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The Blossoming Tides Of Change With DAMIEN KECHAGIAS From DREAMKILLERS · HEAVY Music Interviews

• 0:00
  Speaker 1: Get a day from Dreamkillers.
• 0:02
  Speaker 2: Here, you're gonna have a chat with Krispy from Heavy
• 0:04
  Speaker 2: mag about the new dream Killers release Prophe Is cunning Hammy.
• 0:07
  Speaker 1: It's out now, so thanks to Heavy mate Krispy. How
• 0:12
  Speaker 1: are you? Oh?
• 0:12
  Speaker 3: Well, thanks brother? How are you fifty meters across the street.
• 0:15
  Speaker 1: Well, I'll tell you.
• 0:16
  Speaker 2: What, It's just a bit weird have on a conversation
• 0:18
  Speaker 2: like this when literally I can walk over to your
• 0:20
  Speaker 2: place and get a coup.
• 0:21
  Speaker 4: For sure, we could probably open the front doors of
• 0:23
  Speaker 4: each other's house and just yell at each other and
• 0:26
  Speaker 4: get any interview done.
• 0:27
  Speaker 1: That is the true Australian way of doing.
• 0:29
  Speaker 3: It, isn't it indeed? But we got more pressing issues
• 0:33
  Speaker 3: to discuss.
• 0:34
  Speaker 4: As you'd say, dream Killers have released prope Is cunning
• 0:37
  Speaker 4: Hammy to Day, February twenty seventh.
• 0:40
  Speaker 3: But did you come up with a harder name of
• 0:43
  Speaker 3: pronounced for the album title?
• 0:45
  Speaker 1: Well?
• 0:46
  Speaker 2: Probably when you look at it, it's the it's a
• 0:53
  Speaker 2: technical name for the Brisbane lily. It's only it's a
• 0:56
  Speaker 2: flower that only grows in Brisbane in the Briskman surrounds, so.
• 1:03
  Speaker 1: Unique to Brisbane.
• 1:04
  Speaker 2: Keeping that in team with dream Killers is all Brisbane
• 1:08
  Speaker 2: Bresban Brown, So why not present that out?
• 1:13
  Speaker 1: True?
• 1:13
  Speaker 4: Is there any deeper significance either flower opening and blossoming? Like,
• 1:17
  Speaker 4: are you trying to say that the dream Killers are
• 1:19
  Speaker 4: flowering and sprouting their their petals.
• 1:22
  Speaker 2: Oh, I wouldn't go that far, but I would say
• 1:26
  Speaker 2: that you never know what's going to come out next.
• 1:29
  Speaker 1: True.
• 1:30
  Speaker 3: Indeed, that is a little bit romantic to the Dreamiller,
• 1:32
  Speaker 3: isn't it.
• 1:33
  Speaker 1: It is a little bit. It's like a love story.
• 1:35
  Speaker 1: But come on, you've been following the band for how
• 1:39
  Speaker 1: long now? Do you think it's a love story?
• 1:41
  Speaker 3: No, no doubt.
• 1:42
  Speaker 1: I think it's got a deeper meaning where you know
• 1:45
  Speaker 1: it's unique to an area, it represents what's there. So well,
• 1:52
  Speaker 1: I'm not.
• 1:52
  Speaker 4: Much of a botanist, So we're going to move on
• 1:54
  Speaker 4: from the plant life, but tell us more about the
• 1:56
  Speaker 4: album from musical point of view.
• 1:57
  Speaker 3: Brown when needs to go and call this time around?
• 2:00
  Speaker 5: Well, we've tried to use as many different musical inferences
• 2:05
  Speaker 5: as we can throughout the whole process, keeping it true
• 2:10
  Speaker 5: to original dream Killers.
• 2:16
  Speaker 1: From day one.
• 2:17
  Speaker 2: You've never known what you were going to get back
• 2:19
  Speaker 2: from the original days to now. But as we've gotten older,
• 2:25
  Speaker 2: political views change, personal views change, there's news stories out there,
• 2:31
  Speaker 2: but the main thing that has stayed constant was giving
• 2:34
  Speaker 2: Leeds the voice pad to bring those stories to life,
• 2:39
  Speaker 2: giving in the storyboard, and that's where we've sort of
• 2:43
  Speaker 2: took the time to go, right, here's the songs that
• 2:48
  Speaker 2: we're working on. Let's make them the best we can.
• 2:51
  Speaker 2: So not everything fits in a pigeonhole. Every musical element. Yeah,
• 2:59
  Speaker 2: you've got dream Killers sound, but we had to look
• 3:03
  Speaker 2: at what makes dream Killers sound Now we can always
• 3:08
  Speaker 2: look back to influence the future. So that's what we've
• 3:10
  Speaker 2: tried to do. So what influenced it they what influence
• 3:13
  Speaker 2: is it now? And what's consistent across the board?
• 3:17
  Speaker 1: So we're writing.
• 3:19
  Speaker 2: Looking at everyone's musical interests, influencers and sort of putting
• 3:23
  Speaker 2: it into that big melting pot where Okay, what do
• 3:28
  Speaker 2: people expect, what do what do we expect?
• 3:32
  Speaker 1: And what gives let us the best aspect to tell
• 3:35
  Speaker 1: the story.
• 3:36
  Speaker 3: Yeah, actually raise a good point.
• 3:38
  Speaker 4: Theab's like letter is the only original dream Killers member less,
• 3:42
  Speaker 4: so we've done only been there for a little while now,
• 3:44
  Speaker 4: but with members coming and going, like, how hard is
• 3:46
  Speaker 4: it to keep that consistent stranded dream Coiller's DNA in
• 3:51
  Speaker 4: the band.
• 3:52
  Speaker 2: Well, I think the fact was where we're a bit
• 3:55
  Speaker 2: lucky in that regard is we've all known and we've
• 4:00
  Speaker 2: listened to dream Kills.
• 4:01
  Speaker 1: It's been a part of the Brisbane.
• 4:04
  Speaker 2: DNA has been part of our existence for god knows
• 4:06
  Speaker 2: how long since it started. So you've just got to
• 4:12
  Speaker 2: go back and listen to it, and then when you
• 4:14
  Speaker 2: talk talk to people, find out what it means to them,
• 4:17
  Speaker 2: not just musicians.
• 4:19
  Speaker 1: But we're talking about the punters.
• 4:21
  Speaker 2: What got them about the band, what made them consistently
• 4:26
  Speaker 2: follow through, what did they like, what did they didn't, what.
• 4:30
  Speaker 1: Gave les the best launch pad?
• 4:32
  Speaker 2: So keeping that and the biggest part of it is
• 4:36
  Speaker 2: going back through and honoring members like Terry and what
• 4:41
  Speaker 2: Less and Terry started, whether you've got going right back
• 4:45
  Speaker 2: to Insane Hombres and Mystery of Sixus, you can see
• 4:50
  Speaker 2: the progression all the way through and all the past
• 4:52
  Speaker 2: members and they've all left their mark in one way
• 4:56
  Speaker 2: or another to the forward.
• 4:58
  Speaker 1: Progression of it.
• 4:59
  Speaker 2: So you really just want to go through and this
• 5:02
  Speaker 2: guy presented this what made that work?
• 5:04
  Speaker 1: Really well?
• 5:06
  Speaker 2: Not copy it, but use it as an influence to
• 5:08
  Speaker 2: bring in to what we're doing now.
• 5:12
  Speaker 3: Did you find that difficult at all?
• 5:14
  Speaker 4: It sounds like a bit of an elongated process.
• 5:19
  Speaker 2: Look, time went into it, absolutely, but it wasn't to
• 5:25
  Speaker 2: overthink it, because if you overthink it's going to get start,
• 5:28
  Speaker 2: you've just got to What we did do was spend
• 5:31
  Speaker 2: a fair bit of time working on the field, working
• 5:35
  Speaker 2: on what felt right and then.
• 5:38
  Speaker 1: What made those little hairs on your.
• 5:40
  Speaker 2: Arms stick up and just felt good as a collective
• 5:44
  Speaker 2: when we listen back to it and what inspired us
• 5:48
  Speaker 2: to keep going about it, and that actually, although it
• 5:53
  Speaker 2: may sound dawning, became quite fun.
• 5:55
  Speaker 1: Became an ongoing challenge.
• 5:57
  Speaker 2: To create and see what this person's going to add
• 6:01
  Speaker 2: to it, or Chris is going to add to it,
• 6:03
  Speaker 2: Steve was going to add to it, Dan was going
• 6:04
  Speaker 2: to add to it, what I could add to it?
• 6:06
  Speaker 1: Well, Less was going to add to it and then
• 6:08
  Speaker 1: throwing it all in the melting pot.
• 6:09
  Speaker 2: So the excitement that came from that was actually really
• 6:12
  Speaker 2: really nice and.
• 6:15
  Speaker 1: Quite refreshing.
• 6:18
  Speaker 4: Along of those lines, to we mentioned it, Less is
• 6:20
  Speaker 4: the only actual original member leb So now that's the
• 6:23
  Speaker 4: right way to put this.
• 6:25
  Speaker 3: How much creative control do you guys get, Like?
• 6:27
  Speaker 4: Does he does he oversee everything because he knows what
• 6:31
  Speaker 4: he wants it to sound like, or does he step
• 6:33
  Speaker 4: back a bit and let you guys run with it.
• 6:36
  Speaker 2: What we do, We work as a collective, everyone's everyone's
• 6:40
  Speaker 2: an equal in the writing process. But with any band,
• 6:46
  Speaker 2: I think you've got to write to your singer. Yeah,
• 6:49
  Speaker 2: you've got to write to your singer. You can't sit.
• 6:51
  Speaker 6: There and.
• 6:53
  Speaker 1: Bring in full euro death metal and ask Lez to
• 6:57
  Speaker 1: sing that.
• 6:59
  Speaker 2: And say here, sing on this or or a Taylor
• 7:03
  Speaker 2: Swift song and says.
• 7:10
  Speaker 3: No.
• 7:16
  Speaker 2: So in that regard, it's like, I think that's where
• 7:20
  Speaker 2: we were fortunate, because you've got enough of Less's history
• 7:24
  Speaker 2: and his catalog, and you've got to look at what's interest,
• 7:28
  Speaker 2: what was inspiring him now, which was politically.
• 7:31
  Speaker 1: What was he listening to, what was giving him that
• 7:34
  Speaker 1: moment in time?
• 7:36
  Speaker 2: And I think that if you do that with any
• 7:38
  Speaker 2: singer that you're working with, you can actually get right
• 7:43
  Speaker 2: better as a collective.
• 7:45
  Speaker 1: And you can present better material for your singer to
• 7:47
  Speaker 1: work with.
• 7:48
  Speaker 2: Yeah, like we all work to our strengths and our weaknesses.
• 7:53
  Speaker 2: Someone's weakness is someone else's strength, and when you combine
• 7:56
  Speaker 2: it together, it works hand in hand really well.
• 8:01
  Speaker 3: So the album's only got eight songs on there.
• 8:03
  Speaker 4: I'd ask you to go on too much lyrically because
• 8:06
  Speaker 4: Lads has sort of a bit more about that. But
• 8:08
  Speaker 4: one thing I really loved about the album listening to
• 8:10
  Speaker 4: it is not no two songs are the same, Like
• 8:13
  Speaker 4: we actually do cover a bit of a cross section
• 8:15
  Speaker 4: of Stolton Johnna's So so we run through the songs
• 8:18
  Speaker 4: one at a time and just tell us a bit.
• 8:20
  Speaker 3: More about it from musical point of view. So you're
• 8:22
  Speaker 3: opening with Closed Down the Circus.
• 8:24
  Speaker 2: Okay, Close Down the Circus was a rather interesting one
• 8:32
  Speaker 2: to begin with.
• 8:32
  Speaker 1: Chris came in with the.
• 8:35
  Speaker 2: Actual carnival sort of feel at the start, and we
• 8:40
  Speaker 2: sat down in an afternoon and we started recording all
• 8:45
  Speaker 2: the different instruments on it and getting that feel and
• 8:48
  Speaker 2: then playing and playing with it. Then he had the
• 8:50
  Speaker 2: other rifts that come out of it. So he did
• 8:54
  Speaker 2: have a vision of a journey to go where that
• 8:59
  Speaker 2: was going to go, and we spent a bit of
• 9:05
  Speaker 2: time on that one just getting sonically it's jelly out
• 9:10
  Speaker 2: the way it has. I mean there's a fair bit
• 9:13
  Speaker 2: so as you know, the song takes you on a
• 9:16
  Speaker 2: nice journey from start to finish, but it's not a
• 9:19
  Speaker 2: slow paced.
• 9:20
  Speaker 1: Journey's it starts pretty, but it's not.
• 9:25
  Speaker 2: It's it's it's a dark pretty like to say, it's
• 9:28
  Speaker 2: like the flowers. It's all right, now look at and
• 9:32
  Speaker 2: what is that? Just like the rest of us really well,
• 9:38
  Speaker 2: you know, you're a handsome man like yourself. Chris brought
• 9:42
  Speaker 2: that one in and that was a very much a
• 9:45
  Speaker 2: big starting point for the album. Okay, let let's work
• 9:50
  Speaker 2: all this and let's build it up and let's brought in.
• 9:57
  Speaker 1: It's definitely a sort of a protest song.
• 10:04
  Speaker 2: Because you look at everything that the politicians have done,
• 10:11
  Speaker 2: we're in no better position, even though they keep telling
• 10:13
  Speaker 2: us we're going to be in a better position and
• 10:15
  Speaker 2: they're working for us. It's about the corruption. It's about
• 10:19
  Speaker 2: the general person not being stood up for like what
• 10:23
  Speaker 2: they're meant to be. And at the end of the day,
• 10:26
  Speaker 2: we call Lee's a society. Are the employers of these
• 10:32
  Speaker 2: people in political power?
• 10:35
  Speaker 1: Really when you look at it, so why are we
• 10:38
  Speaker 1: not voicing that?
• 10:40
  Speaker 2: And that's sort of the call and musically that was
• 10:43
  Speaker 2: the influence on it, and that gave it the launch
• 10:47
  Speaker 2: pad for Les and then you have closed down the circus.
• 10:53
  Speaker 3: Yeah, very sweet all right. The second track is I
• 10:57
  Speaker 3: was going to say not for city Limits, but it's not.
• 10:58
  Speaker 3: It's not grass fever.
• 11:00
  Speaker 1: No grass fever. I love this song. It's fun song.
• 11:05
  Speaker 1: It's just a straut, you know. It's just you've had
• 11:13
  Speaker 1: a ship week, had a ship day. Fuck you, I'm
• 11:15
  Speaker 1: going to go out.
• 11:16
  Speaker 2: And I'm going to own it and just get a
• 11:24
  Speaker 2: couple of beers in here and have a good night,
• 11:27
  Speaker 2: good time. That's the feel of it. It's it's just
• 11:35
  Speaker 2: one of it's just great little song, powers along. You
• 11:41
  Speaker 2: can move along to it, and it's just it feels
• 11:43
  Speaker 2: good unless it's got got some great little catches on that.
• 11:47
  Speaker 1: And vocally that was fun to record when we got that.
• 11:51
  Speaker 1: That was that was a good day working on that one.
• 11:55
  Speaker 2: And you know, sonically, trying to follow off from the circus.
• 12:00
  Speaker 2: So you've gone out of the circus and you've had enough,
• 12:05
  Speaker 2: you're going out.
• 12:05
  Speaker 1: You need to blow some sneak. That's where that sort
• 12:08
  Speaker 1: of ties in.
• 12:09
  Speaker 2: So look at how it ties in musically with the
• 12:11
  Speaker 2: song before and.
• 12:14
  Speaker 1: The song coming in after.
• 12:16
  Speaker 2: There's one song on the album which sort of might
• 12:19
  Speaker 2: not as you would think, tie in, and we'll get
• 12:22
  Speaker 2: to that because you did mention that new review.
• 12:25
  Speaker 3: I did, indeed, all right, Well, moving on, we have
• 12:27
  Speaker 3: got Reset Room.
• 12:28
  Speaker 2: Next, Reset Room that I can't remember how that one
• 12:38
  Speaker 2: came about, but I do know. It's got a really
• 12:49
  Speaker 2: catchy chorus line in it musically speaking, and what Les
• 12:57
  Speaker 2: brought in vocally I was not expected. Consequently, I think
• 13:04
  Speaker 2: it made the chorus even better. Definitely out of left
• 13:08
  Speaker 2: field melody wise. Oh but that's the thing with this.
• 13:14
  Speaker 2: You don't know what you're going to where he's going
• 13:16
  Speaker 2: to go, and that's the exciting part. So you could have, yeah,
• 13:23
  Speaker 2: a really nice, big power course and you think it's
• 13:28
  Speaker 2: the vocals are going to flow along with it, but
• 13:30
  Speaker 2: what he brings in is a completely different polyrhythm or
• 13:34
  Speaker 2: accents or he's not going off to kick, but he's
• 13:38
  Speaker 2: going off the snare, and the accents of it make
• 13:42
  Speaker 2: that riff make that section even more powerful. So Reset
• 13:47
  Speaker 2: Broom musically speaking, just fun song really, and once again
• 13:57
  Speaker 2: you're coming out from the fever your recent adding you're
• 14:00
  Speaker 2: going in.
• 14:03
  Speaker 1: To your next part.
• 14:04
  Speaker 2: So you see how the common flower is. So it's
• 14:07
  Speaker 2: just always evolving and moving. It's a fluid movement.
• 14:11
  Speaker 4: Until you get to Shirley that's not a fluid movement.
• 14:13
  Speaker 4: That's like a bit of a bit of a left
• 14:15
  Speaker 4: field one day.
• 14:17
  Speaker 1: That is a left field one. But I tell you what,
• 14:20
  Speaker 1: I love that song. I love it personally. It is
• 14:26
  Speaker 1: such a great little song.
• 14:27
  Speaker 2: And you know, Skyhooks, believe it or not, been a
• 14:32
  Speaker 2: massive influence on every member of the band. Coming up
• 14:38
  Speaker 2: to Shirley's anniversary of his death this year is.
• 14:43
  Speaker 1: Yeah, it was a big loss for everyone. It's still
• 14:46
  Speaker 1: be going now. It's great material, absolutely great.
• 14:49
  Speaker 2: I mean you remember the days where old Johnny Farnham
• 14:54
  Speaker 2: was on Hey Hey singing women in uniform.
• 14:57
  Speaker 1: He comes over and kicks him off the mikee and
• 14:58
  Speaker 1: sends him up for backing vocal.
• 15:01
  Speaker 3: So you've got.
• 15:02
  Speaker 2: That alarican aspect of him. But he was also very
• 15:07
  Speaker 2: serious and adamant about what he stood for, and we
• 15:11
  Speaker 2: wanted to pay homage to that musically and.
• 15:16
  Speaker 1: Lyrically. So that's what that is. It's just a homage
• 15:22
  Speaker 1: of hey, thank you for giving us. Yeah, something that
• 15:30
  Speaker 1: was out of left.
• 15:31
  Speaker 2: Field, and that's Skyhawks were out of left field, completely bonkers.
• 15:38
  Speaker 2: They're great, and that's how we tried to put as
• 15:41
  Speaker 2: many different elements that would be like dream Killers in
• 15:46
  Speaker 2: a song, but also on the Skyhooks in the same way.
• 15:52
  Speaker 1: I think we got pretty close on that.
• 15:55
  Speaker 3: I'm not sure.
• 15:55
  Speaker 4: I Toldian I've actually said that song to Skyhooks to
• 15:58
  Speaker 4: see what they thought about it, and they said that
• 16:01
  Speaker 4: they'd already heard it, had already come across the radar,
• 16:03
  Speaker 4: and they loved it.
• 16:04
  Speaker 1: Yep, yep. I had spoken with Skyhawks about that and
• 16:08
  Speaker 1: they were very happy with it.
• 16:11
  Speaker 2: Unfortunately, Bongo passed recently, so we weren't actually able to
• 16:14
  Speaker 2: follow up any on anymore on that, but I do
• 16:19
  Speaker 2: know that they did love the song, so hell.
• 16:23
  Speaker 4: Yeah, right, Well, the next song is my favorite of
• 16:25
  Speaker 4: the album, self Raising Flower. I don't know why the
• 16:28
  Speaker 4: fuck or where the fuck you went from playing Flower
• 16:31
  Speaker 4: to self raising.
• 16:33
  Speaker 2: Okay, Well, we couldn't use the original song title?
• 16:39
  Speaker 1: Was Oh well, it's it's in the actual lyrics.
• 16:44
  Speaker 2: It's in the start of the song. If you're smart
• 16:46
  Speaker 2: enough and you listen to it, you'll hear it.
• 16:50
  Speaker 3: All right.
• 16:51
  Speaker 2: Okay, it's a dark song, isn't it.
• 16:57
  Speaker 4: It is this fucking wicked. It grabbed me straight up. Okay,
• 17:00
  Speaker 4: why couldn't you use the original title before we move on?
• 17:03
  Speaker 1: Well, possible censorship issues, all right. It was the original
• 17:14
  Speaker 1: working title. It was called rape cake. Okay cool.
• 17:18
  Speaker 2: So consequently we couldn't really use that as something remote
• 17:27
  Speaker 2: being the fact that one, we didn't want to have
• 17:31
  Speaker 2: a negative stigma about it just on the title, because
• 17:35
  Speaker 2: it actually covers some really interesting topics. So self raising flower,
• 17:42
  Speaker 2: which is also part of the song. When you look
• 17:45
  Speaker 2: at it, she wins in the end, that's the thing.
• 17:52
  Speaker 2: And we've all got daughters, last thing, and we've called
• 17:57
  Speaker 2: female friends, we've all got mothers. Some what this girl
• 18:02
  Speaker 2: went through was something you don't want any woman to
• 18:05
  Speaker 2: go through. So it was sort of a call against
• 18:09
  Speaker 2: domestic violence in a way. So when you listen to it,
• 18:17
  Speaker 2: you'll actually pull apart the lyrics and you look at it. Well,
• 18:22
  Speaker 2: she got her revenge, good, she got it back. He
• 18:27
  Speaker 2: got what he deserved. So it's not condoning because we
• 18:33
  Speaker 2: we don't support violence to it's not.
• 18:36
  Speaker 1: Our thing.
• 18:38
  Speaker 3: Is based on a true story or is it competing made.
• 18:40
  Speaker 2: Up that you've got to talk to less about.
• 18:44
  Speaker 1: That's a last question.
• 18:46
  Speaker 4: So yeah, right, meeting on meeting, we've got each pity
• 18:52
  Speaker 4: eat pity.
• 18:55
  Speaker 7: Musically, that's a little different. Uh, it's more of like
• 19:04
  Speaker 7: the it's a logan march like that, because let let's
• 19:10
  Speaker 7: be honest, Loganistan.
• 19:13
  Speaker 2: Let's let come on bands from logan It's built up there,
• 19:19
  Speaker 2: come on, let's be real. It's just a logans yeah,
• 19:30
  Speaker 2: as or as we like to technically call it, Loganistan.
• 19:36
  Speaker 2: It's on the good side of the river.
• 19:40
  Speaker 3: Alright. I think we'll move on from that one before
• 19:42
  Speaker 3: we get ourselves in trouble.
• 19:44
  Speaker 1: We'll get canceled for that for sure.
• 19:47
  Speaker 3: We got Mulberry's Sky next.
• 19:52
  Speaker 2: That's a that's almost verging on popping places, isn't it.
• 19:57
  Speaker 3: It's definitely definitely cast from a different DNA strand.
• 20:01
  Speaker 6: Yeah, But lyrically when you listen to it, comparing it
• 20:10
  Speaker 6: to the other songs, how does it tie in?
• 20:14
  Speaker 1: And you look at it as a story about what
• 20:16
  Speaker 1: happens in life?
• 20:20
  Speaker 2: It's your reprise. You've gone through the ship. You're looking
• 20:26
  Speaker 2: at what's next? So musically, what's next? Where can we go?
• 20:34
  Speaker 2: We'll pick ourselves up out of the ship.
• 20:38
  Speaker 3: Ah, there you go.
• 20:39
  Speaker 4: Then with Moth coming up as a final track, it's
• 20:41
  Speaker 4: like the metamorphosis says completed.
• 20:46
  Speaker 1: Ah.
• 20:46
  Speaker 2: But then we go into the deluxe edition, which we'll
• 20:48
  Speaker 2: talk about as well, which we will.
• 20:50
  Speaker 4: We'll get over Moth first and then I shall give
• 20:52
  Speaker 4: you the perfect segue for your delukes.
• 20:54
  Speaker 2: Okay, last song, Oh wow, Moth was fun. Well, after
• 21:18
  Speaker 2: you picked yourself up, where do you want to go?
• 21:21
  Speaker 2: You want to own? Yep, I'm here. I'm not going
• 21:25
  Speaker 2: to deal with that again. Let's keep moving.
• 21:28
  Speaker 1: Just just the final fuck you. I've got through the
• 21:30
  Speaker 1: other side.
• 21:32
  Speaker 2: Here we are and once again you just we're just
• 21:36
  Speaker 2: trying to tell the story musically. Working on the layers
• 21:44
  Speaker 2: for that one and the different tones was fun because.
• 21:49
  Speaker 1: There are parts in there when we were working on
• 21:51
  Speaker 1: it and it's like, well, that's chalk and cheese.
• 21:53
  Speaker 2: That doesn't work, And it almost didn't until Lesbee, his
• 21:58
  Speaker 2: vocal came in with his vocal ideas.
• 22:00
  Speaker 1: On it, and we sort of melded that together.
• 22:06
  Speaker 2: So yeah, that that became a bit different, and then
• 22:07
  Speaker 2: it made sense because musically, you can have a piece
• 22:10
  Speaker 2: of music which might not make sense, might feel good
• 22:15
  Speaker 2: sonically when you're listening to it, you know, no, no,
• 22:17
  Speaker 2: I want to change that. It's not until you get
• 22:19
  Speaker 2: the whole picture, can you go? Ah, I see why
• 22:22
  Speaker 2: that works there? And that has been probably the biggest
• 22:26
  Speaker 2: element with the dream Killers album that we're talking about now,
• 22:31
  Speaker 2: it's keeping that consistency because.
• 22:35
  Speaker 1: Initiation by Fire, it was the year before, one single
• 22:40
  Speaker 1: every month. Yes, very nice.
• 22:46
  Speaker 4: Now you've sort of ruined the surprise, mate, But because me,
• 22:49
  Speaker 4: you all know that Dhadrin Killer's fans might be satisfied
• 22:52
  Speaker 4: with only eight new songs, you are putting out a
• 22:54
  Speaker 4: deluxe version as well, So tell us about that.
• 22:57
  Speaker 1: Okay.
• 22:57
  Speaker 2: So the deluxe version, we got a couple of tracks
• 23:02
  Speaker 2: from the singles last year which were only released as singles.
• 23:07
  Speaker 1: You could not get them on a CD. You could
• 23:09
  Speaker 1: not get them on the vinyl. They are only digital releases.
• 23:12
  Speaker 2: They have been remixed, remastered, and re edited and brought
• 23:19
  Speaker 2: as a special collection de Luxe edition, where you're going
• 23:22
  Speaker 2: to get.
• 23:24
  Speaker 1: These five songs.
• 23:25
  Speaker 3: Six songs.
• 23:27
  Speaker 1: I'll have to check out again.
• 23:28
  Speaker 3: I think it was.
• 23:29
  Speaker 1: I think it's six. Yeah, thank you.
• 23:33
  Speaker 2: That you weren't going to get any other way unless
• 23:35
  Speaker 2: you got them individually after streaming services.
• 23:38
  Speaker 1: Now you can have the album and its entirety.
• 23:40
  Speaker 2: So you're going to have the new version, the remix
• 23:43
  Speaker 2: remastered version of Dirty Water, Goodbye in the Pie.
• 23:52
  Speaker 3: Gay Brown, Snake Brown, snake, they diminished.
• 23:57
  Speaker 1: Yes, all these wonderful songs in there.
• 23:59
  Speaker 2: So they are actually now coincide together with the album, right,
• 24:05
  Speaker 2: because the originally we were talking about releasing a double
• 24:08
  Speaker 2: album because we had so many songs. Then we were doing, now,
• 24:12
  Speaker 2: let's drop a single every year. Let's try something every month.
• 24:15
  Speaker 2: So let's try and then we have the follow up album. Well,
• 24:17
  Speaker 2: we've got these songs that we wanted for the album
• 24:20
  Speaker 2: EP released. Now we're like, okay, well let's get the
• 24:26
  Speaker 2: one that we liked and fans liked and the punners
• 24:30
  Speaker 2: like and put them together and finish that off as
• 24:34
  Speaker 2: a collective. So, yeah, you can buy the one there,
• 24:41
  Speaker 2: just the standard edition and you'll get eight great songs.
• 24:44
  Speaker 1: But you get the DELARX.
• 24:47
  Speaker 2: Get in fourteen and it makes more of the story,
• 24:51
  Speaker 2: makes more sense if.
• 24:54
  Speaker 1: So, that's why it's a limited collectives edition. You'll only
• 24:58
  Speaker 1: get that.
• 25:00
  Speaker 2: On that print vinyl CD. That's the only way you're
• 25:05
  Speaker 2: going to get a version of those songs.
• 25:07
  Speaker 3: And did you say it's limited limited?
• 25:08
  Speaker 2: How many you've got to get your orders and see
• 25:12
  Speaker 2: how many we can print up.
• 25:13
  Speaker 1: The more we get in, the more we print the.
• 25:19
  Speaker 3: Only going to be a one off printing. Is it,
• 25:20
  Speaker 3: like I said, once they're gone.
• 25:22
  Speaker 1: Once they're gone, they're gone. Yes, So it's so the
• 25:27
  Speaker 1: limited edition game.
• 25:28
  Speaker 3: Yeah, three days now. There's something else exciting coming up
• 25:32
  Speaker 3: with the Dreamkillers.
• 25:32
  Speaker 4: We'll get into what you're actually doing there in a second,
• 25:35
  Speaker 4: but you've just recently been announced to play it in
• 25:38
  Speaker 4: Necrosonic twenty twenty six at the manskil tab It on
• 25:40
  Speaker 4: August twenty second, alongside rivers of Noel Slycroptic, Brave Mind,
• 25:45
  Speaker 4: Minus Live, Lynch Mardest, Suppression, Helm Plenty more mate Like,
• 25:50
  Speaker 4: Necrosonic's always been in Goods Festival, but.
• 25:52
  Speaker 1: This year, oh this is huge.
• 25:55
  Speaker 3: We're pretty special.
• 25:56
  Speaker 1: Oh yeah.
• 25:57
  Speaker 2: Oh pity Chris too, because the no, no, you are Chris,
• 26:04
  Speaker 2: he's got to play twice in one day.
• 26:07
  Speaker 3: Make him work.
• 26:09
  Speaker 2: Well, you know, he's playing bass for Minus Life and
• 26:12
  Speaker 2: he's got to jump on leg guitarle for dream Kills.
• 26:15
  Speaker 3: Well, all right, go back him in.
• 26:18
  Speaker 1: Oh no, he'll be fine ill.
• 26:21
  Speaker 4: And the best thing about this is that I can't
• 26:24
  Speaker 4: remember the last time this was.
• 26:25
  Speaker 3: Done, if it hasn't even been done.
• 26:26
  Speaker 4: But you're going to be playing Poison the Suit and
• 26:28
  Speaker 4: Carnival of Skin in full, back to back back.
• 26:36
  Speaker 1: Yep. So that's going to be interesting. Oh yeah, well
• 26:42
  Speaker 1: you got to think about it.
• 26:44
  Speaker 2: Nefer Sonic is bringing great music back and those two
• 26:49
  Speaker 2: EPs are fantastic. They were the starting point of it,
• 26:53
  Speaker 2: and why not give that a goodment revisit. Yeah, some
• 26:59
  Speaker 2: great songs, crowd favorites and what can put together with Nakasonic?
• 27:06
  Speaker 4: Why wouldn't we that they've all brought out together in
• 27:09
  Speaker 4: a special thing called Poisoned Carnival, weren't they?
• 27:12
  Speaker 1: They work?
• 27:13
  Speaker 4: Yeah, and that's ever been done before where they've been
• 27:15
  Speaker 4: playing live back to back, not that.
• 27:18
  Speaker 1: I'm aware of.
• 27:19
  Speaker 2: I don't think they have, but many, many of the
• 27:22
  Speaker 2: songs have been played live, but not like that.
• 27:27
  Speaker 3: To my knowledge, that's going to be worth the price
• 27:30
  Speaker 3: of admission lay and I'm frothen you ever.
• 27:33
  Speaker 1: Know what's going to happen? That lineup's massive. He's out
• 27:38
  Speaker 1: done himself.
• 27:39
  Speaker 3: He does every year.
• 27:40
  Speaker 4: Good on him, Good on him? And what else have
• 27:44
  Speaker 4: you guys got planned between now and then? You've got
• 27:45
  Speaker 4: any other shows or is that going to be your
• 27:47
  Speaker 4: first year?
• 27:49
  Speaker 2: Well that's that's really the main point of the year.
• 27:56
  Speaker 2: Everything else is just supporting and promoting the relief and
• 28:00
  Speaker 2: seen what comes out. There might be something pop up
• 28:04
  Speaker 2: here and there that will be a special event.
• 28:08
  Speaker 1: But we'll keep everyone informed on that as that happens.
• 28:12
  Speaker 4: Fantastic Daniel, thanks for your time. Broke the album prophe
• 28:16
  Speaker 4: is hanging harmony or cunning handy. I can't even to
• 28:18
  Speaker 4: say what he told me. How it is out now,
• 28:20
  Speaker 4: it's the tracker. Check the review out in Heavy. I
• 28:22
  Speaker 4: can don't believe me, but from longtime fans, new fans,
• 28:26
  Speaker 4: everyone is going to be happy.
• 28:27
  Speaker 1: Mate.
• 28:27
  Speaker 3: She's a fucking practice.
• 28:28
  Speaker 1: So well done.
• 28:29
  Speaker 2: Thank you, Chrispy, thanks for the Thanks for your time, mate,
• 28:31
  Speaker 2: and you have a great day.