Latest / The Bridge by Sammy Chand / June 3, 2026 — "Sammy Chand Interviews Sudesh Bhosle"

Transcript

June 3, 2026 — "Sammy Chand Interviews Sudesh Bhosle" · The Bridge by Sammy Chand

• 0:00
  Speaker 1: South Asian music and cultures can.
• 0:02
  Speaker 2: Be found around the world.
• 0:05
  Speaker 1: We've tracked down the best.
• 0:07
  Speaker 3: And presented here for you on Ruckusvenue Radio.
• 0:15
  Speaker 1: Hi, this is Elizaa and you'll listening to the Bridge
• 0:17
  Speaker 1: with Sami John.
• 0:19
  Speaker 4: Hey, everybody, this is DECI y'all, and you're listening to
• 0:22
  Speaker 4: the Bridge.
• 0:22
  Speaker 1: It's Sami Choon. Hey, this is Calten.
• 0:25
  Speaker 2: You're listening to The Bridge with Sami John.
• 0:28
  Speaker 4: Hope you're well. Thank you very much for finding the
• 0:32
  Speaker 4: signal wherever you may be across the planet.
• 0:34
  Speaker 5: Here.
• 0:35
  Speaker 4: My name is Sammy John and welcome everybody to a
• 0:40
  Speaker 4: June third edition of The Bridge and quite possibly the
• 0:45
  Speaker 4: most entertaining hour in all of South Asian music and
• 0:49
  Speaker 4: entertainment is locked and loaded for you. Got a fabulous
• 0:55
  Speaker 4: episode for you today, one that I know that you
• 0:58
  Speaker 4: will enjoy. I'm gonna be interviewing a legend. I'm gonna
• 1:05
  Speaker 4: be interviewing, So there's Bosle on this show today. If
• 1:10
  Speaker 4: you have heard people like Ahmita Batchen or any other
• 1:14
  Speaker 4: great vocalist singing a song, you probably weren't hearing that
• 1:21
  Speaker 4: actual actor. You were probably hearing so there's Boslet. So
• 1:27
  Speaker 4: this is one of the greatest When I say greatest
• 1:32
  Speaker 4: vocal talents are space has ever seen? And why I'll
• 1:36
  Speaker 4: tell you he can mimic, I would say, I don't
• 1:39
  Speaker 4: even know how many. I don't even know how many
• 1:42
  Speaker 4: singers and how many actors he can mimic like down
• 1:46
  Speaker 4: to the actual intonation. It is remarkable. It's a remarkable talent.
• 1:52
  Speaker 4: You will not find something like this and too many
• 1:55
  Speaker 4: folks out there on this planet. So there's Bosley will
• 1:59
  Speaker 4: be woining us today. It's an exclusive interview. He's here
• 2:04
  Speaker 4: for the summer, getting ready for a tour that stretches
• 2:08
  Speaker 4: across the US. Make sure you go see him. We've
• 2:15
  Speaker 4: got a fabulous Wednesday episode lined up for us. We
• 2:17
  Speaker 4: do every Wednesday. On this show. We'll be joined by
• 2:21
  Speaker 4: the ruckas Abne Radio All Stars. We've got Doctor Roy,
• 2:24
  Speaker 4: We've got da We've got a suitcase full of music
• 2:28
  Speaker 4: for you, and we've got enough energy to power you
• 2:31
  Speaker 4: through a midweek Here on the Bridge. We're gonna begin
• 2:36
  Speaker 4: with Jasmine Sandless Shush, what such div song called? Man
• 2:41
  Speaker 4: or two, Welcome to the Bridge.
• 2:45
  Speaker 6: Man Manja Man, then Man John and Man.
• 3:01
  Speaker 2: John got to.
• 3:06
  Speaker 7: Do after to married, then May after Jing and happen
• 3:15
  Speaker 7: the hockey off the Baln't that a honky ruber roll
• 3:21
  Speaker 7: the caning and happened hoeyl don't get something.
• 3:58
  Speaker 8: You can't suck not love baby so much more your
• 4:04
  Speaker 8: touch lady gave.
• 4:05
  Speaker 2: To the sweet problem. Where can send me? Come close
• 4:09
  Speaker 2: were we can get baby? Thank kill.
• 4:15
  Speaker 9: Love baby.
• 4:18
  Speaker 10: That's my.
• 4:21
  Speaker 1: Program.
• 4:22
  Speaker 4: What test me comes comes?
• 4:24
  Speaker 1: Well?
• 4:26
  Speaker 11: You your man know that Doohn John him and dying.
• 4:50
  Speaker 12: Many?
• 4:50
  Speaker 2: Did you make us?
• 4:51
  Speaker 10: Did you person.
• 4:55
  Speaker 6: John Emjohnjohn themde b.
• 5:04
  Speaker 1: Are you mad?
• 5:05
  Speaker 13: You mad?
• 5:05
  Speaker 2: Did you better?
• 5:10
  Speaker 10: You can ring ing.
• 5:18
  Speaker 13: Ing?
• 5:45
  Speaker 2: It's a great song.
• 5:46
  Speaker 4: It's called now do Jasmin's handless get together with shuch
• 5:50
  Speaker 4: what such deve render the revenge. This next song we've
• 5:55
  Speaker 4: got for you is Hassan Rahim And who's there? Just
• 5:57
  Speaker 4: wauld rely every.
• 5:59
  Speaker 14: Night you've in all my mind, baby girl, these must mosca.
• 6:12
  Speaker 2: I haven't so don't feeling him my bones.
• 6:15
  Speaker 14: Dona Joe made us not the Jora coyouna jorda manager who.
• 6:21
  Speaker 15: Who do not the can caravajahad put your guy the.
• 6:41
  Speaker 14: Ra pull long push body a boom comp.
• 6:55
  Speaker 5: I gave you.
• 7:06
  Speaker 2: This was real. This the baby threw it through until
• 7:31
  Speaker 2: your bay.
• 7:32
  Speaker 10: Gotta go get your.
• 7:51
  Speaker 16: Your guys enjoy many Ushani didn't quote Shaya observer mages
• 8:00
  Speaker 16: you gentle man who Samaya retarded to a sum alum
• 8:04
  Speaker 16: cock Sophia, you're like cot know that you went out.
• 8:08
  Speaker 2: Baby and you took me with yourself running faver. Don't
• 8:14
  Speaker 2: inside my head lately? Don't you tell me by yourself?
• 8:18
  Speaker 2: Pillb deal metal baby true delivered cock.
• 8:29
  Speaker 15: Cant hor.
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  Speaker 17: Love.
• 9:12
  Speaker 4: We'll after flying start here on a Wednesday show.
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  Speaker 2: Thank you for joining us.
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  Speaker 4: We'll be joined today by Sudesh Sudish bolet g as
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  Speaker 4: I like to say, and he is a legend in
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  Speaker 4: our space. I'm gonna be playing some songs from him today,
• 9:31
  Speaker 4: so get ready for that. This is a pete delon.
• 9:36
  Speaker 2: What you are from you? What you are from you?
• 9:40
  Speaker 2: What you are from you?
• 9:53
  Speaker 1: What what.
• 9:58
  Speaker 2: What by? I'm gonnaw, he's gonna bay say downy doing it.
• 10:07
  Speaker 2: They don't happen, do you are?
• 10:10
  Speaker 3: Do you know?
• 10:11
  Speaker 2: I got oh not that be.
• 10:13
  Speaker 5: Going on the song that's sony people like by die
• 10:17
  Speaker 5: and see stand.
• 10:19
  Speaker 2: Out it look gonky.
• 10:21
  Speaker 10: It's similar.
• 10:22
  Speaker 2: He's my life that's doing.
• 10:24
  Speaker 18: Enjoying theod by like putting my mom he you brother
• 10:29
  Speaker 18: go to mena dreat for me you this fly, don't.
• 10:32
  Speaker 2: See me, I said, doy have t sho BEng.
• 10:38
  Speaker 18: Won't y'all No, no, I'm gonna see they fall too
• 10:40
  Speaker 18: long on then said I'm paying out a boy about
• 10:44
  Speaker 18: this by.
• 10:46
  Speaker 2: The by remember me that tal man.
• 10:50
  Speaker 10: Don't talk to you.
• 10:51
  Speaker 1: Oh my god, you know like we noleve you from me?
• 11:26
  Speaker 19: Sun Chi ho Chi di Gaevan the Gmoria man.
• 11:51
  Speaker 20: Sah sorry say ter band Nia ran on Judy awesome,
• 12:01
  Speaker 20: no contact.
• 12:04
  Speaker 1: We know, we know, we know, we know what you all,
• 12:10
  Speaker 1: but you all Oba. I know you love me that
• 12:15
  Speaker 1: we know we know, but you all for me.
• 12:18
  Speaker 21: But you.
• 12:22
  Speaker 6: Know well we know you all.
• 12:26
  Speaker 2: Fuck but you.
• 12:31
  Speaker 1: Know we.
• 12:33
  Speaker 2: Know we know you, but you all for bad. What
• 12:40
  Speaker 2: you are from mel? What's you from me? L what
• 12:44
  Speaker 2: you are from Mell? And he was maning at them on.
• 13:00
  Speaker 8: Guys to take you home, mab Concido. Maybe you're a
• 13:06
  Speaker 8: dirty for my beast baby. Any version of the past.
• 13:16
  Speaker 2: Comes first on my shirt. I don't know.
• 13:25
  Speaker 4: The FIFA World Cup begins this month. I can't wait
• 13:31
  Speaker 4: unless you guys know I'm an England fan, so we'll
• 13:34
  Speaker 4: be seeing how this World Cup turns up. Right now,
• 13:37
  Speaker 4: England is probably I think it's ranked number three behind
• 13:42
  Speaker 4: Spain and France, who I clearly think are the favorites here.
• 13:45
  Speaker 4: One of those two teams will win it all in
• 13:47
  Speaker 4: my opinion, but you never know. There's always a surprise,
• 13:51
  Speaker 4: so we'll see how this goes. But that song right
• 13:53
  Speaker 4: there is ap Dillon song for Team Canada. It's called
• 13:57
  Speaker 4: Born Winner and it's here for you want to ruckus
• 14:00
  Speaker 4: Avenue Radio Wednesday. And now let's bring in doctor Roy
• 14:04
  Speaker 4: to the show. How are you Doctor Roy?
• 14:05
  Speaker 22: Hey guys, this is Doctor Roy with today's word on
• 14:08
  Speaker 22: the Avenue. In film and TV news, A twenty four
• 14:11
  Speaker 22: has wrapped production on The Peasant, marking the studio's first
• 14:15
  Speaker 22: featured film in India. Directed by and starring Dave Badal,
• 14:20
  Speaker 22: the revenge action thriller also features Christian Friedel, Saabsichteva, Anushwa
• 14:25
  Speaker 22: s And Gupta and Vippin Sharma in a story centered
• 14:28
  Speaker 22: on a fourteenth century shepherd seeking vengeance after his community
• 14:32
  Speaker 22: is destroyed. In media news, Nick Jonas has revealed that
• 14:37
  Speaker 22: Thalba Daba is currently his favorite Bollywood wedding anthem, praising
• 14:41
  Speaker 22: the track as a great song. The viral hit by
• 14:44
  Speaker 22: Karen Ojila featuring Vicki Koshel continues to make waves internationally
• 14:48
  Speaker 22: as Benjabi music gains even more global attention.
• 14:52
  Speaker 13: In event news.
• 14:53
  Speaker 22: After electrifying audiences across Hyderabad, Bengaluru, Pune, Mumbai, Ben Masala
• 15:00
  Speaker 22: is set to conclude it's India tour with a final
• 15:02
  Speaker 22: performance in Your Delhi, celebrating thirty years of blending Bollywood
• 15:05
  Speaker 22: classics with Western pop through all vocal arrangements. The group's
• 15:09
  Speaker 22: tour was highlighting the enduring global appeal of Indian fusion music.
• 15:14
  Speaker 22: That's it for today's King on the Avenue until next.
• 15:17
  Speaker 4: Time, Thank you very much, Doctor Roy. Today's episode is
• 15:22
  Speaker 4: all about a one sodas Boss Legi. This song is
• 15:28
  Speaker 4: called Juma Ded, one of us classic songs stand by
• 15:32
  Speaker 4: for to this Boss Legie, John.
• 16:09
  Speaker 10: Trum maca, are you.
• 16:34
  Speaker 2: Drum tru Mucky.
• 16:38
  Speaker 1: John Drum John Traumatic, John Traumatic?
• 16:56
  Speaker 23: Yo, your mother give me what your mother.
• 17:51
  Speaker 1: Up?
• 17:59
  Speaker 9: Many who Joe got your Joe?
• 18:07
  Speaker 4: Oh do ser WoT Joe pack the g.
• 18:11
  Speaker 21: Got you.
• 18:13
  Speaker 1: Son Marcus mother girl sorries much of the marker.
• 18:37
  Speaker 13: We're not, we're not, We're not.
• 18:43
  Speaker 23: Mother Yeah, Sally Bundelo hang Sally, just about what la Okay?
• 19:04
  Speaker 1: Your tap Syca not.
• 19:06
  Speaker 21: Get out you morning by the misday, my good last
• 19:57
  Speaker 21: get your go mourning all.
• 19:59
  Speaker 10: Ris money.
• 20:20
  Speaker 4: And ladies and gentlemen. Is my distinct honor and pleasure
• 20:24
  Speaker 4: to introduce into the show the great Swedish Bosle. Sir,
• 20:28
  Speaker 4: welcome to the show.
• 20:30
  Speaker 1: Thank you, Sammy, thank you so much. And I love
• 20:36
  Speaker 1: the way you like we introduced ourselves and I would
• 20:40
  Speaker 1: be more than happy. You can ask me any questions
• 20:44
  Speaker 1: about myself, about the music, about the film industry, please go.
• 20:48
  Speaker 4: It's an honor to have you, and we are all ears.
• 20:52
  Speaker 4: Of course we're waiting to hear all this great wisdom
• 20:55
  Speaker 4: that you've sincerely experienced in your time. You know, my
• 20:58
  Speaker 4: very first question is, yeah, the business has changed so
• 21:02
  Speaker 4: much through your eyes. I think you're one of the
• 21:06
  Speaker 4: few people that could give me a very good advantage
• 21:08
  Speaker 4: point on this discussion. How much has it changed indeed,
• 21:13
  Speaker 4: around the business of music, around Indian cinema since the
• 21:17
  Speaker 4: time you were working in the business.
• 21:20
  Speaker 1: See, when we started, it was pure music and people
• 21:26
  Speaker 1: who had this like the great gift by God, who
• 21:33
  Speaker 1: God has chosen, like musicians are chosen or artists are chosen.
• 21:38
  Speaker 1: You know, only people who had the real sur they
• 21:44
  Speaker 1: were in this business and we were like, you know,
• 21:48
  Speaker 1: we used to look at this music or the gift
• 21:52
  Speaker 1: of God and like like you know, like a religion
• 21:58
  Speaker 1: or you can say, like just a we do puja
• 22:01
  Speaker 1: at home, right, It was a religious thing for us.
• 22:04
  Speaker 1: But and we have we are very fortunate that we
• 22:09
  Speaker 1: have seen the progression, the changes, and we are trying
• 22:14
  Speaker 1: to you know, update ourselves. That music was also good.
• 22:19
  Speaker 1: I won't say today's music is bad because the youngsters.
• 22:23
  Speaker 1: I see the small children, youngsters. I see the way
• 22:28
  Speaker 1: they sing, the way they sing with confidence. It's like
• 22:35
  Speaker 1: during our times, even until twelve or fifteen years, we
• 22:38
  Speaker 1: were helped, like you're not. We didn't have the confidence.
• 22:42
  Speaker 1: We were hesitant to sing in front of anyone. But
• 22:45
  Speaker 1: now this generation, I will first take the very intelligent, clever.
• 22:51
  Speaker 1: They know what they want, they know what they are doing,
• 22:56
  Speaker 1: and it was not like our day. Oh yes, we
• 23:02
  Speaker 1: used to follow, but now they're very good. So first
• 23:05
  Speaker 1: of all, I would, you know, encourage bless and I'm
• 23:10
  Speaker 1: with the new generation because they are so creative. Only
• 23:15
  Speaker 1: thing the changes with we have now I have seen,
• 23:20
  Speaker 1: like straight if you go to my profession, which I
• 23:25
  Speaker 1: mostly the I am a live performer, so well perform live,
• 23:31
  Speaker 1: you know, like even you don't. Don't give me any
• 23:35
  Speaker 1: musicians and give me a good microphone, a good sound system.
• 23:40
  Speaker 1: I can. I know, I can entertain the audience with
• 23:43
  Speaker 1: my voice, with my order give God has given me.
• 23:48
  Speaker 1: I know, I'll give them pure entertainment. But those days
• 23:55
  Speaker 1: it was music. Music was recorded. And now I would
• 24:01
  Speaker 1: say in indeed music chop times that they they they
• 24:04
  Speaker 1: spread the music, you know, yeah, sure, So nowadays what
• 24:13
  Speaker 1: happened because of this technology. It has helped the musicians,
• 24:19
  Speaker 1: the singers, but it has made them dependent, you know.
• 24:27
  Speaker 24: Now Now nowadays the youngsters come to me when I
• 24:31
  Speaker 24: record a song, I record like for all, not only him,
• 24:35
  Speaker 24: the there I I sing in all my Indian languages.
• 24:39
  Speaker 1: So when when when when I sing sign like suppose
• 24:46
  Speaker 1: he and if I tell the musicians, the director, the
• 24:55
  Speaker 1: young one, I want to see it again. I can
• 24:58
  Speaker 1: do it better, he says, no, sir, we got it.
• 25:01
  Speaker 1: We'll do it. So then then I get a little
• 25:06
  Speaker 1: bit upset. I said in the crown, I why are
• 25:10
  Speaker 1: you not allowing me to sing? You sing? One times?
• 25:14
  Speaker 4: I think a lot of that has to do with
• 25:16
  Speaker 4: respect as well, how do you tell mister bust to
• 25:19
  Speaker 4: sing again? You know that it wasn't good enough, that's
• 25:21
  Speaker 4: not to be a lot of it as well. I'm
• 25:23
  Speaker 4: sure no, no, no, no, no no, it's the other way.
• 25:26
  Speaker 1: If I want to sing it again and I know
• 25:30
  Speaker 1: that I can sing it better second next time, the
• 25:33
  Speaker 1: musician says, no, sir, you need not sing. We will
• 25:37
  Speaker 1: do it with the auto tune. That's what I'm trying
• 25:40
  Speaker 1: to say. Then I'm here, I'm here, standing in front
• 25:47
  Speaker 1: of you, the real thing, and I'm I'm ready to
• 25:53
  Speaker 1: sing it again and again. So you are satisfying, and
• 25:57
  Speaker 1: I'm standing in front of you, I am ready to sing.
• 26:02
  Speaker 1: Why are you not allowing me to do it naturally?
• 26:05
  Speaker 1: Why are you dependent on the machine. That's the difference
• 26:12
  Speaker 1: of them. But anyway, and now I'm very sorry when
• 26:17
  Speaker 1: I see some very good singers who have learned music,
• 26:22
  Speaker 1: God has given their natural talent. They singing a hundred persons,
• 26:27
  Speaker 1: you know, perfect pitch. Even then they want they do,
• 26:34
  Speaker 1: they don't, they don't perform, they don't sing, they just mind,
• 26:39
  Speaker 1: They just act. And I think this is a very
• 26:44
  Speaker 1: no no, no, no no, no, it's it's cheating towards
• 26:47
  Speaker 1: your profession and towards the uh, towards your fans and
• 26:51
  Speaker 1: your audience. So now what the difference is like? Of
• 26:57
  Speaker 1: course I'm saying to mouth, there is Joe Maaja, the joo,
• 27:08
  Speaker 1: the jica, the Joe Joe Joe mouth, the Joe maj ma.
• 27:20
  Speaker 1: That's my, that's that's my, that's our original style, singing
• 27:25
  Speaker 1: the whole book in onego. Thank you, thank you, thank you, thanks.
• 27:32
  Speaker 1: But now what has happened if I'm singing for I'm
• 27:37
  Speaker 1: singing in today's style, I just think Joe mam, Joe
• 27:42
  Speaker 1: mam under times, then they they ten times. Then the
• 27:49
  Speaker 1: visit that will you know joint ye j.
• 27:56
  Speaker 15: This yeah.
• 27:57
  Speaker 1: Yeah, it is like copy and past.
• 28:01
  Speaker 2: It is yeah.
• 28:02
  Speaker 1: Yeah, that's the difference which sometimes we know and see.
• 28:07
  Speaker 1: There is no souls even if you have you know
• 28:10
  Speaker 1: science as you know, upgraded with auto tune AI everything.
• 28:15
  Speaker 1: But when you sing naturally, there's a soul. There is
• 28:18
  Speaker 1: a there are emotions that are a feeling. When you
• 28:23
  Speaker 1: record a song with a machine, it will be a
• 28:25
  Speaker 1: machine the song it sound like a machine. Right, that's
• 28:29
  Speaker 1: the difference.
• 28:29
  Speaker 4: It loses the soul absolutely, yeah, I we we are
• 28:35
  Speaker 4: lucky to have you on tour here in North America
• 28:37
  Speaker 4: right now. And when I when I first saw the announcement,
• 28:41
  Speaker 4: I kind of lean back in my chair and I
• 28:45
  Speaker 4: took a moment to look at the announcement because to me,
• 28:48
  Speaker 4: I was seeing your face again in this very big way,
• 28:52
  Speaker 4: touring through North America almost forty years later in the business,
• 28:57
  Speaker 4: and a lot of these youngsters are touring now and
• 29:00
  Speaker 4: they're out there in the business now, and that's all
• 29:03
  Speaker 4: well and good. You know, I had a very interesting
• 29:06
  Speaker 4: question for you. The question is your story of being
• 29:10
  Speaker 4: able to be so relevant so many years later. I
• 29:13
  Speaker 4: know people very easily and rightfully so and respectfully so
• 29:18
  Speaker 4: do it because they very easily say, well, it's because
• 29:21
  Speaker 4: he's an amazing singer, he's an amazing vocalist. But my
• 29:25
  Speaker 4: question to you is a little bit different. Have you
• 29:28
  Speaker 4: ever sat back and thought, Wow, my endurance of my
• 29:33
  Speaker 4: story has a lot to do with me being also
• 29:36
  Speaker 4: a successful businessman because you made those decisions as an
• 29:40
  Speaker 4: artist to be this way and to have this career
• 29:43
  Speaker 4: so many years down the line. Are people forgetting to
• 29:47
  Speaker 4: know or notice the businessman inside of you?
• 29:50
  Speaker 1: Sir? First of all, I wouldn't say I'm a very
• 29:55
  Speaker 1: good business man, but I just follow, you know, the
• 30:00
  Speaker 1: nature whatever like you know nature or whatever the supreme
• 30:07
  Speaker 1: power orders me or you know, I follow my instinct,
• 30:13
  Speaker 1: my work there whatever you say, see, I will tell
• 30:18
  Speaker 1: you one thing. Yes, from seventy four to eighty to
• 30:23
  Speaker 1: nineteen eighty two, I would I was a painter. I
• 30:27
  Speaker 1: used to paint posters, wow with my my My father
• 30:33
  Speaker 1: was an artist. He had done he had done posters
• 30:37
  Speaker 1: for Moglia, those General jenneral Piles by way, yeah yeah,
• 30:44
  Speaker 1: Enna Brothley and and I joined him at the age
• 30:48
  Speaker 1: of fourteen. I was like in seventy four. From seventy
• 30:52
  Speaker 1: four to eighty two, I have painted, frame, jury, whatever working.
• 30:58
  Speaker 1: I was a complete, like you know, full time painter.
• 31:02
  Speaker 1: And my mother, my mother Suman both she was a
• 31:05
  Speaker 1: classical singer. My grand mom Nani Durga by Shiro. She
• 31:11
  Speaker 1: was a very famous classical singer. She was a disciple
• 31:15
  Speaker 1: of Kanana. So I have grown in the you know,
• 31:24
  Speaker 1: pure classical music. I'm from go A sh Kamakazi, so
• 31:31
  Speaker 1: I was you know, I'd grown up with like one
• 31:35
  Speaker 1: side it was totally painting and the other side it
• 31:39
  Speaker 1: was classical music. Nazi and still the age of eighty two.
• 31:46
  Speaker 1: My parents and myself. I had thought that I will
• 31:50
  Speaker 1: continue the business of my father of posters because I
• 31:55
  Speaker 1: was I am a very good painter. I'm a very
• 31:58
  Speaker 1: good artist. I'll I'll share you of my sketch.
• 32:02
  Speaker 4: I would love to hear. Yes, WhatsApp Yes.
• 32:07
  Speaker 1: These sketches are from the year nineteen seventy seventy eight.
• 32:14
  Speaker 1: And suddenly I realized I whatever I used to sing
• 32:23
  Speaker 1: like there were no tapes or there is only on radio.
• 32:27
  Speaker 1: I mean sanny I use when I whenever I sang
• 32:32
  Speaker 1: any song which I like, I realized I reproduced that
• 32:37
  Speaker 1: same tone, same voice, yeah, yeah, and the first first
• 32:42
  Speaker 1: two voices which I copied, not not copy, which came
• 32:47
  Speaker 1: from me from within, there was and k cycle stuff.
• 32:52
  Speaker 1: And without realizing a few years back, when I counted
• 32:58
  Speaker 1: my voices, I can sing in twenty one singers and
• 33:03
  Speaker 1: twenty eight twenty eight actors voices. Incredible Yeah, And I
• 33:10
  Speaker 1: didn't realize how the microphone came near we like close
• 33:14
  Speaker 1: to me, and the brush painting brush went away from me.
• 33:19
  Speaker 1: It was like I have decided nothing. I'm not a businessman.
• 33:23
  Speaker 1: I just follow my instincts and I never realized how like,
• 33:28
  Speaker 1: you know, I could imitate. Even today, I don't know
• 33:31
  Speaker 1: how can I can imitate or s Vermin or Verman.
• 33:36
  Speaker 1: And it is I just whenever I'm painting, I am
• 33:40
  Speaker 1: two hundred persons involved in that. And when I do
• 33:44
  Speaker 1: SD Berman, I close my eyes. I don't do it
• 33:48
  Speaker 1: to satisfy the audience or anything. I just close my eyes.
• 33:52
  Speaker 1: And I'll tell you one incident. I sang the song
• 33:55
  Speaker 1: in a live show of SD Burma Sooner Mary, mister
• 34:06
  Speaker 1: Soon Mary, and this song. When Memosa heard it in
• 34:17
  Speaker 1: live show, he came backstage, he just kept his hand
• 34:21
  Speaker 1: on my you know, cheeks answered better better the connection.
• 34:35
  Speaker 1: So even when I sang them one song from our
• 34:39
  Speaker 1: frames in front of Asha, she started crying and she said,
• 34:46
  Speaker 1: such subm friend going mad? Oh so whatever I do?
• 35:19
  Speaker 1: You know? I just love it. I just love it,
• 35:24
  Speaker 1: and I just you know, I yes, of.
• 35:27
  Speaker 25: Course I need money to you know, sure, But but
• 35:34
  Speaker 25: but when I when I'm on stage, I don't, you know,
• 35:38
  Speaker 25: I don't think how much hell I know how much
• 35:41
  Speaker 25: this promoter.
• 35:42
  Speaker 1: Is giving me. I give a hundred persons and I
• 35:45
  Speaker 1: get people entertaining and entertaining. And second thing, I have
• 35:50
  Speaker 1: never insulted or I have never my senior artists or
• 35:56
  Speaker 1: junior artists, or I've never done any vulgar or any
• 36:01
  Speaker 1: wrong un performance in front of the audience on TV anywhere.
• 36:07
  Speaker 1: And that's why people still love me.
• 36:11
  Speaker 4: I have a question about this. This is an interesting
• 36:13
  Speaker 4: point you bring up. Yeah, you you said that you
• 36:17
  Speaker 4: you you can sound like twenty one great keepingle singers
• 36:24
  Speaker 4: out there and actors, twenty eight actors. My goodness, you
• 36:29
  Speaker 4: have any of them ever come up to you and said, hey, listen,
• 36:34
  Speaker 4: I don't sound like that.
• 36:38
  Speaker 1: In fact, he said, like, I will give you an
• 36:43
  Speaker 1: example a bit. I mean so, so.
• 36:54
  Speaker 26: He said, do I like, do have my dialogue delivery
• 37:00
  Speaker 26: like this? Oh my god, I never realized that. And
• 37:04
  Speaker 26: and you you will be surprised. Many of these actors
• 37:08
  Speaker 26: call me and s we are not here for a.
• 37:12
  Speaker 1: Month, we are going out for shooting and there's one
• 37:14
  Speaker 1: real left or the can you please do it for me?
• 37:21
  Speaker 1: And and and you knows about mister Butcher, what is
• 37:26
  Speaker 1: it okay? Okay? And and when when when he heard
• 37:40
  Speaker 1: me for the first time, I sang him for him
• 37:44
  Speaker 1: in Ajuba and the song was Mama Likes but from
• 37:51
  Speaker 1: Ajuba and now I'll sing a line sung by Mama
• 37:56
  Speaker 1: the Great. Mam is my very good friendly life. He so,
• 38:09
  Speaker 1: Amita said, yeah. When I first met him, introduced nikas
• 38:17
  Speaker 1: So I was standing in front of Amita but shivering, shaking,
• 38:21
  Speaker 1: and we folded hands. Are you about? You were like
• 38:32
  Speaker 1: such great complimentaryh.
• 38:35
  Speaker 4: My goodness, I had, Oh my goodness, this is so
• 38:40
  Speaker 4: so great. I had no idea. This is so funny
• 38:44
  Speaker 4: because you know, you know, if we forget, these are
• 38:48
  Speaker 4: people that you're going to see and you're gonna interact
• 38:51
  Speaker 4: with them at some point, and they're gonna have some
• 38:54
  Speaker 4: thoughts about what you're doing, and and of course in
• 38:56
  Speaker 4: a very complimentary way. Of course, I understand.
• 38:59
  Speaker 1: I just tell you one thing. Yes, once I had
• 39:05
  Speaker 1: to I'd got a chance to speak to a Lloyan
• 39:09
  Speaker 1: the Great, Yes, and one of my friends just he
• 39:15
  Speaker 1: was talking to Asa and when I arrived, he just
• 39:18
  Speaker 1: straight away handed over the phone to me and I said, here,
• 39:22
  Speaker 1: who is this? Tell me who am I I'm talking to?
• 39:27
  Speaker 1: West baster to what I heard in my years, there's
• 39:32
  Speaker 1: a hard bat. Thank you, Thank you so much from
• 39:38
  Speaker 1: Memo State for pat that.
• 39:40
  Speaker 4: Yeah, God bless you, my son, yes, Oh, my goodness,
• 39:47
  Speaker 4: I listen. I know that you could probably have each
• 39:50
  Speaker 4: of these characters, characters talk to each other like this
• 39:54
  Speaker 4: and none of them show up to any of the
• 39:56
  Speaker 4: tape over sessions whatsoever, and it would be markeably accurate.
• 40:01
  Speaker 4: My goodness, Thank you, thank you so much, Thank you
• 40:04
  Speaker 4: very much, sir. I first of all, it's been an
• 40:08
  Speaker 4: honor to have you on the show. I had no
• 40:10
  Speaker 4: idea that I'd be laughing so loudly and during this
• 40:14
  Speaker 4: entire time, I was honestly ready for such a dignified
• 40:17
  Speaker 4: conversation about the history of the music that you've had
• 40:20
  Speaker 4: such a big imprint on. But for me to laugh
• 40:23
  Speaker 4: like I have, I don't think I've ever done that,
• 40:24
  Speaker 4: and I've had many comedians on this show, sir, so
• 40:26
  Speaker 4: thank you very much for the laugh It's been great
• 40:29
  Speaker 4: hanging out with you. I think everybody needs to come
• 40:32
  Speaker 4: and check out this concert. We are, of course the
• 40:36
  Speaker 4: legend himself, mister Sudiesh Boslet. Thank you so much for
• 40:39
  Speaker 4: touring the country and this is a great opportunity for
• 40:42
  Speaker 4: us to come see you. Sir, Thank you so much
• 40:44
  Speaker 4: for joining us on the bridge.
• 40:45
  Speaker 1: And I'll also request all the audiences to please come
• 40:50
  Speaker 1: and watch this show. You will be very happy. And
• 40:55
  Speaker 1: I'll say that it will be you know, memorable in
• 41:00
  Speaker 1: their life. And before saying bye to you, one of
• 41:03
  Speaker 1: my hit songs of for mister button. Are you boy
• 41:10
  Speaker 1: to see what to what to three folk hold on
• 41:17
  Speaker 1: the file and I said the god inst comagine number
• 41:28
  Speaker 1: everybody shower show this shower show.
• 41:33
  Speaker 4: Hey ah, this is amazing, sir, thank you so much.
• 41:38
  Speaker 4: It's an honor today.
• 41:40
  Speaker 1: God lets you God lets me love you.
• 41:42
  Speaker 2: Bye and bow tell us what what do three less us.
• 42:09
  Speaker 3: Us rupert.
• 42:21
  Speaker 4: Soritary fire.
• 42:31
  Speaker 3: Lua thoritary by a loud natakay kill the hard garden.
• 42:43
  Speaker 4: It's commercie number.
• 42:45
  Speaker 3: No ya saha mahiaa sha mahiaa.
• 42:54
  Speaker 2: S lupam that so.
• 43:07
  Speaker 15: Sony maybe fine.
• 43:12
  Speaker 17: Luca made that soda sona sony maybe five t.
• 43:18
  Speaker 2: See turkey gonna be up going high.
• 43:23
  Speaker 5: Uncle Bat is committing the madam.
• 43:28
  Speaker 4: Everybody s shop.
• 43:31
  Speaker 2: Shop up shop shop.
• 43:39
  Speaker 18: Mah y have me a jew may have a job,
• 43:44
  Speaker 18: may have.
• 43:45
  Speaker 2: Me a job, may have me a jo.
• 43:50
  Speaker 13: Jo by jo mo yu a jolly may have a job.
• 44:09
  Speaker 1: Mm hmmm.
• 44:15
  Speaker 5: Jagourdy naturally shovel.
• 44:19
  Speaker 1: Shove jagory not.
• 44:22
  Speaker 2: You live not let.
• 44:34
  Speaker 5: The captain fallI fallI by the bay only I gotta
• 44:40
  Speaker 5: fiera robam uk okay the John hymenke okay.
• 44:51
  Speaker 2: S live by this.
• 44:55
  Speaker 16: By man.
• 45:00
  Speaker 15: My my job, see the Johnny, I am in my job.
• 45:08
  Speaker 2: Say shalla shalla. Oh yes, say shallow shallah. You be
• 45:13
  Speaker 2: show by Shapa hung it up the show by Shawa.
• 45:54
  Speaker 1: Show they show up, the show up.
• 46:07
  Speaker 5: In At the moment, sus Ar Rappa says the ada,
• 46:12
  Speaker 5: did you bear the rapum numa for rapa herrier him
• 46:20
  Speaker 5: numa forgot.
• 46:24
  Speaker 15: Don't tell me regin do me john men, don't.
• 46:28
  Speaker 2: Tell me Samay.
• 46:32
  Speaker 16: Don't you been a ma.
• 46:33
  Speaker 15: Got a ab her.
• 46:37
  Speaker 2: Hiving may cut off.
• 46:53
  Speaker 7: Shoes a shop.
• 46:59
  Speaker 2: Why ya say shawa shama.
• 47:08
  Speaker 5: Rupa sona soora, sona baby, fila, miss file.
• 47:18
  Speaker 2: Uncle god brother used to make the lumber.
• 47:22
  Speaker 10: Now say shave shove up.
• 47:26
  Speaker 2: I say shop shove up up.
• 47:29
  Speaker 27: They share Shawa honey, they show shower Nay.
• 47:34
  Speaker 2: Shave shave by ya say shaw shower up.
• 47:38
  Speaker 7: This show shower honey, this show shower money.
• 48:01
  Speaker 4: I really enjoyed, I really enjoyed that conversation with the
• 48:05
  Speaker 4: Great Sudish bos LEGI. I guess I'll tell you this.
• 48:11
  Speaker 4: I had a towel here. I had to cover my
• 48:13
  Speaker 4: mouth for a lot of it because I was just
• 48:15
  Speaker 4: laughing so loudly and I didn't want to disturb him
• 48:18
  Speaker 4: as he was talking to me. My goodness, that was
• 48:21
  Speaker 4: a hilarious conversation for me and I hope you enjoyed that.
• 48:25
  Speaker 1: That was great.
• 48:26
  Speaker 4: Now let's bring in the way to Dasgupta to the show.
• 48:28
  Speaker 17: Hi everyone, this Isa. You're Rokasavni radio music correspondent. Back
• 48:33
  Speaker 17: with another artist Spotlight today. I'm the bridge rich Spotlighting.
• 48:36
  Speaker 17: Rushmat guard the singer, songwriter and performer who's powerful blend
• 48:40
  Speaker 17: of Punjabi folks, Sufi hip hop and contemporary pop has
• 48:44
  Speaker 17: made her one of the most.
• 48:45
  Speaker 13: Distinctive voices in Indian music today.
• 48:48
  Speaker 17: Born in Punjab and raised in Daili, Rushmi's first keen
• 48:51
  Speaker 17: attention to reality singing competitions before breaking into the mainstream
• 48:55
  Speaker 17: with massive hits like Natio Bar but the Ishnachawi and Aakasuta.
• 49:01
  Speaker 17: Known for staying deeply connected to her musical roots while
• 49:03
  Speaker 17: constantly experimenting with sound, Rushmat has continued evolving her artistsa
• 49:08
  Speaker 17: through both Bollywood and independent music. In twenty twenty six,
• 49:12
  Speaker 17: she's already released new tracks including Kerbath Omran and her
• 49:16
  Speaker 17: latest single Chour, showcasing a more emotional and introspective side
• 49:21
  Speaker 17: of her music. She's also continued collaborating on film and
• 49:25
  Speaker 17: soundtrack music, including the trending version of Bill hair Ranjana
• 49:29
  Speaker 17: with composer Shashwatsachtas. Beyond streaming success, Rushmith has also been
• 49:33
  Speaker 17: making Way's live, recently closing out Billy University's twenty twenty
• 49:37
  Speaker 17: six this season with a major performance at Hindu College's
• 49:41
  Speaker 17: Mecca Festival. With her soulful vocals, fearless creativity and ability
• 49:45
  Speaker 17: to bridge tradition with modern sound, Rushmeat Kor continues to
• 49:49
  Speaker 17: prove why she's one of the most exciting and authentic
• 49:52
  Speaker 17: artists in South Asian music right now. Well that's all
• 49:55
  Speaker 17: for me. Stay tuned for more only on Ruckus Avenue Radio.
• 49:58
  Speaker 4: That was a fabulous interview if you missed it on
• 50:02
  Speaker 4: Monday with Rashmith Car and really inspired me to deliver
• 50:07
  Speaker 4: some closing remarks on her that I probably haven't done
• 50:10
  Speaker 4: for many other people.
• 50:12
  Speaker 2: This song is called Fagira.
• 50:15
  Speaker 21: Na.
• 50:15
  Speaker 13: They can.
• 50:22
  Speaker 27: Jack Mariuda Siam Mamaira Unamangamvadira, hong Avapiraa, Janira, Navira, Mama
• 50:48
  Speaker 27: Gira ham Mamaira, Hamamaira, Namangamvakira, Hamakamakira, Bernande, Saverra Onna, Yeah, Hanira, Yahnira, Mamiramakira, Algava,
• 51:06
  Speaker 27: kirak By Bakira, loved You're Mary, Hernia, Servia, Mama pokramgavakirama Gra, Hamvakira,
• 51:17
  Speaker 27: Mago vakiram My Fakira, La Banaria, Saverra, nar Ya, Handira, Nara, Hanira, yah.
• 51:39
  Speaker 2: Ya si.
• 51:45
  Speaker 13: Oka is a jack.
• 51:51
  Speaker 2: Oh My on your pross you look.
• 52:04
  Speaker 13: Nam Man Lady Rania Long Rock Lady Rania Ranida Na.
• 52:39
  Speaker 2: Yeah.
• 52:40
  Speaker 4: I referred to her as authentic, pretty plain and simple lady.
• 52:46
  Speaker 4: But what I say about her in justifying her as
• 52:49
  Speaker 4: that is I think the unique part of Rushmeat car
• 52:53
  Speaker 4: And if you missed it, head on over to Apple
• 52:56
  Speaker 4: podcast to Spotify, to the iHeartRadio app, type in Sammy Johns,
• 53:02
  Speaker 4: type in the bridge. You'll catch that episode and I'll
• 53:06
  Speaker 4: be back with my closing remarks after this song. He's
• 53:08
  Speaker 4: still being there, you know.
• 53:14
  Speaker 28: Don't let me to They keep any new York Fish
• 53:24
  Speaker 28: and John nick Nack.
• 53:42
  Speaker 10: To come back, go name I go, look keep going
• 53:48
  Speaker 10: to the the go me all in me, hell La.
• 53:59
  Speaker 18: Sugar him and then the dam sat the way coming down.
• 54:05
  Speaker 18: Then come Sonna Jared, then Humble from a third card again,
• 54:14
  Speaker 18: Nation from Merkebalatic Kor Bromer Bar Broma, Jama.
• 54:24
  Speaker 10: Baby's a Jack Jr.
• 54:27
  Speaker 18: Afair Coma Coma and the cook name a fan, keep
• 54:38
  Speaker 18: the the and tell the.
• 54:44
  Speaker 2: Learned from me.
• 54:45
  Speaker 10: Hell look, well luang, you know the name.
• 54:54
  Speaker 1: Le j.
• 55:00
  Speaker 10: Okay do the door New York Fast Game and John
• 55:06
  Speaker 10: so much thinks the.
• 55:10
  Speaker 28: Job the game if you make us put it on
• 55:16
  Speaker 28: the paril ready color, they can parry du you know,
• 55:26
  Speaker 28: you know, don't py l to get to it. They
• 55:29
  Speaker 28: keep any New York team and John then now Naked Snaking,
• 55:43
  Speaker 28: Larry D Snake and Clarid they can parry.
• 56:01
  Speaker 4: It's Delvinder.
• 56:02
  Speaker 2: The song is called Blues.
• 56:05
  Speaker 4: It's really interesting. I found this out about Sudiesh Bosleves.
• 56:08
  Speaker 4: I did with Ali Zupper. You know he's a painter
• 56:11
  Speaker 4: before he was a singer. And I learned something new
• 56:14
  Speaker 4: every week when I do this show. Today, I learned
• 56:17
  Speaker 4: something about Sudiesh Borslet that I had done interviews around
• 56:20
  Speaker 4: without ever knowing before the voice, there was the brush.
• 56:24
  Speaker 4: Before he was singing for Butchen and a Nail Kapur
• 56:27
  Speaker 4: and Govinda. Sudesh Bosle was a painter working for his father,
• 56:33
  Speaker 4: painting the promotional posters that hung outside Bollywood theaters in
• 56:38
  Speaker 4: an era before digital, before printing presses. Did it cheaper
• 56:42
  Speaker 4: hand painted one actor's face at a time. And here's
• 56:47
  Speaker 4: the thing that stopped me when I heard it. The
• 56:49
  Speaker 4: job that he did as a painter is the same
• 56:51
  Speaker 4: job that he ended up doing as a singer. Take
• 56:54
  Speaker 4: a man's face, his expression, his mood, and convince an
• 56:58
  Speaker 4: audience walking past that this is the man, that this
• 57:02
  Speaker 4: is the moment, this is the film. Then later take
• 57:06
  Speaker 4: a man's voice, his rhythm, his presence, and convince an
• 57:10
  Speaker 4: audience that watching the film that this is the man singing.
• 57:15
  Speaker 4: The painter and then the playback Sane craft different canvas,
• 57:21
  Speaker 4: and the receipts were twenty one vocals represented and twenty
• 57:25
  Speaker 4: eight different artists or actors that he could replicate. That's
• 57:29
  Speaker 4: not mimicry. That's a man who knows how to remove
• 57:32
  Speaker 4: himself from himself. Who can listen to another voice closely
• 57:37
  Speaker 4: enough to find one or two characteristics that make it
• 57:40
  Speaker 4: that voice and deliver them back like he was born
• 57:44
  Speaker 4: with them. Some will say a singer with only their
• 57:48
  Speaker 4: own voices doing the same work. I'll say it on
• 57:51
  Speaker 4: the show. They're not so This Borslett filled the gaps
• 57:56
  Speaker 4: in Bollywood. He was the solution to a perception the
• 58:00
  Speaker 4: industry was selling out there that the man you see
• 58:03
  Speaker 4: on the screen running through the fields, romancing his way
• 58:06
  Speaker 4: through the song is actually the guy singing and delivering
• 58:10
  Speaker 4: it himself.
• 58:11
  Speaker 1: He wasn't.
• 58:12
  Speaker 4: Sudish Bosle was, and this industry just doesn't have enough
• 58:16
  Speaker 4: flowers to give this man, who's specific, irreplaceable talent fueled
• 58:22
  Speaker 4: the perception of an entire genre. A legend sat with
• 58:26
  Speaker 4: me today, Folks tonight go listen to anything. Button sobs
• 58:30
  Speaker 4: sang on screen. Listen with new ears, because that was
• 58:34
  Speaker 4: Sudesh Bosle. Have a great day, everybody. I'll see you tomorrow.
• 58:48
  Speaker 12: Er Russian SONI sis, He'll mill to give me jipper Hella,
• 58:58
  Speaker 12: it's it you guess, jacket Securiny Pook mac scur, the
• 59:07
  Speaker 12: Looming Me, then Jagati.
• 59:11
  Speaker 9: Securin yellody Haarra to get jot the Jata saws I
• 59:23
  Speaker 9: had abor sub pravati, Yes of the loves. Has Na
• 59:30
  Speaker 9: na amara talk aboush, that's a.
• 59:35
  Speaker 2: Lie, you hany in the bear she had yes.
• 59:46
  Speaker 9: Susday musday Uda janakahead
• 59:53
  Speaker 2: To Fi