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Episodio 9 - Dazed and confused: Led Zeppelin Bio. · Dazed and confused: Led Zeppelin Bio.

• 0:01
  Welcome to dasel with fust the Led Zeppelin podcast. Today I' m going
• 0:05
  to tell you about the influences that each of the members of this fabulous band
• 0:14
  had, starting with Jimmy Page, Robert Plan, John Paul Jones and John
• 0:20
  Bonham. They all have a diversity of tastes in genres and artists who were
• 0:29
  obviously at the end were their greatest influence to interpret the instrument they had.
• 0:40
  And these influences are what made Led Zeppelin have that distinction or that mix that
• 0:50
  would generate one' s own style. For example, Jimmy Page was primarily
• 1:00
  inspired by Scudy Moore, as well as Cliffe Gallope and Johnny Mix, who
• 1:12
  played with Elvis Presley and Jam Vincent, as well as James Burton. They,
• 1:19
  too, were doing there too, because Rickie Nelson was not helping him.
• 1:26
  They were all masters of rockabilly, a hybrid that played chords and kind
• 1:32
  of blues os phrases, with that attack and galloping rhythm of blue grasst and
• 1:42
  country. Another of the people who had great influence on Jimmy Page would be
• 1:51
  Lonny Donnegan, Lune Donneggan, Link Gage and Lonney Mack, as well as
• 2:01
  Paul in terms of jazz and pop music, with the futuristic innovations that he
• 2:07
  had discovering what the blues would really be this young guitarist, Jimmy Pace,
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  of that time had a great admiration for Edmord, James bb King fredy King
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  Chuck Berry or Chuck Berry. For those who speak English Memphis, Leam,
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  Matt Murphy and Hawling Wolff, as well as their partner Huvert Slim Summulin.
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  Together with its electrical or electrical electro pioneers it would be more faithful to the
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  word. He also said that another childhood he had was Andrés Segovia, Dian
• 2:46
  Gorrendart, as well as Farlow and Manitas de Plata. Well, he had
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  to air that he saw many also folk music guitarists who made a good impression
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  on him from his own time, for example, John Rainborne, David Braham
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  and especially Bird Jansk during the first part of led Zeppeling, where they started
• 3:17
  to make music, used to play music that they admired. And well,
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  just like there were songs by Silly Dan and also by Jimmy Hendricks that were
• 3:36
  there at the time. He enjoyed it. He also enjoyed classical composers such
• 3:42
  as Justave Maller and Christof Penderek. Who also had those unique tunes that gave
• 3:53
  a different flavor to the songs of singer Johnny Mitchell. Robert Bland started out
• 4:10
  as someone singing some blues. Like any young Englishman of that time, he
• 4:16
  could not be out of the charm of Elvis press Lee, but soon moved
• 4:24
  to other giants of country music or blues. Some he rhythm and blues,
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  such as Morty Watters, Hawling Wolf, Johnny Hawker sony Boy Williamson, NOx
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  Green Book White, Petey West Trolls, Peppy Jones. This is Tommy mcclenghan,
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  big Bill Bromsey. The latter, which I have just mentioned, is
• 4:46
  also a great inspiration from the Kings. If you want to know more about
• 4:49
  Kings, listen to the Web podcast regarding ddunt that also comes out here,
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  in these podcasts that a server has the pleasure of doing really expanded his tastes
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  towards hard blues and even the psychodemy of the west coast of the sixties with
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  acts or with artists such as Love Kraidos, Cob Bulfall, Springfield, Moby
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  Grave and Jefferson Plain as his favorites, that he later had some exotic Arab
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  tones of the singer on card Thone. Follow the wheel of the whole lathe.
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  Follow John Poe Jones' shift. He' s probably the one of
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  the four. He had a stronger musical discipline and musical education. Jones,
• 5:59
  of course, had the musical spectrum very wide among his tastes and, like
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  most, he had composers from the stature of serg ragmnnoff iktold the bewcy jazz
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  geniuses, such as Charles Begeus, John Coltrain and Miles Davies. Buggy people
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  like Fats Weller, blueserros like Big Lie Bruncy Rock and rollers like Jerely Lewis
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  and legendary singer and pianist Ray Charles, in his specialty of bass jones.
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  He had a lot, a lot, a lot of influence, or was
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  rather delighted with the talent of phil Op Hursh, Willy Wicks, Mot Town,
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  Jam Jameson, also Scks, the Stract Records, Donald Duck Dong and
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  Cope Laffarrow. He wasn' t really involved in the kind of music people
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  called white people made. True, he was more of color people from the
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  whole jazz and blues and swing scene in London, for example, in the
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  play where Otis Redding is and Markease also went along with Shack Berry and the
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  chess people. They were people who influenced him. The Jarberts also took a
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  good look at him here and gave him a little Jones influence. Then he
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  would say that for him his whole foundation is based on his godfather, soul
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  named James Brown. And finally, like many other drummers of his generation,
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  John Monham. John Bonham was motivated by heavyweight stardom on the swing scene,
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  such as jin Krupa and by Rish. He found inspiration a little closer in
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  rock and roll people, like Kid Moon and Ginger Baker. Sandy Nelson,
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  for example, in the session known as led DERBD, DRMS and Tim Beats,
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  was another very big influence. Mongham also had some subtleties in his taste.
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  For example, he is from Brudex who played with Joe Morrellow He also
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  liked James Brown, James Brown' s band, Per Benny Benjumin and Uriel
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  Jones of the Newleyans Legend Airpolmer. This, then, is a very radical
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  fusion of styles in which Letry Correll, the percussionist and Alfons Mothon Moson would
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  also be of the influences that John Monham would have to perform his musical instrument.
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  So notice how they have a variety of influences that made them experience and
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  borrow from here to create a unique sound in led Zeppeling three. Unfortunately,
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  for the press and for the public it was often their tradition in style,
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  but for them it was simple and simply their way of beginning to express the
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  musical influences they were already having. The musical influences that were forgiven and that
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  were already flowing into their way of composing. And precisely on album number four,
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  which comes without name and no cover, rather if in the name on
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  the cover and without an official numbering, but which is known as Led Zeppelin
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  four unofficially. And because also by custom, even they can call it that,
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  because it would really be the fourth in the production of Led Zeppelin.
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  It would show all those influences and by some reason it would perhaps be one
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  of the most important in the Led zeppetent s and ortiz race. I hope
• 11:03
  you' re liking this show. I' ll see you here next week
• 11:07
  See you later.