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Las Vegas Performers: Viva Las Artists! · Artists on Artists on Artists on Artists

• 0:04
  Speaker 1: Welcome back to Artists on Artists on Artists on Artists.
• 0:08
  Speaker 1: This week on the show, we'll take you to Sin City.
• 0:10
  Speaker 1: That's right, we're on the Las Vegas Strip with these entertainers.
• 0:14
  Speaker 2: Las Vegas is known for its wide array of entertainment
• 0:18
  Speaker 2: and there are certain celebrities and legends and very popular
• 0:23
  Speaker 2: performers that moved to Las Vegas never to leave, becoming
• 0:27
  Speaker 2: Las Vegas legends.
• 0:29
  Speaker 3: So whether you're a magician, a singer, or some unholy
• 0:33
  Speaker 3: combination of both, Vegas is the place for you.
• 0:37
  Speaker 4: We're going to talk to them today.
• 0:40
  Speaker 5: So sit back, relax, and enter Sin City. It's time
• 0:45
  Speaker 5: to listen in. Let's listen in.
• 0:52
  Speaker 4: How's everybody doing its budden? How's everybody doing this budden?
• 0:58
  Speaker 6: Pretty good?
• 0:58
  Speaker 5: Pretty good?
• 1:00
  Speaker 6: God, We're very good. We're very good over here. We're
• 1:03
  Speaker 6: very good over here. We had a great, great breakfast.
• 1:06
  Speaker 6: We went over down to the Mirage.
• 1:08
  Speaker 5: It was great breakfast at the Moorrage today for us.
• 1:11
  Speaker 5: We had such good breakfast.
• 1:13
  Speaker 1: So right, the Marash, the Mirage is an incredible place.
• 1:18
  Speaker 4: The Marash, the Mirage.
• 1:20
  Speaker 1: I love their batnomless bloody Mary's at the Marash.
• 1:24
  Speaker 4: When you go to the Mirage, and they have a
• 1:26
  Speaker 4: bunch of lobsters and you get to pick an extra
• 1:29
  Speaker 4: lobster while they're not looking.
• 1:31
  Speaker 5: Yes, it's crazy that we all have such unique interesting voices.
• 1:36
  Speaker 6: That's Las Vegas's vegass. It's America's melting pot. It's actually
• 1:40
  Speaker 6: the World's melting pot. And that the whole world moves there.
• 1:43
  Speaker 7: You know, you have Italy, you have New York, you
• 1:46
  Speaker 7: have there is medieval times, you have all the places.
• 1:49
  Speaker 8: Good.
• 1:50
  Speaker 5: It's so good that so much stuff comes to the
• 1:53
  Speaker 5: center of everything in Las Vegas, just so and it's
• 1:57
  Speaker 5: so perfect for us.
• 1:57
  Speaker 6: It's perfect for us.
• 1:59
  Speaker 7: City dreams and it's the city of our dreams coming
• 2:02
  Speaker 7: to life as well.
• 2:03
  Speaker 5: We found our dreams in the chemical life.
• 2:05
  Speaker 6: Gogle life.
• 2:08
  Speaker 5: Wow well introduced. Yeah, yeah, but I'm done and I'm
• 2:15
  Speaker 5: Voink and we're just done.
• 2:16
  Speaker 7: In Fink and we are a magician duo.
• 2:20
  Speaker 5: We do a lot of impersonal magician. We do a
• 2:23
  Speaker 5: lot of big magician.
• 2:25
  Speaker 6: We do impersonal magician. It's so we have a impersonal
• 2:30
  Speaker 6: approach to magic.
• 2:34
  Speaker 4: You're not relating to anybody.
• 2:36
  Speaker 6: I'm personal. It's very impersonal work.
• 2:40
  Speaker 4: I've seen you work. It is so business like you
• 2:44
  Speaker 4: are in and out of that show forty five minutes
• 2:47
  Speaker 4: under dot. They smile and if you are invited on stage,
• 2:52
  Speaker 4: you are treated like a coworker and not a guest.
• 2:54
  Speaker 9: We are not your show. And I got it.
• 2:58
  Speaker 1: I got a T shirt because I love supporting you
• 3:00
  Speaker 1: one of the shows and getting some merch, and I
• 3:01
  Speaker 1: got the shirt that says I can't relate.
• 3:03
  Speaker 5: Yes, yes, it's our cash phrase every time we do
• 3:06
  Speaker 5: a trick, instead of saying, ta da we go.
• 3:09
  Speaker 6: I can't relate.
• 3:11
  Speaker 4: I see that you guys do some kind of magician
• 3:14
  Speaker 4: crowd work.
• 3:16
  Speaker 9: When you cut that man in half and he was
• 3:18
  Speaker 9: in two, and you both.
• 3:19
  Speaker 7: Went into I can't relate, which was kind of tongue
• 3:25
  Speaker 7: in cheek because there are two of us.
• 3:26
  Speaker 5: Yes, it's very tongue in cheek. We have a tongue
• 3:29
  Speaker 5: in cheek impersonal approach to magic. We've been doing our
• 3:32
  Speaker 5: show now for about eight nine months.
• 3:34
  Speaker 7: Oh don't tell me that time flies, huh flying fa.
• 3:38
  Speaker 9: Kind of babies on the strip to be nine menthors.
• 3:41
  Speaker 6: Yeah, but we moved here so old, so people already
• 3:44
  Speaker 6: see us as legends.
• 3:45
  Speaker 4: We are phuge.
• 3:48
  Speaker 6: Well, I'm I'm fifty nine and I am fifty eight.
• 3:51
  Speaker 4: Whoa, you don't look good? Day over forty two?
• 3:54
  Speaker 6: Oh, thank you forty two. It's not very idle. I
• 3:57
  Speaker 6: can't relate. I can't relate forty two. I can't relate.
• 4:03
  Speaker 4: Well, you could have related once if you were once
• 4:06
  Speaker 4: forty two relating.
• 4:07
  Speaker 6: Once, I can't.
• 4:10
  Speaker 9: Oh, we've heard it so many times? How many?
• 4:14
  Speaker 4: All? Right? Twenty seconds in and we've already hit about
• 4:18
  Speaker 4: eight or nine. I can't write.
• 4:20
  Speaker 1: Which it felt like if I didn't bring up that
• 4:22
  Speaker 1: T shirt I bought, we would.
• 4:23
  Speaker 9: Have never heard it.
• 4:25
  Speaker 4: Now we'll be played.
• 4:29
  Speaker 6: Hour about us. You know what's your name?
• 4:32
  Speaker 7: And by the way, thanks for wearing that sparkly dress, lady.
• 4:36
  Speaker 9: Thank you the eyes wear it for you.
• 4:40
  Speaker 6: Well, thanks for pulling that on for us. Thanks you
• 4:42
  Speaker 6: really pulling it off for me.
• 4:43
  Speaker 9: Yeah, yeah, I'm pulling it off for myself.
• 4:46
  Speaker 1: Hello, every body, it's Charlotte Tinsbury.
• 4:52
  Speaker 9: Is that a makeup bran?
• 5:00
  Speaker 6: I can't.
• 5:05
  Speaker 1: No, No, it's almost it's a loaded gun because anything
• 5:10
  Speaker 1: we say that doesn't involve them, they can interrupt us
• 5:15
  Speaker 1: and make it about them.
• 5:17
  Speaker 4: There is such a possibility. We don't talk about a
• 5:21
  Speaker 4: single thing.
• 5:22
  Speaker 6: There's such a possibility.
• 5:26
  Speaker 1: Tinsbury and I am a bird woman. I have been
• 5:33
  Speaker 1: on the strip for twelve years, twelve miraculous years.
• 5:38
  Speaker 9: Been doing a show behind the uh the.
• 5:44
  Speaker 1: Circus, circus behind it, which fun it's it's it's like
• 5:52
  Speaker 1: it's it's called Speakeasy Bird and it's speakeasy with birds.
• 5:57
  Speaker 1: And I am on the piano and I have five birds,
• 6:01
  Speaker 1: usually in rotation, it changes, and I sing through.
• 6:05
  Speaker 9: The classics with my birds.
• 6:08
  Speaker 4: Where do you keep the birds on the offices?
• 6:10
  Speaker 7: Oh?
• 6:10
  Speaker 1: Well I have My husband is my handler, my bird handler,
• 6:16
  Speaker 1: and he takes all the birds in his house and
• 6:18
  Speaker 1: I live in a separate house.
• 6:20
  Speaker 6: Do you like being married to someone you don't live with?
• 6:25
  Speaker 9: I mean, I'll say, we had to.
• 6:27
  Speaker 1: I had to live separately because he must live with
• 6:31
  Speaker 1: the birds, and it was just hard for me to
• 6:33
  Speaker 1: separate work and pleasure.
• 6:36
  Speaker 6: So you what mixing work with pleasure? My god?
• 6:47
  Speaker 4: So you hate your jobs?
• 6:49
  Speaker 9: That one hurt too.
• 6:50
  Speaker 1: I'll say, I just couldn't have sex with my husband.
• 6:53
  Speaker 7: With my parakeets, I get that they must be so loud,
• 6:56
  Speaker 7: because I was going to say, you said you can't
• 6:58
  Speaker 7: mix work with pleasure, but you moved your work into
• 7:01
  Speaker 7: your pleasure.
• 7:02
  Speaker 6: Unless your husband is also work.
• 7:04
  Speaker 1: I have never had pleasure with birds, so it's it's
• 7:07
  Speaker 1: always been a work thing.
• 7:09
  Speaker 7: That's what I'm saying. Work and your husband is pleasure. Right,
• 7:12
  Speaker 7: So you move them into the same house.
• 7:15
  Speaker 4: And it's not there. So you are separating work and
• 7:20
  Speaker 4: pleasure as an entity as a duo from yourself.
• 7:24
  Speaker 9: I separate both work and pleasure in the separate.
• 7:26
  Speaker 6: House and to yourself.
• 7:29
  Speaker 1: I go into my house, I will talk about our
• 7:31
  Speaker 1: off days. But when I am not performing on the strip,
• 7:33
  Speaker 1: I am quiet.
• 7:34
  Speaker 9: In a beige room. Nothing happens. I go into neutral mode.
• 7:39
  Speaker 9: I go into absolute neutral.
• 7:40
  Speaker 1: So there is no pleasure, there is no work, there
• 7:42
  Speaker 1: is only rest, and that is a quiet true.
• 7:45
  Speaker 5: So can we talk about your act a little bit?
• 7:47
  Speaker 5: Like what is it like? So you're singing the songs?
• 7:50
  Speaker 5: Are the birds doing tricks to the songs?
• 7:52
  Speaker 9: Are they sing? I mean I'm my famous. I mean
• 7:54
  Speaker 9: I did go very very viral.
• 7:57
  Speaker 1: I sang Bruno mars is uptown funk with one of
• 8:01
  Speaker 1: my parakeets, Pompy, and Pompey did the well we've gotten.
• 8:07
  Speaker 9: I've trained Pompey.
• 8:08
  Speaker 1: To do the baseline because I can play the piano
• 8:11
  Speaker 1: right I'm a piano, a pianist, and I can play
• 8:13
  Speaker 1: the piano, and I trained.
• 8:15
  Speaker 6: Him to go boom boom boom boom boom boom boom
• 8:19
  Speaker 6: boom boom boom.
• 8:22
  Speaker 1: Town funk you. And it's so it's what what kind
• 8:26
  Speaker 1: of bird does he? He's a bird and.
• 8:31
  Speaker 6: He's a bird.
• 8:32
  Speaker 1: So I played the piano, I sing, and then I'll
• 8:35
  Speaker 1: get each of the birds to either take up an
• 8:37
  Speaker 1: instrument line with their with their vocal cords, their instrument
• 8:40
  Speaker 1: or a vocal part.
• 8:44
  Speaker 9: And it's really fun.
• 8:45
  Speaker 6: We've been.
• 8:45
  Speaker 9: I mean, here's the thing.
• 8:46
  Speaker 1: The best part about Vegas is if you can sell tickets,
• 8:49
  Speaker 1: you're going nowhere. And I mean it depends on your
• 8:53
  Speaker 1: your amphitheater, but it but I just will never have
• 8:58
  Speaker 1: to leave because I Celtic. Yes, sure, they're a part
• 9:02
  Speaker 1: of a group on and they come for free if
• 9:03
  Speaker 1: you get the full brunch package at Circus Circus.
• 9:06
  Speaker 6: But that counts. Though, that counts.
• 9:09
  Speaker 7: This was what we learned. It doesn't matter where you
• 9:12
  Speaker 7: got the ticket. It just matters that you have the
• 9:15
  Speaker 7: ticket and we got the money exactly.
• 9:17
  Speaker 1: If you're a part of like a brunch package, if
• 9:19
  Speaker 1: your show is a part of a brunch packet on
• 9:21
  Speaker 1: the strip. We call it your tenured yeah, because they're
• 9:24
  Speaker 1: never gonna be able to fire you.
• 9:25
  Speaker 7: We got a big group of guests that came in
• 9:28
  Speaker 7: once and they said, yeah, we got this because these
• 9:30
  Speaker 7: tickets were on the seat, every seat at a funeral.
• 9:32
  Speaker 6: And we said, okay, goes Mador, there's some money there.
• 9:36
  Speaker 6: We get it.
• 9:36
  Speaker 8: We got it.
• 9:37
  Speaker 9: Mony amazing.
• 9:38
  Speaker 1: Speaking of tenyard, my guy, Yeah, I feel like you've
• 9:41
  Speaker 1: been my neighbor for what twenty five years?
• 9:44
  Speaker 4: Yeah, but some going around twenty five years. I think
• 9:47
  Speaker 4: it's been quite a long time. My name is Freddy Carolina,
• 9:52
  Speaker 4: and I've been on the strip who knows it was
• 9:56
  Speaker 4: somewhere soon over over twenty five years, and I I
• 10:00
  Speaker 4: have been a ventriloquist on the strip for a very
• 10:04
  Speaker 4: very long time with my pal here, little Freddy Carolina.
• 10:09
  Speaker 4: Where's it going, Freddy Carolina? Pretty good, Freddy Carolina.
• 10:15
  Speaker 5: It's so funny and it's so crazy how much it
• 10:18
  Speaker 5: sounds like the puppet is speaking.
• 10:20
  Speaker 7: Not you for the listener at home, When Freddy talks
• 10:25
  Speaker 7: to a little Freddy and little Freddy talks back. While
• 10:28
  Speaker 7: little Freddie is speaking, Freddy's mouth is not open there's.
• 10:32
  Speaker 4: Dead moving whatsoever. That was from the puppet.
• 10:37
  Speaker 5: Clarified we didn't need it because your mouth wasn't moving
• 10:42
  Speaker 5: at My mouth isn't moving at all.
• 10:44
  Speaker 9: I thought about you.
• 10:45
  Speaker 1: You're you're an old school ventriloquist. Where after everything the
• 10:49
  Speaker 1: puppet says, you said, that wasn't my mouth.
• 10:54
  Speaker 4: Too, that wasn't my mouth because it's bad sometimes, you know,
• 10:59
  Speaker 4: you're then the MGM Grand Ampatheater and it'scept one thousand,
• 11:04
  Speaker 4: four thousand seats, and so you're so far away from
• 11:07
  Speaker 4: the crowd that they really can't see the intricacies of
• 11:11
  Speaker 4: a venture requist to them. I could be talking full
• 11:14
  Speaker 4: mouth open, but I'm not talking full month open. I'm
• 11:17
  Speaker 4: talking full out of the shuttle in my mouth that
• 11:20
  Speaker 4: the puppet said that.
• 11:23
  Speaker 6: Now.
• 11:24
  Speaker 4: But the thing is, I've been on this trip for
• 11:26
  Speaker 4: so long. I've seen people come and go. I've seen
• 11:31
  Speaker 4: the buffet prices tick up and up and up. But
• 11:35
  Speaker 4: the one thing that never changes about it is.
• 11:38
  Speaker 6: What appensis day is here? Yeah?
• 11:40
  Speaker 4: We yea, I'm sure we can all agree.
• 11:43
  Speaker 6: Catch yeah like that. We're so quickly set, you know,
• 11:50
  Speaker 6: we can over agree. Let's we're shooting this in Vegas,
• 11:54
  Speaker 6: which is good. So maybe we can say things that
• 11:56
  Speaker 6: have happened here and they can stay here on the mic.
• 11:59
  Speaker 9: Exactly.
• 12:00
  Speaker 7: Let's do that, should we talk about a lot of
• 12:01
  Speaker 7: the things people wouldn't know.
• 12:03
  Speaker 1: Honestly, that sounds like an interview I would sit for.
• 12:09
  Speaker 6: Okay, you would, now, I know.
• 12:12
  Speaker 1: But that is good because I'll tell you this that
• 12:14
  Speaker 1: they don't talk about, since cities full of a lot
• 12:18
  Speaker 1: of sins, and a lot of those sins are the
• 12:22
  Speaker 1: sins of men who keep their mouth shut.
• 12:26
  Speaker 4: Yeah, you're telling me the puppet said that.
• 12:33
  Speaker 6: But that's an interesting thing.
• 12:37
  Speaker 9: You'll find mine. That's something were gonna find it, and.
• 12:41
  Speaker 4: We get to milk it.
• 12:43
  Speaker 5: That's one thing we do on this strip is the milk,
• 12:46
  Speaker 5: the milk of the lines, in the milk of the funny,
• 12:49
  Speaker 5: you know, because you have to do so many shows
• 12:51
  Speaker 5: all the time, you know, for me, you know, we
• 12:54
  Speaker 5: we have to constantly be doing these new shows, but
• 12:57
  Speaker 5: they're the same, so you have to milk.
• 12:58
  Speaker 6: You know.
• 12:59
  Speaker 7: There's only so many things you can make disappear, so
• 13:02
  Speaker 7: many things you can pull out of someone's ear, so
• 13:04
  Speaker 7: many cards you can pull out of someone's pocket, so
• 13:08
  Speaker 7: many wives you can turn into children.
• 13:10
  Speaker 4: I know, I know, I love that signature trick. You
• 13:15
  Speaker 4: make your wife young again.
• 13:17
  Speaker 6: Yes, I know. What you want more than anything is
• 13:22
  Speaker 6: your youth back.
• 13:23
  Speaker 4: And then as soon as she starts to enjoy it,
• 13:27
  Speaker 4: you pull the rug out from under put it right back.
• 13:30
  Speaker 1: And I remember I saw I think the first time
• 13:32
  Speaker 1: I ever saw you guys is on the X Factor
• 13:33
  Speaker 1: when you did that.
• 13:34
  Speaker 6: Oh, yes, we did that to Kelly Rowland. Kelly Rowland,
• 13:39
  Speaker 6: remember how young you were? Yes, oh, you're not young anymore.
• 13:44
  Speaker 7: I can't really. And then we turned to fourteen again.
• 13:47
  Speaker 7: She said, not like this, so we turned them back.
• 13:50
  Speaker 6: We turned them back. It was so good. Cow gave
• 13:53
  Speaker 6: us big thumb X big thumbs.
• 13:59
  Speaker 1: We see a laish shit because I mean, you have
• 14:02
  Speaker 1: a parakeet seeing Benny and the Jets only so many
• 14:05
  Speaker 1: nights in a row, and suddenly, I mean it's there's
• 14:09
  Speaker 1: a drinking culture in Sin City.
• 14:12
  Speaker 9: There's a gambling culture. I have seen have you.
• 14:14
  Speaker 1: Ever had have you ever had an audience member come
• 14:17
  Speaker 1: in after a big loss in gambling?
• 14:19
  Speaker 6: Oh?
• 14:21
  Speaker 7: I just also comment on the drinking culture. There's a
• 14:23
  Speaker 7: two drink minimum my doctor's appointments in Vegas. Yeah, people
• 14:27
  Speaker 7: don't know that it's really.
• 14:29
  Speaker 4: Before you're allowed to mail something at the post office,
• 14:32
  Speaker 4: you gotta play a slot.
• 14:35
  Speaker 1: I tried to park my car at the Bellagio and
• 14:38
  Speaker 1: he said on the rocks.
• 14:40
  Speaker 9: Yeah, I said, don't park my car on rocks.
• 14:43
  Speaker 6: My car neat.
• 14:46
  Speaker 4: Maybe have old fashioned. I don't like bucking it on
• 14:49
  Speaker 4: the ground.
• 14:50
  Speaker 6: I like to the splash in the fountain.
• 14:54
  Speaker 9: You know all of these bad for the mettle.
• 14:56
  Speaker 6: Yeah, that for the car, for the car.
• 14:59
  Speaker 4: But I don't know secrets about the Vegas. That's what
• 15:02
  Speaker 4: we were talking about before. They don't know secrets about
• 15:04
  Speaker 4: the Vegas. At night, you could go into the Fountain Hotel,
• 15:10
  Speaker 4: the hotel with the Fountain, I believe it.
• 15:13
  Speaker 6: You could go under we have a secret code for
• 15:16
  Speaker 6: the hotel.
• 15:16
  Speaker 7: Fountain Hotels. Yeah, it's kind of like a diner, like
• 15:20
  Speaker 7: the back of diner has like different names. If you
• 15:23
  Speaker 7: work in Vegas, you have different names for all the.
• 15:25
  Speaker 6: Soul secret Any layman would never.
• 15:27
  Speaker 1: Guess table two table for.
• 15:32
  Speaker 4: There's front of house in Vegas that's on the strip,
• 15:35
  Speaker 4: and then there's back of house which is the suburbs. So,
• 15:39
  Speaker 4: but the Fountain Hotel, the Fountain in the Fountain Hotel,
• 15:42
  Speaker 4: if you dive in after two am. It's quiet hours
• 15:45
  Speaker 4: and there's coins in there you can go get. Oh,
• 15:47
  Speaker 4: you can fish around for him. Nobody's gonna catch you.
• 15:51
  Speaker 9: It's the fake Trevy Fountain.
• 15:53
  Speaker 4: It's a fake Trevy fountain, and that's what they call it.
• 15:56
  Speaker 9: Oh yeah, I.
• 15:58
  Speaker 5: Got a question for you, Freddy Carroll Lina, And it's
• 16:01
  Speaker 5: more of a compliment.
• 16:02
  Speaker 6: Do you have a question for me?
• 16:03
  Speaker 4: A little Freddy girl.
• 16:05
  Speaker 6: Like, Hey, was that your puppet?
• 16:08
  Speaker 4: The puppet didn't say that. I said that, he just
• 16:11
  Speaker 4: moved magician.
• 16:18
  Speaker 6: He's not the eyes, he's the mouth, he's the mout.
• 16:22
  Speaker 5: Okay, so I know that Little Freddy Carolina isn't your
• 16:26
  Speaker 5: only puppets.
• 16:27
  Speaker 6: You kind of have a cash the Monthly.
• 16:29
  Speaker 5: Crew of very very rare, very funny Poppa, very funny,
• 16:34
  Speaker 5: very funny.
• 16:36
  Speaker 4: There are lots of puppets and they represent their seven
• 16:40
  Speaker 4: sins of Las Vegas.
• 16:41
  Speaker 6: Oh wow, you got older.
• 16:43
  Speaker 4: So Freddy Carolina, he represents Creed. Freddy Carolina the younger
• 16:49
  Speaker 4: with the mini me harm Freddy Carolina. The puppets said
• 16:53
  Speaker 4: that he represents Creed. He's a greedy boy.
• 16:59
  Speaker 6: And and we.
• 17:00
  Speaker 4: Also have you know, we have muddy Bumpkins. He represents gluttony.
• 17:06
  Speaker 4: Then we have ms voice Muney Bumpkins sounds like this,
• 17:11
  Speaker 4: Hey are muddy bumpkins? And anybody got any money around here?
• 17:17
  Speaker 4: I like you said, I have more of these, but
• 17:26
  Speaker 4: there's gotta be a it's gonna take me a lot
• 17:28
  Speaker 4: or to remember. No, well, I'll go run through them.
• 17:31
  Speaker 10: So we got lost, we got wrath, we got the
• 17:37
  Speaker 10: uh sloth, we got coveting, and then of course we
• 17:43
  Speaker 10: got going too fast on the strip.
• 17:46
  Speaker 4: So this was.
• 17:49
  Speaker 7: The seven Sins are a mixture of real sins, commandments
• 17:57
  Speaker 7: and of course just kind of problems we have.
• 17:59
  Speaker 6: We car It.
• 18:01
  Speaker 9: Sounds like you had multiple writers job.
• 18:04
  Speaker 6: It sounds four punch up streamline.
• 18:10
  Speaker 4: I had a writer's room back in nineteen ninety three.
• 18:12
  Speaker 1: Raise your hand if you've got a writers Oh.
• 18:18
  Speaker 6: Yeah, is your writer's room? People?
• 18:20
  Speaker 1: Yes, yes, And it's just I just I just put
• 18:23
  Speaker 1: up Craigslist ad and said I need bird puns, quick, quick, quick, quick.
• 18:26
  Speaker 6: Quick, quick quick. Where was the writer's room? And do
• 18:29
  Speaker 6: you think we had a good time in there?
• 18:34
  Speaker 9: If they had a good time is none of mine.
• 18:36
  Speaker 7: But just for example, like if they probably if they
• 18:38
  Speaker 7: had a story to tell from that writer's room, like,
• 18:41
  Speaker 7: you won't believe this job?
• 18:42
  Speaker 6: What happened in it? Maybe?
• 18:44
  Speaker 9: Well, I'm actually making a documentary.
• 18:46
  Speaker 6: Oh you are control No.
• 18:49
  Speaker 9: I'm making a documentary though. Oh yes, I'm doing a jail.
• 18:52
  Speaker 1: I have a documentary about my show, and I have
• 18:54
  Speaker 1: clips of that writers.
• 18:56
  Speaker 5: Oh my gosh, listen, maybe we can play the clips.
• 19:03
  Speaker 11: So so so so we have so we have this MACA.
• 19:14
  Speaker 6: Makes me think, baby, what about Matthew McConaughey.
• 19:18
  Speaker 1: Is there a song that Matthew mccallughey can What about
• 19:21
  Speaker 1: call me baby?
• 19:24
  Speaker 4: Is anybody know it doesn't work? Does it doesn't work?
• 19:28
  Speaker 4: It doesn't work?
• 19:30
  Speaker 6: M call me beat me if you want to reach me? Yeah, yeah, Okay,
• 19:34
  Speaker 6: this is going to get that. These people are in
• 19:36
  Speaker 6: an amphitheater outside of the circus circus.
• 19:39
  Speaker 4: Okay, so what about a what about a parakeet? What
• 19:41
  Speaker 4: about a parakeet? What about a parakeet? Parakeet?
• 19:44
  Speaker 9: Parakeets?
• 19:44
  Speaker 5: Your hands off me?
• 19:46
  Speaker 4: Yeah, but yeah, that's something parts do.
• 19:50
  Speaker 9: You guys just want to call it there?
• 19:53
  Speaker 4: Yeah, we could do too.
• 19:54
  Speaker 5: Wow, that's what was a re eventing clip? I cannot
• 19:57
  Speaker 5: wait for the rest of the documentary. It actually doesn't
• 20:00
  Speaker 5: sound that bad, respecting a lot. I was nervous about
• 20:04
  Speaker 5: the conditions.
• 20:04
  Speaker 9: Yeah, John mullaney. As for the rights to.
• 20:06
  Speaker 6: The doc, oh, well, you never know. He roasting something funny.
• 20:13
  Speaker 9: You gotta watch up with John Mullaney, presses, press.
• 20:16
  Speaker 6: How do you guys feel about people? You know, the
• 20:18
  Speaker 6: big headliners that just come in for as the day players.
• 20:27
  Speaker 6: That's him laughing for the record, that's a laugh.
• 20:32
  Speaker 7: We spend so much time with each other we can't
• 20:35
  Speaker 7: physically laugh at each other anymore.
• 20:37
  Speaker 6: So we let each other know that we we'd be
• 20:39
  Speaker 6: laughing if we could.
• 20:40
  Speaker 5: We try to assimilate a laugh as much as we can.
• 20:43
  Speaker 4: This is a like sort of a placeholder for someone
• 20:46
  Speaker 4: is editing. They say, put a laugh in there. We
• 20:50
  Speaker 4: want to put a laugh in there for the cameras
• 20:52
  Speaker 4: so they can fix it. What do you mean, like,
• 20:54
  Speaker 4: do you is there another? Is there like an alt laugh?
• 20:57
  Speaker 6: You have?
• 20:58
  Speaker 7: We have we have a team that those are a
• 20:59
  Speaker 7: laugh for us on stage, Mike when we open the house,
• 21:03
  Speaker 7: they do.
• 21:04
  Speaker 4: The last like a puppet. The puppet said that.
• 21:09
  Speaker 5: I don't think the puppet did said the puppets said
• 21:16
  Speaker 5: that that's what you do.
• 21:18
  Speaker 1: That you were in the whole structure of the bit
• 21:21
  Speaker 1: because because now who.
• 21:25
  Speaker 4: Already lying, sir, My puppet can't talk it dirt person anymore.
• 21:31
  Speaker 9: That wasn't my issue.
• 21:34
  Speaker 4: He said that, So that puppet was there was there
• 21:39
  Speaker 4: was the sloth, one little slippery Joseph.
• 21:44
  Speaker 1: Lying And I want to know, we're saying, what s
• 21:48
  Speaker 1: happens on this pod stays on this pod. Oh yeah,
• 21:51
  Speaker 1: our semi air tricks lies.
• 21:58
  Speaker 6: What do you mean by a lie?
• 22:00
  Speaker 5: Because magic is everywhere in the world.
• 22:05
  Speaker 4: So yeah, I just yeah, I think what we're asking
• 22:08
  Speaker 4: is it, you know, are you really magic or some
• 22:11
  Speaker 4: of these sort of tricks that you had to learn,
• 22:13
  Speaker 4: Like it's a real skill.
• 22:15
  Speaker 1: I have real birds, you have a puppet with your hand. Yeah,
• 22:19
  Speaker 1: what is happening over here?
• 22:20
  Speaker 6: Well, it's a show, of course, you know, it's a show.
• 22:26
  Speaker 6: It's a show, so of course there is some razzle dazzle,
• 22:29
  Speaker 6: there's some spectacle. You know.
• 22:31
  Speaker 7: We we we subscribe to Aristotle's view of the theatrics,
• 22:35
  Speaker 7: you know, the spectacle, the grand design, but there is
• 22:40
  Speaker 7: an element of grand design.
• 22:42
  Speaker 6: It's all the grand design, it's all the grand designer,
• 22:46
  Speaker 6: but there is an element of magic. We come from
• 22:50
  Speaker 6: a family of.
• 22:51
  Speaker 7: People who stole from royalty and they still a big
• 22:55
  Speaker 7: crystal ball.
• 22:56
  Speaker 6: So we is it magic or is it curacy of
• 23:00
  Speaker 6: your lord?
• 23:00
  Speaker 9: Who's want a lord?
• 23:01
  Speaker 2: Drop?
• 23:02
  Speaker 5: Oh you've never seen our show. This is the first
• 23:04
  Speaker 5: fifteen minutes of the show.
• 23:06
  Speaker 6: Is video four hundred years ago, our great great great
• 23:10
  Speaker 6: grandparents stoy crystal ball from the Romanov family. We're going
• 23:15
  Speaker 6: to steal the ball now. But no, Papa, what will happen?
• 23:20
  Speaker 4: What will happen to our ancestor?
• 23:22
  Speaker 6: I don't care. I wanted the power.
• 23:28
  Speaker 5: Ladies and gentlemen, and by that wise little exert of
• 23:37
  Speaker 5: our beginning. Let it be known there's still fourteen minutes
• 23:40
  Speaker 5: of video.
• 23:41
  Speaker 7: We come out, We come out a minute, and then
• 23:43
  Speaker 7: we watched the rest of the fourteen with them?
• 23:46
  Speaker 4: Do you like to be a part of the experience.
• 23:49
  Speaker 6: It's so good to wave and then we go look
• 23:52
  Speaker 6: back up at the screen.
• 23:53
  Speaker 4: It's not not intoitive because I don't know when the
• 23:57
  Speaker 4: clap do I c that's the magic, that's part of buddy.
• 24:01
  Speaker 4: People at the editor, can I ask you would you
• 24:03
  Speaker 4: would you do a trick on me?
• 24:06
  Speaker 12: You want to do a trick on It doesn't work, girl,
• 24:15
  Speaker 12: You have as good in your mouth.
• 24:20
  Speaker 6: Please enjoy yourself into the mic.
• 24:23
  Speaker 13: Please enjoy yourself, eat the mike. Just a love that
• 24:29
  Speaker 13: you come out and watch. It's a good video.
• 24:36
  Speaker 6: He's a good We got David Copperfield's guys to do
• 24:42
  Speaker 6: our video. She's so good at the video, which he's
• 24:45
  Speaker 6: so good at what he does, and his video guys
• 24:47
  Speaker 6: are so good, and they he does not pay them enough.
• 24:51
  Speaker 6: And that's how we got it in. We said, what
• 24:53
  Speaker 6: is he paying? We'll pay you more. Yeah, we butched.
• 24:58
  Speaker 6: We're proud to butch. I God, I was laughing. He's
• 25:08
  Speaker 6: laughing himself, laughing at my own which was crazy because
• 25:11
  Speaker 6: he was laughing at himself to laugh at me, to
• 25:14
  Speaker 6: laugh at him. But he showed me what laughter was.
• 25:17
  Speaker 9: I truly can't relate.
• 25:19
  Speaker 4: Okay, where does it sound like when you cry?
• 25:22
  Speaker 6: Crying? I can't.
• 25:26
  Speaker 9: Go faster than I have poached favorite favorite brunch on
• 25:30
  Speaker 9: the strip.
• 25:31
  Speaker 6: We moved on to crying, but it's okay, we'll go
• 25:33
  Speaker 6: back to poach. Yeah, well, we got to a couple.
• 25:35
  Speaker 6: We got a couple of dead buddies on this one
• 25:37
  Speaker 6: because you asked for a trick. We were talking about
• 25:40
  Speaker 6: the opening.
• 25:42
  Speaker 12: And then.
• 25:48
  Speaker 6: Extremes Vegas more than a couple of dead bodies on
• 25:50
  Speaker 6: the strip, a.
• 25:52
  Speaker 4: Couple of questions lying dead in the water at the
• 25:56
  Speaker 4: Mountain Hotel.
• 25:57
  Speaker 6: Each one of those are very interesting. I'm sure the
• 26:00
  Speaker 6: would love to listen to.
• 26:01
  Speaker 8: But you know what.
• 26:04
  Speaker 4: The street, well, that's a call back to the beginning
• 26:09
  Speaker 4: when we were talking about brunch. When Binger Hotel they
• 26:14
  Speaker 4: leave out some lobsters and sometimes they don't clean up
• 26:17
  Speaker 4: on the lobsters before then goes around.
• 26:20
  Speaker 6: That's right, Are you all right? Are you eating old
• 26:24
  Speaker 6: lobstering old so much?
• 26:27
  Speaker 4: Well, yeah, my stomach is learn an immunity to any
• 26:31
  Speaker 4: sort of a disease that come out from the when
• 26:33
  Speaker 4: the lobsters up for a long.
• 26:35
  Speaker 5: Time because of what you eat, or because of what
• 26:37
  Speaker 5: you do, because your stomach, or because of your puppet mastery.
• 26:43
  Speaker 4: So you want to know my secret?
• 26:45
  Speaker 10: Huh?
• 26:47
  Speaker 6: So you want to know how I built a belly
• 26:49
  Speaker 6: full of steel?
• 26:51
  Speaker 4: I know a woman who lives.
• 26:54
  Speaker 6: Why are you look going to be like you know
• 26:57
  Speaker 6: this was your secret? You just said, do you want
• 27:03
  Speaker 6: to know how I built a belly field steel? And
• 27:06
  Speaker 6: then ask why am I looking at.
• 27:07
  Speaker 4: You like that?
• 27:08
  Speaker 5: Is that?
• 27:09
  Speaker 6: That's why I know?
• 27:11
  Speaker 5: This was? This is such a well guarded secret. Who
• 27:14
  Speaker 5: knows you have a belly. But you were like, there's
• 27:18
  Speaker 5: a woman, say you want.
• 27:20
  Speaker 4: To know my secret.
• 27:21
  Speaker 6: Huh, Well, I've got a woman.
• 27:24
  Speaker 4: She lives in the back of the house of Vegas
• 27:27
  Speaker 4: in the suburbs. I go to her and she feeds
• 27:30
  Speaker 4: me cass a rope, but she feeds me a little
• 27:33
  Speaker 4: bit of bacteria in each one.
• 27:36
  Speaker 3: So.
• 27:38
  Speaker 4: Yes, like little treble sauce exactly to build up. It's
• 27:43
  Speaker 4: like a probiotic or yogurt. So you build up your
• 27:46
  Speaker 4: immunity over time, and then eventually you can eat lobster,
• 27:50
  Speaker 4: no matter how long it's been.
• 27:52
  Speaker 6: Said, congratulations, and then there's enough for the puppet. The
• 27:56
  Speaker 6: puppet said that. You didn't say that.
• 28:01
  Speaker 9: Didn't say that.
• 28:03
  Speaker 6: The puppet did not see the last night the puppets said.
• 28:05
  Speaker 6: The puppets said that.
• 28:07
  Speaker 4: Puppet don't get the person anymore.
• 28:18
  Speaker 5: The problem is just the break the logic in my
• 28:20
  Speaker 5: brain like a paradox of puppet tree.
• 28:23
  Speaker 4: Look, if you want logic, if you want logic, you
• 28:26
  Speaker 4: gotta move to freaking in Orba, Michigan.
• 28:29
  Speaker 6: That's what I always the anti Vegas and you heard.
• 28:33
  Speaker 1: About their strip, their building air quotes on that and
• 28:37
  Speaker 1: that's hilarious.
• 28:39
  Speaker 4: I got a house in there where you get to
• 28:41
  Speaker 4: follow the rules.
• 28:42
  Speaker 7: Great, they're gonna mellow mushroom pizza. Congratulations.
• 28:45
  Speaker 1: They have an opposite of a buffet, which means you
• 28:48
  Speaker 1: have to walk to get the food.
• 28:50
  Speaker 4: You know, they're glassing the plan. What happens here you
• 28:53
  Speaker 4: can tell your friends about.
• 28:55
  Speaker 6: I want to go back. I love that love, I
• 28:59
  Speaker 6: love you know.
• 28:59
  Speaker 7: I have to go back to opposite buffett.
• 29:05
  Speaker 9: It be a dead body on the ground.
• 29:11
  Speaker 4: Talking about opposite buffet.
• 29:13
  Speaker 6: Maybe we can rEFInd this. Okay, I couldn't take it.
• 29:17
  Speaker 4: Well, okay, to me, opposite buffet. He sounds like something
• 29:23
  Speaker 4: where you have to order a la card or I
• 29:28
  Speaker 4: know what buffet is.
• 29:30
  Speaker 6: Stay with me.
• 29:32
  Speaker 12: Think it is when you do a pod luck with
• 29:35
  Speaker 12: your friends, you gotta bring it to That's interesting.
• 29:40
  Speaker 9: This is what they're doing in ann Arbor.
• 29:41
  Speaker 1: There you pat luck a plate for someone else already
• 29:45
  Speaker 1: with all of the dishes.
• 29:46
  Speaker 7: I was going to guess that kind of But just
• 29:49
  Speaker 7: like you take one meal, you you hold like a
• 29:51
  Speaker 7: roast beef in your hands and you put a bunch
• 29:53
  Speaker 7: of plates on it.
• 29:56
  Speaker 5: That's an opposite b that's I feel like we figure
• 30:00
  Speaker 5: the doubts, our dead body is walking again.
• 30:05
  Speaker 6: Gambling and Arbor.
• 30:06
  Speaker 9: Good fucking lack.
• 30:08
  Speaker 1: But no one will replace the original Sin City. I mean,
• 30:11
  Speaker 1: come on, everything about us and where we work is
• 30:15
  Speaker 1: more legendary than I think any sen.
• 30:17
  Speaker 5: This magic is maje and this impersonal.
• 30:20
  Speaker 7: You get with this many Elvis is Oh, let's talk
• 30:23
  Speaker 7: about our favorite Elvis's.
• 30:24
  Speaker 6: O my god, so many personality.
• 30:28
  Speaker 7: And they're also they're all alphabetized in serial numbered right.
• 30:31
  Speaker 6: So yes, you get E E O one, E two.
• 30:37
  Speaker 6: I love three, I love the three. O three is
• 30:40
  Speaker 6: a riot. He does the hips in such a funny way.
• 30:44
  Speaker 4: I love the system they developed to keep track of them,
• 30:46
  Speaker 4: because what was in what was it had been happening,
• 30:50
  Speaker 4: was that there were too many of them just named Larry.
• 30:53
  Speaker 4: Too many Larry's want to become lovers, impersonators, and so we.
• 30:57
  Speaker 5: Had to find out the Elvis lay Turf Wars were
• 31:01
  Speaker 5: a disaster for twenty ten.
• 31:04
  Speaker 6: It was a lot of actual blood, a lot of
• 31:07
  Speaker 6: actual well because you didn't even know how to figure
• 31:10
  Speaker 6: out who you were rooting for. They're all named Larry.
• 31:13
  Speaker 6: They're all just like Elvis is exactly.
• 31:16
  Speaker 4: It's sort of like brother against brother like the Civil War,
• 31:19
  Speaker 4: except there wasn't any uniforms to distinguish them, so they'd
• 31:22
  Speaker 4: line up sharks in jet style and then they keep going,
• 31:25
  Speaker 4: Oh sorry, I'm actually the other one. Oh sorry, I'm
• 31:27
  Speaker 4: actually confused. I was so confused.
• 31:29
  Speaker 1: You haven't let until you saw on Elvis on a
• 31:31
  Speaker 1: fake horse going the Elvis's are coming, The Elviss are coming.
• 31:35
  Speaker 5: Yes, you haven't lived into one Elvis's blue swede shoes. No,
• 31:39
  Speaker 5: these are metal shoes with a knife added into it.
• 31:42
  Speaker 1: Best strip club for a steak Okay, probably jos Jack jokes.
• 31:49
  Speaker 5: Gosh, they the medium rare steak, so good.
• 31:55
  Speaker 6: Best steakhouse for all that dance, oh, Ruth, Chris so good.
• 32:04
  Speaker 6: A question about performance.
• 32:06
  Speaker 5: So there's always a moment where you have a killer show,
• 32:09
  Speaker 5: but there's also a moment when the audience needs they're
• 32:13
  Speaker 5: not they're not into it. What are your tricks to
• 32:16
  Speaker 5: pull them in? You know, do you guys have kind
• 32:18
  Speaker 5: of pocket tricks in your pocket to save a show?
• 32:22
  Speaker 6: If he's going like somewhere wrong.
• 32:25
  Speaker 9: Good question, that's a really good question.
• 32:27
  Speaker 1: I taught a hawk how to play the flute, but
• 32:30
  Speaker 1: it takes the hawk months to recover.
• 32:36
  Speaker 4: It's like, see, you gotta be really wise about it.
• 32:43
  Speaker 7: You really know when you're going you're breaking the emergency
• 32:50
  Speaker 7: glass for this.
• 32:51
  Speaker 4: I got to know when there's a reviewer from Time
• 32:53
  Speaker 4: out in Town or something, that you gotta use it.
• 32:56
  Speaker 9: Because you know, you wouldn't think Peter visits Vegas.
• 32:59
  Speaker 6: They who doesn't think that?
• 33:06
  Speaker 1: They just feel like a group of virgins who drink
• 33:08
  Speaker 1: orange juice instead of miss.
• 33:11
  Speaker 7: The hearers in cages, dancing horses, monkeys smoking cigarette things
• 33:16
  Speaker 7: that are happening every day.
• 33:17
  Speaker 9: There, strippers wearing caddiers.
• 33:19
  Speaker 6: Respect casers. But I'll say so yours.
• 33:26
  Speaker 1: You have to be careful, yeah, yeah, And it'll be
• 33:29
  Speaker 1: really when like maybe my voice is going or maybe uh,
• 33:33
  Speaker 1: maybe when the audience is just super just they're just
• 33:38
  Speaker 1: not into it and I.
• 33:39
  Speaker 5: Can't tell you like these birds, yeah, or like sometimes I.
• 33:42
  Speaker 1: Have a fearful audience where every time a bird comes in,
• 33:45
  Speaker 1: they like ducks. And then that's hard, that's hard to
• 33:47
  Speaker 1: push through because it's only gonna get worse. So I
• 33:50
  Speaker 1: send in the hawk, and just the sheer shock of
• 33:54
  Speaker 1: watching a hawk play a finger oriented.
• 33:56
  Speaker 6: Instrument is usually its claws.
• 34:06
  Speaker 4: Or the feathers just strong enough to hit the day.
• 34:09
  Speaker 9: Are you ready? Yes to all of it?
• 34:13
  Speaker 6: Not a surprise. It's pretty all heads on that situation.
• 34:17
  Speaker 5: Huh really, I would feel like it has to be
• 34:19
  Speaker 5: all heads all.
• 34:19
  Speaker 1: They Yeah, the poor orc hat to recover for at
• 34:21
  Speaker 1: least four months, so I save it.
• 34:23
  Speaker 6: What about you?
• 34:24
  Speaker 4: Well, I have a lot of people wander into my
• 34:27
  Speaker 4: show because they remembered me from the television when I
• 34:30
  Speaker 4: was on Carson, and so they A lot of people
• 34:33
  Speaker 4: are a little older, and so we just to eliminate
• 34:37
  Speaker 4: any sort of mix up. We blare in alarm every
• 34:40
  Speaker 4: seven minutes, So wake up, wake up, wake up, wake up.
• 34:44
  Speaker 4: And it's helpful for me too, because sometimes.
• 34:51
  Speaker 9: It's helpful for you, helps me.
• 34:54
  Speaker 4: Go, oh yeah, I'm doing this again. When you do
• 34:57
  Speaker 4: fifteen thousand shows, it stards to remember. You start to
• 35:00
  Speaker 4: forget when you're on the strip, but when.
• 35:02
  Speaker 6: You're off, you're at fifteen thousand.
• 35:05
  Speaker 4: Now I have a fifteen thousand shows, and I tell
• 35:07
  Speaker 4: you what I could do fifty. I doesn't feel a
• 35:10
  Speaker 4: day over fourteen ninety nine.
• 35:13
  Speaker 9: No, that's incredible. About you guys give a bad show.
• 35:16
  Speaker 6: Oh we have a bad show, Well, we do having
• 35:19
  Speaker 6: a bad show. I can't really.
• 35:24
  Speaker 9: What if you get sick.
• 35:26
  Speaker 6: Oh well, we have to push through. So mostly mirrors.
• 35:31
  Speaker 7: We use a mirror because we're so similar in look,
• 35:33
  Speaker 7: so we will just put out a mirror so it
• 35:35
  Speaker 7: looks like we're just synchronized, and we have a we
• 35:38
  Speaker 7: have a voice recording track.
• 35:39
  Speaker 6: And so so we put a mirror out, and the
• 35:42
  Speaker 6: mirror has a drawing of a mustache.
• 35:44
  Speaker 7: Like, if it's team, it's a drawing of a mostage
• 35:46
  Speaker 7: a mustache, and I don't if it's me, it's.
• 35:50
  Speaker 6: He said, a racing of a moustache.
• 35:52
  Speaker 4: And we have what is the absence of a show
• 35:56
  Speaker 4: on the mirror.
• 35:56
  Speaker 5: So we scratch this, We scratch that part of the
• 35:59
  Speaker 5: mirror so it looks like no reflection there.
• 36:01
  Speaker 6: Yeah, exactly. Okay, that's the only magician's secret one will
• 36:07
  Speaker 6: tell you.
• 36:08
  Speaker 5: But yes, it's a lot of person If we're losing
• 36:10
  Speaker 5: the audience, if they're turning against us, I mean, we
• 36:12
  Speaker 5: have one of the best moves in the world.
• 36:14
  Speaker 6: We turn out our special trick. Yeah, so we kill
• 36:19
  Speaker 6: our current personas on stage. We kill them.
• 36:22
  Speaker 7: We did we like, we do a bloody death and
• 36:25
  Speaker 7: then we come back and say those guys were our opener,
• 36:28
  Speaker 7: We are the real.
• 36:30
  Speaker 6: Ones, so that's what.
• 36:32
  Speaker 9: Then you play the video again.
• 36:34
  Speaker 5: We go through the big video again and just desperately
• 36:37
  Speaker 5: try to get their back on.
• 36:40
  Speaker 4: I love an opener who has the same act.
• 36:42
  Speaker 7: Dudu, Yeah, genuinely. Like magic is so easy because you
• 36:49
  Speaker 7: start over over and over. It's like, well that one
• 36:51
  Speaker 7: didn't work, Let's move on to the next one.
• 36:53
  Speaker 6: And we have some amazing things that we do. We
• 36:56
  Speaker 6: do so many tricks.
• 36:57
  Speaker 5: We have a snake and a hat trick, which insane.
• 37:00
  Speaker 6: Like you, she sang, she does not sing my bringer on.
• 37:05
  Speaker 5: Well, we didn't want to step on your toezies.
• 37:07
  Speaker 6: Yeah, you're very litigious. You see the country bears, Yeah.
• 37:13
  Speaker 9: Because they stole my b.
• 37:17
  Speaker 4: So it's bears are not birds, but I guess they're animals.
• 37:21
  Speaker 1: I guess it's just I get I get intimidated easily
• 37:24
  Speaker 1: because let me tell you, I am nothing.
• 37:26
  Speaker 4: I am.
• 37:26
  Speaker 1: I'm a dog shit pianist and I'm a dog shit singer.
• 37:30
  Speaker 1: So without my birds, I have nothing.
• 37:31
  Speaker 6: Continue, Well, we have a tricled snake in the hat.
• 37:34
  Speaker 5: We put the hat on the audience member and they
• 37:37
  Speaker 5: and we say, oh you look good, Wow, you look
• 37:40
  Speaker 5: so you.
• 37:41
  Speaker 6: Gotta go out to Town Nightclub tonight.
• 37:43
  Speaker 5: Oh, you've got to go out the Town nightclub because
• 37:45
  Speaker 5: you're all going to be on the strip and you
• 37:47
  Speaker 5: look hot and then I go away.
• 37:50
  Speaker 6: That shick some of the things you're wriggling around there?
• 37:53
  Speaker 6: What could that be? What could it be?
• 37:55
  Speaker 4: Hey?
• 37:56
  Speaker 6: What could that be? It's a snake. It's a big snake.
• 38:00
  Speaker 4: Do I do that to the McCaine.
• 38:01
  Speaker 5: We did that to John McCain. He had a heart attack.
• 38:07
  Speaker 7: People didn't know this. He could control them and he
• 38:09
  Speaker 7: could choose with He was a spie heart attacked.
• 38:15
  Speaker 8: Show.
• 38:15
  Speaker 6: The snake could control herd attack, he said, he said,
• 38:17
  Speaker 6: do you know what, I'm going to give you a
• 38:19
  Speaker 6: heart attack? But yes, So the heat opens up.
• 38:24
  Speaker 5: It's like a big bowler's hat and you go, how
• 38:27
  Speaker 5: can that giant ball constrictor all fit in the hat?
• 38:31
  Speaker 5: And that's part of the strip because it kind of
• 38:32
  Speaker 5: looks like a giant ball constrictors coming out of our head.
• 38:35
  Speaker 6: Yeah, it's a big hat too.
• 38:39
  Speaker 1: Well, listen, we all have shows tonight. Right is different
• 38:44
  Speaker 1: than Broadway. We don't sleep right. We have a show
• 38:47
  Speaker 1: at our contracts are really firm. That's strong as your
• 38:50
  Speaker 1: stomach I know we have to prepare.
• 38:53
  Speaker 6: What do you guys do?
• 38:53
  Speaker 9: Like what tonight We're about to go do our shows?
• 38:55
  Speaker 6: What are you going to do to prepare? We do
• 38:57
  Speaker 6: a lot of vocal warm ups.
• 38:59
  Speaker 8: Yes, oh relate, oh cats real. I can't relate. I
• 39:14
  Speaker 8: can't relate.
• 39:16
  Speaker 11: I can really, I can't relate. I can't read. I
• 39:27
  Speaker 11: can't relate, really relate.
• 39:30
  Speaker 6: Okay, let's see.
• 39:40
  Speaker 9: What are you in the puppet do normal?
• 39:42
  Speaker 4: I like to you know, my act isn't ensemble piece.
• 39:47
  Speaker 4: You know, there are no small puppets, only smather puppet
• 39:50
  Speaker 4: who has the guy who has the puppet.
• 39:55
  Speaker 5: Over?
• 39:58
  Speaker 4: Thank you for propping me up. There are no small puppets,
• 40:01
  Speaker 4: only the small guy who has the puppet.
• 40:04
  Speaker 6: So and so I like to warm up.
• 40:09
  Speaker 4: And as any good director and ensemble does, make everybody
• 40:13
  Speaker 4: feel warming fussy before this show. So we go down
• 40:17
  Speaker 4: to the bar. I could put in a bunch of
• 40:20
  Speaker 4: dirty martinis for all the guys. The guys meaning the puppets.
• 40:24
  Speaker 4: There's something in my real eye and.
• 40:31
  Speaker 6: Relat or do you have a fake eyes somewhere?
• 40:37
  Speaker 4: It doesn't come from the puppet until I say the
• 40:40
  Speaker 4: puppet said that.
• 40:43
  Speaker 7: That.
• 40:44
  Speaker 4: But okay, so we're all in a circle, and we're
• 40:47
  Speaker 4: sort did we start to talk shop about the day before,
• 40:51
  Speaker 4: any broods we fell in love with on the way over,
• 40:54
  Speaker 4: any mummies were coming, Who're gonna be in the audience tonight.
• 40:59
  Speaker 4: And so I'll make sure everybody feels good, make sure
• 41:01
  Speaker 4: everybody drinks the dirty martini, and I may and I
• 41:04
  Speaker 4: give everybody, and I say, I got you back, I
• 41:06
  Speaker 4: got you back, I got you back, I got you back,
• 41:08
  Speaker 4: And then I make the puppet do it.
• 41:12
  Speaker 5: Puppets also got your back to each other. They go,
• 41:15
  Speaker 5: it takes whatever. It's funny because you have their literal back.
• 41:20
  Speaker 4: For me, it's a sadistic thing. I got you back,
• 41:23
  Speaker 4: and you'd never escape. But for them it's a support.
• 41:26
  Speaker 5: Okay, lose both hands for that, or you have to go.
• 41:31
  Speaker 5: I got your back, take your hand out, put it,
• 41:34
  Speaker 5: thank you, I got your back.
• 41:36
  Speaker 6: I got your back.
• 41:37
  Speaker 4: Yeah, I gotta take can I gotta take it out.
• 41:39
  Speaker 4: Sometimes it gets really confusing because I take it out,
• 41:43
  Speaker 4: but then to give to give a pat on the back,
• 41:45
  Speaker 4: But then it loses its shape, so I got to
• 41:47
  Speaker 4: put my hand back in. Oh yeah, I gotta take
• 41:49
  Speaker 4: it out again to give the pat on the back.
• 41:51
  Speaker 4: But oh no, it lost its shape again. It's really
• 41:53
  Speaker 4: difficult to be a man in America. That's one of
• 41:57
  Speaker 4: your puppet jokes. You got man in America? Who's complaining? Poppet?
• 42:01
  Speaker 6: I love that. Yeah, that's the eighth deadly sin being
• 42:05
  Speaker 6: a man in America.
• 42:07
  Speaker 9: Is it time for my show?
• 42:09
  Speaker 6: God, she's preparing all these parts of coming in the studio.
• 42:18
  Speaker 9: Are here to pick me up. They're here to pick
• 42:21
  Speaker 9: me up for the show.
• 42:22
  Speaker 4: They drive you there.
• 42:25
  Speaker 9: Whoa be a lady?
• 42:33
  Speaker 6: She has just joined us.
• 42:35
  Speaker 4: Look be a lady.
• 42:37
  Speaker 5: Hey baby, nice pair of kiss parakeet.
• 42:43
  Speaker 9: I'm going I'm going to my show.
• 42:46
  Speaker 6: Oh my god, all those birds got in a car
• 42:48
  Speaker 6: and started driving.
• 42:51
  Speaker 4: Oh my god, they went away. Well, I'm sure we
• 42:55
  Speaker 4: all can agree. Vegas is no picnic. Vegas is everything
• 43:01
  Speaker 4: you do and it becomes everything you are. Sometimes you
• 43:04
  Speaker 4: lose track of who you are. But really it's the
• 43:07
  Speaker 4: other people on the strip that make it all worth
• 43:09
  Speaker 4: it and make those dark days just a little bit brighter,
• 43:15
  Speaker 4: And especially when the puppets are talking, that's what makes
• 43:19
  Speaker 4: it better. I'm not gonna give it to you.
• 43:23
  Speaker 6: I can't.
• 43:32
  Speaker 5: Artists on ours answer the question now that's why we
• 43:34
  Speaker 5: call it shows business.
• 43:36
  Speaker 6: Good night.
• 43:41
  Speaker 9: Hey guys.
• 43:42
  Speaker 1: If you want to see more of whatever this was,
• 43:44
  Speaker 1: but you kind of want to see it more chill,
• 43:46
  Speaker 1: more relaxed, and maybe more.
• 43:47
  Speaker 9: Intimate, we have a Patreon.
• 43:50
  Speaker 3: We have a Patreon where there's bonus episodes and more
• 43:52
  Speaker 3: fun and fun and games and.
• 43:54
  Speaker 4: You never know what's gonna happen, like like right now,
• 43:57
  Speaker 4: switch hats.
• 44:00
  Speaker 1: Oh my god, now you're seeing me exposed, the real
• 44:03
  Speaker 1: Angela and now I have a hat.
• 44:04
  Speaker 4: On what's going on? You can do this at the Patreonts,
• 44:08
  Speaker 4: so come on by.
• 44:09
  Speaker 9: It's really fun. We have a fun group of people
• 44:11
  Speaker 9: who are like besties on a group thread.
• 44:12
  Speaker 6: See there.
• 44:14
  Speaker 14: Artists on Artists on Artists on Artists is an improvised
• 44:16
  Speaker 14: Hollywood roundtable podcast created, performed, and produced by Kylie Braakman,
• 44:20
  Speaker 14: Jeremy Colhayne, Angela Gierratana, and Patrick McDonald's music is by
• 44:25
  Speaker 14: Gabrielle Ponton. The opinions expressed on this podcast do not
• 44:28
  Speaker 14: reflect the opinions of anyone who works on it, not
• 44:31
  Speaker 14: even the performers, because this is an improvised podcast and
• 44:34
  Speaker 14: we're stupid.
• 44:35
  Speaker 6: Full video versions of aoaoaoa are available on YouTube, so
• 44:38
  Speaker 6: please like and subscribe and leave us a five star review.
• 44:41
  Speaker 6: Wherever you get your podcasts. Good night, Hollywood,