Latest / The Bootleg Kev Podcast / #137 - Latto

Transcript

#137 - Latto · The Bootleg Kev Podcast

• 0:02
  Speaker 1: Hello, Hello, Hello, Hello. Did Tony Chalks beat it yet? Oh?
• 0:08
  Speaker 1: It did well. Hello everybody, Welcome to the Blue le
• 0:11
  Speaker 1: Cap Podcast. I'm not wearing headphones as you can tell,
• 0:15
  Speaker 1: but we are in the motherfucking building. We got a
• 0:17
  Speaker 1: dope episode today with the rising superstar Lotto repping atl
• 0:22
  Speaker 1: formerly Mulatto, change her name to Big Lotto. She's on
• 0:26
  Speaker 1: fucking fire right now. Incredible artist and an incredible human being.
• 0:29
  Speaker 1: Based on our conversation I just got from her, I
• 0:31
  Speaker 1: was like, Wow, she's a fun chick. She's a cool chick,
• 0:36
  Speaker 1: someone who I'd kick it with, someone who I'd play
• 0:38
  Speaker 1: some video games with, shoot the shit with. And that's
• 0:42
  Speaker 1: what we did. We shot the shit. How long was
• 0:44
  Speaker 1: the interview? Cook? Hour long with Lotto? Hour sit down
• 0:50
  Speaker 1: with Lotto, and it's fire. She's hilarious. We got to
• 0:55
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  Speaker 1: of checkout odd socksofficial dot com. Let's get into the
• 2:11
  Speaker 1: big Lotto Interview Maine BOOTLEKEV Show, Special guests, the Legend
• 2:15
  Speaker 1: in the Making, special guests, a lot of welcome Hey,
• 2:20
  Speaker 1: First of all, congratulations. I saw you posted your twenty
• 2:23
  Speaker 1: twenty two goals and you've already knocked one off in January,
• 2:26
  Speaker 1: and that's being top tenary not over. Yeah, I know,
• 2:29
  Speaker 1: I said, oh, top forty on Billboard right that I
• 2:32
  Speaker 1: had to post it because I was like, I wrote,
• 2:35
  Speaker 1: this goal is for like the year, not the three
• 2:39
  Speaker 1: weeks into the year. Yeah. I mean that's a big accomplishment.
• 2:43
  Speaker 1: You've had such a long journey in this music industry.
• 2:47
  Speaker 1: Some people are just finding out who you are. Like
• 2:50
  Speaker 1: there's like, you know, I I show people your La
• 2:53
  Speaker 1: Leakers freestyle all the time. I'm like, no, a lot
• 2:55
  Speaker 1: those hard. But you've been around for so long, just
• 2:58
  Speaker 1: grinding as an up and cooming art. It's like to
• 3:01
  Speaker 1: get that first top forty records, gotta feel amazing, man,
• 3:03
  Speaker 1: what this stuff like? Like you said, I've been rapping
• 3:06
  Speaker 1: for a long long time, So this stuff like eight
• 3:09
  Speaker 1: year old me dreamed of. I don't take nothing from granted,
• 3:12
  Speaker 1: Like I love my life. So on your goals list,
• 3:15
  Speaker 1: you had a lot of stuff blurred out. Can you
• 3:17
  Speaker 1: can you give us one of the blurred goals? One
• 3:22
  Speaker 1: of them was obviously that feature. You know that feature
• 3:28
  Speaker 1: that feature if you know, you know, I can't even
• 3:31
  Speaker 1: elaborate because you know, you're not even supposed to talk
• 3:33
  Speaker 1: about stuff like this. You supposed to just let it manufact.
• 3:35
  Speaker 1: You can't, like I take your guests, Beyonce, I don't know.
• 3:40
  Speaker 1: I'm not going to confirm with you not Beyonce feature
• 3:43
  Speaker 1: kind of hot super fire. Yeah, I really feel like
• 3:50
  Speaker 1: I would like to see I don't know why this
• 3:52
  Speaker 1: this is random because maybe musically you guys have different styles,
• 3:55
  Speaker 1: but each of you can rap at a very elite level.
• 4:00
  Speaker 1: And hell just was on NAS's album Oh Ship. You
• 4:02
  Speaker 1: know what, my daddy loved Lauren. My daddy loved Lauren.
• 4:07
  Speaker 1: We met Jerry Wanda, and I guess he like produced
• 4:11
  Speaker 1: for them, no disrespect. But you know, I don't this
• 4:13
  Speaker 1: passed my generation. I just know I grew up and
• 4:15
  Speaker 1: my daddy would like put me down with all this stuff,
• 4:17
  Speaker 1: and I'd be like, okay, nod, nod, nod, No they notice.
• 4:20
  Speaker 1: So I know the names and you know a little
• 4:22
  Speaker 1: bit of their catalogs, and I was like my dad
• 4:24
  Speaker 1: was like, what, like, yeah, yeah, so you didn't so
• 4:29
  Speaker 1: so your dad had to put you on the Lauren Ship.
• 4:31
  Speaker 1: And yes, Jerry like produced like they major, Like he
• 4:38
  Speaker 1: produced something I can't remember, but I made him coolest
• 4:41
  Speaker 1: for humble as hell, like yeah, your pop, Like was
• 4:45
  Speaker 1: he like a huge music head? Did he have like
• 4:46
  Speaker 1: a lot of yeah, like he it was more like
• 4:50
  Speaker 1: not just overall music, just like more like hip hop,
• 4:54
  Speaker 1: you know everything else, Like I learned like the R
• 4:56
  Speaker 1: and B ship from my grandma. My mom was so
• 4:59
  Speaker 1: that was putting up on the rap ship. Yeah, and
• 5:02
  Speaker 1: then he didn't really fuck with too many females, but
• 5:04
  Speaker 1: like the ones that I know I know from him,
• 5:08
  Speaker 1: like that nigga when he fucked with a bitch, Like
• 5:10
  Speaker 1: he loved Left Eye. He loved Lauren like you know
• 5:13
  Speaker 1: what I'm saying. Who else he loves Kim Like we're
• 5:17
  Speaker 1: his favorite, like just rappers in general, Like what was
• 5:19
  Speaker 1: the ship that you were like jumping in the car
• 5:21
  Speaker 1: with your dad and it was his favorite song? Ever?
• 5:24
  Speaker 1: Is like something bone Thugs, Bone Thugs and Harmony, Yeah,
• 5:27
  Speaker 1: something probly cross Roads, something like that ice Cube Today
• 5:33
  Speaker 1: was a good day or a good day. We need
• 5:36
  Speaker 1: to move your dad to la because both of those
• 5:38
  Speaker 1: artists perform at some festival in Ontario, California, once every
• 5:42
  Speaker 1: ninety days. There's like a Toyota Center West Coast Fest
• 5:45
  Speaker 1: going on. Yeah, so he like he from Ohio though,
• 5:50
  Speaker 1: but he like loved like West Coast Ohio bones from Ohio,
• 5:54
  Speaker 1: so that makes sense and he do love him some
• 5:56
  Speaker 1: bone shot, but he like he go crazy for n
• 5:59
  Speaker 1: W a pug Like, Yeah, so I grew up on that.
• 6:04
  Speaker 1: My parents were like in the like Death Leopard and
• 6:06
  Speaker 1: like yeah, no, I got you know, my mama's side,
• 6:11
  Speaker 1: on my daddy's side, So I got like a little
• 6:13
  Speaker 1: bit of everything. I'm not too familiar with everything. Yeah,
• 6:17
  Speaker 1: because you're you're mixed, right, So your mom what was
• 6:19
  Speaker 1: she listening to? See? My mama was more like all
• 6:22
  Speaker 1: over the place, like she loved like R and B,
• 6:25
  Speaker 1: oh school R and B. But like she grew up
• 6:28
  Speaker 1: on like country music, like that side like her mom
• 6:30
  Speaker 1: and them they like country music. Like when I go
• 6:33
  Speaker 1: out there for like and during the summer stuff, it'd
• 6:35
  Speaker 1: be like country pulling out guitar Like yeah, you know,
• 6:40
  Speaker 1: it's funny because like I just started watching this show
• 6:42
  Speaker 1: called Yellowstone. Have you heard of the show. It's with
• 6:45
  Speaker 1: Kevin Costner. It's about this ranch in Montana, some gangster shit.
• 6:50
  Speaker 1: It's like powerful with cowboys about a ranch. There's some
• 6:53
  Speaker 1: gangster ass ship. There's these motherfucking cowboys that be killing people.
• 6:56
  Speaker 1: It's fucking wild. But it made me like be like, dang,
• 6:59
  Speaker 1: I need to start listening to country because it is
• 7:02
  Speaker 1: I feel like country is kind of like rap music
• 7:04
  Speaker 1: but just for rednecks. No, I think I think it's
• 7:06
  Speaker 1: it's with all the music genres, like we be talking
• 7:09
  Speaker 1: about the same shit. It's just like our beats are different,
• 7:11
  Speaker 1: our flows are different. You know what I'm saying. We
• 7:13
  Speaker 1: all talk about fucking getting money and all type of shit.
• 7:16
  Speaker 1: We're just saying it different. If you had to, like,
• 7:21
  Speaker 1: you know, give me like your top three influences just
• 7:25
  Speaker 1: as a rapper that you you know, because you, like
• 7:26
  Speaker 1: I said, you've been doing this a long time. Like
• 7:29
  Speaker 1: who was who was like very influential to you in
• 7:31
  Speaker 1: your style? Top three I'm gonna say for sure, Nikki,
• 7:36
  Speaker 1: because you know, I grew up like I was saying,
• 7:38
  Speaker 1: like my dad taught me about all these feelings that
• 7:40
  Speaker 1: came before me. But it's like it's different when somebody
• 7:43
  Speaker 1: come out during your generation, because it feels like he
• 7:46
  Speaker 1: touched me. She used to go like definitely heavy influence.
• 7:50
  Speaker 1: I used to what Nikki Gucci. Gucci always been my
• 7:56
  Speaker 1: favorite rapper, like that slow Southern aesthetic like and then
• 8:00
  Speaker 1: you know I grew up around that lifestyle, so it's
• 8:03
  Speaker 1: like I appealed to that. Then I will say I'm
• 8:09
  Speaker 1: stuck between. I probably say t I, t I T Y.
• 8:13
  Speaker 1: You see t I is doing stand up comedy. Now
• 8:16
  Speaker 1: he was on stage the comedy. Is he give me
• 8:19
  Speaker 1: the yeah, give me words? You know Gucci? Uh, you know,
• 8:24
  Speaker 1: Gucci to me is the greatest an R and hip
• 8:27
  Speaker 1: hop history. I think he's got the best ear we've
• 8:30
  Speaker 1: ever seen. Yet don't find him an artist that nobody
• 8:33
  Speaker 1: heard of and they're gonna blow yeah. And like if
• 8:35
  Speaker 1: you even just think of the people he's put his
• 8:37
  Speaker 1: arm around early, like the Egos or even like Ni
• 8:40
  Speaker 1: yeah Nikki exactly, Like what was it like to have
• 8:43
  Speaker 1: him put his arm around you and have him on
• 8:45
  Speaker 1: one of your first records that really commercial? That ship
• 8:48
  Speaker 1: was solid because Gucci ain't just gonna stamp no bullshit,
• 8:51
  Speaker 1: you know what I'm saying, Like, you can't just pay
• 8:53
  Speaker 1: Gucci to do a feature and he just gonna do
• 8:55
  Speaker 1: it because you're paying him type shit. He got to
• 8:56
  Speaker 1: actually fuck with you, you you know what I'm saying. So
• 8:58
  Speaker 1: when they was like, actually know a case in which
• 9:00
  Speaker 1: he did take some money from a Korean pop band.
• 9:02
  Speaker 1: It was a nice bag. Yeah, shout out to him.
• 9:04
  Speaker 1: But anyway, it was, it was, it was, it was
• 9:07
  Speaker 1: a great bag. So anyway, yeah, if you independing what
• 9:11
  Speaker 1: kind of money were talking about what I'm saying. But no,
• 9:14
  Speaker 1: like they was like, no, he fuck with you, like
• 9:16
  Speaker 1: he gonna pull up to the video, he gonna like whatever,
• 9:19
  Speaker 1: and he was just humboys hell. And then that's big
• 9:21
  Speaker 1: for Atlanta, Like you're talking about a nigga like being
• 9:23
  Speaker 1: from Atlantah, Gucci is legendary period. Like I feel like
• 9:28
  Speaker 1: he is kind of the mountain, the mount Rushmore in Atlanta.
• 9:31
  Speaker 1: Like we could talk about GZ and t I, but
• 9:34
  Speaker 1: I just feel like in Atlanta, it's Gucci and then
• 9:38
  Speaker 1: it's everyone else respectively. Yeah. No, maybe nationally when we
• 9:41
  Speaker 1: think of Atlanta, you put Gez up there. I just
• 9:43
  Speaker 1: think in Atlanta, Gucci is the he is the uh
• 9:48
  Speaker 1: he is that, He's the one. He's him, duncan he's him. Yeah,
• 9:55
  Speaker 1: Yeah for sure for sure. So with this record, Big Energy,
• 10:00
  Speaker 1: this is a record that as soon as I heard it,
• 10:02
  Speaker 1: I said, Okay, she finally got her crossover record. This
• 10:04
  Speaker 1: is it, this is this is your moment. Like I
• 10:06
  Speaker 1: was like, okay, this shit is like a layer you
• 10:08
  Speaker 1: know what it's gonna do. This is a layup. The sample,
• 10:10
  Speaker 1: everything about it was just great, like it's you know,
• 10:14
  Speaker 1: I was talking to Lauri earlier and she was like,
• 10:15
  Speaker 1: it's just such an easy song to work. Like if
• 10:17
  Speaker 1: you don't play this song, you're a fucking hater. Did
• 10:20
  Speaker 1: you know that right away? As soon as you cut
• 10:22
  Speaker 1: the record like that, it had that potential, you know
• 10:24
  Speaker 1: what I did. But I would only say I did
• 10:28
  Speaker 1: because I'm so hard on myself. I'm so hard on myself.
• 10:31
  Speaker 1: The only reason why I feel like I knew that
• 10:33
  Speaker 1: is because first of all, I was working on this
• 10:36
  Speaker 1: song for like a week, like every day going to
• 10:38
  Speaker 1: the studio working on this same song eight hours. But
• 10:42
  Speaker 1: every time when I went back home, well to the hotel,
• 10:46
  Speaker 1: I was like humming that shit. So I'm like, this
• 10:49
  Speaker 1: shit means something. This shit means something. Because I'll get
• 10:51
  Speaker 1: frustrated and then leave a song, you know, and then
• 10:54
  Speaker 1: come back to it a couple months later. Wall I
• 10:56
  Speaker 1: did like that song but that why I did not
• 10:58
  Speaker 1: leave it alone because I'm like, I keep humming this
• 11:00
  Speaker 1: ship for a reason. So have you ever had a
• 11:06
  Speaker 1: guy have big dick energy and end up not his
• 11:10
  Speaker 1: energy not necessarily lining up with his actual physical uh situation?
• 11:15
  Speaker 1: You know, I ain't gonna lie. I've been blessed in
• 11:17
  Speaker 1: that department. I feel for my sisters. I read out
• 11:20
  Speaker 1: stories on Twitter, like I thought they had big, big,
• 11:24
  Speaker 1: big energy, and then we went to this crab and
• 11:26
  Speaker 1: then ship kind of was a little disappointing, and I
• 11:28
  Speaker 1: asked like a question like that on Twitter. I was like,
• 11:31
  Speaker 1: you know, like, have you I ever been in a
• 11:33
  Speaker 1: situation where it wasn't big dick energy and the stories
• 11:36
  Speaker 1: I was reading, child, I'm like, babe, I'm blessed. I'm blessed,
• 11:42
  Speaker 1: Like I feel like bless like like what is the
• 11:46
  Speaker 1: energy you think? Cause I know I know guys with
• 11:47
  Speaker 1: little dick energy usually they have they have like really
• 11:50
  Speaker 1: big trucks or like it's just like do too much.
• 11:53
  Speaker 1: Like it don't even gotta be like a material thing
• 11:56
  Speaker 1: or like what you own. It's just like a more
• 11:58
  Speaker 1: of a like person, like like it's a charisma. Big
• 12:03
  Speaker 1: big dig energy is a charisma or personality. It's just
• 12:07
  Speaker 1: like how you walk, how you talk. It's not even like,
• 12:10
  Speaker 1: oh I gotta chain, Oh I got a Ferrari like
• 12:15
  Speaker 1: nine times out of tender little dick Nick. They gotta
• 12:20
  Speaker 1: they gotta compensate, you know. I can't deal with that
• 12:23
  Speaker 1: little messy drones shit. Yeah, well you've been blessed. Yeah,
• 12:26
  Speaker 1: I'm very blessed. Shout out to you. Is there gonna
• 12:32
  Speaker 1: be a remix for this record? Because it feels like
• 12:34
  Speaker 1: the kind of record there should be like a maybe
• 12:35
  Speaker 1: a Doja Cat feature on the remix you guys on
• 12:38
  Speaker 1: the same label. No, we're definitely working on a remix.
• 12:44
  Speaker 1: We're definitely working on It's just this song is like
• 12:47
  Speaker 1: it's opened so many doors for me. So I'm like,
• 12:49
  Speaker 1: and I'm already just hands on with my career, Like
• 12:51
  Speaker 1: I irritate everybody. Everybody gets some No, I get on
• 12:55
  Speaker 1: everybody's line. They don't want to too, but I know
• 12:57
  Speaker 1: I get on everybody now. So you know, I'm just
• 12:59
  Speaker 1: like very particular about it. It's like, I'm not just
• 13:03
  Speaker 1: gonna just let anybody. I could hear Doja Cat on
• 13:06
  Speaker 1: this though. Have you guys talked there been a little chat,
• 13:11
  Speaker 1: maybe some sort of music in general. I don't want
• 13:14
  Speaker 1: to say yes. I feel like it'd be such an
• 13:16
  Speaker 1: easy play. You guys are on the same record label. Yeah,
• 13:20
  Speaker 1: let's just put it in the air. Doja Cat on
• 13:22
  Speaker 1: the Big Energy Remix? I like the way that sounds.
• 13:26
  Speaker 1: I like the way it sounds. I haven't even made
• 13:29
  Speaker 1: like a for sure decision on who I want. I'm
• 13:31
  Speaker 1: not sure you could put a man on that. Tell me,
• 13:35
  Speaker 1: could you put a man on the on the Big
• 13:36
  Speaker 1: dig Energy Remix? I'm not sure you could because because
• 13:39
  Speaker 1: you would, but you would have to, wouldn't you have
• 13:42
  Speaker 1: to kind of like be like listen, man, you can't
• 13:45
  Speaker 1: have no medium dick down there. If you can be
• 13:47
  Speaker 1: on the remix out, I don't know. Maybe you get
• 13:53
  Speaker 1: only fans girl that test it out like a I'm
• 13:57
  Speaker 1: thinking about him for the I saw that he was
• 13:59
  Speaker 1: like and your big I'm curious. No, I think I
• 14:05
  Speaker 1: think it would be cool to hear a boy perspective too, though.
• 14:07
  Speaker 1: That's fair, that's fair, that's fair to be a girl.
• 14:11
  Speaker 1: What would the girl if a guy made a remix
• 14:14
  Speaker 1: to your record and but he put the male perspective
• 14:17
  Speaker 1: on it, what would it? What would it be what
• 14:20
  Speaker 1: would be like instead of would it be like clean? No.
• 14:24
  Speaker 1: I feel like they expecting it to be clean because
• 14:28
  Speaker 1: it's like big radio record. No. I mean like, would
• 14:31
  Speaker 1: it be like clean pussy energy or would it be
• 14:33
  Speaker 1: he said it would be the male Yes, oh big
• 14:41
  Speaker 1: dig energies. Because it can't be big clean energy because
• 14:44
  Speaker 1: that's not a track that sounds like you got a bodybuilder,
• 14:51
  Speaker 1: a bodybuilder growth or mo. Yeah. Probably like clean, like
• 14:59
  Speaker 1: like good a balanced pH energy, Balanced pH Energy. I
• 15:05
  Speaker 1: liked the balance page Energy. I like that. You know,
• 15:09
  Speaker 1: I feel like a lot of people have used the
• 15:12
  Speaker 1: pandemic as an excuse to be lazy or why they popping,
• 15:17
  Speaker 1: or why they're broke. You know a lot of motherfucking
• 15:20
  Speaker 1: rappers who's struggling, right. I feel like you really just
• 15:24
  Speaker 1: gluw up on a whole other level career wise in
• 15:27
  Speaker 1: the last two years. Yeah, like what do you? I
• 15:30
  Speaker 1: was gonna say, what, Like, what was your mindset going through?
• 15:32
  Speaker 1: Because I really put that pressure on myself though, like
• 15:35
  Speaker 1: nobody knew this, but I had signed in December years
• 15:39
  Speaker 1: the pandemic twenty nineteen, twenty twenty twenty, because you signed
• 15:44
  Speaker 1: during the pandemic no, No, twenty nineteen. So you've signed
• 15:47
  Speaker 1: yeah before the pandemic. Yeah, so it's been two and
• 15:50
  Speaker 1: a half years or two years in a couple of months. O.
• 15:52
  Speaker 1: Life just flying it sure is anyways, twenty nineteen December
• 15:56
  Speaker 1: twenty nineteen, I signed. Nobody knew because we was, like,
• 15:59
  Speaker 1: you know, trying to have a game plan before of
• 16:02
  Speaker 1: course announced that and sh so I was already signed December.
• 16:07
  Speaker 1: We didn't announce it till like March, and then the
• 16:10
  Speaker 1: pandemic like hit hit in like April. Yeah, it's it's
• 16:14
  Speaker 1: like it hit in March. Low key, Yeah, like it
• 16:16
  Speaker 1: was like when I announced it, Like I remember like
• 16:21
  Speaker 1: talks of that like that same week type shit type ship,
• 16:24
  Speaker 1: like or two weeks later type ship, Like oh, it's
• 16:27
  Speaker 1: gonna be this like shut down. Like I remember being like,
• 16:32
  Speaker 1: HM's just like this deal, we got this whole, we
• 16:35
  Speaker 1: got game, we got yeah, we gotta we got stuff
• 16:37
  Speaker 1: we gotta do. Yeah, so what do you mean shut down?
• 16:39
  Speaker 1: I was just like nah, hell and I've been waiting
• 16:42
  Speaker 1: all my life for this fucking major record deal with Yeah,
• 16:45
  Speaker 1: so doesn't hurt too. Atlanta really never closed. Atlanta was lit.
• 16:50
  Speaker 1: We was in Atlanta in January last year, and I
• 16:53
  Speaker 1: was it was like it was like being in a
• 16:54
  Speaker 1: different world because we live here and over here's fucked up,
• 16:58
  Speaker 1: Like you can't go nowhere, you gotta We were in
• 17:01
  Speaker 1: Atlanta and I was like, Jesus Christ, I'm a fucking
• 17:05
  Speaker 1: ain't gonna lie. I ain't gonna say that's a good thing.
• 17:08
  Speaker 1: It's a bad thing. It's just a different thing. I
• 17:11
  Speaker 1: ain't mad at it. It's kind of like, you know,
• 17:13
  Speaker 1: I think a lot of those cities kind of blew up,
• 17:16
  Speaker 1: low key, like I know a lot of people who
• 17:18
  Speaker 1: were just going to Atlanta the party, going to Miami
• 17:19
  Speaker 1: to party because they couldn't party here. We're going to Arizona.
• 17:22
  Speaker 1: Even like Scott Steele, that ship just a sensitive subject.
• 17:25
  Speaker 1: Have you caught the Rona yet? I did have Corona? Yeah,
• 17:29
  Speaker 1: I did. I feel like everyone's gonna catch it right
• 17:31
  Speaker 1: the end of November early December. Was it a mild case. Yeah,
• 17:37
  Speaker 1: mys was like the new variant whatever, that's like the
• 17:41
  Speaker 1: only Yeah, the O Marion Marion Marion's nothing right. It's
• 17:45
  Speaker 1: like a It's like a couple of coffee, only like
• 17:48
  Speaker 1: I only tested positive for like three days. Well, I
• 17:52
  Speaker 1: think no, no, I tested positive for like a week whatever,
• 17:55
  Speaker 1: but the like contagious stages on like three days, and
• 17:59
  Speaker 1: it just really feel like a cold, like I had
• 18:02
  Speaker 1: the old school where I couldn't smell. Oh yeah him so.
• 18:05
  Speaker 1: And it's funny because I woke up one morning and
• 18:07
  Speaker 1: my wife was cooking breakfast and I was like, you're cooking. Yeah,
• 18:13
  Speaker 1: I can't smell nothing, and I have like a little
• 18:16
  Speaker 1: small pump about taste. I could still taste, but it
• 18:18
  Speaker 1: was it was like seventy percent like normal. But so
• 18:22
  Speaker 1: I have like a little Pomeranian, like a little dog, right,
• 18:25
  Speaker 1: and he shat on the grass outside, and I said,
• 18:28
  Speaker 1: this is the real test I got. I got on
• 18:31
  Speaker 1: my knees. I took a sniff of his shit and
• 18:33
  Speaker 1: I didn't smell nothing. I said, well, looks like I'm fucked.
• 18:36
  Speaker 1: Well Ali, I mean you know what I'm saying. That
• 18:37
  Speaker 1: could be a good thing, though there's nothing good out
• 18:40
  Speaker 1: of not being able to taste. There's nothing yet. So
• 18:42
  Speaker 1: I I do have a friend who allegedly can't smell.
• 18:46
  Speaker 1: His name is TJ. Complex. Allegedly I say, because allegedly, yeah,
• 18:52
  Speaker 1: he says, because he can't smell. He says that he's
• 18:55
  Speaker 1: never had to worry about woman odors in his life.
• 19:00
  Speaker 1: And I, while I do understand that could be a positive,
• 19:03
  Speaker 1: to me, it's a serious negative because you have no
• 19:07
  Speaker 1: idea what you're signing up for. Down like you wouldn't
• 19:10
  Speaker 1: like you would know, like if something was crazy, you'd
• 19:13
  Speaker 1: be like, I gotta rethink this. But for him, he's
• 19:16
  Speaker 1: just and he can't taste either. So he's just kind
• 19:18
  Speaker 1: of had coronavirus his whole life. Allegedly he was born
• 19:24
  Speaker 1: like this, Hey, some shit happened. I don't even know.
• 19:26
  Speaker 1: I don't even know. Oh, so the don't have nothing
• 19:27
  Speaker 1: to do with he can't taste. He can't smell, like
• 19:29
  Speaker 1: since I've known him, it's been like since O eight.
• 19:31
  Speaker 1: I wouldn't say that, like that's a good thing to
• 19:34
  Speaker 1: not be able to smell. I agree, But he acts like,
• 19:36
  Speaker 1: you know, it's a good thing, man, you know. I'm like, bro,
• 19:37
  Speaker 1: it's not a good thing. Yeah, no, it's not a
• 19:41
  Speaker 1: good thing. Tasting would be the worst. Though. What do
• 19:45
  Speaker 1: you like to eat? I don't like your mind went there.
• 19:49
  Speaker 1: I see where it went. I just met. I just met.
• 19:53
  Speaker 1: I was coming from a fat guy perspective talking about
• 19:56
  Speaker 1: actual food and see I'm talking about it. If he
• 19:58
  Speaker 1: can't taste, so that's another thing. If he goes down
• 20:02
  Speaker 1: there and it's and it's sour, you won't even know.
• 20:05
  Speaker 1: I don't know. It could be bad. And if you're
• 20:10
  Speaker 1: at the chick like let's say he's in a relationship
• 20:12
  Speaker 1: with a girl, she low key could be like, man,
• 20:14
  Speaker 1: I ain't even fucking showering and he's gonna eat my
• 20:16
  Speaker 1: pussy anyway, what's the matter? This ain't that's saying balanced
• 20:23
  Speaker 1: pH energy, not balanced pH energy at all. But in general,
• 20:26
  Speaker 1: what you live in Atlanta, which is one of the
• 20:29
  Speaker 1: best food cities. I love going to Atlanta and eating,
• 20:33
  Speaker 1: as a matter of fact, some of the best cuisines
• 20:34
  Speaker 1: and strip clubs. Is it? What is your favorite ship
• 20:38
  Speaker 1: to eat? Like, what are you enjoy eating the most
• 20:40
  Speaker 1: ten piece of lemon pepper wet Wi strip club? Though? Mmm,
• 20:48
  Speaker 1: because Magic Cities Flame I went and the wings were.
• 20:56
  Speaker 1: I ain't gonna lie. I ain't gonna say wins on
• 20:59
  Speaker 1: my shin on no chef. But one time, like kind
• 21:03
  Speaker 1: of recent, let's say, within like a year, that ship
• 21:08
  Speaker 1: was not as good as it usually is. I heard
• 21:11
  Speaker 1: killer Mic always tells me blue flame. Yeah, no, everybody
• 21:13
  Speaker 1: say blue flame. Yeah, that's really like if you're going
• 21:19
  Speaker 1: for like food, but you know that's more of like that.
• 21:22
  Speaker 1: Ain't the most touristy ship, are you? Are you beneath
• 21:27
  Speaker 1: at this point eating waffle House afore you? Hell? Fuck no?
• 21:31
  Speaker 1: I eat house faithfully. Got to be like old Faithful, Right,
• 21:36
  Speaker 1: It's like you know what it is, like, you know
• 21:37
  Speaker 1: what you're getting. It's always open and it's good fucking food.
• 21:41
  Speaker 1: There might be a world star fighting the lobby, Yeah,
• 21:44
  Speaker 1: the chef might. Yeah. Waffle House a WHI. I feel
• 21:50
  Speaker 1: like at least once a month there's like a viral
• 21:52
  Speaker 1: YouTube video about waffle House, Like it's like waffle House
• 21:54
  Speaker 1: is legendary Florida. Waffle House chef shoots Patriot over meth deal.
• 22:01
  Speaker 1: It goes down and walk out like I didn't pay.
• 22:04
  Speaker 1: I didn't pay the fucking shove Like they be like
• 22:07
  Speaker 1: acting like they fake closed and ship like when they
• 22:09
  Speaker 1: get too busy, like around like three am when everybody
• 22:11
  Speaker 1: coming down to the club, so they'll pull up and
• 22:13
  Speaker 1: they'll be like, now we ain't taking orders. I'm like
• 22:15
  Speaker 1: I get three hundred bless you, and they'll take it
• 22:21
  Speaker 1: and they'll give you their mixtape. Yeah, someone went to Atlanta.
• 22:24
  Speaker 1: I swear to god, I might even like I went
• 22:25
  Speaker 1: to Atlanta. The chef recognized me. He gave me my
• 22:29
  Speaker 1: food and passed me his mixtape. I was like, you
• 22:32
  Speaker 1: know what, to Atlanta. I'm gonna pop that in, bro,
• 22:34
  Speaker 1: and I'm gonna see what I would see what it
• 22:37
  Speaker 1: sounded like. It always be weird for me when they
• 22:39
  Speaker 1: when they do that to me, because I'd be like, Nigga,
• 22:42
  Speaker 1: I'm trying to make it. Yeah, I'm still on my
• 22:44
  Speaker 1: ship right now, bro, Like what you want me to do?
• 22:47
  Speaker 1: I'm worried about my ship. Look, yeah, what I'm gonna do? Yeah? Yeah,
• 22:52
  Speaker 1: But I just be like, yeah, you know, good luck.
• 22:55
  Speaker 1: What's up y'all gotta interrupt the Bootleg cap podcast. We
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• 23:58
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• 24:24
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• 25:06
  Speaker 1: Let's get back to the podcast. It's pretty dope. Well,
• 25:09
  Speaker 1: like the last few years, I've just noticed how Atlanta
• 25:14
  Speaker 1: is fully behind you, like you are, like they take
• 25:17
  Speaker 1: pride in you. They show up, they see me. Yeah,
• 25:20
  Speaker 1: and so you know, we always hear about, like I
• 25:23
  Speaker 1: feel like ninety percent of well, first of all culture,
• 25:28
  Speaker 1: hip hop music, all of this has been at Atlanta's
• 25:31
  Speaker 1: for the last twenty years. Oh yeah, since like two thousand.
• 25:33
  Speaker 1: It's been a very long time. You guys have had
• 25:35
  Speaker 1: the rains. But we always hear about, like how important
• 25:40
  Speaker 1: it is if you're coming out of Atlanta to and
• 25:43
  Speaker 1: it's very heavily saturated market with artists because a lot
• 25:46
  Speaker 1: of people move there too to try to make it
• 25:48
  Speaker 1: in the rap game. What were the things you had
• 25:51
  Speaker 1: to make sure you did to pop off in your
• 25:53
  Speaker 1: own city before you had it, before we got big energy,
• 25:55
  Speaker 1: Because I know it's a very it's a it's a
• 25:58
  Speaker 1: very tough place to I mean as much people are
• 26:00
  Speaker 1: like it's easy as a lot of competition, that it's
• 26:04
  Speaker 1: oversaturated because everybody that live here want to rap, and
• 26:06
  Speaker 1: then you got people who come here to pursue their
• 26:09
  Speaker 1: rapping dreams or singing dreams or whatever. But I think
• 26:11
  Speaker 1: I really had the easy way out because I've been
• 26:14
  Speaker 1: doing it so long, Like it wasn't no thought process
• 26:17
  Speaker 1: into this ship, Like oh, like I'm an adult, now
• 26:20
  Speaker 1: what I'm gonna do? Like I want to do it
• 26:23
  Speaker 1: like I it's all I know, Like I've been doing
• 26:26
  Speaker 1: like real. When I say rapping at eight, I'm not
• 26:28
  Speaker 1: talking about like for my mom and shit. I'm talking
• 26:30
  Speaker 1: about like I would get picked up from school, do
• 26:33
  Speaker 1: my homework in the studio lobby, and then go record
• 26:35
  Speaker 1: type shit like full blown open mics, talent shows like
• 26:39
  Speaker 1: my daddy had me doing everything in Atlanta. And that's why,
• 26:42
  Speaker 1: like every artist in Atlanta that seen me somewhere like
• 26:45
  Speaker 1: I didn't did a show opened up for something with
• 26:48
  Speaker 1: every artist in Atlanta. So that's why I get so
• 26:50
  Speaker 1: much love and respect the seen you grow up. Yeah,
• 26:53
  Speaker 1: this ain't no microwave overnight. Like she put in her
• 26:56
  Speaker 1: fucking work for this ship. So they respect you, do
• 26:59
  Speaker 1: you because we always think of like when you're coming
• 27:03
  Speaker 1: up as an artist, right, you have opportunities to open
• 27:05
  Speaker 1: up for artists. Sometimes you got to pay to open up.
• 27:07
  Speaker 1: Did you ever have to do that? My daddy for
• 27:09
  Speaker 1: short and paid like two honey here, three honey here
• 27:13
  Speaker 1: to like that just to get you. Do you remember
• 27:16
  Speaker 1: the first show you opened for when you were young,
• 27:20
  Speaker 1: where you were like, oh shit, I'm opening for this
• 27:22
  Speaker 1: person mm or somebody random you opened up for somebody random.
• 27:35
  Speaker 1: Let me think there's a lot of random rap concerts
• 27:39
  Speaker 1: it is, but it's gonna be like the niggas. That's
• 27:41
  Speaker 1: more like, oh, that makes sense. Like I didn't open
• 27:44
  Speaker 1: up for Future. I didn't open up for Gucci way
• 27:47
  Speaker 1: way before our song. Like, had you told me you
• 27:50
  Speaker 1: opened up for Pete Poblo, I'd be like, h how
• 27:53
  Speaker 1: was that show? And enough for Past de Troy for
• 27:58
  Speaker 1: Travis Porter fire shout out to Travis Porter, Man, I
• 28:03
  Speaker 1: wish they would have kept they had a wave. What
• 28:07
  Speaker 1: We were just talking about that in the studio the
• 28:08
  Speaker 1: other day because this nigga I'll be working with London Jay.
• 28:11
  Speaker 1: He was like, man, you need to make a song
• 28:15
  Speaker 1: for the college girls, and I was like, nigga, Travis
• 28:18
  Speaker 1: Sporter had their ass on lock hell yeah do that.
• 28:21
  Speaker 1: But yeah, shout out Travis Sporter. That's legendary a Linda ship.
• 28:24
  Speaker 1: But yeah, I didn't opened up for them and every everybody,
• 28:27
  Speaker 1: even one hit wonders out of Atlantic. I didn't opened
• 28:29
  Speaker 1: up for him, for sure. There's a lot of one
• 28:31
  Speaker 1: hit wonders out in Atlanta. It is. Everybody is we've
• 28:34
  Speaker 1: been running it, but everybody ain't had the loan chevy.
• 28:37
  Speaker 1: Everyone like there's been guys who caught one. This one crazy,
• 28:40
  Speaker 1: but it's like, where's the follow up? And by the way,
• 28:43
  Speaker 1: I just want to use this interview to acknowledge the
• 28:46
  Speaker 1: goat rich Homi Kwan, who I feel like. I feel
• 28:50
  Speaker 1: like rich Onemi Kwan is like the most one of
• 28:52
  Speaker 1: the more under underappreciated artist. Oh yeah, for sure, he
• 28:55
  Speaker 1: is his wave. I was living in Tampa, Florida when
• 28:58
  Speaker 1: rich On mc kuan was popping. Yeah, and nobody in
• 29:00
  Speaker 1: the world was bigger than rich On Kwan for about
• 29:02
  Speaker 1: twelve years. That motherfucker was on fire. I think I
• 29:05
  Speaker 1: was in like middle school. I hope he catches one
• 29:07
  Speaker 1: soon because he is very talented. He talented as hell.
• 29:11
  Speaker 1: One thing about it, you ain't gonna play with that man. Pin.
• 29:13
  Speaker 1: Y'all know, we got a lot of them, like underrated niggas,
• 29:17
  Speaker 1: like rich kids, y'all probably don't know about them, but
• 29:19
  Speaker 1: like schooly like we got a school is incredible man,
• 29:23
  Speaker 1: talented as hell, Like talented as hell, like niggas who
• 29:26
  Speaker 1: just never got their fucking props, like people be trying
• 29:28
  Speaker 1: to play with them, Like school is still going in
• 29:32
  Speaker 1: Atlanta don't give schooly a little legend. I don't give
• 29:34
  Speaker 1: a fuck. That's facts. His paining's crazy. What that man
• 29:37
  Speaker 1: talented a fuck then he started all this shit. But
• 29:41
  Speaker 1: you know this day, Well, did your dad put you
• 29:45
  Speaker 1: on the outcast when you were younger? Hell? Yeah, my
• 29:47
  Speaker 1: daddy loved fucking Andre. That's definitely gonna be probably, if
• 29:52
  Speaker 1: not his number one, top three like to me, the
• 29:55
  Speaker 1: top five greatest rapper of all times three stacks and
• 29:57
  Speaker 1: he's from your city, so oh man, what but maybe
• 30:00
  Speaker 1: a bit before your time, you know what? I want
• 30:03
  Speaker 1: to say. My daddy was cool with so many people.
• 30:06
  Speaker 1: I could be tripping up, like, but this is how
• 30:10
  Speaker 1: I even started wrapping up my daddy in a little
• 30:12
  Speaker 1: street nigga type shit. So we would be I'd be
• 30:15
  Speaker 1: running around with him like at Dada House. At Dadada House,
• 30:18
  Speaker 1: I'm pretty sure I've been to Big Boy House when
• 30:21
  Speaker 1: I was like a kid. I feel like that sounds
• 30:24
  Speaker 1: right because I went to Atlanta one time, yeah, and
• 30:27
  Speaker 1: I ended up in Stink on You, and I was like,
• 30:30
  Speaker 1: oh my god, I was taking pictures and ship I
• 30:33
  Speaker 1: was there listening to kill you know. I met up
• 30:34
  Speaker 1: a killer Mike there. But I was like, this is
• 30:37
  Speaker 1: fucking legendary. Yeah. Oh yeah, I've been finishing up my
• 30:41
  Speaker 1: well right now, I'm in La finishing it, but I
• 30:43
  Speaker 1: was just in Atlanta finishing it in on you too.
• 30:47
  Speaker 1: How was the album coming along? So good? So good,
• 30:50
  Speaker 1: so good, just trying different ship, right, it really being done.
• 30:54
  Speaker 1: I'm not gonna lie, but I'm a capricorn. I'm a perfectionist,
• 30:57
  Speaker 1: so you know, putting finishing little tweaks. Yeah, and then
• 31:01
  Speaker 1: like i'd be like waiting for the Beyonce future. Yeah
• 31:04
  Speaker 1: you know what I'm saying. Wink wink. No. Yeah, it's
• 31:11
  Speaker 1: coming along real, real good. Though, Like do you feel
• 31:13
  Speaker 1: like you know, you have like your core fan base
• 31:17
  Speaker 1: that knows you for like the ship you've been doing
• 31:19
  Speaker 1: the last five or six years, right, and then you
• 31:21
  Speaker 1: catch this crossover banger like like Big Energy is, Like
• 31:25
  Speaker 1: it's it's very much a smash, but it's also kind
• 31:29
  Speaker 1: of like a little different, right from what you're like
• 31:31
  Speaker 1: kind of used to doing, very different. Do you have
• 31:34
  Speaker 1: any like are you kind of starting to try to
• 31:36
  Speaker 1: lean into more like doing Yeah, I'm open, but you're
• 31:39
  Speaker 1: more the pop ship yeah, hell yeah, because I want
• 31:41
  Speaker 1: to be ship this ship give me some money, different money,
• 31:45
  Speaker 1: so you know what, checks got bigger, checks got bigger.
• 31:48
  Speaker 1: Price went up, Price went up, price went up. So
• 31:51
  Speaker 1: hell yeah, we finished dippling dad up being that shit
• 31:54
  Speaker 1: some more. I ain't mad at it, So you would
• 31:58
  Speaker 1: just say I'm of a ninety nine percent nine. I
• 32:01
  Speaker 1: ain't gonna lie to me, like if you ask my
• 32:04
  Speaker 1: an rs and be like, bitch, shut up, it's done.
• 32:06
  Speaker 1: But I think I would say probably, Like I say,
• 32:11
  Speaker 1: probably ninety five because I really just want to like
• 32:14
  Speaker 1: beat out maybe like two songs type shit, like if
• 32:17
  Speaker 1: I like these songs, but if I can make like
• 32:20
  Speaker 1: two songs better than these, I'll be straight. Let me
• 32:23
  Speaker 1: ask you this. You're an amazing MC lyrically, You're gifted.
• 32:29
  Speaker 1: I mean the Super Gramen freestyle was fire. The La
• 32:32
  Speaker 1: Leaders freestyle was special. When it comes to crafting like
• 32:35
  Speaker 1: big hit records, were you ever hesitant about like maybe
• 32:40
  Speaker 1: having the label bringing someone to help you with a hook? Hell? What?
• 32:43
  Speaker 1: Because you're like, what I do? My shit? What is
• 32:46
  Speaker 1: that even something that's in bounds? Like? What would like?
• 32:49
  Speaker 1: Because because I know you had and J who I
• 32:52
  Speaker 1: was just talking about? He he adopte ass writer from Atlanta. Like,
• 32:56
  Speaker 1: but my whole thing is even. Well start from the beginning,
• 32:59
  Speaker 1: I was like, hell fuck no, y'all got me fucked up.
• 33:01
  Speaker 1: Y'all trying to turn me into this industry bitch. But
• 33:03
  Speaker 1: then you like, yeah, I write my shit. Yeah, like
• 33:05
  Speaker 1: you like, man, hell no, but you mature and you
• 33:08
  Speaker 1: see the bigger picture. You're like, Okay, you know what,
• 33:10
  Speaker 1: this does make sense whatever, And this is these people life.
• 33:14
  Speaker 1: You know. They feed their kids off of this shit.
• 33:18
  Speaker 1: They ain't feed it just off of me. So I
• 33:20
  Speaker 1: start learning like, oh, everybody do that. That's how y'all
• 33:24
  Speaker 1: need to be dropping fucking ten number ones in one year.
• 33:27
  Speaker 1: Oh So I'm like, okay, I do it. But it's
• 33:30
  Speaker 1: never gonna be no situation where you just bring me
• 33:32
  Speaker 1: some like a song like some ghost writer. Ass right,
• 33:35
  Speaker 1: we gonna work together and we collaborate exactly so where
• 33:39
  Speaker 1: I still have my authenticity to my song, know what
• 33:42
  Speaker 1: I'm saying. I'm not gonna just say what you tell
• 33:44
  Speaker 1: me to say. Hell fuck yeah. I think like a
• 33:46
  Speaker 1: lot of people don't realize, like when you get to
• 33:48
  Speaker 1: a certain point, like it's a lot of collaborative efforts
• 33:51
  Speaker 1: in the studio that are very organic it's not like
• 33:54
  Speaker 1: you said. It's not like someone sends you a song
• 33:56
  Speaker 1: and say, yo, just record this no like And I
• 33:58
  Speaker 1: think a lot of times too, when you say writer,
• 34:01
  Speaker 1: people think that's what it is, and that's not always
• 34:03
  Speaker 1: what it is. Like Nigga, I did that might be
• 34:06
  Speaker 1: a melody, right, Yeah? I did a session with Pharrell
• 34:09
  Speaker 1: and he's like giving me like I'm in a booth
• 34:12
  Speaker 1: and he like to say this, say this like it
• 34:14
  Speaker 1: don't always mean like I'm finna write it, and you
• 34:17
  Speaker 1: say it like, it's not always that like ABC maybe
• 34:20
  Speaker 1: even help like how you say it, like yeah, o god.
• 34:23
  Speaker 1: Like then I started learning about what is that called?
• 34:25
  Speaker 1: They just tell me vocal whatever the hell it's a
• 34:30
  Speaker 1: name for that Perton you were in the studio for.
• 34:34
  Speaker 1: How was that crazy? What's in Miami? Yeah, he fucking don't.
• 34:39
  Speaker 1: He fucking don't, but he doesn't and he cool. It's hell.
• 34:46
  Speaker 1: Like I'm like, when they told me he wanted to
• 34:48
  Speaker 1: work with me, I'm like, nigga, you're talking about Pharrell.
• 34:51
  Speaker 1: It was like, yes, I'm thinking it's it's some new
• 34:54
  Speaker 1: producer to call himself for real, some shit that's already
• 34:59
  Speaker 1: for real shit. But it was fucking for real. I'm like,
• 35:03
  Speaker 1: why he want to work with me? Chum? What it's like?
• 35:08
  Speaker 1: Like when? Because Pharrell's is one of the goats, right
• 35:11
  Speaker 1: and we always hear about so intimidated. Yeah, he plays it.
• 35:15
  Speaker 1: He's just going through beats and you're like, I like
• 35:17
  Speaker 1: this one? He like which one you like? And you
• 35:20
  Speaker 1: just like, nigga, anyone to fuck give me your throwaway.
• 35:23
  Speaker 1: I don't give a fuck. I'm gonna make this shit work.
• 35:27
  Speaker 1: It's gonna be anything he does. You see, have any
• 35:30
  Speaker 1: work on the project? I think so? So Pharrell was
• 35:35
  Speaker 1: on the album? I think so Yeah. I know some
• 35:37
  Speaker 1: people who have been with him recently and he's been
• 35:39
  Speaker 1: lending some vocals to them. Is he did he lend
• 35:41
  Speaker 1: you some vocals on the record on the bridge? Maybe?
• 35:44
  Speaker 1: Like we did like five songs one that I'm choose,
• 35:50
  Speaker 1: we still like we'nin five percent, you know what I'm saying.
• 35:52
  Speaker 1: But the one that I'm pretty sure I'm gonna put
• 35:55
  Speaker 1: on there that he's not on it. But there was
• 35:57
  Speaker 1: ones that you guys cut that he was on. That's
• 36:00
  Speaker 1: fire blest. What the hell like that sound crazy for
• 36:04
  Speaker 1: me to to be saying right now, like what, yeah,
• 36:07
  Speaker 1: what was there a can you tell us any other
• 36:09
  Speaker 1: producers maybe that have made the cut. I know you're
• 36:13
  Speaker 1: not going to give me any features, so I'm not
• 36:14
  Speaker 1: even gonna ask, but producers, maybe let's just say like
• 36:20
  Speaker 1: I made it a point to, like, you know, how
• 36:22
  Speaker 1: people be like focused on the features on the album.
• 36:24
  Speaker 1: I made it a point to be like focused on
• 36:26
  Speaker 1: the producers on Abduction. I want you to be like
• 36:29
  Speaker 1: when you read my track list, you're like, oh, the features,
• 36:32
  Speaker 1: and then you read the fucking track list and be like, oh,
• 36:34
  Speaker 1: the producers. You know what I'm saying. Not on some
• 36:38
  Speaker 1: like just do whatever it's tip. I want you to
• 36:42
  Speaker 1: be like, oh, this beach did her research. This beach, Oh,
• 36:45
  Speaker 1: she and she from Atlanta. She using these niggs. You
• 36:47
  Speaker 1: know what I'm saying. You don't see the thought process
• 36:50
  Speaker 1: in a production. There was this discussion and I'm asking
• 36:53
  Speaker 1: you this cause obviously for people who don't know your history,
• 36:55
  Speaker 1: you kind of came up. You and Jermaine de pre
• 36:58
  Speaker 1: will always kind of be related in some aspect, right,
• 37:01
  Speaker 1: always JD versus Diddy in a versus. So they was like,
• 37:07
  Speaker 1: I can't no, it's never gonna It's never gonna happen. Yeah,
• 37:11
  Speaker 1: but wasn't they on Live Like yes, But I was
• 37:15
  Speaker 1: very much in the camp that JD could upset Diddy.
• 37:20
  Speaker 1: Low key, I'm not saying it would happen. I can't
• 37:23
  Speaker 1: even say nothing about it. It would be very Uh.
• 37:26
  Speaker 1: I just feel like Daman, some people got to put
• 37:28
  Speaker 1: some respect on JD's name because they forget Yeah, just
• 37:31
  Speaker 1: go listen to Confessions. My gee, Oh that's it. That's it.
• 37:34
  Speaker 1: That's like you don't got to say it at the
• 37:36
  Speaker 1: Confessions And yeah, there's so much other you know, what
• 37:40
  Speaker 1: made so obviously you say you signed in twenty nineteen
• 37:44
  Speaker 1: into twenty nineteen, What made you finally make that decision
• 37:47
  Speaker 1: like to sign, because I'm sure everyone was trying to
• 37:49
  Speaker 1: get at you for a very long time. You're building
• 37:50
  Speaker 1: up and running it up Indian in Atlanta? What was
• 37:53
  Speaker 1: people don't even be knowing? Like I did Bitch from
• 37:55
  Speaker 1: the South Independent, I did Bitch from the South Remix Independent.
• 37:58
  Speaker 1: I already had putting them shits out Independent, so it's
• 38:01
  Speaker 1: like I had everybody at my door. I think I
• 38:04
  Speaker 1: just came to a point where it was like I
• 38:07
  Speaker 1: feel like I've maxed the Independent route, Like I feel
• 38:11
  Speaker 1: like my potential is bigger than this. I need a
• 38:14
  Speaker 1: team and departments in this machine behind me working twenty
• 38:17
  Speaker 1: four seven. Yeah, for sure. Someone to brush your hair
• 38:21
  Speaker 1: before an interview, you know, shit like that. Just shit's
• 38:26
  Speaker 1: like and then like just different people working for you
• 38:29
  Speaker 1: and working with you is like that, just open your
• 38:32
  Speaker 1: mind to different stuff. Like I know, I probably wouldn't
• 38:36
  Speaker 1: have tried a big energy two years ago, you know
• 38:37
  Speaker 1: what I'm saying. So just like just people just inspiring
• 38:41
  Speaker 1: you like, and just the roster on the label, like
• 38:44
  Speaker 1: I looked at it as inspiration and just like leveling up. Yo.
• 38:49
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• 39:42
  Speaker 1: as it is right, not too long ago. I feel
• 39:46
  Speaker 1: like when I was a kid and when your dad
• 39:50
  Speaker 1: was Obviously me and your dad are probably closer in
• 39:52
  Speaker 1: age than you and I, but you know, there was
• 39:56
  Speaker 1: like Missy Elliott, there was the Brat, there was Little Kim,
• 39:59
  Speaker 1: there was like a cool female Foxy Brown. But then
• 40:03
  Speaker 1: there was like an era after that where it was
• 40:04
  Speaker 1: really just NICKI and let's put some respect on Trina
• 40:08
  Speaker 1: as well, because Trina is there. I know, I know,
• 40:11
  Speaker 1: I know, but like it felt, it felt, it felt
• 40:14
  Speaker 1: like up until a couple of years ago that like,
• 40:17
  Speaker 1: for whatever reason, hip hop only had room for one
• 40:19
  Speaker 1: pop and female at a time, And now I feel
• 40:22
  Speaker 1: like we're in the greatest era of female artists in
• 40:26
  Speaker 1: hip hop, where it's you, it's May, and it's Cash Doll,
• 40:30
  Speaker 1: it's Nikki, it's city girls. I mean, sweetie, we could
• 40:33
  Speaker 1: just keep going down, right, Cardi B. How is it
• 40:38
  Speaker 1: do you feel like it's still like like harder to
• 40:42
  Speaker 1: be a female MC in today's climate, Because I do
• 40:45
  Speaker 1: feel like there is always like people are gonna judge
• 40:49
  Speaker 1: you harder for whatever reason. It might not be fair,
• 40:52
  Speaker 1: but they're always gonna judge you harder. It's hard to
• 40:55
  Speaker 1: talk about that because it's like, yeah, it'll always be harder,
• 40:58
  Speaker 1: but you don't want to like take for granted the
• 41:00
  Speaker 1: progress that we have made, because for sure, you know,
• 41:03
  Speaker 1: we got it a lot easier then I'm sure Kim
• 41:05
  Speaker 1: and them, did you know what I'm saying. But yeah,
• 41:08
  Speaker 1: I'm grateful for the progress, but it is still always harder,
• 41:11
  Speaker 1: Like when we do these awards show performances, and we
• 41:15
  Speaker 1: do it and then fucking little whoever young whoever do
• 41:20
  Speaker 1: it the same stage. Y'all ain't picking apart his performances.
• 41:23
  Speaker 1: I ain't telling this nigga he need to put his
• 41:25
  Speaker 1: lean cup down and run on the trademill, but y'all
• 41:27
  Speaker 1: gonna be like she's shopping too much. She needs to
• 41:30
  Speaker 1: be an artist development. Wait, like there's like you could
• 41:33
  Speaker 1: be the biggest rapper in the world and have a
• 41:35
  Speaker 1: lean gut and be sloppy as fucking late to everything
• 41:38
  Speaker 1: and perform like shit and no one's gonna say anything
• 41:43
  Speaker 1: if you're a female and you put it together an
• 41:46
  Speaker 1: amazing performance. But like you fuck up once or it
• 41:50
  Speaker 1: just feels like every single thing it's under the microscope,
• 41:53
  Speaker 1: like let us do something, But niggas do the ship
• 41:56
  Speaker 1: all day, y'all. Don't be trying to cancel the ass
• 41:58
  Speaker 1: or pick a part day performance ship. So, yeah, we
• 42:01
  Speaker 1: do got it harder, but in the same sentence for
• 42:05
  Speaker 1: where we've come, because you've kind of been on the
• 42:07
  Speaker 1: come up throughout that whole era. Yeah so I didn't.
• 42:10
  Speaker 1: Yeah for sure, Like I seen like it's easy to
• 42:13
  Speaker 1: catch one now like you can't. But that's male and
• 42:16
  Speaker 1: female though it's easy to catch one. But yeah, TikTok's
• 42:19
  Speaker 1: got everyone some of the shit on TikTok. I'm like,
• 42:22
  Speaker 1: what is going on? Kids getting record deals and disappearing? God,
• 42:27
  Speaker 1: what happened to the board in the house. Guy niggas
• 42:29
  Speaker 1: gett what a little million dollar deals you never heard
• 42:32
  Speaker 1: never hear from them a couple of months later. But
• 42:35
  Speaker 1: that's that's also tricky too, because you can like get
• 42:39
  Speaker 1: excited about it like that and chase that like the
• 42:42
  Speaker 1: TikTok wave and shit like that. But that ship not longevity.
• 42:45
  Speaker 1: It's good records in real time. I feel like we
• 42:49
  Speaker 1: think about who's been around forever. It's the the cream
• 42:52
  Speaker 1: of the crop is always around, talent the fucking long route.
• 42:56
  Speaker 1: Think about like the Mount wes Moore rap it's always
• 42:59
  Speaker 1: been the last ten years. Is Cole's Kendrick and it's
• 43:02
  Speaker 1: Drake and all three of them are murderers on the microphone,
• 43:07
  Speaker 1: think about, well, you know, Megan is an amazing MC.
• 43:10
  Speaker 1: I feel like I think Megan isn't with Megan pen Now,
• 43:14
  Speaker 1: Oh she's nice? What? Yeah, she's nice? What that bitch delivery?
• 43:19
  Speaker 1: I ain't gonna lie. She wanted them? Who inspires you
• 43:23
  Speaker 1: to get better as an MC? Not not even just females,
• 43:25
  Speaker 1: just in general, like something like maybe someone you've heard recently.
• 43:27
  Speaker 1: We're like, damn, that motherfucker's nice, Like I got I
• 43:30
  Speaker 1: gotta get on my ship. Shed these bitches like we
• 43:36
  Speaker 1: gotta be with you, like you're not Finna had No
• 43:39
  Speaker 1: turned up whack ass female rapper, Like if she turned up,
• 43:43
  Speaker 1: that bitch talented because we so fucking analyzed Thojah Thojah
• 43:48
  Speaker 1: killing shit. That bitch can rap sing pop ship performed.
• 43:52
  Speaker 1: She she her perform I feel like her performing is
• 43:55
  Speaker 1: like the I think she's the best performer I've seen
• 43:58
  Speaker 1: in a long time. Fucking Chloe, what about just money?
• 44:02
  Speaker 1: You don't have to be females? Like what has it
• 44:03
  Speaker 1: been anybody else? Like that just is just like inspired
• 44:07
  Speaker 1: your panel little where you're like damn, Like I just
• 44:09
  Speaker 1: heard this dude go in on this record and I'm like,
• 44:11
  Speaker 1: I need to get my ship together or I fuck
• 44:15
  Speaker 1: with Rod Wave. I feel like he made me want
• 44:17
  Speaker 1: to be on some like authentic shit like yeah, talk
• 44:20
  Speaker 1: about my life and shit like some shit that people
• 44:22
  Speaker 1: feel because his music give me that like it's not
• 44:26
  Speaker 1: going nowhere, like this ship be there forever. Yeah, Like
• 44:29
  Speaker 1: he got some ship that I'm gonna play for my
• 44:32
  Speaker 1: kids and be like, hey, you don't know nothing about it.
• 44:34
  Speaker 1: Saint Pete Florida's finest man the seven to seven. Yeah,
• 44:38
  Speaker 1: I fuck with Rod Wave. I don't know. I'll be
• 44:44
  Speaker 1: paying more attention to the females because that's my that's
• 44:47
  Speaker 1: my line. I get it. You're getting ready for a
• 44:49
  Speaker 1: big tour. Yeah, what should be fun? Yeah, this would
• 44:52
  Speaker 1: be my first headline tour, first headlining tour. Uh. What's on?
• 44:57
  Speaker 1: Lotto's writer child? Pineapples, Hallopenyo, kettle chips, core water, a
• 45:10
  Speaker 1: veggie tray and I and I had to take my
• 45:14
  Speaker 1: manager too, and I told him I needed to update
• 45:16
  Speaker 1: it before to two because I need to add strawberry
• 45:19
  Speaker 1: pop tarts on their two strawberry pop tarts. I feel like,
• 45:22
  Speaker 1: if you're eating any other kind of pop tart, I
• 45:24
  Speaker 1: judge you. You ever go to the store with somebody
• 45:26
  Speaker 1: and they grabbed the pop tarts with no frosty, Like, who,
• 45:31
  Speaker 1: who the fuck are you? What kind of cereal killer
• 45:33
  Speaker 1: are my friends with eating? Eating no pop tarts or
• 45:36
  Speaker 1: really nothing? They got them brown sugar or something like that.
• 45:40
  Speaker 1: Them ship's bus too. Though. I tried a fruit Loops
• 45:42
  Speaker 1: pop tart seven eleven. I just had to try it.
• 45:46
  Speaker 1: That shit was terrible. You. I was like, yo, it
• 45:49
  Speaker 1: could be gas fruit Loops. I was like, I like
• 45:51
  Speaker 1: fruit loop cereal baby No, Yeah, I do like fruit loops.
• 45:54
  Speaker 1: Oh I forgot hot fries are hot Cheetos flaming hot fries?
• 45:59
  Speaker 1: Hell yeah, Chester's flaming. Not the the Andes thing though,
• 46:03
  Speaker 1: like the blue bag. There's a hot Cheeto shortage right now,
• 46:06
  Speaker 1: so for real? Oh yeah, oh my household can't tell
• 46:11
  Speaker 1: that pantry state. Yeah, you're yo. What's crazy is like
• 46:15
  Speaker 1: the hot Cheeto fingers is a thing. You'll be sitting
• 46:17
  Speaker 1: on the couch and then your hands are just fucking
• 46:20
  Speaker 1: you ain't gonna laugh. I'm at home. I'm licking my
• 46:22
  Speaker 1: fingers though, of course you got to. Yeah. Is there
• 46:25
  Speaker 1: anything else with this tour that you're like nervous? Are
• 46:28
  Speaker 1: you nervous about anything like hitting the road and everyone's
• 46:30
  Speaker 1: there to see you? Yeah, just because I feel like,
• 46:34
  Speaker 1: you know, I got a top forty record. They like
• 46:36
  Speaker 1: this can't be no bullshit, Like too many odds gonna
• 46:40
  Speaker 1: be on me with this tour, like you know what
• 46:41
  Speaker 1: I'm saying. So it's a little pressure, But you know,
• 46:45
  Speaker 1: are you I don't know, I'll be praying and she'd
• 46:47
  Speaker 1: just be working out. Are you taking the the after
• 46:50
  Speaker 1: party bags and each of these? Yeah, so we gotta
• 46:53
  Speaker 1: you know, everybody know home with that go look at
• 46:56
  Speaker 1: the tour dates promoters put your offers in. Yeah, y,
• 47:00
  Speaker 1: she'll pull up. You know what I mean. It's probably
• 47:03
  Speaker 1: it's got to be for the bag. But the bag
• 47:05
  Speaker 1: and the costume goes in. The hookah. Oh the hookah?
• 47:08
  Speaker 1: Yeah you know that hookahs fa the hoop. I forgot
• 47:15
  Speaker 1: about that song. I swear to god, I said that too,
• 47:18
  Speaker 1: because I was like, yeah, that's crazy, this nigga Ben
• 47:23
  Speaker 1: was on the hookah ship. I probably wasn't even I
• 47:26
  Speaker 1: was in like middle school maybe, so I wasn't even
• 47:28
  Speaker 1: if I was singing the ship, I didn't know what
• 47:30
  Speaker 1: he was saying. Anyways, What is it? Rather just I
• 47:32
  Speaker 1: always listen. I never understood the hookah thing because my
• 47:36
  Speaker 1: thing is if I'm a smoke I'd rather just get high. No,
• 47:40
  Speaker 1: because it's like, we don't want to be paranoid and ship.
• 47:42
  Speaker 1: We ain't trying to be tripping. We just want something
• 47:44
  Speaker 1: to dude. When you smoked, you get paranoid weed. Hell yeah, hookah,
• 47:49
  Speaker 1: No you don't feel you know what I'm saying. When
• 47:50
  Speaker 1: you smoke weed, you get paranoid Hell yeah, wow, I don't.
• 47:53
  Speaker 1: And and then I just don't like the action of
• 47:55
  Speaker 1: smoking like it, just like i'd be confident, like how
• 47:59
  Speaker 1: the fun do y'all do? I don't like that. I
• 48:02
  Speaker 1: think a bug on me. Every two seconds, I'm jumping
• 48:04
  Speaker 1: like the door like you might have had angel dust. No, no,
• 48:11
  Speaker 1: every time I hit the blind, I'd be like that.
• 48:13
  Speaker 1: You know what, though, I started doing like little, like
• 48:17
  Speaker 1: if I'm in La, not just like doing like little,
• 48:21
  Speaker 1: A little little bite of the edibles, and that shit
• 48:24
  Speaker 1: helped me sleep. If you do too much, you're gonna
• 48:27
  Speaker 1: have the worst fucking day of life. Have you done
• 48:29
  Speaker 1: too much edibles? In ninth grade? Oh? You was? That
• 48:33
  Speaker 1: was some homemade Atlanta ship? Then oh what happened? Wait? Child?
• 48:36
  Speaker 1: Because I had the worst day of my life and
• 48:38
  Speaker 1: I overdosed on an edible? So what happened in ninth grade?
• 48:41
  Speaker 1: In ninth grade, my friend had this damn lollipop edible
• 48:45
  Speaker 1: and she just give it to me, and she didn't
• 48:48
  Speaker 1: tell me, like, you know, don't eat the whole shit,
• 48:50
  Speaker 1: like it's a candy, like this is drugs. I just
• 48:54
  Speaker 1: ate the whole thing and she was like, you ain't
• 48:56
  Speaker 1: the whole thing. I'm like, nigga, you ain't tell me
• 48:58
  Speaker 1: not to the fuck Anyways, fucking long story short, I'm tripping.
• 49:05
  Speaker 1: I'm going to sleep waking up like I'm crying though,
• 49:08
  Speaker 1: because I'm like, I don't know if I'm waking up
• 49:10
  Speaker 1: in my dream or I'm waking up in real life
• 49:12
  Speaker 1: like tripping. So I was like, bro, I'm fin of
• 49:15
  Speaker 1: google how to come down from a high. I pull
• 49:18
  Speaker 1: up Safari on my phone. I had already googled that ship. Yeah,
• 49:21
  Speaker 1: I say, yeah, no no. Also, like when you eat it,
• 49:24
  Speaker 1: there's nothing you could do. All you got. You gotta
• 49:27
  Speaker 1: let it just get through you. Nothing. What it was
• 49:31
  Speaker 1: like take a cold shower. I did that. I was
• 49:34
  Speaker 1: trying all this ship? Did you hallucinate it all? Because
• 49:36
  Speaker 1: I hallucinated when I was I don't remember. I was tripping.
• 49:40
  Speaker 1: I saw a Garfield. The cat he has has slot
• 49:45
  Speaker 1: machine eyes. I can't no, no, Ever since that day,
• 49:53
  Speaker 1: I know we're gonna take this little bitty bite and yeah,
• 49:57
  Speaker 1: it don't help you sleep. It don't help you sleep.
• 49:59
  Speaker 1: Like my wife like she'll eat him to help, Like
• 50:01
  Speaker 1: she'll like have like a because it helps you go
• 50:02
  Speaker 1: to bed. Yes, for sure, that shit helps me sleep
• 50:05
  Speaker 1: because I'll use like Middleton or some ship at home.
• 50:08
  Speaker 1: But when I'm out here, I'll be like, oh, let
• 50:10
  Speaker 1: me never tried shrooms. Fuck, you know, Boozy just did
• 50:14
  Speaker 1: shrooms for the first time and he was tripping balls
• 50:16
  Speaker 1: in the snow. Boosy is probably so funny though, Oh god,
• 50:22
  Speaker 1: it's great. What you think it would be? Oh yeah,
• 50:25
  Speaker 1: the next time, the next time I interviewed Boozy, I'm like, dude,
• 50:30
  Speaker 1: we're in each eighth of shrooms and just see where
• 50:32
  Speaker 1: this takes us on YouTube. That nigga while sober, so
• 50:35
  Speaker 1: I can only imagine what he's like. Yeah, No, I'm
• 50:37
  Speaker 1: scared of all that stuff though, Like I'm telling you,
• 50:39
  Speaker 1: like I don't like to be out of out of body. Yeah,
• 50:43
  Speaker 1: Like I don't like that, like even with alcohol, Like
• 50:45
  Speaker 1: I don't like to be drunk, Like I'll get a
• 50:47
  Speaker 1: little tipsy, you know. So I can feel it when
• 50:50
  Speaker 1: I'm recording this ship. You know what's overrated in the
• 50:56
  Speaker 1: Blue and White Bottle? You know what? I like that better?
• 51:00
  Speaker 1: I do like it better than the most overrated you
• 51:02
  Speaker 1: That ship is overrated, And I'd be rapping about that
• 51:04
  Speaker 1: ship too, but I take they were both hell yeah,
• 51:09
  Speaker 1: and it's like I like better than all of that ship.
• 51:12
  Speaker 1: The cheap ship. Yes, me too. When I go to
• 51:16
  Speaker 1: the club and they're like, whatever bottle you want, I'm
• 51:19
  Speaker 1: either they're like, bro, why don't you get who doesn't
• 51:23
  Speaker 1: take It's okay. It's like it's more about like, hey, look,
• 51:25
  Speaker 1: every time I've gotten drunk, like throw up drunk is
• 51:29
  Speaker 1: off of yes like rich people's patrona. It's like, not great.
• 51:35
  Speaker 1: I'm so straight on that ship. Give me the cheap ship,
• 51:38
  Speaker 1: like not too cheap? Nah, don Julio Blanco and Costa
• 51:42
  Speaker 1: Migos is fire. I ain't gonna lie because I was
• 51:45
  Speaker 1: on for a many and then I was like getting
• 51:48
  Speaker 1: burnt on that and I'm getting back on the now.
• 51:51
  Speaker 1: Did you did you know George Clooney owns Costagos the
• 51:56
  Speaker 1: actor what he's the owner? We're making George when you're rich,
• 52:01
  Speaker 1: Hey man, have you had any opportunities to endorse any
• 52:09
  Speaker 1: products or have your own like something like that, because
• 52:11
  Speaker 1: I'm sure you've had hell opportunity lotto, let us give
• 52:14
  Speaker 1: your own weed strain or hey, let's let's you want
• 52:16
  Speaker 1: to you want your vodka. They're trying to do like
• 52:19
  Speaker 1: the weed Strand ship. I just be like, it's two
• 52:21
  Speaker 1: fake because I talk about how I don't smoke all day.
• 52:24
  Speaker 1: It's like that's that's two fake. I would do like
• 52:27
  Speaker 1: an alcohol or something like that. I didn't did like
• 52:29
  Speaker 1: swim wear, clothing collubs, Like did you ever do the
• 52:32
  Speaker 1: fashion over deal? No, I'm with a pretty little thing,
• 52:36
  Speaker 1: A pretty little thing, pretty little thing. Baby. They cuts
• 52:38
  Speaker 1: the check. So pretty little Thing is a very big company.
• 52:43
  Speaker 1: They got it. They got their own thing over on Melrow.
• 52:46
  Speaker 1: I mean they're doing their thing, pretty little thing. He's
• 52:48
  Speaker 1: doing the thing, so you're pretty So do you have
• 52:50
  Speaker 1: your own collection with them? Yet? We supposed to be
• 52:53
  Speaker 1: doing that. I gotta finish this deal. If they don't
• 52:55
  Speaker 1: give you your a pretty little Thing collection in the
• 52:57
  Speaker 1: next six months, you better jump on over to fashion
• 53:00
  Speaker 1: because they're gonna they're gonna give you. They're gonna give
• 53:04
  Speaker 1: you the whole fucking thing. They're gonna be like a
• 53:05
  Speaker 1: lot of spring collection. Oh and Savage X Fency waitit
• 53:10
  Speaker 1: wait wait wait wait Savage Expency read you got you
• 53:13
  Speaker 1: got the fency popping? Yes, really Laingerie and I ain't
• 53:16
  Speaker 1: gonna lie know that ship and like no kept like
• 53:18
  Speaker 1: off the record, like this ain't even no like paid promotion,
• 53:22
  Speaker 1: like no, that ship fire defeny, the quality ship, fire,
• 53:26
  Speaker 1: the designs and she I'm like, is she doing this? She?
• 53:29
  Speaker 1: I don't know whoever doing it? They should be fire,
• 53:31
  Speaker 1: Like have you ever talked to no one but live?
• 53:37
  Speaker 1: You're playing my song? What bitch from the South? I
• 53:42
  Speaker 1: was like, were you a bitch from the South? Girl Frombados?
• 53:46
  Speaker 1: I feel like, she replied to the d M. If
• 53:48
  Speaker 1: I d M her, i'd be so weird, Like I
• 53:50
  Speaker 1: don't like like making people feel pressured, you know, like
• 53:54
  Speaker 1: I don't know, I'm weird like that. Do you ever
• 53:57
  Speaker 1: like we'll be backstage, not to cut you off, my bad,
• 53:59
  Speaker 1: We'll be backstage and they'd be like, oh da back here,
• 54:02
  Speaker 1: go say hey to no or I'm gonna run into them.
• 54:07
  Speaker 1: If I run into them, it's organic. It happened, like
• 54:09
  Speaker 1: I don't like to like do the whole like I
• 54:12
  Speaker 1: don't know that just makes people feel weird because I know,
• 54:14
  Speaker 1: like I don't want people doing that. I respect that.
• 54:17
  Speaker 1: How often do you check your DMS? Oh, I don't
• 54:19
  Speaker 1: check my name. Your DM's got to be a dark place. Yeah,
• 54:24
  Speaker 1: I don't check my DMS. I got a man, and
• 54:26
  Speaker 1: I don't even mean like I mean obviously random dick
• 54:30
  Speaker 1: pics I'm sure are coming. I'm flying through those. It's
• 54:33
  Speaker 1: too weird because it'll be like from eight year old
• 54:35
  Speaker 1: boys and shit, and it's like, y'all making me uncomfortable.
• 54:38
  Speaker 1: That's fucked up. Can you imagine not knowing what you're
• 54:41
  Speaker 1: opening and then it's an eight year old dick, Like, like,
• 54:44
  Speaker 1: y'all make me just want to delete the whole up?
• 54:46
  Speaker 1: I would, Yeah, I'm off social media, yo. It's like
• 54:50
  Speaker 1: when I went on Twitter once and I saw Tiger's
• 54:52
  Speaker 1: dick on accident, I was like, bro, I did not
• 54:56
  Speaker 1: sign up to see Tiger's dick. Social media in general,
• 55:01
  Speaker 1: it's just a lot of times I have to like
• 55:03
  Speaker 1: check out and like just do something normal because God
• 55:07
  Speaker 1: will get consumed and it's like virtual reality bullshit. Is
• 55:11
  Speaker 1: it nice to be in a relationship when you're going
• 55:15
  Speaker 1: through the stuff you're going through in your career, so
• 55:17
  Speaker 1: you kind of have like a safe place? Yes, Oh
• 55:19
  Speaker 1: my god, Oh my god, Like that's my fucking safe zone.
• 55:22
  Speaker 1: That's my sanity for real. Like that's when I can
• 55:25
  Speaker 1: come home from the studio crying and just overwhelmed with
• 55:30
  Speaker 1: everything and I just saw aer old dick. Help me,
• 55:33
  Speaker 1: hold me that's dope. No, because I mean, I'm married
• 55:37
  Speaker 1: and it's the same thing. I think, like a strong
• 55:39
  Speaker 1: relationship is very important, like it's you know, if it's
• 55:42
  Speaker 1: a strong if it's toxic, it could also get you
• 55:44
  Speaker 1: fucked up because that shit can just be too much.
• 55:47
  Speaker 1: Like I didn't been in a toxic relationship where it's
• 55:49
  Speaker 1: just does nothing for you. Now this is that shit
• 55:51
  Speaker 1: like this the one so I know what it feel
• 55:54
  Speaker 1: like to have that like safe space. You and your man?
• 55:57
  Speaker 1: What shows do you binge watch at home? No? We
• 56:00
  Speaker 1: Binge watched Snowfall. We was late to the party, so yeah,
• 56:06
  Speaker 1: don't play with Frankly eight. Season five's coming. We was
• 56:11
  Speaker 1: just talking about car it's five because I think we
• 56:14
  Speaker 1: Binge watched one through four. Yeah, so fucking good. Let
• 56:18
  Speaker 1: me ask you this is a serious question. You and
• 56:21
  Speaker 1: I have both watched the show so good watching the show,
• 56:26
  Speaker 1: did you think, even for a split second, I'd like
• 56:30
  Speaker 1: to try crack because it looks fire? No? I no,
• 56:35
  Speaker 1: not when you see No, I saw when I saw
• 56:37
  Speaker 1: Franklin Saint's girlfriend smoke crack and she looked like she
• 56:40
  Speaker 1: was like having the time of her life. In one episode,
• 56:43
  Speaker 1: Franklin Saint's girlfriend. Flush your whole fucking life down at toilet,
• 56:47
  Speaker 1: That's what I'm saying. And Wanda the other girls almost
• 56:53
  Speaker 1: but Franklin frank when the cops daughter hit the crack pipe, yea,
• 56:57
  Speaker 1: and her it was one episode long and her whole ship.
• 57:02
  Speaker 1: I ain't gonna lie. I'm ready for that ship to
• 57:03
  Speaker 1: come back because you bring your back memories. I forgot
• 57:05
  Speaker 1: about her daddy being a cop, and yeah, I was like, damn,
• 57:08
  Speaker 1: the cops start smoke crack once and just it was over.
• 57:12
  Speaker 1: I'm like, that ship gotta be crazy. I don't. I'm
• 57:16
  Speaker 1: just what kids. No, No, I'm not saying, I'm considering,
• 57:25
  Speaker 1: and I'm saying. For a split second, I thought to myself,
• 57:27
  Speaker 1: he cracks gotta be fire. Let's be honest. Like I mean,
• 57:29
  Speaker 1: I'm not saying I get you. You see what I'm saying.
• 57:32
  Speaker 1: You saying like, if you know what it's gonna do
• 57:35
  Speaker 1: to you, and you like you will, You're willing to
• 57:39
  Speaker 1: sell your car and your jewelry your grandma gave you
• 57:43
  Speaker 1: dead and disappoint your police, your policeman father. You know
• 57:49
  Speaker 1: what is it? You know it's crazy. Well, look that's
• 57:53
  Speaker 1: how we're gonna end the interview on crack No wait wait, no,
• 57:56
  Speaker 1: we cannot know talk about something else. Listen to The
• 58:00
  Speaker 1: song is out and it's going crazy. The album is
• 58:04
  Speaker 1: coming soon, yeah, pretty soon, really soon, really like when
• 58:09
  Speaker 1: I say nine, gonna be bumping your ship bye March madness,
• 58:15
  Speaker 1: maybe a little top top of them. I'm just thinking, Yah,
• 58:18
  Speaker 1: I can't think I'm gonna go on tour without dropping
• 58:20
  Speaker 1: the album once. A tour start March nineteenth, So there's
• 58:25
  Speaker 1: gonna be an album before March nineteenth. Ladies and gentlemen,
• 58:28
  Speaker 1: Dojia Cat's gonna be on the big Energy remix and
• 58:34
  Speaker 1: and hopefully we get Beyonce on there too. Hey bab,
• 58:39
  Speaker 1: we're gonna shoot for the stars. Let's start. We gotta
• 58:41
  Speaker 1: put it out. Beyonce on the fuck that man, Beyonce
• 58:44
  Speaker 1: gonna put you on her album? Oh what it just
• 58:47
  Speaker 1: got fucking deep ink say what uh? The tour starts
• 58:52
  Speaker 1: March nineteenth. Yeah, any new freestyles are in the coming. Yeah.
• 58:58
  Speaker 1: Super Gremlin was nice. And you were early on that too,
• 59:00
  Speaker 1: because now it's like the record. You know what how
• 59:03
  Speaker 1: early I was because I was telling my A and
• 59:05
  Speaker 1: RS I was like, I need to drop a freestyle.
• 59:07
  Speaker 1: Before the end of the year, just to like hold
• 59:09
  Speaker 1: over whatever. And I was like, I was stuck between
• 59:12
  Speaker 1: the Super Grimlin and this other song, and I was like,
• 59:15
  Speaker 1: should I just do this song because the super Grillain.
• 59:18
  Speaker 1: I don't even know if people gonna know, Like I
• 59:20
  Speaker 1: don't want them to think this my song type shit,
• 59:22
  Speaker 1: you know what I'm saying, because it was still like bubbling,
• 59:24
  Speaker 1: and they was like, nah, by the time you drop it,
• 59:26
  Speaker 1: you're gonna be ahead of it. Like they literally called
• 59:28
  Speaker 1: everything that's happening right now like it was like, you're
• 59:30
  Speaker 1: gonna drop it, You're gonna be ahead of it, and
• 59:32
  Speaker 1: it's gonna blow up right at the same time, it's
• 59:34
  Speaker 1: gonna be perfect. Kodak reached out to be like yo,
• 59:36
  Speaker 1: good job or thank you for Yeah, we got a
• 59:38
  Speaker 1: song together. He was just like you know what, honey,
• 59:40
  Speaker 1: Like he's a very interesting guy. Yeah, he's crazy. It's
• 59:43
  Speaker 1: an enigma. He crazy, you know, Yeah, he crazy. I
• 59:46
  Speaker 1: feel like he's like, yeah, he's Kodak Black. It's one
• 59:50
  Speaker 1: of one. Yeah he crazy. Yeah, shout out to Kodak.
• 59:53
  Speaker 1: Something that floata water. It's in that floor. I lived in.
• 59:57
  Speaker 1: Florida is a wild place. It is you know, I
• 1:00:00
  Speaker 1: love First forty eight, and it seemed like that shit
• 1:00:03
  Speaker 1: always in Florida. It also seems like everything that ever
• 1:00:06
  Speaker 1: happens it's embarrassing is in Florida. Yes, like Wendy's employee
• 1:00:13
  Speaker 1: reverse drive by shoots their boss while getting a frosty
• 1:00:17
  Speaker 1: and then crashes into a McDonald's across the street while
• 1:00:20
  Speaker 1: cooking meth in their back seat in Florida. Saint Petersburg, Florida.
• 1:00:24
  Speaker 1: You gotta love the Florida, but Noel, It's county sheriff reports.
• 1:00:29
  Speaker 1: What EO, You've gotten a lot of bags in Florida, right, Yeah,
• 1:00:31
  Speaker 1: I ain't gonna lie. I love Florida, especially I mean
• 1:00:34
  Speaker 1: it's gonna sound like very touristy, but especially Miami, Like
• 1:00:37
  Speaker 1: Miami's in the city. What I love Miami. What's been
• 1:00:41
  Speaker 1: the Because Florida's like its own country. So like, depending
• 1:00:44
  Speaker 1: on what part of Florida you go to, there's like Miami,
• 1:00:47
  Speaker 1: and then there's like teethless redneck like crazy Florida, and
• 1:00:52
  Speaker 1: then there's like the hoods in Florida are different because
• 1:00:56
  Speaker 1: they're like country. So you might go to like Palmetto,
• 1:00:59
  Speaker 1: Florida and it's it's wild. Yeah, Florida's wild. And I'm
• 1:01:02
  Speaker 1: sure you've been up and you've gotten bags in a
• 1:01:04
  Speaker 1: lot of those. Oh yeah, I didn't did a lot
• 1:01:07
  Speaker 1: of Florida clubs. I didn't did the fucking what's that
• 1:01:10
  Speaker 1: ratchet ass strip club in Miami? Which one G five?
• 1:01:14
  Speaker 1: I did G five before it's another one. Booby trapped.
• 1:01:18
  Speaker 1: The office, Oh the office. The office is and it's
• 1:01:23
  Speaker 1: small in there, small, tiny, dangerous. They were definitely violating
• 1:01:28
  Speaker 1: a lot of codes in there. So fun though. Oh yeah,
• 1:01:31
  Speaker 1: the officers a Vibe appreciate you pulling up a lot
• 1:01:34
  Speaker 1: of the tour and the album come in March nine. Yeah,
• 1:01:39
  Speaker 1: do you have the name of the album? I have it,
• 1:01:42
  Speaker 1: but we don't, well, don't have it soon enough? Is
• 1:01:45
  Speaker 1: the artwork already shot? The covers already? I mean no,
• 1:01:47
  Speaker 1: but I was when I was in the car here
• 1:01:49
  Speaker 1: I'm looking at the treatments. All right, there it is.
• 1:01:54
  Speaker 1: I'm sure follow up single coming, of course, all right,
• 1:01:57
  Speaker 1: of course, be on the lookout soon and so sooner
• 1:02:00
  Speaker 1: than soon. Lotto, Yeah, there it is. The biggies