town and it seemed. Like, he was like packed up and
• 1:10:41
  like getting out of town. Yeah, he is.
• 1:10:44
  It was definitely a sense of like things will be way worse
• 1:10:47
  for you than just a busted up face if you don't get out now
• 1:10:50
  for sure. So she runs through the woods
• 1:10:53
  and is approached by the bubble gum gang.
• 1:10:55
  She trips on a wire, yeah. That they have.
• 1:10:58
  Out there, Conveniently, yes, Bubble Gum King arises.
• 1:11:02
  They all beat her with sticks, and as they're beating her with
• 1:11:09
  sticks, Sasha approaches He. Shoots the gun up into the air.
• 1:11:14
  He's with Axel, and they help. Axel takes Beth to the car, and
• 1:11:20
  once they're out of sight, he has them pick their sacrifice.
• 1:11:23
  Yep. And he kills one of them.
• 1:11:25
  Yep. So they tell Beth.
• 1:11:27
  Police is on the way and. Sasha gives her some more tea
• 1:11:29
  and Axel offers her some clothes, so they go upstairs.
• 1:11:33
  This is where we cut to Whitney and she is being made pretty for
• 1:11:36
  the client, yeah. So she's just sitting back there
• 1:11:40
  in the makeup room and somebody's in there to try and,
• 1:11:42
  like, make her pretty, give her some makeup.
• 1:11:44
  But she bites the person's nose off and takes the key, unlocks
• 1:11:48
  herself and starts to run away, which that was gnarly moment.
• 1:11:52
  It was gnarly. It was very good.
• 1:11:54
  I kind. Of feel bad for the makeup
• 1:11:56
  woman. Because the guards saw all of
• 1:11:58
  that and didn't do anything to help.
• 1:12:00
  No, they didn't. Yeah.
• 1:12:03
  And the guards are just. Like teasing her by dropping the
• 1:12:05
  different gates and pulling out the dogs and everything.
• 1:12:08
  Yeah, and they end up collecting her.
• 1:12:11
  So in Axel. 'S room.
• 1:12:12
  Beth sees a photo of Axel with the iPod thief, and that makes
• 1:12:18
  her suspicious. So she looks out the window and
• 1:12:20
  sees the men in their very damp wool get UPS coming inside.
• 1:12:26
  They're grumpy and they are uncomfortable.
• 1:12:30
  So she gets into the closet, and in the back of the closet she
• 1:12:33
  finds like a hidden panel. And that hidden that panel leads
• 1:12:36
  to a secret room that is just heads.
• 1:12:38
  Yeah, just collecting all the heads.
• 1:12:40
  And you see, I would have paxons I would have.
• 1:12:43
  Loved it. If it.
• 1:12:44
  Was like an extension of the closet.
• 1:12:46
  So they're still clothes back there.
• 1:12:47
  And she had like sunglasses and hats and stuff on that.
• 1:12:51
  You can try it on them, yeah. Dude, that would be good.
• 1:12:54
  Like it's a 2. For one, you know what I mean.
• 1:12:56
  Like we had got my heads on display, but also like now I can
• 1:12:59
  see my hats and see what it looks like on different people,
• 1:13:01
  yeah? Yeah, I like that.
• 1:13:03
  Stuart and Todd's beepers go. Off Todd wears a tuxedo and
• 1:13:07
  Stuart wears jeans and I don't. Know which is funnier.
• 1:13:13
  Like the tuxedo, man. That's like.
• 1:13:16
  That's like black tie event. Right there for him.
• 1:13:19
  They get there. And it's.
• 1:13:21
  Like they're picking out their weapons and their outfits and
• 1:13:24
  they're raised. He puts on the.
• 1:13:27
  Headphones like. The noise gets my headphones.
• 1:13:29
  He does like the air traffickers like keep going, keep going with
• 1:13:33
  his hands and they wind up. So this is the thing.
• 1:13:36
  That I told you like scared me the most.
• 1:13:37
  When I went to see Ice 9 Kills was when they did their worst
• 1:13:41
  vacation. The actors on stage wore the Get
• 1:13:45
  up. Yeah, yeah, yeah.
• 1:13:47
  And that scares me more than like any of the other outfits
• 1:13:51
  they have, 'cause it's so fucking intimidating, especially
• 1:13:54
  'cause they were just very stoic about it.
• 1:13:56
  And I it freaked me out. And I told you that.
• 1:13:59
  And when I came home the next day, you're like, hey, can we
• 1:14:00
  watch Hostel? And I was like, what the fuck?
• 1:14:03
  It's a good movie to watch sometimes.
• 1:14:06
  Yeah, but yeah, like it is. Cool.
• 1:14:07
  Like he's also trying on like the masks and stuff, but they go
• 1:14:10
  with the traditional, because I agree, the traditional look of
• 1:14:13
  just the apron and like the little head, it's terrifying
• 1:14:15
  band thing. Yeah, it's so fucking.
• 1:14:17
  Serious it is. Stewart is freaked out when he
• 1:14:20
  sees all of the tools in his room and he pulls the hood off
• 1:14:24
  of Beth, and Beth is dressed exactly like his wife Linda.
• 1:14:27
  So we're about to project some shit hardcore, Yeah, Meanwhile.
• 1:14:33
  Todd has Whitney and he's kind of like excited and he's toying
• 1:14:36
  with the tools there. He's also coming into this with
• 1:14:39
  some. Small pee pee energy because
• 1:14:40
  he's like, oh, you think you're so pretty you can just get
• 1:14:42
  whatever you want. Except he's got her.
• 1:14:44
  And like she should have been like, did you see me on?
• 1:14:47
  The train? Yeah, I kind of can't.
• 1:14:49
  Yeah, like I am hot. Yeah, like, sorry Jen, I'm cute.
• 1:14:54
  So she's in like a pink and black satin corset bustier type
• 1:14:59
  thing and she's got. Think on it.
• 1:15:06
  What is it? It's a little, I'm gonna say,
• 1:15:09
  horrish. Makeup, and I don't mean it that
• 1:15:11
  I think it's horrish, but I think it's meant to be.
• 1:15:13
  I think the best one is the thing.
• 1:15:14
  Yes, is horrish makeup. Like that's what he perceives
• 1:15:17
  that to be. Yes, yeah, I get you.
• 1:15:19
  Yeah. So.
• 1:15:20
  I I personally am a fan of overdoing your makeup.
• 1:15:23
  It's fine. It's fun.
• 1:15:24
  I do it myself. Oh, I do.
• 1:15:26
  Yeah, I think you'll do so. I can't make up too.
• 1:15:29
  Thank you. Like, right now?
• 1:15:30
  Yeah, exactly. Yeah.
• 1:15:32
  But he's got. The saw and he tries to.
• 1:15:34
  Reach her and like the cord doesn't reach it unplugs.
• 1:15:37
  So he's like and he goes back there and gets I guess like an
• 1:15:40
  extension cord, I don't know. And then he goes over there and
• 1:15:43
  he gets distracted while holding it near her face and he
• 1:15:46
  accidentally slices her face and then he turns out he's like, my
• 1:15:49
  God, he slices her face, but also the hair gets caught.
• 1:15:52
  In the song Jams, yeah, the whole thing jams it and.
• 1:15:54
  It basically it pulls the. Hair off her head and a piece of
• 1:15:58
  her scalp. And it makes me think of cuz we
• 1:16:00
  have to use a grinder tool for Talia's nails.
• 1:16:02
  And you know how sometimes she'll pull her paw away and
• 1:16:06
  then it'll kick the grinder back, and then that gets caught
• 1:16:09
  in one of the blankets on the couch or out of those kind of
• 1:16:12
  things they think of? I'm glad that that's where I
• 1:16:13
  thought I was gonna go somewhere.
• 1:16:15
  Like and actually nick the scar on my hand.
• 1:16:18
  Right there from Halloween. Yeah, she's hurt herself hard,
• 1:16:22
  but I like his reaction. Like how it gets too real.
• 1:16:25
  Like, yeah, he's like, Nope, can't do it.
• 1:16:27
  So he. Puts in his little code, yeah.
• 1:16:30
  And he demands to be let out. And they're like, are you done?
• 1:16:33
  And he's like, whatever, just do whatever and they're like, no,
• 1:16:35
  you must complete like he should have seen the like, the torched.
• 1:16:39
  One of the Japanese girl like you think that this is too much?
• 1:16:42
  Yeah, this one right here is very gnarly.
• 1:16:44
  He should have had that same talk with Paxton.
• 1:16:46
  That wriggles. Rob Wriggles.
• 1:16:49
  Yeah, not Rob Wriggles, but he's in other Eli Rock movies.
• 1:16:54
  He's no the guy he gives me like Rob riggle energy the way he
• 1:16:59
  talks but he's the but he's the dad and.
• 1:17:02
  Thanksgiving. That guy?
• 1:17:03
  Yeah, the guy. That's in the first.
• 1:17:05
  Hustle movie. Yes, he should have been present
• 1:17:07
  for. That conversation where that guy
• 1:17:09
  was talking to Paxton and Paxton was like, just do something
• 1:17:11
  quick? Yeah, yeah, exactly.
• 1:17:15
  God, I'm editing out that mess where I.
• 1:17:16
  Just didn't know what the fuck I was saying.
• 1:17:18
  That's OK and yeah. He gets into the elevator and he
• 1:17:22
  starts to have like a complete breakdown.
• 1:17:24
  But then as soon as he makes it up to the level, they got the
• 1:17:27
  dogs there ready for him and the dogs stare him to shreds. 2
• 1:17:30
  shreds you say. 2 shreds I say. So they do a.
• 1:17:33
  Last. Minute auction for Whitney.
• 1:17:35
  She is not even set. The highest bid we get at one
• 1:17:39
  point is $650 or Heroes or whatever.
• 1:17:42
  Like, I get it. Like, she's kind of.
• 1:17:44
  Been used, but like, it's just like a cut to the face, you know
• 1:17:47
  what I mean? I guess a gnarly cut.
• 1:17:48
  But like, you know, like it's, it's weird.
• 1:17:53
  Yeah, they they take it to the director.
• 1:17:55
  Of. Hannibal or not Hannibal.
• 1:17:57
  Cannibal. Yeah, Holocaust.
• 1:18:00
  Who denies it. Yeah.
• 1:18:01
  Then he goes back to eating Miroslav.
• 1:18:03
  Miroslav Yeah, it's a good reveal.
• 1:18:05
  He's like, the guy wasn't the fucking creep after all.
• 1:18:08
  He just really wanted to have sex with Yeah, he was just like
• 1:18:11
  Whitney is. Hot Yeah, that was a great
• 1:18:14
  reveal. Right there, yeah.
• 1:18:17
  They get to Stewards Room and he learns that Todd was killed and
• 1:18:21
  they sees him get carted away. Yeah, he's like that's.
• 1:18:24
  What happened to your friend because he?
• 1:18:26
  Didn't complete the kill and then he asked to borrow the
• 1:18:29
  camera and he takes it in there. Shows Beth and he says that
• 1:18:32
  he'll take wit and we don't see what happens to her, 'cause they
• 1:18:39
  yeah, like we even cut to the security office and we can see
• 1:18:43
  the screen behind when the officers like where Stewart's
• 1:18:47
  walking into Whitney's room and then the security officer stands
• 1:18:50
  up and blocks it. So we don't actually know how
• 1:18:52
  she dies. We go back to that.
• 1:18:54
  Then she theoretically. Could have been saved by Beth,
• 1:18:57
  no. She was definitely killed
• 1:18:59
  because. Stewart comes back and he says,
• 1:19:00
  do you notice anything fucking different about me?
• 1:19:03
  And then he gives Beth the necklace.
• 1:19:05
  Yeah, I didn't catch that part. I thought he was just showing.
• 1:19:07
  The pictures, like, yeah, I just bought her.
• 1:19:08
  Yeah, no, she pleads and. She plays to his ego, which is
• 1:19:13
  like the smart move for this guy with the small pee pee energy,
• 1:19:16
  even though I'm sure she was like vomiting in her mouth the
• 1:19:19
  whole time. Yeah, 'cause I would have been,
• 1:19:21
  he is talking to her. Like his wife which OK their.
• 1:19:27
  Relationship, Honestly just sounds toxic, but I think it
• 1:19:29
  probably started with him because he just seems like a
• 1:19:33
  whiny little man baby. Yeah, like entitled.
• 1:19:36
  Yeah. Yeah, it seems that way.
• 1:19:38
  And he didn't even pay. For any of this shit, no.
• 1:19:42
  But like. She is doing.
• 1:19:44
  She's like, I would never. Yeah, she.
• 1:19:46
  Was like, I see what kind of a strong man you are.
• 1:19:49
  I wanted you to kiss me last night.
• 1:19:51
  And I just really wanted you to and.
• 1:19:53
  So he, like, unhooks her and puts her down on the floor.
• 1:19:56
  And it's like, oh, I didn't consider the fact that rape
• 1:20:00
  probably happens at these places, but it definitely does.
• 1:20:05
  Not about it either. Yeah, but.
• 1:20:07
  Thank God we don't have to. See that 'cause she head butts
• 1:20:10
  him? Yep.
• 1:20:11
  And then she gets him tied. Up and then she's asking for
• 1:20:14
  what the code is. This is probably the clunkiest
• 1:20:17
  dialogue in it for me, because she says flip the code and he
• 1:20:20
  goes your birthday. She goes December 12th.
• 1:20:22
  I'm like why do? You know, is it that?
• 1:20:25
  Yeah, we don't need. That, yeah, it's just.
• 1:20:28
  Fucking gross. I feel like that's probably the
• 1:20:31
  code for all of the. Rooms though December 12th no
• 1:20:33
  like. The victim's.
• 1:20:35
  Birthday. It's like, whoa, did you know
• 1:20:37
  that that's her birthday? Why does it code for all of the
• 1:20:39
  rooms here 'cause they? Have all of, like, their
• 1:20:41
  passports and stuff. So I assume, yeah, I bet you're
• 1:20:43
  right. Yeah.
• 1:20:45
  So yeah. She.
• 1:20:46
  Goes and smashes all the cameras that was a security.
• 1:20:49
  Can't see into them and the code isn't working until all of a
• 1:20:56
  sudden there's a buzzer sound and she gets the drop on the
• 1:20:58
  first card. She manages to knock him out and
• 1:21:02
  so when the rest arrive, she is using Stewart as a hostage.
• 1:21:05
  She's got, she's got his gun and she's.
• 1:21:08
  Also got. Head shearers to his Dick
• 1:21:11
  Wiener. And I.
• 1:21:14
  Mean Boo? Isn't it weird that she's?
• 1:21:16
  Trying to use him as a leverage, I guess she doesn't really have
• 1:21:18
  a lot of context. Well, because, yeah, well, and
• 1:21:20
  also he's the client. So I guess she's assuming that
• 1:21:23
  they're going to want to like protect him and she's like get
• 1:21:26
  Sasha and I love the way she like screams that cause like how
• 1:21:30
  does she know his name? 'Cause she Sasha's friends with.
• 1:21:34
  Axel. Yeah, right.
• 1:21:35
  She met him, right? So she wants to.
• 1:21:37
  Buy her way out. And they're like, you can't
• 1:21:40
  afford that. And she says a lot of stuff
• 1:21:43
  about different bank accounts and ways to get money and
• 1:21:46
  transfers and stuff that I don't know about, 'cause I'm not
• 1:21:49
  wealthy. So it sounded legit to me.
• 1:21:51
  Well, they all they, and then you can tell that.
• 1:21:54
  They've done their research on them.
• 1:21:55
  Like, I think that he knew, but he she.
• 1:21:58
  I guess he didn't. Know about all of the different
• 1:21:59
  bank. Accounts that she had.
• 1:22:01
  Meanwhile, Stuart's like, oh, I'll pay even more.
• 1:22:04
  He's like, you're not going to be able to do that.
• 1:22:06
  You have a second mortgage out on your house and.
• 1:22:08
  You got two kids that you're putting through school.
• 1:22:09
  Yeah, you're not going to be able to buy shit.
• 1:22:10
  In fact, you didn't even pay for this visit right here.
• 1:22:13
  Yeah, and. Then they're like.
• 1:22:15
  However, money is not the only option.
• 1:22:17
  We cannot let you walk out if you don't kill somebody.
• 1:22:20
  And Stuart wasn't on the train, so he doesn't know her sleeper
• 1:22:25
  agent code, right? So he calls her a cunt.
• 1:22:29
  Yep. And she she's like, what did you
• 1:22:32
  say? And then she she feeds it to 1.
• 1:22:36
  Of. The dogs and the guard goes, no,
• 1:22:39
  I like that. So, like, I feel like that was
• 1:22:43
  intended. No, I feel like the dog is like,
• 1:22:45
  no, no, don't eat that. Like and I feel like I read
• 1:22:50
  somewhere. That it was actually filled with
• 1:22:52
  like meat or something so the dog could eat it when they lost
• 1:22:55
  it. Yeah, I hope it was something
• 1:22:56
  actually edible, I feel like. Maybe it was like on the kill
• 1:22:58
  count or something when? You said that.
• 1:22:59
  OK, so greggy. Nix has to like.
• 1:23:02
  Dogs for sure. Yeah, he definitely strikes me.
• 1:23:05
  He's a dog guy. He's.
• 1:23:06
  A dog guy we should know Greggy Nix is in.
• 1:23:11
  Body. Bags as the guy that has the
• 1:23:13
  long hair that's walking his dog.
• 1:23:15
  OK, so then he on camera. With a dog but.
• 1:23:18
  He wants so, and then she says let him bleed.
• 1:23:24
  That's her kill. Yeah, he's got to.
• 1:23:27
  Live the rest of. His life?
• 1:23:28
  Bleeding from his Dick hole, Dickless and bleeding.
• 1:23:31
  Yeah, that's. A movie tower, right?
• 1:23:33
  There. Is that our, is that our
• 1:23:35
  tagline? Dude, that's it.
• 1:23:37
  Dick, listen bleeding. She gets she.
• 1:23:41
  Gets the tattoo. On her lower back, which is kind
• 1:23:44
  of an ick for me. Not because like, I don't have a
• 1:23:47
  problem with lower back tattoos, but I also know Eli Roth at this
• 1:23:50
  time definitely exclusively referred to them as tramp
• 1:23:53
  stamps. I think people still call them
• 1:23:54
  that, I don't think. That there's like, AI don't
• 1:23:56
  think it's like a necessary like a thing to like shame people
• 1:23:59
  like that's just kind of what it was called Tramp stamps.
• 1:24:02
  Yeah, well, it was definitely in a shamey.
• 1:24:03
  Way. Oh yeah, yeah.
• 1:24:05
  Like it's been too quiet which is spoken.
• 1:24:06
  Stupid because it's just. Like it's a tattoo.
• 1:24:09
  Yeah, it's a tattoo. It's a lower.
• 1:24:10
  Back tattoo? That's why, like, I try and make
• 1:24:12
  a point of calling them lower back tattoos.
• 1:24:13
  Yeah, I get you. Yeah.
• 1:24:14
  So yeah. And then we cut to the festival
• 1:24:22
  happening again. So I guess the harvest festival
• 1:24:25
  is not like a singular event the same night.
• 1:24:28
  That's all. It just happened.
• 1:24:33
  When? Oh, OK.
• 1:24:36
  The. One of the bubble.
• 1:24:37
  Gum gang kids steals. Axel's purse.
• 1:24:43
  So she runs after him into the woods and they do the same like
• 1:24:46
  trip wire thing. And when she sits up, that's
• 1:24:50
  there with a hood and she beheads her.
• 1:24:52
  Yeah, just straight up. But she doesn't have to buy.
• 1:24:53
  That one, she's just like, OK, just no, it's girl code.
• 1:24:56
  She's making sure that she. Doesn't do this to any other
• 1:24:59
  women. No, that's yeah, I'm 100% behind
• 1:25:01
  it. Right there, Although it almost
• 1:25:03
  seemed as though she is kind of joining them now.
• 1:25:07
  I mean, she's in the club. She's in the club, she's got the
• 1:25:09
  tattoo, she. Didn't have to kill Axel, but
• 1:25:12
  she did. You know, I think it was a
• 1:25:16
  knowing that she's not gonna be. Able to stop the club, but she
• 1:25:18
  can at least stop Axel from luring a specific type of person
• 1:25:20
  there because Axel was there with another American College
• 1:25:23
  student, right? OK, so like I saw six thing
• 1:25:26
  like. I can't live with myself if I
• 1:25:27
  let you do this, yes, but except she didn't have her teenage
• 1:25:32
  well, she's still basically a teenager, so.
• 1:25:34
  That's true. She's got that teenage angsty,
• 1:25:35
  right? Yeah.
• 1:25:35
  OK. All right.
• 1:25:38
  And that's how. The movie ends.
• 1:25:39
  Fuck it. I'm bumping at 2:00 and 9:00.
• 1:25:41
  Whoa. I like this movie.
• 1:25:42
  I really like this movie. I think it's the strongest of
• 1:25:45
  the trilogy. All right, I'm keeping mine on.
• 1:25:47
  Nate I I really, really do like this movie, though.
• 1:25:50
  I think it's a very strong sequel.
• 1:25:52
  So we're at an 8 point. Five.
• 1:25:55
  What would you change to bump it up even more?
• 1:26:00
  I guess kind. Of like what I said before, I
• 1:26:03
  just, I don't like seeing the behind the scenes of the club as
• 1:26:08
  much, you know what I mean? Like I I would like for them to
• 1:26:11
  try and keep some mystery there. Like right here we went up to
• 1:26:15
  the tippity top of it. We saw the head honcho.
• 1:26:18
  We saw how everything operates. We know the rules of how they
• 1:26:20
  operate now. Yeah, I I just didn't you know,
• 1:26:24
  I like the mystery a little bit more.
• 1:26:26
  I like to like playing on like the tension of like man, these
• 1:26:28
  people are fucking creepy like what the fuck are they OK?
• 1:26:32
  And yeah that that's pretty much my change.
• 1:26:36
  Talia was she seemed, mostly. Into it, although she did.
• 1:26:41
  Go out twice. She did once at 7 minutes, which
• 1:26:44
  that. Was because of.
• 1:26:45
  Food, right? And then once at an hour, 13,
• 1:26:48
  and she was a little bit whiny. I think she didn't like the
• 1:26:53
  appropriation of the dog for a symbol of bad guys.
• 1:26:57
  I think you're right. I don't think she's a.
• 1:26:59
  Big fan of that, I think she's going to give this A7, although
• 1:27:01
  I. Think she probably is.
• 1:27:04
  A little bit relieved that it's not a pit bull that's being
• 1:27:06
  villainized. That's true.
• 1:27:07
  That's true. It's like it could have been a
• 1:27:08
  pit bull it. Probably would have.
• 1:27:09
  Been for most people. OK, so we're knocking it down.
• 1:27:13
  Two points for going outside twice and then for
• 1:27:17
  villainization of a dog. But I do think we'll give a
• 1:27:19
  point 5 back because of Misha getting some Wiener meat.
• 1:27:25
  She's like, that was me. Like.
• 1:27:28
  She's been. That dog before where she's
• 1:27:29
  like. Gotten the thing she's not
• 1:27:30
  supposed to eat. She ate an entire birthday
• 1:27:33
  banner. It's like you guys.
• 1:27:35
  Well, she didn't eat the entire one.
• 1:27:37
  We. Just haven't found all of the
• 1:27:38
  letters. We had to take her to the vet
• 1:27:40
  and we had to. Tell them like, by the way, I
• 1:27:42
  know you guys are doing X-rays on her.
• 1:27:44
  You might see Happy Birthday and there's somewhere they're like,
• 1:27:48
  do we do? You want.
• 1:27:48
  Us to check her out. We're like, no, she seems fine.
• 1:27:51
  We just wanted to warn you. And they're like, what?
• 1:27:53
  We're like she's eating worse. And they're like, that's fair.
• 1:27:55
  Yeah, OK. Yeah.
• 1:27:57
  So she's. Good.
• 1:27:58
  She's good, She. Just has a little.
• 1:27:59
  Bit of happy birthday in her tummy.
• 1:28:00
  I mean, it's been long, everything's.
• 1:28:02
  Out by now. Yeah.
• 1:28:03
  She's good now. She's she's good.
• 1:28:04
  Yeah. Zoe watched.
• 1:28:07
  Zoe did watch. Yeah, She stayed in the room.
• 1:28:09
  She was into it. Yeah, OK.
• 1:28:12
  We got our tagline. And who do you relate to?
• 1:28:17
  Who do I relate to? I.
• 1:28:19
  Guess I'd probably probably relate to one of the, like,
• 1:28:23
  backpackers in the lobby watching Pulp Fiction, cuz I'd
• 1:28:26
  be there doing that, just doing that, yeah.
• 1:28:28
  OK. I'd be like Pulp Fiction's on.
• 1:28:30
  Cool. I don't.
• 1:28:30
  Even I don't even need subtitles.
• 1:28:33
  I know what's happening. Let's see, who do I relate to
• 1:28:38
  which? Oh, another beautiful tie.
• 1:28:40
  In Because I talked about Funny Games, which has Tim Roth.
• 1:28:42
  Oh, you're right. And we.
• 1:28:44
  Watched Freeway, which had. Amanda Plummer and I did her
• 1:28:48
  whole little monologue and upset the animals.
• 1:28:51
  Yeah, that movie had a lot of. People in it?
• 1:28:54
  Yeah, that's a dark, dark movie. Dark.
• 1:28:57
  That's a good movie, though. Yeah.
• 1:28:59
  All right. Who did I relate to?
• 1:29:02
  I. I guess I relate to the guy that
• 1:29:07
  was. Like, no to his dog.
• 1:29:09
  Like eating something that shouldn't.
• 1:29:10
  You should know. Yeah, you should know.
• 1:29:12
  That would be me Italian. I've been there many times.
• 1:29:18
  OK, now we do our dream. Sequel Where do we go?
• 1:29:24
  Where would we go? With a sequel for this I.
• 1:29:26
  Honestly, OK. I I.
• 1:29:28
  Don't know what I would say in another life, but I do feel like
• 1:29:33
  I like the aspect that the third one does or it comes into like
• 1:29:38
  what about the people who don't win the auctions or don't have
• 1:29:42
  enough money to fully bid? Can they do other things, like
• 1:29:46
  where they turned it into a spectator sport?
• 1:29:48
  I also do like that they brought it to America.
• 1:29:50
  Yeah, yeah. And then we get.
• 1:29:52
  Like a nice reversal of like Americans, good, Europeans bad.
• 1:29:57
  That's true. You do get that.
• 1:29:59
  But we. Can't do that movie, no.
• 1:30:01
  We got to do something different.
• 1:30:02
  We can keep some of those themes though, if you wanted to, like I
• 1:30:06
  want to keep the betting element.
• 1:30:08
  In there, because I think that that's important.
• 1:30:10
  That was one of my favorite parts of this movie is the whole
• 1:30:12
  betting. Scene.
• 1:30:13
  I like that a lot, OK. What else do we have going down
• 1:30:17
  here? I want to see what happens.
• 1:30:21
  With Beth, OK, Like how she goes from.
• 1:30:23
  This right here. Yeah.
• 1:30:24
  Like, is she doing anything to try and?
• 1:30:26
  Take the club down. Like, is she?
• 1:30:28
  Maybe she's going to go undercover in it in some way.
• 1:30:31
  Yeah, maybe. That would be a like an.
• 1:30:34
  Interesting type of. Like that would almost be like a
• 1:30:37
  genre, like a different genre if you go there, but like, we don't
• 1:30:41
  realize that she. Is undercover we like.
• 1:30:44
  We think that she is actually just like fully bought into it.
• 1:30:48
  Maybe she's the new like Excel, except she is like maybe that's
• 1:30:52
  trying to divert. People from.
• 1:30:54
  It what if she was always? Undercover.
• 1:30:58
  She never had. That inheritance.
• 1:31:00
  She's just got the bankroll of the department that is behind
• 1:31:04
  her, but then they need her to actually be a.
• 1:31:07
  Part of. It for real?
• 1:31:07
  Because they've got her ex lover and their baby on the plane.
• 1:31:11
  Yeah, and they're gonna shoot her ex lover and the baby has no
• 1:31:14
  name. What?
• 1:31:16
  What are you describing? Right now, Fate of the Furious.
• 1:31:19
  Oh God, yeah. Yeah.
• 1:31:22
  That's right. Yeah.
• 1:31:23
  Fate of the Furious. That's true.
• 1:31:24
  You were so. Furious.
• 1:31:26
  Last night when I pointed out the baby ain't had a name, you
• 1:31:29
  were like, you're right. And that baby has teeth.
• 1:31:31
  And it was all living in this. World without a name.
• 1:31:35
  We all knew what the name was going to.
• 1:31:37
  Be we knew it was going to be. Brian at the end but.
• 1:31:39
  No, I think that that would be an interesting thing.
• 1:31:42
  They do, like, undercover. She has to commit to it.
• 1:31:46
  Like, OK, we're gonna need you to actually, like, continue to
• 1:31:48
  torture some people. Yeah, dude, that's actually
• 1:31:51
  really good that. Would be super.
• 1:31:52
  Interesting to OK to watch. Yeah, OK.
• 1:31:55
  Cool. There we go.
• 1:31:57
  All right, there we go. We got our SQL.
• 1:31:59
  Got our tag on, So now it is time for Internet review.
• 1:32:02
  So what did you pull for us? OK, there.
• 1:32:06
  Like I said, there were several, like this is a really good
• 1:32:08
  sequel, but then there were some that I was struggling to like.
• 1:32:11
  The negative ones were just saying like, it's boring, I
• 1:32:13
  don't like it. And so that's not like a helpful
• 1:32:16
  review. This one is a three out of 10
• 1:32:22
  and it says what it. Doesn't borrow, it steals.
• 1:32:25
  And I'm just. This is kind.
• 1:32:26
  Of a longer review, so I'm not gonna read the whole thing.
• 1:32:31
  The first Hostel film was not a great film.
• 1:32:33
  It was, in fact not very good, but what it did have as an
• 1:32:35
  intriguing premise. A club whose wealthy members pay
• 1:32:37
  to torture and murder abducted people.
• 1:32:39
  What worked was that such an idea was not entirely
• 1:32:42
  inconceivable. I would argue that such clubs,
• 1:32:44
  just like snuff films, currently exist, and that was what made
• 1:32:46
  the film interestingly creepy for me.
• 1:32:49
  Hostel Part 2, however, offers nothing original.
• 1:32:51
  Instead it robs from various horror films of old.
• 1:32:54
  For example, the opening scene mirrors that of Friday the 13th
• 1:32:56
  Part 2. In another scene, as I watched a
• 1:32:59
  female club member bathing in the blood of her purchase, I
• 1:33:01
  couldn't decide which vampire film the same and reminded me of
• 1:33:03
  the most. There are so many.
• 1:33:05
  I was at the IT was at the ending that I actually let a
• 1:33:07
  laugh slip. The foiled attempt at irony was
• 1:33:11
  followed by a scene reminiscent of blood sucking freaks.
• 1:33:14
  Hostel provided a solid potential for redeeming sequel,
• 1:33:17
  but instead Hostel Part 2 ended up being nothing more than a
• 1:33:20
  compilation of already tried and overused gimmicks.
• 1:33:23
  I'm interested in the boy. Boy, fucking boy.
• 1:33:27
  Sucking freaks, that thing. What are they saying?
• 1:33:30
  I guess just where like they fed the.
• 1:33:32
  Dick to the dog. And we're letting him bleed to
• 1:33:36
  death because that ends with the guy being eaten by the lake, by
• 1:33:41
  the people, zombie people. And yeah, yeah, OK, I wonder if
• 1:33:46
  that's which. That's a loose connection.
• 1:33:48
  I wouldn't say they stole any of that.
• 1:33:50
  You know what I mean? Yeah, but you know, Eli Roth.
• 1:33:52
  Has definitely watched blood sucking freaks like 50 times.
• 1:33:56
  He's definitely talked about it. For sure so.
• 1:33:59
  Like I wouldn't be. Surprised if he had.
• 1:34:00
  Like a, you know, image there, Yeah.
• 1:34:02
  And that's the thing I don't necessarily.
• 1:34:04
  Like if he has homages in this movie I don't like, they're not
• 1:34:07
  blatant enough for it to be distracting for me.
• 1:34:11
  Yeah. And I feel like if they are
• 1:34:13
  done, they're done well. Like if that one scene with
• 1:34:16
  Heather, Mother, Razzo, if that's like a callback to
• 1:34:20
  something, I think it's a really well done one, cuz I really like
• 1:34:23
  that scene a lot. Yeah.
• 1:34:24
  And. Here's the thing also is that
• 1:34:28
  you know it's Eli Roth. He is like a horror nerd.
• 1:34:31
  He is such a little nerd. Boy, when it comes.
• 1:34:33
  To horror, he's always gonna have those images there.
• 1:34:36
  He's basically like Quentin Tarantino for.
• 1:34:38
  Horror, yeah, Where he just takes and emulates.
• 1:34:41
  Shit. Yeah, and I'm not.
• 1:34:43
  Bothered by that at all with this And why do you again I?
• 1:34:48
  Think it. And, you know, you and I have
• 1:34:50
  different takes on it. I'm not mad about, like the
• 1:34:52
  exposure of the club, and I don't think that it hurts this
• 1:34:56
  movie The way this person does, but I guess it's just a matter
• 1:34:58
  of the types of things that you personally find creepy and
• 1:35:01
  scary. So exactly, yeah.
• 1:35:04
  Oh yeah. Well.
• 1:35:06
  No. Sign for some.
• 1:35:07
  Listener reviews, so I got a couple 2:00 on.
• 1:35:13
  Instagram. So we'll go with the first one,
• 1:35:15
  Michael Lee Howard, who says Hostile 2, like so many other
• 1:35:18
  franchises, picks up right where the last one left off from
• 1:35:20
  where? There.
• 1:35:22
  From there, we have a very similar version of the first
• 1:35:24
  movie, but with a female cast. Again, I don't.
• 1:35:29
  Disagree, but I do. Think that it makes the film
• 1:35:31
  different enough and I I wonder if maybe that's part of my
• 1:35:34
  perspective on it too is that I'm able to relate to it a
• 1:35:36
  little bit more because the characters are making decisions
• 1:35:39
  that are more similar to the decisions I would make.
• 1:35:42
  Yeah, I could see that and. Like, I don't necessarily relate
• 1:35:46
  to the guys in the first movie. Like, I mean, I guess like I
• 1:35:49
  kind of get it cuz like around that age like, you know, like
• 1:35:53
  going to like the next like Fun Party Place was always like a
• 1:35:56
  good thing. Like I like doing that too.
• 1:35:58
  So I can, I can put myself in that perspective and appreciate
• 1:36:01
  that. But I really appreciate the
• 1:36:04
  perspective, like having the women's perspective in this
• 1:36:06
  movie, because I do think that that's like a fresh way to do
• 1:36:09
  it. Because, like, it's creepy
• 1:36:10
  enough as it is. But like, I can't imagine how
• 1:36:12
  much more creepy is than like a woman's.
• 1:36:14
  They want to go to like the next party place.
• 1:36:15
  Too. But for them, it's different.
• 1:36:16
  Because with the dudes, they're so focused on getting laid.
• 1:36:19
  Yeah, exactly. And it's not like the girls
• 1:36:21
  don't want to get laid. But like we saw Whitney, she was
• 1:36:23
  just as happy to, like, bunk in the room with her friend that
• 1:36:25
  night and, like, deal with a vibrator, you know?
• 1:36:28
  Like, she was like, happy hanging with the girls.
• 1:36:31
  Yeah, they're so difference. There, Yeah, there's a
• 1:36:34
  difference to it, for sure. Priorities, priorities and.
• 1:36:38
  Like, the types of precautions you take as a person are
• 1:36:42
  different, you know, True. Yeah.
• 1:36:44
  All right. OK.
• 1:36:47
  Next for you we have at least save docs for last OK docs.
• 1:36:52
  Will be last and then we'll go. All right.
• 1:36:54
  Still on? Twitter or Instagram?
• 1:36:56
  We have Tucker. OK, who says nothing can ever
• 1:36:58
  top Chloe from Lucifer, Gaslight girl, Boss and gatekeeping her
• 1:37:01
  way out of that room and giving that pathetic weasel that Theon
• 1:37:05
  Greyjoy treatments Adoptson. OK, I did not know that she was
• 1:37:09
  in. Gossip Girl.
• 1:37:10
  But is that what he said? No, she is in.
• 1:37:14
  Lucifer. Lucifer.
• 1:37:16
  I did not. No, she wasn't.
• 1:37:17
  I've not seen that show, but I do love that description of how
• 1:37:21
  she gets out of there. Yeah, that was very well, but
• 1:37:24
  right. There for sure.
• 1:37:24
  I like that a lot too. I don't know who Theon gradually
• 1:37:27
  is either, but dude probably had it coming if he had his Dick cut
• 1:37:30
  off. Sounds like a like.
• 1:37:32
  A. Game of Thrones Reference Game
• 1:37:34
  of Thrones Game of Thrones? Yeah, it does actually.
• 1:37:37
  Yeah, it does sound like Game of Thrones.
• 1:37:40
  I agree. That's my rating too.
• 1:37:42
  Yeah, all right. And for the final review, we
• 1:37:44
  have Doc Fark. So I framed the reviews on
• 1:37:48
  Twitter and the other places as roses are red, violets are blue.
• 1:37:51
  Dropping reviews for Hostel Part 2 which is I will always
• 1:37:55
  appreciate a. Roses are red.
• 1:37:57
  Call to Action Doc Fark says Movie.
• 1:38:00
  Blood is red and some fish are Jelly.
• 1:38:02
  Hostel Part 2 was like a punch to the groin.
• 1:38:09
  Rare instance of a Travis Harlan accent growing, growing.
• 1:38:13
  Yeah, it's growing on me. I like that a lot, too, yeah.
• 1:38:19
  So is that a good punch? To the growing.
• 1:38:21
  Or is that like like I don't? I guess it depends on.
• 1:38:26
  Which? Which character you're relating
• 1:38:28
  more to? If you're a steward or a death
• 1:38:30
  in the situation like this movie is like getting.
• 1:38:34
  Punched in the Dick Or like damn, that Move movie was an
• 1:38:38
  emotional punch to the Dick. Next is.
• 1:38:41
  Where? To watch the next movie and what
• 1:38:44
  we're going to be talking about. Because that's it for this
• 1:38:45
  week's episode. OK, alright, guess what if?
• 1:38:49
  You wanted more Shady is more torture in this movie.
• 1:38:52
  We're definitely getting it next week.
• 1:38:53
  So we're talking about wrong turn four, baby.
• 1:38:56
  I am. Excited to be going back to
• 1:38:58
  Wrong Turn. I don't know how the rest of you
• 1:39:01
  guys feel about the Wrong Turn series, but clearly it's it's
• 1:39:05
  embedded in the DNA of this show.
• 1:39:08
  If you do not already own it, you will.
• 1:39:10
  Have to pay money for it, but just trust me, it's worth a one
• 1:39:13
  time $4.00 purchase on YouTube, Google Play, Voodoo, Air Prime
• 1:39:16
  or same as Saw. Get the yeah.
• 1:39:20
  Get the multi pack at. Walmart.
• 1:39:22
  That's what we have. Again, I gotta say, they sell.
• 1:39:25
  Them as a 5 pack. Just to remind you guys, there
• 1:39:28
  are 7 wrong turn movies in the franchise. 6:00 and 7:00 a OK
• 1:39:33
  being left off the pack. If you get one through 5, those
• 1:39:37
  are all you need. 6 we can pretend doesn't exist.
• 1:39:40
  Yes, like, I'm perfectly fine if we never talk about that one.
• 1:39:44
  Although Travis is a completionist, so Seven is best
• 1:39:49
  approached. Not thinking of it as a wrong
• 1:39:52
  turn. Maybe because I remember us live
• 1:39:54
  tweeting as we were going through it, because we were so
• 1:39:56
  excited to finally get to it. And then we were like, we ended
• 1:40:00
  up saying 2 out of 10 needs far more Hooton and hollering way
• 1:40:04
  more. Yeah, that's what we look
• 1:40:05
  forward. To with this franchise.
• 1:40:06
  This Hooton and hollering, that's the whole thing, right?
• 1:40:09
  Yeah, and we just This is like a.
• 1:40:11
  Single location 1. It's a Morning Teenagers, It's a
• 1:40:16
  winter One. It's directed by Declan O'Brien
• 1:40:19
  O'Brien. This is the the strongest of
• 1:40:23
  his. Entries Yes, I'm excited.
• 1:40:25
  He's got a very distinctive flair.
• 1:40:27
  OK, OK, so watch it if he can. If not, we'll be here to talk
• 1:40:32
  about it next week. I think you'll be able to follow
• 1:40:34
  along well enough. I think, and I don't think we're
• 1:40:36
  necessarily gonna spoil anything 'cause it's a prequel.
• 1:40:39
  So yeah, that's true. It is a prequel, yeah.
• 1:40:42
  So nobody gives a shit about war like.
• 1:40:47
  I'm going to go into wrong certain 5 like wait what?
• 1:40:48
  Happened in four and three. That's never been the.
• 1:40:52
  Case at. All Okay.
• 1:40:56
  All right, everybody. So we'll see you guys.
• 1:40:58
  Then in the meantime, if you want to find us, you can find us
• 1:41:01
  on social media. We are on Twitter and bluesy at
• 1:41:04
  least Faith Pod on Instagram and threads at least favorite Scary
• 1:41:08
  movie Podcast. And we have an e-mail it's least
• 1:41:11
  favorite scarymovie@gmail.com. And if you want to find us on
• 1:41:15
  our website, what's your least favorite Scary movie.com?
• 1:41:17
  You can find everything there and more.
• 1:41:19
  We have to give a super appreciative special.
• 1:41:21
  Shout out to our patrons, Joe, as is his name, Amber.
• 1:41:25
  And Michael. Thank you guys so much.
• 1:41:26
  We really appreciate everything you guys do for us.
• 1:41:29
  And if you wanna join them, the link to our Patreon is at the
• 1:41:33
  very bottom of our show notes. So just Scroll down, find that
• 1:41:35
  you'll find all kinds of perks. We're actually adding some new
• 1:41:37
  perks, so that's a lot of fun. If you want to support us in non
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  financial ways, that's cool too. Because guess what, if we get
• 1:41:44
  the right shit going in our algorithms, we can benefit
• 1:41:47
  financially from this free stream that you pay nothing for.
• 1:41:50
  And that includes doing things like rating, reviewing and
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  subscribing to us. The more followers we have, the
• 1:41:54
  more ratings we have, the more ratings we have with similar
• 1:41:58
  other shows. It all helps.
• 1:42:02
  It all makes a difference. It all tells all of the
• 1:42:05
  streaming platforms like, hey, this is worth listening to and
• 1:42:07
  recommending to other listeners. So yeah, it does a lot for us.
• 1:42:10
  So we. Appreciate you guys that have
• 1:42:12
  done that for us. Yes, it means a whole lot.
• 1:42:14
  We love reading reviews. We do Nice.
• 1:42:16
  Reviews Yeah, OK. I.
• 1:42:18
  Don't love reading the bad reviews, but like sometimes, it
• 1:42:21
  does help us get perspective. On why people don't like us.
• 1:42:24
  Yeah, Which is fair. Like we don't actually everybody
• 1:42:26
  like us. Yeah, if you don't be like one
• 1:42:29
  of those one. Stars on IMDb and Be like this
• 1:42:30
  show sucks. Like why do we suck.
• 1:42:32
  Tell us why we suck. Yeah, I I will though.
• 1:42:35
  I will. Laugh if you're like they talk
• 1:42:37
  too much. OK, it's a podcast.
• 1:42:39
  It's fun. Yep, we're married and we
• 1:42:42
  actually kind of like each other.
• 1:42:43
  So sometimes we talk about other things too.
• 1:42:46
  Occasionally it's fine. All right.
• 1:42:49
  So that's it for now. We will see you guys next week.
• 1:42:52
  All right. Bye, bye.
• 1:43:06
  That's why you're my. Wubby my.
• 1:43:10
  Wubby. My hubby.
• 1:43:12
  I don't want to say hubby. And now we said.
• 1:43:14
  That in the TV or not, when I call you again, I'm your wubby.
• 1:43:18
  But that would make you a hubby. But people actually use the word
• 1:43:20
  hubby and I hate that. That is true.
• 1:43:22
  People wouldn't know that. I'm doing like.
• 1:43:25
  Like a riff off of Bobby. We need to think this through.
• 1:43:28
  Yeah, we need to. Talk.
• 1:43:29
  We'll talk about this off here. For context, see our.
• 1:43:32
  Episode on video violence. You'll have some context.