Latest / Lux Radio Theater | Old Time Radio / Lux Radio Theatre - "War Against Mrs Hadley" (Old Time Radio, 1942)
Transcript
- 0:00Speaker 1: In Washington, D.C., wealthy socialite Stella Hadley tries to preserve
- 0:05Speaker 1: her comfortable pre-war life as America enters World War II.
- 0:10Speaker 1: On December 7, 1942, the first anniversary of Pearl Harbor,
- 0:16Speaker 1: CBS presented Lux Radio Theater's 373 broadcast, War Against Mrs. Hadley,
- 0:23Speaker 1: for listeners across the country. Adapted from the 1942 Metro-Goldwyn-Mayer film,
- 0:30Speaker 1: it reunites Faye Bainter as Stella with Edward Arnold, Gene
- 0:34Speaker 1: Rogers as Pat Hadley, and Van Johnson as Michael Fitzpatrick.
- 0:40Speaker 1: As wartime demands reach the Hadley household, Stella's son Ted,
- 0:45Speaker 1: her daughter Pat, and those close to the family face
- 0:49Speaker 1: plans and commitments altered by the home front. Now, back
- 0:54Speaker 1: to the golden age of radio.
- 0:57Speaker 2: Lux presents Hollywood.
- 1:11Speaker 3: The Lux Radio Theater brings you Edward Arnold and Faye
- 1:14Speaker 3: Bainter in The War Against Mrs. Hadley with Gene Rogers
- 1:19Speaker 3: and Van Johnson. Ladies and gentlemen, your producer, Mr. Cecil B.
- 1:23Speaker 2: DeMille.
- 1:30Speaker 4: Greetings from Hollywood, ladies and gentlemen. History begins at home.
- 1:35Speaker 4: It begins in the homes of Kansas and the Great
- 1:37Speaker 4: Western Plain, in the homes of Pittsburgh and the Valley
- 1:40Speaker 4: of Steel, in the homes of San Francisco and a
- 1:44Speaker 4: dozen other cities that turn out the men who build
- 1:47Speaker 4: the ships. And it begins in a home in Washington, called.
- 1:51Speaker 5: The White House.
- 1:52Speaker 4: The sum of all these homes is America, and over
- 1:56Speaker 4: every one of them is the shadow of great events
- 1:59Speaker 4: in this year gone by. We do not celebrate this day,
- 2:04Speaker 4: which marks the first anniversary of our active entrance into
- 2:07Speaker 4: the war. We merely note its passing and turn to
- 2:11Speaker 4: the challenge of the future. Tonight we tell you of
- 2:16Speaker 4: the way one American home has met this challenge. In
- 2:19Speaker 4: the Metro-Goldwyn-Mayer drama, The War Against Mrs. Hadley, and you'll
- 2:23Speaker 4: hear four of the players who were in the picture,
- 2:26Speaker 4: Edward Arnold and Faye Bader, beloved for many fine performances here,
- 2:30Speaker 4: and two promising newcomers to the stage, Gene Rogers and
- 2:34Speaker 4: Van Johnson. All American homes have faced problems brought on
- 2:39Speaker 4: by the war. This is what happened in the home
- 2:41Speaker 4: of Stella Hadley, and behind the dramatic story of this
- 2:44Speaker 4: one home is inspiration for every home. We're all working
- 2:49Speaker 4: hard these days, doing what we can to help, and
- 2:52Speaker 4: it's important that none of that effort be wasted. Waste
- 2:56Speaker 4: is an enemy that must be fought on every front,
- 2:59Speaker 4: but especially on the home front. And a strong ally
- 3:03Speaker 4: in that fight is Lux Flakes. In Hollywood, for instance,
- 3:07Speaker 4: our product saves motion picture studios thousands of dollars a
- 3:11Speaker 4: year in various kinds of wardrobe care. That's a very
- 3:15Speaker 4: interesting amount of money to the studio treasury. And what's
- 3:18Speaker 4: true in Hollywood is true in your own home, too.
- 3:21Speaker 4: You may not be making motion pictures, but like us,
- 3:24Speaker 4: you have a budget to meet. In these times, you
- 3:27Speaker 4: need to make clothes last longer. And your friend in
- 3:31Speaker 4: that need is a friend indeed. In two well-known words,
- 3:35Speaker 4: Lux Flakes.
- 3:38Speaker 6: Now.
- 3:39Speaker 4: The Signal for the Curtain and the First Act of
- 3:41Speaker 4: the War Against Mrs. Hadley, starring Edward Arnold as Elliot Fulton,
- 3:45Speaker 4: Faye Bainter as Stella Hadley, with Gene Rogers as Patricia,
- 3:49Speaker 4: and Van Johnson as Michael.
- 3:51Speaker 7: In November 1941, Mrs.
- 3:53Speaker 8: Stella Hadley of Washington, D.C., wrote a letter to an
- 3:57Speaker 8: old friend.
- 4:09Speaker 4: While a worried world outside her window strove desperately to
- 4:13Speaker 4: prepare against the mass murderers of Europe, Mrs. Hadley sat
- 4:17Speaker 4: in the rich security of her drawing room, blind and
- 4:20Speaker 4: deaf to everything except her own personal comfort.
- 4:27Speaker 8: Washington, my dear, is a complete madhouse. The way people
- 4:30Speaker 8: are rushing about and getting in each other's way. You'd
- 4:33Speaker 8: think it was November 1917 instead of 1941. All very silly,
- 4:35Speaker 8: of course. I suppose you know my son Ted is
- 4:42Speaker 8: in the war department with Elliot Fulton, and Patricia has
- 4:45Speaker 8: been pestering me with some vague idea she has of
- 4:48Speaker 8: entertaining draftees at a canteen. I don't know what's getting
- 4:52Speaker 8: into people, really. All this talk of war and defense
- 4:56Speaker 8: and lend-lease is beginning to bore me. In spite of
- 4:59Speaker 8: the warmongers here, I have it on excellent authority that
- 5:03Speaker 8: the chances of peace were never better. Goodbye for the present, dear,
- 5:08Speaker 8: and if you're in Washington next month, Please come to
- 5:11Speaker 8: my birthday luncheon. Remember the date. Sunday, December the 7th.
- 5:28Speaker 9: Oh, good morning, Mr.
- 5:29Speaker 2: Fulton. Good morning, Bennett. Am I the first? Yes, sir. Mrs.
- 5:32Speaker 10: Hadley hasn't come down yet, but you'll find Miss Patricia
- 5:34Speaker 10: in the drawing room, sir.
- 5:35Speaker 6: Is that you, Elliot? Come in here.
- 5:37Speaker 2: Ah, good morning, Padman. How's your mother?
- 5:40Speaker 6: Full of birthday cheer. You look tired, darling.
- 5:42Speaker 2: Well, I am a little, but don't tell your mother.
- 5:44Speaker 2: She'll scold me for working nights.
- 5:46Speaker 6: What's new in the War Department? How are the peace
- 5:48Speaker 6: negotiations coming along with Japan?
- 5:50Speaker 2: Ah, ah, Pat, you know my rule. No sharp talk here.
- 5:53Speaker 2: This is the only house in Washington I can forget
- 5:56Speaker 2: all that.
- 5:57Speaker 6: Mrs. Hadley's ivory tower. Elliot, will Mother ever ruffle up
- 6:00Speaker 6: her tail feathers and pull that pretty head of hers
- 6:02Speaker 6: out of the ground?
- 6:03Speaker 2: Oh, maybe she's lucky. She's missing a lot of unpleasant
- 6:06Speaker 2: happenings above the ground.
- 6:07Speaker 6: But other people have to face them. Why shouldn't she?
- 6:10Speaker 6: Just because we live like kings and.
- 6:12Speaker 2: Oh, now, don't be intolerant, Pat. It's just that she's
- 6:16Speaker 2: living in the past, that's all. I can't say I
- 6:18Speaker 2: blame her much. You know, she was the most popular
- 6:21Speaker 2: girl in Washington until your father came along, and then
- 6:24Speaker 2: she was the happiest wife.
- 6:26Speaker 6: Elliot, were you in love with her then?
- 6:28Speaker 2: Yes, but I made one fatal mistake. I introduced her
- 6:31Speaker 2: to your father.
- 6:33Speaker 6: You know, you and Mother are my two favorite people.
- 6:36Speaker 6: Why don't you get married? I've always wanted to be
- 6:38Speaker 6: a flower girl.
- 6:39Speaker 2: Oh, I'm afraid you're out of luck. Why? Nosey little baggage,
- 6:43Speaker 2: aren't you? All right, if you really want to know,
- 6:45Speaker 2: I'll tell you. I proposed to Stella on her last birthday.
- 6:49Speaker 6: What did she say?
- 6:50Speaker 2: She said I was the best friend your father ever had,
- 6:53Speaker 2: the best friend she ever had, the best executor the
- 6:55Speaker 2: estate ever had. And being a staunch Republican, I had
- 6:59Speaker 2: no right to associate myself with those new dealers.
- 7:02Speaker 6: Hardly a direct answer.
- 7:04Speaker 2: Hardly, but terribly final. Hello, Elliot. You're early, aren't you? Oh, hello, Ted.
- 7:09Speaker 5: Oh, my head's killing me.
- 7:11Speaker 6: Good morning, brother dear.
- 7:12Speaker 5: Oh, do you have to be so loud about it?
- 7:14Speaker 2: I need a drink.
- 7:16Speaker 5: Have one with me, Elliot?
- 7:17Speaker 2: No, thanks.
- 7:18Speaker 6: Big night, brother?
- 7:19Speaker 11: Well, not big enough to deserve this head. Oh, Elliot,
- 7:23Speaker 11: I'm sorry I had to leave the department so early yesterday. I...
- 7:27Speaker 11: I had to go to the dentist.
- 7:28Speaker 2: Yeah, that's the fourth time this month, Ted.
- 7:30Speaker 5: Yes, I know, but.
- 7:31Speaker 6: Ted, have you seen Mother yet?
- 7:33Speaker 11: Well, only one out of one eye. She came into
- 7:36Speaker 11: my room at the crack of dawn to see if
- 7:37Speaker 11: I was resting peacefully. Won't one of you please tell
- 7:40Speaker 11: her I'm old enough to be weaned?
- 7:42Speaker 6: Keep pulling on that bottle and she'll find out soon enough.
- 7:45Speaker 9: Good morning, good morning.
- 7:46Speaker 12: Hello, Doctor.
- 7:46Speaker 2: How I meet you.
- 7:47Speaker 9: Splendid, thank you.
- 7:48Speaker 5: Hiya, Doctor.
- 7:49Speaker 2: Ted, let me see you. You look bilious, Ted.
- 7:52Speaker 11: Don't try to drum up any trade with me.
- 7:54Speaker 2: Stick to Mother. Have a drink, Doctor.
- 7:56Speaker 5: I don't drink in the morning. How's your mother feeling, Patricia?
- 7:59Speaker 6: She's thriving.
- 8:00Speaker 5: Frankly, I've been a bit worried about her lately.
- 8:02Speaker 13: She's not really been strong since your poor father passed away.
- 8:05Speaker 2: Oh, nonsense. She's as strong as an arch.
- 8:08Speaker 4: My dear Fulton, I think I'm a better judge of
- 8:10Speaker 4: Stella's condition than you are.
- 8:11Speaker 8: Am I late? Oh, hello, good guy.
- 8:13Speaker 4: Hello, Cecilia.
- 8:13Speaker 2: How are you?
- 8:14Speaker 12: Good morning.
- 8:14Speaker 14: Hello, Ellen.
- 8:15Speaker 8: How are you, Dr.
- 8:16Speaker 4: Meacham?
- 8:16Speaker 5: Quite well, Miss Talbot. Thank you.
- 8:17Speaker 14: Oh, what a time I had getting here. Where's Stella?
- 8:20Speaker 12: Oh.
- 8:21Speaker 14: Hasn't she come down yet?
- 8:22Speaker 2: Now, Cecilia, you know well enough that Stella always waits
- 8:25Speaker 2: for the last guest before she makes her grand entrance. What?
- 8:28Speaker 15: Oh, well, I hope I haven't kept her waiting.
- 8:31Speaker 16: Ted!
- 8:32Speaker 8: Ted, darling, you look peaked.
- 8:34Speaker 5: Well, that makes her practically unanimous.
- 8:36Speaker 2: What? Oh.
- 8:38Speaker 16: Oh, Elliot, is it true what they're saying about these
- 8:41Speaker 16: little Japanese ambassadors of peace?
- 8:43Speaker 2: Well, not knowing what they're saying, I can't tell you.
- 8:45Speaker 15: Oh, no, of course not.
- 8:48Speaker 14: But my elevator boy overheard someone tell someone else that they.
- 8:51Speaker 8: Good morning, everyone.
- 8:52Speaker 2: Good morning, Stella.
- 8:54Speaker 8: Thank you. Thank you, all of you. Oh, what lovely flowers.
- 8:58Speaker 8: It's like spring.
- 8:59Speaker 5: Happy birthday, Mother.
- 9:00Speaker 8: Teddy, darling, my pin is beautiful. You and Pat had
- 9:03Speaker 8: no right to spend so much money.
- 9:04Speaker 2: Don't give it a.
- 9:05Speaker 5: Second thought, Princess.
- 9:06Speaker 2: We charged it to you.
- 9:07Speaker 8: I wish you had. Teddy, you look pale. Leonard, I do.
- 9:10Speaker 8: We should have a look at him later on.
- 9:12Speaker 2: Certainly. Oh, I'm all right, Mother.
- 9:14Speaker 8: Won't do any harm for Leonard to have a look. Patricia, dear,
- 9:17Speaker 8: put some powder on your nose. It's all shiny. How
- 9:20Speaker 8: can I ever thank you all for my lovely gifts? Elliot,
- 9:23Speaker 8: these earrings you sent me.
- 9:24Speaker 2: Well, I'm glad you like them, Stella.
- 9:26Speaker 8: I love them. And Leonard, your fitted bag is just
- 9:28Speaker 8: what I've always needed.
- 9:29Speaker 5: I'm so glad.
- 9:30Speaker 17: Did you like my gloves?
- 9:31Speaker 8: Of course I did, Cecilia, dear. I helped you pick
- 9:34Speaker 8: them out. It always amazes me that anyone remembers my birthday.
- 9:38Speaker 2: Munchen is served, Mrs. Hadley.
- 9:39Speaker 8: Thank you, Bennett.
- 9:40Speaker 9: And may I take this opportunity of wishing you happiness, Mrs.
- 9:43Speaker 2: Hadley?
- 9:43Speaker 8: Bennett, how nice of you to remember. Come along, everyone.
- 9:46Speaker 2: Thank you. That was a mighty fine lunch, Stella.
- 9:58Speaker 9: I always say you set the best table in Washington.
- 10:00Speaker 8: Thank you, Leonard. Oh, Stella, dear.
- 10:02Speaker 15: Boston Symphony.
- 10:04Speaker 8: What, Cecilia? It's time for the Boston Symphony.
- 10:07Speaker 15: They're playing Beethoven's, uh, uh, Fifth.
- 10:09Speaker 8: Very well, Patricia, dear. Turn on the radio, please.
- 10:11Speaker 6: Yes, Mother.
- 10:12Speaker 2: Well, Stella, I'll have to be running along.
- 10:13Speaker 8: Now, Elliot, sit down. You're not going to do any
- 10:16Speaker 8: more work this afternoon. Oh, what a perfect day. All
- 10:20Speaker 8: my loved ones here to help me celebrate. Mrs.
- 10:23Speaker 4: Hadley.
- 10:23Speaker 8: Yes, Millie. Serve the coffee in here, please.
- 10:25Speaker 6: Yes, Mrs.
- 10:26Speaker 8: Hadley. And be careful of those cups, Millie. They were
- 10:28Speaker 8: a gift from President Coolidge.
- 10:30Speaker 6: Yes, Mrs.
- 10:31Speaker 8: Hadley.
- 10:31Speaker 4: The guy was alive with planes spitting death and destruction
- 10:33Speaker 4: on the harbor which lay below.
- 10:34Speaker 8: Patricia, turn off that dreadful gibberish. We want to hear
- 10:37Speaker 8: the symphony. I'm trying to find it, Mother. I don't
- 10:39Speaker 8: know why they permit such programs on the Sabbath.
- 10:41Speaker 5: At 1.05 p.m.
- 10:42Speaker 1: Eastern Standard Time, the first planes appeared over the horizon,
- 10:45Speaker 1: winging their way across the.
- 10:46Speaker 8: Let Ted find it.
- 10:47Speaker 2: Pat. Wait a minute, something's happened.
- 10:50Speaker 8: Really, please, not on my birthday.
- 10:52Speaker 2: Quiet.
- 10:52Speaker 10: And so war has come to our country with the
- 10:55Speaker 10: Japanese bombing of Pearl Harbor.
- 10:56Speaker 2: Pearl Harbor? They've attacked Pearl Harbor?
- 10:59Speaker 6: Really, we can't be prudent.
- 11:00Speaker 8: Why, it's impossible.
- 11:01Speaker 6: So it's come.
- 11:01Speaker 8: How could they do such a thing?
- 11:03Speaker 6: Pearl Harbor.
- 11:04Speaker 13: Oh, no.
- 11:05Speaker 8: Lily, I told you to be careful of those cups.
- 11:08Speaker 2: Mrs.
- 11:08Speaker 8: Hadley, my best service. Lily, you're impossible.
- 11:12Speaker 6: I'm sorry, Mrs.
- 11:13Speaker 5: Hadley.
- 11:13Speaker 8: I couldn't help it.
- 11:14Speaker 9: My brother's at Pearl Harbor.
- 11:15Speaker 6: My brother.
- 11:15Speaker 7: Oh, poor child.
- 11:20Speaker 8: Go after her, Bennett. Tell her that I said she
- 11:23Speaker 8: should go home and spend the night with her mother.
- 11:24Speaker 3: Yes, madam.
- 11:25Speaker 8: I'll never be able to replace this cup.
- 11:28Speaker 2: This is the most outrageous breach of human decency ever perpetrated.
- 11:31Speaker 2: Right in the middle of peace negotiations.
- 11:32Speaker 8: Oh, my head is splitting. If you'll just turn it
- 11:34Speaker 8: off for a moment.
- 11:35Speaker 2: Turn it off, Ted.
- 11:36Speaker 5: Madam, I must tell her you really mustn't excite yourself.
- 11:38Speaker 8: It's horrible. I can't believe it.
- 11:40Speaker 2: Come on, Ted. We'd better get down to the department. Right.
- 11:42Speaker 2: I'll get a cab.
- 11:43Speaker 8: Ted, you're not going to leave me, not on my birthday.
- 11:45Speaker 11: In case you haven't heard, Mother, we've just gotten into
- 11:47Speaker 11: a war.
- 11:48Speaker 8: Yes, I know, dear. It's dreadful. That poor girl's brother.
- 11:51Speaker 6: Maybe there's some more news.
- 11:52Speaker 8: Don't turn that thing on again, please.
- 11:54Speaker 6: All right, Mother, but I've got to know what's happening.
- 11:55Speaker 8: Where are you going?
- 11:56Speaker 6: Upstairs to listen to my radio.
- 11:58Speaker 5: I've got to go, too, Mother.
- 11:59Speaker 8: Well, if you must, you must, but... Do be careful, dear.
- 12:02Speaker 5: Don't worry. The Japs haven't gotten here yet.
- 12:04Speaker 8: Teddy, you mustn't say such silly things, even in jest.
- 12:07Speaker 2: Come along, Ted. Goodbye, Stella. I'll phone you later.
- 12:09Speaker 8: Yes, do. I hope everything will be all right.
- 12:11Speaker 2: Come on, Ted.
- 12:11Speaker 9: Goodbye, Mother.
- 12:12Speaker 8: Goodbye, darling.
- 12:14Speaker 2: Oh.
- 12:15Speaker 8: Oh, dear, dear.
- 12:17Speaker 5: Stella, I think you ought to lie down for a while.
- 12:19Speaker 17: Yes, Stella, you really should.
- 12:21Speaker 8: Perhaps you're right. Birthdays are such a strain on one's nerves,
- 12:26Speaker 8: the excitement and everything. Goodbye, my dears. And thank you
- 12:30Speaker 8: for coming to my party.
- 12:39Speaker 2: Would you read back the last sentence I dictated?
- 12:41Speaker 3: Yes, sir.
- 12:42Speaker 15: The bombing of Pearl Harbor has shown us the path
- 12:45Speaker 15: we must follow.
- 12:46Speaker 2: We must wipe out completely for the duration of the
- 12:48Speaker 2: war the idea of business as usual. Mr.
- 12:52Speaker 8: Fulton's office.
- 12:53Speaker 15: One moment, please.
- 12:55Speaker 8: It's Mrs.
- 12:55Speaker 2: Hadley. I'll take it. Hello, Stella.
- 12:58Speaker 12: Elliot, did you get my message?
- 12:59Speaker 2: What message was that, Stella?
- 13:01Speaker 8: Elliot, you know how hard Teddy's been working. You aren't
- 13:04Speaker 8: really going to keep him at the department again tonight,
- 13:06Speaker 8: are you?
- 13:07Speaker 2: Why? Did he tell you I was?
- 13:09Speaker 12: Why, of course he did.
- 13:11Speaker 8: And war or no war, I think you should let
- 13:13Speaker 8: him spend Christmas Eve with his mother. You may come too, Elliot.
- 13:16Speaker 2: Well, thank you, Stella, but I'm afraid I can't make it.
- 13:19Speaker 2: I'll see what I can do about Ted.
- 13:21Speaker 12: Send him as soon as you can.
- 13:22Speaker 2: Yes, very well.
- 13:23Speaker 8: Goodbye, Elliot.
- 13:24Speaker 2: Bye, Stella.
- 13:25Speaker 9: Here's the latest communique, Mr.
- 13:26Speaker 12: Fulton.
- 13:27Speaker 2: Thank you. That'll be all for now, Miss Hart. Yes, sir. Oh, Bob,
- 13:31Speaker 2: would you ask Ted Hadley to come here a minute?
- 13:34Speaker 5: Why, he's gone, sir.
- 13:36Speaker 2: He's what?
- 13:37Speaker 9: He's already left.
- 13:39Speaker 5: Some of his friends called to take him out to
- 13:40Speaker 5: the country for dinner.
- 13:41Speaker 2: Oh, I see. Well, in about 10 or 15 minutes,
- 13:44Speaker 2: call Mrs. Hadley and tell her I'm awfully sorry. But
- 13:47Speaker 2: it's absolutely essential that Ted work tonight.
- 13:50Speaker 5: Yes, sir.
- 13:51Speaker 2: Look, Mr.
- 13:52Speaker 5: Fulton, Ted's a friend of mine, and I don't want
- 13:54Speaker 5: to seem a heel, but.
- 13:56Speaker 2: Something ought to be done. Something is going to be done.
- 13:59Speaker 2: I'm having him transferred. Transferred? Yes, into active service. I
- 14:03Speaker 2: can't keep him around here anymore, even for his mother's sake.
- 14:06Speaker 2: It's not fair to the department.
- 14:08Speaker 5: I wish I could be transferred to active service, sir.
- 14:11Speaker 2: I know how you feel, Bob, but I can't spare you.
- 14:14Speaker 2: Ted needs it much more than you do. This may
- 14:17Speaker 2: be his one chance of making something of himself.
- 14:26Speaker 8: What is it, Peters? Why aren't you down at the
- 14:29Speaker 8: department to pick up Mr.
- 14:29Speaker 6: Theodore?
- 14:30Speaker 18: Well, I'm going right away, Mrs. Hadley, but could I
- 14:33Speaker 18: speak to you first, ma'am?
- 14:34Speaker 8: Yes, of course, Peters.
- 14:36Speaker 18: I had word from my draft board today. They've reclassified
- 14:39Speaker 18: me in 1A. I have to report for service next week.
- 14:42Speaker 8: Oh, that means you'll be leaving me.
- 14:44Speaker 18: I'm afraid so, Mrs.
- 14:45Speaker 2: Hadley.
- 14:45Speaker 8: It won't be necessary. I'll speak to Mr. Fulton about it.
- 14:48Speaker 18: Oh, I'd sooner you wouldn't do that, ma'am. If they
- 14:52Speaker 18: need me, I feel I ought to go.
- 14:53Speaker 8: I'm sure that's very patriotic of you, Peters, but it
- 14:56Speaker 8: isn't as if you aren't doing something. Why, you drive Mr.
- 14:59Speaker 8: Theodore to the department every morning.
- 15:01Speaker 18: Well, I know, ma'am, but it isn't quite the same thing.
- 15:04Speaker 8: Well, of course, if you want to leave, if you
- 15:06Speaker 8: think you'll be happier elsewhere, I certainly won't stand in
- 15:09Speaker 8: your way. But I do think you could have given
- 15:11Speaker 8: me a little more notice.
- 15:13Speaker 18: But I only got my notice today.
- 15:14Speaker 8: We won't discuss it, Peters. You may tell Bennett to
- 15:17Speaker 8: give you two weeks' salary when you leave.
- 15:19Speaker 18: Well, thank you, Mrs.
- 15:19Speaker 2: Hadley. I'm sorry. Hello?
- 15:22Speaker 8: Yes, this is Mrs. Hadley. Oh, but that's impossible.
- 15:27Speaker 12: Mr.
- 15:27Speaker 8: Fulton promised me faithfully he'd send Ted home. Well, I
- 15:31Speaker 8: never heard of anything like that in my life. Keeping
- 15:34Speaker 8: my own son away from me.
- 15:38Speaker 8: For me, even if the government hasn't.
- 15:40Speaker 6: All right, do it. I'm sorry I can't be here
- 15:43Speaker 6: to help with the Christmas presents, but I've got to
- 15:44Speaker 6: get an extra girl for canteen duty tonight.
- 15:46Speaker 8: Patricia, is that the canteen that Laura Winters is running?
- 15:50Speaker 6: Oh, Mother, she's just helping out.
- 15:52Speaker 8: I shouldn't think you'd want to associate with the wife
- 15:54Speaker 8: of the man who contaminated your father's newspaper.
- 15:57Speaker 6: Contaminated? Oh, Mother, just because Father was a Republican and Mr.
- 16:01Speaker 6: Winters is a Democrat... They turned.
- 16:03Speaker 8: The Chronicle into a Democratic scandal sheet. I should think
- 16:07Speaker 8: you'd have more respect for your father's memory.
- 16:09Speaker 6: Well, Laura Winters only comes down once in a while anyway.
- 16:12Speaker 6: I hardly even know what she looks like.
- 16:14Speaker 18: Good night, Mother.
- 16:14Speaker 6: I've got to run.
- 16:15Speaker 8: Can't you even be with us on Christmas Eve?
- 16:18Speaker 6: I'm sorry. I wish I could, Mother, but it's Christmas
- 16:20Speaker 6: Eve for the soldiers, too. Good night, dear.
- 16:22Speaker 8: Good night.
- 16:30Speaker 2: Refill on the coffee, please.
- 16:32Speaker 5: Got any more coffee, Miss?
- 16:33Speaker 6: Now, listen, soldier, how many cups does that make for you?
- 16:36Speaker 5: Oh, just five. Or is it six?
- 16:38Speaker 2: Ha!
- 16:39Speaker 6: How did you swallow that last one so fast?
- 16:41Speaker 5: Well, confidentially, before the army got me, I used to
- 16:43Speaker 5: be a fire eater. What's your name, lady?
- 16:46Speaker 6: My name is Pat. Pat?
- 16:48Speaker 5: Mine's Mike. We ought to get together. Say, couldn't you
- 16:52Speaker 5: come over on my side of the counter for a while?
- 16:54Speaker 6: Not while the rush is on.
- 16:55Speaker 5: It doesn't seem right having a counter between us.
- 16:57Speaker 6: Well, why don't you come over on my side?
- 17:00Speaker 5: Do you mean it?
- 17:00Speaker 6: Sure.
- 17:01Speaker 2: Gangway.
- 17:02Speaker 6: Gangway, get back here where you belong.
- 17:04Speaker 9: Come on.
- 17:05Speaker 5: Nice little place you've got back here.
- 17:08Speaker 6: I'm glad you like it. Now you can put this
- 17:14Speaker 6: apron on.
- 17:14Speaker 5: Apron?
- 17:15Speaker 2: What for?
- 17:15Speaker 6: So you won't saw your uniform.
- 17:17Speaker 2: I don't get it.
- 17:18Speaker 6: Once you cross the counter, you're a worker. You're going
- 17:20Speaker 6: to help me wash the dishes.
- 17:22Speaker 8: Oh, no.
- 17:24Speaker 6: You can always go back.
- 17:25Speaker 5: You're a hard woman, Pat. Give me the apron.
- 17:28Speaker 6: Right back here in the kitchen, soldier.
- 17:30Speaker 9: Hey, Mike's on K3 again. Oh, boy, look at him.
- 17:34Speaker 5: Look at him wash the dishes.
- 17:45Speaker 6: Do you realize if you'd taken me home before the
- 17:47Speaker 6: other girls, you could have saved yourself a lot of driving?
- 17:50Speaker 5: Well, I don't know Washington very well.
- 17:52Speaker 6: Then why did they pick you to drive us?
- 17:54Speaker 5: The luck of the Irish and a dollar bill.
- 17:57Speaker 6: That's bribery, soldier.
- 17:58Speaker 5: Now, you don't think I was going to let you
- 18:00Speaker 5: out of my sight, do you? Not after that mountain
- 18:02Speaker 5: of dishes I washed for you.
- 18:04Speaker 6: The next house on the right, please.
- 18:06Speaker 5: The next house? What for?
- 18:07Speaker 6: That's where I live.
- 18:09Speaker 2: In there?
- 18:09Speaker 3: Yes.
- 18:11Speaker 6: What's the matter?
- 18:12Speaker 5: It's awfully big.
- 18:13Speaker 18: Oh, it isn't really.
- 18:15Speaker 5: Looks awfully big to me. Well, I guess you must
- 18:18Speaker 5: be kind of tired.
- 18:19Speaker 6: Not especially.
- 18:20Speaker 5: It's been swell knowing you. I suppose I'll be seeing
- 18:23Speaker 5: you at the canteen sometime.
- 18:25Speaker 6: Stop acting that way. All right, so I live in
- 18:27Speaker 6: a big house.
- 18:28Speaker 5: I live in a small house.
- 18:29Speaker 6: So you live in a small house and I live
- 18:30Speaker 6: in a big house. Is that any reason to treat
- 18:32Speaker 6: me as though I suddenly have a measles? What difference
- 18:34Speaker 6: does it make?
- 18:35Speaker 5: Oh, I'm sorry. It wouldn't make any difference, not with
- 18:38Speaker 5: someone like you. Am I forgiven?
- 18:40Speaker 6: If you promise never to let it happen again.
- 18:42Speaker 5: It's a promise, and to seal it, I... I'll take
- 18:45Speaker 5: you to see my house.
- 18:46Speaker 6: Where do you live?
- 18:47Speaker 5: Clary Street. At least Mother lives there. That's where I
- 18:49Speaker 5: was born.
- 18:50Speaker 6: I thought you said you didn't know Washington.
- 18:53Speaker 5: I never really did. Until now.
- 18:56Speaker 2: Pat.
- 18:57Speaker 6: Yes?
- 18:58Speaker 12: Pat, I.
- 18:59Speaker 5: I never met a girl like you. I mean.
- 19:04Speaker 5: Well, for the love of... Did you see that? Right
- 19:06Speaker 5: up behind us. I'll murder that guy.
- 19:08Speaker 15: I asked you to look where you're going.
- 19:10Speaker 2: Why, you.
- 19:11Speaker 5: I'll kill him, so help me. Get out of that car, mister.
- 19:13Speaker 2: Get out.
- 19:14Speaker 5: Take your hands off. Come on, come on. Get out,
- 19:17Speaker 5: you drunk.
- 19:17Speaker 6: Mike, Mike, don't, please. Let him alone.
- 19:19Speaker 2: Well, hello, Pat. Hiya, sweetie.
- 19:22Speaker 5: What did you call her?
- 19:23Speaker 6: Mike, don't. He's my brother.
- 19:24Speaker 5: Oh, glad to know you.
- 19:28Speaker 2: Patricia, who is this mother? Look here, you.
- 19:30Speaker 5: If you weren't her brother, I'd not.
- 19:31Speaker 2: Well, let's pretend I'm not.
- 19:32Speaker 6: Shut up, Ted. I'm sorry, Mike. I'll call the camp
- 19:36Speaker 6: in the morning and tell them what happened to the car.
- 19:38Speaker 5: Oh, don't worry about that. You want me to help
- 19:40Speaker 5: you get him inside? I don't need any help.
- 19:43Speaker 2: Go on, soldier.
- 19:44Speaker 5: Back to the war.
- 19:45Speaker 6: Good night, Mike. I'm sorry it had to end like this.
- 19:48Speaker 12: What do you mean, end?
- 19:49Speaker 5: It's only just beginning. Merry Christmas, Pat.
- 19:53Speaker 6: Merry Christmas, Mike.
- 19:59Speaker 9: But it's impossible.
- 20:00Speaker 8: They can't put you in the army, Ted. You're in
- 20:03Speaker 8: the war department.
- 20:04Speaker 2: No more. I'm not.
- 20:04Speaker 8: Sit down, darling. You mustn't upset yourself. I'll phone Elliot
- 20:07Speaker 8: right away. All he has to do is to tell
- 20:09Speaker 8: the draft board that you're essential to him.
- 20:11Speaker 5: But don't you understand, Mother?
- 20:13Speaker 6: I'm not.
- 20:14Speaker 8: Don't be so modest, darling. Of course you are.
- 20:17Speaker 11: Any office boy, even a backward one, could do what
- 20:20Speaker 11: I'm doing.
- 20:20Speaker 8: Well, then Elliot will have to give you more responsibility.
- 20:23Speaker 15: Hello?
- 20:24Speaker 8: This is Mrs. Hadley. I'd like to speak to Mr. Fulton.
- 20:28Speaker 2: Oh.
- 20:29Speaker 8: Well, would you ask him to be good enough to
- 20:32Speaker 8: call me when the conference is over? Thank you. I
- 20:36Speaker 8: don't know how they accomplish anything in that department. They're
- 20:38Speaker 8: always in conferences. Sit down, darling. Everything's going to be
- 20:42Speaker 8: all right.
- 20:42Speaker 5: I'm just going to get a drink, Mother.
- 20:44Speaker 8: Darling, you know what alcohol does to your nervous system.
- 20:46Speaker 5: I have a vague notion.
- 20:48Speaker 8: Don't worry, please. Even if we didn't have Elliot, I
- 20:51Speaker 8: could always get a certificate or something from Dr. Meacham
- 20:54Speaker 8: saying that you weren't physically up to it.
- 20:56Speaker 5: The Army doctors decide that.
- 20:57Speaker 8: I'm sure they're not nearly as thorough as Leonard.
- 21:00Speaker 2: Oh, Mrs. Hadley. Yes, Bennett.
- 21:02Speaker 9: I'm sorry to disturb you, Mrs. Hadley, but word has
- 21:04Speaker 9: just come over the radio... There's to be a practice
- 21:06Speaker 9: blackout tonight.
- 21:08Speaker 8: Whatever in the world for? Oh, well, there's nothing we
- 21:12Speaker 8: can do about it, thank you, Bennet.
- 21:13Speaker 10: Madam, would it inconvenience you very much if I went
- 21:18Speaker 10: out for a little while this evening?
- 21:20Speaker 8: No, I suppose not. But isn't it rather an odd
- 21:24Speaker 8: time to go out during a blackout?
- 21:27Speaker 10: In a way, madam, yes, but it's most important I... Well,
- 21:32Speaker 10: I'm an air raid warden, madam.
- 21:35Speaker 6: Bennet.
- 21:37Speaker 8: I don't remember giving any permission for that.
- 21:39Speaker 9: No, madam, but I thought seeing that everyone... That will do, Bennet.
- 21:42Speaker 8: I'll speak to you later.
- 21:43Speaker 2: Thank you, madam.
- 21:45Speaker 8: An air raid, warden. Of all the ridiculous ideas. I
- 21:50Speaker 8: don't know what's come over everyone. People acting so strangely.
- 21:53Speaker 13: Good evening, Bennet.
- 21:53Speaker 2: Good evening, sir.
- 21:54Speaker 8: That must be Leonard now.
- 21:55Speaker 2: What's he want?
- 21:56Speaker 8: He's giving me vitamin shots. In these times, it's so
- 21:59Speaker 8: important to keep up one's energy. One never knows when
- 22:02Speaker 8: it may be taxed. Come in, Bennet.
- 22:12Speaker 2: Mrs.
- 22:13Speaker 6: Hadley is here, sir.
- 22:14Speaker 2: Send her in, please.
- 22:15Speaker 12: Yes, sir.
- 22:16Speaker 2: Mrs. Hadley? Well, well, this is a pleasant surprise, Stella.
- 22:21Speaker 8: Mohammed wouldn't come to the mountain, so the mountain came
- 22:24Speaker 8: to him. I've been trying to reach you since last night.
- 22:26Speaker 2: I'm awfully sorry, Stella, but I've really been swamped. Won't
- 22:30Speaker 2: you sit down?
- 22:31Speaker 8: Elliot, I want to speak to you about Teddy.
- 22:32Speaker 2: Yes?
- 22:33Speaker 5: Excuse me, sir.
- 22:34Speaker 2: These communicators just came in. Oh, yes, let me see them. Oh, my,
- 22:39Speaker 2: they're bombing Manila for the second time. And after we
- 22:41Speaker 2: declared it an open city.
- 22:42Speaker 8: If you remember, I told you six months ago not
- 22:44Speaker 8: to trust those Japanese. Now, about Teddy.
- 22:48Speaker 2: Bob, tell Miss Hart to call everyone for a conference
- 22:50Speaker 2: in about ten minutes. Yes, sir. Now, what were you saying, Stella?
- 22:53Speaker 8: I haven't said anything yet. Elliot, I want you to
- 22:57Speaker 8: have a talk with Teddy.
- 22:58Speaker 2: I did have a talk with him last night. He
- 23:00Speaker 2: came over very late.
- 23:01Speaker 9: Really?
- 23:02Speaker 8: Strange he didn't mention it to me. Then you know
- 23:04Speaker 8: all about this ridiculous notion of his.
- 23:06Speaker 2: Well, I don't think there's anything ridiculous about a man
- 23:09Speaker 2: wanting to serve his country.
- 23:10Speaker 8: Oh, but it's different with Teddy. He's already working for
- 23:13Speaker 8: his country. Much too hard, if you ask me.
- 23:15Speaker 2: It's a pretty tough job, winning a war.
- 23:18Speaker 8: All the more reason for not moving people from one
- 23:20Speaker 8: thing to another. I'm sure even this administration wouldn't approve
- 23:24Speaker 8: of that.
- 23:24Speaker 2: Well, if Ted feels that he wants to join up, I.
- 23:26Speaker 8: Ted is just a child. He doesn't know what he wants.
- 23:29Speaker 8: He's just being headstrong and irrational.
- 23:31Speaker 2: Did you tell him that?
- 23:32Speaker 8: I refused to discuss it with him. After all, you
- 23:34Speaker 8: and I are a lot older and more capable of
- 23:36Speaker 8: deciding what's best for him.
- 23:38Speaker 2: I think Ted has decided that for himself.
- 23:41Speaker 8: Elliot, you act as if you were pleased at the
- 23:44Speaker 8: prospect of his being sent to the Far East. Or
- 23:48Speaker 8: one of those dreadful places.
- 23:49Speaker 2: I'm pleased to know that he has the character and
- 23:51Speaker 2: the courage to want to go. I wasn't quite sure
- 23:54Speaker 2: how he would feel.
- 23:56Speaker 8: You mean you knew about this?
- 23:58Speaker 2: Yes, I did.
- 23:59Speaker 8: But if you knew, why didn't you stop it? Elliot,
- 24:03Speaker 8: you've got to stop it.
- 24:04Speaker 2: There's nothing I can do, Stella.
- 24:05Speaker 8: Well, you can keep him here with you. I know
- 24:07Speaker 8: you can. You've always said you'd do anything for me.
- 24:10Speaker 2: I only wish I could.
- 24:11Speaker 8: If you care for me at all, if you care
- 24:12Speaker 8: for Ted.
- 24:13Speaker 2: If Ted were my own son, I'd do exactly as
- 24:14Speaker 2: I've done. But he's not your son.
- 24:15Speaker 8: He's my son. You had him drafted. Not satisfied with that?
- 24:19Speaker 8: You talked him into wanting to.
- 24:21Speaker 6: Go, to leave me.
- 24:21Speaker 2: That isn't true, Stella. Whatever you may think of me,
- 24:25Speaker 2: at least give Ted credit for making the decision himself.
- 24:28Speaker 8: If anything should happen to him, it wouldn't matter to you.
- 24:31Speaker 2: Stella, wait.
- 24:32Speaker 8: I never want to see you again.
- 24:49Speaker 5: Act two of The War Against Mrs.
- 24:51Speaker 3: Hadley, starring Edward Arnold and Faye Bainter, with Gene Rogers
- 24:55Speaker 3: and Van Johnson, will follow in just a moment. Now,
- 24:59Speaker 3: between the acts, we've a letter from overseas to read you.
- 25:03Speaker 3: And we'd like to thank Mrs. Betty Comande of Yonkers,
- 25:06Speaker 3: New York, for sharing it with us. It's from an
- 25:09Speaker 3: American lieutenant somewhere in England. Here's what he says.
- 25:13Speaker 13: I received the following packages in the last two days.
- 25:16Speaker 13: Soluble coffee.
- 25:17Speaker 2: Thanks, Dad. Buttons for my uniform. Thanks, Dad.
- 25:21Speaker 13: Shoebox containing what an assortment. Lux, candy, gum, raisins, and
- 25:26Speaker 13: so forth.
- 25:27Speaker 2: Many thanks, Mom.
- 25:28Speaker 18: And many, many thanks.
- 25:29Speaker 2: For the Lux.
- 25:30Speaker 13: Now I can wash my wool scarf. I wouldn't trust
- 25:33Speaker 13: that scarf to the laundry. To be awakened out of
- 25:35Speaker 13: a sound sleep and told you're a first lieutenant and
- 25:38Speaker 13: to receive a box of Lux all on the same
- 25:40Speaker 13: day is something to write home about.
- 25:42Speaker 2: Then Mrs.
- 25:43Speaker 3: Comande adds, I wonder how many mothers think of enclosing
- 25:47Speaker 3: Lux in that wonder box. It is a thoughtful thing
- 25:51Speaker 3: to do, for Lux takes just as good care of
- 25:54Speaker 3: wool scarves and socks as it does of your precious
- 25:57Speaker 3: sweaters and other washable woolens. You know how soft and
- 26:00Speaker 3: attractive your sweaters stay when you Lux them. And you
- 26:04Speaker 3: probably know how harsh and scratchy and shrunken woolens can
- 26:07Speaker 3: get if they're not washed right, if they're rubbed with
- 26:11Speaker 3: cake soap or washed with strong alkaline soap and too
- 26:15Speaker 3: hot water. They're not very comfortable to wear when that happens,
- 26:19Speaker 3: and they're actually not as warm to wear either. But
- 26:23Speaker 3: with gentle luxe care, you can avoid shrinking and matting.
- 26:27Speaker 3: There's no harmful alkali in luxe flakes. and there's no
- 26:31Speaker 3: danger of that cake soap rubbing that's so apt to
- 26:34Speaker 3: make wool shrink. So guard your precious woolens the gentle
- 26:39Speaker 3: Lux way, and you'll get many thanks from your man
- 26:42Speaker 3: in uniform if you enclose a box of Lux flakes
- 26:45Speaker 3: in the next package you send off to him. We
- 26:48Speaker 3: pause now for station identification. This is the Columbia Broadcasting System.
- 27:17Speaker 4: Act II of The War Against Mrs. Hadley, starring Edward
- 27:20Speaker 4: Arnold as Elliot Fulton, Faye Bainter as Stella Hadley, with
- 27:24Speaker 4: Gene Rogers as Patricia, and Van Johnson as Michael. Ted
- 27:39Speaker 4: Hadley is in the Army. Now more than ever, Mrs.
- 27:43Speaker 4: Hadley is bitterly resentful of a war which has been
- 27:46Speaker 4: thrust upon her, indignant at the changes it has made
- 27:50Speaker 4: in her life. With Pat and Cecilia, she's driving down
- 27:54Speaker 4: to visit her son at a camp near Washington.
- 28:00Speaker 8: Are we almost there?
- 28:01Speaker 6: It's just a little way, Mother.
- 28:02Speaker 8: I don't see why they don't ever let Teddy come home.
- 28:05Speaker 8: They're always keeping him in that camp. I'm not surprised.
- 28:08Speaker 14: He's such a lovely boy.
- 28:10Speaker 6: They do the same to all the boys. And they
- 28:12Speaker 6: are letting him have dinner out with us.
- 28:14Speaker 8: Who's the man he's bringing with him?
- 28:15Speaker 6: Sergeant Fitzpatrick.
- 28:17Speaker 8: Fitzpatrick. Oh, isn't he the young man you brought home
- 28:20Speaker 8: one night?
- 28:20Speaker 6: Yes, Mother.
- 28:21Speaker 3: That!
- 28:22Speaker 8: So that's why you're all dressed up. Oh, don't talk nonsense, Cecilia.
- 28:26Speaker 8: I didn't know he was a friend of Teddy's.
- 28:28Speaker 6: I asked Mike to look Ted up at camp. They've
- 28:30Speaker 6: become friends.
- 28:31Speaker 8: I see.
- 28:32Speaker 14: Oh, Stella, I meant to tell you. Tony Winters is
- 28:34Speaker 14: at the same camp.
- 28:36Speaker 15: Laura Winters' son.
- 28:38Speaker 12: Did you know?
- 28:39Speaker 8: No, I didn't.
- 28:40Speaker 14: Oh, yes, they're taking all the boys. Why, my elevator
- 28:44Speaker 14: boy says the same.
- 28:44Speaker 8: Cecilia, I do wish you'd stop quoting that elevator boy.
- 28:48Speaker 15: Well, he does run into a lot of important people.
- 28:50Speaker 13: Oh.
- 29:01Speaker 8: Teddy, dear, have you everything you need at camp? Isn't
- 29:04Speaker 8: there something I can send you?
- 29:05Speaker 2: Not a thing, mother.
- 29:06Speaker 8: Sure you have enough blankets at night?
- 29:08Speaker 5: Absolutely certain.
- 29:09Speaker 8: Why don't you let me give you the big comforter
- 29:11Speaker 8: from the spare room?
- 29:13Speaker 5: The pink one?
- 29:15Speaker 8: Yes, dear.
- 29:16Speaker 11: Well, I don't think it would fit in with the
- 29:18Speaker 11: general color scheme of the barracks.
- 29:19Speaker 14: Oh, I always think that pink goes with any color.
- 29:23Speaker 5: They managed to keep us pretty warm down here, Mrs.
- 29:25Speaker 2: Hadley.
- 29:25Speaker 8: Really, Sergeant? Well, perhaps you know best, Ted. But you
- 29:29Speaker 8: look tired, dear. I hope you're not trying to do
- 29:32Speaker 8: too much.
- 29:33Speaker 5: Not a bit more than is asked of me, Mother.
- 29:35Speaker 6: Mother, don't baby him. I think he looks fine.
- 29:37Speaker 5: Thanks, Pat.
- 29:38Speaker 12: Hiya, Ted.
- 29:39Speaker 19: Hiya, son.
- 29:40Speaker 12: How you doing?
- 29:41Speaker 10: Hiya, Louie.
- 29:42Speaker 5: How's it with you, Strangler?
- 29:43Speaker 2: Strictly done nuts.
- 29:44Speaker 9: Be seeing you.
- 29:45Speaker 5: Be seeing you, Strangler.
- 29:46Speaker 10: So long, Louie.
- 29:47Speaker 8: Who was that? A friend of yours, Ted?
- 29:49Speaker 2: That was Louie.
- 29:51Speaker 5: We call him the Strangler. He used to be a
- 29:52Speaker 5: wrestling champion in Brooklyn.
- 29:54Speaker 6: Indeed.
- 29:55Speaker 8: And what did you do before the war, Sergeant?
- 29:58Speaker 5: Oh, I was in the advertising department of the Washington Chronicle.
- 30:01Speaker 8: The Chronicle, really?
- 30:02Speaker 14: Oh, dear, just when everything was so peaceful.
- 30:05Speaker 5: Why, what's the matter? Have I said something wrong, Mrs.
- 30:08Speaker 2: Hadley?
- 30:08Speaker 6: Mike, come on, Mike, let's dance, shall we?
- 30:11Speaker 5: Sure, I'd like to.
- 30:11Speaker 6: Well, come on, then.
- 30:12Speaker 5: Excuse me.
- 30:13Speaker 2: Mother, look.
- 30:15Speaker 6: Yes, kid?
- 30:16Speaker 11: Don't get Mike wrong just because he's worked for the Chronicle.
- 30:18Speaker 11: He's a real gent.
- 30:20Speaker 8: Gentlemen, darling, you mustn't let the army vulgarize you. Good night, Pat.
- 30:36Speaker 8: I'm going straight to bed.
- 30:37Speaker 6: Mother, I'd like to talk to you.
- 30:38Speaker 8: In the morning, darling. I'm completely worn out.
- 30:41Speaker 6: Please. It's important. Sit down, Mother.
- 30:43Speaker 8: Pat, I do hope you're not going to tell me
- 30:46Speaker 8: anything unpleasant.
- 30:48Speaker 6: I'm not. Mother, I... Well.
- 30:53Speaker 8: What is it, dear?
- 30:54Speaker 6: Mother, do you remember the first time you met Father?
- 30:57Speaker 8: Strange you should ask me that. I was recalling it
- 31:01Speaker 8: tonight when I saw Teddy. He grows more like his
- 31:04Speaker 8: father every day.
- 31:05Speaker 6: Did you fall in love with Father right away?
- 31:07Speaker 8: I suppose I must have. He was so handsome and dashing,
- 31:11Speaker 8: I really couldn't help myself. You see, at the time,
- 31:14Speaker 8: I was half engaged to Elliot and.
- 31:18Speaker 8: What is it you wanted to tell me, dear?
- 31:20Speaker 6: I'm in love too, Mother.
- 31:23Speaker 8: With this soldier?
- 31:24Speaker 6: Yes.
- 31:26Speaker 8: You mustn't romanticize things, Patricia, dear. In times like these,
- 31:30Speaker 8: one is apt to be carried away with the glamour
- 31:31Speaker 8: of the uniform.
- 31:32Speaker 6: Oh, I'd marry Mike if he were dressed in an
- 31:34Speaker 6: old gunny sack.
- 31:35Speaker 8: Has he asked you to marry him?
- 31:36Speaker 6: I asked him. He's got his transfer to the Air
- 31:39Speaker 6: Corps and he's being sent out west. I couldn't let
- 31:41Speaker 6: him go without letting him know how I felt.
- 31:43Speaker 8: That was very forward and indiscreet of you, Patricia. I'm
- 31:46Speaker 8: glad the young man is leaving. It'll give you time
- 31:49Speaker 8: to think things over.
- 31:50Speaker 6: I'm going with him. I'll be married first, of course.
- 31:54Speaker 1: Married?
- 31:55Speaker 6: Oh, Mother, you'll love him when you know him. Really,
- 31:57Speaker 6: you will.
- 31:58Speaker 8: I'm not thinking of myself. I'm thinking of you. I
- 32:02Speaker 8: have no intention of entrusting your happiness to a man
- 32:04Speaker 8: whom none of us knows.
- 32:06Speaker 6: I know him. Ted knows him. Elliot knows him.
- 32:08Speaker 8: Elliot knows him?
- 32:09Speaker 6: Yes. I introduced them.
- 32:11Speaker 8: You've been seeing Elliot Fulton after what he did to me.
- 32:14Speaker 6: Mother, what Elliot did was the best possible thing that
- 32:17Speaker 6: could have happened. Why, Ted's a new man.
- 32:19Speaker 8: You've been carrying on with this young man behind my back.
- 32:22Speaker 8: aided and abated by the man who sent your own
- 32:24Speaker 8: brother to what may be his death.
- 32:26Speaker 6: You're being hysterical and unfair.
- 32:27Speaker 8: I suppose you think what Elliot did was fair.
- 32:29Speaker 2: Yes, I do.
- 32:30Speaker 8: You've always sided with him, always. You care more for
- 32:34Speaker 8: him than you do for me.
- 32:35Speaker 6: That's not true.
- 32:36Speaker 8: If he means so much to you, why don't you
- 32:38Speaker 8: go to him? He won't stand in the way of
- 32:40Speaker 8: your marrying this nobody. But as your mother, I forbid it.
- 32:44Speaker 15: All right, mother.
- 32:46Speaker 6: Good night.
- 32:46Speaker 8: Patricia, come back here this instant.
- 32:48Speaker 6: Where are you going? To Elliot.
- 32:50Speaker 14: Patricia!
- 33:01Speaker 2: Yes?
- 33:02Speaker 15: I want to see Mrs.
- 33:03Speaker 6: Hadley, please.
- 33:03Speaker 9: May I have your card, madam?
- 33:05Speaker 6: Card?
- 33:06Speaker 15: I didn't think you needed one to get in.
- 33:08Speaker 9: Who shall I say is calling, please?
- 33:10Speaker 8: Just say Mrs.
- 33:11Speaker 16: Michael Fitzpatrick, Mike's mother.
- 33:13Speaker 9: I'll see if she's home.
- 33:20Speaker 13: Yes, Bennet?
- 33:21Speaker 2: There's a Mrs.
- 33:21Speaker 9: Michael Fitzpatrick to see you, madam.
- 33:23Speaker 2: Mrs.
- 33:24Speaker 6: Fitzpatrick?
- 33:25Speaker 12: Show her in.
- 33:26Speaker 2: Yes, madam. Mrs.
- 33:28Speaker 9: Hadley will see you.
- 33:30Speaker 15: I could have told you she would.
- 33:32Speaker 6: Well, how do you do?
- 33:35Speaker 2: Mrs.
- 33:35Speaker 8: Fitzpatrick?
- 33:36Speaker 15: That's it.
- 33:38Speaker 16: No need to ask who you are. You're the mother
- 33:40Speaker 16: of your daughter and there's no denying it.
- 33:43Speaker 8: Won't you sit down?
- 33:44Speaker 16: Well, that chair's a bit thin for the size of me.
- 33:48Speaker 16: If you don't mind, I'll sit over here on the sofa.
- 33:51Speaker 8: What is it you want, please?
- 33:53Speaker 6: Mrs.
- 33:53Speaker 15: Hadley, I'd not beat about the bush.
- 33:56Speaker 16: I've come as a dove of peace. Although you'd hardly
- 34:00Speaker 16: think I was a dove to look at me.
- 34:03Speaker 8: If there's any peace to be made, I should think
- 34:05Speaker 8: my daughter would call on me.
- 34:07Speaker 15: She tried to call on you, but you turned her away.
- 34:09Speaker 8: I sent word that I'd see her when she decided
- 34:11Speaker 8: to move back home. and give up the idea of
- 34:14Speaker 8: this marriage.
- 34:15Speaker 16: And what have you against her marrying my Michael?
- 34:17Speaker 8: I have nothing against your son. In fact, I hardly
- 34:21Speaker 8: know him.
- 34:21Speaker 15: Ah, that's easily cured.
- 34:23Speaker 8: On the other hand, I see no reason why they
- 34:25Speaker 8: shouldn't wait, at least until he's out of the army.
- 34:28Speaker 15: Young people aren't much at waiting, Mrs.
- 34:30Speaker 8: Hadley. Then it's up to us as older people to
- 34:33Speaker 8: stop it. I did my best, but Patricia obviously decided
- 34:38Speaker 8: to go elsewhere for her guidance and her love.
- 34:41Speaker 16: She'll search high and low, But you'll not find the
- 34:44Speaker 16: kind of love you can give her.
- 34:47Speaker 17: Oh, come now, Mrs.
- 34:48Speaker 10: Hadley.
- 34:48Speaker 16: There's enough fighting going on in the world without a
- 34:51Speaker 16: mother and a daughter having a.
- 34:52Speaker 8: Go at it.
- 34:53Speaker 15: Say you'll come to the wedding.
- 34:56Speaker 8: The wedding?
- 34:57Speaker 16: On Wednesday at high noon in the Church of the
- 35:00Speaker 16: Immaculate Heart.
- 35:01Speaker 15: And it won't be complete without you.
- 35:04Speaker 8: Since I wasn't consulted about the wedding, I see no
- 35:08Speaker 8: purpose in my being there.
- 35:09Speaker 15: And why should you be consulted when you were all
- 35:11Speaker 15: against it?
- 35:12Speaker 8: And I see no purpose in continuing this discussion. Good afternoon, Mrs. Fitzpatrick.
- 35:19Speaker 15: You're a proud woman, Mrs.
- 35:20Speaker 8: Hadley.
- 35:22Speaker 16: But I think you'll find that pride's not very good
- 35:25Speaker 16: company when you're lonely.
- 35:29Speaker 15: Good afternoon.
- 35:30Speaker 13: Good afternoon.
- 35:44Speaker 2: And now, now I'd like to propose a toast to
- 35:47Speaker 2: the bride and groom.
- 35:48Speaker 15: Oh, yes, yes, Mr. Fulton, a toast.
- 35:51Speaker 2: Well, here's to a happy life in Phoenix and a
- 35:54Speaker 2: speedy return to those who love you.
- 35:56Speaker 5: And how about a toast to the mother of the groom?
- 35:57Speaker 16: If you don't stop drinking toast, you'll all be sodden.
- 36:00Speaker 5: To you, mother.
- 36:01Speaker 2: Darling. Well, I'm afraid I've got to get back to
- 36:05Speaker 2: the department.
- 36:05Speaker 5: That sounds familiar, Elliot.
- 36:07Speaker 6: I'll go with you to the door.
- 36:08Speaker 5: Not a step further. Remember, you're my wife.
- 36:10Speaker 2: Oh, I don't think she's apt to forget that, Mike.
- 36:12Speaker 5: Goodbye, sir, and thanks for everything.
- 36:14Speaker 2: Goodbye, Mike, and lots of good luck. And take good
- 36:16Speaker 2: care of her. It was a beautiful wedding, Mrs. Fitzpatrick.
- 36:19Speaker 6: Goodbye.
- 36:19Speaker 2: Goodbye, Ted. Goodbye, Mr. Fulton.
- 36:21Speaker 6: Goodbye, sir.
- 36:21Speaker 2: Goodbye, sir. Well, Pat, are you happy?
- 36:29Speaker 6: Terribly. Except for Mother.
- 36:31Speaker 2: Yes, I know. You know, all during the ceremony, I
- 36:35Speaker 2: was looking toward the door, hoping.
- 36:38Speaker 6: Elliot, have I been selfish? Have I done everything I could?
- 36:41Speaker 2: Well, everything short of wrecking your life and Mike's.
- 36:44Speaker 6: I tried to phone her from the church. Bennett said
- 36:47Speaker 6: she was out. Will you try to see her?
- 36:50Speaker 2: I'm afraid she'll be out to meet, too. Don't worry, Pat.
- 36:53Speaker 2: She's a lot stronger than we suspect.
- 36:55Speaker 6: Goodbye, Elliot.
- 36:56Speaker 2: Goodbye, my dear.
- 36:57Speaker 6: I'll miss you.
- 36:59Speaker 2: I'll try to believe that. And lots of good luck
- 37:02Speaker 2: to both of you.
- 37:03Speaker 6: Thanks.
- 37:06Speaker 12: Hiya.
- 37:06Speaker 6: Here I am, Mike.
- 37:07Speaker 5: You've been gone for ages, do you know that? Don't ever,
- 37:11Speaker 5: ever leave me again, do you hear? I was half
- 37:13Speaker 5: crazy with loneliness.
- 37:14Speaker 6: Oh, Mike, darling.
- 37:15Speaker 5: Come on, let's get out of here.
- 37:17Speaker 6: All right. I'll run up and get my grips.
- 37:18Speaker 2: Come on.
- 37:19Speaker 9: Hey, they're going to run out on us, folks.
- 37:20Speaker 6: Can't do that. Pat, come back.
- 37:23Speaker 5: Well, I guess that's that.
- 37:25Speaker 6: Hey, Pat, aren't you ever going to throw that bridal bouquet?
- 37:28Speaker 15: I need a husband, too.
- 37:29Speaker 6: All right. Now get back, everybody.
- 37:32Speaker 8: Get back.
- 37:35Speaker 6: No.
- 37:35Speaker 20: No.
- 37:36Speaker 6: Wait a minute.
- 37:37Speaker 2: What's the matter, Pat?
- 37:39Speaker 6: Look, I... If you don't mind, I won't throw the bouquet.
- 37:44Speaker 6: I'm going to send it to someone. Ted, come here.
- 37:49Speaker 5: Yes, Pat.
- 37:50Speaker 6: Ted, give this to Mother from me.
- 38:05Speaker 5: And then she gave me the flowers. They were for you,
- 38:09Speaker 5: she said.
- 38:11Speaker 2: Here, Mother.
- 38:14Speaker 8: Her flowers? Her wedding flower.
- 38:18Speaker 2: Oh, Mother, don't.
- 38:23Speaker 9: Mr. Ted, the telephone for you, sir.
- 38:27Speaker 2: Thanks, Bennett. Hello? Yes? This is Hadley speaking, sir. Yes, sir.
- 38:37Speaker 2: I understand, sir. Right away.
- 38:40Speaker 5: I've got to go, Mother.
- 38:42Speaker 8: But I thought they gave you permission to spend the night.
- 38:44Speaker 2: All leaves have been cancelled.
- 38:45Speaker 5: It looks as if As if we're being moved out.
- 38:48Speaker 6: Teddy!
- 38:48Speaker 5: Now, don't worry, Mother.
- 38:50Speaker 11: They may only be sending me to a camp in
- 38:52Speaker 11: another part of the country.
- 38:53Speaker 6: No, no, I know what it is.
- 38:55Speaker 8: First it was Pat, and now it's you.
- 38:59Speaker 6: Teddy, my baby.
- 39:02Speaker 8: They're taking you away from me.
- 39:04Speaker 6: Teddy!
- 39:15Speaker 3: After a brief intermission, we'll hear Act Three of The
- 39:18Speaker 3: War Against Mrs. Hadley, starring Edward Arnold and Faye Bainter,
- 39:22Speaker 3: with Gene Rogers and Van Johnson. Now, here's our fashion scout,
- 39:27Speaker 3: Libby Collins, with some news about figure problems.
- 39:30Speaker 18: For the women in our audience. Sounds a bit mathematical, Libby.
- 39:34Speaker 17: Well, not exactly, Mr.
- 39:35Speaker 15: Kennedy.
- 39:36Speaker 7: Not the kind I'm thinking about. Though often when a
- 39:39Speaker 7: woman subtracts from her figure, she adds to her poise
- 39:42Speaker 7: and appearance. I want to pass along the good news
- 39:45Speaker 7: that even with elastic fabrics rationed, we women are going
- 39:49Speaker 7: to be able to solve our figure problems with girdles
- 39:51Speaker 7: and foundations that fit well.
- 39:54Speaker 17: New types of fabrics.
- 39:55Speaker 7: And ingenious new ways of cutting them have been worked out,
- 39:59Speaker 7: so the new things can do a fine figure-slimming job
- 40:02Speaker 7: with little or no elastic in them. Now, of course,
- 40:05Speaker 7: that doesn't mean we're going to toss out the precious
- 40:07Speaker 7: two-way stretch girdles and foundations we bought last year.
- 40:10Speaker 6: Far from it.
- 40:12Speaker 15: We want to make them last.
- 40:13Speaker 7: Just as long as we can. And one of the
- 40:15Speaker 7: best ways to do that is to lux them often
- 40:19Speaker 7: so they never get really soiled and so perspiration doesn't
- 40:22Speaker 7: harm the fibers.
- 40:23Speaker 3: Yes, lux flakes take away soil and perspiration quickly and thoroughly.
- 40:29Speaker 3: And with lux, there's no harmful alkali, no cake soap
- 40:33Speaker 3: rubbing to weaken elasticity. Girdles keep their fit better, last
- 40:38Speaker 3: longer with gentle lux care.
- 40:41Speaker 7: And that point about fit is especially true of the
- 40:44Speaker 7: new things. With less elastic in them, it's more important
- 40:48Speaker 7: than ever to protect fit with Lux.
- 40:51Speaker 2: Yes, Libby, that's care experts advise.
- 40:55Speaker 3: Makers of foundations and leading stores where they're sold advise
- 40:59Speaker 3: Lux Flakes.
- 41:02Speaker 2: Now, Mr.
- 41:02Speaker 5: DeMille returns to the microphone.
- 41:05Speaker 4: One of our stars has a birthday today. We'll tell
- 41:09Speaker 4: you about it when we bring them back after the play.
- 41:11Speaker 4: Now the curtain rises on the third act of The
- 41:13Speaker 4: War Against Mrs. Hadley, starring Edward Arnold and Faye Bainter
- 41:17Speaker 4: with Gene Rogers and Van Johnson.
- 41:25Speaker 12: You're a proud woman, Mrs. Hadley, but I think you'll
- 41:28Speaker 12: find that pride's not very good company when you're lonely.
- 41:34Speaker 4: Those were Mrs. Fitzpatrick's words, words of prophecy.
- 41:39Speaker 12: Mrs.
- 41:39Speaker 4: Hadley, alone in a busy world at war, tries vainly
- 41:44Speaker 4: to keep alive a peaceful era which is gone. She
- 41:47Speaker 4: has no friends now, except the faithful Cecilia, and those
- 41:52Speaker 4: friends of another day to whom she occasionally writes.
- 41:57Speaker 8: Pat is married and in Phoenix, and Ted is heaven
- 42:01Speaker 8: knows where. The house is still and quiet without them.
- 42:07Speaker 12: You'll find pride's not very good company.
- 42:11Speaker 8: I had a letter from Ted last week.
- 42:13Speaker 2: Dear mother.
- 42:14Speaker 8: I've read it over 20 times. I still can't realize
- 42:17Speaker 8: he's gone away from me.
- 42:19Speaker 19: Our ship reaches its destination shortly, and maybe now we'll
- 42:21Speaker 19: be seeing some action. Tony Winters is in our company.
- 42:25Speaker 12: Laura Winters' son, Stella.
- 42:27Speaker 19: I know how you feel about his mother, but Tony's
- 42:29Speaker 19: a real gent. Beg pardon, gentlemen. And we've become great friends.
- 42:36Speaker 19: In fact, knowing him has been the swellest thing that's happened.
- 42:38Speaker 2: To me in the army.
- 42:39Speaker 19: Don't worry about me.
- 42:40Speaker 2: I'm in the pink.
- 42:42Speaker 19: The only thing that's bothering me is the thought that
- 42:44Speaker 19: you may be lonely.
- 42:46Speaker 12: Pride's not very good company when you're lonely.
- 42:49Speaker 2: Goodbye, Mother.
- 42:51Speaker 12: Daddy. Daddy.
- 42:53Speaker 8: Daddy.
- 42:55Speaker 6: Mrs.
- 42:56Speaker 2: Hadley? Mrs. Hadley?
- 42:58Speaker 6: Bennett, what is it? It's Mr.
- 42:59Speaker 2: Theodore.
- 42:59Speaker 8: What's happened to him?
- 43:00Speaker 4: Nothing.
- 43:00Speaker 9: I mean everything. He's a hero. It says so in
- 43:03Speaker 9: the paper. Look, look, Mrs.
- 43:04Speaker 2: Hadley.
- 43:05Speaker 8: Oh, I'm so nervous. Read it for me, Bennett.
- 43:07Speaker 2: Yes, madam.
- 43:08Speaker 10: Theodore Hadley, Washington youth, wins DSC for heroism. That's the
- 43:13Speaker 10: Distinguished Service Cross, Mrs.
- 43:15Speaker 8: Hadley. Yes, I know, but is he all right?
- 43:17Speaker 10: Corporal Theodore Hadley was cited for conspicuous bravery under fire
- 43:22Speaker 10: in an official communique just received. Hadley, according to the dispatch,
- 43:26Speaker 10: had been instructed to seek out the location of an
- 43:29Speaker 10: enemy machine gun emplacement. After the other four men in
- 43:33Speaker 10: his unit had been shot down by Jap snipers, Corporal
- 43:37Speaker 10: Hadley continued on alone, locating the machine gun nest and
- 43:41Speaker 10: wiping it out with hand grenades, killing 15 Jap soldiers.
- 43:46Speaker 10: He returned unharmed to his company. Corporal Hadley is the
- 43:51Speaker 10: son of the late Nathaniel Hadley, once owner of the
- 43:54Speaker 10: Washington Chronicle, and of Mrs.
- 43:57Speaker 2: Hadley.
- 43:57Speaker 8: Bennett, I want you to get me all the papers
- 43:59Speaker 8: right away.
- 43:59Speaker 6: Yes, madam.
- 44:00Speaker 9: Even the Washington Chronicle?
- 44:01Speaker 8: I want every one of them.
- 44:02Speaker 2: Hurry.
- 44:03Speaker 8: Yes, madam.
- 44:12Speaker 2: Is Mrs.
- 44:13Speaker 8: Hadley in?
- 44:14Speaker 15: I want to see her, please.
- 44:15Speaker 8: Who shall I say is calling?
- 44:16Speaker 12: It's Mrs.
- 44:17Speaker 15: Fitzpatrick, girl. Now hurry up.
- 44:19Speaker 8: Millie, has Bennett returned?
- 44:21Speaker 2: Oh.
- 44:21Speaker 15: How are you, Mrs.
- 44:22Speaker 2: Hadley?
- 44:23Speaker 6: How do you do?
- 44:24Speaker 15: You'll excuse me for puffing. I'm all out of breath.
- 44:27Speaker 8: Won't you come in?
- 44:28Speaker 15: Thank you kindly. Well, I suppose you've heard.
- 44:32Speaker 8: The good news. Yes, I just saw it in the paper.
- 44:35Speaker 15: The paper, is it? Is nothing sacred from those gossip mongers?
- 44:38Speaker 8: I'm afraid I don't understand. I was speaking of my.
- 44:42Speaker 15: Son, young Ted. Why, what's happened to him?
- 44:45Speaker 8: He's just been awarded the DSC. That's the Distinguished Service Cross.
- 44:49Speaker 15: The Saints preserve us. Who'd have thought it?
- 44:51Speaker 8: Teddy's always been courageous, even as a child. Of course
- 44:54Speaker 8: he has.
- 44:55Speaker 16: And it's proud you should be to have a hero
- 44:57Speaker 16: for a son. Think of all the stories we'll be
- 45:00Speaker 16: able to tell our grandchild about his uncle.
- 45:03Speaker 6: Grandchild?
- 45:07Speaker 8: Is Patricia having a baby?
- 45:09Speaker 15: Heaven help us. I thought you knew by now.
- 45:11Speaker 2: No.
- 45:14Speaker 8: Not a word. That's not like that.
- 45:17Speaker 16: Whatever may have happened between you, it's still your grandchild
- 45:21Speaker 16: she's bearing.
- 45:23Speaker 8: When did you hear?
- 45:25Speaker 15: Just a short while back.
- 45:26Speaker 16: And I dropped everything to run over and compare notes
- 45:29Speaker 16: with you on how it felt to be a grandmother.
- 45:32Speaker 8: I'm afraid I can't say. not having been informed officially.
- 45:36Speaker 2: Mrs.
- 45:37Speaker 10: Hadley, I hope you'll excuse me, but in the excitement
- 45:39Speaker 10: over Mr. Theodore, I forgot this telegram, madam.
- 45:41Speaker 8: Oh, thank you, then.
- 45:42Speaker 2: Sorry, madam.
- 45:43Speaker 15: There, there, you see, I knew it. I knew it
- 45:46Speaker 15: wasn't like them. What does it say?
- 45:49Speaker 8: You are going to be a grandmother in October. We
- 45:53Speaker 8: love you and miss you very much. Pat and Mike.
- 45:58Speaker 15: Not a word did they say in my telegram about
- 46:00Speaker 15: missing me.
- 46:01Speaker 8: I do hope Patricia takes proper care of herself.
- 46:04Speaker 15: Oh, Michael will see to that. If he doesn't, I'll
- 46:07Speaker 15: beat the daylights out of him.
- 46:11Speaker 4: Mrs.
- 46:11Speaker 2: Hadley. Yes? It's the reporters, madam.
- 46:14Speaker 8: Reporters?
- 46:14Speaker 9: Yes, madam, five of them. They insist upon seeing you
- 46:17Speaker 9: about Mr.
- 46:17Speaker 2: Theodore.
- 46:18Speaker 8: I have nothing to say to them.
- 46:19Speaker 12: What?
- 46:20Speaker 15: Why, of course you have.
- 46:21Speaker 8: I beg your pardon?
- 46:22Speaker 15: You forget you're the mother of a hero.
- 46:24Speaker 8: I don't see why my private life is any concern
- 46:26Speaker 8: of the press.
- 46:27Speaker 15: There's a war going on, Mrs.
- 46:28Speaker 16: Hadley, and there's hundreds of thousands of wives and mothers
- 46:32Speaker 16: needing all the courage they can get. Their men can't
- 46:36Speaker 16: all win the DSC, but they're fighting just the same.
- 46:40Speaker 16: And it's up to you to give their womenfolk a
- 46:42Speaker 16: message of.
- 46:42Speaker 15: Hope and faith. You've got no private life anymore. You
- 46:47Speaker 15: belong to those wives and mothers. So you'll see them, Mrs. Hadley,
- 46:51Speaker 15: and right now. Come in, boys.
- 46:54Speaker 13: Mrs.
- 46:55Speaker 5: Hadley, I'm Stevens of the Chronicle.
- 46:56Speaker 6: The Chronicle?
- 46:57Speaker 5: The name of Hadley means a lot to us. We'd
- 46:58Speaker 5: like to play it up in a big way.
- 46:59Speaker 8: I'm afraid I have nothing to say.
- 47:01Speaker 6: We just want to ask you a few questions, Mrs.
- 47:03Speaker 4: Hadley.
- 47:03Speaker 8: But I told you.
- 47:04Speaker 2: Have you heard from your son lately?
- 47:05Speaker 8: I had a letter the other day.
- 47:06Speaker 2: Where was it from?
- 47:07Speaker 9: What did he say?
- 47:07Speaker 8: The letter was personal. I see no object in going
- 47:10Speaker 8: on with this. You already know the facts.
- 47:12Speaker 2: But we'd like your angle, Mrs. Hadley.
- 47:13Speaker 6: If Mrs. Winters is willing to give us an interview,
- 47:15Speaker 6: you certainly ought to.
- 47:16Speaker 12: Mrs.
- 47:17Speaker 6: Winters? Yes, we've just come from there.
- 47:19Speaker 8: Some people like publicity.
- 47:21Speaker 5: I wouldn't call losing a son good publicity.
- 47:23Speaker 2: What?
- 47:24Speaker 5: Guess we'd better call it a day.
- 47:25Speaker 2: Come on.
- 47:26Speaker 12: No.
- 47:27Speaker 8: No, no, wait, please.
- 47:29Speaker 6: I didn't know. Well, it was in the paper.
- 47:31Speaker 8: I didn't read it. Please believe me.
- 47:33Speaker 15: Of course she didn't. Haven't you got two eyes among
- 47:36Speaker 15: the lot of you?
- 47:37Speaker 2: I'm very sorry, Mrs. Hadley.
- 47:39Speaker 5: Tony Winters was with your son, looking for the same
- 47:42Speaker 5: machine gun nest.
- 47:43Speaker 2: He was shot by a sniper. Oh, how dreadful.
- 47:48Speaker 8: Why, only the other day Teddy wrote about him. They
- 47:51Speaker 8: were great friends.
- 47:52Speaker 2: Yes, so Mrs.
- 47:53Speaker 9: Winters told us.
- 47:55Speaker 8: She saw you at a time like this?
- 47:58Speaker 5: Yes, she did.
- 48:00Speaker 8: Bennett, you'll find a letter from Mr. Theodore on my
- 48:03Speaker 8: night table. I want you to bring it here.
- 48:06Speaker 2: Yes, madam.
- 48:07Speaker 8: I'd like to read you parts of Especially the part
- 48:12Speaker 8: about Tony Winters. Mrs.
- 48:21Speaker 6: Winters.
- 48:22Speaker 2: Mrs.
- 48:22Speaker 8: Winters, ma'am.
- 48:23Speaker 13: Oh, uh.
- 48:24Speaker 17: Yes, Anna?
- 48:25Speaker 8: Mrs.
- 48:25Speaker 6: Hadley is here, ma'am.
- 48:27Speaker 8: Mrs. Hadley? I... I hope I'm not intruding.
- 48:34Speaker 17: Please come in, Mrs.
- 48:35Speaker 12: Hadley.
- 48:37Speaker 8: Thank you.
- 48:39Speaker 17: I'm so glad you came. Won't you sit down?
- 48:43Speaker 8: I have a letter from my son. I brought it along.
- 48:49Speaker 8: I thought you might like to hear what Ted said
- 48:51Speaker 8: about Tony.
- 48:53Speaker 12: Yes.
- 48:55Speaker 17: Yes, I should.
- 48:57Speaker 5: Very much.
- 48:59Speaker 8: He says, Tony Winters is in our company. I know
- 49:05Speaker 8: how you feel about his mother, but Tony is a
- 49:08Speaker 8: real gent. beg pardon gentlemen that's just a little joke
- 49:14Speaker 8: we have and we've become great friends in fact, knowing
- 49:21Speaker 8: him has been the swellest thing that's happened to me
- 49:24Speaker 8: in the army.
- 49:26Speaker 21: I can't tell you how much that means to me.
- 49:30Speaker 8: I just wanted you to know how Ted felt about him.
- 49:35Speaker 21: Tony felt the same way about him.
- 49:39Speaker 17: I'm glad they were together when.
- 49:42Speaker 8: It could so easily have been my boy.
- 49:46Speaker 6: Instead of yours.
- 49:48Speaker 17: We should both be very proud of our sons. Please
- 49:51Speaker 17: don't cry.
- 49:54Speaker 21: I've just heard today they're giving Tony the Distinguished Service Cross, too.
- 49:59Speaker 6: I'm glad.
- 50:02Speaker 8: And I'm so sorry for.
- 50:05Speaker 6: So many things.
- 50:07Speaker 17: None of that matters now. fights, political differences, anything.
- 50:13Speaker 21: All that matters is that you and I, all of
- 50:16Speaker 21: us work together to make what Tony died for something
- 50:21Speaker 21: fine and lasting.
- 50:35Speaker 2: Hello, Stella. I've been waiting for you.
- 50:38Speaker 8: How are you?
- 50:39Speaker 2: All right. You're looking very well, Stella.
- 50:42Speaker 8: Thank you.
- 50:43Speaker 2: Stella, I'm here on official business. The president sent me.
- 50:48Speaker 8: The president?
- 50:50Speaker 2: Yes, he asked me to deliver this letter to you personally.
- 50:54Speaker 8: Elliot, will you read it to me?
- 50:57Speaker 2: Yes, of course. My dear Mrs. Hadley, I want to
- 51:03Speaker 2: offer my congratulations on the valor shown by your sons.
- 51:08Speaker 2: and on the award of the Distinguished Service Cross, which
- 51:11Speaker 2: he so heroically earned. I had the pleasure of knowing
- 51:16Speaker 2: your husband, and though he opposed many of my policies,
- 51:20Speaker 2: I always found him a fair opponent and a fearless fighter.
- 51:24Speaker 2: I'm glad he has handed down this heritage to his son.
- 51:28Speaker 2: I know that every American must share with you in
- 51:31Speaker 2: your justifiable pride. Yours sincerely, Franklin D. Roosevelt.
- 51:38Speaker 8: Oh, Elliot, to think of his finding time to write
- 51:42Speaker 8: to me when he has so many things to do.
- 51:48Speaker 8: He must be a very remarkable man. May I have
- 52:08Speaker 8: your attention, please? I just wanted to tell you there'll
- 52:12Speaker 8: be a new shipment of wool in tomorrow and more
- 52:14Speaker 8: material for bandages. Now, while I'm gone, Laura Winters will
- 52:17Speaker 8: be in charge. And I'm sure you'll all work just
- 52:20Speaker 8: as hard as if I were here. Are there any questions? Oh, Stella. Yes, Cecilia.
- 52:24Speaker 14: Stella, do I have to take the first aid course
- 52:27Speaker 14: all over again?
- 52:29Speaker 8: We all have to take it until we pass our examination.
- 52:33Speaker 14: Oh, I'm tired of being bandaged.
- 52:38Speaker 15: How long will you be in Phoenix, Stella?
- 52:40Speaker 8: Probably not more than a week. I'll be right back
- 52:42Speaker 8: after the baby's born.
- 52:43Speaker 15: It'll be born before we get there if you don't hurry.
- 52:45Speaker 8: It's all right, Maggie, don't worry. I never missed a
- 52:48Speaker 8: train in my life.
- 52:48Speaker 16: There's always a first time for everything. Where is that
- 52:52Speaker 16: husband of yours?
- 52:53Speaker 15: Is he going to take us to the station?
- 52:54Speaker 8: He's probably held up in a conference with the department.
- 52:57Speaker 8: You know how important these conferences are. Well, where's your car?
- 53:00Speaker 8: Elliot and I decided to put it up for the duration.
- 53:04Speaker 2: Stella!
- 53:04Speaker 15: Hello, darling!
- 53:05Speaker 2: Hello, dear. Here, I brought you some flowers.
- 53:07Speaker 8: Elliot, I thought you said we were going to economize.
- 53:10Speaker 2: Well, let's start tomorrow. I hope you know how much
- 53:13Speaker 2: I'm going to miss you while you're away.
- 53:14Speaker 8: That's what you get for marrying a grandmother.
- 53:17Speaker 15: Come on, come on. This is no time for spooning.
- 53:19Speaker 6: All right, all right, Maggie.
- 53:21Speaker 9: Come on, will you?
- 53:21Speaker 2: Come on.
- 53:22Speaker 15: Goodbye, Stella.
- 53:23Speaker 6: Goodbye. Goodbye.
- 53:26Speaker 15: I do hope the baby.
- 53:27Speaker 14: Waits until you get there.
- 53:28Speaker 6: Goodbye, Stella.
- 53:30Speaker 15: I hope it's a boy.
- 53:31Speaker 8: Thank you. Goodbye, everybody. Goodbye.
- 53:35Speaker 14: Well, those Japs and Nazis better look out now that
- 53:39Speaker 14: Stella's in the war.
- 53:41Speaker 12: Where's Stella?
- 53:43Speaker 15: Did you forget something?
- 53:44Speaker 6: Where is it?
- 53:45Speaker 12: Here.
- 53:46Speaker 14: Here it is.
- 53:46Speaker 8: What is it? I almost forgot my letter from the president. Goodbye.
- 53:50Speaker 6: Goodbye.
- 53:57Speaker 7: Goodbye.
- 54:02Speaker 4: You have heard the story of Stella Hadley, of her
- 54:05Speaker 4: doubts and her decision. May we all profit by her
- 54:08Speaker 4: example and realize as she did the moral and military
- 54:12Speaker 4: necessity of sacrifice to speed the day of victory.
- 54:23Speaker 3: Now, before our stars return to a curtain call, here's
- 54:26Speaker 3: something that sounds like a contradiction, but it's true. Part
- 54:30Speaker 3: of the hard wear your stockings get comes when you're
- 54:34Speaker 3: not wearing them. For example, if you let your stockings
- 54:37Speaker 3: lie around without being luxed after you've worn them, The
- 54:41Speaker 3: perspiration left in the fabric can weaken the threads so
- 54:44Speaker 3: the stockings wear out too quickly. Yes, it's important for
- 54:49Speaker 3: good wear to wash stockings promptly after every wearing. And
- 54:54Speaker 3: it's important to do it the gentle luxe flakes way.
- 54:58Speaker 3: For if you wash stockings the wrong way, if you
- 55:01Speaker 3: rub them with cake soap or use strong soap, you're
- 55:04Speaker 3: actually adding to the wear and tear. Those things weaken
- 55:09Speaker 3: the elastic qualities of your stockings. Then the tiny threads
- 55:13Speaker 3: break easily into runs. But gentle luxe flakes take away
- 55:18Speaker 3: soil and perspiration quickly and very gently, without weakening elasticity.
- 55:24Speaker 3: You cut down runs, your stockings will look better, last longer,
- 55:29Speaker 3: when you luxe them after every wearing. Get the thrifty
- 55:32Speaker 3: big box of Lux Flakes first thing tomorrow. It will
- 55:36Speaker 3: do stockings every night for months.
- 55:40Speaker 2: Now, here's Mr. DeMille with our stars.
- 55:44Speaker 4: It isn't news when Faye Bainter and Edward Arnold give
- 55:47Speaker 4: fine performances because we expect it of them, and we're
- 55:50Speaker 4: never disappointed. But I did discover some news about Faye
- 55:54Speaker 4: Bainter today. This is her birthday.
- 55:57Speaker 2: Well, many happy returns, Faye.
- 55:59Speaker 1: Thank you.
- 56:04Speaker 10: You certainly picked an exciting day.
- 56:07Speaker 8: I had nothing to do with it, Eddie. Aren't you
- 56:09Speaker 8: going to ask me how.
- 56:10Speaker 12: Old I am?
- 56:10Speaker 2: No, not me. My mama done told me. She said
- 56:16Speaker 2: never escalate his age.
- 56:18Speaker 4: Eddie, I think it would be all right to ask
- 56:20Speaker 4: Faye how old she was when she played her first part.
- 56:23Speaker 8: Four, Mr. DeMille. Then I retired until I was 14.
- 56:28Speaker 4: And it's obvious your comeback was successful, Faye. When did
- 56:32Speaker 4: your career get.
- 56:33Speaker 5: Underway, Eddie?
- 56:34Speaker 2: Oh, I was about 14 years old, too.
- 56:36Speaker 8: A mere beardless boy.
- 56:38Speaker 2: Oh, no, not exactly. I played character parts and wore
- 56:41Speaker 2: a beard most of the time.
- 56:43Speaker 4: Well, this audience knows two good troopers when we find them.
- 56:47Speaker 4: I was thinking tonight that there's something in that word
- 56:50Speaker 4: trooper that fits 130 million Americans now. We're better neighbors
- 56:57Speaker 4: because we've made sacrifices together. The missing faces around the
- 57:02Speaker 4: family dinner table draw us all closer. Eddie Arnold, for instance,
- 57:07Speaker 4: has sent a son to the Army.
- 57:09Speaker 2: And you have a boy in the same service, E.B.? Fay.
- 57:11Speaker 4: Bainter's husband, a fine naval officer in the last war,
- 57:15Speaker 4: directs civilian defense in the city.
- 57:16Speaker 5: Of Santa Monica.
- 57:18Speaker 4: And we stand side by side with millions of other
- 57:21Speaker 4: mothers and fathers doing what we can.
- 57:23Speaker 8: And trying to be good troopers about it. What play
- 57:27Speaker 8: have you planned for next week, Mr.
- 57:28Speaker 12: DeMille?
- 57:29Speaker 4: A famous screenplay that's very timely at the moment, Faye.
- 57:33Speaker 4: It's called Algiers, and our stars will be Charles Boyer
- 57:40Speaker 4: and Loretta Young. Algiers is a city that's made for drama,
- 57:51Speaker 4: and it's certainly lived up to its reputation in the
- 57:53Speaker 4: past few weeks. Next Monday night, we'll bring you a
- 57:57Speaker 4: thrilling love story of this fascinating town. with Charles Boyer
- 58:01Speaker 4: in his great role of Pepe Lamoco, and Loretta Young
- 58:05Speaker 4: as his leading lady.
- 58:06Speaker 2: Oh, that's a great idea right now, CB. My congratulations,
- 58:10Speaker 2: and good night.
- 58:10Speaker 8: Good night.
- 58:11Speaker 4: Good night.
- 58:12Speaker 8: Good night.
- 58:14Speaker 4: There's no rationing on talent like yours. Our sponsors, the
- 58:23Speaker 4: makers of Lux Flakes, join me in inviting you to
- 58:26Speaker 4: be with us again next Monday night. when the Lux
- 58:28Speaker 4: Radio Theater presents Loretta Young and Charles Boyer in Algiers
- 58:35Speaker 4: with J. Carol Nash and Gene Lockhart. This is Cecil B.
- 58:39Speaker 4: DeMille saying good night to you from Hollywood.
- 58:49Speaker 2: Attention, housewives.
- 58:52Speaker 3: Is your kitchen part of American war production?
- 58:55Speaker 2: Are you helping to make munitions? Do you save waste
- 58:59Speaker 2: kitchen fats? If you don't, start tomorrow.
- 59:03Speaker 3: Put all leftover fats in a clean, wide-top can and
- 59:06Speaker 3: take them to your meat dealer regularly. He'll pay you
- 59:09Speaker 3: for them. and they'll be used to make glycerin. Glycerin
- 59:12Speaker 3: makes explosives. So send your waste fats to war. Out
- 59:17Speaker 3: of the frying pan, into the firing line. During the
- 59:26Speaker 3: holiday season, the volume of mail increases approximately 200%. The
- 59:31Speaker 3: public should not delay any longer to mail Christmas gifts, greetings,
- 59:34Speaker 3: and letters if they wish to make certain that they
- 59:37Speaker 3: are received before December 24th. Heard in tonight's play were
- 59:42Speaker 3: Fred McKay as Theodore, Verna Felton as Mrs. Fitzpatrick, Anne
- 59:46Speaker 3: O'Neill as Cecilia. Our music was directed by Louis Silvers.
- 59:51Speaker 3: And this is your announcer, John M. Kennedy, reminding you
- 59:54Speaker 3: to tune in next Monday night to hear Charles Boyer
- 59:57Speaker 3: and Loretta Young with J. Carol Nash and Gene Lockhart
- 1:00:00Speaker 3: in Algiers.
- 1:00:05Speaker 20: Shake off that fagged-out, half-alive, vitamin-deficient feeling. Try VIMS. Thousands
- 1:00:12Speaker 20: depend on VIMS to help guard against colds, help build
- 1:00:16Speaker 20: extra energy. VIMS have vitamins A, C, and D, and
- 1:00:20Speaker 20: three essential B-complex vitamins. Also, three minerals. Remember, VI for vitamins,
- 1:00:26Speaker 20: double MS for minerals.
- 1:00:28Speaker 2: VIMS.
- 1:00:29Speaker 20: This is the Columbia Broadcasting System.
- 1:00:33Speaker 1: We close with Lux Radio Theater's War Against Mrs.
- 1:00:35Speaker 2: Hadley.
- 1:00:36Speaker 1: Thank you for joining us for this evening's broadcast.