Latest / The Breakfast Club / Yo Gotti & Yung Dee Talk New Project, Angela Simmons, 42 Dugg + More!

Transcript

Yo Gotti & Yung Dee Talk New Project, Angela Simmons, 42 Dugg + More! · The Breakfast Club

• 0:00
  Speaker 1: Morning.
• 0:00
  Speaker 2: Everybody is DJ en V, Charlamagne the God. We are
• 0:03
  Speaker 2: the Breakfast Club. We got some special guests joining us today.
• 0:07
  Speaker 2: We got Yo, Gottay and Young DD. Welcome, Welcome, Welcome.
• 0:13
  Speaker 2: As you feel like how you feel like Gotty? You
• 0:15
  Speaker 2: just went on a tour for your birthday?
• 0:17
  Speaker 1: Man?
• 0:18
  Speaker 3: Yeah, I like you know, I like traveling though.
• 0:21
  Speaker 1: Yeah, so do you enjoy now?
• 0:23
  Speaker 3: Just now? Just nothing?
• 0:24
  Speaker 1: Yeah?
• 0:24
  Speaker 3: You know what, I used to travel a lot because
• 0:26
  Speaker 3: I don't really like planes like that. So I was
• 0:29
  Speaker 3: like late to like going overseas and stuff like that
• 0:31
  Speaker 3: because I didn't like to be on the planes for
• 0:33
  Speaker 3: a long time.
• 0:34
  Speaker 1: So he was missing out on mad money then just
• 0:36
  Speaker 1: off shows and everything.
• 0:38
  Speaker 2: It's so every time we have Gotti up here. I
• 0:41
  Speaker 2: just loved the first interview of Gotti where Gotty. We
• 0:44
  Speaker 2: had Gotty for thirty minutes. He might have said five words.
• 0:46
  Speaker 2: And now God has opened up, he's traveling, he's just
• 0:48
  Speaker 2: a CEO. I just love to see the transformation of Gotty.
• 0:51
  Speaker 2: So how's it been being ceo less music? I know
• 0:54
  Speaker 2: you got a mixtape out now, but really your shot man?
• 1:00
  Speaker 3: He executive produced that joint.
• 1:02
  Speaker 2: Yeah, that's have been developing those acts opposed to diving
• 1:05
  Speaker 2: into the music as much as you were before.
• 1:07
  Speaker 3: I mean, I think I got the same passion for both,
• 1:10
  Speaker 3: you know what I mean. I always had it from
• 1:11
  Speaker 3: the beginning. I just knew, like you know, it's a
• 1:14
  Speaker 3: time for everything. I had to get to a certain
• 1:16
  Speaker 3: point and the artistry point to you know what I'm saying,
• 1:19
  Speaker 3: to go to the executive. But I think it's the
• 1:21
  Speaker 3: same satisfaction for me, you know what I'm saying, Like
• 1:23
  Speaker 3: seeing an artist winning that I work with is like
• 1:26
  Speaker 3: I get the same like validation of seeing myself. I
• 1:30
  Speaker 3: think that's why I'm so like passionate about it, you
• 1:32
  Speaker 3: know what I mean. It's so into it, into the
• 1:34
  Speaker 3: details of artists I work with. It's just like if
• 1:39
  Speaker 3: it was myself, I'm like selfless when it comes to that,
• 1:43
  Speaker 3: you know what I mean. Like I see it as
• 1:44
  Speaker 3: the same.
• 1:45
  Speaker 4: How do you know when it's time to take the
• 1:47
  Speaker 4: executive jacket off and get back into trenches as an artist?
• 1:50
  Speaker 1: Like how did you know this is time to do?
• 1:51
  Speaker 1: I showed you.
• 1:52
  Speaker 3: Show It's just energy. I go off energy. I'm still
• 1:56
  Speaker 3: like a fan of music at the same time, so
• 1:59
  Speaker 3: when I'm listening in the music, I can hear when
• 2:01
  Speaker 3: I feel like something is missing, you know what I mean?
• 2:04
  Speaker 3: So you know, if I feel like I can, you know,
• 2:06
  Speaker 3: try to deliver it. I tried, you know what I'm saying.
• 2:09
  Speaker 3: So and I feel like to me, like this mixtape
• 2:12
  Speaker 3: to me is like outside music. You know. I feel
• 2:15
  Speaker 3: like a lot of music like laid back and your
• 2:17
  Speaker 3: feelings and get high music or you know what I'm saying,
• 2:22
  Speaker 3: Like I feel like it's a hustle music is kind
• 2:26
  Speaker 3: of like missing you know. So what I do? What jeez?
• 2:28
  Speaker 3: Do you know what I'm saying? Like in that era,
• 2:30
  Speaker 3: I feel like I ain't no like get money music.
• 2:33
  Speaker 3: You feel me? I feel like, you know, you need
• 2:36
  Speaker 3: to get money music out.
• 2:38
  Speaker 1: I can feel it with this one.
• 2:39
  Speaker 2: I was gonna say, what made you go back to
• 2:40
  Speaker 2: the element of the mixtape because you could have did
• 2:42
  Speaker 2: an album, We could have did an EP, but you
• 2:43
  Speaker 2: decided to link up with with drama and do a
• 2:46
  Speaker 2: gangster grill version.
• 2:47
  Speaker 3: When I think about that whole get Money error that
• 2:49
  Speaker 3: this word took me back to, you know what I'm saying,
• 2:52
  Speaker 3: Like it's that whole era. I'm like, you make it
• 2:54
  Speaker 3: fun like it ain't that serious really for me? At
• 2:57
  Speaker 3: this point, like I want to make like like it
• 2:59
  Speaker 3: ain't number ten songs on her so that it's like
• 3:02
  Speaker 3: it's like the shortest project I ever put out since
• 3:04
  Speaker 3: I've been doing music. So it ain't about like, you know,
• 3:08
  Speaker 3: putting a lot of tracks on another trucks, you know why,
• 3:10
  Speaker 3: you know the tricks of the game. You know. It
• 3:12
  Speaker 3: was just about making it like an art piece, you
• 3:15
  Speaker 3: know what I mean? Ten songs only to write ten songs,
• 3:18
  Speaker 3: not nothing, that's just filling me in. Like if we
• 3:21
  Speaker 3: felt like it want hard, don't put it on there.
• 3:23
  Speaker 3: So we felt like we had number eight hard song,
• 3:25
  Speaker 3: we don't put eight.
• 3:27
  Speaker 4: You know you said on the project that you're not
• 3:28
  Speaker 4: doing no more albums. Yeah you don't care about the
• 3:33
  Speaker 4: charge you feel that way?
• 3:34
  Speaker 3: Yeah of course, yeah, of course why.
• 3:37
  Speaker 1: You don't got no, clearly you don't have no more
• 3:39
  Speaker 1: album obligations.
• 3:40
  Speaker 3: Then no, no, no, I'm one hundred percent independent.
• 3:43
  Speaker 1: Wow, So why not do an album? Too much pressure?
• 3:47
  Speaker 3: Nah? I just think like I think that's a mental
• 3:49
  Speaker 3: thing to though for me too. It's like when I
• 3:52
  Speaker 3: say I'm doing a mixtape, I don't know. It's just
• 3:54
  Speaker 3: like I've been a different mad state when I say
• 3:57
  Speaker 3: I'm doing an album. You know, most of time when
• 3:59
  Speaker 3: I do a mixtap, I don't spend a lot of
• 4:00
  Speaker 3: time on it. Like I may do it in a week,
• 4:03
  Speaker 3: you know what I'm saying, ten days nowadays something like that.
• 4:06
  Speaker 3: You know, you may be working on your album for
• 4:08
  Speaker 3: six months, eight months, you know what I'm saying, like
• 4:11
  Speaker 3: going bagging forth. So I think it's kind of like,
• 4:14
  Speaker 3: you know, when I came up in the mixtape era,
• 4:17
  Speaker 3: mixtape was almost like practice. He was like, Man, I'm
• 4:20
  Speaker 3: gonna do this before the album, Like it's kind of like, yeah,
• 4:23
  Speaker 3: this is a warm up before the album. But they
• 4:25
  Speaker 3: always be special, you know what I mean. So it's
• 4:28
  Speaker 3: kind of like what I'm all, you.
• 4:30
  Speaker 2: Feel any pressure with you know, with you so many artists, right,
• 4:33
  Speaker 2: we're just seeing you Gorilla's birthday. You brought a main
• 4:35
  Speaker 2: back truck, right, So now do you have any pressure
• 4:37
  Speaker 2: with every artist's birth because you got a lot of artists.
• 4:40
  Speaker 5: Now, you got producers.
• 4:41
  Speaker 2: Now, now do you got that pressure with every time
• 4:42
  Speaker 2: and a artists come out, you got to say, got
• 4:44
  Speaker 2: to spend a bag.
• 4:46
  Speaker 3: I mean not really, you know what I mean, Because
• 4:49
  Speaker 3: me and all me and my artists got special, you know,
• 4:52
  Speaker 3: relationships and buzz and we do so much for each other.
• 4:54
  Speaker 3: You know, some of it it's seen, some of it's
• 4:56
  Speaker 3: not seen. So everybody know I rock with them a thousand.
• 4:59
  Speaker 5: What made you get realer? A mayback truck?
• 5:01
  Speaker 1: Was it? You know?
• 5:01
  Speaker 5: The fact that she's.
• 5:02
  Speaker 2: Been, you know successful the last couple of months. She's
• 5:05
  Speaker 2: been putting records on the charge. She's she's out here.
• 5:08
  Speaker 3: Yeah, and I and I like to see it. I
• 5:09
  Speaker 3: like to see it. Like you know what I'm saying.
• 5:11
  Speaker 3: Low Glow bought her first car not too long ago,
• 5:15
  Speaker 3: like you know, it's crazy, like the whole like probably
• 5:18
  Speaker 3: your run. She didn't even have a car, you know
• 5:20
  Speaker 3: what I'm saying. Not that she can't afford it. The
• 5:22
  Speaker 3: course she could buy a car, and she wasn't even
• 5:24
  Speaker 3: like glowing. Really, she don't really be on that, you
• 5:26
  Speaker 3: know what I'm saying. So I wanted to buy that
• 5:29
  Speaker 3: type of cockca she probably wouldn't even bought it staking
• 5:32
  Speaker 3: the paper.
• 5:34
  Speaker 1: That's going real money anyway. So you just spend the
• 5:36
  Speaker 1: money out her budget.
• 5:37
  Speaker 3: I mean, I mean we don't have budgets, but uh,
• 5:41
  Speaker 3: it's more definitely my money.
• 5:42
  Speaker 4: Yeah, I'm saying you feel Yeah, she's not gonna she's
• 5:45
  Speaker 4: not gonna look at a statement later on and be.
• 5:47
  Speaker 3: Like, uh and if and if you know, I'm the
• 5:51
  Speaker 3: type of person that, like, wh don't really have the
• 5:53
  Speaker 3: type of issues. I'm the type of person that, like,
• 5:57
  Speaker 3: we just don't have the type of issues. You know
• 5:59
  Speaker 3: what I'm saying. It's too much, it's too much paper
• 6:01
  Speaker 3: flowing around. Have money issues.
• 6:05
  Speaker 2: Another time you put it on social media that I
• 6:08
  Speaker 2: think it was a couple million dollars for any lawyer
• 6:10
  Speaker 2: that can help you get.
• 6:11
  Speaker 3: Four two outake sure it too.
• 6:13
  Speaker 5: How did anybody called and anybody reach out? What's the process?
• 6:16
  Speaker 3: What's going on for everybody reached out? You know what
• 6:18
  Speaker 3: I'm saying, But they can't really do nothing. You know
• 6:20
  Speaker 3: what I'm saying. But Doug already you know we rock
• 6:23
  Speaker 3: with who Doug lawyer? Is he good? He was good
• 6:26
  Speaker 3: from the beginning, you know what I'm saying. Just we
• 6:28
  Speaker 3: thought we could get him home earlier. We were to
• 6:30
  Speaker 3: bust the move.
• 6:31
  Speaker 1: You said, he shure, So you're coming on soon.
• 6:32
  Speaker 3: Yeah, we know, like sixty eighty days or something like
• 6:36
  Speaker 3: oh world.
• 6:37
  Speaker 4: Well okay, okay, So before the end of the year,
• 6:39
  Speaker 4: young d did this whole project.
• 6:41
  Speaker 3: It well most of he executive produced it. He produced
• 6:43
  Speaker 3: most of the records, but the executive produced the whole project,
• 6:47
  Speaker 3: meaning like I worked with him, like, you know, even
• 6:49
  Speaker 3: if I got to be from another producer on you know,
• 6:52
  Speaker 3: the type of energy and tempos and stuff like that
• 6:55
  Speaker 3: we was going at.
• 6:56
  Speaker 1: Was it a lot of pressure up? A lot of pressure. Okay,
• 7:00
  Speaker 1: I'm just always just mixing my style with his style.
• 7:02
  Speaker 1: Where you're from, d Jackson, Tennessee, Tennessee. How y'all connect
• 7:06
  Speaker 1: on what year there was?
• 7:10
  Speaker 3: Yeah? You know we found him he was he was
• 7:11
  Speaker 3: fourteen years old.
• 7:12
  Speaker 5: I wouldn't say d look young.
• 7:14
  Speaker 3: Yeah, he's seventeen, sixteen or seventeen now seventeen, he's seventeen
• 7:18
  Speaker 3: now we mail him. He was fourteen on Instagram live.
• 7:22
  Speaker 5: She made on Instagram like he was on live and
• 7:23
  Speaker 5: he said I'm.
• 7:24
  Speaker 3: Up to the beat, and he sent them some beats.
• 7:26
  Speaker 3: Oh and he count of rock from there like and
• 7:29
  Speaker 3: he sent bags some beats And then me and Bag
• 7:31
  Speaker 3: was talking about him like, you know you number fourteen
• 7:34
  Speaker 3: and me and Bad actually collaborated and signed them together
• 7:37
  Speaker 3: when he was fourteen?
• 7:39
  Speaker 5: What did your what did your parents say when when
• 7:40
  Speaker 5: you have the most parents. Look at the rap game.
• 7:43
  Speaker 2: The rap game is as now, it's not gonna be
• 7:45
  Speaker 2: It's gonna take a long time and you're not gonna
• 7:47
  Speaker 2: be successful. So what did your parents say when both
• 7:48
  Speaker 2: these platinum martis at the time, So I want to
• 7:50
  Speaker 2: sign you.
• 7:51
  Speaker 5: They will lead in front of jump and they let
• 7:53
  Speaker 5: you go at me?
• 7:55
  Speaker 1: Really, all do we do?
• 7:56
  Speaker 3: You need to travel with us him and his dad
• 7:58
  Speaker 3: to pull up to the studio. Yeah, they're young.
• 8:01
  Speaker 1: You got to have a conversations with the parents just
• 8:03
  Speaker 1: to let them know.
• 8:04
  Speaker 3: Yeah, you know, you got to even when you're doing
• 8:07
  Speaker 3: business at that young the parents got to be involved
• 8:09
  Speaker 3: in all that. But dadd it was, you know, super supportive.
• 8:11
  Speaker 3: Would travel with them to the studio sessions and everything.
• 8:15
  Speaker 3: When we would cook up. We had these CMG sessions
• 8:17
  Speaker 3: and he'll come to them where you cook up live
• 8:19
  Speaker 3: in the studio. It's dead to bring them down there.
• 8:22
  Speaker 4: Man, one record you got on the album Man with
• 8:24
  Speaker 4: money Bag, Yo, mind my business, I swear man, that's
• 8:27
  Speaker 4: how you feel. That's how everybody feel when they come
• 8:29
  Speaker 4: from a certain environment.
• 8:31
  Speaker 1: You know what I mean. Because you want to.
• 8:32
  Speaker 4: Help, but sometimes you don't feel like your help is appreciated,
• 8:36
  Speaker 4: then you don't really know what you can do. So
• 8:37
  Speaker 4: sometimes you just like, I'm just gonna mind my business.
• 8:40
  Speaker 1: People.
• 8:41
  Speaker 3: It's always been me. Ye, It's always been me. I
• 8:44
  Speaker 3: think that's like one of the things streets teach you
• 8:46
  Speaker 3: in the beginning. Like you know, like I call it
• 8:50
  Speaker 3: just survivor skills. You know what I'm saying, Like a
• 8:52
  Speaker 3: lot of people survive long. It's just staying out of
• 8:54
  Speaker 3: people business, you know what I'm saying. Like, just man,
• 8:57
  Speaker 3: just I don't hear nothing on see nothing, know nothing.
• 9:00
  Speaker 3: I ain't even got no opinion on nothing, you know
• 9:03
  Speaker 3: what I'm saying, which absolute.
• 9:06
  Speaker 4: But then when you somebody like yourself, who is a
• 9:08
  Speaker 4: figure you know what I mean, and comes from the street,
• 9:11
  Speaker 4: you probably can't change a lot of the next generation's
• 9:14
  Speaker 4: lives are shown a better way.
• 9:16
  Speaker 3: I think we we we put we put in work
• 9:19
  Speaker 3: to make change is what we can's. It's still a
• 9:21
  Speaker 3: lot of stuff we do do you know what I'm saying.
• 9:23
  Speaker 3: It's a lot of stuff we do do that we
• 9:25
  Speaker 3: do think is effective to help, you know what I mean.
• 9:30
  Speaker 3: But I think that's a it's a it's a it's
• 9:32
  Speaker 3: a line, right, it's a land where you can do
• 9:34
  Speaker 3: that and it's a line where like you know what
• 9:37
  Speaker 3: I mean, it's almost like it can be uh almost
• 9:41
  Speaker 3: backfound you or you just you need to stay man,
• 9:45
  Speaker 3: you're beating this, you know what I'm saying.
• 9:47
  Speaker 4: So I feel like Memphis, Manphis, Memphis got everything to
• 9:50
  Speaker 4: be that next hip hop hub, but for some reason,
• 9:54
  Speaker 4: it's still feels like it ain't there yet, which is
• 9:57
  Speaker 4: strange to me because you got so much artists coming
• 9:59
  Speaker 4: out of me.
• 10:00
  Speaker 1: What do you think the problem is.
• 10:01
  Speaker 3: I think it's the hip hop hub. I think we created,
• 10:04
  Speaker 3: We always had our sound. I think people just got
• 10:06
  Speaker 3: on tire sound late, you know. I think from I
• 10:08
  Speaker 3: think it finally get the respect from a record label
• 10:11
  Speaker 3: stand and put all the a and rs and executives.
• 10:14
  Speaker 3: You know, look, look for Memphis artists. Man, So many
• 10:16
  Speaker 3: people call me about different Memphis artists. You know what
• 10:19
  Speaker 3: I'm saying. They be knowing some of them more than
• 10:22
  Speaker 3: quicker than I do. That's how That's how the microscope
• 10:24
  Speaker 3: is on the city, you know what I'm saying. So
• 10:26
  Speaker 3: I'm proud of that because I think it's a lot
• 10:28
  Speaker 3: of opportunity for a lot of people that come out
• 10:31
  Speaker 3: of her I just think that man, we just like
• 10:35
  Speaker 3: if it's just street street like, so even with the opportunity,
• 10:40
  Speaker 3: you know, I think most people just be street dudes
• 10:43
  Speaker 3: more than they be artists, you know what I'm saying.
• 10:45
  Speaker 3: So it's more like, you know what I mean, It's
• 10:50
  Speaker 3: more like I had to do this at one point.
• 10:52
  Speaker 3: I think you have to just accept that. Man, I'm
• 10:56
  Speaker 3: an artist now and I'm gonna put that to the side.
• 11:00
  Speaker 3: You feel me. I think when more people do that,
• 11:02
  Speaker 3: that's what probably, you know, you'll see the artistry turn
• 11:06
  Speaker 3: into more of like really the industry artists, and then
• 11:10
  Speaker 3: that probably be an answer.
• 11:11
  Speaker 1: On the album you say, you're still riding around with
• 11:13
  Speaker 1: the pistol. The pistol in the rose rights though.
• 11:15
  Speaker 3: I mean, you know, we gotta survive.
• 11:22
  Speaker 2: I was gonnass with with fifty years of hip hop
• 11:24
  Speaker 2: being this week. You know what got you into hip hop?
• 11:28
  Speaker 2: Being a young hustler from Memphis, Like, what made you
• 11:31
  Speaker 2: say this is where I want to be? What made
• 11:33
  Speaker 2: you fall in love with it?
• 11:34
  Speaker 3: I mean I was just a fan of it from
• 11:36
  Speaker 3: the gate since a kid, you know what I'm saying.
• 11:38
  Speaker 3: I remember standing in front of the Flow Model TV's
• 11:42
  Speaker 3: just looking at videos that was out, and I just
• 11:44
  Speaker 3: always thought it was dope and fly. I just was,
• 11:48
  Speaker 3: you know, a fan of hip hop from the beginning,
• 11:51
  Speaker 3: you know what I'm saying. Before I even knew that
• 11:52
  Speaker 3: I would be in it, I was a fan of it.
• 11:54
  Speaker 5: And did you did you know that was gonna be
• 11:56
  Speaker 5: your way out of what you were doing or it was.
• 11:58
  Speaker 3: Just actually didn't know, you know what I'm saying. Even
• 12:00
  Speaker 3: when I first started rapping, I didn't believe that it
• 12:01
  Speaker 3: was possible actually happened because coming from where I'm from,
• 12:05
  Speaker 3: we didn't know anybody famous. We didn't know like nobody
• 12:08
  Speaker 3: that had made it, like from rapping, from being an
• 12:10
  Speaker 3: NFL player, being an NBA player talk host. You know
• 12:14
  Speaker 3: what I'm saying. We didn't know like anybody that made it,
• 12:18
  Speaker 3: you know what I'm saying, other than you know, the
• 12:19
  Speaker 3: dope boys from my neighborhood. We had fly Calls and
• 12:22
  Speaker 3: Juror and Felile Fitz and you know what I'm saying. Like, so,
• 12:26
  Speaker 3: you know, even when I was doing it, it was kind
• 12:28
  Speaker 3: of like it was just something to do. I didn't
• 12:30
  Speaker 3: really think that like it can really, you know what
• 12:32
  Speaker 3: I'm saying, turn into what it turned too, and.
• 12:34
  Speaker 1: I felt like think you could do it? Was it
• 12:36
  Speaker 1: who made you believe you could do it?
• 12:37
  Speaker 3: With it?
• 12:37
  Speaker 1: Three six or who was it?
• 12:39
  Speaker 3: Oh? Well, it started off being started off being a
• 12:42
  Speaker 3: DUDEO KC from my neighborhood. He was a rapper. He
• 12:45
  Speaker 3: was the only rapper in our neighborhood. He used to rapping.
• 12:48
  Speaker 3: We used to always just listen to him rap. Then
• 12:50
  Speaker 3: he wrote my first rap for me, and I just
• 12:52
  Speaker 3: recite the rap he wrote me until I started like
• 12:54
  Speaker 3: putting my own words in it into the exact same pattern,
• 12:58
  Speaker 3: you know what I'm saying. And so that was like
• 13:00
  Speaker 3: the first person that made me like really want to
• 13:02
  Speaker 3: be a rapper. Other than that, uh, Skinny Pimp. I
• 13:07
  Speaker 3: used to see Skinny Pimp riding through Memphis and the
• 13:09
  Speaker 3: drop Top five point h. That was like the first
• 13:12
  Speaker 3: artist ice scene back in the day with the Mustang
• 13:16
  Speaker 3: drop You feel me because I didn't really see three
• 13:19
  Speaker 3: six that much, like physically see them, you know what
• 13:21
  Speaker 3: I'm saying. And then when Project Pet came home, I started, Yeah,
• 13:25
  Speaker 3: Project Pet came on and he used to be like
• 13:28
  Speaker 3: on the E side of town. So I used to
• 13:30
  Speaker 3: see Project Pat Ball of G Then bolling. But I'm saying,
• 13:35
  Speaker 3: like I listened to Balling G Music and three six music,
• 13:38
  Speaker 3: But I'm saying, like physically seeing it, because I'm the
• 13:40
  Speaker 3: type of person that like, if I don't see you,
• 13:43
  Speaker 3: I don't really believe it. You know what I'm saying,
• 13:45
  Speaker 3: I really like seeing this, like you gotta be able
• 13:47
  Speaker 3: to see it to believe it's possible, you know what
• 13:49
  Speaker 3: I'm saying. So skinning him project pet is what I've seen.
• 13:52
  Speaker 2: What made you state the independent route because you know,
• 13:54
  Speaker 2: most when people want to be a rapper, a lot
• 13:57
  Speaker 2: of people's dreams is to sign to a major.
• 13:58
  Speaker 5: They want to sign to a But I.
• 14:00
  Speaker 3: Did all of it. I did all of it. You
• 14:02
  Speaker 3: know what I'm saying. I was independent, I was signed back,
• 14:04
  Speaker 3: independent sign. I mean even right now, I'm doing all
• 14:07
  Speaker 3: of it. You know what I'm saying. I gotta you know,
• 14:08
  Speaker 3: my labor and independent one hundred percent in a partnership,
• 14:11
  Speaker 3: you know what I'm saying. But men as an artist
• 14:13
  Speaker 3: is independent. So you know what I'm saying, it's you know,
• 14:16
  Speaker 3: I don't think it's no. I don't think it's like no,
• 14:19
  Speaker 3: no big reward or no big thing to be independent.
• 14:23
  Speaker 3: I think it's like you have to do, like what
• 14:26
  Speaker 3: makes sense for your business. You know, I think being
• 14:28
  Speaker 3: independent for me at this level in the game makes
• 14:30
  Speaker 3: sense for me today. You know what I'm saying, because
• 14:33
  Speaker 3: I ain't even you know how, I may drop a
• 14:36
  Speaker 3: project whenever I feel like it. So I mean, I
• 14:40
  Speaker 3: need the same resources that a new artist may need.
• 14:43
  Speaker 3: So I think you gotta align yourself for what you
• 14:46
  Speaker 3: need for you to have a big shot, to be
• 14:49
  Speaker 3: the biggest artist in the world, if that's what you
• 14:51
  Speaker 3: want to be now.
• 14:52
  Speaker 2: You also said that you know you didn't see you know,
• 14:54
  Speaker 2: eight ball and JG. You didn't see three six month field.
• 14:58
  Speaker 2: When did you realize to be like, you know what,
• 15:00
  Speaker 2: I gotta move where people don't see me because a
• 15:02
  Speaker 2: lot of people don't want what's best for me.
• 15:05
  Speaker 3: It took me a while to understand that, you know
• 15:07
  Speaker 3: what I'm saying, And I think it's older. I gotta
• 15:09
  Speaker 3: understood them more, you know what I'm saying, because you know,
• 15:14
  Speaker 3: because like like you just said, like I didn't understand
• 15:16
  Speaker 3: when I was young why I didn't see them, you
• 15:18
  Speaker 3: know what I mean, Like I remember being in Miffic
• 15:20
  Speaker 3: and they were telling me, like I'm staying in LA
• 15:22
  Speaker 3: and I'm like, you feel me Like I'm like like
• 15:27
  Speaker 3: imbut you know what I'm saying. But now I get it,
• 15:30
  Speaker 3: say like, but I ain't. When I was young, I
• 15:35
  Speaker 3: ain't really ain't. You know what I'm saying? Like you
• 15:37
  Speaker 3: you know, like I'm mad enough to say that, Like
• 15:39
  Speaker 3: you know, it's like you just change mindset. You know
• 15:42
  Speaker 3: what I'm saying, and you learn and mature and you
• 15:44
  Speaker 3: see things differently, you know what I'm saying. So, but
• 15:47
  Speaker 3: when I was younger, I most definitely was one of them.
• 15:49
  Speaker 3: Uh you feel me like you know, probably like what
• 15:53
  Speaker 3: the young guys just tell you. You feel me, you
• 15:56
  Speaker 3: know what I'm saying. So I was I used to
• 15:58
  Speaker 3: think like that and then understand some of the things.
• 16:02
  Speaker 2: I want to talk about. You your pockets a little bit.
• 16:05
  Speaker 2: You're part owner of an MLS.
• 16:06
  Speaker 1: Team, money right there.
• 16:09
  Speaker 5: Did you ever have any like maybe I should invest.
• 16:11
  Speaker 1: In DC United?
• 16:13
  Speaker 2: Yeah, he said, he said, I ever have because back
• 16:15
  Speaker 2: then this is this is before I mean, it's a
• 16:18
  Speaker 2: soccer team. Did you ever think to yourself, maybe I
• 16:20
  Speaker 2: should invest in this? What made you say this is
• 16:21
  Speaker 2: I'm gonna put my money in this.
• 16:23
  Speaker 3: I never thought I shouldn't invest it, and it was
• 16:25
  Speaker 3: more so like can I invest more? You know what
• 16:28
  Speaker 3: I'm saying. I knew it was to play, you know
• 16:30
  Speaker 3: what I'm saying, for multiple reasons, Like you know, I
• 16:32
  Speaker 3: do my research. For one, I got the right business
• 16:35
  Speaker 3: team around me, so we do all the right you know,
• 16:39
  Speaker 3: fact checking and making sure that the business and the
• 16:42
  Speaker 3: right standpoint, so that alone, on paper, it was the
• 16:46
  Speaker 3: right business move. But my passion for diversifying and growing
• 16:52
  Speaker 3: and accomplishing different things as a hustler also was a
• 17:00
  Speaker 3: part of it. And then soccer was like the only
• 17:02
  Speaker 3: sport my son ever played. So that's how I even know.
• 17:06
  Speaker 3: You didn't seem like I never even seen it. And
• 17:09
  Speaker 3: I told them that when we were when I was
• 17:11
  Speaker 3: getting into the team, that I never even seen a
• 17:14
  Speaker 3: soccer field when I was a kid. When I seen
• 17:17
  Speaker 3: a soccer ball, I thought it was a flat football.
• 17:19
  Speaker 3: We used to shoot basketball with a soccer ball because
• 17:22
  Speaker 3: just because it was a ball, you know what I'm saying,
• 17:23
  Speaker 3: And we just thought like, man, why the ball flat?
• 17:28
  Speaker 3: So we had no exposure to soccer and the way
• 17:31
  Speaker 3: I grew up, you know. So, but my son differently
• 17:34
  Speaker 3: went to different type of schools, right, So they had
• 17:36
  Speaker 3: a soccer field in his school and it's the sport
• 17:38
  Speaker 3: he plays. So between going to practices and games, you know,
• 17:42
  Speaker 3: I learned what the sporty or so on the opportunity
• 17:45
  Speaker 3: presenting itself out familiar with the sport.
• 17:48
  Speaker 4: And being in DC all the time. Keep you in
• 17:50
  Speaker 4: the White House. Let the record show got it. They
• 17:53
  Speaker 4: found cocaine in the White House, and you know, oh boy,
• 17:55
  Speaker 4: I don't think they found it before you started going to.
• 18:03
  Speaker 1: Do but you know, you do get invited to the
• 18:09
  Speaker 1: White House a lot.
• 18:10
  Speaker 3: Yeah, I want a couple of times. I want a
• 18:12
  Speaker 3: couple of times.
• 18:13
  Speaker 1: What's that like?
• 18:15
  Speaker 3: I mean, you know, it's it's it's a surreal moment. Again.
• 18:21
  Speaker 3: I was just telling one of my partners, like just
• 18:23
  Speaker 3: coming from again, coming from where we come from, we
• 18:26
  Speaker 3: ain't never expect to be at the White House, you
• 18:27
  Speaker 3: know what I'm saying, period, you know what I mean?
• 18:30
  Speaker 3: So to be actually walking through the White House, and
• 18:33
  Speaker 3: you know, I think that's just for me. I don't
• 18:36
  Speaker 3: know what it is for other people, But that's an
• 18:37
  Speaker 3: accomplishment within itself, you know what I mean? Because I
• 18:40
  Speaker 3: feel like everything is like you're an example of a coach, right,
• 18:44
  Speaker 3: you know what I mean. And I was like pass
• 18:47
  Speaker 3: knee deep in the screech, like you feel me. So
• 18:49
  Speaker 3: I think that like for the next young hustler. That's
• 18:53
  Speaker 3: how I look at it for the next young hustle.
• 18:55
  Speaker 3: If you see me at the White House and you
• 18:57
  Speaker 3: if you really do your research, you know where I
• 18:58
  Speaker 3: come from, you could be the White House and you
• 19:00
  Speaker 3: could be doing more than what I was doing at
• 19:02
  Speaker 3: the White House. Because that's how I look at Jay
• 19:04
  Speaker 3: and different people, you know what I'm saying. I look
• 19:05
  Speaker 3: at them like, oh, you know what I'm saying and
• 19:08
  Speaker 3: doing this, he's doing that, So they would give me
• 19:10
  Speaker 3: an inspiration that I can do it, you know what
• 19:12
  Speaker 3: I'm saying. So I hope that you know, the other
• 19:15
  Speaker 3: young hustle see is something like that.
• 19:17
  Speaker 1: How far you move? Do you feel like you are
• 19:19
  Speaker 1: from the street all the way?
• 19:21
  Speaker 4: Because then the album you talk, you you say some things,
• 19:23
  Speaker 4: you know, I let people find it on theself, you
• 19:25
  Speaker 4: know what I mean.
• 19:26
  Speaker 1: But it feels like you still feel like you got
• 19:28
  Speaker 1: some pressure.
• 19:28
  Speaker 3: No, I'm all the way removed. Okay, Okay, what I'm saying,
• 19:31
  Speaker 3: I'm all removed from the street. One thousand two two thousands.
• 19:37
  Speaker 3: You know what I mean. But I think I think
• 19:40
  Speaker 3: streets is not like an action, you know what I'm saying.
• 19:43
  Speaker 3: I think it's a way of thinking, meaning like I
• 19:47
  Speaker 3: don't think there's a certain way of thinking whatever, like
• 19:53
  Speaker 3: leave my mindset, meaning like and it's just from like
• 19:55
  Speaker 3: a protection standpoint or coming sense standpoint or street sense standpoint,
• 20:02
  Speaker 3: meaning like just knowing how to move right so I
• 20:05
  Speaker 3: can stay behind three security guard gates or whatever. I
• 20:10
  Speaker 3: still pull up to the house the same way. You
• 20:12
  Speaker 3: know what I'm saying. I still look, but I pull up.
• 20:15
  Speaker 3: If it's too dog, I may not go in the house.
• 20:17
  Speaker 3: You know what I'm saying. That that's what I mean
• 20:19
  Speaker 3: by street mentality. You know what I'm saying. I mean
• 20:21
  Speaker 3: like it's a feel, you know what I mean. It's
• 20:23
  Speaker 3: still to today, ro I pull up to the house
• 20:25
  Speaker 3: sometimes and I just look and I keep going. I
• 20:27
  Speaker 3: just don't feel it safe to go in. Tonight, I
• 20:30
  Speaker 3: go to the hotel room. But there's somebody that's a
• 20:32
  Speaker 3: trade I got from in the street.
• 20:36
  Speaker 5: But do you still feel that way?
• 20:37
  Speaker 1: Like after this day, you got cameras and you look
• 20:39
  Speaker 1: at your phone.
• 20:40
  Speaker 3: I got everything. You know what I'm saying, you got cameras,
• 20:42
  Speaker 3: I got twenty four hour guards, I got animals.
• 20:45
  Speaker 1: You know what I'm saying.
• 20:46
  Speaker 3: I got every form of protection you have. You know
• 20:48
  Speaker 3: what I'm saying, I still move like that.
• 20:50
  Speaker 1: Damn that's PTSD. Bro's exactly.
• 20:54
  Speaker 5: I was gonna ask, what with everything that's that's going on?
• 20:58
  Speaker 2: And you look at your your career and you look
• 21:00
  Speaker 2: at your life and I remember you putting out the
• 21:02
  Speaker 2: record and you just threw a shot out there for
• 21:05
  Speaker 2: Angela Simmons and to see it three sixty and now
• 21:07
  Speaker 2: that you're actually dating, what was that original conversation?
• 21:10
  Speaker 1: Like?
• 21:11
  Speaker 5: Was it a joke?
• 21:12
  Speaker 3: Was it like what you mean, the original like the
• 21:14
  Speaker 3: first first coming? Absolutely, Oh, the very first time I
• 21:18
  Speaker 3: ever said anything to it was Uh, it was after
• 21:21
  Speaker 3: the song and I just told I was serious, you
• 21:24
  Speaker 3: know what I'm saying, because I seen her and you know,
• 21:26
  Speaker 3: like a joke and I'm like, nah, like, ain't find
• 21:29
  Speaker 3: I'm serious, serious joke, you know what I'm saying. Yeah,
• 21:40
  Speaker 3: that was the first thing I ever told her the
• 21:41
  Speaker 3: first time.
• 21:42
  Speaker 1: Did you take you seriously? So?
• 21:46
  Speaker 3: I think so?
• 21:47
  Speaker 4: On the album you say I ain't never I ain't
• 21:49
  Speaker 4: never lost the crush. I miss the follow up.
• 21:52
  Speaker 3: I'm pretty consistent. I'm pretty consistent.
• 21:57
  Speaker 1: If the record is the one? Is that about her?
• 22:00
  Speaker 3: Oh yeah, yeah, it was inspired pot for shure. You
• 22:02
  Speaker 3: know what I'm saying. She was in the studio with
• 22:03
  Speaker 3: me when I actually, like, you know, when I record,
• 22:07
  Speaker 3: I come off the top on right. So when I
• 22:10
  Speaker 3: loaded the beat up and I was in the booth
• 22:12
  Speaker 3: like she was in the studio, won nobody in the studio?
• 22:14
  Speaker 3: Me huhunt somebody else? You know, That's what came out.
• 22:18
  Speaker 2: I was it being to be so public because usually
• 22:20
  Speaker 2: you have been very private about your private life, whether
• 22:23
  Speaker 2: it's whoever you would date, you know, family members. So
• 22:25
  Speaker 2: how was it to have your life on Front Street
• 22:29
  Speaker 2: been difficult?
• 22:30
  Speaker 3: It's different. I mean, I ain't gonna say it's difficult,
• 22:32
  Speaker 3: but it's different, you know what I'm saying. It's different.
• 22:36
  Speaker 5: People judge you too much?
• 22:37
  Speaker 1: Or is it always?
• 22:38
  Speaker 3: Don't come on about none of that, bro Again, I
• 22:40
  Speaker 3: come from with like you know what I'm saying, Like,
• 22:43
  Speaker 3: I don't think these type of like judgments and opinion,
• 22:45
  Speaker 3: like none of that can really hurt me. I come
• 22:47
  Speaker 3: from like the worst already, you know what I mean.
• 22:50
  Speaker 3: So it ain't it's just different. It's just different. And
• 22:54
  Speaker 3: I think the reason why I was never public it
• 22:57
  Speaker 3: wasn't because an issue with the people that you know
• 23:00
  Speaker 3: what I'm saying, more like a safety thing, you know
• 23:03
  Speaker 3: what I'm saying. You know what I'm saying, More like
• 23:04
  Speaker 3: you don't really want nobody to know where your family is.
• 23:07
  Speaker 3: You know. I think the difference is you already know
• 23:09
  Speaker 3: she is, you already know who I am.
• 23:10
  Speaker 1: And you know what I'm saying, You think you would
• 23:13
  Speaker 1: get married?
• 23:15
  Speaker 3: I don't know one is you know what I'm saying.
• 23:20
  Speaker 3: So we got we gotta see.
• 23:23
  Speaker 4: It's about time got you that you listen to you
• 23:26
  Speaker 4: that dude right now you bossed up on.
• 23:27
  Speaker 1: A different level. Ain't nothing like having that whole unit together,
• 23:30
  Speaker 1: you know what I mean?
• 23:31
  Speaker 3: Yeah, hopefully you married. You can give me some pointers
• 23:34
  Speaker 3: and some information about that, you know what.
• 23:36
  Speaker 1: I'm just got good at it.
• 23:40
  Speaker 3: Give me some give me some I'm looking for, you know. Unfortunately, again,
• 23:48
  Speaker 3: coming from where we come from, and a lot of
• 23:51
  Speaker 3: our people ever does really. So it's like, you know
• 23:53
  Speaker 3: what I'm saying, Like, I ain't got nothing against it,
• 23:55
  Speaker 3: you know what I'm saying. I'm just saying like We're
• 23:57
  Speaker 3: still coming for where we come from and what we know.
• 23:59
  Speaker 3: You know what I'm saying, So we know love, we
• 24:02
  Speaker 3: know loyalty. You know what I'm saying. And and but
• 24:06
  Speaker 3: just the.
• 24:06
  Speaker 4: End goal I can say, I can say being married
• 24:09
  Speaker 4: and actually doing right by my wife, you know in
• 24:11
  Speaker 4: color purple and sei he pointed you and see he
• 24:12
  Speaker 4: s ain't no good gonna come to you till you
• 24:14
  Speaker 4: do right by me.
• 24:15
  Speaker 1: When you do right by your wife.
• 24:17
  Speaker 4: Absolutely, your life, just man, you think you're doing it now?
• 24:20
  Speaker 4: Oh my god, everything everything else, everything.
• 24:25
  Speaker 5: Have you had a conversation with run Can because it's
• 24:32
  Speaker 5: still gotta be awkward. Nobody does he does? He put
• 24:36
  Speaker 5: his you know, his arm around you, like, look, young man.
• 24:39
  Speaker 3: Uh, I gotta I gotta sit down with him.
• 24:42
  Speaker 1: Mhm.
• 24:43
  Speaker 3: So okay, yeah it's lined up though.
• 24:46
  Speaker 1: All yeah, I have to see that. That mean it's
• 24:48
  Speaker 1: about to get serious.
• 24:50
  Speaker 3: I respect.
• 24:53
  Speaker 4: The song No fake love, Man, you feel like, uh
• 24:55
  Speaker 4: do you feel like all love is fake?
• 24:57
  Speaker 3: For real? Not all, but a lot of it, most
• 25:00
  Speaker 3: of it? You know what I'm saying. I think we're
• 25:03
  Speaker 3: in an opportunities world. I feel like, you know, people
• 25:06
  Speaker 3: love you for what you could do for them and
• 25:08
  Speaker 3: once you stop doing it, or once you can't do it,
• 25:10
  Speaker 3: you will see that soon that it's a different relationship,
• 25:14
  Speaker 3: with a different type of relationship. Where are y'all hustling
• 25:16
  Speaker 3: together or are y'all just friends? You know, in a
• 25:19
  Speaker 3: lot of situations, you know what I'm saying, People confuse
• 25:24
  Speaker 3: love and opportunity.
• 25:26
  Speaker 4: What do you think when you have an artist, right,
• 25:28
  Speaker 4: because you've had so much success with different artists, if
• 25:31
  Speaker 4: one of the artists don't take off, what's that conversation?
• 25:34
  Speaker 3: Like we tried, you know what I mean? Like I
• 25:37
  Speaker 3: tell all my artists from the beginning. You know what
• 25:40
  Speaker 3: I'm saying, Like we can win together, we can lose together.
• 25:43
  Speaker 3: Like if I can go to the bank with you,
• 25:45
  Speaker 3: I can lose with you too. I ain't tripping, you
• 25:47
  Speaker 3: know what I'm saying. Long as we both tried our
• 25:49
  Speaker 3: best to do what we thought were win you know
• 25:52
  Speaker 3: what I mean. And you win some, you lose some.
• 25:55
  Speaker 3: You know what I'm saying, Like, I ain't tripping, you.
• 25:57
  Speaker 1: Know how you know when it's time to move on
• 25:59
  Speaker 1: though from an artist?
• 26:01
  Speaker 3: Well, most time, most time I only move on if
• 26:05
  Speaker 3: like we ain't like seeing on the same page. It
• 26:09
  Speaker 3: ain't really a monetarial standpoint, you know what I'm saying,
• 26:12
  Speaker 3: Because we can figure out how to adjust the numbers
• 26:15
  Speaker 3: to keep getting the artist shots and it still makes sense.
• 26:19
  Speaker 3: So we not you know, you're not losing too much,
• 26:22
  Speaker 3: you feel me as long as I feel like we're
• 26:24
  Speaker 3: still in it together and we're still trying together. You
• 26:27
  Speaker 3: know what I'm saying that if we ain't on the
• 26:30
  Speaker 3: same page, we just wasting each other time.
• 26:33
  Speaker 2: You look at artist as ever being a little lazy
• 26:37
  Speaker 2: because of the social media era, they got a lot
• 26:39
  Speaker 2: of things that you didn't have right. So I remember
• 26:41
  Speaker 2: seeing you come up and the things that you had
• 26:43
  Speaker 2: to do, whether it was going to every homecoming All
• 26:46
  Speaker 2: Star event, super Bowl where you would travel with all
• 26:48
  Speaker 2: your cars to make it a movie.
• 26:49
  Speaker 5: Like I remember seeing that, and it's seeing the grind.
• 26:52
  Speaker 3: I talk about this all the time, partnering them. They're like,
• 26:55
  Speaker 3: it's just a different eraror like what we done, what
• 26:58
  Speaker 3: we done to remote and what we're done to get
• 27:01
  Speaker 3: in position. I just don't think new artists today could
• 27:04
  Speaker 3: even do that, you know what I'm saying, Like, bro,
• 27:07
  Speaker 3: I remember I used to go to New Orleans to
• 27:09
  Speaker 3: Holly burd Man. We used to wait ten hours just
• 27:14
  Speaker 3: to talk to him, Like you know what I mean, Like,
• 27:16
  Speaker 3: imagine if you tell the artists come to meet you
• 27:18
  Speaker 3: today and it takes take you ten hours to talk
• 27:21
  Speaker 3: to him. Gott it of that, you know what I'm saying, disrespect.
• 27:27
  Speaker 3: They're like, man, wait thirty minutes. You know what I'm saying,
• 27:31
  Speaker 3: Like you know, we would go to a video shoot
• 27:34
  Speaker 3: and beat her all day to be in a two
• 27:36
  Speaker 3: second cameo. You know what I mean. We ain't have
• 27:40
  Speaker 3: no trailer, no budget, styling budget. Again, man invite a
• 27:45
  Speaker 3: artist to the video and he ain't ready shoot them
• 27:48
  Speaker 3: when he pull up. You know what I'm saying. You
• 27:51
  Speaker 3: know what I'm saying, Like it's just it's just a
• 27:53
  Speaker 3: different like you know what I mean. But I also
• 27:56
  Speaker 3: think those things that those are the thing that make
• 27:59
  Speaker 3: people like me, like stronger on a different level, Like
• 28:02
  Speaker 3: I can take more. I can Like I'm not bothered easily,
• 28:06
  Speaker 3: you know what I'm saying, Like I'm not really like
• 28:08
  Speaker 3: I ain't phased by nothing. I already done it the
• 28:11
  Speaker 3: hardest way you can do it. I haven't already been
• 28:13
  Speaker 3: through the you know what I mean. Like, so like
• 28:16
  Speaker 3: everything is like what's something serious to somebody's like it's
• 28:20
  Speaker 3: a joke to be I'm tripping off of like you
• 28:22
  Speaker 3: paid it, you're fitted by it.
• 28:24
  Speaker 1: Like what what's Young d done that made you be
• 28:28
  Speaker 1: like come.
• 28:28
  Speaker 3: On, bro, Young d ain't done nothing, bro, Like yeah,
• 28:32
  Speaker 3: Young d like just getting started and he onto a
• 28:34
  Speaker 3: great start. You know what I'm saying. He done like
• 28:38
  Speaker 3: Doug record made Bag of Future a lot of money
• 28:42
  Speaker 3: Bag records at an early age. So I think he
• 28:45
  Speaker 3: kind of ahead of his time, you know what I'm saying.
• 28:47
  Speaker 3: I think he creating a sound that's probably gonna be
• 28:49
  Speaker 3: like this CMG sound for the next you know next way.
• 28:52
  Speaker 4: You got your first home the bands yet, yeah, that's
• 29:00
  Speaker 4: what That's what God. He said on the First hundred
• 29:02
  Speaker 4: Band said his first hundred band felt like a million,
• 29:04
  Speaker 4: So what did a million feel like?
• 29:05
  Speaker 1: Then? Got?
• 29:06
  Speaker 3: Man? You know it's crazy because it's like, I mean, y'all,
• 29:09
  Speaker 3: y'all got a lot of money many but it's like,
• 29:13
  Speaker 3: you know, uh, when you first get that first hunting
• 29:16
  Speaker 3: that hunted in the hood, you were like a millionaire
• 29:19
  Speaker 3: in the hood, you know what I'm saying. Then in Memphis,
• 29:22
  Speaker 3: you know, yeah, like you might be one point five
• 29:26
  Speaker 3: you know what I'm saying, because it's like it's, uh,
• 29:30
  Speaker 3: that's how I feel, you know what I'm saying. When
• 29:32
  Speaker 3: when you get it the first time, it's a it's
• 29:34
  Speaker 3: a special feeling. And I think, you know, it's crazy
• 29:37
  Speaker 3: that I think we all from a coach that just
• 29:40
  Speaker 3: wanted to be a millionaire at some point because that
• 29:43
  Speaker 3: seemed like the end goal, like, man, if I can
• 29:45
  Speaker 3: become a millionaire, that was it, right until you get
• 29:48
  Speaker 3: the million then you realize like, oh man, yeah, like
• 29:53
  Speaker 3: this ain't the same what I thought it was, like
• 29:56
  Speaker 3: you feel me, I need a lot more than you.
• 29:58
  Speaker 3: You know what I'm saying. So I just think it's
• 30:01
  Speaker 3: it's it's different, uh tempoles you hit Like I think
• 30:06
  Speaker 3: the Hondred band, the first hundred bands is special. You
• 30:09
  Speaker 3: know what I'm saying. In the street really too, I
• 30:11
  Speaker 3: think it's also different. I don't know this, but I
• 30:13
  Speaker 3: think if you got one hundred thousand dollars job, you
• 30:16
  Speaker 3: may don't feel the same at the one hundred thousand dollars,
• 30:19
  Speaker 3: five tens and twenties in your hand in the street
• 30:22
  Speaker 3: like what I'm breakfasting to, you know what I'm saying,
• 30:24
  Speaker 3: Because then what I think you know what I mean.
• 30:26
  Speaker 3: I never had a six fiet job. You know, like
• 30:29
  Speaker 3: they paid it, because if.
• 30:30
  Speaker 4: You get a hundreds a year a job, there's really
• 30:32
  Speaker 4: like fifty sixty six.
• 30:35
  Speaker 1: Never all that money.
• 30:35
  Speaker 3: I wanted their first hundred bands and five tens and
• 30:39
  Speaker 3: twenties and it looked good. And you gotta you know how,
• 30:42
  Speaker 3: you got to stack up, whether it's in ten thousand
• 30:43
  Speaker 3: dollars stacks or one thousand dollar stacks. You know what
• 30:46
  Speaker 3: I'm saying. You know, I can't wait the fields to man,
• 30:49
  Speaker 3: we used to earn them. I used to earn my money.
• 30:51
  Speaker 3: Put the small bills over here and yeah, you feel me?
• 30:54
  Speaker 1: So I can't spends you.
• 30:57
  Speaker 3: Got one hundred thousand, a hundred down time. You know,
• 31:02
  Speaker 3: Come on, man, what do you learning.
• 31:04
  Speaker 4: From Hole at this point in the game? Because on
• 31:06
  Speaker 4: the album you say you feel like you're right there
• 31:07
  Speaker 4: with Hold.
• 31:08
  Speaker 3: Yeah, I said, uh, what did I say?
• 31:11
  Speaker 1: I said, you feel like you're right there?
• 31:13
  Speaker 3: I'm your rappers favorite rappers something like that. Uh, I'm
• 31:16
  Speaker 3: damned on Jay.
• 31:17
  Speaker 1: Level, but not literally.
• 31:18
  Speaker 3: Yeah, but then I make sure I tell you not literally,
• 31:20
  Speaker 3: because that's that's.
• 31:22
  Speaker 5: A different level bion billion conversations.
• 31:24
  Speaker 3: Yeah, but you know I say that in a well
• 31:29
  Speaker 3: I'm learning from Jay now is I think it's about
• 31:31
  Speaker 3: and it's my opinion. I think everything with Jay rock
• 31:34
  Speaker 3: Nation is about impact at this point, you know what
• 31:36
  Speaker 3: I mean. I feel like, of course, there are all
• 31:39
  Speaker 3: the money in the world, right, you know what I'm saying.
• 31:41
  Speaker 3: So I think for me too, it's like trying to
• 31:44
  Speaker 3: see how much impact can you give? You know what
• 31:47
  Speaker 3: I'm saying, whatever it's happened a young deal, that's helping
• 31:49
  Speaker 3: a little artist, or whether it's creating jobs in the city,
• 31:53
  Speaker 3: or whether it's uh just you know, helping somebody with information.
• 31:57
  Speaker 3: You know, I do a lot of that. That's only
• 31:59
  Speaker 3: they're probably never be public, you know what I mean.
• 32:01
  Speaker 3: It's so many artists. It's not signing me that I
• 32:03
  Speaker 3: get nothing off of that. I talk to every week
• 32:07
  Speaker 3: different artists that I just you know, get information, to
• 32:10
  Speaker 3: give advice, to help them with different situations, you know
• 32:12
  Speaker 3: what I'm saying, or try to help them go to
• 32:14
  Speaker 3: the next level. That I have no financial interest in,
• 32:17
  Speaker 3: h just impact. I think everything is information. I take
• 32:21
  Speaker 3: in a lot of information, but I also give the
• 32:24
  Speaker 3: information back out, you know what I mean. So I
• 32:27
  Speaker 3: think I'm just at a point where I'm trying to
• 32:28
  Speaker 3: figure out how much impact I can I can, how
• 32:33
  Speaker 3: many things I can touch, how much impact I can
• 32:35
  Speaker 3: lead in the legacy.
• 32:37
  Speaker 1: I can't.
• 32:38
  Speaker 4: I can't think of no artists who's got a better
• 32:41
  Speaker 4: roster of.
• 32:42
  Speaker 1: Artists right now? I can't. I can't think of it.
• 32:46
  Speaker 4: You know, when we've seen different people have different rosters
• 32:48
  Speaker 4: at certain times. I'm talking about right now, at this moment,
• 32:51
  Speaker 4: I can't think of nobody who got CMG.
• 32:54
  Speaker 3: Mm hmm, yeah, were blessed.
• 32:59
  Speaker 4: They always say that in myth if it's if it
• 33:00
  Speaker 4: ain't c MG, if if you're not with CMG, is
• 33:03
  Speaker 4: not gonna not Cowork.
• 33:04
  Speaker 3: No, that's not true. There's a lot of artists it's
• 33:07
  Speaker 3: not c MG from Memphis, their work, you know what
• 33:09
  Speaker 3: I'm saying. You know, we like them too, you know
• 33:11
  Speaker 3: what I'm saying. Like, you know, it's a lot of
• 33:13
  Speaker 3: up there's a lot of young cats right now that's
• 33:15
  Speaker 3: killing it. You know. You know what I'm saying. Who
• 33:17
  Speaker 3: I think they're killing it on the street already. Who
• 33:19
  Speaker 3: I think they're gonna be the next wave? And they
• 33:22
  Speaker 3: signed to different people.
• 33:23
  Speaker 1: You know what I'm saying, Uh, you give them information?
• 33:27
  Speaker 1: Do you give like that those other labels?
• 33:29
  Speaker 3: Anybody, bro, anybody who hit me like I'm an open book.
• 33:33
  Speaker 3: I'm an open book, you know what I'm saying. Like
• 33:36
  Speaker 3: I ain't hard to reach, so anybody can get information
• 33:41
  Speaker 3: from me.
• 33:41
  Speaker 1: Do you want new artists? Do you want more people?
• 33:44
  Speaker 3: The right ones? The right one? We got a lot
• 33:48
  Speaker 3: going on and so a bunch of artists we can't
• 33:50
  Speaker 3: afford to be like if you ain't really like serious,
• 33:53
  Speaker 3: you know what I'm saying, If you ain't serious about hustling,
• 33:56
  Speaker 3: we ain't. We ain't trying to get no quick check
• 33:58
  Speaker 3: or no just.
• 33:59
  Speaker 2: You remember on your you've been all this gout sign
• 34:01
  Speaker 2: Glorrella money back, Yo is t G four two Doug Blacks?
• 34:05
  Speaker 3: What all of all this? Anybody we forgetting a big
• 34:08
  Speaker 3: buggy ladies, christ I forgot big boogy with something Yeah,
• 34:12
  Speaker 3: pop off, popping off man. I just was on the
• 34:17
  Speaker 3: phone you a minute ago. He's good youngster business man, bro.
• 34:21
  Speaker 3: He like you actually work on a lot of other stuff,
• 34:24
  Speaker 3: you know what I'm saying, a lot of real estate stuff,
• 34:26
  Speaker 3: a lot of different different hustles. Yeah, all right, well,
• 34:30
  Speaker 3: little Papa, we got a little popper, little pop from Jacksonville, Florida.
• 34:35
  Speaker 3: H Maasi from the West Coast.
• 34:38
  Speaker 1: Ain't nobody with CMG.
• 34:40
  Speaker 3: Yeah, MASI uh uh man, it's a lot.
• 34:47
  Speaker 1: You need somebody from the Carolinas. Man, you need somebody
• 34:48
  Speaker 1: from South Carolina.
• 34:50
  Speaker 3: Well, you know we uh we're looking you got Okay, Okay,
• 34:55
  Speaker 3: you're looking looking. I can't say that they might ever
• 35:00
  Speaker 3: before me over here, but we won't work somebody for Carolina,
• 35:04
  Speaker 3: New York. We won't work with somebody from New York, Atlanta,
• 35:09
  Speaker 3: them certain markets. We always wanted to like find the
• 35:12
  Speaker 3: right artists because.
• 35:13
  Speaker 4: You know, South Carolina got always had big love for you.
• 35:16
  Speaker 1: You know what I mean.
• 35:17
  Speaker 3: South Carolina like a big part of our like our
• 35:20
  Speaker 3: success for real, you know what I'm saying. Like if
• 35:23
  Speaker 3: you if you took the Carolina's out of the picture, man,
• 35:26
  Speaker 3: you'll take a lot of high paper, you take a
• 35:31
  Speaker 3: lot of paper out there. After what are we what
• 35:34
  Speaker 3: are you talking about? Show money? We're talking about record
• 35:36
  Speaker 3: sale streams. A lot of it comes from the.
• 35:38
  Speaker 1: Carolina because Arnold Taylor was a big part of your early.
• 35:41
  Speaker 3: My dog, My Dog's my dog for sure.
• 35:45
  Speaker 1: All right.
• 35:45
  Speaker 2: Well, the album Watching the Gangster Girls mixtape showed you
• 35:48
  Speaker 2: so you could pick it up now, Young d We
• 35:50
  Speaker 2: appreciate you for joining us and.
• 35:53
  Speaker 5: Of course YO got it. Thank you brother.
• 35:56
  Speaker 3: Sure it's the Breakfast Club.
• 35:57
  Speaker 5: Good morning,