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He Watered a Life Away: How a Financial Predator Hid a Young Man's Identity · Dark Psychology: The Control Game

0:03
Speaker 1: The photograph was sealed in an archival sleeve. Someone had
0:07
Speaker 1: written on the adhesive note in careful block letters original
0:11
Speaker 1: do not discard t r Age fifty two. It was
0:15
Speaker 1: lying in a drainage culfort on the east bend of
0:18
Speaker 1: Millstone Loop, and it had no business being there at all.
0:22
Speaker 2: Rachel Jenkins found it on.
0:23
Speaker 1: A Tuesday morning in early November two thousand nineteen. She
0:28
Speaker 1: found it on November third, two thousand nineteen. She was
0:32
Speaker 1: walking Biscuit, a client's labrador, along the path that curved
0:36
Speaker 1: past Parmer Road. Biscuit pulled toward the concrete lip of
0:40
Speaker 1: the culvert. Jenkins looked down and saw the edge of
0:43
Speaker 1: a sleeve catching the light.
0:45
Speaker 2: She picked it up.
0:46
Speaker 1: Inside was a color photograph a woman at.
0:49
Speaker 2: A party mid laugh, caught mid.
0:52
Speaker 1: Motion, alive with people around her. The sleeve was clean,
0:56
Speaker 1: the note was precise. Someone had gone to the trouble
0:59
Speaker 1: of protect this image and then left it in a
1:02
Speaker 1: drainage ditch. Jenkins called the non emergency line for the
1:07
Speaker 1: Ashford County Sheriff's Department that same day. The photograph was
1:11
Speaker 1: found on November third, two thousand nineteen, and remained in
1:14
Speaker 1: a property drawer until November fourteenth, two thousand, nineteen eleven days.
1:20
Speaker 1: What nobody knew yet, not Jenkins, not the deputy who
1:24
Speaker 1: blogged the call, not the woman in the photograph, was
1:27
Speaker 1: that identical photographs, sealed in identical sleeves with identical notes,
1:32
Speaker 1: filled the shoe box in a storage unit across town.
1:35
Speaker 1: Sixty four of them, every original labeled with the same
1:39
Speaker 1: initials and a different age, every one replaced on a
1:43
Speaker 1: wall by something else. That is the story, not a theft,
1:47
Speaker 1: not a disappearance, something slower and more precise than either
1:51
Speaker 1: of those things. By the time it was discovered, a
1:54
Speaker 1: fifty four year old woman had been living inside an
1:58
Speaker 1: edited version of her own life for roughly a year
2:01
Speaker 1: and a half. Tracy Rousso had lived in the same
2:04
Speaker 1: house on Creekside Terrace in Ashford for nineteen years. That
2:09
Speaker 1: kind of tenure is its own statement. She knew which
2:12
Speaker 1: floorboard creaked near the bathroom door. She knew the exact
2:16
Speaker 1: angle of afternoon light through the kitchen window in October.
2:20
Speaker 1: She had painted the front hallway twice and chosen the
2:23
Speaker 1: same shade of warm white both times. For eleven years,
2:27
Speaker 1: she had worked as an administrative coordinator at a pediatric
2:31
Speaker 1: dental clinic.
2:32
Speaker 2: The job suited her.
2:34
Speaker 1: She was organized in the way that people who genuinely
2:37
Speaker 1: enjoy being organized are organized, not rigid, but calibrated. She
2:42
Speaker 1: kept a laminated schedule on the refrigerator and a back
2:45
Speaker 1: up copy in her car. Her colleagues knew she would
2:49
Speaker 1: remember the detail they had forgotten. Her closest friend at
2:52
Speaker 1: the clinic, Barbellison, had worked beside her long enough to
2:56
Speaker 1: stop being surprised by it. Tracy had been divorced from
2:59
Speaker 1: Dennis uz Roussou for several years, a mutual dissolution by
3:03
Speaker 1: all accounts. Her daughter, Amber had moved to Portland to
3:08
Speaker 1: work as a graphic designer. They talked regularly. Amber knew
3:13
Speaker 1: her mother's house the way adult children know the house
3:16
Speaker 1: They grew up in the placement of objects, the photos
3:19
Speaker 1: on the walls, the specific geography of a life. Then
3:23
Speaker 1: there was Pepper, twelve years old, tortoises sheell, hypothyroid and diabetic.
3:30
Speaker 1: Pepper required insulin injections at seven in the morning and
3:34
Speaker 1: seven in the evening without exception. The laminated schedule on
3:37
Speaker 1: the refrigerator existed partly because of Pepper. Tracy did not
3:42
Speaker 1: miss those windows. Her veterinary Clinic Ashford Veterinary Associates had
3:48
Speaker 1: her file organized down to the milligram. The routine was
3:51
Speaker 1: not compulsive, It was caring. There is a difference, and
3:55
Speaker 1: it matters here because what was built around that routine
3:59
Speaker 1: slowly over eighteen months, used every piece of it as
4:03
Speaker 1: a pressure point. The morning it started, Tracy was at
4:06
Speaker 1: her mailbox six forty five in the morning March first,
4:11
Speaker 1: twenty eighteen. The men at the neighboring box introduced himself
4:15
Speaker 1: as Ryan Carter. He had recently moved to Parmer Road,
4:20
Speaker 1: one street over. He was thirty one years old, pleasant,
4:24
Speaker 1: conversational without being intrusive. About a week later he appeared
4:28
Speaker 1: at her front door with a succulent in a terra
4:30
Speaker 1: cotta pot.
4:31
Speaker 2: She led him in.
4:33
Speaker 1: By June of twenty eighteen, Tracy had given Carter a
4:36
Speaker 1: key to her house. By August, he had moved most
4:40
Speaker 1: of his belongings from Parmer Road into Creekside Terrace. It
4:44
Speaker 1: looked from the outside like an ordinary domestic arrangement, accelerating
4:50
Speaker 1: at a normal pace. Carter was attentive. Brenda Chu, a
4:55
Speaker 1: veterinary technician at Ashford Veterinary Associates, remembered him as present
5:00
Speaker 1: and pleasant. At two appointments for Pepper, he had asked
5:04
Speaker 1: detailed questions about the insolent protocol. At the time, that
5:08
Speaker 1: seemed like the behavior of someone who cared. Phil Baxter,
5:12
Speaker 1: whose father had employed Carter as.
5:14
Speaker 2: A personal assistant in Columbus for.
5:16
Speaker 1: Six months before dismissing him, would later describe the experience
5:20
Speaker 1: in a way that is difficult to categorize clinically but
5:23
Speaker 1: easy to recognize emotionally. Everything felt fine, he said, and
5:28
Speaker 1: then everything felt wrong, and there was nothing he could
5:31
Speaker 1: point to that explained the shift. That gap between fine
5:35
Speaker 1: and wrong, with nothing concrete in between is exactly where
5:39
Speaker 1: Ryan Carter operated, and inside Tracy Russo's home, the mechanism
5:44
Speaker 1: he used to create it was already in place. It
5:48
Speaker 1: was on the walls, it was in the frames, and Tracy,
5:52
Speaker 1: organized and attentive and nineteen years familiar with every corner
5:56
Speaker 1: of her own house, had not yet noticed that the
5:59
Speaker 1: photographs hanging around her were not the ones she had
6:02
Speaker 1: put there. The photograph that Rachel Jenkins pulled from the
6:06
Speaker 1: drainage culvert on Millstone Loop was not damaged. That was
6:10
Speaker 1: the first strange thing. It had been there less than
6:13
Speaker 1: a week based on the condition of the sleeve, a
6:15
Speaker 1: polypropylene archival sleeve, the kind used to protect documents meant
6:21
Speaker 1: to last, the kind of sleeve that costs more than
6:24
Speaker 1: the photograph inside it is worth unless the photograph matters
6:28
Speaker 1: enormously to someone. The note on the front was handwritten
6:31
Speaker 1: in black marker original do not discard tr Age fifty
6:36
Speaker 1: two Jenkins called the non emergency Line. The photo was
6:41
Speaker 1: found on November third, twenty nineteen, and remained in a
6:45
Speaker 1: property drawer until November fourteenth, two thousand, nineteen Eleven days
6:51
Speaker 1: then Detective Michelle Turner of the Ashford County Sheriff's Department
6:56
Speaker 1: opened the drawer, saw the initials tr and fell something catch.
7:01
Speaker 1: She had opened the fraud investigation. On October fifteenth, twenty nineteen,
7:07
Speaker 1: a woman named Tracy Russo Tracy R. Had reported two
7:11
Speaker 1: credit cards opened in her name without authorization, combined balance
7:17
Speaker 1: more than eighteen thousand dollars. The billing address on one
7:21
Speaker 1: of the cards had been traced to a name Ryan Carter.
7:26
Speaker 1: Turner drove to Creekside Terrace. Tracy Russo met her at
7:30
Speaker 1: the door of the house she had lived in for
7:32
Speaker 1: nineteen years she was fifty four years old, organized precise.
7:38
Speaker 1: A woman who kept a laminated insulin schedule for her
7:41
Speaker 1: diabetic cat on the refrigerator and a backup copy in
7:45
Speaker 1: her car. She knew her house, she knew her walls.
7:49
Speaker 1: Turner asked if she could look at the photographs. There
7:52
Speaker 1: were thirty one framed photographs in the main living areas
7:56
Speaker 1: of the house. Turner walked through each room with her
7:59
Speaker 1: colleague David p and it took them four hours to
8:02
Speaker 1: document what they were seeing. At the end of those
8:05
Speaker 1: four hours, they had.
8:06
Speaker 2: A number eleven.
8:07
Speaker 1: Eleven of the thirty one photographs were not the originals.
8:11
Speaker 1: They were close, close enough that on any given morning,
8:14
Speaker 1: rushing past a wall on the way to feed a
8:16
Speaker 1: cat or grab keys, you would not stop. You would
8:20
Speaker 1: see what you expected to see. Your memory would confirm
8:23
Speaker 1: what your eyes were showing you, because your eyes and
8:26
Speaker 1: your memory had been shown the same replacement long enough
8:30
Speaker 1: that the replacement had become the memory. Turner called Amber
8:34
Speaker 1: Russo in Portland. She asked her to go through her
8:37
Speaker 1: phone every photo she had of her mother's house, every
8:40
Speaker 1: picture taken during visits, anything that showed the walls. Amber
8:45
Speaker 1: was a graphic designer. She looked at images for a
8:48
Speaker 1: living She called back and confirmed eleven discrepancies. She had
8:52
Speaker 1: the originals on her phone. The replacements were not random substitutions.
8:57
Speaker 2: That's what made them precise.
8:59
Speaker 1: The photograph's Carter had swapped out shared two features. They
9:03
Speaker 1: showed Tracy connected to other people, and they showed her
9:06
Speaker 1: face open mid laugh in the company of someone she trusted.
9:11
Speaker 1: The replacements showed Tracy in those same moments, but slightly
9:15
Speaker 1: differently framed. Dennis Russo, her ex husband, was cropped out
9:20
Speaker 1: of at least one Barb Ellison, Tracy's closest friend, and
9:24
Speaker 1: a colleague from the dental clinic, was removed from at
9:27
Speaker 1: least two others in their place. Tracy alone or with Carter.
9:33
Speaker 1: Turner filed for a search warrant on a storage unit
9:36
Speaker 1: Carter still maintained on Parmer Road. Inside the unit, investigators
9:41
Speaker 1: found a shoe box. Inside the shoe box sixty four photographs,
9:46
Speaker 1: each one in an archival sleeve, each one labeled in
9:49
Speaker 1: the same handwriting, the same black marker, the same format
9:54
Speaker 1: original do not discard tr and then beside each name
9:59
Speaker 1: Tracy d Russo's age at the moment the photograph was taken.
10:03
Speaker 2: He had not destroyed them. He had cataloged them.
10:06
Speaker 1: The order from a drug store on Route nine confirmed
10:09
Speaker 1: the mechanism. Someone using Carter's email address had ordered print reproductions.
10:15
Speaker 1: The printing was traced through the billing address, the same
10:19
Speaker 1: billing address that had already connected Carter's name to the
10:22
Speaker 1: fraudulent credit cards. There is something in this case that
10:26
Speaker 1: takes a moment to fully absorb. The photographs in the
10:29
Speaker 1: shoe box were not trophies in the conventional sense. They
10:33
Speaker 1: were not hidden. They were organized, labeled, preserved with more
10:37
Speaker 1: care than most people give their own memories, and that fact,
10:41
Speaker 1: the care, is what forensic psychologist doctor Alan FOSSi found
10:46
Speaker 1: most significant when he reviewed the case materials. Foss's analysis
10:51
Speaker 1: identified what Carter had built inside Tracy's home as a
10:55
Speaker 1: concrete and deliberate mechanism of gaslighting, not the broad culture
11:00
Speaker 1: use of the word, but a specific physical intervention, the
11:04
Speaker 1: systematic alteration of a person's environment to make their own
11:09
Speaker 1: memory unreliable. Every morning Tracy walked past those walls, she
11:14
Speaker 1: was seeing a version of her life that had been edited.
11:18
Speaker 1: Her friendships were quieter in those frames. Her marriage had
11:22
Speaker 1: been cropped away. The version of herself that looked back
11:25
Speaker 1: at her from the walls was a woman more alone
11:29
Speaker 1: than the one Tracy actually remembered being, and when memory
11:33
Speaker 1: and environment conflict long enough, memory tends to yield.
11:37
Speaker 2: Carter had a key.
11:37
Speaker 1: To the house since June of twenty eighteen, he had
11:41
Speaker 1: moved most of his belongings in. By August, he had
11:44
Speaker 1: access to every wall, every frame, every corner of the
11:48
Speaker 1: space Tracy had built over nineteen years. The replacements happened incrementally,
11:54
Speaker 1: not all at once, which would have been immediately visible
11:58
Speaker 1: one frame, then another weeks apart, perhaps spaced so that
12:03
Speaker 1: the change arrived below the threshold of conscious notice. The
12:07
Speaker 1: insulin schedule on the refrigerator was Tracy's anchor, seven in
12:11
Speaker 1: the morning, seven at night, without exception. Pepper's survival depended
12:17
Speaker 1: on it. Carter had attended two veterinary appointments at Ashford
12:22
Speaker 1: Veterinary Associates and had asked Brenda Chew, the technician, detailed
12:27
Speaker 1: questions about the protocol. Turner later described what that access represented.
12:32
Speaker 1: The single daily fixed point in Tracy's life now known
12:36
Speaker 1: to Carter in clinical detail. He never had to use
12:39
Speaker 1: that knowledge. The fact that he had it was the
12:42
Speaker 1: point the photograph found.
12:44
Speaker 2: In the culvert had been there less than a week.
12:47
Speaker 1: Someone had placed it outside outside in a drainage ditch,
12:51
Speaker 1: in an archival sleeve, labeled with the same care as
12:54
Speaker 1: every photograph in.
12:55
Speaker 2: The shoe box.
12:56
Speaker 1: Turner turned that over for a long time. The storage
13:00
Speaker 1: unit on Parmer Road sixty four photographs in a shoe box,
13:05
Speaker 1: each one sleeved, each one labeled with Tracy's age. Carter
13:11
Speaker 1: kept them not hidden under floorboards, not destroyed, not scattered,
13:17
Speaker 1: kept organized in a system.
13:19
Speaker 2: That made retrieval possible.
13:21
Speaker 1: One version of what happened holds that the photograph in
13:25
Speaker 1: the culvert was an accident that during the process of
13:27
Speaker 1: moving or discarding items, a single sleeve slipped out and
13:32
Speaker 1: ended up in the drainage ditch. Under this reading, the
13:35
Speaker 1: shoe box is evidence of obsession, but not of intention
13:39
Speaker 1: to release. The care invested in the storage suggests Carter
13:43
Speaker 1: did not want these photographs found at all, which is
13:46
Speaker 1: why finding one outside exposed creates an immediate problem. For
13:51
Speaker 1: this version, a second scenario runs in the opposite direction.
13:55
Speaker 1: Someone who catalogs sixty four photographs by age and stores
13:59
Speaker 1: them in ar archival sleeves does not misplace one. The
14:03
Speaker 1: Culvert photograph was placed deliberately. If that is true, the
14:07
Speaker 1: question becomes for whom Turner considered, whether Carter was creating
14:11
Speaker 1: distance between himself and the materials beginning to remove evidence
14:16
Speaker 1: from a storage unit he suspected might eventually be searched.
14:19
Speaker 1: But the labeling contradicts this. You do not label evidence
14:24
Speaker 1: you are trying to discard. You do not write original,
14:28
Speaker 1: do not discard on something you are throwing away.
14:32
Speaker 2: But here's the thing.
14:33
Speaker 1: Both of those versions assume Carter understood at the moment
14:37
Speaker 1: he placed or dropped the photograph that the system was ending.
14:41
Speaker 1: And there is a third possibility that neither addresses Carter
14:45
Speaker 1: had done this before. In Columbus in twenty sixteen with
14:49
Speaker 1: a woman named Connie Vasquez forty nine years old, an
14:53
Speaker 1: accountant who had spent eight months in a relationship with
14:57
Speaker 1: Carter before discovering that two of her bank accounts had
15:00
Speaker 1: been accessed without authorization and that photographs in her apartment
15:05
Speaker 1: had been rushed replaced. Her case was filed as property damage.
15:10
Speaker 1: It was closed without charges. Vasquez spent two years afterward
15:14
Speaker 1: believing she had imagined the photo replacements two years. Questioning
15:18
Speaker 1: her own memory of her own walls, Turner contacted a
15:22
Speaker 1: Columbus detective in the second week of November. Vasquez confirmed
15:25
Speaker 1: the pattern, same incremental replacement, same isolation in the frames,
15:30
Speaker 1: same quiet erosion of the physical environment. Carter had walked
15:34
Speaker 1: out of Columbus without charges. He had arrived in Ashford
15:38
Speaker 1: and started again. The shoe box in that light is
15:42
Speaker 1: not just evidence of what he did to Tracy. It
15:45
Speaker 1: is evidence of a method, a repeatable, portable patient method
15:49
Speaker 1: that he had already refined once before, and that the
15:52
Speaker 1: original system, the one in Columbus, had never caught. Turner
15:56
Speaker 1: brought the shoe box to the motel outside Ashford on
16:00
Speaker 1: the nineteenth of November two thousand nineteen. The photograph Jenkins
16:05
Speaker 1: had found had been turned over to investigators on November fourteenth,
16:10
Speaker 1: two thousand nineteen, and the storage search occurred on November sixteenth,
16:15
Speaker 1: two thousand nineteen.
16:17
Speaker 2: Carter had checked.
16:18
Speaker 1: In under his own name. When Turner set the photographs
16:21
Speaker 1: on the table in front of him and said Connie
16:24
Speaker 1: Vasquez's name out loud, he was quiet for a long time.
16:29
Speaker 1: Then he talked for two hours. He said he didn't
16:31
Speaker 1: know why he kept the originals. Turner later said she
16:35
Speaker 1: believed him and that somehow was the most unsettling answer
16:39
Speaker 1: in the file. Carter entered a guilty plea in February
16:43
Speaker 1: of twenty The charges were identity theft, fraud, and criminal stalking.
16:48
Speaker 1: The sentence was four to seven years in state prison.
16:52
Speaker 1: The plea came without a full explanation. Carter said in
16:55
Speaker 1: court only that he accepted responsibility. He offered nothing about
16:59
Speaker 1: the timeline, nothing about the selection of photographs, nothing about
17:04
Speaker 1: the drug store on Route nine, or the archival sleeves
17:08
Speaker 1: or the handwritten labels. The judge recorded the plea, the
17:12
Speaker 1: file closed. Turner later described the case to colleagues as
17:16
Speaker 1: one that had no clean center. There was no single
17:19
Speaker 1: dramatic event to point to. There was no night everything changed.
17:23
Speaker 1: There was only an accumulation. A photograph replaced here, a
17:27
Speaker 1: name cropped from a frame there, A bank account opened
17:31
Speaker 1: with information Carter had absorbed quietly over eighteen months. That
17:35
Speaker 1: accumulation is what made the case difficult to prosecute and
17:39
Speaker 1: difficult to explain. Criminal stalking law in most jurisdictions is
17:44
Speaker 1: built around threat and proximity. It was not designed for
17:48
Speaker 1: a method that works through subtraction minutes, removing people from frames,
17:54
Speaker 1: removing Tracy's confidence in her own memory, removing the visual
17:58
Speaker 1: record of a life she had actually lived. Doctor Allan Fosse,
18:02
Speaker 1: the forensic psychologist.
18:03
Speaker 2: Who reviewed the case materials.
18:05
Speaker 1: Described what Carter did as a form of environmental manipulation,
18:09
Speaker 1: with no precedent he could locate in the existing stalking
18:12
Speaker 1: case literature. The physical environment, Fosse noted, is not something
18:17
Speaker 1: most people protect. We do not inventory our walls. We
18:21
Speaker 1: trust that what we placed their remains. Carter understood that,
18:26
Speaker 1: and he used it. The order of protection that Connie
18:29
Speaker 1: Vasquez had filed in Columbus in twenty sixteen appears in
18:32
Speaker 1: the public record. It was issued, it expired, Carter moved
18:37
Speaker 1: to Ashford. There was no mechanism that connected the Columbus
18:41
Speaker 1: record to anything in Ashford County until Turner made the
18:44
Speaker 1: call herself. Vasquez, for her part, confirmed in statements to
18:48
Speaker 1: Turner that she had spent roughly two years after the
18:51
Speaker 1: Columbus case questioning her own recollection of her apartment. She
18:55
Speaker 1: had been certain in twenty sixteen that the photographs on
18:59
Speaker 1: her wall had changed. The investigators at the time had
19:03
Speaker 1: suggested she was misremembering. She had eventually accepted that explanation
19:08
Speaker 1: because there was no alternative framework available to her. No
19:12
Speaker 1: one had told her that what she was describing was
19:15
Speaker 1: a documented method. The sixty four photographs in the shoe box,
19:19
Speaker 1: every one of them sleeved in archival polypropylene, everyone labeled
19:24
Speaker 1: in Carter's handwriting with Tracy's initials, and with labels noting
19:28
Speaker 1: the age when each photo had been taken one read
19:32
Speaker 1: age fifty two were entered into evidence and eventually returned
19:37
Speaker 1: to Tracy. He'd cataloged many more sixty four originals overall,
19:42
Speaker 1: though only thirty one frames were on display at Tracy's house,
19:46
Speaker 1: of which eleven had been swapped. In December of twenty nineteen,
19:51
Speaker 1: Tracy Russo and her daughter Amber drove back to Creekside
19:55
Speaker 1: Terrace together. Tracy had been staying elsewhere since the investigation.
20:00
Speaker 1: She had not been inside the house since Turner's team
20:03
Speaker 1: documented every frame they brought the originals they hung them themselves.
20:09
Speaker 1: There is something in that detail that resists easy description.
20:13
Speaker 1: Tracy had lived in that house for nineteen years. She
20:16
Speaker 1: had built the arrangement on those walls across two decades.
20:20
Speaker 2: A birthday party.
20:21
Speaker 1: Here, a beach trip, there, amber at seventeen, Pepper as
20:24
Speaker 1: a kitten, a Christmas morning where Denis is still in
20:27
Speaker 1: the frame and no one is cropped. Carter had taken
20:31
Speaker 1: that arrangement apart, one photograph at a time, so gradually
20:35
Speaker 1: that Tracy had not noticed it happening. Her own home
20:38
Speaker 1: had been turned into a slow argument against her memory.
20:41
Speaker 1: Hanging the original's back was the reversal of that. Not
20:45
Speaker 1: a dramatic one, just two women, a hammer, and a
20:48
Speaker 1: box of photographs that.
20:50
Speaker 2: Had come home.
20:51
Speaker 1: Pepper was there, twelve years old, tortoiseshell, hypothyroid and diabetic,
20:56
Speaker 1: still requiring her seven in the morning and seven in
20:59
Speaker 1: the evening insulin injections without exception, still herself. Carter had
21:05
Speaker 1: learned the exact parameters of that schedule, had positioned himself
21:09
Speaker 1: as essential to it, and had never needed to use
21:11
Speaker 1: that leverage explicitly. The knowledge of it had been enough.
21:15
Speaker 1: That is what makes the method so hard to see
21:18
Speaker 1: while it is happening. It operates entirely in the space
21:21
Speaker 1: of what could happen, never in the space of what
21:24
Speaker 1: does the question the case does not answer? The one
21:28
Speaker 1: Turner said she carried out of that motel room. Is
21:31
Speaker 1: why Carter kept the originals. He had the photographs, he
21:35
Speaker 1: could have destroyed them. Instead, he sleeved them, labeled them,
21:39
Speaker 1: stored them in a unit off Parmer Road, and maintained
21:42
Speaker 1: them with a care that under any other circumstance would
21:46
Speaker 1: look like devotion. He said he didn't know. There is
21:49
Speaker 1: no framework in the case file that accounts for that answer.
21:53
Speaker 1: Fossa did not offer one. Turner did not press further.
21:57
Speaker 1: The shoe box sits in that silence, sixty four photographs
22:01
Speaker 1: preserved with more care than Carter ever extended to the
22:05
Speaker 1: women whose lives he was re arranging, and no one
22:08
Speaker 1: can explain why. What the record does show is this,
22:13
Speaker 1: Tracy Russo's photographs are back on her walls. Her name
22:17
Speaker 1: is in the frame, her friends are in the frame.
22:20
Speaker 1: Her past is in the frame, intact and unedited and
22:23
Speaker 1: exactly as she remembered it. She put them there herself.
22:27
Speaker 1: That part is hers. This show is made by Obomedia.