Latest / Star Wars Alliance / Star Wars Visions Volume 3 Deep Dive Part 2 CCLXVII

Transcript

Star Wars Visions Volume 3 Deep Dive Part 2 CCLXVII · Star Wars Alliance

• 0:00
  Speaker 1: The Force will be with you always.
• 0:18
  Speaker 2: Hello, and welcome back to another episode of Star Wars Alliance.
• 0:24
  Speaker 2: Of course I'm your host, Clay, and with me not
• 0:28
  Speaker 2: like every single week because we weren't here is of
• 0:32
  Speaker 2: course Katie. Now Katie had a very good excuse, I say, excuse,
• 0:39
  Speaker 2: a very good reason to not be here. Surgery recovery
• 0:43
  Speaker 2: is very important and we need to take care of ourselves.
• 0:46
  Speaker 3: So yes, And it ended up being more extensive than
• 0:51
  Speaker 3: the doctor thought it was going to be. So I
• 0:54
  Speaker 3: was on pain killers for a hot minute, but they
• 0:59
  Speaker 3: were like tour it all, which is like heavy duty
• 1:02
  Speaker 3: tailand all. Yeah, so it was not like super bad,
• 1:07
  Speaker 3: but like I was walking around with an ice pack
• 1:10
  Speaker 3: and enjoying my lovely And because it was more extensive,
• 1:15
  Speaker 3: he originally told me, oh, it's going to be three
• 1:17
  Speaker 3: to four weeks before you can lift heavier than twenty pounds.
• 1:22
  Speaker 3: It was actually now it's going to be four to
• 1:25
  Speaker 3: six weeks. So I still can't pick up Maara. I
• 1:29
  Speaker 3: won't be able to pick up Maria until Christmas.
• 1:32
  Speaker 2: Oh no, that sucks.
• 1:37
  Speaker 3: I'm kind of dying inside a little bit.
• 1:40
  Speaker 2: No, I get that. I Uh. Abby was the same
• 1:47
  Speaker 2: way with her gallbladder removal. So they were like, hey,
• 1:54
  Speaker 2: since this happened all of a sudden, we're just letting,
• 1:58
  Speaker 2: you know, don't pick up anything heavy. And we're like,
• 2:01
  Speaker 2: we have a somewhat newborn, Like what do we do
• 2:06
  Speaker 2: and they're like, yeah, so don't do it. You know.
• 2:09
  Speaker 2: I'm like, oh crap. So that was fun, but I'm
• 2:15
  Speaker 2: glad you're doing.
• 2:15
  Speaker 3: Okay, yes, I'm doing it.
• 2:18
  Speaker 2: You know, keep doing what you're doing. And so, yeah,
• 2:23
  Speaker 2: we have some news for you guys. And I actually
• 2:27
  Speaker 2: have some news of my own, which it's crazy. I
• 2:33
  Speaker 2: didn't know that we were going to do this, and
• 2:35
  Speaker 2: then we're like, hey, we kind of need to do
• 2:38
  Speaker 2: this to get wind of you know, get people excited
• 2:41
  Speaker 2: for it, get people invested in it. So, guys, I've
• 2:47
  Speaker 2: been teasing something for a very long time that I've
• 2:50
  Speaker 2: been working on and I finally get to say what
• 2:53
  Speaker 2: it is last Friday.
• 2:58
  Speaker 3: Yeah, I think it was Friday.
• 3:00
  Speaker 2: Either last Friday or last Thursday. I was able to
• 3:04
  Speaker 2: finally soft pre launch my website. And you're probably thinking,
• 3:14
  Speaker 2: what kind of website? What kind of website is that?
• 3:17
  Speaker 2: It's not going to be a website, it's going to
• 3:19
  Speaker 2: be more of a platform. I am taking on the
• 3:26
  Speaker 2: very daunting undertaking of creating a platform specifically for comic
• 3:34
  Speaker 2: book audio dramas. I have already been working with a
• 3:39
  Speaker 2: studio that is creating samples for publishers that are interested
• 3:42
  Speaker 2: in doing so. But yeah, it will have its own website,
• 3:47
  Speaker 2: it will have its own app, and it's gonna be
• 3:53
  Speaker 2: really fun. I'm really excited to get publishers on board
• 3:57
  Speaker 2: and to have a real cool UI that I have
• 4:02
  Speaker 2: been planning out. Katie actually has given me some advice
• 4:08
  Speaker 2: on how to, you know, publish this first landing page
• 4:11
  Speaker 2: and things like that, and the entire GUA has kind
• 4:16
  Speaker 2: of had a small hand in preparing for my soft launch,
• 4:19
  Speaker 2: which is really really fun. It's been It's been something
• 4:22
  Speaker 2: that I've been wanting to do for about ten years
• 4:24
  Speaker 2: now and having the ability to do it now is
• 4:29
  Speaker 2: really crazy. And when I say it's an undertaking for sure,
• 4:35
  Speaker 2: when you look at the total library of comic books
• 4:40
  Speaker 2: all in existence versus how many of those have audio books,
• 4:45
  Speaker 2: there's nothing there. It's bear there is maybe a small
• 4:50
  Speaker 2: handful in the grand scheme of things. When you look
• 4:55
  Speaker 2: at novels, you know you have a total of two
• 4:59
  Speaker 2: to four million books that are published every single year.
• 5:03
  Speaker 2: There's about seven thousand to ten thousand of those that
• 5:06
  Speaker 2: get audiobooks. That's less than one percent. There's not even well,
• 5:14
  Speaker 2: I think there is a total of less than one
• 5:16
  Speaker 2: percent now, like in total of all the audiobooks that
• 5:20
  Speaker 2: are there for comics now, but to keep up with
• 5:24
  Speaker 2: that of the book market, it's non existent. And so
• 5:30
  Speaker 2: I want to make it an established norm to have
• 5:35
  Speaker 2: audiobooks or audio dramas for comic books. This is more
• 5:39
  Speaker 2: so not only for comic book fans or for the
• 5:43
  Speaker 2: audiobook fans, but most importantly for a whole group of
• 5:49
  Speaker 2: individuals that have never been able to pick up a
• 5:51
  Speaker 2: comic book, with the vision impaired and blind communities. It's
• 5:56
  Speaker 2: very important to me. It's what really brought about the
• 5:59
  Speaker 2: entire idea of this. When I first worked out a
• 6:01
  Speaker 2: comic shop, I helped a deaf individual find the Teenage
• 6:07
  Speaker 2: Mutant Ninja Turtle book that he was looking for, and
• 6:10
  Speaker 2: while he was looking at the pages, I just thought, well,
• 6:14
  Speaker 2: if a deaf person can enjoy a comic, how does
• 6:16
  Speaker 2: a blind person enjoy the comic? And that's what sparked
• 6:20
  Speaker 2: it all. And so now I'm getting to go on
• 6:23
  Speaker 2: that journey and we'll see how it goes. It's very exciting.
• 6:32
  Speaker 2: I can't share too much because we are still in
• 6:34
  Speaker 2: the building stage. We have an idea of when we
• 6:39
  Speaker 2: want to launch, but all of that will become more
• 6:43
  Speaker 2: and more of like public information as time goes on.
• 6:49
  Speaker 2: But if any of you are interested in this concept,
• 6:56
  Speaker 2: please go visit the website volumecomics dot com and sign
• 7:01
  Speaker 2: up for our email list that will tell you when
• 7:06
  Speaker 2: beta is ready, when our official launch is being planned,
• 7:10
  Speaker 2: and things like that. And it also helps us gauge,
• 7:14
  Speaker 2: you know, the overall interest to this. We know that
• 7:17
  Speaker 2: there's three to four huge communities that are you know,
• 7:23
  Speaker 2: really where this is driven. But we want to actually
• 7:27
  Speaker 2: be able to show these investors and these publishers like, hey, look,
• 7:31
  Speaker 2: this is what people want. So if you guys could
• 7:34
  Speaker 2: do that for me, that would be greatly appreciated. But
• 7:39
  Speaker 2: enough about men going to Star Wars, because again, on
• 7:44
  Speaker 2: Wednesdays we wear Star Wars. I didn't want, sir.
• 7:50
  Speaker 3: I got so many compliments at my doctor's appointment and
• 7:54
  Speaker 3: they're like, dude, I love your shirt, Like where did
• 7:56
  Speaker 3: you get it? I was like, I don't know. If
• 7:58
  Speaker 3: my husband got it for me, that's awesome. So I
• 8:01
  Speaker 3: did just want to talk quickly before we dive into
• 8:04
  Speaker 3: our one news topic over November. Already things have released
• 8:10
  Speaker 3: into the wild for Star Wars, and I've thought I'm
• 8:13
  Speaker 3: right here, so I wanted to quickly talk about them.
• 8:18
  Speaker 3: The first is Master of Evil. It released last Tuesday,
• 8:23
  Speaker 3: November eleventh. I don't have a dust jacket on this,
• 8:28
  Speaker 3: so if you're on YouTube, I apologize. I don't keep
• 8:30
  Speaker 3: my Dutch jackets. But we have already reviewed this. We
• 8:35
  Speaker 3: plan on going back to it at some point because
• 8:38
  Speaker 3: I need. I need to go back to it and
• 8:41
  Speaker 3: recalibrate my thoughts. If you have listened to our review
• 8:43
  Speaker 3: episode that is out already, Clay is going to link
• 8:47
  Speaker 3: it in the description box below for you guys, if
• 8:51
  Speaker 3: you were interested, obviously, it's only been out a week.
• 8:54
  Speaker 3: I don't blame you if you don't want to listen
• 8:55
  Speaker 3: to a review episode. I don't listen to review episodes
• 8:58
  Speaker 3: or read reviews before we do. Review is here unless
• 9:01
  Speaker 3: I know we're not doing it for a hot minute,
• 9:04
  Speaker 3: so feel free to come back to it, though you
• 9:07
  Speaker 3: can always come back to it. The next one is
• 9:10
  Speaker 3: Path of the Lightsaber, which is a sequel trilogy original
• 9:17
  Speaker 3: story that is a manga. It is the first manga
• 9:22
  Speaker 3: in the series. This is by Kenney Ruiz. He did
• 9:27
  Speaker 3: the story uh and apparently the art published by Viz Media.
• 9:33
  Speaker 3: So if you guys are interested in mangas, we will
• 9:35
  Speaker 3: be reviewing this in December. Date to be determined, but
• 9:42
  Speaker 3: you will have a review come December. We're just talking
• 9:45
  Speaker 3: about Visions because Visions is kind of a bigger topic
• 9:49
  Speaker 3: at the moment, but definitely check this out. I have
• 9:53
  Speaker 3: not gotten to read it yet, but I am very excited.
• 9:56
  Speaker 3: It is in like my tow b red pile on
• 9:58
  Speaker 3: my desk.
• 10:00
  Speaker 2: I am halfway through this. I really enjoy the artwork
• 10:03
  Speaker 2: of this book. I was actually able to get this
• 10:07
  Speaker 2: like a week in advance at Barnes and Noble. I
• 10:13
  Speaker 2: was there literally to pre order it and they're like,
• 10:16
  Speaker 2: we have literally one copy and you can have it.
• 10:19
  Speaker 2: And I was like what, and they're like, yeah, they
• 10:22
  Speaker 2: actually don't have an embargo date for this book. So
• 10:25
  Speaker 2: it's a plus that if you always go to the
• 10:27
  Speaker 2: actual physical store to ask about books, because they could
• 10:31
  Speaker 2: give it to you. So I was able to purchase
• 10:33
  Speaker 2: this a week in advance.
• 10:35
  Speaker 3: Barnes and Noble is known to do this. Obviously, it's
• 10:38
  Speaker 3: not the best thing in the world.
• 10:41
  Speaker 2: No, it's not. And I will always say.
• 10:45
  Speaker 3: I can't blame you for taking advantage of it because
• 10:47
  Speaker 3: I was searching for high republic books.
• 10:50
  Speaker 2: Well yeah, yeah, I will always say, Hey, go to
• 10:53
  Speaker 2: your local bookstore to pre order books. This me, Abby
• 11:01
  Speaker 2: and amber Lyn just so happened to be in the
• 11:05
  Speaker 2: mall that the bookstore Barnes and Noble was attached to,
• 11:11
  Speaker 2: and so as we were leaving, I was like, Hey,
• 11:13
  Speaker 2: I just want to see, you know, if they will
• 11:16
  Speaker 2: even be picking this up, because I don't know if
• 11:20
  Speaker 2: my particular local bookstore really orders mangas. Yeah. Uh. And
• 11:26
  Speaker 2: so that was kind of like my thing or my
• 11:30
  Speaker 2: reasoning why I just wanted to stop at Barnes and
• 11:32
  Speaker 2: Noble rather than driving another fifteen to twenty minutes to
• 11:37
  Speaker 2: a comic shop to pre order it that day.
• 11:40
  Speaker 3: Yeah, I don't have a local bookstore, so I can't
• 11:44
  Speaker 3: blame me for going to Barns and Noble. The other
• 11:48
  Speaker 3: thing that released Guys is Bad Batched Ghost Agent's Trade,
• 11:55
  Speaker 3: and I have this on the schedule for us to
• 11:58
  Speaker 3: review next year. But I tend to order all of
• 12:05
  Speaker 3: my stuff in advance, like for the release dates, so
• 12:10
  Speaker 3: I don't get lost. And I followed the If you
• 12:13
  Speaker 3: guys are interested in keeping track of Star Wars publishing
• 12:18
  Speaker 3: media different varieties, I always go to uteni dot com
• 12:23
  Speaker 3: to look at the release schedule, and that's how I
• 12:25
  Speaker 3: do all of my ordering is I go, Okay, what's
• 12:28
  Speaker 3: coming out this month, let me get it ordered. So
• 12:34
  Speaker 3: that's how you new. And obviously we've already said this,
• 12:37
  Speaker 3: but Clay and I received Master of Evil from Random
• 12:41
  Speaker 3: House Worlds, so we did not have to order that one,
• 12:43
  Speaker 3: but as always, just wanted to say thank you again,
• 12:46
  Speaker 3: and it did not affect our review in the slightest
• 12:48
  Speaker 3: because we were not We had already reviewed it by
• 12:50
  Speaker 3: the time we got the physical copy.
• 12:52
  Speaker 2: Yeah.
• 12:52
  Speaker 3: So, but that is what I have in my pile.
• 12:57
  Speaker 3: And those are like the bigger ticket items for Star
• 13:00
  Speaker 3: Wars that aren't like research guides or anything. Because I
• 13:07
  Speaker 3: don't personally order a bunch of those. I pick and
• 13:09
  Speaker 3: choose the research, non canon, nonfiction things. Yeah, I pick
• 13:16
  Speaker 3: and choose what I want off of that list, and
• 13:18
  Speaker 3: I don't order those in advance. So that is the
• 13:21
  Speaker 3: fiction things that have released that are big and not
• 13:26
  Speaker 3: like individual comic issues. So with that the news topic.
• 13:40
  Speaker 2: We have I think two pieces of news.
• 13:47
  Speaker 3: Maybe I thought we were just talking Young Jedi Adventures.
• 13:51
  Speaker 2: Okay, so yeah, let's go ahead and jump into that.
• 13:54
  Speaker 2: So the I hate this new update to Twitter.
• 14:00
  Speaker 3: It is the worst thing.
• 14:02
  Speaker 2: It is the worst thing because I just like I
• 14:04
  Speaker 2: noticed about two days ago, if you keep scrolling through
• 14:08
  Speaker 2: your feed, the bottom buttons disappear.
• 14:13
  Speaker 3: Yeah I can, and then you like scroll.
• 14:15
  Speaker 2: Like up and down a couple times to try and
• 14:18
  Speaker 2: like find it again, and then they magically just reappear.
• 14:20
  Speaker 3: I can no longer send links to a chat. I
• 14:23
  Speaker 3: have to copy the link and then go to the
• 14:25
  Speaker 3: chat then send the link. This is probably my final
• 14:28
  Speaker 3: stralla Twitter because like I have literally lugged into Twitter
• 14:32
  Speaker 3: like twice since this updates.
• 14:37
  Speaker 2: It's pretty gross. I don't like it at all. But
• 14:41
  Speaker 2: we did get a trailer for Young Jedi Adventures Season
• 14:48
  Speaker 2: three is coming to Disney Plus on December eighth, so
• 14:55
  Speaker 2: something that was also well, no, I don't think it
• 15:00
  Speaker 2: was on the schedule, and then we're like, oh, it's
• 15:04
  Speaker 2: like did not they.
• 15:06
  Speaker 3: Said it was supposed to be coming out in Winter
• 15:09
  Speaker 3: twenty five, so we knew it was supposed to be
• 15:12
  Speaker 3: coming out, but honestly I forgot about it. So it's
• 15:16
  Speaker 3: coming out of December eighth. The trailer is out there
• 15:19
  Speaker 3: if anybody wants to take a look at it. Obviously,
• 15:22
  Speaker 3: this is a can show. The plot points aren't super huge,
• 15:27
  Speaker 3: but it's a really cool story. The characters are super awesome.
• 15:33
  Speaker 3: So it was also announced that on December eighth, every
• 15:37
  Speaker 3: single episode of season three is dropping, which has not
• 15:40
  Speaker 3: happened previously. They had been released in parts, so like, yeah, episodes,
• 15:45
  Speaker 3: twelve episodes, so the whole entire thing is releasing, which
• 15:49
  Speaker 3: makes me think it's only probably about twelve episodes, But I.
• 15:55
  Speaker 2: Wonder if this also indicates that it's the last season.
• 15:58
  Speaker 3: They did state that it is the last season, and
• 16:02
  Speaker 3: in the trailer you can actually see the older characters
• 16:09
  Speaker 3: and they have Padawan braids. Oh so like we're gonna
• 16:14
  Speaker 3: get to see them become Patawans and everything. Though I imagine
• 16:18
  Speaker 3: that's going to take place, like we're gonna get like
• 16:21
  Speaker 3: a future post credit ending shot basically, but it is
• 16:28
  Speaker 3: going to be the last season, which kind of makes
• 16:30
  Speaker 3: me sad because apparently Disney Plush just has like, oh,
• 16:36
  Speaker 3: everything must end in sets of three yeah at the moment,
• 16:42
  Speaker 3: because like uh bad Badge Mando, Like the max they
• 16:49
  Speaker 3: have been given is three seasons, and probably the Darth
• 16:52
  Speaker 3: Maul show Shadow Lord is also probably going to be
• 16:56
  Speaker 3: three seasons. And I'm like, this is a kid show.
• 17:01
  Speaker 3: You could have literally taken this and just run and
• 17:04
  Speaker 3: run and run. You really could have, because there is
• 17:10
  Speaker 3: no major plot to it. There is no like, oh,
• 17:12
  Speaker 3: we're going to get to the Nihill like yeah, no.
• 17:16
  Speaker 2: I kind of wonder because I've never actually gone that
• 17:20
  Speaker 2: extensive with like the fact that you know, the other
• 17:26
  Speaker 2: shows of this variety that of like PJ. Mask and
• 17:31
  Speaker 2: Spider Man and Friends, Like I haven't done my research
• 17:36
  Speaker 2: to know how many seasons those are, so looking at
• 17:43
  Speaker 2: it now, PJ Mask has a total of five seasons,
• 17:50
  Speaker 2: the fifth season having twenty five episodes. So I do
• 17:57
  Speaker 2: feel like this show could have still like gone on
• 18:00
  Speaker 2: to do more and more, and the same thing for
• 18:04
  Speaker 2: like I.
• 18:05
  Speaker 3: Said, Meaty the Amazing Friends, which is a shorts, they
• 18:11
  Speaker 3: have four seasons with ten episodes.
• 18:14
  Speaker 2: Well it says Spidey and the Amazing Friends, Oh yeah, yeah,
• 18:20
  Speaker 2: that is four seasons.
• 18:21
  Speaker 3: Yeah, oh that's the shorts. Okay, there's still four seasons
• 18:25
  Speaker 3: for the actual episodes. Yeah, it's still ten episodes.
• 18:30
  Speaker 2: Yeah. And then there's a new one called Iron Man
• 18:37
  Speaker 2: and Awesome Friends. Yeah, that one just started. Yeah, that
• 18:41
  Speaker 2: one just started. But like, it's all the same animation style,
• 18:46
  Speaker 2: it's all the same kind of like Saturday Morning type
• 18:50
  Speaker 2: of rhetoric. And so like these and and again, like
• 18:59
  Speaker 2: the biggest change when it comes to these types of
• 19:04
  Speaker 2: shows and viewing of the public is most of these
• 19:10
  Speaker 2: shows really like we're focused on getting syndication. H right,
• 19:17
  Speaker 2: so you're looking at, oh, one hundred episodes every single show,
• 19:21
  Speaker 2: then you're able to throw it into any other network
• 19:24
  Speaker 2: and start generating revenue. Most you know, networks don't do
• 19:30
  Speaker 2: that anymore because most networks have their own streaming service.
• 19:36
  Speaker 2: But still, like, these shows are popular with the very
• 19:42
  Speaker 2: small community. When I say small, I mean not as
• 19:45
  Speaker 2: in like numbers wise, but I mean like literally small
• 19:49
  Speaker 2: baby children communities. They love them. Yeah, so it's a shame.
• 19:57
  Speaker 3: It is a shame. I am interested to see I
• 20:00
  Speaker 3: they will have another kids show type of thing pop
• 20:06
  Speaker 3: up or if they're really just kind of cycling down
• 20:12
  Speaker 3: on Lucasfilm's productions, Like I know one of the things
• 20:18
  Speaker 3: we're going to talk about next week is like they're saying, like,
• 20:21
  Speaker 3: with the Ninth Jedi series, Lucasfilm is stepping in more
• 20:25
  Speaker 3: and you said, like, oh, this makes me concerned. But
• 20:28
  Speaker 3: at the same time, with what we know about the
• 20:31
  Speaker 3: Hunt for Been Solo script is the issues with Star Wars, Disney,
• 20:35
  Speaker 3: smalt Or Lucasfilm's fault.
• 20:38
  Speaker 2: So yeah, like it the reason the reason why I'm
• 20:44
  Speaker 2: saying I'm worried for Lucasfilm's involvement in the Ninth Jedi
• 20:51
  Speaker 2: is more so, Hey, we want to change things creatively.
• 20:57
  Speaker 2: That's what I'm not okay with, Like, yeah, Jedi has
• 21:01
  Speaker 2: a pretty solid story already being told, Like I don't
• 21:06
  Speaker 2: need Lucasfilm to think like, oh, let's americanize it and
• 21:10
  Speaker 2: that'll make it better. Like yeah, I don't like that
• 21:13
  Speaker 2: type of agenda for Lucasfilm if they step in to
• 21:17
  Speaker 2: be like, hey, we have the bigger budgets to help
• 21:22
  Speaker 2: you tell the story that you want to tell. Hey,
• 21:25
  Speaker 2: right on, let's do it. That's what I want the
• 21:27
  Speaker 2: involvement of Lucasfilm to be. But anything more than that,
• 21:33
  Speaker 2: I think is kind of it might be a bad idea.
• 21:36
  Speaker 3: And that does make sense. I was just bringing that
• 21:39
  Speaker 3: up as an example. Yeah. So yeah, are we ready
• 21:46
  Speaker 3: to dive into our part two of Volume Visions, Volume
• 21:51
  Speaker 3: three dop dive.
• 21:53
  Speaker 2: Yes, yes we are. Now my question to you is
• 21:56
  Speaker 2: are we going to go in viewing order? Because if
• 22:00
  Speaker 2: that is, that would be Yuko's Treasure, the Smuggler, and
• 22:03
  Speaker 2: then the Bird of Paradise, or would you like to
• 22:06
  Speaker 2: take one over the other when it comes to what
• 22:10
  Speaker 2: is first, second, or third?
• 22:16
  Speaker 3: I picked last week, you need to pick this week.
• 22:20
  Speaker 2: Okay, well I think let's go. So so here's here's
• 22:26
  Speaker 2: the other thing. Also, I think that we were totally
• 22:30
  Speaker 2: different in our ranking of this of these three. So
• 22:42
  Speaker 2: I had the uh Bird of Paradise as number uh seven.
• 22:53
  Speaker 3: I need to go back and write my ranking stone
• 22:57
  Speaker 3: because I didn't write my rankingsteck.
• 22:58
  Speaker 2: Yeah you were, you were going off the cuff. Yeah yeah,
• 23:01
  Speaker 2: So like bird, the Bird of Paradise is like my
• 23:04
  Speaker 2: least favorite, whereas I think you had it a little
• 23:10
  Speaker 2: bit higher up on your life. So so like in
• 23:15
  Speaker 2: my rankings, I have the Smuggler being the highest at four,
• 23:22
  Speaker 2: then you goes Treasure at six, and then Paradise at seven,
• 23:30
  Speaker 2: So it really doesn't matter to me. I like all
• 23:34
  Speaker 2: of these in their own individual ways, but when it
• 23:39
  Speaker 2: comes to like the conversation pieces, I'll say this, I
• 23:43
  Speaker 2: want to you know, I'm making up my mind. The
• 23:45
  Speaker 2: Bird of Paradise I want last. I want the Bird
• 23:48
  Speaker 2: of Paradise to be last, because it's the one that
• 23:59
  Speaker 2: I felt I needed a third viewing because I watched
• 24:03
  Speaker 2: it and then I immediately rewound it and started watching
• 24:06
  Speaker 2: it again. Yeah, I gave.
• 24:07
  Speaker 3: All these three viewings. That's a piece. So I did
• 24:13
  Speaker 3: the initial watch and then I went through and kind
• 24:16
  Speaker 3: of took notes, and then the third one I just
• 24:18
  Speaker 3: was like, okay, let's reabsorb, not do anything.
• 24:22
  Speaker 2: So yeah, so in that case, what I want to do.
• 24:26
  Speaker 2: The Smuggler is only nineteen minutes, and Yuko's Treasure is
• 24:30
  Speaker 2: twenty four minutes. Let's jump into the Smuggler. It's the
• 24:33
  Speaker 2: shortest one, and honestly, when you watch it, it really
• 24:39
  Speaker 2: does feel like such a quick watch.
• 24:43
  Speaker 3: It really does. And we can go ahead and go
• 24:45
  Speaker 3: ahead and get into the non swellers for the Smuggler,
• 24:49
  Speaker 3: because I know we want to try to do like
• 24:52
  Speaker 3: a quick snippet for social media. Yes, so The Smuggler
• 24:58
  Speaker 3: is a production by Trigger and my non spoiler review,
• 25:04
  Speaker 3: I really do enjoy Cheetah as a character, but I
• 25:08
  Speaker 3: felt like I needed more interpretation of some of the
• 25:13
  Speaker 3: things going on in the episode. Gleanu is a highlight
• 25:19
  Speaker 3: for me. I love Gleanu so much. I have like
• 25:23
  Speaker 3: in my notes section, I have Gleanu Glenu Gleanu like
• 25:26
  Speaker 3: four times because I just I love her. I love
• 25:32
  Speaker 3: when an older woman gets to be a showcase. It'd
• 25:35
  Speaker 3: be a badass. And so I loved that highlight here.
• 25:42
  Speaker 3: I definitely struggled with everything else in it. Though I
• 25:49
  Speaker 3: do enjoy Cheatah as a character, but just the episode
• 25:53
  Speaker 3: as a whole, I felt like I needed more details,
• 25:57
  Speaker 3: Like I felt like there was times where they chose
• 26:00
  Speaker 3: to focus on action sequence and should have focused on
• 26:06
  Speaker 3: some character character development.
• 26:08
  Speaker 2: Yeah, so I get it. I'm a little bit of
• 26:15
  Speaker 2: the opposite because I see this as only a stepping
• 26:20
  Speaker 2: stone into a greater world or a greater universe. And
• 26:24
  Speaker 2: the reason why that is is because this is one
• 26:27
  Speaker 2: of the only episodes and uh, this is you know,
• 26:31
  Speaker 2: still spoiler free, but little tidbit, this is the own
• 26:35
  Speaker 2: This is one of the only episodes that gives us
• 26:38
  Speaker 2: more information in the beginning of the episode with like, oh, hey,
• 26:46
  Speaker 2: this is what's going on in the universe right now
• 26:48
  Speaker 2: type of ordeal.
• 26:50
  Speaker 3: It sounds like an opening crawl.
• 26:52
  Speaker 2: It it is, But again we talked about it when
• 26:55
  Speaker 2: we were doing our rankings. There's not a whole lot
• 26:59
  Speaker 2: of opening crawls in this nine episode season of Visions.
• 27:04
  Speaker 2: There's this one, and then there is the Song of
• 27:11
  Speaker 2: the Four Wings. That's really all that has the opening crawl.
• 27:18
  Speaker 2: So I do think, well, now that I think about it,
• 27:25
  Speaker 2: does the Ninth Jedi have an opening quarrel?
• 27:28
  Speaker 3: I do not, remember. I have tried to avoid watching it.
• 27:33
  Speaker 2: I know, I'm avoiding all the sequel stuff so I
• 27:36
  Speaker 2: can have it fresh when we actually do that on
• 27:39
  Speaker 2: our part three of Deep Dives. But this one I
• 27:43
  Speaker 2: I didn't. I really enjoyed the like establishing the universe.
• 27:52
  Speaker 2: That was like the big highlight for me in like
• 27:57
  Speaker 2: really just looking at this at the baseline. And I
• 28:02
  Speaker 2: also really enjoy an elder badass. The The reason why
• 28:11
  Speaker 2: that is is because it's something that's it's a little
• 28:16
  Speaker 2: bit of a trope in the anime kind of genre.
• 28:21
  Speaker 2: Because you see it as, oh, that person is like that,
• 28:28
  Speaker 2: that person's never going to be a problem because they're
• 28:31
  Speaker 2: an old decrepit, like they're non threatening, and then there's
• 28:38
  Speaker 2: always a jaw dropping moment when you finally realize, oh, crap,
• 28:43
  Speaker 2: they're the biggest threats right now. And that's what she
• 28:50
  Speaker 2: becomes in a very quick, like two like minute segment
• 28:57
  Speaker 2: of this nineteen minute short. And I love it, I
• 29:03
  Speaker 2: genuinely do.
• 29:06
  Speaker 4: And that's like my thing ultimately, and kind of moving
• 29:12
  Speaker 4: into the spoiler territory, like I do understand what you're
• 29:15
  Speaker 4: saying about and building into a bigger universe and a
• 29:18
  Speaker 4: bigger galaxy.
• 29:20
  Speaker 3: I felt like this was basically like a planet in
• 29:24
  Speaker 3: the middle of the Rebellion timeframe, because we get the
• 29:28
  Speaker 3: stuff about the Empire in the the opening crawl scene,
• 29:36
  Speaker 3: but then we get a yavin For appearance at the end,
• 29:38
  Speaker 3: and obviously it's not said to be yavin For, but
• 29:42
  Speaker 3: it looks.
• 29:42
  Speaker 2: Like it's almost shot for shot, you know.
• 29:46
  Speaker 3: So I love getting gavin For in things because I
• 29:49
  Speaker 3: feel like the connection there before ant Or season two
• 29:53
  Speaker 3: had been almost non existent. Everybody wanted to kind of
• 29:56
  Speaker 3: ignore yabin For as a whole. Uh, but you talk
• 30:01
  Speaker 3: about the action scene with Gleno, and yes, I love
• 30:04
  Speaker 3: that action scene, but then like the space sequence at
• 30:09
  Speaker 3: the end, and maybe it's just the animation style, but
• 30:15
  Speaker 3: I did not like it, Like it looks completely different
• 30:19
  Speaker 3: to the rest of the episode. It looks it doesn't
• 30:24
  Speaker 3: it doesn't match up with what I have expectations in
• 30:28
  Speaker 3: for how the rest of Visions has done space sequences
• 30:34
  Speaker 3: and so like, to me, that was also a big
• 30:38
  Speaker 3: attractor because you spend probably three minutes in space and
• 30:43
  Speaker 3: doing the fight with the Bounty Hunter and the Star
• 30:47
  Speaker 3: Destroyer and everything, but it looks so bad and I
• 30:52
  Speaker 3: feel like, if you're going to devote that much time
• 30:54
  Speaker 3: to it, I would at least like the visuals to
• 30:59
  Speaker 3: be a better quality in my opinion, and I'm not
• 31:04
  Speaker 3: typically one to nitpick on visuals, but I did feel
• 31:09
  Speaker 3: like the lightsaber stuff with GLENUW was to trap, like,
• 31:13
  Speaker 3: wasn't the best. But I also love Glee New so
• 31:17
  Speaker 3: I was willing to kind of step past that one.
• 31:20
  Speaker 3: But the space stuff, we don't do a whole lot
• 31:22
  Speaker 3: of stuff with the space stuff.
• 31:24
  Speaker 2: Well, and I was I was literally just looking at it.
• 31:26
  Speaker 2: So the moment they get into the ship is at
• 31:30
  Speaker 2: twelve minutes twenty eight seconds. The moment they fly away
• 31:37
  Speaker 2: from the star destroyer is at thirteen minutes forty nine seconds,
• 31:46
  Speaker 2: so it's only a minute in twenty seconds.
• 31:49
  Speaker 3: Now, the thing is, I feel like it's like four minutes.
• 31:53
  Speaker 2: I was like, well, and the thing is, which is
• 31:57
  Speaker 2: I think it may have just been a small a
• 32:00
  Speaker 2: like thing of like just forgetting to render a different
• 32:06
  Speaker 2: color of the sky or whatever, because they've already broken
• 32:11
  Speaker 2: the atmosphere, but the sky is still bright blue as
• 32:16
  Speaker 2: if they are under the atmosphere of this planet. Yeah,
• 32:21
  Speaker 2: the deep space, you know.
• 32:24
  Speaker 3: And it may have been that factor because the Prince
• 32:27
  Speaker 3: tells her to turn around and like change course and stuff.
• 32:31
  Speaker 3: So I feel like it was more of an exploration
• 32:33
  Speaker 3: into the Prince at that point. But to me, the
• 32:37
  Speaker 3: main character in this is not the Prince. It's Cheetah.
• 32:41
  Speaker 2: Yeah, and you.
• 32:43
  Speaker 3: Didn't dive into that of like you just kind of said, oh, okay,
• 32:47
  Speaker 3: we can fly, but like great, we already kind of
• 32:50
  Speaker 3: knew that because she's a smuggler and she's wanted by
• 32:53
  Speaker 3: the Empire, like of course she can fly kind of thing.
• 32:57
  Speaker 3: So to me, there's a lot left up that that's
• 33:04
  Speaker 3: like wanting in this. I'm trying to think if like
• 33:08
  Speaker 3: any of the Like, I loved a lot of stuff
• 33:11
  Speaker 3: about this, Like I we got swearing in this. I
• 33:14
  Speaker 3: thought the bounty hunter looked cool.
• 33:19
  Speaker 2: And like I like, well, go ahead, sorry.
• 33:26
  Speaker 3: And then I liked a lot about like Cheetah's interaction
• 33:29
  Speaker 3: with glean New and stuff like I highlighted like we jump,
• 33:32
  Speaker 3: we break through, like kind of mirroring each other in
• 33:36
  Speaker 3: that instance when Cheetah jumps the speeder off the bridge
• 33:39
  Speaker 3: and then Cleaner's like we break through, Like they both
• 33:42
  Speaker 3: kind of had the same reaction to each other. And
• 33:44
  Speaker 3: I dug that. I dug a lot about this. I'm
• 33:47
  Speaker 3: not saying the episode is completely bad. I'm just saying,
• 33:49
  Speaker 3: like this is why it doesn't hit for me.
• 33:53
  Speaker 2: Yeah, I do like one. The one thing that we've
• 33:58
  Speaker 2: kept saying about Visions as a whole is that these
• 34:05
  Speaker 2: creators and studios are taking like deep root inspiration directly
• 34:11
  Speaker 2: from the original trilogy. The fact that we see the
• 34:16
  Speaker 2: Prince and a Jedi is literally a playoff of Luke
• 34:21
  Speaker 2: in obi Wan, Like, yeah, something that we didn't mention
• 34:24
  Speaker 2: in our rakings because of course, this is more of
• 34:26
  Speaker 2: a deep dive. I like that. I do like that
• 34:29
  Speaker 2: it's you know, a tongue in cheek, you know, nod
• 34:33
  Speaker 2: to original trilogy, where not a lot of people would
• 34:36
  Speaker 2: really probably think that at face value because they're just
• 34:39
  Speaker 2: seeing new characters, but you know, these people are creating
• 34:50
  Speaker 2: these things for a certain reason. I also like the
• 34:57
  Speaker 2: the interactions between Cheetah and Glinu. Is that our name? Yeah? Uh?
• 35:06
  Speaker 2: More so because of the age gap between the two,
• 35:14
  Speaker 2: you can kind of hear, like, especially in the very
• 35:18
  Speaker 2: beginning when they first have their interaction of like, oh
• 35:22
  Speaker 2: you have trouble with the with the empire, it's like, oh, yeah,
• 35:25
  Speaker 2: just like you. And it's it's funny, not just because
• 35:29
  Speaker 2: like oh they're both you know, probably gonna get in
• 35:32
  Speaker 2: trouble for this, but like when you really look at it,
• 35:35
  Speaker 2: it's like, hey, I'm I'm I may be old, but
• 35:40
  Speaker 2: like I'm not stupid, Like i I'm I know that
• 35:43
  Speaker 2: like going with you is probably gonna be better than
• 35:47
  Speaker 2: trying to do this on my own type of thing.
• 35:51
  Speaker 2: I do feel like a little eye rolly at like
• 35:57
  Speaker 2: when the Prince uh jumped in to like save the
• 36:03
  Speaker 2: crowd and everything, because it's so funny because the Prince
• 36:09
  Speaker 2: is literally an amalgam between not only Luke Skywalker, but
• 36:12
  Speaker 2: with Princess Leigh as well. It's all in one. You
• 36:15
  Speaker 2: get that one, you get both characters in the one.
• 36:19
  Speaker 3: This is basically like if Luke went alder On instead
• 36:24
  Speaker 3: kind of feeling blonde hair.
• 36:29
  Speaker 5: Yeah, and I one thing that I definitely noticed on
• 36:37
  Speaker 5: this second view is like, I don't know if this
• 36:42
  Speaker 5: entire short like struggles because it's essentially just the chase scene,
• 36:51
  Speaker 5: you know.
• 36:52
  Speaker 3: And that might be my ultimate hang up is because
• 36:58
  Speaker 3: it's the chase scene. It's supposed to feel very much
• 37:03
  Speaker 3: like like a new Hope. Like you said, it's the
• 37:06
  Speaker 3: callback to a new hope, like, hey, we've got to
• 37:09
  Speaker 3: get out of here, but there's stormtroopers at my ship.
• 37:12
  Speaker 3: We've got to figure this out. And I don't feel
• 37:16
  Speaker 3: like it does it quite as well because it just
• 37:19
  Speaker 3: spends a lot of time in the chase.
• 37:21
  Speaker 2: Yeah. Yeah, And again I think that could also help
• 37:26
  Speaker 2: along with its budget because when you're looking at the
• 37:30
  Speaker 2: chase scene, this is two D animation, guys, this isn't
• 37:33
  Speaker 2: three D animation. This is classic stuff. So when you're
• 37:37
  Speaker 2: looking at a chase scene inside of a speeder You're
• 37:40
  Speaker 2: only shifting a frame like a quarter of an inch
• 37:45
  Speaker 2: back and forth to show the actual movement from side
• 37:50
  Speaker 2: to side of a hovering speeder. You know, the hair
• 37:54
  Speaker 2: is shifting every so once in a while type thing.
• 37:57
  Speaker 2: I'm not saying that it's easy to do this, because
• 38:00
  Speaker 2: of course it's actual you know, production company everything else.
• 38:04
  Speaker 2: But it's easier to do this then go all out
• 38:08
  Speaker 2: with like a three D animation and really spend a
• 38:10
  Speaker 2: lot of money, you know. Yeah, So I think they're like, hey,
• 38:14
  Speaker 2: if we do this, it might help us out type
• 38:17
  Speaker 2: of work. I do like the aesthetic of the Bounty Hunter,
• 38:26
  Speaker 2: but when it comes to the characters, I do like
• 38:32
  Speaker 2: this enough to be like, hey, if there was a
• 38:36
  Speaker 2: sequel to this, if there was a short story that
• 38:38
  Speaker 2: attached to this, if there was a prequel to this,
• 38:43
  Speaker 2: I would, you know, invest some time into it. So
• 38:46
  Speaker 2: I don't think this is a bad short whatsoever. I
• 38:50
  Speaker 2: think it just does struggle with being like and this
• 38:55
  Speaker 2: is gonna sound a lot worse than I mean it
• 38:57
  Speaker 2: to be, but like, hey, we could phone this in,
• 39:02
  Speaker 2: you know yeah, And I can't agree with that because,
• 39:06
  Speaker 2: like I wrote down, like I would be interested in
• 39:08
  Speaker 2: more Cheetah because she talks about how the Empire wrecked
• 39:12
  Speaker 2: her planet, wrecked her family, Like I would like to
• 39:16
  Speaker 2: know more about that, and I feel like.
• 39:18
  Speaker 3: An episode two would do that, or doing the prequel
• 39:22
  Speaker 3: would do that obviously, so I wouldn't mind more of this.
• 39:26
  Speaker 3: And again I don't hate the episode. I just struggled
• 39:30
  Speaker 3: more with this one and it doesn't quite hit. So again,
• 39:37
  Speaker 3: everything after Black, we have like one through eight and
• 39:42
  Speaker 3: then Black is like three thousand.
• 39:46
  Speaker 2: It's so true though, it's so true.
• 39:50
  Speaker 3: I feel bad for oh my gosh, I have completely
• 39:57
  Speaker 3: blanked on names. Oh my, I'm up too, Adrian. Adrian. Sorry, Adrian,
• 40:04
  Speaker 3: we love you. I'm sorry. I'm just really bad named.
• 40:06
  Speaker 3: And sometimes my blind's blanks. I feel bad for Adrian
• 40:10
  Speaker 3: because we keep distanct on Black and I don't mean to,
• 40:12
  Speaker 3: but sometimes it just well.
• 40:14
  Speaker 2: It's just not our cup of tea, you know it is.
• 40:18
  Speaker 2: It's it's like asking somebody who only watches reality TV
• 40:27
  Speaker 2: two sit down and watch a Marvel movie. Yeah, it's
• 40:34
  Speaker 2: not the same. It's it's it is literally black and white.
• 40:40
  Speaker 2: And what what I do want to say in the
• 40:45
  Speaker 2: defense of Black is that it doing that type of
• 40:52
  Speaker 2: work is intense. It's extensive, and I give them props
• 40:59
  Speaker 2: for that, like doing all of that by hand, and
• 41:03
  Speaker 2: of course some animation or digital even if it was
• 41:07
  Speaker 2: by hand, like, it's still digital art and it's gonna
• 41:10
  Speaker 2: it's that probably took forever. So yeah, I do want
• 41:16
  Speaker 2: to give them props for their actual artistic style for that.
• 41:19
  Speaker 3: So yeah, tell us what we are going to be
• 41:30
  Speaker 3: talking about. So the name of the tail and the studio,
• 41:34
  Speaker 3: and then dive into your non spoiler.
• 41:36
  Speaker 2: Yes, so this is you Goo's Treasure. By Ope, I
• 41:44
  Speaker 2: just had it up here. Kinema Citrus is the studio
• 41:47
  Speaker 2: that created you Goo's Treasure. This is the same studio
• 41:51
  Speaker 2: that created, of course, The Village Bride and the Lost
• 41:55
  Speaker 2: Ones I believe is the sequel to Village Bride for
• 41:59
  Speaker 2: this volume of Visions. Jesus. So, my non spoiler thoughts
• 42:09
  Speaker 2: of this episode of Yuko's Treasure is that it truly
• 42:13
  Speaker 2: does feel like a piece of the Skywalker saga. I
• 42:17
  Speaker 2: think that's what my initial non spoiler thoughts were, is
• 42:21
  Speaker 2: that this truly does feel like it could already live
• 42:24
  Speaker 2: in the universe that we already know of Star Wars,
• 42:28
  Speaker 2: which is really fun and I think that there you
• 42:32
  Speaker 2: could probably say that a couple throughout all of like Visions,
• 42:38
  Speaker 2: you could probably cherry pick and be like, oh, this
• 42:40
  Speaker 2: one could probably be in the Skywalker saga, or this
• 42:42
  Speaker 2: one could, but this one already establishing like, oh, this
• 42:46
  Speaker 2: is tattooine, like I think that within itself, and how
• 42:50
  Speaker 2: just like warm and cozy you feel throughout the entire
• 42:54
  Speaker 2: episode really feels nostalgic, So that like is my main
• 43:04
  Speaker 2: like non spoiler, I do want to add to that
• 43:08
  Speaker 2: that the animation absolutely gorgeous because one thing that we
• 43:13
  Speaker 2: did mention in our rankings is that when you look
• 43:16
  Speaker 2: at the Village Bride, you look at this and then
• 43:19
  Speaker 2: you look at the lost Ones completely different. They don't
• 43:24
  Speaker 2: look the same. And so I really like that artistic
• 43:28
  Speaker 2: like creativity with one studio being able to change like that.
• 43:34
  Speaker 3: Yeah. On for me, I thought this has been like
• 43:39
  Speaker 3: all of the other Tattooy entails that we've gotten in Visions.
• 43:44
  Speaker 3: It's a very fun, simple tale into a family's life
• 43:50
  Speaker 3: Ukombilly and the sacrifices entailed in service. I do love
• 43:59
  Speaker 3: the visuals in Ego's Treasure. They are super nostalgic for tattooing.
• 44:05
  Speaker 3: You get to see the bar, you get to see
• 44:07
  Speaker 3: moss Isley, you get to see the deserts of Tattooine,
• 44:13
  Speaker 3: the Javas, Like everything feels super nostalgic. And again, like
• 44:17
  Speaker 3: you said, the animation done by Cannabis Citrus doesn't look
• 44:22
  Speaker 3: like the Village Bride. You could not have told me
• 44:25
  Speaker 3: before watching this. The You Goes Treasure and Lost ones
• 44:29
  Speaker 3: in Village Bride are done by the same studio. I
• 44:33
  Speaker 3: would never have guessed that because studios tend to stick
• 44:36
  Speaker 3: so much towards the same animation style. So I really
• 44:42
  Speaker 3: dug that. I also love that this is a main
• 44:46
  Speaker 3: thing in Star Wars' Found Family, Like at the end
• 44:50
  Speaker 3: of the day, that's the main theme in Star Wars
• 44:53
  Speaker 3: is finding your family, and so to highlight that here
• 44:56
  Speaker 3: is super cool. Also, there's no force representation here, Yeah,
• 45:03
  Speaker 3: like none at all, normal people like there was, Like.
• 45:08
  Speaker 2: I do feel like if people are watching this for
• 45:14
  Speaker 2: the very first time, people are probably anticipating it though
• 45:18
  Speaker 2: they're like, Okay, who who's it gonna be. Is it
• 45:21
  Speaker 2: gonna be you Go, Is it gonna be Sola? Like,
• 45:25
  Speaker 2: who who's gonna be the first one to show force sensitivity?
• 45:31
  Speaker 3: Yeah?
• 45:31
  Speaker 2: And the fact that there is none here. I think
• 45:35
  Speaker 2: does bring it back to like down to Earth, which
• 45:41
  Speaker 2: is really funny because it's tattooing. But yeah, like I
• 45:45
  Speaker 2: really do enjoy that there is no forced sensitivity here.
• 45:51
  Speaker 2: It's not even played like the let's go into spoilers here,
• 45:56
  Speaker 2: but like, uh, you Goo's parents, it's not like, oh,
• 46:00
  Speaker 2: they were secret Jedi and you know, they were just
• 46:05
  Speaker 2: people who wanted to help other people. And literally we're
• 46:09
  Speaker 2: just like going from planet to planet to like bring
• 46:12
  Speaker 2: people food and first aid and all of this other stuff.
• 46:16
  Speaker 2: Like I really dig that this is just like, hey,
• 46:21
  Speaker 2: it's found family trying to help other people, which is
• 46:26
  Speaker 2: really wholesome.
• 46:28
  Speaker 3: So re ask your question.
• 46:31
  Speaker 2: So, with the realization that it may not be safe anymore,
• 46:40
  Speaker 2: Billy starts to ask you go questions on like hey,
• 46:44
  Speaker 2: do you like to here? What do you think about moving?
• 46:48
  Speaker 2: I've been kind of thinking that we should leave and
• 46:50
  Speaker 2: you know, you know, just go somewhere else, Like did
• 46:53
  Speaker 2: you feel like this was like sufficient enough of a transition,
• 47:00
  Speaker 2: because like in the realm of talking about the other
• 47:03
  Speaker 2: episode that we had talked about the Smuggler, you know,
• 47:06
  Speaker 2: we're talking about Oh, they didn't focus too much on
• 47:10
  Speaker 2: like character development and things like that. Was there a
• 47:13
  Speaker 2: nice balance for you here with the character development, in
• 47:17
  Speaker 2: action and story progression, Like, how did you feel about that?
• 47:22
  Speaker 3: There was? And I think it's mainly because we're on
• 47:25
  Speaker 3: a familiar setting that helps the story progress. Is because
• 47:30
  Speaker 3: it didn't have to do too much with the setup.
• 47:33
  Speaker 3: We didn't like, we didn't need a royal society or
• 47:38
  Speaker 3: royal family involved, because I feel like the print is
• 47:44
  Speaker 3: what detracts from Jesus' story. If there had been some
• 47:48
  Speaker 3: other purpose there, or if it just wasn't explained like,
• 47:52
  Speaker 3: maybe that would have helped. I feel like you Go
• 47:55
  Speaker 3: and Billy. The setup is there, and based on what
• 48:02
  Speaker 3: we've seen previously from the Vision's tatweeen episodes, it was
• 48:05
  Speaker 3: very much what I expected, but it allows enough time
• 48:10
  Speaker 3: for the characters to step Obviously, you Go is very young.
• 48:14
  Speaker 3: You Go is like seven or eight here. I really
• 48:19
  Speaker 3: liked the characterization and development of Sola. Uh. I really
• 48:26
  Speaker 3: enjoyed Sola as a character. I love the you know
• 48:29
  Speaker 3: what what the heck, I'm gonna be a big brother
• 48:31
  Speaker 3: kind of thing again, the found family. He does an
• 48:38
  Speaker 3: incredible job with everything I see. Uh yeah, I have
• 48:45
  Speaker 3: written down here love Sola's big bro energy. That's literally
• 48:50
  Speaker 3: what I said. So I love the Teddy Bear Joid.
• 48:57
  Speaker 3: I love Billy. I really did think he would an alien,
• 49:00
  Speaker 3: and I would have been fine if he was an alien.
• 49:03
  Speaker 3: It just the setup because I missed the microwave oven.
• 49:10
  Speaker 3: I totally missed that. And so when he rises from
• 49:14
  Speaker 3: or when he gets shocked rather by Fox here, who
• 49:17
  Speaker 3: I think is an intriguing villain. I wanted to ask
• 49:20
  Speaker 3: you a question about, but let me finish the Billy thing.
• 49:22
  Speaker 3: So when he gets shocked, I was like, oh, he's
• 49:24
  Speaker 3: a droid like, so like that's the thing. And then
• 49:29
  Speaker 3: Darth Billy was super cool, Like I also thought Batman kind.
• 49:35
  Speaker 2: Of also well, and that was the other thing that
• 49:39
  Speaker 2: I wanted to bring up. I was not the biggest
• 49:43
  Speaker 2: fan of Darth Billy. You were not, no, And the
• 49:49
  Speaker 2: reason being is like literally because of the story progression,
• 49:56
  Speaker 2: like what tools and at what like when did you
• 50:02
  Speaker 2: have the time to suit Billy up with this helmet
• 50:06
  Speaker 2: and cape and extra buttons and stuff.
• 50:09
  Speaker 3: So this is where I throw an excuse, and you can't.
• 50:15
  Speaker 2: And there's a part of you that can, right, There's
• 50:17
  Speaker 2: there's a there's a small portion of you that can
• 50:20
  Speaker 2: be able to say, oh, well, you know, anime can
• 50:24
  Speaker 2: do all sorts of nonsense and crazy things, and it
• 50:26
  Speaker 2: totally makes sense for said universe, But here it felt
• 50:32
  Speaker 2: a little too far out of its own reach because
• 50:37
  Speaker 2: everything else that was already shown seemed realistic in the
• 50:42
  Speaker 2: universe that they've already established, and for him to just
• 50:47
  Speaker 2: be laying there and then all of a sudden, boom,
• 50:51
  Speaker 2: he has a helmet and cape. He looks like a
• 50:54
  Speaker 2: Darth Vader version of a bear. I know that it's
• 50:58
  Speaker 2: supposed to be cute, and like viewers that are going
• 51:00
  Speaker 2: to be like, oh, this is a callback to Darth Vader.
• 51:03
  Speaker 3: Haha.
• 51:05
  Speaker 2: It's just I feel like it's unneeded more so like
• 51:10
  Speaker 2: more so because like I think personally, if Billy still
• 51:16
  Speaker 2: looked the same, the impact of him, like fighting Yukoh
• 51:22
  Speaker 2: in Sola, would have been bigger, Like oh, Billy, like,
• 51:29
  Speaker 2: what are you doing? You're so familiar to me this
• 51:33
  Speaker 2: there's a physical change and so you're like, oh, well,
• 51:36
  Speaker 2: that's not Billy, that's somebody else, you know. Yeah, And
• 51:41
  Speaker 2: and so that's a little bit of a tidbit that's
• 51:43
  Speaker 2: like just like a personal little nitpick of like Oh, well,
• 51:47
  Speaker 2: if you did this emotionally, it would have hit me
• 51:50
  Speaker 2: a little bit more, you know, But you know it's
• 51:56
  Speaker 2: it's just a small nitpick.
• 51:58
  Speaker 3: Yeah, that makes sense. I don't hate.
• 52:03
  Speaker 2: So so you said you had a question about Foxier though.
• 52:14
  Speaker 3: Matt was watching these with me for the very first
• 52:16
  Speaker 3: time for these episodes, because he did not get a
• 52:19
  Speaker 3: chance to watch them like we hit intended because mar
• 52:24
  Speaker 3: woke up so early. So I wrote, fox here is
• 52:28
  Speaker 3: entreating Hiss a villain, and Matt brought up that he
• 52:32
  Speaker 3: is very Anubis coded. Yes, and why do you think
• 52:37
  Speaker 3: that is?
• 52:38
  Speaker 2: I have no idea. I immediately caught onto it, Like
• 52:43
  Speaker 2: as soon as I saw him, I'm like, why is
• 52:45
  Speaker 2: a Nubis in Star Wars? There's like and you know,
• 52:52
  Speaker 2: called me ignorant. I don't know of any like Egyptian
• 53:00
  Speaker 2: like references in the Star Wars that we already know
• 53:04
  Speaker 2: of and read. The closest thing that I could think
• 53:07
  Speaker 2: of to this is the more modern stuff that we've
• 53:13
  Speaker 2: read in the High Republic with the tombs and everything else.
• 53:16
  Speaker 2: Like that's the closest thing that I could really relate
• 53:19
  Speaker 2: it to. And so when I saw this, I was like,
• 53:23
  Speaker 2: I don't know why you're dressed like that. I don't
• 53:26
  Speaker 2: know what kind of species you are, uh but okay,
• 53:33
  Speaker 2: but yeah, like I it just it was a very
• 53:36
  Speaker 2: odd choice, but I dig it in a weird way
• 53:41
  Speaker 2: because again, this isn't a force user. He is a pirate,
• 53:45
  Speaker 2: like I have started more so to love the like
• 53:50
  Speaker 2: thuggish pirate, like anarchists type of character in Star Wars.
• 54:00
  Speaker 3: Yeah, yeah, I hear what you're saying about the tombs,
• 54:05
  Speaker 3: but they literally are walking into the parents tomb because
• 54:09
  Speaker 3: the gravestones are there. So that was my thought process,
• 54:13
  Speaker 3: is kind of playing with that mythology aspect of this
• 54:17
  Speaker 3: god of the dead for Egyptian culture.
• 54:21
  Speaker 2: And okay, I see, I am picking up what you're
• 54:25
  Speaker 2: putting down.
• 54:26
  Speaker 3: I understand, especially especially because he thinks the parents are alive,
• 54:30
  Speaker 3: so he is like, hey, paid the poll, like you
• 54:33
  Speaker 3: robbed me, but now they've escaped kind of thing. Yeah,
• 54:37
  Speaker 3: that was my thought and actually I'll have to tell
• 54:41
  Speaker 3: him that because I thought of that this morning. So yeah,
• 54:51
  Speaker 3: other than that, I didn't really have a lot of stuff.
• 54:53
  Speaker 3: I think we've talked about everything really well.
• 54:57
  Speaker 2: Okay, so so we we there is the very end.
• 55:01
  Speaker 2: You know the fact that like this whole ordeal the
• 55:07
  Speaker 2: fox you know, guy, what's saying the fox ear He
• 55:14
  Speaker 2: believes that Yuko's parents are alive. They stole something from him,
• 55:21
  Speaker 2: and when they open the tomb, it's empty. And that's
• 55:25
  Speaker 2: because literally the centerpiece that's in that room is a lift.
• 55:30
  Speaker 2: When they go down underneath the cavern completely, that is
• 55:35
  Speaker 2: where we find a very wholesome like home. And I'm
• 55:42
  Speaker 2: I think I said this in our ranking, but like
• 55:46
  Speaker 2: in the I think I think there's only a total
• 55:51
  Speaker 2: of like five minutes of like they go down at
• 55:56
  Speaker 2: like seventeen thirty and credits roll at like twenty one minutes,
• 56:06
  Speaker 2: so like three or four minutes at the beginning, like
• 56:10
  Speaker 2: when you see the home, I started getting emotional.
• 56:15
  Speaker 3: I did too, like you.
• 56:16
  Speaker 2: I don't know why, Like like I started to like
• 56:20
  Speaker 2: not necessarily get the quiver of the lip, but like
• 56:23
  Speaker 2: I could feel it like coming around and then like, oh,
• 56:28
  Speaker 2: you know, let's open the door. Let's open the door.
• 56:30
  Speaker 2: And whenever each rooms like starts to like lights start
• 56:35
  Speaker 2: to turn on, we see the hollow projection of her parents.
• 56:40
  Speaker 2: And I'm just like sitting here like I'm not gonna cry.
• 56:42
  Speaker 2: I'm not gonna cry. I'm not gonna cry. I'm not
• 56:44
  Speaker 2: gonna cry. And it's so sweet and so sad because
• 56:50
  Speaker 2: at this moment in time, you're finally realizing Yuko has
• 56:55
  Speaker 2: never met them, yeah, and that is so depressing. But
• 57:03
  Speaker 2: you find out that there is a starship in the
• 57:07
  Speaker 2: actual underground cavern that they were staying in, and like
• 57:14
  Speaker 2: Sola like starts to get up into it and he's like,
• 57:19
  Speaker 2: oh man, I've always wanted to fly one of these things,
• 57:23
  Speaker 2: and Billy says, like the coolest thing ever. He's like,
• 57:25
  Speaker 2: oh cool, Well, then let me teach you both how
• 57:28
  Speaker 2: to fly this thing. Yeah, and you know, from then
• 57:32
  Speaker 2: on it's like, oh yeah, this is this is a family,
• 57:34
  Speaker 2: Like they're gonna stick together forever, and it's just beautiful.
• 57:39
  Speaker 2: Like I love the last four minutes of this entire short.
• 57:43
  Speaker 3: Yeah, it's so special. And again going back to the
• 57:48
  Speaker 3: found family aspect, like Sola getting to dive in and
• 57:53
  Speaker 3: explore with Yuko and Billy is just super awesome and
• 57:57
  Speaker 3: I love it. I did forget one thing because you
• 58:00
  Speaker 3: talked about the end. Uh, there's a create dragon in
• 58:03
  Speaker 3: this What did you think about the crek dragon because
• 58:06
  Speaker 3: we kind.
• 58:06
  Speaker 2: Of talked about it. Yeah, So how funny.
• 58:11
  Speaker 3: It is.
• 58:12
  Speaker 2: It is funny because they they they go into this
• 58:16
  Speaker 2: place not knowing what the heck it is, right, and
• 58:22
  Speaker 2: the kids, uh, when they get down, you see the
• 58:27
  Speaker 2: silhouette mm hm, and Sola has this feeling and he
• 58:32
  Speaker 2: like turns around. The crate Dragon stops, but it's still
• 58:35
  Speaker 2: too dark to see. He's like, maybe it's nothing. It
• 58:39
  Speaker 2: takes a few more steps, then you finally see the
• 58:42
  Speaker 2: crate Dragon start to move along too. And then when
• 58:45
  Speaker 2: the actual light shines from the droid, you see it,
• 58:48
  Speaker 2: and even the crate Dragon's like, hey, what's up, guys,
• 58:52
  Speaker 2: and they all start like freaking out, and it starts
• 58:55
  Speaker 2: this little cartoonish run from Chase scene. I really like this.
• 59:03
  Speaker 2: I always like when Star Wars, whether it be Clone Wars,
• 59:07
  Speaker 2: whether it be live action stuff, and especially here, when
• 59:11
  Speaker 2: you're able to kind of put your own spin on
• 59:15
  Speaker 2: things that already exist in the Star Wars universe, like
• 59:17
  Speaker 2: a creat dragon. I like that you're able to like, hey,
• 59:23
  Speaker 2: here's something familiar but a little different because like it
• 59:27
  Speaker 2: has a different shaped head. I think it does have
• 59:30
  Speaker 2: like like different number of arms and legs, you know,
• 59:35
  Speaker 2: type of things.
• 59:35
  Speaker 6: Yeah, and it looks like it should be an underground
• 59:42
  Speaker 6: creature rather than the dragon esque you know characterization that
• 59:48
  Speaker 6: we see in something like the Mandalorian.
• 59:51
  Speaker 2: Yeah, so I thought that was cool.
• 59:55
  Speaker 3: I loved it. I thought it. I just every time
• 59:58
  Speaker 3: we get we get to see the animals of Star Wars,
• 1:00:02
  Speaker 3: it's always awesome. Like everybody loved the ice foxes, the
• 1:00:09
  Speaker 3: crystal foxes in the Last Jedi for instance. So loved it.
• 1:00:14
  Speaker 3: Super fun. Bird of Paradise.
• 1:00:17
  Speaker 2: Yes, let's jump into Birds of Paradise. Is it Birds
• 1:00:24
  Speaker 2: of Paradise or is it the bird? It's the bird
• 1:00:26
  Speaker 2: singular bird, the.
• 1:00:28
  Speaker 3: Bird of Paradise. And so for a nonspotsh because I
• 1:00:33
  Speaker 3: actually went back and or I didn't go back. I
• 1:00:35
  Speaker 3: remembered this was actually my third uh in my ranking,
• 1:00:40
  Speaker 3: so quite possibly after this viewing it probably moved up,
• 1:00:45
  Speaker 3: if I'm being honest. So uh so for the Bird
• 1:00:52
  Speaker 3: of Paradise by Polygon Pictures, who assisted with the Clone
• 1:00:57
  Speaker 3: Wars and Star Wars Resistance. My non spoiler thoughts, I
• 1:01:03
  Speaker 3: absolutely love this animation. Uh, There's just always something about
• 1:01:07
  Speaker 3: a well done three D animation. There's just always going
• 1:01:11
  Speaker 3: to be killer.
• 1:01:14
  Speaker 2: Hold your horses. Did you just say that they helped
• 1:01:18
  Speaker 2: in Clone Wars and Resistance. Yeah, that is why the
• 1:01:25
  Speaker 2: movement is so familiar.
• 1:01:27
  Speaker 3: Mm hmmm, probably because they had a lot of the
• 1:01:30
  Speaker 3: models already built and were able to go to reuse
• 1:01:36
  Speaker 3: them and everything. So this one reminded me a lot
• 1:01:41
  Speaker 3: of the Artistic Visions episode from Volume two, uh, the
• 1:01:48
  Speaker 3: Spanish one in particular. I do love this one also
• 1:01:55
  Speaker 3: kind of has an opening crawl with like the prequel scene,
• 1:01:58
  Speaker 3: like the setup and everything. It's not technically an opening crawl,
• 1:02:03
  Speaker 3: but it kind of sets the stage for the rest
• 1:02:06
  Speaker 3: of the episode. And realistically, it's not often I fall
• 1:02:12
  Speaker 3: in love with visuals above a story see my thoughts
• 1:02:17
  Speaker 3: on Avatar and Avatar too. But the animation, story design visually,
• 1:02:26
  Speaker 3: it's all just stunning. The way everything pleas together, the
• 1:02:29
  Speaker 3: title cards that kind of run throughout the episode, it
• 1:02:33
  Speaker 3: all plays so well together and it's stunning stunning, Like,
• 1:02:38
  Speaker 3: I have no complaints with anything in this episode. I
• 1:02:43
  Speaker 3: also loved just walking through the battle of grief and
• 1:02:48
  Speaker 3: darkness with Naki Ma, the padawan and main character of
• 1:02:53
  Speaker 3: the story, because realistically, this is a battle of grief
• 1:02:57
  Speaker 3: and coming to depths with hate. I can't be that
• 1:03:00
  Speaker 3: person anymore and building yourself back up, and I just
• 1:03:05
  Speaker 3: thought it was a beautiful story. The visuals accentuate everything
• 1:03:10
  Speaker 3: perfectly and really attend to what the story is trying
• 1:03:14
  Speaker 3: to accomplish. And so for me, I realistically think this
• 1:03:20
  Speaker 3: one has definitely moved up for me. I don't think
• 1:03:23
  Speaker 3: it's number one, but I would say it's probably number
• 1:03:26
  Speaker 3: two in my in my ranking, So.
• 1:03:30
  Speaker 2: Watching it for a second and third time, I think this,
• 1:03:39
  Speaker 2: I don't know, it's very odd because I think all
• 1:03:43
  Speaker 2: of my lists is going to change after watching Yuko's
• 1:03:46
  Speaker 2: Treasure again and watching The Smuggler. Yeah, because I and
• 1:03:59
  Speaker 2: it may just be the fact that also, like there
• 1:04:02
  Speaker 2: is a solid like list of shorts this season, and
• 1:04:06
  Speaker 2: it's really hard to you know, be like, oh, which
• 1:04:09
  Speaker 2: one is better than the other other than you know,
• 1:04:13
  Speaker 2: our our favorite ones and our least favorite one. So
• 1:04:19
  Speaker 2: so with here some non spoiler thoughts, I really really
• 1:04:27
  Speaker 2: really enjoy the art, the the stylistic choices that they've
• 1:04:34
  Speaker 2: made with this animation to go from the three D
• 1:04:41
  Speaker 2: look to the pastel paintbrush look when certain aspects of
• 1:04:52
  Speaker 2: the story call for it. Like I I really enjoyed that.
• 1:04:57
  Speaker 2: I thought it was very, very fun and I also
• 1:05:03
  Speaker 2: really enjoy the opening scene. Like you said, it is
• 1:05:08
  Speaker 2: not necessarily a opening crawl, but it does establish the
• 1:05:11
  Speaker 2: rest of the story. Something very important happens at the
• 1:05:14
  Speaker 2: very beginning to even put our main character in the
• 1:05:17
  Speaker 2: position that she's in for the remainder of this short.
• 1:05:22
  Speaker 2: So I really like that because it puts you in
• 1:05:26
  Speaker 2: a place of like, Okay, we know that this individual
• 1:05:30
  Speaker 2: is going to go through trials and tribulation here, so
• 1:05:33
  Speaker 2: what does that mean for us as the viewer? What
• 1:05:36
  Speaker 2: are we going to learn from it? Also, so I
• 1:05:39
  Speaker 2: really like the kind of deep thinking that this individual short,
• 1:05:46
  Speaker 2: you know, adds to as an audience member. I really
• 1:05:49
  Speaker 2: like that as well. But yeah, that's that's really it
• 1:05:53
  Speaker 2: for me. I do also like the very simple like
• 1:06:00
  Speaker 2: sound music choice for this as well.
• 1:06:04
  Speaker 3: Yeah, very nature esque in its design, and it really
• 1:06:09
  Speaker 3: works overall.
• 1:06:12
  Speaker 2: Yeah, but going into non spoilers, Katie, so we first
• 1:06:19
  Speaker 2: mentioned in our rankings that this antagonist at the beginning
• 1:06:24
  Speaker 2: of the of the episode was very Harley Quinn quote coded.
• 1:06:34
  Speaker 3: Yeah, Harley Quinn crazy Massage. Ventris Vibes definitely gives the
• 1:06:41
  Speaker 3: night Sister effect with her overall design, but is specifically
• 1:06:45
  Speaker 3: referenced as a sick and obviously we know Night Sisters
• 1:06:50
  Speaker 3: don't carry lightsabers, so the fact that she's carrying lightsabers
• 1:06:55
  Speaker 3: insinuates Hey Sith and not Night Sister. But if I
• 1:07:00
  Speaker 3: see a blend of Harley Quinn Massage.
• 1:07:02
  Speaker 2: Ventests, yeah, I like her design. I really like the
• 1:07:10
  Speaker 2: Jedi Masters design as well, very traditional, like monk esque.
• 1:07:18
  Speaker 2: But I also like the tattoos that are all over
• 1:07:21
  Speaker 2: his head. I thought that was a really cool, uh aesthetic,
• 1:07:24
  Speaker 2: and I would actually really like to know, like what
• 1:07:26
  Speaker 2: all it says. If there was any type of Easter egg,
• 1:07:30
  Speaker 2: you know, tattoo on his head, I think that would
• 1:07:33
  Speaker 2: be really funny. But yeah, I like that there is
• 1:07:37
  Speaker 2: an R two unit that actually helps in the fight.
• 1:07:42
  Speaker 2: No real big role, it's literally just that one moment
• 1:07:46
  Speaker 2: where our main character uses his thrusters to boost her jump.
• 1:07:51
  Speaker 3: Yeah. I love that aspect into the action sequence. Like
• 1:07:56
  Speaker 3: I thought that was super unique, Like we've had R
• 1:07:59
  Speaker 3: two with like tossing lightsabers at our characters that we
• 1:08:04
  Speaker 3: know and love, but to really get involved in the
• 1:08:07
  Speaker 3: fight like that. I want to see that in Vain
• 1:08:11
  Speaker 3: Star Wars now.
• 1:08:13
  Speaker 2: Yeah. But but the Okay, so so you've mentioned her name.
• 1:08:19
  Speaker 2: I totally forgot her name. What is the main character's
• 1:08:21
  Speaker 2: name again?
• 1:08:22
  Speaker 6: It is.
• 1:08:24
  Speaker 2: You May? Okay. So the really big event that happens
• 1:08:28
  Speaker 2: at the beginning of this episode, Nachi May is blinded
• 1:08:34
  Speaker 2: ye by the Sith. She is hit with a lightsaber
• 1:08:39
  Speaker 2: with double lightsabers, dual lightsabers, and is blinded.
• 1:08:46
  Speaker 3: Immediately pridefulness in aspects of the fight, like oh no,
• 1:08:52
  Speaker 3: but I've got this, like and.
• 1:08:54
  Speaker 2: That was something else that I that I wanted to mention,
• 1:08:56
  Speaker 2: Like we see her very much as and like the
• 1:09:00
  Speaker 2: Sith even gives her a compliment. It's like, oh, like,
• 1:09:03
  Speaker 2: you do this better than me, you know. And so
• 1:09:06
  Speaker 2: you immediately are are told as an audience member like, oh,
• 1:09:12
  Speaker 2: she struggles with this part of being a Jedi, right, yeah,
• 1:09:18
  Speaker 2: and so you know for a fact, like, oh, you know,
• 1:09:20
  Speaker 2: this probably is going to be a story about her
• 1:09:22
  Speaker 2: struggles with that. And I really do enjoy the fact
• 1:09:31
  Speaker 2: that they do blind her and she is only really
• 1:09:36
  Speaker 2: motivated by her survival for one and then two with
• 1:09:44
  Speaker 2: her only being able to like touch and smell and hear,
• 1:09:52
  Speaker 2: she's only she's really only stuck in her own head.
• 1:09:55
  Speaker 2: And so this causes her to think and to really
• 1:10:02
  Speaker 2: you know, contemplate on life and struggle with her deepest, darkest,
• 1:10:08
  Speaker 2: you know, parts of herself. And that's really what this
• 1:10:11
  Speaker 2: episode is about.
• 1:10:13
  Speaker 3: Yeah, and it really dives into her initial grief and
• 1:10:20
  Speaker 3: scaredness with everything. And I talked about the title cards
• 1:10:23
  Speaker 3: that go through this episode. They really kind of advance
• 1:10:26
  Speaker 3: you through the stages of grief because we talk about insolence,
• 1:10:31
  Speaker 3: we talk about acceptance, like all of those things are
• 1:10:35
  Speaker 3: super important when it comes to battling something with yourself
• 1:10:40
  Speaker 3: and taking over and making yourself stronger than your weakness.
• 1:10:46
  Speaker 3: Is part of that is accepting it, and she eventually
• 1:10:50
  Speaker 3: does come to that realization. But I love what happens
• 1:10:54
  Speaker 3: in the different days we go through five days in
• 1:11:00
  Speaker 3: this short period of time. Can you tell me how
• 1:11:03
  Speaker 3: long this episode is because I don't have.
• 1:11:05
  Speaker 2: This episode is a total of twenty one minutes. Let
• 1:11:10
  Speaker 2: me actually go back. This episode is twenty one minutes.
• 1:11:14
  Speaker 3: Yeah, okay, so very brief amount of time to spent
• 1:11:19
  Speaker 3: on each day, obviously with a twenty one episode count.
• 1:11:23
  Speaker 3: But I love the different perspective shots, especially on that
• 1:11:27
  Speaker 3: first day that we get. We get a lot of
• 1:11:30
  Speaker 3: we get some wide takes where everything looks normal to
• 1:11:35
  Speaker 3: the viewer and everything, but then you get really close
• 1:11:37
  Speaker 3: up shots where a lot of it is darkness or
• 1:11:41
  Speaker 3: fuzziness that is then highlighted when a certain sense flares
• 1:11:46
  Speaker 3: off from knocking news. I thought that was a super
• 1:11:48
  Speaker 3: cool design element that really articulates the initial stage that
• 1:11:53
  Speaker 3: she's in, because if you've read a lot of Star
• 1:11:57
  Speaker 3: Wars like I have, you know that there's four users
• 1:12:00
  Speaker 3: out there who are technically blind, but who see with
• 1:12:03
  Speaker 3: the force. And so she goes through the different stages
• 1:12:08
  Speaker 3: and as she does, she comes out of it and
• 1:12:11
  Speaker 3: she gets to witness a sunrise with her first views
• 1:12:16
  Speaker 3: of forced vision, and it's really beautiful overall just what
• 1:12:21
  Speaker 3: she is able to gain with that, but the fact
• 1:12:25
  Speaker 3: that the perspective shots change over the days that we
• 1:12:31
  Speaker 3: get and it eventually grows into what we get in
• 1:12:34
  Speaker 3: the final shot with the sunrise. I just love it.
• 1:12:38
  Speaker 3: Like it. It gives you chills with how much attention
• 1:12:43
  Speaker 3: to detail there is, because in traditionally, in traditionally animated
• 1:12:50
  Speaker 3: things and even some live action things, there's not that
• 1:12:53
  Speaker 3: much attention to detail, especially nowadays, because they don't think
• 1:12:56
  Speaker 3: people are paying attention to it because everybody's got a
• 1:12:59
  Speaker 3: phone in their hand, so why pay attention to it?
• 1:13:02
  Speaker 3: And I know the craftsmen involved don't want to do that,
• 1:13:04
  Speaker 3: but the rush to the point to get to that,
• 1:13:07
  Speaker 3: and so to see this level of attention to details,
• 1:13:11
  Speaker 3: just I love it. I love it. It's stunning. It
• 1:13:18
  Speaker 3: does feel very uh Digaba coded. The location they're at,
• 1:13:25
  Speaker 3: it's definitely not Dagaba.
• 1:13:27
  Speaker 2: No. I was going to bring it up though, the
• 1:13:30
  Speaker 2: fact that we are in a forest, the fact that
• 1:13:33
  Speaker 2: it's very dark, the fact that she is eventually fighting
• 1:13:39
  Speaker 2: against herself, like it's very much Dagaba codd which I
• 1:13:45
  Speaker 2: into a cave. Yeah, I thought that was all fun.
• 1:13:53
  Speaker 3: Yeah, I And I love the illusions that each day
• 1:13:57
  Speaker 3: brings and sets up. She very clearly runs into. I
• 1:14:03
  Speaker 3: would think it's like a grave site on the first
• 1:14:06
  Speaker 3: day where there's a statue of what is assumed to
• 1:14:09
  Speaker 3: be like a Jedi master or force user involved, because
• 1:14:14
  Speaker 3: she talks to it. She's like, well, you're here, so
• 1:14:16
  Speaker 3: clearly something must be important, and then like kind of
• 1:14:21
  Speaker 3: goes on her way and everything. Why is it the
• 1:14:26
  Speaker 3: darkness In one of the illusions, I think it's day four,
• 1:14:31
  Speaker 3: Why is it the Darkness.
• 1:14:33
  Speaker 2: A giant slug, A giant Dune worm. I could not
• 1:14:41
  Speaker 2: tell you, but it was one of my first questions.
• 1:14:45
  Speaker 2: I asked myself, Uh, an.
• 1:14:48
  Speaker 3: Easter egg, because you know that a lot of like
• 1:14:51
  Speaker 3: tattooine is inspired by Dune.
• 1:14:56
  Speaker 2: Yes, well I guess it is. Yeah, yea, so yeah.
• 1:15:01
  Speaker 3: Starlac kind of gives you Dune worm vibes.
• 1:15:04
  Speaker 2: Yeah, so I'm actually I'm paused at it right now.
• 1:15:07
  Speaker 2: And I didn't even dawn on me until just now
• 1:15:12
  Speaker 2: that it is a reference, like it could be a
• 1:15:14
  Speaker 2: reference to Dune. But yeah, Like I was like, why
• 1:15:20
  Speaker 2: is the Darkness a worm? Not even a Dune worm?
• 1:15:24
  Speaker 2: I was like, why is it a worm? You saying, hey,
• 1:15:26
  Speaker 2: why is it a Dune worm? That's hilarious. And of course,
• 1:15:31
  Speaker 2: before you, I'm actually not a big Dune person. I
• 1:15:36
  Speaker 2: haven't even seen the new one. Oh yeah, no, Like
• 1:15:41
  Speaker 2: I like there's a part of me that has also
• 1:15:43
  Speaker 2: been the type of person that's like, oh uh, like
• 1:15:47
  Speaker 2: do I want to be the type of person to
• 1:15:50
  Speaker 2: go back and read the book before I go see
• 1:15:53
  Speaker 2: the movie. I've seen the eighties movie.
• 1:15:57
  Speaker 3: My book is not worth it?
• 1:16:00
  Speaker 2: And that's what I've I've read is that that these
• 1:16:02
  Speaker 2: books are so damn long. And then I get invested
• 1:16:07
  Speaker 2: in something that isn't that great.
• 1:16:09
  Speaker 3: I returned it on Audible, and I don't return things
• 1:16:11
  Speaker 3: on audible. Like that's how that wow?
• 1:16:16
  Speaker 2: She returns, She returned something that she didn't even own,
• 1:16:21
  Speaker 2: by the way, you don't own You don't own much
• 1:16:26
  Speaker 2: on audible these days.
• 1:16:27
  Speaker 3: Yes, I know you're doing all your searching ever. Sorry,
• 1:16:33
  Speaker 3: but I'm not bad for you.
• 1:16:36
  Speaker 2: You're so so U scare of scuttle Butt says, oh,
• 1:16:41
  Speaker 2: thank you for joining us. But he says, uh, I
• 1:16:45
  Speaker 2: gotta finish Vision season three. We highly recommend it, please do.
• 1:16:49
  Speaker 2: It is a great season and and this is one
• 1:17:00
  Speaker 2: of the highlights of this season, not only just for story,
• 1:17:04
  Speaker 2: but for beautiful animation. And just like Katie was saying that,
• 1:17:11
  Speaker 2: this has a lot of very cool attention to detail
• 1:17:18
  Speaker 2: and like little tongue in cheek things that only somebody
• 1:17:23
  Speaker 2: that's really paying attention is going to catch up on.
• 1:17:26
  Speaker 2: And I I dig those things. You know. There's there's
• 1:17:31
  Speaker 2: a moment of we've we've kind of you know, gone
• 1:17:35
  Speaker 2: back and forth on it of when she is fighting herself.
• 1:17:41
  Speaker 2: One of the coolest things it is so like, yeah,
• 1:17:48
  Speaker 2: of course, Clay, like duh, like it's it's you. You
• 1:17:53
  Speaker 2: would watch it and be like, yeah, that makes sense.
• 1:17:55
  Speaker 2: That's that's not very cool at all. It makes sense,
• 1:17:57
  Speaker 2: But to me, it's one of the coolest things ever.
• 1:18:01
  Speaker 2: Is throughout this entire fight between the two, they both
• 1:18:06
  Speaker 2: have red lightsabers because of her like fear and hate
• 1:18:13
  Speaker 2: and anxiety. At the beginning of that fight, and then
• 1:18:18
  Speaker 2: at the very end, at the very end, you see
• 1:18:22
  Speaker 2: her like take a deep breath and she recites something
• 1:18:25
  Speaker 2: that her master tells her, and as she's reciting it,
• 1:18:28
  Speaker 2: you see the glow on her face shift from red
• 1:18:32
  Speaker 2: to green and then it slightly It doesn't even zoom
• 1:18:35
  Speaker 2: out all the way. That's what I love. There's just
• 1:18:38
  Speaker 2: a slight zoom ount that you see the edge of
• 1:18:42
  Speaker 2: a green lightsaber. And it's so good. It's so good.
• 1:18:46
  Speaker 2: I don't know why it makes me so happy, but
• 1:18:49
  Speaker 2: it does.
• 1:18:51
  Speaker 3: It's so good. It's so good. Oh, I just love
• 1:18:56
  Speaker 3: it so much. And like you talk about the fight
• 1:18:58
  Speaker 3: between herself, between the two sides of herself, the lightsaber
• 1:19:05
  Speaker 3: choreography in this it's what made me believe that third
• 1:19:09
  Speaker 3: time around that they're probably using some models from Clone Wars,
• 1:19:16
  Speaker 3: because I don't think any other episode has hit the
• 1:19:20
  Speaker 3: lightsaber choreography so very traditionally Star Wars. Like there's a
• 1:19:26
  Speaker 3: lot of good lightsaber choreography, don't get me wrong, but
• 1:19:29
  Speaker 3: this is just very traditional Star Wars lightsaber choreography, and
• 1:19:34
  Speaker 3: it's gorgeous. I love the fight with her with herself.
• 1:19:41
  Speaker 3: I love the design with her alter ego, the fire
• 1:19:46
  Speaker 3: and the black, like it is just really awesome. And
• 1:19:53
  Speaker 3: the little speech she gives to herself, like I teared
• 1:19:56
  Speaker 3: up the third time around, Like I didn't write it
• 1:20:01
  Speaker 3: down word for word, but like that that vote of
• 1:20:05
  Speaker 3: confidence to yourself to know, hey, you are my weakness,
• 1:20:12
  Speaker 3: but I accept you and it's gonna be okay at
• 1:20:15
  Speaker 3: the end of the day. It's so important. And this
• 1:20:18
  Speaker 3: is a conversation on how with my mom about how
• 1:20:21
  Speaker 3: like so many types of media want to have that
• 1:20:24
  Speaker 3: balance and everything. I don't think it is about balance.
• 1:20:29
  Speaker 3: I think it's knowing, hey, I've got a dark side
• 1:20:32
  Speaker 3: and I need to be able to balance that out
• 1:20:34
  Speaker 3: with the good side so that I have more good
• 1:20:37
  Speaker 3: at the end of the day.
• 1:20:38
  Speaker 2: Like and the like the part that she says is
• 1:20:43
  Speaker 2: like you're my weakness, but know that you'll always be
• 1:20:47
  Speaker 2: with me and I'll always be with you. That is
• 1:20:51
  Speaker 2: a clear like statement of like, hey, this fear may
• 1:20:56
  Speaker 2: never go away, you know. And she talks about her
• 1:20:59
  Speaker 2: fear of death and her anxieties and all of this
• 1:21:02
  Speaker 2: other stuff. And as somebody you know, guilty as charge,
• 1:21:07
  Speaker 2: that is number one fear in all of my life
• 1:21:12
  Speaker 2: is death. Like to overcome that with peace of mind,
• 1:21:19
  Speaker 2: like in such a beautiful way is really powerful and
• 1:21:24
  Speaker 2: I really really enjoy it.
• 1:21:26
  Speaker 3: Yeah, scaff scottle, but I think you left the chat,
• 1:21:29
  Speaker 3: but just as a final shadow, he said, They said,
• 1:21:31
  Speaker 3: because I don't know if you're a guy or a girl.
• 1:21:36
  Speaker 3: They said, I really loved season two. This is a
• 1:21:37
  Speaker 3: great concept. We wholeheartedly agree, we do. But yes, the
• 1:21:46
  Speaker 3: Bird of Paradise, I love it. Eats it probably doesn't
• 1:21:54
  Speaker 3: hit one specifically because I'm always going to be a
• 1:21:58
  Speaker 3: funny person and Bounty Hunters being so funny with the
• 1:22:03
  Speaker 3: bipolar droid super hysterical, I love it. That doesn't change
• 1:22:09
  Speaker 3: the fact that I love this one exactly.
• 1:22:12
  Speaker 2: No, And then I'm the same way in the sense
• 1:22:16
  Speaker 2: of like the oh shoot, I keep forgetting the title
• 1:22:23
  Speaker 2: of that one, it is the Song of four Wings.
• 1:22:26
  Speaker 2: You know, I'm very like, hey, what's weird, and like,
• 1:22:31
  Speaker 2: what's new things that we can do with the already
• 1:22:34
  Speaker 2: existing universe? Right? You know, we saw the the at
• 1:22:38
  Speaker 2: eight with freaking seventeen bajillion guns pop out of its neck,
• 1:22:43
  Speaker 2: and like we saw a literal little girl turn into
• 1:22:46
  Speaker 2: an X wing. Like that's weird, that's crazy, that's really fun.
• 1:22:50
  Speaker 2: Like I like those things. But when you get like
• 1:22:54
  Speaker 2: philosophical and you do some really beautiful things with art,
• 1:22:58
  Speaker 2: like I really dig that as well. And that's what
• 1:23:01
  Speaker 2: I like when I'm when I'm looking at this, like
• 1:23:03
  Speaker 2: I want to move a Bird of Paradise in a
• 1:23:08
  Speaker 2: different position. But then I look at all the other
• 1:23:12
  Speaker 2: stories and I'm like, well, all of these have their
• 1:23:16
  Speaker 2: own unique thing also, and it's really difficult to say, oh,
• 1:23:20
  Speaker 2: this is one is one over the other, this one
• 1:23:23
  Speaker 2: is one over the other. So like I am content
• 1:23:29
  Speaker 2: with being able to say that, Like, each one of
• 1:23:33
  Speaker 2: these has its niche and they really hit hard on
• 1:23:38
  Speaker 2: that niche yep. And and I think that's all they
• 1:23:43
  Speaker 2: really need to do when it comes to something like
• 1:23:46
  Speaker 2: this type of anthology for visions.
• 1:23:50
  Speaker 3: Yeah, I wholeheartedly agree. And that's why we talk about
• 1:23:54
  Speaker 3: rankings so often as oh, this is so much better
• 1:23:58
  Speaker 3: than this one, This is so much better than this one.
• 1:24:01
  Speaker 3: This is mainly to give you an idea of what
• 1:24:03
  Speaker 3: our personalities like in an episode. The funny is, if
• 1:24:07
  Speaker 3: something can make me laugh, that's always going to outweigh
• 1:24:10
  Speaker 3: an emotional storyline for me. They could do both, but
• 1:24:15
  Speaker 3: to me, I value the capability to laugh. I enjoy
• 1:24:19
  Speaker 3: laughing that that's always something that's going to brighten my day.
• 1:24:23
  Speaker 3: That's why I lean into stuff like friends and How
• 1:24:26
  Speaker 3: I Met your Mother is because those things make me laugh.
• 1:24:30
  Speaker 3: And so I love an emotional storyline. But at the
• 1:24:34
  Speaker 3: end of the day, if I if I were to
• 1:24:39
  Speaker 3: pick one to rewatch, it would be Bounty Hunters, which
• 1:24:41
  Speaker 3: is why Bounty Hunters sits at one. So yeah, I
• 1:24:48
  Speaker 3: love the Bird of Paradise. Though I love the growth
• 1:24:51
  Speaker 3: that document experiences, I don't think I would need a
• 1:24:56
  Speaker 3: sequel or another storyline to this one. I think this
• 1:24:59
  Speaker 3: is perfect as it is, and I don't want to
• 1:25:04
  Speaker 3: see something. I don't think it needs anything else. I
• 1:25:08
  Speaker 3: don't think it sets up for anything else. What are
• 1:25:11
  Speaker 3: your thoughts?
• 1:25:12
  Speaker 2: I agree this is the one that I agree with.
• 1:25:15
  Speaker 2: In the case of it being a stand alone short film,
• 1:25:27
  Speaker 2: this has like, yeah, you could say like, oh, but
• 1:25:31
  Speaker 2: what about the the Sith girl, like where did her
• 1:25:35
  Speaker 2: roots come from? And why she's so crazy and all
• 1:25:38
  Speaker 2: this other stuff like oh did she ever find her master?
• 1:25:43
  Speaker 2: And you know, when do we get to see the
• 1:25:47
  Speaker 2: fruits of her labor in this forest and we actually
• 1:25:52
  Speaker 2: see some of these teachings and action Like no, no, no,
• 1:25:56
  Speaker 2: that's what this was for. This is to show you
• 1:26:00
  Speaker 2: the lesson and show you that she learned it, and
• 1:26:04
  Speaker 2: that's it.
• 1:26:04
  Speaker 3: Like I I would love to see this one submitted
• 1:26:09
  Speaker 3: for Oscar Short Film.
• 1:26:12
  Speaker 2: Yes, yes, I think.
• 1:26:16
  Speaker 3: This up like it could actually get a nomination.
• 1:26:20
  Speaker 2: I think.
• 1:26:22
  Speaker 3: So that that's my opinion.
• 1:26:25
  Speaker 2: If I was Disney, I would one, Like I know
• 1:26:29
  Speaker 2: that they're probably going to be like, oh, we'll just
• 1:26:31
  Speaker 2: submit all of them into the short film only one.
• 1:26:36
  Speaker 3: They did not submit anything out of Visions volume two,
• 1:26:39
  Speaker 3: and the only one they submitted in volume one was
• 1:26:44
  Speaker 3: a Village Bride.
• 1:26:46
  Speaker 2: Yeah, I would I would choose this one if out
• 1:26:51
  Speaker 2: of all of them, for the fact that it literally
• 1:26:55
  Speaker 2: stands alone and there is no question of oh what
• 1:26:59
  Speaker 2: happened after or oh what what happened before this? It's
• 1:27:03
  Speaker 2: just its own thing. You get the lesson, you get
• 1:27:07
  Speaker 2: that the main character learned that lesson, and it's all
• 1:27:11
  Speaker 2: sunshine and rainbows like it's it's beautiful. Yeah, I agree.
• 1:27:17
  Speaker 3: All right, well, Clay, I think that takes us to
• 1:27:20
  Speaker 3: the end.
• 1:27:21
  Speaker 2: That is, that is the very end of our part
• 1:27:25
  Speaker 2: two on this Deep Dive of volume three. We will
• 1:27:29
  Speaker 2: have a part three now. Because of scheduling and because
• 1:27:35
  Speaker 2: of that thing called Thanksgiving, we will not be having
• 1:27:40
  Speaker 2: a live show. Instead, we're gonna be recording our Part
• 1:27:46
  Speaker 2: three of the Deep Dive off air, and we will
• 1:27:49
  Speaker 2: be putting that out there on Thanksgiving, so you can
• 1:27:54
  Speaker 2: avoid all of the very obnoxious talks that you're gonna
• 1:27:59
  Speaker 2: have have at Thanksgiving dinner.
• 1:28:02
  Speaker 3: So if you're stuck in the kitchen, you can just
• 1:28:04
  Speaker 3: stick in an AirPod ahead.
• 1:28:06
  Speaker 2: Exactly exactly.
• 1:28:12
  Speaker 3: Seriousness. Enjoy your family time, yes, if that's your thing.
• 1:28:17
  Speaker 2: Yeah, whether that's antagonizing family or whatnot that you know,
• 1:28:23
  Speaker 2: just enjoy yourself. But yeah, we will have a full
• 1:28:27
  Speaker 2: deep dive of the sequels of visions, that being the
• 1:28:32
  Speaker 2: duel the Ninth Jedi and the follow up to the
• 1:28:38
  Speaker 2: Village Bride, which is called The Lost Ones. So I
• 1:28:42
  Speaker 2: checked that on your feeds. Next week well no, so
• 1:28:45
  Speaker 2: yeah next week?
• 1:28:47
  Speaker 3: Yeah, next week did you publish Oh my gosh, do Prime?
• 1:28:55
  Speaker 2: Yes? I did?
• 1:28:56
  Speaker 3: Okay, So, guys, if you missed this last week, you
• 1:29:00
  Speaker 3: vector Prime, which is the first episode in our Patreon
• 1:29:02
  Speaker 3: series which we are uh releasing an episode of the
• 1:29:08
  Speaker 3: our review of the New Jedi Order series of books,
• 1:29:11
  Speaker 3: which tackles the Yu Genvong uh invasion. So uh, Agents
• 1:29:16
  Speaker 3: of Chaos two is going to be a review for December.
• 1:29:22
  Speaker 3: So uh, if you are interested in catching up, that's
• 1:29:25
  Speaker 3: our five dollars tier on Patreon. I've always Clay has
• 1:29:29
  Speaker 3: it linked in the description box below if you guys
• 1:29:31
  Speaker 3: are interested. So uh, like Clay said, uh, sequels will
• 1:29:38
  Speaker 3: be next week. UH for Visions Volume three, that's our
• 1:29:42
  Speaker 3: that will be our part three. I do not think
• 1:29:45
  Speaker 3: we are going to have time to talk about Ronan,
• 1:29:49
  Speaker 3: the Vision's novel uh that relates that is that was
• 1:29:54
  Speaker 3: originally the sequel to the duel. I I've been reading
• 1:30:00
  Speaker 3: other things. I've been enjoying a couple of different stories.
• 1:30:04
  Speaker 3: I haven't had time to go back to Ronan. I
• 1:30:06
  Speaker 3: think what will probably happen is that will be an
• 1:30:08
  Speaker 3: individual topic probably in the first half of next year,
• 1:30:15
  Speaker 3: just just to do.
• 1:30:16
  Speaker 2: Some comparisons and how it.
• 1:30:18
  Speaker 3: Fits and kind of go and kind of talk about
• 1:30:23
  Speaker 3: the way Disney treats print media. So if you guys
• 1:30:31
  Speaker 3: are interested in that, please let us know and we
• 1:30:33
  Speaker 3: can bump that up on the schedule, but it will
• 1:30:38
  Speaker 3: just be the Visions episodes themselves next week, so they
• 1:30:44
  Speaker 3: tell us where they can find you.
• 1:30:46
  Speaker 2: Of course, you can always find me at fanboy Clay
• 1:30:49
  Speaker 2: on any and all social media. Go also follow on Instagram,
• 1:30:55
  Speaker 2: Volume Comics. It would be greatly appreciated. Check out our
• 1:31:01
  Speaker 2: episode of Ranger Alliance this week. We're kind of in limbo.
• 1:31:07
  Speaker 2: Some things have been happening, and it looks like Toey
• 1:31:11
  Speaker 2: may actually be canceling the series for something else, and
• 1:31:15
  Speaker 2: we're not entirely sure what we're gonna be doing. So
• 1:31:20
  Speaker 2: that's fun. So while we figure all that out, you know,
• 1:31:24
  Speaker 2: me and Joe and Jake are kind of just like
• 1:31:27
  Speaker 2: texting back and forth with all of the drama that's
• 1:31:30
  Speaker 2: been going on with Super Sintai, Empower Rangers and all
• 1:31:34
  Speaker 2: of that Jazz, and we talked all about it last
• 1:31:37
  Speaker 2: week or this this past episode, so go check that out.
• 1:31:44
  Speaker 3: But yeah, y'all, you can find me on thost social
• 1:31:48
  Speaker 3: media platforms. It's at Fleece Katie. I may be dropping
• 1:31:52
  Speaker 3: my Twitter like completely and like wiping the deck and
• 1:31:56
  Speaker 3: going it's there, but I'm elsewhere kind of thing and
• 1:32:00
  Speaker 3: just completely logging out of it because it just has
• 1:32:04
  Speaker 3: proven to not be worth my time. And the app
• 1:32:06
  Speaker 3: update is just garbage or not the app update because
• 1:32:11
  Speaker 3: I'm not using the app. I refuse to download the app.
• 1:32:13
  Speaker 3: I'm using Safari and it's garbage. So but I'm everywhere
• 1:32:21
  Speaker 3: else on social media, and I try to check everything
• 1:32:25
  Speaker 3: once a day, So if you shoot me a message
• 1:32:26
  Speaker 3: I promise that we'll get back to you at some point.
• 1:32:30
  Speaker 3: Star Wars Alliance you can find us on Blue Sky,
• 1:32:33
  Speaker 3: Instagram and threads as well as Gmail. That Gmail. All
• 1:32:39
  Speaker 3: of those user names are Star Wars Alliance with no
• 1:32:43
  Speaker 3: eight in the Wars. That's very important, don't forget it.
• 1:32:46
  Speaker 3: And obviously you add the specific things, so blue Sky
• 1:32:50
  Speaker 3: you have like blue Sky Social, gibber, drabber at the
• 1:32:55
  Speaker 3: end of it, I don't. Blue Sky's like the one
• 1:32:58
  Speaker 3: thing that I'm like e and the Gmail you add
• 1:33:01
  Speaker 3: at gmail dot com. On the end, I am trying
• 1:33:05
  Speaker 3: to post more on our social media. I'm not as
• 1:33:07
  Speaker 3: good as creating graphics. It reels, but I do a
• 1:33:12
  Speaker 3: good story. So now that I'm all healed up, my
• 1:33:17
  Speaker 3: goal is to start posting more for you guys and
• 1:33:21
  Speaker 3: try to start the talking and things, with the goal
• 1:33:28
  Speaker 3: that after the holidays, I will be helping Clay out
• 1:33:31
  Speaker 3: more and learning more about graphic creation and things, or
• 1:33:36
  Speaker 3: I'll try. At least I can promise. I will try, Clay,
• 1:33:43
  Speaker 3: That's all I can give you. Unfortunately, I can't promise
• 1:33:46
  Speaker 3: someone to be.
• 1:33:46
  Speaker 2: Good at it, but I will try. It's a it's
• 1:33:50
  Speaker 2: a learning experience. And thankfully, like a lot of these
• 1:33:54
  Speaker 2: places that you that a lot of people do make
• 1:33:58
  Speaker 2: graphics for social media, they have literally all the tools
• 1:34:02
  Speaker 2: that you need. And it's not just like oh, you
• 1:34:04
  Speaker 2: have to buy or be you know, a monthly subscriber
• 1:34:07
  Speaker 2: of like six different things to make these things. Uh
• 1:34:11
  Speaker 2: So thankfully you know, whatever you choose, it'll mostly all
• 1:34:16
  Speaker 2: be there. So I and again, I like doing the stuff.
• 1:34:22
  Speaker 2: It gives me some it gives me something to do
• 1:34:24
  Speaker 2: for now. But with me now being a business owner,
• 1:34:29
  Speaker 2: you know you can do it. Oh, I have something
• 1:34:34
  Speaker 2: to tell you, slash show you when we go off
• 1:34:37
  Speaker 2: the air, so we'll trust me, trust me. Yeah.
• 1:34:41
  Speaker 3: Well with that, guys, I want to wish everyone a
• 1:34:45
  Speaker 3: great day or night, whatever time the day you're listening
• 1:34:48
  Speaker 3: or watching, and we listene you all next time, did
• 1:34:50
  Speaker 3: it force be with you