Latest / Table Read / Pablo’s Rhino – Act Two

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Pablo’s Rhino – Act Two · Table Read

• 0:03
  Speaker 1: Three clueless friends on a guy's trip to Columbia accidentally
• 0:07
  Speaker 1: kill Pablo Escobar's beloved pet Rhino, luring the notorious drug
• 0:11
  Speaker 1: lord out of hiding after years of being presumed dead.
• 0:15
  Speaker 1: Now the hunters become the hunted. SFX of a creaking
• 0:19
  Speaker 1: door slowly opening, then closing with a metallic clank, heavy
• 0:24
  Speaker 1: boots scuff across the floor, followed by a chair scraping
• 0:27
  Speaker 1: his Cartel guy sits down shape.
• 0:34
  Speaker 2: Okay, act one, amigo, Act one left us on edge. No,
• 0:38
  Speaker 2: These four wayvonna is thinking they're in a relaxings little vacation,
• 0:41
  Speaker 2: and they go and shoot a damn we don serros
• 0:44
  Speaker 2: in the middle of the carriomi in jungle.
• 0:47
  Speaker 1: We're the click of a gun being loaded. The victim whimpers,
• 0:51
  Speaker 1: then they realize are yours?
• 0:53
  Speaker 2: This isn't just any reno, This is Bilo Escobar's reno,
• 0:58
  Speaker 2: and Bablo Mora has it not so dead after all.
• 1:03
  Speaker 2: Let's listen and see if DZ the test can survive
• 1:05
  Speaker 2: What comes next?
• 1:07
  Speaker 1: Cartel guys spins the pistols chamber and snaps it shut.
• 1:11
  Speaker 1: Back to the exterior deep jungle day Sam is still
• 1:16
  Speaker 1: trying to process Charlie's in shock, and Marcus Pace is
• 1:20
  Speaker 1: trying to think it out. Okay, okay, calm down.
• 1:23
  Speaker 3: Escobar has been dead for years, supposedly. Supposedly, if the
• 1:29
  Speaker 3: rumors are true and he really is still alive, who
• 1:32
  Speaker 3: the fucking's the fucking rynasteris and fucking glubion.
• 1:36
  Speaker 1: He hasn't been seen in ten years. If anything, this
• 1:38
  Speaker 1: rhino is probably proof that he is dead. The guy's
• 1:41
  Speaker 1: pondered the thought, simultaneously looking around the jungle, noticing at
• 1:45
  Speaker 1: last that Ernie has taken off. Okay, what we should
• 1:48
  Speaker 1: get out of here?
• 1:50
  Speaker 3: Ernie Ernie, Ernie, Louise, Louise, Ernie, Ernie Louise.
• 1:57
  Speaker 1: Marcus takes off running. Charlie is right behind him.
• 2:00
  Speaker 4: Guys, come on, I think if we just stay calm,
• 2:03
  Speaker 4: we'll see that this is just.
• 2:05
  Speaker 1: And Sam starts screaming for them to wait up.
• 2:07
  Speaker 5: Ah wait, wait, wait, wait wait up.
• 2:10
  Speaker 1: Exterior jungle road night. They reach the clearing. There's no
• 2:14
  Speaker 1: sign of Louise or Ernie. Shit, they took their truck,
• 2:18
  Speaker 1: so we're stranded. Look, no one saw what happened but us, Right,
• 2:22
  Speaker 1: Ernie's not gonna tell anyone they were his guns, I say,
• 2:24
  Speaker 1: we're in the clear. Sam and Charlie look at one another.
• 2:28
  Speaker 3: He may be right, So now what now we get
• 2:32
  Speaker 3: the fuck out of his country?
• 2:34
  Speaker 1: And I mean now exterior deep jungle. Later, Noles and
• 2:39
  Speaker 1: Martinez pull up next to the dead rhino. Martinez hops
• 2:42
  Speaker 1: out and checks the ear tag, displays it for knowles.
• 2:45
  Speaker 6: Looks like these assholes came to send the message and
• 2:49
  Speaker 6: Rojas is making a play for the throne.
• 2:53
  Speaker 1: One thing's for sure.
• 2:54
  Speaker 7: If the rumors are true and Escobar really has been
• 2:56
  Speaker 7: hiding this whole time, these fuckers may be the ones
• 3:00
  Speaker 7: to flush him out.
• 3:01
  Speaker 1: As Nols and Martinez drive off into the jungle, three
• 3:03
  Speaker 1: menacing looking men step out of the brush. The men
• 3:06
  Speaker 1: scan the area, guns raised. One of them checks the
• 3:09
  Speaker 1: bullet hole in.
• 3:10
  Speaker 8: The rhino, gangs them Alan to seat on hippy.
• 3:14
  Speaker 1: The two others cross themselves at the mere notion. Exterior
• 3:18
  Speaker 1: country road day, an old wrench cerro on a burrow
• 3:21
  Speaker 1: clip clops along lazily towing another larger horse, upon which
• 3:26
  Speaker 1: sits Marcus, Charlie and Sam covered in mud and twigs. Exhausted,
• 3:31
  Speaker 1: the wrencherro brings the horse to a stop. Points down
• 3:34
  Speaker 1: a side road. They dismount and pay him a few bills.
• 3:38
  Speaker 1: Exterior front Gates, Padiso Petodido. Later, the guys stroll past
• 3:44
  Speaker 1: the guard house. The guard inside his hunched forward, eyes closed.
• 3:48
  Speaker 9: Some people take no pride in their work.
• 3:51
  Speaker 1: Bet your ass heads? Is it going to roll when
• 3:53
  Speaker 1: I take over the joint? Sam snaps a photo. They
• 3:56
  Speaker 1: keep walking, oblivious that the guard has three bullet holes
• 3:59
  Speaker 1: in his chest. Exterior Paradiso Villa's Day. The guys reach
• 4:05
  Speaker 1: their villas and find the doors are open. They rush
• 4:07
  Speaker 1: into inspect. Oh my god, we've been robbed. Charlie comes
• 4:11
  Speaker 1: out of beat later, panicking, they got my passport? Damn
• 4:13
  Speaker 1: mine too? You think it could have been the cleaning staff.
• 4:16
  Speaker 1: Marcus shakes his head with disgust. Again racist, okay, how
• 4:21
  Speaker 1: is that racist? They had direct access.
• 4:23
  Speaker 10: It's racist because they're foreign.
• 4:25
  Speaker 1: No, no, no, they're not foreign, dipshit. We're in their country,
• 4:29
  Speaker 1: which makes it so much worse. Sam comes out, riding
• 4:34
  Speaker 1: on a postcard.
• 4:35
  Speaker 9: How do you say, wish you were queer in Colombian?
• 4:38
  Speaker 1: What'd they take from you? Sam lifts his shirt, reveals
• 4:41
  Speaker 1: a bulging money belt.
• 4:43
  Speaker 5: Nana safely tucked away in my gun. Come prepare Johnny
• 4:47
  Speaker 5: helps avoid life's little mishaps.
• 4:50
  Speaker 1: Marcus comes out with his bag slung over his shoulder
• 4:52
  Speaker 1: and two handfuls of hotel toward the trees. Okay, now
• 4:56
  Speaker 1: we can go hold up.
• 5:00
  Speaker 8: Nobody else, Notice how whyet it.
• 5:01
  Speaker 1: Is around here? They all stop and look around the grounds.
• 5:07
  Speaker 1: What few people remain, mostly weight staff are all lying
• 5:11
  Speaker 1: face down permanently.
• 5:14
  Speaker 9: HM must be sees the time.
• 5:16
  Speaker 1: I'll check their watches. Perfectly plausible. They leave Exterior jungle
• 5:22
  Speaker 1: road day. The guys walk backwards by the side of
• 5:25
  Speaker 1: the road, bags in tow. They managed to flag down
• 5:29
  Speaker 1: an old yellow school bus. It pulls over a few
• 5:31
  Speaker 1: feet ahead of them. Marcus runs up first. The door
• 5:35
  Speaker 1: swings open see air portal. The apathetic driver looks them
• 5:39
  Speaker 1: up and down and waves them in. Exterior steep mountain
• 5:42
  Speaker 1: Pass day, the bus views a giant puff of blue
• 5:46
  Speaker 1: diesel smoke as it careens precariously around the edge of
• 5:49
  Speaker 1: a steep cliff. Interior bus day. The bus is packed
• 5:54
  Speaker 1: with sweaty indigenous laborers, old women fanning themselves, and mothers
• 5:58
  Speaker 1: with young children. Sam sits next to an old man
• 6:01
  Speaker 1: in a straw cowboy hat. He's got a squirming rooster
• 6:04
  Speaker 1: on his lap. Sam looks down at the rooster and
• 6:07
  Speaker 1: back at the man.
• 6:09
  Speaker 9: You have a lovely cock. May I stroke it?
• 6:13
  Speaker 1: The man smiles, clueless. As Sam pets his rooster, Charlie
• 6:17
  Speaker 1: smacks him in the back of the head. The hell's
• 6:19
  Speaker 1: the matter with you?
• 6:20
  Speaker 9: I can't help it. The stress triggers my sass.
• 6:23
  Speaker 1: Marcus returns and takes a seat. He said we were close.
• 6:34
  Speaker 1: Either that or he's taking us to the circus. They
• 6:37
  Speaker 1: all turn at the sound of a batshit, looking one
• 6:39
  Speaker 1: eyed man slowly sharpening his machete, staring back at them.
• 6:43
  Speaker 1: If we survive that long?
• 6:45
  Speaker 4: Oh come on, can we just take a minute to
• 6:47
  Speaker 4: appreciate everything?
• 6:49
  Speaker 9: Partying tripping out with a local.
• 6:51
  Speaker 1: Shooting a rhino. I mean, if this doesn't get the
• 6:53
  Speaker 1: old juices flowing, then nothing will.
• 6:56
  Speaker 3: All right, I will admit it definitely creating some sparks.
• 7:00
  Speaker 3: You'll forgive me if I don't get too excited until.
• 7:02
  Speaker 1: We're back on home turf. The old woman, seated next
• 7:05
  Speaker 1: to Charlie niles and a dried chicken talent. She offers
• 7:08
  Speaker 1: Charlie a nibble, and you're the gags.
• 7:11
  Speaker 9: Hey, we're slowing down.
• 7:13
  Speaker 1: That is probably just making another pickup. Jesus, it's a roadblock.
• 7:18
  Speaker 1: What if they're looking for us?
• 7:20
  Speaker 4: Relax, We're just tourists on a way home from a weekend.
• 7:22
  Speaker 1: Bender, stay cooling, Try to blend in. The bus comes
• 7:27
  Speaker 1: to a stop. The driver opens the door. A cop
• 7:30
  Speaker 1: with an assault rifle steps on and gives a cursory
• 7:33
  Speaker 1: glance at everyone on the bus. Marcus has on the
• 7:35
  Speaker 1: farmer's straw hat pulled over his eyes. Sam has a
• 7:38
  Speaker 1: shawl wraps stumpily around his head. Well, Charlie nibs on
• 7:41
  Speaker 1: a chicken talent.
• 7:43
  Speaker 8: Hey, Casema, I'm going to see Yota Spinato might span.
• 7:51
  Speaker 1: The cop steps off the bus. The driver turns back
• 7:54
  Speaker 1: to everyone to let them know what's going on in Spanish. Naturally,
• 7:58
  Speaker 1: the guys don't understand any of this. People start getting
• 8:02
  Speaker 1: off the bus to stretch their legs. Sam gets up to.
• 8:05
  Speaker 2: Following, I have a shy bladder.
• 8:11
  Speaker 1: Charlie and Marcus look at each other, left alone with
• 8:13
  Speaker 1: the smiling machete man still sharpening his blade. Exterior Mountain
• 8:20
  Speaker 1: road day, Charlie and Marcus step out into the blinding sun.
• 8:25
  Speaker 1: People mill about in front of the bus. Some sit
• 8:27
  Speaker 1: fanning themselves fruit, flour, and barbecue pork stands line the road.
• 8:33
  Speaker 1: Sam stands in a long row of men peeing against
• 8:35
  Speaker 1: a wall. He checks out what the other guys have
• 8:38
  Speaker 1: to offer, mildly impressed the accident. The collisions between an
• 8:44
  Speaker 1: overturned jeep and a fruit truck. The driver of the
• 8:47
  Speaker 1: fruit truck appears banged up, but otherwise unharmed. There's fruit everywhere.
• 8:52
  Speaker 1: Marcus curiously steps in for a closer look and instantly
• 8:55
  Speaker 1: recognizes Ernie and Louise. Their bodies are riddled with bullet holes.
• 9:00
  Speaker 1: Marcus freaks out at this and starts scanning the crowd.
• 9:04
  Speaker 1: He turns to Charlie, who was at this moment dry
• 9:06
  Speaker 1: heaving into a ditch.
• 9:08
  Speaker 8: Oh oh, that chicken claw is so not sitting well
• 9:12
  Speaker 8: with me, Charlie, don't look.
• 9:15
  Speaker 1: It's Ernie where we're saved, Not exactly. Marcus drags him
• 9:20
  Speaker 1: over to try and get a closer look. Charlie gasps
• 9:23
  Speaker 1: before spotting Lucia, the woman they met outside the airport.
• 9:27
  Speaker 1: Oh my god, it's her. Who the woman from outside
• 9:32
  Speaker 1: the airport? You dream girl? Whoa?
• 9:35
  Speaker 3: I mean she's not exactly my dream girl. I mean
• 9:37
  Speaker 3: she's definitely a dream girl. But I wouldn't go. They
• 9:40
  Speaker 3: move in for a closer look, but she doesn't see them.
• 9:42
  Speaker 8: Atsuyos shut up?
• 9:44
  Speaker 1: Why if she comes over? Lucia glances over at Marcus
• 9:48
  Speaker 1: and for the first time, they realize she's a cop.
• 9:51
  Speaker 1: Lucia is too preoccupied to react. Charlie grabs Marcus and
• 9:55
  Speaker 1: muffles him. Look at bad classic, Your dream girl's a
• 10:01
  Speaker 1: fucking cup man, did you have a time for watch? Seriously?
• 10:06
  Speaker 8: Well, maybe she can help us cuff you and slam
• 10:09
  Speaker 8: me to the ground.
• 10:10
  Speaker 1: Chick a bow.
• 10:11
  Speaker 3: Wow, not as fun as it sounds, trust me.
• 10:16
  Speaker 1: Oh god, Charlie's looking queasy again. It's the matter. A
• 10:22
  Speaker 1: police officer steps in and tries to push the crowd back,
• 10:25
  Speaker 1: and Charlie doubles over again. I don't know, they're going
• 10:29
  Speaker 1: to be sick and other cops coming.
• 10:31
  Speaker 8: This might be cool.
• 10:32
  Speaker 1: The police officer moves in and tries to push them back.
• 10:35
  Speaker 1: He looks at Charlie, who won't move. Charlie smiles and
• 10:40
  Speaker 1: blows chunks all over the cop. A beat. She looks
• 10:44
  Speaker 1: up apologetically in time to catch the butt of a
• 10:47
  Speaker 1: rifle as it knocks him out. Interior police station. Later
• 10:53
  Speaker 1: over black wake up sweetie, you'll be late for school.
• 10:57
  Speaker 1: Charlie's pov is eyes slowly adjust the face of a
• 11:01
  Speaker 1: toothless old drunk, picking chunks of puke out of his hair.
• 11:05
  Speaker 1: Charlie uprights to find he's in a jail cell, packed
• 11:10
  Speaker 1: in with miscreants, drunks, and dirt bags. Please let this
• 11:14
  Speaker 1: be the airport lounge. Yes again, Charlie tries to sit up. No, oh,
• 11:22
  Speaker 1: oh my head, oh god, oh god, what the hell.
• 11:26
  Speaker 9: Happened before or after they removed the kidney?
• 11:29
  Speaker 1: Charlie rips open his shirt and feels around. Marcus laughs,
• 11:33
  Speaker 1: that is so not funny. Well, then you're not gonna
• 11:36
  Speaker 1: find this funny either. Aside from puking on a cop
• 11:40
  Speaker 1: and in the squad car and in the station, it
• 11:43
  Speaker 1: seems we may have ignited the d tiny cartel war.
• 11:48
  Speaker 1: What are you talking about? The cop thinks you shot
• 11:50
  Speaker 1: Escapos Ryan the shot the shop.
• 11:53
  Speaker 9: No, the cop, the cop thinks you shot Escobars.
• 11:57
  Speaker 1: Right, don't have to send a message. They're calling you
• 12:01
  Speaker 1: come to rack a body count el Contador. Where the
• 12:05
  Speaker 1: hell would they get an idea like that? But they said,
• 12:09
  Speaker 1: why else would Americans wear suits in the middle of
• 12:11
  Speaker 1: a jungle who do there as a dress code. Marcus
• 12:15
  Speaker 1: gestures towards the other inmates, cowering in the corner, keeping
• 12:18
  Speaker 1: their distance from them. The good news is this makes
• 12:20
  Speaker 1: you somewhat of a badass or target same death. Okay, we
• 12:24
  Speaker 1: gotta get out of here, no shit, Sam's working on
• 12:26
  Speaker 1: right now. Panover, we see Sam chatting up a prison guard.
• 12:30
  Speaker 1: He winks coquettishly and walks back to Marcus and Charlie.
• 12:33
  Speaker 4: Okay, Gwaupito over there said he might be able to
• 12:36
  Speaker 4: pull a few strings for us in exchange for a
• 12:38
  Speaker 4: little action.
• 12:39
  Speaker 1: Oh fantastic. Seriously, bro, wait to take one for the team.
• 12:42
  Speaker 9: Oh well, he didn't mean me. Guapito prefers to watch,
• 12:46
  Speaker 9: so make it good.
• 12:48
  Speaker 1: Sam smiles deviously at one then the other.
• 12:51
  Speaker 3: Watch what what are you talking about? Whoa oh with him?
• 12:58
  Speaker 3: Oh no, no way, no, oh no, not gonna happen.
• 13:01
  Speaker 3: Marcus clues in what you're too good for me?
• 13:03
  Speaker 4: You know, prize, Relax, it's just a little kissing, maybe
• 13:07
  Speaker 4: some light heading.
• 13:08
  Speaker 1: A news flash. We are not gay.
• 13:11
  Speaker 5: I look around, honey, in here, we're all a little judy.
• 13:16
  Speaker 1: They all look at the guard, who gestures suggestively with
• 13:18
  Speaker 1: his tongue. Sam holds up a finger. Ouh momento.
• 13:23
  Speaker 9: Well, unless you'd rather wait until they auction you off
• 13:25
  Speaker 9: in a cartel.
• 13:26
  Speaker 1: Prison, Charlie wigs options.
• 13:29
  Speaker 3: After a beat, I'm thinking, fine, let's get this over with.
• 13:37
  Speaker 1: Charlie and Marcus shut their eyes. Neither makes a move.
• 13:41
  Speaker 4: Oh, come on, boys, you're necking, not playing chicken now, Andela.
• 13:45
  Speaker 1: They both glance over at the guard, who's watching closely.
• 13:49
  Speaker 1: Marcus and Charlie slowly leaned forward, as repulsed as if
• 13:52
  Speaker 1: they were about to swallow a live cockroach. They knock heads,
• 13:56
  Speaker 1: rubbed faces, everything they can do not to touch lit.
• 14:00
  Speaker 3: So at it.
• 14:02
  Speaker 9: Charlie, get in there.
• 14:04
  Speaker 1: Marcus's tongue slowly pokes out through clenched lips. The guard
• 14:09
  Speaker 1: and all the other prisoners are really enjoying this. When
• 14:12
  Speaker 1: the second guard comes in, you sea, she smirks. What
• 14:15
  Speaker 1: doesn't stop them?
• 14:16
  Speaker 8: She smells a.
• 14:18
  Speaker 4: P that's it, gently probed your throat snake into his face.
• 14:23
  Speaker 9: Vagiant, No, hell, no, no, no, I can't do this.
• 14:27
  Speaker 10: It's true. Preason really does change a man.
• 14:29
  Speaker 1: Marcus looks up and sees Lucia. He shoves Charlie off him.
• 14:33
  Speaker 10: Please don't stop on my account.
• 14:35
  Speaker 1: And to Swanhill. You're here. No no, no, see that
• 14:39
  Speaker 1: was no no no. We were just Sam and Guapito.
• 14:42
  Speaker 1: Bust the guts, the guard unlocks the cell.
• 14:44
  Speaker 10: My partner was the one you threw up on. He
• 14:47
  Speaker 10: agreed to let you go provided you how did he
• 14:49
  Speaker 10: put it up? Get your puto of Columbia.
• 14:55
  Speaker 1: Oh my god, I don't know how to thank you.
• 14:57
  Speaker 11: You can start by Columni Lucia and don't thank me yet.
• 15:01
  Speaker 10: It's not safe for you here.
• 15:03
  Speaker 11: We receive the tip that men are already on their
• 15:05
  Speaker 11: way to collect the bounty on your heads.
• 15:07
  Speaker 1: Why would someone put bounty house You.
• 15:09
  Speaker 11: Mean the three Americans who single handedly reignited the cardail wars.
• 15:13
  Speaker 1: Oh you heard about that.
• 15:15
  Speaker 11: They're saying you went on a shooting spree at a resort.
• 15:19
  Speaker 1: What No.
• 15:20
  Speaker 3: I never even fired a gun okay once, but it
• 15:23
  Speaker 3: was a self defense.
• 15:24
  Speaker 10: Don't worry.
• 15:25
  Speaker 11: You don't exactly strike me as gun coating badasses. Anyway,
• 15:30
  Speaker 11: the longer you are here, the worse for everyone. So
• 15:33
  Speaker 11: nos vamos, they all file out.
• 15:36
  Speaker 9: I really hope there's a gift shop at the airport.
• 15:38
  Speaker 4: I got a ton of people expecting postcards.
• 15:41
  Speaker 1: Lucilla stops considers this.
• 15:44
  Speaker 11: No, he's right, Escobar's men will be searching the public terminos.
• 15:49
  Speaker 11: We need to hide you, okay, but where we may
• 15:53
  Speaker 11: have an idea.
• 15:54
  Speaker 1: Prelap Indigenous music rings out. Exterior Lusia as a Boyla's
• 16:00
  Speaker 1: house night establishing. The sun sets over a modest cinder
• 16:04
  Speaker 1: blockhouse painted in bright colors. There's still rebars ticking out
• 16:08
  Speaker 1: of the roof. A few chickens peck about the front
• 16:10
  Speaker 1: yard next to a pot bellied pig. Lush gardens frame
• 16:13
  Speaker 1: the house on either side. Interior of Boiler's house night.
• 16:18
  Speaker 1: Marcus and Sam are clearing off the dinner table while
• 16:21
  Speaker 1: Charlie is at the sink washing a few dishes. Lucia
• 16:24
  Speaker 1: and her aboila grandmother sit at the dinner table.
• 16:28
  Speaker 10: You are making me look bad, Charlie.
• 16:30
  Speaker 11: Now, whenever I try to hide strange American men, Awalita
• 16:33
  Speaker 11: will expect them to do the dishes.
• 16:35
  Speaker 1: It's the least we can do.
• 16:37
  Speaker 5: Please tell your grandmother she's a fabulous.
• 16:41
  Speaker 11: Cup elisazuna coinaba.
• 16:46
  Speaker 1: A Boila looks up at Sam, smiles.
• 16:48
  Speaker 10: And NODSII and tespero when she says you're welcome.
• 17:00
  Speaker 1: A Boila calls Marcus over and pinches his cheeks. Commit
• 17:09
  Speaker 1: what she said?
• 17:11
  Speaker 10: She said, you have a kind face. See we get
• 17:18
  Speaker 10: the points.
• 17:20
  Speaker 1: Thank you a Boila gestures for Lucia to hand her
• 17:23
  Speaker 1: a box off the shelf. Inside there is a pipe
• 17:26
  Speaker 1: with some coca eats. The grandmother starts stuffing her pipe
• 17:29
  Speaker 1: and lights it. She offers them to Marcus, who accepts
• 17:32
  Speaker 1: out of politeness.
• 17:33
  Speaker 11: I I'd go easy on that stuff. It's not the
• 17:36
  Speaker 11: bullshit they sell to to Rista's.
• 17:38
  Speaker 1: Marcus coughs up a lot. Charlie is done with the dishes.
• 17:49
  Speaker 1: Lucia grabs a bowl of food scraps from the counter.
• 17:52
  Speaker 10: Care to meet your breakfast meat.
• 17:55
  Speaker 1: Exterior of Boila's house, twilight. Charlie and Lucia are still
• 17:59
  Speaker 1: a by the waning sunlight. As they lean against the
• 18:02
  Speaker 1: pig pen, Lucia feeds them slop. Has your family always.
• 18:06
  Speaker 11: Lived here for generations going back? Who knows long before
• 18:12
  Speaker 11: the name Escovar ever meant anything to anyone before the unrest.
• 18:17
  Speaker 10: If you ask.
• 18:18
  Speaker 11: Maauela, she would tell you we sprang from the earth itself.
• 18:23
  Speaker 1: That was very peaceful. I like it.
• 18:26
  Speaker 11: Peaceful, no, but safe. At least my father grew up
• 18:32
  Speaker 11: in Rio Negro, the same town as Escobar. Things used
• 18:36
  Speaker 11: to be so beautiful here. Now it feels all that
• 18:38
  Speaker 11: has been painted over by the same ugly brush.
• 18:41
  Speaker 1: Charlie nudges her flirtatiously. Not everything, Lucia smiles. The pig
• 18:47
  Speaker 1: is pretty cute. She playfully punches his arm. He turns
• 18:51
  Speaker 1: and wins. Us.
• 18:52
  Speaker 10: My father was an optimist.
• 18:55
  Speaker 11: No matter how bad things got, the war, the drugs, corruption,
• 18:59
  Speaker 11: he always wish someday people could see Columbia for what
• 19:03
  Speaker 11: it really was, for.
• 19:05
  Speaker 10: What it could be.
• 19:06
  Speaker 1: Well, it's not too late, is it.
• 19:08
  Speaker 11: Between the cartels and Las Girl. Yes, they make it
• 19:12
  Speaker 11: too easy to be part of the problem, or worse,
• 19:14
  Speaker 11: when people do nothing but sit back and cross their arms.
• 19:19
  Speaker 1: I wish I had announce of power. I would help
• 19:22
  Speaker 1: show people your beautiful country. I mean, despite everything, I
• 19:26
  Speaker 1: kind of love it here. Lucia takes a long look
• 19:29
  Speaker 1: at Charlie, trying to figure out if this is a line.
• 19:33
  Speaker 10: I believe you.
• 19:35
  Speaker 1: They draw closer, studying each other. Sam walks out, high
• 19:40
  Speaker 1: as a kite.
• 19:41
  Speaker 9: It's getting pretty hot and heavy in there. Oh, look
• 19:45
  Speaker 9: a pig. Hello.
• 19:48
  Speaker 1: Lucia withdraws and goes back inside.
• 19:50
  Speaker 10: Aba, what are you doing? Get off of him?
• 19:53
  Speaker 1: So what did I miss? Charlie smacks him in the shoulder.
• 19:57
  Speaker 1: Don't you knock?
• 20:00
  Speaker 9: To go outside?
• 20:07
  Speaker 1: Cut to interior dea apartment day. Martinez studies a pinnut
• 20:13
  Speaker 1: board of photos. Many Rojas is prominently identified at the top.
• 20:17
  Speaker 1: His picture branches off into several low level captains and thugs.
• 20:22
  Speaker 1: Martinez tacks up pictures of Charlie, Marcus, and Sam to
• 20:25
  Speaker 1: the wall next to a photo of many Rojas. Agent
• 20:29
  Speaker 1: Noles enters loading his pistol. Talk to my guy.
• 20:33
  Speaker 7: He said, they let three Americans go late last night.
• 20:36
  Speaker 1: Get this.
• 20:37
  Speaker 7: One of them was the accountant whoa.
• 20:41
  Speaker 1: For real man.
• 20:44
  Speaker 6: I thought that guy was a myth, you know, like
• 20:48
  Speaker 6: funny man for drum dealers.
• 20:50
  Speaker 7: You saw the way he took down at Rhino Stone
• 20:53
  Speaker 7: coal Killer.
• 20:54
  Speaker 6: Well, words out, someone put a serious bounty on these assholes.
• 20:59
  Speaker 1: Shit you know what that means?
• 21:01
  Speaker 6: And this siss oar ticket baby, follow the rats, find
• 21:06
  Speaker 6: us some cheese.
• 21:08
  Speaker 1: They fist bump Nole's knobs at the map on the wall.
• 21:12
  Speaker 7: There's a private strip running Cessna's not too far from here.
• 21:16
  Speaker 7: If they're getting help, that's slightly where they're heading.
• 21:18
  Speaker 6: I guess we better get there before the competition.
• 21:21
  Speaker 1: You ready for this? Martinez smirks, grabs two shotguns from
• 21:24
  Speaker 1: a cabinet and tosses one to Knowle's. Martinez pumps his shotgun,
• 21:28
  Speaker 1: thinks a beat. Can we stop for impanadus Nippanadas Noles
• 21:32
  Speaker 1: pumps his shotgun. Fuck you. Exterior Private airstrip day. A
• 21:41
  Speaker 1: police truck pulls up to an old Cessana passenger plane
• 21:44
  Speaker 1: with Charlie, sam and Marcus in the back. Lucilla rides
• 21:47
  Speaker 1: up front with Victor the cop. Charlie puked on behind
• 21:51
  Speaker 1: the wheel. They get out to open the door for
• 21:53
  Speaker 1: the guys. Charlie has tape over his mouth. He screams
• 21:57
  Speaker 1: when Victor peels it off.
• 21:58
  Speaker 3: Oh damn, was that really necessary?
• 22:02
  Speaker 10: He just had the car detailed.
• 22:04
  Speaker 1: Lucia nods to her partner, Victor begrudgingly uncuffs them.
• 22:09
  Speaker 9: Oh mind if I hold onto these.
• 22:11
  Speaker 1: Marcus inspects the plane. This thing is a death trap.
• 22:15
  Speaker 1: I love it. You know you really didn't have to
• 22:18
  Speaker 1: do any of this.
• 22:19
  Speaker 10: We could always take you back to prison to play
• 22:21
  Speaker 10: marquessy face.
• 22:22
  Speaker 1: I think we'll take our chances on the death trap.
• 22:27
  Speaker 1: Cute by the way in your dreams.
• 22:30
  Speaker 10: If I had told you my name sooner, you might
• 22:32
  Speaker 10: never have left.
• 22:33
  Speaker 1: Well now we'll never know. She's charmed by this. Lucia
• 22:38
  Speaker 1: takes the keys from her partner and undoes Charlie's cuffs herself.
• 22:42
  Speaker 10: Goodbye, Charlie, Bleeker.
• 22:44
  Speaker 1: Aste Luego. Who shad they me Suenos? They share a
• 22:50
  Speaker 1: brief moment. Marcus and Sam roll their eyes. I hate
• 22:53
  Speaker 1: to break up this, whatever this is, but great to
• 22:56
  Speaker 1: meet you. You're extremely hot, Charlie, Get the fuck on
• 22:58
  Speaker 1: the plane. The plane door opens. Outsteps Manny Ross, a
• 23:05
  Speaker 1: gangster in a white pinstriped suit. Several of Manny's henchmen follow,
• 23:10
  Speaker 1: cocking their guns. One puts a gun to Lucia's head,
• 23:14
  Speaker 1: Victor puts his gun down. Marcus an eagle.
• 23:19
  Speaker 2: I find you at.
• 23:19
  Speaker 1: Last, Manny. Oh thank god, Marcus. Who are your friends
• 23:24
  Speaker 1: with the guns?
• 23:25
  Speaker 3: No?
• 23:25
  Speaker 1: No, no, no, no, this is cool. This is Manny.
• 23:27
  Speaker 1: He's the guy I was telling you about.
• 23:28
  Speaker 10: Wait do you know this man?
• 23:30
  Speaker 1: Know him? He's my realtor. Mammy's the one who flow
• 23:33
  Speaker 1: us down to check out the property.
• 23:36
  Speaker 2: Yes, yes, Mark is my man. I hope you and
• 23:41
  Speaker 2: your friends enjoyed my hospitality.
• 23:44
  Speaker 9: You have an excellent cold buffet.
• 23:46
  Speaker 12: Sincerely, I'm only sorry to inform you that your flight
• 23:58
  Speaker 12: home has been cancel.
• 24:00
  Speaker 1: Marcus, what is he talking about? One of the henchmen
• 24:04
  Speaker 1: steps forward and puts a black bag over each of
• 24:06
  Speaker 1: their heads. Many walks up to Charlie.
• 24:09
  Speaker 2: Ah, you must be the infamous Charlie Bleaker ill guntador.
• 24:15
  Speaker 1: The honor is Julie my infamous. No, no, not infamous.
• 24:19
  Speaker 12: To put things in terms, you Americans are so fond
• 24:22
  Speaker 12: of Charlie.
• 24:25
  Speaker 1: Welcome to the big league. AMU Manny's voice trails off
• 24:30
  Speaker 1: as Charlie loses consciousness.
• 24:32
  Speaker 9: You have been traded.
• 24:34
  Speaker 1: Cut to interior fink a hideaway Pablo's private study. Later,
• 24:40
  Speaker 1: Charlie's vision slowly adjusts as he starts to come around.
• 24:43
  Speaker 1: He sits up, still handcuffed. The room is decked out
• 24:48
  Speaker 1: top to bottom in rhinoceros paraphernalia and Chotsky's, including a
• 24:52
  Speaker 1: big velvet painting of a naked cigar chopping Pablo straddling
• 24:56
  Speaker 1: the now to cease Rhino over the mantle, Pablo pops
• 25:00
  Speaker 1: his head into Charlie's field of vision. He's always smiling there.
• 25:04
  Speaker 8: He is the famous rhino killer.
• 25:08
  Speaker 1: Okay, where am I? Where's Marcus? And Sam?
• 25:13
  Speaker 8: So many questions? I know, I know? Am I going
• 25:15
  Speaker 8: to kill you? How am I going to kill you?
• 25:17
  Speaker 8: When I eat your remains myself or force feed them
• 25:20
  Speaker 8: to your loved once while you watch? Where am I matters?
• 25:26
  Speaker 8: We have not been formally introduced.
• 25:28
  Speaker 1: Pablo covers his face like he's playing peekaboo.
• 25:32
  Speaker 8: It's me the feast of death, Pablo escabar.
• 25:36
  Speaker 1: Oh, you're supposed to be dead. I'm bad.
• 25:41
  Speaker 8: Oh God, And don't think I don't know who you are.
• 25:45
  Speaker 8: Charlie Breaker, No, No, that's not me. Come on, don't
• 25:50
  Speaker 8: be so midest. I have all your books. Much of
• 25:53
  Speaker 8: the man I am today is because of your say's
• 25:55
  Speaker 8: advice investing yourself first, last, and always truly profound.
• 26:01
  Speaker 1: Pablo walks over to Charlie and takes a knee, shakes
• 26:04
  Speaker 1: his head.
• 26:06
  Speaker 8: You are in a lot of trouble, Charlie. You killed
• 26:11
  Speaker 8: my rhinoceros, one of only three white rhinos left in
• 26:15
  Speaker 8: the entire world.
• 26:16
  Speaker 1: Pablo stands walks over to the rhino portraits.
• 26:19
  Speaker 8: Years have been spent trying to say the species from
• 26:22
  Speaker 8: the sprinkup extention. Mercedes posters killing them for their horns.
• 26:27
  Speaker 3: I swear, mister Escobar, it was in self defense. I
• 26:31
  Speaker 3: had no choice.
• 26:32
  Speaker 8: Come on, Charlie, my father's mister Eskomar called me. Don Pablo, okay,
• 26:39
  Speaker 8: well done.
• 26:41
  Speaker 3: You see my friends and I we were just hunting
• 26:43
  Speaker 3: for jungle cows.
• 26:44
  Speaker 1: And Pablo reaches out and squeezes Charlie's face affectionately. Charlie
• 26:49
  Speaker 1: is silence and terrified.
• 26:51
  Speaker 8: A rhinoceros is such a noble creature, wouldn't you agree?
• 26:54
  Speaker 1: His face still squeezed ture.
• 26:58
  Speaker 8: But so much more. It is a symbol of power
• 27:01
  Speaker 8: and respect. Like the rhino men such as ourselves are
• 27:04
  Speaker 8: a dying breed, or.
• 27:06
  Speaker 1: You know, maybe a living one.
• 27:09
  Speaker 8: Really, I should thank you.
• 27:10
  Speaker 1: That's his belly.
• 27:12
  Speaker 8: Being in hiding for so long has made me soft,
• 27:15
  Speaker 8: kinder even so, does this mean you're not going to
• 27:19
  Speaker 8: kill me? Oh no, I'm definitely killing you, Oh, Pablo whistles.
• 27:27
  Speaker 1: The double doors swing open. Marcus and Sam, still wearing hoods,
• 27:31
  Speaker 1: get tossed in by a gargantuane thug. They stumble around
• 27:35
  Speaker 1: like idiots, bumping into each other before the thug pushes
• 27:37
  Speaker 1: them to their knees next to Charlie and remove their hoods.
• 27:40
  Speaker 8: Marcus, Sam, Charlie, we thought you were dead LISTO. Let
• 27:45
  Speaker 8: us talk warum to our little meeting and get down
• 27:48
  Speaker 8: to business.
• 27:49
  Speaker 1: Pablo takes a cigar from his inside jacket pocket and
• 27:52
  Speaker 1: sniffs the tip with a pair of gold plated shears.
• 27:54
  Speaker 1: His henchman lights a cigar for him.
• 27:57
  Speaker 3: Baba, are you bumping again?
• 28:00
  Speaker 1: Reluctantly puts out the cigar. Charlie is confused.
• 28:04
  Speaker 8: That is, after all, why you came to my country, correct, Marcus,
• 28:07
  Speaker 8: to do business?
• 28:09
  Speaker 1: Marcus looks worried. Sam and Charlie both look at him.
• 28:12
  Speaker 1: Well I I Pablo catches a look on Sam and
• 28:16
  Speaker 1: Charlie's face.
• 28:18
  Speaker 8: You did not think he came just to invest in
• 28:20
  Speaker 8: the resort, did you.
• 28:23
  Speaker 1: No, Marcus would like.
• 28:25
  Speaker 8: The prison a career in the lucrative field of money laundry.
• 28:29
  Speaker 1: That's what this was all about. The resort was supposed
• 28:32
  Speaker 1: to be a front. I swear I was gonna tell
• 28:34
  Speaker 1: you guys, honestly, I never actually said I had go
• 28:37
  Speaker 1: through with it.
• 28:37
  Speaker 8: In reality, you never had a choice, no matter their
• 28:41
  Speaker 8: obligation to Manana Rojas has been.
• 28:44
  Speaker 1: The henchman brings Pablo a box and opens it for
• 28:46
  Speaker 1: him to reveal the head of many rojas taken care of.
• 28:51
  Speaker 8: As for you three, I will need to get creative,
• 28:53
  Speaker 8: since you cannot all fit intoe a conventional oven.
• 28:56
  Speaker 1: At the same time, Pablo turns to leave, the henchman
• 29:02
  Speaker 1: steps forward, menacing wait. Pablo turns back.
• 29:06
  Speaker 8: I'm sorry, Cholie, did you have something to add?
• 29:09
  Speaker 1: I'll replace your rhino. Pablo is intrigued. He motions for
• 29:14
  Speaker 1: the henchman to hold off.
• 29:16
  Speaker 3: Okay, let all of us go, and I will get
• 29:18
  Speaker 3: you a newerhinoceros.
• 29:20
  Speaker 1: You have my word?
• 29:21
  Speaker 8: Oh, I have your word, and if you don't.
• 29:25
  Speaker 1: Then I guess you can kill me. Charlie, What the
• 29:30
  Speaker 1: fuck are you doing? Ah? I was going to give
• 29:34
  Speaker 1: you anyway, what else you got?
• 29:36
  Speaker 9: I don't hear any getting in there.
• 29:38
  Speaker 8: I would kill him and I'm good already.
• 29:46
  Speaker 1: Pablo, Marcus, and Sam are all surprised by this. There's
• 29:50
  Speaker 1: an uncomfortable silence in the room. Sorry, my frien.
• 29:53
  Speaker 8: Sometimes it's like.
• 29:54
  Speaker 9: I can't even take a piss.
• 29:56
  Speaker 1: Why was that not hing? My sweet back to Charlie. Sorry,
• 30:02
  Speaker 1: where we are?
• 30:03
  Speaker 8: Yes, yes, yes, you're inevitably gruesome death.
• 30:08
  Speaker 1: Pablo snaps his fingers as he turns to leave again.
• 30:11
  Speaker 1: I know that sound, Pablo stops.
• 30:15
  Speaker 8: What sound is that?
• 30:16
  Speaker 3: The sound of a ball busting wife who chips away yourself?
• 30:19
  Speaker 3: As to him, to you, the shadow of the man
• 30:20
  Speaker 3: you once were.
• 30:22
  Speaker 1: Pablo sits down on the edge of his desk, agitated, Well,
• 30:24
  Speaker 1: you better get down with it.
• 30:26
  Speaker 3: Wouldn't want her to think you have a mind of
• 30:28
  Speaker 3: your own, capable of making its own decisions.
• 30:32
  Speaker 1: Marcus and Sam look over at Charlie. Pablo drums his fingers.
• 30:36
  Speaker 9: What the fuck are you doing?
• 30:40
  Speaker 1: Fuck it?
• 30:40
  Speaker 8: Okay, you had two days to replace my rhino. If
• 30:44
  Speaker 8: you succeed, I will consider letting you live. Oh and
• 30:47
  Speaker 8: in case you had any thoughts of trying to escape
• 30:49
  Speaker 8: the country.
• 30:50
  Speaker 1: The henchman returns with Lucia bound and gagged. He's a
• 30:53
  Speaker 1: pistol to your head. Who see you? The henchman pulls
• 30:56
  Speaker 1: the trigger, but the gun isn't loaded.
• 31:00
  Speaker 8: Charlie Bleeker, happy hunting?
• 31:02
  Speaker 1: Wait? Wait, how do I find you?
• 31:04
  Speaker 8: You don't find a Diablo, Charlie, and Diablo finds you.
• 31:08
  Speaker 1: The black bag goes back over his head, end the back. Two.
• 31:13
  Speaker 11: All right, I actually want to do it.
• 31:17
  Speaker 1: Yeah. Page sixty eight, with his henchman lights a cigar
• 31:23
  Speaker 1: for him. I just want to try something little