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Transcript

99: I Want My Family Back · Wine & Audacity

• 0:08
  Speaker 1: Mm hmmmm, I've never seen.
• 0:30
  Speaker 2: I saw the same where he was battle rapping. I
• 0:32
  Speaker 2: think the scene he threw on the toilet, but I've
• 0:33
  Speaker 2: never watched that and watched the move from beginning.
• 0:36
  Speaker 3: Never put it on your list.
• 0:38
  Speaker 2: I think you flabbergast, it says.
• 0:43
  Speaker 4: My flabbers are gasted.
• 0:46
  Speaker 2: Yeah, I've never.
• 0:46
  Speaker 3: Seen, you know, but you know it's funny. You know
• 0:48
  Speaker 3: it's funny. It's right at the right after that movie,
• 0:51
  Speaker 3: you see you see niggas walking out and they everybody
• 0:54
  Speaker 3: just thought they was they thought they was a battle rapper.
• 0:57
  Speaker 3: Start trying first three world is three one three that
• 1:03
  Speaker 3: says no jokes that you got st the butterly mad
• 1:06
  Speaker 3: ten break your guys, ten ten, ten frigging girls. Yeah, yeah, yeah.
• 1:16
  Speaker 4: It's one of the things that made me fall in
• 1:19
  Speaker 4: love with Marshall.
• 1:20
  Speaker 3: Mm.
• 1:21
  Speaker 4: Now he about to be a Paul Paul.
• 1:23
  Speaker 3: That and Brandon that, and the fact that he gave
• 1:25
  Speaker 3: Britney Murphy the business in the studio, I mean not
• 1:28
  Speaker 3: the studio on outside of his job.
• 1:30
  Speaker 4: On his break, they was hunching and then she was
• 1:34
  Speaker 4: getting hunched by somebody else in the studio that wasn't him.
• 1:38
  Speaker 3: And you know every now you know every time I
• 1:40
  Speaker 3: see you, every time I see him and everything go
• 1:42
  Speaker 3: shop like, man, your little bitch ass nigga.
• 1:45
  Speaker 4: And they couldn't take a ass whipping, had to go
• 1:47
  Speaker 4: get back up. But your bitch from Captain America, from
• 1:52
  Speaker 4: Captain America. Mm hm from Tupac. I'm still mad at
• 1:59
  Speaker 4: that for that. I can't believe they let him play Tubac.
• 2:03
  Speaker 3: Yeah.
• 2:07
  Speaker 4: Was he involved in Notorious?
• 2:10
  Speaker 2: What?
• 2:11
  Speaker 4: I think he who should not be named?
• 2:13
  Speaker 2: Yeah?
• 2:13
  Speaker 3: I think no, I think I think he was. I
• 2:15
  Speaker 3: mean I think he was like like that.
• 2:18
  Speaker 4: I wasn't sure be casting that they got right. That
• 2:21
  Speaker 4: movie was the play Bibi who was now with to
• 2:24
  Speaker 4: be Superstar shout out the gravy mm hmm. I like
• 2:29
  Speaker 4: him because he sounded like Biggie was talking. I could
• 2:32
  Speaker 4: be like one of them the greatest. I like him.
• 2:37
  Speaker 4: That was the best. The rest of the cast was terrible.
• 2:40
  Speaker 4: I mean, Derek Luke is he who should I be named?
• 2:44
  Speaker 2: Like?
• 2:44
  Speaker 4: Seriously, That's why I feel like he had the dance
• 2:46
  Speaker 4: moves down.
• 2:47
  Speaker 3: But still that's why I know. But that's why I
• 2:48
  Speaker 3: felt like he has he has something to do with.
• 2:50
  Speaker 4: It not And it's Kim So talking about mmm. Moved notorious.
• 2:58
  Speaker 4: God damn it. As much as I love me, some
• 3:05
  Speaker 4: they not And I think somebody else probably should have
• 3:07
  Speaker 4: played you, Kim.
• 3:09
  Speaker 3: Kim wanted somebody else to play.
• 3:10
  Speaker 4: Kim wanted Christina Milian to play her?
• 3:13
  Speaker 3: Why? How? Because? But when? Why?
• 3:17
  Speaker 4: Because that's how she sees herself.
• 3:19
  Speaker 3: Yeah, that's what she looked like. That's what she believes
• 3:21
  Speaker 3: she looked like at that time.
• 3:24
  Speaker 4: That's how she even in her fine days, she didn't
• 3:26
  Speaker 4: look like Christina.
• 3:27
  Speaker 3: I missed the bunny teeth.
• 3:28
  Speaker 4: Bro that makes no sense. That's like, that's like me
• 3:32
  Speaker 4: playing Beyonce. That wouldn't work.
• 3:36
  Speaker 1: Child.
• 3:40
  Speaker 2: I love you, but hey, I love self self deprecation.
• 3:46
  Speaker 4: It wouldn't work.
• 3:47
  Speaker 2: Bitch, I look good, but ain't.
• 3:48
  Speaker 4: I mean, I'm fine, but god damn, that wouldn't work.
• 3:52
  Speaker 4: We look nothing alike. Now, I might can get away
• 3:54
  Speaker 4: with playing Kim Whitley or some ship because apparently that's my.
• 3:59
  Speaker 3: Celebrity look alike.
• 4:00
  Speaker 4: Cool.
• 4:00
  Speaker 2: Okay, let's go around the table and do celebrity dopp
• 4:04
  Speaker 2: a ganger spot before we do that. Welcome to this
• 4:06
  Speaker 2: week's episode of Wine and Audacity, the podcast. I'm your host,
• 4:09
  Speaker 2: BRAIND is the card, and I'm joined by two of
• 4:11
  Speaker 2: my favorite people in the world. How are you feeling
• 4:12
  Speaker 2: this week?
• 4:13
  Speaker 4: Was happening?
• 4:16
  Speaker 3: The funk?
• 4:16
  Speaker 4: Was that?
• 4:17
  Speaker 3: All right? Good morning? I mean, good afternoon, good evening.
• 4:23
  Speaker 3: I told you, No, I told you, I told you
• 4:25
  Speaker 3: about I always say good morning.
• 4:27
  Speaker 2: I mean this episode episode comes out in the first
• 4:30
  Speaker 2: thing in the morning, so.
• 4:31
  Speaker 4: I mean, I get it.
• 4:32
  Speaker 3: But I mean I usually say good morning. Because the
• 4:34
  Speaker 3: lady I used to work with down in Party City
• 4:37
  Speaker 3: shut they're closing.
• 4:40
  Speaker 4: Oh y'all go, get y'all synthetic.
• 4:42
  Speaker 3: Oh that'sh it done, bro, that's that ship weeks from Yeah,
• 4:47
  Speaker 3: I seen I've seen that ship on I saw that
• 4:49
  Speaker 3: ship on a on a Thursday, and they said Friday
• 4:51
  Speaker 3: they shutting down all party cities.
• 4:53
  Speaker 4: I'm like, damn, y'all could have let us go in
• 4:54
  Speaker 4: there and get some ship for ten cents.
• 4:57
  Speaker 3: So but but nah, the lady I used to work with,
• 5:00
  Speaker 3: she used she she suffered from epilepsy, and she she
• 5:04
  Speaker 3: she would have like random, random seizures and then every
• 5:07
  Speaker 3: time she woke up when like the two times that
• 5:10
  Speaker 3: I was with her when she had she woke up
• 5:12
  Speaker 3: and she said, good morning, I'm.
• 5:13
  Speaker 4: Gonna push this whiskey away because you said epilepsy, but
• 5:16
  Speaker 4: I heard knockolepsy, And I'm like, she used to fall
• 5:19
  Speaker 4: asleep at work hard?
• 5:21
  Speaker 2: You know what I did?
• 5:22
  Speaker 4: I don't know.
• 5:23
  Speaker 3: I had to re hear what he did have a teacher,
• 5:25
  Speaker 3: and I did have a teacher when I was going
• 5:27
  Speaker 3: to the massage school who suffered from narcolepsy?
• 5:30
  Speaker 2: Aaron, how are you feeling this week's not she went
• 5:33
  Speaker 2: on break didn't come.
• 5:35
  Speaker 3: Back because she didn't take him medicine.
• 5:44
  Speaker 4: That's been this week's episode?
• 5:45
  Speaker 2: Because why it's not four minutes short and sweet? What?
• 5:51
  Speaker 4: What?
• 5:52
  Speaker 2: How are you feeling sweek?
• 5:53
  Speaker 4: I'm good?
• 5:54
  Speaker 3: That's you? Sure? That's poor?
• 6:00
  Speaker 2: So back to celebrity dopplegangers. God damn it. Who who
• 6:05
  Speaker 2: do you think your celebrity dopper gangs are? And then
• 6:07
  Speaker 2: who do people tell you that you look like that
• 6:10
  Speaker 2: is a celebrity?
• 6:11
  Speaker 4: I don't think I have one, But I've always got
• 6:14
  Speaker 4: Kim Willy for years. I don't know why. And oh
• 6:18
  Speaker 4: and a guy in high school used to tell me
• 6:20
  Speaker 4: you call call me Tonya because he swore up and
• 6:23
  Speaker 4: down that I looked and acted like Kim WAYNMS, so
• 6:26
  Speaker 4: not that that's an insult. I love me some Kim
• 6:28
  Speaker 4: Wayne's very talented, very funny, love her, so I didn't
• 6:32
  Speaker 4: find it as an insult. But he called me tony
• 6:34
  Speaker 4: in for years. As soon as in the House came up,
• 6:38
  Speaker 4: he came back to school and was like, are you
• 6:39
  Speaker 4: watch in the House? You know who you remind me of?
• 6:43
  Speaker 4: And I was like, what, I was skinny back then too,
• 6:46
  Speaker 4: and I was taller and every damn body, So it
• 6:47
  Speaker 4: made so.
• 6:49
  Speaker 2: I did.
• 6:52
  Speaker 4: Look like me. Yeah, all my hard work finally paying off. Yeah.
• 7:00
  Speaker 4: So those two that I've gotten Kim Wayne's and Kim
• 7:03
  Speaker 4: whiley Kim h.
• 7:07
  Speaker 3: I got. I got. I got young Mike, like young
• 7:13
  Speaker 3: young Mike, Mike who Jackson? I got young Mike. And
• 7:20
  Speaker 3: when I had dreads I had when I had dress
• 7:24
  Speaker 3: Kama called me Maxie priest.
• 7:28
  Speaker 4: No, I just want to be close to you.
• 7:31
  Speaker 3: Old Twin called me and said, come, I seen the video.
• 7:34
  Speaker 4: He was like, Hey, it's Harry Brandon is still struck
• 7:39
  Speaker 4: on young Michael Jackson. Your body kill to me because
• 7:44
  Speaker 4: I know just what's yours.
• 7:50
  Speaker 3: Shut shut. But but but the one I hate it.
• 7:57
  Speaker 3: But the one I hated it was I got like
• 8:00
  Speaker 3: when in elementary school, I got maced.
• 8:03
  Speaker 4: What like Mason backup like past the mace.
• 8:07
  Speaker 3: Because you remember I was fat, like I was a
• 8:12
  Speaker 3: big boy middle school.
• 8:14
  Speaker 4: Though you wasn't fat in middle school.
• 8:15
  Speaker 3: I got fat in eighth grade. I don't remember. Yeah,
• 8:19
  Speaker 3: I got fat them it was it was the cheeks
• 8:21
  Speaker 3: and it was the cheeks and the dimples.
• 8:23
  Speaker 4: I don't remember. Do you want to huh turn off
• 8:30
  Speaker 4: the lune? Every little touch me so much?
• 8:38
  Speaker 3: Girl?
• 8:38
  Speaker 4: Just let me show you how high.
• 8:42
  Speaker 5: But yeah is.
• 8:54
  Speaker 3: And gentlemen they didn't come on day out there day
• 8:58
  Speaker 3: and this bitch thunder clapping.
• 9:00
  Speaker 2: What Corey graf he was dancing the video if I
• 9:03
  Speaker 2: had longest d lost down to my ass?
• 9:07
  Speaker 3: WHOA said? Then you asked Brandon his celebrities.
• 9:16
  Speaker 4: I know one of his is.
• 9:18
  Speaker 2: We know both of them, know both of them. Go
• 9:20
  Speaker 2: ahead and see niggas. Ain't got to say ship.
• 9:23
  Speaker 4: Mm hmm. You know when that old lady told him
• 9:26
  Speaker 4: to look like Tyler Perry almost peel on my dance.
• 9:28
  Speaker 4: So I was like, I swinted in my eyes and
• 9:33
  Speaker 4: turned my head because I was trying to see it.
• 9:38
  Speaker 4: I was trying to see women. Who's the other win?
• 9:44
  Speaker 3: That's what he sorry for?
• 9:46
  Speaker 4: Bye?
• 9:47
  Speaker 3: Like no but shout out, No, like all those are
• 9:52
  Speaker 3: out closures were really nice pictures.
• 9:56
  Speaker 4: Birthday pictures.
• 9:56
  Speaker 3: Yeah yeah that last month the last one went and
• 10:00
  Speaker 3: smiling and ship. But I was like, that was one
• 10:03
  Speaker 3: of my favorite one album cover. I was with the album.
• 10:06
  Speaker 3: I don't know what the album title is the.
• 10:07
  Speaker 4: Nigga about to drop off fire ass, R and B album.
• 10:11
  Speaker 3: Yeah yeah yeah, coming home.
• 10:18
  Speaker 2: My sisters was a nigga like a reform hood nigga.
• 10:23
  Speaker 4: No, she didn't, she did. She was like.
• 10:26
  Speaker 2: A reform hood nigga.
• 10:27
  Speaker 3: I said, I mean, technically, here's kind of a reform
• 10:31
  Speaker 3: hood nigga. Hes finest, not Paul.
• 10:37
  Speaker 2: He fine made us stay in the house. I ain't
• 10:40
  Speaker 2: going No, damn, I.
• 10:40
  Speaker 4: Ain't going nowhere. The niggas in there building ship on
• 10:43
  Speaker 4: the computer. That's what he was doing. And that's why
• 10:47
  Speaker 4: we got engineering.
• 10:48
  Speaker 2: Solving math problems and and that's why we got engineering now.
• 10:52
  Speaker 2: Praise dog. Thank you just do some calculus for what's up?
• 10:57
  Speaker 4: You made him successful? Thank you many?
• 11:01
  Speaker 3: Mm hm should I parents knowing?
• 11:03
  Speaker 2: I had to figure it out because her answer when
• 11:04
  Speaker 2: I got the news, she was like that I can
• 11:09
  Speaker 2: help you.
• 11:11
  Speaker 4: I can't know. These kids got a new new math
• 11:13
  Speaker 4: I'll be like, what day, what day is coach class?
• 11:16
  Speaker 4: I pick you, I'll pick you up. I'll get you
• 11:17
  Speaker 4: picked up school. If I may work, I sent somebody
• 11:20
  Speaker 4: to come get you because you got to go talk
• 11:21
  Speaker 4: to the people that teach you. This ship. I don't
• 11:23
  Speaker 4: know what this is.
• 11:24
  Speaker 3: I watched now. I watched up not how we.
• 11:26
  Speaker 4: Did the vision when I was in school twenty years ago.
• 11:29
  Speaker 3: I watched you. I watched your mother and help her
• 11:31
  Speaker 3: daughter with do their daughter homework, I mean, do the
• 11:34
  Speaker 3: homework with her daughter, and they both they both did
• 11:36
  Speaker 3: the prior. She did the problem the way that we
• 11:38
  Speaker 3: were taught, and then she watched and she watched the
• 11:41
  Speaker 3: little girl do the problem. And I'm sitting here.
• 11:43
  Speaker 4: Like schoolwork makes me feel dumb.
• 11:46
  Speaker 3: It's like you're not even multiplying anything. You just like
• 11:49
  Speaker 3: this number, this number, this number go together, so this
• 11:52
  Speaker 3: is it right here, and then this number this number.
• 11:54
  Speaker 3: I'm like, but what if y'all do that and you wrong? Though?
• 11:58
  Speaker 3: Mm hmm, Like you don't actually like multiply, you know?
• 12:03
  Speaker 3: Because she said they The mother was like, we had
• 12:05
  Speaker 3: to learn our timestables, damn. From one to twelve.
• 12:09
  Speaker 2: Oh twelve times ten twelve times eleven, twelve times twelve.
• 12:14
  Speaker 4: I guess what I did went right back in the
• 12:16
  Speaker 4: in the back of that black and white composition notebook.
• 12:20
  Speaker 3: One hundred and forty four.
• 12:24
  Speaker 2: One four?
• 12:26
  Speaker 4: Do you use your notebook?
• 12:27
  Speaker 2: Shore?
• 12:27
  Speaker 4: The fucking why they wanted what they put it in
• 12:29
  Speaker 4: here for? If they wanted to use it?
• 12:31
  Speaker 3: True shit, that ain't cheat, but.
• 12:33
  Speaker 4: They put it in here. Four ship. Speaking of school,
• 12:39
  Speaker 4: what's up? Guess who finished the false semester with a
• 12:41
  Speaker 4: four point.
• 12:41
  Speaker 3: Oh congratulations meet her?
• 12:44
  Speaker 4: Oh we graduations over GPA with three point five seven
• 12:49
  Speaker 4: When we're gonna meet her two more months?
• 12:53
  Speaker 3: H M? Look, wonly do it? Won he will?
• 12:58
  Speaker 4: Will classes just throw it back up two weeks ago?
• 13:00
  Speaker 3: Y'all? I'm almost that's semester only will this has been rough?
• 13:09
  Speaker 4: I'm an ugly cry, I promise Y'all'm a big graduation,
• 13:13
  Speaker 4: just ugly.
• 13:13
  Speaker 3: If y'all see pictures of meat David snop bubble listen, I'm.
• 13:17
  Speaker 4: An ugly cry.
• 13:18
  Speaker 2: I was stated worst day with you to.
• 13:21
  Speaker 4: Ugly cry. I am tired, y'all.
• 13:24
  Speaker 2: Yo.
• 13:25
  Speaker 3: I hate y'all so much forever, And it was.
• 13:26
  Speaker 4: Supposed to be four years. I did it in three,
• 13:28
  Speaker 4: won't he? Will Halloly, you know what she's coming in
• 13:31
  Speaker 4: the Honda halle mm hm, she coming in.
• 13:38
  Speaker 2: Then she came in a hand she left him one two. Yeah,
• 13:45
  Speaker 2: I mean that's what I was told.
• 13:46
  Speaker 3: I mean it was. But anyway, before.
• 13:50
  Speaker 2: We get into that, I had a question that I
• 13:52
  Speaker 2: wanted to ask you, and it's just a little icebreaking
• 13:54
  Speaker 2: that I was supposed to do last week, but I
• 13:56
  Speaker 2: totally forgot about episode two, season three of one. And
• 14:00
  Speaker 2: through the podcast, We're back, bitches, good lord, we back.
• 14:05
  Speaker 3: Think you better like it?
• 14:07
  Speaker 2: They better if they listening to the show. How many
• 14:10
  Speaker 2: people got for the foe? I don't Oh, oh yeah, no,
• 14:15
  Speaker 2: we have to about fifty one?
• 14:16
  Speaker 3: Now, how I'm going bitch wedd made it m M so.
• 14:22
  Speaker 2: I found this article real quick. It says it's from
• 14:26
  Speaker 2: Yahoo Life yahoo dot com entitled why more millennials are
• 14:30
  Speaker 2: leaving big cities in favor of rural life. So article starts,
• 14:35
  Speaker 2: if you're a millennial city do I learn and feel
• 14:37
  Speaker 2: like the majority of your friends have fled to small
• 14:39
  Speaker 2: towns and suburbs over the past few years. You're not
• 14:42
  Speaker 2: imagining things This year, The University of Virginia's Weldon Cooper
• 14:46
  Speaker 2: Center for Public Service published and analysis of twenty twenty
• 14:49
  Speaker 2: four census data that details the notable exodus of youngest
• 14:52
  Speaker 2: people from big cities to more rural areas in recent years.
• 14:56
  Speaker 2: The census data shows that between nineteen eighty and twenty twenty,
• 15:00
  Speaker 2: nearly eighty percent of US population growth among adults ages
• 15:04
  Speaker 2: twenty five to forty four that would be US millennials
• 15:07
  Speaker 2: was concentrated in metro areas that had a million plus
• 15:10
  Speaker 2: residents post twenty twenty. On the other hand, most of
• 15:14
  Speaker 2: the growth experience in rural areas has been driven by
• 15:16
  Speaker 2: folks in that same age bracket twenty five to forty four.
• 15:20
  Speaker 2: And while yes twenty twenty was a turning point due
• 15:23
  Speaker 2: to COVID related urban flight, the exodus has only continued
• 15:26
  Speaker 2: throughout the subsequent four years, and for a wide varieties
• 15:30
  Speaker 2: of reasons, not just pandemic concerns about health and safety.
• 15:35
  Speaker 2: So what's prompting to move? And the article goes on
• 15:38
  Speaker 2: to interview a couple of people, asking them why they
• 15:40
  Speaker 2: chose to leave the cities they were living in, why
• 15:42
  Speaker 2: they chose to settle in rural areas. So the question
• 15:45
  Speaker 2: I have for y'all, what was a couple questions. First,
• 15:48
  Speaker 2: if money was not an issue, and you could live
• 15:51
  Speaker 2: anywhere you wanted, you could buy a house, buy land,
• 15:54
  Speaker 2: you could set up shop wherever you want it, and
• 15:56
  Speaker 2: I have to worry about paying for stuff. You could
• 15:58
  Speaker 2: set your house up the way you want it. You
• 15:59
  Speaker 2: can get your car to get back and forth. Where
• 16:02
  Speaker 2: would you like to live?
• 16:05
  Speaker 4: Mm hmmm, I don't know. I like I well, I
• 16:16
  Speaker 4: wouldn't want to live somewhere that was too far out
• 16:20
  Speaker 4: because you know, my nerves wouldn't allow me to do it,
• 16:22
  Speaker 4: because I'm thinking she's gonna be crawling in the house
• 16:25
  Speaker 4: and she'd think about snakes, unidentified animals, and I'm sitting
• 16:30
  Speaker 4: on my back porch and motherfucking bear just be like,
• 16:32
  Speaker 4: how are you? Wasn't living a way like that? Like
• 16:36
  Speaker 4: what you drinking? And I'm gonna be sliding my ass
• 16:39
  Speaker 4: off the chain trying to use in the fucking house
• 16:40
  Speaker 4: because Yogi ain't fit to get I would want to
• 16:46
  Speaker 4: live somewhere where I could have some sort of land
• 16:50
  Speaker 4: and build my own house on it so that you
• 16:53
  Speaker 4: know it'll be up to but it be exactly what
• 16:56
  Speaker 4: I want, build it up from the ground up. Everything
• 16:58
  Speaker 4: is designed the way it is the way I wanted
• 17:01
  Speaker 4: to be a chef's kitchen. I always dreamed of having
• 17:03
  Speaker 4: a chef's kitchen with a big ass island in the
• 17:05
  Speaker 4: middle and the refrigerator that's built into them. Yes, I mean, yeah,
• 17:11
  Speaker 4: what he's saying, built the wine.
• 17:19
  Speaker 2: In the breast guess the breast on the table.
• 17:22
  Speaker 4: The beautiful breast of the legs, or I mean under
• 17:24
  Speaker 4: the want the table he damn freaking But anyway, you know,
• 17:29
  Speaker 4: like it would be designed exactly the way I wanted
• 17:31
  Speaker 4: to my baby from the basement on up a little
• 17:35
  Speaker 4: land so I can like host events and stuff for
• 17:38
  Speaker 4: my family, well the family that I like and the
• 17:43
  Speaker 4: one that I created, but close enough to you know,
• 17:50
  Speaker 4: close enough to the city where I can still get
• 17:52
  Speaker 4: to places easily and stuff like that, like I'm still
• 17:55
  Speaker 4: close to hospitals in case of the emergency, or close
• 17:58
  Speaker 4: enough to get to my family quick or something like that.
• 18:01
  Speaker 4: Like that, that would be be something I would like
• 18:03
  Speaker 4: to do. I wouldn't want to live in the backwoods
• 18:05
  Speaker 4: or the back neck woods and East Bumbuck enough just
• 18:11
  Speaker 4: enough to have some kind of soliitude I feel.
• 18:13
  Speaker 3: Yeah, yeah, man, Well, y'all know I did that ship
• 18:18
  Speaker 3: where you know where where we were staying, like where
• 18:21
  Speaker 3: we were staying in Georgia, like walking home from work
• 18:25
  Speaker 3: man to walk back, we've seen the pack of wolves.
• 18:27
  Speaker 4: Mm hmmm, mm hmmm. The way I had to fainted,
• 18:31
  Speaker 4: the way I would have howled to make them niggas
• 18:32
  Speaker 4: think I was one of them so they wouldn't fuck me.
• 18:34
  Speaker 3: Bro like you know that, you know, like right there,
• 18:42
  Speaker 3: like where my mother stayed. And then that industrial industrial park. Yeah, yo,
• 18:46
  Speaker 3: we walked, we cut through that. We cut through there
• 18:48
  Speaker 3: to go, you know, to go home. And it's like
• 18:52
  Speaker 3: we like, we like, we're right at the street and
• 18:54
  Speaker 3: they we just we saw one and you know us know,
• 18:59
  Speaker 3: and I'm like, it's more of them out head than
• 19:02
  Speaker 3: we seen, like three more walk up.
• 19:04
  Speaker 4: I was like, yep, they sent out a gang sign.
• 19:07
  Speaker 3: Nope, nope, no, we look. We look at them, they
• 19:09
  Speaker 3: look at us, were like and then they walked off.
• 19:14
  Speaker 3: I was like, all right, cool, were good, But for.
• 19:19
  Speaker 4: The way we're gonna go this.
• 19:19
  Speaker 3: Way right, Yeah, that's the legit. That's what it was, right,
• 19:25
  Speaker 3: look at you like, all right with your family. I'm
• 19:29
  Speaker 3: with mine. Because that was because that when we first
• 19:31
  Speaker 3: got looming, like Lona was a puppy. I was like, yeah, yeah,
• 19:34
  Speaker 3: we're good. But for for me it would be now,
• 19:41
  Speaker 3: it'll be somewhere whereas though, like you know, like sort
• 19:44
  Speaker 3: of like branding situation. Whereas though like yo, I'm I'm
• 19:47
  Speaker 3: far enough that you can't just randomly pop up on
• 19:51
  Speaker 3: a nigga, but I'm still close. I can get to
• 19:55
  Speaker 3: you if I need, like I'm still like I'm still close.
• 19:59
  Speaker 3: But but you know, because Keita, I mean Keda don't
• 20:02
  Speaker 3: like the city m hm. And for me, it's like
• 20:05
  Speaker 3: a city is busy. I can I can, you know,
• 20:07
  Speaker 3: I can, I can be, I can go anywhere like
• 20:11
  Speaker 3: I can, I can live anywhere. But as long as
• 20:13
  Speaker 3: like for me, it's like long as she comfortable, I'm
• 20:15
  Speaker 3: cool like long or you know, whoever it is. And
• 20:18
  Speaker 3: but I always had that dream of buying, you know,
• 20:23
  Speaker 3: buying land and then just having that land that just
• 20:26
  Speaker 3: building off, like building off like acres of land and
• 20:28
  Speaker 3: just building off for that right the way y'all niggas.
• 20:31
  Speaker 3: You know, y'all niggas get your own police, thank you
• 20:34
  Speaker 3: sort of like like yeah, like we sort of like
• 20:37
  Speaker 3: build out, like build our own community, y'all.
• 20:39
  Speaker 4: Window Like hey, which one of y'all got some brown sugar.
• 20:44
  Speaker 2: Hold on, I think, yeah, yeah, I got some send
• 20:47
  Speaker 2: the boy.
• 20:47
  Speaker 3: Up, you feel me.
• 20:48
  Speaker 2: But I mean, buttation could continue, but I bring the
• 20:54
  Speaker 2: sugar niggas.
• 20:55
  Speaker 3: But that's my you know, like that's like, that's that's
• 20:57
  Speaker 3: that's my thing, Like you know, just like compound the
• 21:00
  Speaker 3: way as though everybody got their own space everybody, and
• 21:02
  Speaker 3: then we we just start building off for that community
• 21:05
  Speaker 3: and building outwards, like building outwards, opening up, you know,
• 21:08
  Speaker 3: opening up land for us to have like ship, have
• 21:11
  Speaker 3: our own Starbucks next like near us and have ship
• 21:14
  Speaker 3: built around like none. But you know, you know what
• 21:19
  Speaker 3: I'm saying. But but that's I mean, but that's my thing.
• 21:23
  Speaker 3: But it's also just being you know, like Seanna said,
• 21:25
  Speaker 3: like enough for us to be enough for me to
• 21:27
  Speaker 3: be like isolated from folks. But at the same time,
• 21:30
  Speaker 3: if I you know, if I gotta, if I got to,
• 21:32
  Speaker 3: they can because I don't like ship with niggas can
• 21:34
  Speaker 3: just pop up. But it's like, yo, I don't want
• 21:38
  Speaker 3: nobody here, Like yo, I was just in the neighborhood. No,
• 21:40
  Speaker 3: the wasn't the way down here, and especially nigga they
• 21:45
  Speaker 3: don't got a car.
• 21:46
  Speaker 2: Oh see no, that that's that's that's cause for concern,
• 21:49
  Speaker 2: because why are you anywhere near my house?
• 21:51
  Speaker 3: Like you gotta take a you gotta take what the
• 21:53
  Speaker 3: Mark train and some other ship they get all the
• 21:55
  Speaker 3: way out here? Why you out here? Mobility? Don't come
• 21:57
  Speaker 3: all the way out here?
• 21:58
  Speaker 4: Why are you here?
• 21:59
  Speaker 2: This is our out of mt service, this is this
• 22:03
  Speaker 2: is Washington Metropolitan mobility. They would have dropped you about
• 22:11
  Speaker 2: six miles the street. So why is you here?
• 22:14
  Speaker 3: Exactly? But I like it, should I be worried because
• 22:17
  Speaker 3: trying to kill me or something? Right, But it's like
• 22:19
  Speaker 3: I like that. I like I like being far.
• 22:22
  Speaker 4: Enough it's over the camera. Can I help you?
• 22:25
  Speaker 3: I mean? The unfortunate thing I mean, but the unfortunate
• 22:27
  Speaker 3: thing is like you know that I didn't like and
• 22:30
  Speaker 3: I'm and it's like I'm kind of like trying to
• 22:32
  Speaker 3: like move like you know, find a way to move closer.
• 22:35
  Speaker 3: It's like, yo, I'm the one that's all. I'm the
• 22:36
  Speaker 3: one that's all the way out you know what I'm saying.
• 22:40
  Speaker 3: And it's like your niggas was like I ain't coming
• 22:42
  Speaker 3: all the way out there, I ain't coming all the
• 22:44
  Speaker 3: way over there, Like yeah, you're right, but yeah, that's
• 22:49
  Speaker 3: for me just being just just being enough to be
• 22:52
  Speaker 3: like I'm I'm away or I'm separated, and you can't
• 22:55
  Speaker 3: just randomly pop up. But I'm close, ye, close.
• 22:59
  Speaker 2: Enough the way I can get there if if I
• 23:01
  Speaker 2: want to, like far enough to where ain't nobody coming
• 23:03
  Speaker 2: out here?
• 23:04
  Speaker 3: Randy?
• 23:04
  Speaker 2: What you're doing? Minding my business? Why you at my house?
• 23:07
  Speaker 3: Got the motherfucker thinking twice, like do I really want
• 23:09
  Speaker 3: to ride over out there? Is the gas?
• 23:13
  Speaker 4: He worked?
• 23:15
  Speaker 3: Yeah? How long? How long I'm staying on that? Yeah?
• 23:20
  Speaker 3: Because I mean we should we used to should we
• 23:21
  Speaker 3: used to ride all through I think like I think
• 23:24
  Speaker 3: like Owens Mills, like that that back area.
• 23:27
  Speaker 2: Is, it's all built up.
• 23:30
  Speaker 4: Now damn just be walking across the street like this
• 23:34
  Speaker 4: is some bullshit telling my fucking house. Damn.
• 23:37
  Speaker 2: Yo.
• 23:37
  Speaker 3: When I was doing my dad was going out to
• 23:39
  Speaker 3: gainst some need. I rode into a farm in Orange Mills.
• 23:44
  Speaker 3: Now I called that motherfucker. I was like, hey, somebody,
• 23:48
  Speaker 3: like well what else? He was like he was like
• 23:50
  Speaker 3: doing the slot of the road all the way to
• 23:52
  Speaker 3: I was like, okay, you do you know listen? I
• 23:55
  Speaker 3: took him like, sir, I'm a black man. In a
• 23:58
  Speaker 3: black car riding up your up your way. He's like, no,
• 24:01
  Speaker 3: I know, like I know. I said, no, no, bro,
• 24:04
  Speaker 3: this that this is farm territory.
• 24:06
  Speaker 2: Okay, two hundred and forty six acres.
• 24:08
  Speaker 3: That's a decent compound.
• 24:09
  Speaker 4: Listen, I had to take this guy what I used
• 24:13
  Speaker 4: to do. Uber Can I answer the question, oh ship,
• 24:16
  Speaker 4: I forgot your answer? Damn question.
• 24:18
  Speaker 2: If the will kind of twelve thirteen thousand square feet
• 24:24
  Speaker 2: for that main.
• 24:25
  Speaker 3: House, maybe you would have a horse and horse.
• 24:30
  Speaker 2: You got almost two and fifty eights of land. You
• 24:32
  Speaker 2: could have more than horses out there.
• 24:36
  Speaker 4: Yeah.
• 24:37
  Speaker 2: I think y'all were going to the court the compound
• 24:42
  Speaker 2: hand or you or I saying I'm saying something anyway,
• 24:46
  Speaker 2: I hate you. No, but I would. I like where
• 24:52
  Speaker 2: I am in terms of like I'm kind of still
• 24:55
  Speaker 2: in the suburbs. For further out in the suburbs, I live,
• 24:59
  Speaker 2: you know, close to like grocery stores and you know,
• 25:02
  Speaker 2: Dunky Donuts my favorite, or Starbucks. I left close to shopping.
• 25:06
  Speaker 2: But I'm also like not in the hustle and bustle
• 25:09
  Speaker 2: of living in like in DC or in Baltimore, because
• 25:13
  Speaker 2: it's expensive as shit, and I think with a lot
• 25:15
  Speaker 2: of my friends, we all essentially have been priced out
• 25:18
  Speaker 2: of like staying in the city because it's just so
• 25:20
  Speaker 2: damn expensive. You get more for your money living out
• 25:23
  Speaker 2: in the suburb m So I would have loved to
• 25:28
  Speaker 2: have stayed in like you know, bought a house in
• 25:30
  Speaker 2: DC and you know where my apartment was, Sean, I
• 25:32
  Speaker 2: would have loved to buy a house down there. But
• 25:36
  Speaker 2: houses that were being flip were going for almost This
• 25:38
  Speaker 2: was back in twenty nineteen when I moved out of
• 25:42
  Speaker 2: my apartment. They were going for almost seven undred thousand
• 25:44
  Speaker 2: dollars then flipping houses, and I was.
• 25:47
  Speaker 3: Like, yeah, it's it.
• 25:49
  Speaker 2: That's ground up these wagons and hit it on out,
• 25:52
  Speaker 2: move on out with the bead belief. These new drives
• 25:55
  Speaker 2: are too quiet. Them olds for drives used to go
• 25:58
  Speaker 2: off and sound like an NBA buzz beater woke up
• 26:01
  Speaker 2: the whole house and you closed to be well.
• 26:02
  Speaker 3: Done, too, not well done.
• 26:05
  Speaker 2: You hear that ship three houses away, like this is
• 26:08
  Speaker 2: a dryer closed to be done?
• 26:10
  Speaker 4: Hey yo, draw a load of clothes in ten minutes.
• 26:13
  Speaker 4: With the old school joints.
• 26:16
  Speaker 3: I did not know that the motherfucker that rock that
• 26:19
  Speaker 3: rocked the whole that rocked the whole little corner ship.
• 26:22
  Speaker 2: Don't don't, don't, don't, don't.
• 26:23
  Speaker 3: Don't.
• 26:25
  Speaker 4: Boots and tumblings is in my damn dry.
• 26:29
  Speaker 2: Don't don't, don't, don't, don't, don't, don't, No, don't, don't,
• 26:31
  Speaker 2: don't don't.
• 26:35
  Speaker 3: Hm hmm, I ain't gonna like we used to. Yeah,
• 26:41
  Speaker 3: we used to play that with like three two what
• 26:47
  Speaker 3: I'm my grandmother, I'm playing my goddamn dry Sorry he's
• 26:50
  Speaker 3: playing basketball, grandma. Lord love it.
• 26:57
  Speaker 4: Did you answer the question?
• 26:58
  Speaker 3: Yeah?
• 26:59
  Speaker 2: I did.
• 27:00
  Speaker 4: What was the I had a moment?
• 27:02
  Speaker 2: What was the question?
• 27:04
  Speaker 3: She had a moment that that's the first time getting.
• 27:12
  Speaker 4: Exactly moving along, Brandon. What are we talking about this week? Oh?
• 27:16
  Speaker 4: I already know.
• 27:19
  Speaker 2: For this week's episode, I've done it again. Fly from
• 27:28
  Speaker 2: two by Studios at the motherfucking corner of Libin Frankel
• 27:32
  Speaker 2: on the west side of damn Detroit, Michigan.
• 27:35
  Speaker 3: Oh, that's always filming the seven Mile.
• 27:39
  Speaker 2: It was actually close to seven min while you're playing.
• 27:42
  Speaker 2: But we have another two B movie, the first one
• 27:47
  Speaker 2: for the year. Take it away, Sean.
• 27:51
  Speaker 4: I would apologize what I'm not going to.
• 27:52
  Speaker 2: She never does. And that's been this week's episode of
• 27:56
  Speaker 2: the show. It was good. That was a good review.
• 28:05
  Speaker 2: Wasn't an air it was well.
• 28:11
  Speaker 3: Ship.
• 28:13
  Speaker 2: Go ahead?
• 28:13
  Speaker 4: Since your dirty motherfucker.
• 28:17
  Speaker 2: HU what you say, I'm handed.
• 28:23
  Speaker 3: Handed you rough.
• 28:26
  Speaker 2: You one seasoned trialing. I think I'm gonna get some
• 28:34
  Speaker 2: wing stop a dinner to night show.
• 28:35
  Speaker 4: These niggros watched that they act like was such a
• 28:38
  Speaker 4: big deal.
• 28:39
  Speaker 2: It wasn't bad compared to some of the other ones.
• 28:41
  Speaker 3: You right, and I got all throughout the year. I
• 28:44
  Speaker 3: ain't even hit you with the fucker you Shauna til
• 28:46
  Speaker 3: this morning he did.
• 28:50
  Speaker 4: This movie is titled if I can't now This movie
• 28:53
  Speaker 4: was a older movie. I think it came on early
• 28:55
  Speaker 4: last year, but I actually intended for them to watch
• 28:58
  Speaker 4: it last year, but I forgot about it. So first
• 29:01
  Speaker 4: two movie of twenty twenty five for them. Synopsis of
• 29:06
  Speaker 4: the movie is depressed after losing her husband, Harlem finds
• 29:10
  Speaker 4: new love in the arms of a flashy drug dealer,
• 29:14
  Speaker 4: but her dream guy quickly turns into a nightmare. Ain't
• 29:18
  Speaker 4: that usually what happens with drug dealers? What happens? They
• 29:22
  Speaker 4: sell you a dream? Since she usually what happens, So
• 29:27
  Speaker 4: I don't know which one of y'all is going first.
• 29:30
  Speaker 4: That's all y'all feelings about said movie, but take it away.
• 29:36
  Speaker 3: A lot can be said about this movie.
• 29:41
  Speaker 2: Should I go through it? Let's let me go through.
• 29:44
  Speaker 3: Let's go through it.
• 29:47
  Speaker 2: So when we start off with this very attractive girl
• 29:52
  Speaker 2: with a questionable wig, her.
• 29:54
  Speaker 4: Whigs usually all questionable.
• 29:56
  Speaker 2: And you know she's she's real happy and real soft spoke.
• 30:00
  Speaker 2: You know what she reminds me of It just hit
• 30:02
  Speaker 2: me remember the black police officer from Police Academy with
• 30:06
  Speaker 2: the real light voice, with the afro, the curlyfro. She
• 30:09
  Speaker 2: reminds me of her, just with a just with a
• 30:10
  Speaker 2: bust down. Yeah that makes sense.
• 30:14
  Speaker 4: Yes, yes, with Stevie, she didn't talk just like that
• 30:19
  Speaker 4: for that. She's like that in every movie she's in.
• 30:23
  Speaker 3: So with through Stevie j lips because she looked like
• 30:25
  Speaker 3: she was always like this.
• 30:27
  Speaker 2: Mm hmmm, so she's The movie opens up on this
• 30:32
  Speaker 2: woman and her her husband there having a conversation being
• 30:35
  Speaker 2: af flirtations and stuff, her finest husband okay, and and
• 30:43
  Speaker 2: the baby all lovey dove cutes whatever, and they float
• 30:47
  Speaker 2: They flirt for floating, but they were floating, but they
• 30:49
  Speaker 2: were flirting back and forth, and they put the baby
• 30:52
  Speaker 2: down to sleep, and baby, you know, I know you
• 30:54
  Speaker 2: worked hard, you worked, you worked a ten hour shift,
• 30:57
  Speaker 2: but you on me. You got to take care of
• 30:59
  Speaker 2: my queen. Yeah yeah, baby, yeah, the baby down. So
• 31:05
  Speaker 2: they they her mother comes in and watches their their
• 31:08
  Speaker 2: new born son, and she goes her and the husband
• 31:12
  Speaker 2: go to tour like an open house. They were supposed
• 31:16
  Speaker 2: to go get some pampers I think or something from
• 31:17
  Speaker 2: the store, and her mother was at home watching the baby,
• 31:20
  Speaker 2: but he said, well, baby, it's Sunday, you know, let's
• 31:22
  Speaker 2: go toward our favorite house in the neighborhood. It is
• 31:26
  Speaker 2: an open house today. So we get into the house
• 31:29
  Speaker 2: and then she's walking around. Clearly they've done this several times,
• 31:32
  Speaker 2: but the realtor comes in.
• 31:33
  Speaker 3: Oh hey, handsome, how.
• 31:35
  Speaker 2: Oh here go this bitch. So she her head cocks
• 31:40
  Speaker 2: to the sidelight.
• 31:42
  Speaker 4: You talk to my husband like that.
• 31:45
  Speaker 2: So over, so they go. They're looking through the house
• 31:48
  Speaker 2: and in the master bedroom or the bathroom, and she's like,
• 31:51
  Speaker 2: you know, if I get the chance, you know, if
• 31:53
  Speaker 2: this was our house, I fuck you in every room.
• 31:55
  Speaker 2: She was like okay. So they apparently he was sitting
• 31:58
  Speaker 2: on top of the toilet and she started pulling and
• 32:00
  Speaker 2: pass down to his phone rings. Oh baby, I gotta
• 32:02
  Speaker 2: took this phone call. Or I got took this phone call.
• 32:04
  Speaker 2: Or go go go go look at the basement. Go
• 32:07
  Speaker 2: go check the basement. So he disappears, and she and
• 32:15
  Speaker 2: puts everything back on, goes to the top of steps
• 32:18
  Speaker 2: and looks out the front door and sees her husband
• 32:20
  Speaker 2: talking to the realtor. Now it looks like they out
• 32:24
  Speaker 2: there flirt and having a little little, kiky little conversation.
• 32:27
  Speaker 2: So she's at oh him, and she storms down the steps.
• 32:33
  Speaker 3: What starts going off?
• 32:37
  Speaker 2: He's a baby. You come on in the basement. I'll
• 32:39
  Speaker 2: tell you everything. You could come in the basement with me.
• 32:43
  Speaker 2: So they go in the basement and he has it
• 32:45
  Speaker 2: decorated for a surprise. I think it was balloons and
• 32:48
  Speaker 2: flowers and like everything. And he hands her envelope and
• 32:53
  Speaker 2: the envelope has a key, and the realtor appears out
• 32:56
  Speaker 2: of nowhere. It says, surprise, this was like the best
• 32:58
  Speaker 2: clothing I've ever had. Your husband just purchased this house
• 33:01
  Speaker 2: for you. And she's all a static and over Jordan everything.
• 33:05
  Speaker 4: So we go.
• 33:06
  Speaker 2: She's surprises and he surprises her with the with the
• 33:09
  Speaker 2: with the paperwork for the house and the key, and
• 33:11
  Speaker 2: they all happy. They move in flash forwards. I guess
• 33:14
  Speaker 2: a few weeks or whatever. They're in the house and
• 33:17
  Speaker 2: they in the kitchen. She got a teddy on them.
• 33:18
  Speaker 2: I put the baby down for that.
• 33:22
  Speaker 3: Got thirty.
• 33:24
  Speaker 2: And he proceeds to slay her ass over the kitchen.
• 33:26
  Speaker 2: Count First of all, he was a little too high
• 33:30
  Speaker 2: to be actually at the spot.
• 33:31
  Speaker 3: But I mean, that's gonna suck me up because it
• 33:33
  Speaker 3: was like, yo, Shane.
• 33:35
  Speaker 2: Paintings was still the one they went. I was like,
• 33:37
  Speaker 2: you beat that too. I was like, but y'all clearly
• 33:40
  Speaker 2: passed rubbing, bro. Now I didn't seen some panties pull
• 33:44
  Speaker 2: to the side. Like you see the pull to the side.
• 33:47
  Speaker 2: You need to get around the cheek to lock them
• 33:48
  Speaker 2: in place.
• 33:49
  Speaker 4: Bend me up like a rot history chicken in the kitchen.
• 33:53
  Speaker 2: So you know, they did their best little skin of
• 33:55
  Speaker 2: max stuff for your turkey and stuff. And you mean
• 33:58
  Speaker 2: rubbing the turkey, because that's all they were doing. So
• 34:02
  Speaker 2: actually that's the story. So that what sex scene. They
• 34:06
  Speaker 2: was rubbing because the net the was still he wasn't
• 34:14
  Speaker 2: posted to side nothing.
• 34:15
  Speaker 3: But and then when they was finished, he turned around world.
• 34:17
  Speaker 3: He turned around real quick like he was, Yeah, I
• 34:21
  Speaker 3: did that.
• 34:22
  Speaker 2: She was.
• 34:25
  Speaker 4: In my mind. We go together, but.
• 34:28
  Speaker 2: It's okay for me and get you some get you
• 34:30
  Speaker 2: some trim. So give me some hoddy, get you some trim.
• 34:37
  Speaker 2: We get some trim, like oh he used to say. So.
• 34:40
  Speaker 2: Movie fast forward that they're out and about and the
• 34:43
  Speaker 2: top of it at a store, at a convenience store
• 34:44
  Speaker 2: to get I think I'm like formula something for the baby.
• 34:49
  Speaker 2: So he leaves, baby, I'll be right back. So he
• 34:52
  Speaker 2: leaves and goes in the store. She's holding the baby
• 34:54
  Speaker 2: in the front seat and for whatever reason, for whatever reason,
• 34:59
  Speaker 2: they focusing on the baby. No, you here this niggas
• 35:02
  Speaker 2: at the at the driver's side door. Baby, Sorry, that
• 35:06
  Speaker 2: was me. I forgot what what type performing this baby need?
• 35:10
  Speaker 2: Because you know what, gone to the head. Old fiending
• 35:16
  Speaker 2: came up to try to rob try He said, man, man,
• 35:19
  Speaker 2: you know I gotta I got a pocket full of money. Yo,
• 35:22
  Speaker 2: this this is all yours.
• 35:26
  Speaker 3: Yeah. She kind of fuck with me too, and then.
• 35:29
  Speaker 2: He shot the man in the head a bad point
• 35:30
  Speaker 2: black range ye. Blood sprayed all over her and the baby,
• 35:35
  Speaker 2: and scene fast forwards. She's sitting on the ground but
• 35:39
  Speaker 2: holding the baby in her arm, still next to the
• 35:42
  Speaker 2: husband who's now conveniently in a body bag, and she's
• 35:46
  Speaker 2: rocking backing for good and y'all can't see this, but
• 36:03
  Speaker 2: the pauses of her like checking the baby to make
• 36:05
  Speaker 2: sure that the baby's okay. This whole harmoness is going
• 36:08
  Speaker 2: to baby ain't cried or nothing. The baby's just quiet
• 36:11
  Speaker 2: and Google, God, got nothing baby. You ain't seen a
• 36:13
  Speaker 2: hand moving. You just every time she stopped crying, she
• 36:17
  Speaker 2: looked at the baby, was right, and then we'll go
• 36:18
  Speaker 2: back to freaking out. So it's like, so before that,
• 36:25
  Speaker 2: I missed the part when they were in the kitchen,
• 36:27
  Speaker 2: before they did the fake mister, miss the nasty time,
• 36:30
  Speaker 2: happy time, a doult have your fun time stuff. The
• 36:34
  Speaker 2: husband was in the kitchen with like a bag of
• 36:36
  Speaker 2: something and he hides it in one of the one
• 36:38
  Speaker 2: of the cabinets and he was like, well, she walks
• 36:41
  Speaker 2: in before she tells them that she had thirty six
• 36:44
  Speaker 2: minutes that who's the new baby? They got something to
• 36:48
  Speaker 2: tell you. You know, I ain't been all the way honest
• 36:50
  Speaker 2: with you, but you know I got something to tell you.
• 36:52
  Speaker 3: She was liked the perfect.
• 36:56
  Speaker 2: Path and it was a perfect high house and perfect everything.
• 37:02
  Speaker 2: Can you tell me later? She's there, Yeah, baby, you tomorrow.
• 37:05
  Speaker 2: And then then they went to the whole speed on
• 37:06
  Speaker 2: thirty six had fucking on We're not fucking but not
• 37:08
  Speaker 2: fucking on the kitchen count. So fast forward, a few
• 37:11
  Speaker 2: months goes by. She turns up at her best friend
• 37:15
  Speaker 2: uh Lo Loo's Lolo's hair salon, and no, this was
• 37:23
  Speaker 2: before she went to the hair salon.
• 37:24
  Speaker 3: She was at her mama house.
• 37:26
  Speaker 2: So this was the baby's first birthday. Lolo stops by
• 37:29
  Speaker 2: to give the baby, give her the gift. She of course,
• 37:31
  Speaker 2: she's been in my a since her husband died. And
• 37:33
  Speaker 2: Lowe's like, well, girl, we ain't seeing you, you know,
• 37:35
  Speaker 2: come to the shop. You know, I'll do your half
• 37:37
  Speaker 2: for free foot. You know, since it's your son's birthday,
• 37:39
  Speaker 2: will be give for us to catch up.
• 37:40
  Speaker 4: Woop woop.
• 37:42
  Speaker 2: So next scene, she's at the shop waiting for the
• 37:45
  Speaker 2: shop to open. Lol is late, which we learned as
• 37:48
  Speaker 2: a character trait. And as she's sitting there waiting, this
• 37:52
  Speaker 2: this old school Chevy s s pulls up.
• 37:57
  Speaker 3: And this.
• 38:00
  Speaker 2: Pocahontas as I call him, or second.
• 38:02
  Speaker 6: He going that nigga the braids steps out with this
• 38:08
  Speaker 6: girl with this ratty ass weave in her head and
• 38:10
  Speaker 6: these big ass oversized glasses like Kim Morell knocking on
• 38:14
  Speaker 6: the door.
• 38:14
  Speaker 2: Hey, lo lot, where you at?
• 38:16
  Speaker 1: Girl?
• 38:16
  Speaker 4: Where you at?
• 38:16
  Speaker 3: We didn't you didn't get a hair?
• 38:17
  Speaker 4: Damn girl?
• 38:18
  Speaker 2: Where you at?
• 38:19
  Speaker 3: And then.
• 38:23
  Speaker 2: What's the girl's name? Hallam all? I'm saying there like yet,
• 38:32
  Speaker 2: So she's out there fake smoking a cigarette.
• 38:34
  Speaker 3: Don't never do that again.
• 38:40
  Speaker 2: So she's out there fake smoking.
• 38:41
  Speaker 3: She's like the Lolo, I mean, rock over that bitch
• 38:46
  Speaker 3: tripping his girl tripping, and.
• 38:48
  Speaker 2: Mind you, he walks over to her all up and
• 38:50
  Speaker 2: while his girl was like five seven.
• 38:53
  Speaker 4: Ft away from in the car flirting.
• 38:56
  Speaker 2: We are you're smoking this ship you pretty far? I
• 39:01
  Speaker 2: see you.
• 39:01
  Speaker 4: That's how they get your friends.
• 39:03
  Speaker 2: So Pocahontas gets his stupid ass in the car and
• 39:08
  Speaker 2: they he cuts calling here all right, let me have it.
• 39:10
  Speaker 2: So you hear him arguing that the car goes off
• 39:12
  Speaker 2: down the street. Lolo finally comes in and Harlem sits
• 39:17
  Speaker 2: in her chair and they're arguing because she wants to
• 39:20
  Speaker 2: do her head for free. And then Harlem, girl, you know,
• 39:23
  Speaker 2: I really don't have no money to pay you. But
• 39:25
  Speaker 2: she said, girl, it's a girl they gift, like, you
• 39:27
  Speaker 2: don't heard me anything. And then second Juwey and his
• 39:30
  Speaker 2: girlfriend walk in and she's like, well, no, she really
• 39:34
  Speaker 2: needs it, but you can take her and I'll just wait.
• 39:38
  Speaker 2: So second Juwey's girlfriend gets in the chair and Lolo
• 39:43
  Speaker 2: is doing her.
• 39:43
  Speaker 3: Head going this niggas.
• 39:45
  Speaker 4: His name is Scott, but Brady is calling him that
• 39:48
  Speaker 4: four reason go watch the boy.
• 39:49
  Speaker 2: He looks like Jewey with them Pocahonta's Indian braids. His
• 39:55
  Speaker 2: nickname is Rock, but they call him his name of
• 39:57
  Speaker 2: the movie is Scott, but his nickname is Rock. But
• 39:59
  Speaker 2: I the stack of Jewet or Pocahontas.
• 40:01
  Speaker 3: And I'm us we always had then.
• 40:05
  Speaker 2: Yeah, right, okay, anyway, so hard them goes to sit
• 40:10
  Speaker 2: down there, I guess in the waiting area, and then
• 40:12
  Speaker 2: stack at Jewere's Mosi's on up next to it. Hey,
• 40:14
  Speaker 2: what's up, girl? How you doing being all slimy and
• 40:18
  Speaker 2: sleezy and ship And he goes, what you mean you
• 40:21
  Speaker 2: ain't got no money to pick for your head? You know?
• 40:25
  Speaker 2: He pulls up this big ass water cash and hands
• 40:27
  Speaker 2: this money. Man, take me. You take the money unless
• 40:30
  Speaker 2: you got a boyfriend.
• 40:32
  Speaker 4: I mean, man, I don't want to take it.
• 40:36
  Speaker 3: So, oh you married, you married? Damn?
• 40:40
  Speaker 2: Oh, I mean I was. So he puts the money
• 40:43
  Speaker 2: in her hand and he gets up and walks away.
• 40:46
  Speaker 2: So fastward a huge chunk Tom goes on. They go out,
• 40:51
  Speaker 2: they start hanging out. Rewind the Sassy Gate Sarde kicking
• 40:56
  Speaker 2: in the shop. She starts hanging out with Lolo and
• 40:59
  Speaker 2: the Sassy Gates side kick in in the shop. They
• 41:03
  Speaker 2: go out to her. The arts a beating beat f
• 41:07
  Speaker 2: for the call to the bullshit. But so the gay
• 41:13
  Speaker 2: guy who was in the shop, he goes. They start
• 41:14
  Speaker 2: hanging out with Lolo Harlem and him I forget his name,
• 41:18
  Speaker 2: Chauncey Reese, Peaches or whatever whatever his name was.
• 41:22
  Speaker 3: I don't know.
• 41:24
  Speaker 2: They started that ship. I don't know they started hanging out,
• 41:28
  Speaker 2: I forget, and they they well, he was the best
• 41:31
  Speaker 2: actor in this whole ship he was. I mean, we'll
• 41:35
  Speaker 2: talk about his acting later on in the movie.
• 41:37
  Speaker 3: Ship.
• 41:38
  Speaker 2: Anyway, So they they go out and they're talking. They
• 41:42
  Speaker 2: go to this bar the slang I think it's called
• 41:44
  Speaker 2: the Woodward in Detroit. It was a gay club because
• 41:46
  Speaker 2: Lolo is apparently now a lesbian. Everybody there she's confused
• 41:50
  Speaker 2: because she she's in a relationship with a woman, she's
• 41:52
  Speaker 2: still getting dick on the side.
• 41:54
  Speaker 4: Lolo for everybody, that girl for everybody.
• 41:57
  Speaker 2: Shout out to cash Doll. One of my favorite rappids
• 41:59
  Speaker 2: was technically who is coincidentally from also from Detroit, Let
• 42:04
  Speaker 2: me cashed off. Anyway, They go out to the spot
• 42:10
  Speaker 2: pop sauce. She comes home drunk. Come others like, you
• 42:12
  Speaker 2: get him, I'm gonna lead your mommy. They go out again.
• 42:16
  Speaker 2: They go to the spot on the west side of Detroit,
• 42:18
  Speaker 2: and it just so happens that Sack of Juwiel walks
• 42:21
  Speaker 2: in for his braids and he's like, you knew because
• 42:30
  Speaker 2: fancy scene you hear minced?
• 42:31
  Speaker 3: Was your name?
• 42:32
  Speaker 4: Oh?
• 42:33
  Speaker 3: Hall them?
• 42:33
  Speaker 2: Why they call you hall them? And they start flirting
• 42:35
  Speaker 2: and ship back and forth and everything. So fast forward
• 42:40
  Speaker 2: a little bit. They hang out a couple more times.
• 42:44
  Speaker 2: She gives them the cheeks. You know you're mine now right.
• 42:48
  Speaker 2: I was like, okay, sack at.
• 42:49
  Speaker 3: You're will That's what he said.
• 42:51
  Speaker 2: So they fucked on the second date. He takes her.
• 42:55
  Speaker 3: Better than the first one.
• 42:57
  Speaker 2: Was yeah, that was way.
• 43:00
  Speaker 3: Pulled she and pulled the underwear down a little bit
• 43:02
  Speaker 3: and made it look more.
• 43:03
  Speaker 2: Really that man's I was rolling the back is hitting everything.
• 43:06
  Speaker 3: I was like, I was like, oh nah. I was like,
• 43:08
  Speaker 3: oh no, I looked. I was like, nah, I'm been
• 43:10
  Speaker 3: there before in some of these movies. When I seen
• 43:15
  Speaker 3: his eyes, I was like, no, he might have slipped something.
• 43:18
  Speaker 3: He might have slipped he might have something to that.
• 43:22
  Speaker 3: But so fast for a little bit. He they go
• 43:27
  Speaker 3: on the second date, they end up, I guess in
• 43:29
  Speaker 3: a relationship. They go to the shop.
• 43:33
  Speaker 2: Well he secondary wid goes to pick up Haller from
• 43:36
  Speaker 2: from the haird salon because I guess she's working there
• 43:40
  Speaker 2: as as like a like an assistant just for a job. Uh.
• 43:45
  Speaker 2: Secondary's ex girlfriend comes in and it's like, that's the
• 43:49
  Speaker 2: bitch is Dayton, that's stating that's dating Rock, giving her
• 43:53
  Speaker 2: all this artist look all this artist fever as the
• 43:56
  Speaker 2: Gates would say, and yeah, and and she's like, bitch,
• 44:01
  Speaker 2: you're just jealous cause I'm dating him now when you
• 44:03
  Speaker 2: now she's a girl. I don't want that man, because
• 44:05
  Speaker 2: because the big of the gift harder to hits, you
• 44:08
  Speaker 2: will learning less than your own. You know, I'm not
• 44:10
  Speaker 2: even gonna fight with you, girl, because you're doing enough
• 44:12
  Speaker 2: fighting for yourself and in a relationship you can. So
• 44:18
  Speaker 2: later on rock comes or sorry sacka Juwey comes to
• 44:23
  Speaker 2: this shop to pick up Harlem and she comes out
• 44:27
  Speaker 2: of the shop with bags. He's like, damn baby, where
• 44:30
  Speaker 2: you get on the stuff from? He was like, oh,
• 44:31
  Speaker 2: you know, my cousin Jojo or Jerry's in town. But
• 44:36
  Speaker 2: we just happened to run into him and we caught
• 44:38
  Speaker 2: up because I haven't seen him in a couple of years.
• 44:40
  Speaker 2: But you know, I went. We had we had a
• 44:42
  Speaker 2: big break between cliss so and we went and you know,
• 44:44
  Speaker 2: went shopping. So the cousin comes out, hands and hands him,
• 44:48
  Speaker 2: prays stuff in the car, but but Saka Jueya stops
• 44:51
  Speaker 2: him and it's like, no, man, I got that. You know.
• 44:54
  Speaker 2: He holds his hand and say nice to meet you king,
• 44:56
  Speaker 2: and he looks at him, gives him up the one
• 44:58
  Speaker 2: time up and down like fuck is you? And the
• 45:02
  Speaker 2: cousin was like, hey man, all good, the cousin, good
• 45:05
  Speaker 2: to see you. I holler at you there.
• 45:06
  Speaker 4: She's like, cousin, ain't good to see you.
• 45:10
  Speaker 2: So second you wearing the girl getting the car, She's like,
• 45:12
  Speaker 2: you're not gonna open the door. He said, hell no
• 45:13
  Speaker 2: get in the car, bitch, so striking.
• 45:16
  Speaker 3: Did everything, did everything outside of tell that nigga open
• 45:19
  Speaker 3: your car.
• 45:20
  Speaker 2: Right, So so you mean to tell me you that
• 45:22
  Speaker 2: this nigga, It's just it's convenient as fuck. You got
• 45:25
  Speaker 2: this cousin all of a sudden that I ain't never
• 45:26
  Speaker 2: heard her before, and he buying you ship and you
• 45:29
  Speaker 2: spending money and ship. She's like, what are you talking about?
• 45:33
  Speaker 2: That's like, that's my actual cousin. The thigga didn't buy
• 45:36
  Speaker 2: this ship.
• 45:37
  Speaker 3: Thinkga broke.
• 45:37
  Speaker 2: I put this ship myself. So they have words back
• 45:41
  Speaker 2: and forth, and I don't know what he steps the
• 45:43
  Speaker 2: shut out of it in the mouth when where her
• 45:45
  Speaker 2: nose started well in the nose, her nose started bleeding.
• 45:47
  Speaker 2: She's sitting there just shell shocked, like.
• 45:49
  Speaker 3: What a nigga am I bleeding?
• 45:52
  Speaker 2: Yeah, dye bitch watching you talking to bitch.
• 45:55
  Speaker 3: I'm a man yo and man. Once I heard that ship,
• 45:59
  Speaker 3: I was like, hey, yo, they don't get nothing to
• 46:01
  Speaker 3: blood on my leather. Bitch, I was like the.
• 46:04
  Speaker 4: Switch like damn him came out. He shent his representative.
• 46:09
  Speaker 4: First of all, many many let's pause right here, many
• 46:12
  Speaker 4: red flegs were displad when you met him. The fact
• 46:16
  Speaker 4: that he was key high high and giggling in your
• 46:18
  Speaker 4: face and he had a whole female with him showed
• 46:21
  Speaker 4: you who he was in the first place. So why
• 46:23
  Speaker 4: in the hell would you give him the time of
• 46:24
  Speaker 4: fucking day. I never will understand that about females. You
• 46:27
  Speaker 4: will see a man disrespecting of a female and thinking,
• 46:29
  Speaker 4: your fucking head, Oh, he would never do melate that
• 46:31
  Speaker 4: because I wouldn't tolerate it. Why would you even want
• 46:33
  Speaker 4: to give him a chance to do?
• 46:34
  Speaker 2: You like that?
• 46:34
  Speaker 4: I don't understand. I did that. That perturbed me. That
• 46:39
  Speaker 4: perturbed me. They flabbered my gas. My flavors were gas
• 46:43
  Speaker 4: that I just didn't understand. You saw him disrespect the
• 46:45
  Speaker 4: woman that he was with right in front of you,
• 46:48
  Speaker 4: and somehow that made him attractive.
• 46:50
  Speaker 3: Second get it. Secondly, you also watched him like you
• 46:54
  Speaker 3: also watched like the old constant love bombing. Ye, the
• 46:58
  Speaker 3: constant bombing when he came. Are you trying? You seeing
• 47:00
  Speaker 3: you this nigga, I'm this nigga throwing money at you?
• 47:02
  Speaker 3: And then he constantly flirting, just trying to get information
• 47:05
  Speaker 3: off of you, like trying to get information.
• 47:07
  Speaker 2: Off of you.
• 47:08
  Speaker 3: And then it's like, oh, you ain't had you ain't
• 47:10
  Speaker 3: had such and such lamb chops. We got to go
• 47:12
  Speaker 3: get such such lamb chops. And it's like he hear you,
• 47:16
  Speaker 3: I mean you, you just open up your mouth and
• 47:19
  Speaker 3: then it's like yo, using all that shit against you.
• 47:23
  Speaker 3: Then it's like yo, he keep pressing it like he
• 47:25
  Speaker 3: kept I mean for me, it was like, hey, yo,
• 47:27
  Speaker 3: I knew the switch was coming.
• 47:28
  Speaker 2: And he played. You could tell she was naive with
• 47:32
  Speaker 2: all these women in these tep to movies for some
• 47:35
  Speaker 2: reason tending to He was like, yeah, this is my girl.
• 47:38
  Speaker 2: We've been there for a few months. But should you
• 47:40
  Speaker 2: go to get you your own place, to get you
• 47:41
  Speaker 2: out your mother's house? And when when he went to
• 47:45
  Speaker 2: the mother's house to meet the mother for the first time,
• 47:48
  Speaker 2: the mother gave him rightfully. So the third degree like nigga,
• 47:50
  Speaker 2: I don't know who you are, but what do you want?
• 47:52
  Speaker 3: What you do? Or the crash the building?
• 47:55
  Speaker 2: Oh yeah, which one? The one on Jefferson? Oh yeah,
• 47:58
  Speaker 2: what shift? Third shift? I worked? I worked midnights. She
• 48:02
  Speaker 2: was like, that's that's you. Don't say, be the manager
• 48:05
  Speaker 2: at that at the Jefferson plant on third shift for
• 48:09
  Speaker 2: you for eleven years and I ain't never seen her before.
• 48:15
  Speaker 4: All right, lie like a rug.
• 48:17
  Speaker 2: She said, well that's something you learned about. I can
• 48:19
  Speaker 2: see you through your ass. She gave him the one
• 48:21
  Speaker 2: time he can't London, London, Harlem, Brooklyn, never that have
• 48:25
  Speaker 2: his name was. She comes out the house to get
• 48:27
  Speaker 2: the man's a hug.
• 48:28
  Speaker 3: He all in the head and look at the mother like, yep,
• 48:31
  Speaker 3: I knew was I got a bitch? Hell yeah?
• 48:35
  Speaker 2: So they he moves her out of the house. They
• 48:40
  Speaker 2: have a party at their house now apparently they've been
• 48:43
  Speaker 2: together for months. At this point, he wants to he
• 48:45
  Speaker 2: wants a baby.
• 48:46
  Speaker 4: With her, mm hmm. But try to lock her down
• 48:50
  Speaker 4: even further.
• 48:50
  Speaker 2: Try to lock her down even further, and one of
• 48:55
  Speaker 2: his friends asked for play the food. Now she's playing hosts.
• 48:58
  Speaker 2: She didn't think anything of it. She's like, yeah, they
• 49:00
  Speaker 2: go plate, you know. There you go and he's that
• 49:03
  Speaker 2: table playing spades and he the bitch. So so you
• 49:06
  Speaker 2: get some other nigga, some nigga plate, but you ain't
• 49:09
  Speaker 2: get your man to plate first. She was like, well,
• 49:12
  Speaker 2: I mean he asked first. I didn't know if you
• 49:14
  Speaker 2: wanted something, but I mean, if it's mad, he's She's like,
• 49:17
  Speaker 2: it's not that serious. It's just the plate of food. Like,
• 49:19
  Speaker 2: I can go make your plate right now.
• 49:21
  Speaker 4: Is that your drink?
• 49:21
  Speaker 2: I'll get your drink. She goes to pick up drink. Bitch,
• 49:24
  Speaker 2: stew the fuck. Then you're doing too fucking much. So
• 49:27
  Speaker 2: she was like, I mean, well, damn if you act
• 49:29
  Speaker 2: like this, what plate? He just take the plate, that's fine,
• 49:32
  Speaker 2: he opens it, swim on his plate. You don't want
• 49:36
  Speaker 2: to fucking swan. You fucking swan. This nigga proceeds to
• 49:40
  Speaker 2: pick the plate up and shove it into her chest
• 49:42
  Speaker 2: in front of everybody.
• 49:44
  Speaker 3: Yep, and y'all know what I say when I saw
• 49:48
  Speaker 3: that me blacking out was love got to do with it?
• 49:52
  Speaker 2: Eat the cake and the man nah.
• 49:54
  Speaker 3: When she was recording the song, and he sucked in
• 49:56
  Speaker 3: the booth, of course, in all the words like I rode,
• 50:00
  Speaker 3: who the fuck are you talking to you?
• 50:02
  Speaker 2: Like? So she gets pissed off, rightfully so, after being
• 50:07
  Speaker 2: embarrassed by him, and goes in the house to clean
• 50:08
  Speaker 2: herself up. So she's in the bathroom, I'm cleaning herself up,
• 50:13
  Speaker 2: and the camera kind of zooms out of bit and
• 50:15
  Speaker 2: you see a pool noodle just like tap on the
• 50:17
  Speaker 2: back and she turns around and he's standing there with
• 50:21
  Speaker 2: it like a grin on his face to something, let
• 50:24
  Speaker 2: me get that. She was like, Nigga, you just embarrassed
• 50:28
  Speaker 2: me in front of all those people, Like what are
• 50:30
  Speaker 2: you talking about? No, So she turns around and he
• 50:35
  Speaker 2: proceeds to start beating the shit out of her with
• 50:37
  Speaker 2: the pool noodle and then proceeds to grape her right
• 50:40
  Speaker 2: there in the bathroom. Why the party's going on, Nigga
• 50:45
  Speaker 2: was probably how his ass, but she still stayed with
• 50:48
  Speaker 2: him after that, did sid ass. So they go through
• 50:56
  Speaker 2: this whole The movie is more you know, basically about
• 50:59
  Speaker 2: them changes they're going through. He's beating on her, like
• 51:02
  Speaker 2: the girl said in the theater, Like like X said,
• 51:06
  Speaker 2: you know, the bigger, the bigger it hits, the bigger
• 51:07
  Speaker 2: the gifts. So she's getting more extravagant gifts and more
• 51:10
  Speaker 2: extravagant gifts and everything, and she's getting beat up. He punched,
• 51:14
  Speaker 2: He knocked her out when she tried to leave him.
• 51:16
  Speaker 2: Once she threatened to leave, threatening to call the police,
• 51:18
  Speaker 2: he knocked her unconscious as soon as she went to
• 51:20
  Speaker 2: touch the front door one time and then dragged her
• 51:22
  Speaker 2: into the living room of her summer, sitting there like
• 51:25
  Speaker 2: and lift for sitting there, bitch, I knocked you at
• 51:28
  Speaker 2: your sandle get up, I said.
• 51:31
  Speaker 3: God damn looking at her. Look what you made me?
• 51:35
  Speaker 2: Look what you made me do? Bitch.
• 51:38
  Speaker 3: I was like, out your motherfucking mind. I told you
• 51:41
  Speaker 3: stop sleeping on me, wake your glass up, make your
• 51:44
  Speaker 3: ass up, bitch, Like, damn, you.
• 51:46
  Speaker 2: Leave me, I'm gonna kill you. If I can't have you, bitch,
• 51:50
  Speaker 2: nobody can.
• 51:52
  Speaker 3: Then short Is said, I told you you belonged to me.
• 51:56
  Speaker 3: And then a week later he making a drug run
• 52:01
  Speaker 3: and she don't. He like, yo, you know what's fucking
• 52:03
  Speaker 3: me up? That you're not going with me?
• 52:05
  Speaker 2: And she said, you know, the cramps is just really
• 52:07
  Speaker 2: hurting me. You know, I just I don't really need
• 52:09
  Speaker 2: to rest. She said, yeah, you know, I just need
• 52:13
  Speaker 2: to rest. So he's the overly baby. Well, i'll call
• 52:16
  Speaker 2: you when I get there, So she kisses him.
• 52:18
  Speaker 4: He leaves.
• 52:19
  Speaker 2: This nigga hadn't even made it probably into his call yet.
• 52:23
  Speaker 2: As soon as she's smiling at him when he leaves,
• 52:25
  Speaker 2: as soon as she turns, he turns his back. She
• 52:30
  Speaker 2: gets up, grabs a ship and leaves and goes to
• 52:33
  Speaker 2: her mother house so all this is going on, and
• 52:38
  Speaker 2: took a pregnancy test. Come to find out she's pregnant.
• 52:41
  Speaker 4: But when we leave out the program, she call him
• 52:43
  Speaker 4: her cousin.
• 52:45
  Speaker 2: That hadn't happened yet.
• 52:45
  Speaker 4: Okay, I can't remember where I was steering in the
• 52:48
  Speaker 4: movie that happened.
• 52:48
  Speaker 2: No, that was after the fact. I say she tried
• 52:50
  Speaker 2: to make her after the fact, but so right after
• 52:54
  Speaker 2: she was right because it hadn't happened yet. Somber so
• 53:01
  Speaker 2: moving forward through the through the rest of the movie,
• 53:04
  Speaker 2: she kind of forces like a separation between them. And
• 53:07
  Speaker 2: the first time he becus the baby I changed, you know,
• 53:09
  Speaker 2: I got demons. This is when the mother was like,
• 53:11
  Speaker 2: he know, he really changed. He's doing a lot of
• 53:13
  Speaker 2: good things, and he wants to make it better. He
• 53:16
  Speaker 2: wants his family back after giving him their rightfully, so
• 53:20
  Speaker 2: giving him the third degree when she first met him.
• 53:23
  Speaker 2: So she ends up going to I guess she hadn't
• 53:28
  Speaker 2: been at the shop this several I think a couple
• 53:30
  Speaker 2: of years had gone by at this point, and she
• 53:34
  Speaker 2: she hadn't been at the shop, and Lolo stops by
• 53:37
  Speaker 2: and they I guess at a hospital, like a nursing home,
• 53:41
  Speaker 2: and she said, well, bitch, you ain't been at the
• 53:42
  Speaker 2: shop in a couple of years, Like, what's up? You
• 53:43
  Speaker 2: forgot about us? She said, well, you know how saka
• 53:47
  Speaker 2: juwig gets. I don't. I don't want to go in
• 53:51
  Speaker 2: the shop because he's gonna we're gonna be fighting. Hannah
• 53:54
  Speaker 2: what my ask right? And I don't want that, so
• 53:56
  Speaker 2: I stay away. Well, anyway, Sasy side Kick, it's sick
• 54:01
  Speaker 2: and in the hospital and you need to go check
• 54:03
  Speaker 2: on your friend, she said, Girl.
• 54:04
  Speaker 4: I didn't know.
• 54:04
  Speaker 3: She said, well, bitch, had you come to the shop.
• 54:06
  Speaker 2: I have told you so. Sassy Sidekick is discovered and
• 54:10
  Speaker 2: I'm again not trying to poke fund because we learned
• 54:13
  Speaker 2: during the scene that he is basically dying from AIDS.
• 54:20
  Speaker 2: I said, what in the stereotypical fuck you just had
• 54:22
  Speaker 2: to give gay nigga aids?
• 54:25
  Speaker 4: I thought the same thing, friend, I was like, he
• 54:28
  Speaker 4: couldn't have can.
• 54:31
  Speaker 2: You could have been a car accident?
• 54:32
  Speaker 4: Nothing, the aids, the aids.
• 54:36
  Speaker 3: Okay, Well.
• 54:39
  Speaker 2: Anyway, mm hmm, the friend, good friend, She said, Friend,
• 54:47
  Speaker 2: I don't know what to do.
• 54:48
  Speaker 3: He was a girl.
• 54:50
  Speaker 2: Promise me, promise me this one thing, girl that you're
• 54:53
  Speaker 2: gonna leave Sack at your wigs ass alone. You can
• 54:56
  Speaker 2: do so much better for yourself. Friend, I don't want
• 55:00
  Speaker 2: to see your ass at the cross roads early.
• 55:03
  Speaker 3: Unless you bring my makeup. I ain't gonna lie over here. Yeah,
• 55:09
  Speaker 3: he was at he.
• 55:12
  Speaker 6: Was.
• 55:12
  Speaker 2: He really was, he really was.
• 55:13
  Speaker 3: He gave it like I really felt. I really felt bad,
• 55:16
  Speaker 3: like I really felt bad like watching him, and I'm like, damn,
• 55:20
  Speaker 3: it's too bad. We ain't gonna see him for the
• 55:21
  Speaker 3: rest of the movie, right, because she ain't over yet,
• 55:24
  Speaker 3: so she leaves out of the room. She goes back
• 55:28
  Speaker 3: to the lobby where she met Lolo at and she
• 55:32
  Speaker 3: calls Sack Juwel on the phone and says, hey, baby,
• 55:35
  Speaker 3: you know friend isn't doing so well, Like he's in hospice.
• 55:38
  Speaker 2: I didn't even know. But I'm gonna stay here with
• 55:41
  Speaker 2: him for like the rest of the night, day. I'm
• 55:43
  Speaker 2: staying here well past visiting hours. They understanand and that
• 55:46
  Speaker 2: I told him I was family. They're gonna let me
• 55:47
  Speaker 2: stay until he like transitions and I think we heard
• 55:50
  Speaker 2: on front right, baby, it's cool, you know what. I
• 55:51
  Speaker 2: know it was your friend, you know, so he didn't
• 55:54
  Speaker 2: think anything of it. She calls her mother and you
• 55:57
  Speaker 2: used to. She tells he mother the same thing. She's like, well, yea,
• 56:00
  Speaker 2: the kids are fine, I'm here. But the mother said
• 56:03
  Speaker 2: that the cousin was the cousin's named Shante or she Shana.
• 56:13
  Speaker 4: Shanna.
• 56:14
  Speaker 2: Yeah, you know your cousin Shana stopped by.
• 56:17
  Speaker 3: You know.
• 56:17
  Speaker 2: She says she had hot date to night. So she
• 56:19
  Speaker 2: went in your remember and bought some of your stuff.
• 56:20
  Speaker 2: I mean she always like touching your stuff.
• 56:23
  Speaker 3: Girl, you know.
• 56:25
  Speaker 2: So that sent off like a like a like a
• 56:27
  Speaker 2: little thought in their head, like where where is this
• 56:29
  Speaker 2: picture going with my stuff? So seeing a new scene
• 56:33
  Speaker 2: opens up and it's okay, it's it's Sacajawea Lolo and uh,
• 56:46
  Speaker 2: secondary is well, it's one of his home boys who
• 56:48
  Speaker 2: Lolo just happens to be dating. And they in this
• 56:51
  Speaker 2: this like lounge or bar whatever. They they fucked up.
• 56:53
  Speaker 2: They're getting high, they drinking, they spoken. I think Lolo
• 56:57
  Speaker 2: is half naked in this scene.
• 57:00
  Speaker 4: Mm hmm.
• 57:02
  Speaker 3: Told him like, yo, you got.
• 57:04
  Speaker 2: You gotta stop tweating my best friend, Like like, bitch,
• 57:06
  Speaker 2: shut up, you do what the fuck I'm doing?
• 57:09
  Speaker 3: You bad? Stop because she you know, before she come
• 57:11
  Speaker 3: get him. Man, She said she staying in the hospital,
• 57:14
  Speaker 3: so we got so.
• 57:16
  Speaker 2: He goes, he goes in the other room, shut the door.
• 57:19
  Speaker 2: We don't know who's in the room yet, and maybe
• 57:21
  Speaker 2: no more than ten seconds after the door to the
• 57:24
  Speaker 2: room shuts. Lolo and old boys sitting there talking and
• 57:28
  Speaker 2: walks Brooklyn, Brooklyn Hall and.
• 57:30
  Speaker 3: Queens and it said, oh ship, oh girl, Oh my god, girl,
• 57:35
  Speaker 3: what you doing here? Girl? He's about to go down.
• 57:38
  Speaker 2: And the guy was like, hey rock r r r
• 57:43
  Speaker 2: r h.
• 57:46
  Speaker 3: M hm oh no, that's because the niggas was way.
• 57:49
  Speaker 3: They wanted that ship. It rocks your girl. Here she here.
• 57:56
  Speaker 2: So she's beating on door telling him to come out
• 57:59
  Speaker 2: and back door. M hm uh. He comes up, comes
• 58:06
  Speaker 2: out the room and it's like, oh baby, you know,
• 58:08
  Speaker 2: it wasn't doing nothing. We was just sitting here talking
• 58:10
  Speaker 2: to Ain't nobody in the room. So it come to
• 58:12
  Speaker 2: find out her cousin, Shannon Shanna. Shanna comes out, Oh,
• 58:19
  Speaker 2: we wasn't do nothing. We were just playing strip poker,
• 58:22
  Speaker 2: and she proceeds to beat the hell out of her cousin.
• 58:26
  Speaker 3: So beat it down and mind.
• 58:30
  Speaker 2: Over the guy she messing with and sack jewels. All
• 58:34
  Speaker 2: they just cackling. They just laughing about she beating the
• 58:37
  Speaker 2: hell out of it out of her cousin. And then
• 58:39
  Speaker 2: when she goes to grab the bottle to like be
• 58:41
  Speaker 2: a cousin over here with the bottle sack of jewis
• 58:43
  Speaker 2: baby alre chilled. You know you're doing this too much,
• 58:45
  Speaker 2: you taking it too far. It's all good, my bad.
• 58:47
  Speaker 2: You know I wasn't. We weren't even doing it. Were
• 58:49
  Speaker 2: just they're playing strip poker. Well you're tripping. You tripping
• 58:52
  Speaker 2: for no reason. Baby. She beat the hell out of
• 58:59
  Speaker 2: it girl, rightfully, so she did so. She said, fuck this,
• 59:03
  Speaker 2: I'm done. I'm leaving you.
• 59:05
  Speaker 3: Whooped it.
• 59:05
  Speaker 2: Oh bl blah blah blah blah blah blah. She said.
• 59:07
  Speaker 2: He said, bitch, if you leave me, I'm gonna kill
• 59:09
  Speaker 2: you because the vaka here nobody can have He.
• 59:12
  Speaker 4: Said that multiple times.
• 59:13
  Speaker 2: He said that multile time movie. So fast forward again,
• 59:18
  Speaker 2: she disaippeared. She I guess when he went to the
• 59:22
  Speaker 2: trip on the trip to make the drug run. She
• 59:26
  Speaker 2: moved out Clan Clan Clan Distantley or claned to Steinley
• 59:31
  Speaker 2: under Clandi Steine conditions and moved back in with her mother.
• 59:35
  Speaker 2: And while all of this is going on, it comes
• 59:38
  Speaker 2: out that her husband, her ex husband who died, had
• 59:42
  Speaker 2: a life insurance policy, and also between the life insurance
• 59:47
  Speaker 2: policy she had and the money from the house that
• 59:49
  Speaker 2: was sold that they had literally just moved into it
• 59:51
  Speaker 2: right before he died, she had was sitting on about
• 59:54
  Speaker 2: half a million dollars just cash. You know. That was
• 59:58
  Speaker 2: that she had been safe in the whole time, and
• 1:00:00
  Speaker 2: Lolo's asked something. Part of the reason with her and
• 1:00:02
  Speaker 2: Lolo fell out after the she beat up her cousin
• 1:00:05
  Speaker 2: was Lolo was at a girl, you ain't help nobody
• 1:00:06
  Speaker 2: out with that. You've been sitting on almost some half
• 1:00:08
  Speaker 2: a million dollars the whole time and didn't say nothing
• 1:00:10
  Speaker 2: to nobody. She's like, girl, that's that's for my future.
• 1:00:12
  Speaker 2: Why would I get Why would I share that money
• 1:00:14
  Speaker 2: with you?
• 1:00:15
  Speaker 5: Right?
• 1:00:15
  Speaker 4: Like, first of all, I didn't even know about it
• 1:00:17
  Speaker 4: at first. She just found out.
• 1:00:19
  Speaker 3: No, But it was basically because she she wasn't showing enoughing.
• 1:00:23
  Speaker 3: All she did was get high. She high in party
• 1:00:25
  Speaker 3: and it's like, yeah, I'm not giving you no bread
• 1:00:27
  Speaker 3: just for you just smoking smoke and drink that shit away, right.
• 1:00:30
  Speaker 2: Lolo, She was like, well, all you do is all
• 1:00:32
  Speaker 2: you want to do is party? Like you we don't
• 1:00:34
  Speaker 2: do nothing, is you not? You didn't ask me to
• 1:00:36
  Speaker 2: invest in your shop. You just want mamma to give
• 1:00:38
  Speaker 2: you money for for what reason? Like? So, yeah, we
• 1:00:47
  Speaker 2: fast forward and she's moved out of the house. He's
• 1:00:50
  Speaker 2: still trying to get his family bag, and she he's
• 1:00:55
  Speaker 2: ritten past her mother's house. She's not there. She she's like,
• 1:00:58
  Speaker 2: he's leaving her voicemails and we're hearing him leave her voicemails. Baby,
• 1:01:02
  Speaker 2: you knew how to stop by your mama house. I've
• 1:01:04
  Speaker 2: been trying to find you know, I'm really working on myself.
• 1:01:06
  Speaker 2: You know, I got these demons on me, and they
• 1:01:09
  Speaker 2: working on me man, And you know I just need you, bitch.
• 1:01:13
  Speaker 2: You said you was leaving me, bitch. Don't want your
• 1:01:15
  Speaker 2: raggedy ass but me, bitch baby calling me back.
• 1:01:19
  Speaker 3: You look your kids. What kind of mother you leave?
• 1:01:23
  Speaker 3: You just leave your kids? He was up and leave
• 1:01:27
  Speaker 3: and yeah, he did you know that that ship?
• 1:01:30
  Speaker 2: I better let you, baby, I was like, it's right.
• 1:01:39
  Speaker 2: So the scene changes again and come to find out
• 1:01:42
  Speaker 2: she is in Atlanta right before her friend, the gay
• 1:01:47
  Speaker 2: friend died. He also told her they were talking about
• 1:01:50
  Speaker 2: going into business. Like selling like hair, selling bundles of
• 1:01:53
  Speaker 2: hair to people who buy hair to get their hair done.
• 1:01:55
  Speaker 2: So she had with the money that she had been
• 1:01:59
  Speaker 2: saving from her ex husband. Her plan was to basically
• 1:02:02
  Speaker 2: to get away from oh from Second Juwea, to move
• 1:02:06
  Speaker 2: to Atlanta start her business. And every day she told
• 1:02:09
  Speaker 2: her mother and the mother was like, well, she I'm
• 1:02:11
  Speaker 2: coming too. That man keeping me away from my grandbabies.
• 1:02:15
  Speaker 2: Didn't you know that motherfucker is crazy. I had he
• 1:02:17
  Speaker 2: called me fifty times a day every day.
• 1:02:18
  Speaker 3: This is that you've been gone. I had to get
• 1:02:20
  Speaker 3: rid of my.
• 1:02:21
  Speaker 2: House, fune. So they set the scene to have a
• 1:02:24
  Speaker 2: going away party, and she closes on the new business
• 1:02:28
  Speaker 2: and closes on the new house in Atlanta, and she
• 1:02:30
  Speaker 2: comes back to Detroit for the kids and for the
• 1:02:34
  Speaker 2: going away party for her mother. So all of this
• 1:02:37
  Speaker 2: is going on, Second Juwea's calling and he outside the
• 1:02:41
  Speaker 2: house lurking around like a cat burglar, and because he
• 1:02:44
  Speaker 2: ain't her from her in months, and Lolo is telling
• 1:02:47
  Speaker 2: him basically like yo, like she don't want you no more,
• 1:02:49
  Speaker 2: like it's been months.
• 1:02:50
  Speaker 4: But somebody told him about the damn party.
• 1:02:54
  Speaker 2: She did.
• 1:02:55
  Speaker 3: No MAM's her mother posted it yeah.
• 1:02:58
  Speaker 2: Mother posted it on social media and he saw it
• 1:03:01
  Speaker 2: and was like, what type of bullshit is this? What
• 1:03:02
  Speaker 2: you mean she moving to Atlanta? What type of shooter
• 1:03:04
  Speaker 2: is this? So what's Oh my man?
• 1:03:13
  Speaker 4: No, no, I was doing. Oh yeah, I don't have anything.
• 1:03:20
  Speaker 4: Go see your brother.
• 1:03:22
  Speaker 3: Yeah, missing, But that was that was that was some
• 1:03:26
  Speaker 3: ship to fuck with me too, because it's like, yo,
• 1:03:29
  Speaker 3: if we are if I got a crazy ass, if
• 1:03:32
  Speaker 3: I got a crazy ass boyfriend, and I know this,
• 1:03:35
  Speaker 3: Nigga is wilding and I'm saying or were leaving, You're
• 1:03:38
  Speaker 3: saying you coming with me. I'm not posting ship on
• 1:03:42
  Speaker 3: it and I'm not posting ship to nobody. I ain't
• 1:03:44
  Speaker 3: even calling him about the bitch we leaving, like when
• 1:03:46
  Speaker 3: we leave.
• 1:03:47
  Speaker 2: And she asked her mother when Nigga got to the house,
• 1:03:49
  Speaker 2: like my she when she walkeed out, I guess it
• 1:03:51
  Speaker 2: was the it was the the baby's was it? It
• 1:03:54
  Speaker 2: wasn't the baby shower? No, so babies. We we skipped
• 1:03:58
  Speaker 2: up the baby shower.
• 1:03:58
  Speaker 4: Somebody did invite him to the baby The.
• 1:04:00
  Speaker 2: Mother invited him to the baby shower because that was
• 1:04:04
  Speaker 2: he was. She she he's a change man, Harlem. He
• 1:04:07
  Speaker 2: said he got them demons on him and he did
• 1:04:10
  Speaker 2: all the stuff, and you know you gotta listen to him.
• 1:04:13
  Speaker 2: So at the baby shower, he came in hide as hell,
• 1:04:17
  Speaker 2: and she sitting there and pink blowed up like a
• 1:04:20
  Speaker 2: pregnant moment. You know, she did look beautiful, but she's
• 1:04:23
  Speaker 2: a baby. Got your push prison, you know, and you
• 1:04:26
  Speaker 2: know you really got to check out this push rip.
• 1:04:27
  Speaker 3: She was like, it's no material gifts you can give
• 1:04:29
  Speaker 3: me to make me want to get back with you.
• 1:04:31
  Speaker 2: He's not a material grip. So they in the car
• 1:04:35
  Speaker 2: riding somewhere.
• 1:04:35
  Speaker 3: She's like, second, you will, where are we going? I
• 1:04:39
  Speaker 3: don't feel I don't feel comfortable with this. Take me home.
• 1:04:43
  Speaker 4: You got your stupid ass and a call.
• 1:04:46
  Speaker 3: Stupid ass got me feeling like they was put thrilling
• 1:04:49
  Speaker 3: like this.
• 1:04:50
  Speaker 2: I thought he was gonna kill her ass. I thought
• 1:04:52
  Speaker 2: he was gonna kill her ass. I was like, no,
• 1:04:54
  Speaker 2: why would you get in this car. It's crazy neiggas
• 1:04:56
  Speaker 2: that he's gonna kill you because.
• 1:04:59
  Speaker 4: Wash and dry, to sink in the toilet, the refrigerator
• 1:05:03
  Speaker 4: and the microwave and.
• 1:05:04
  Speaker 3: Cousin's a TV movie. I thought he was gonna kill her.
• 1:05:06
  Speaker 3: Then try to try to you know, steal the baby,
• 1:05:09
  Speaker 3: try to burn but no. Come to find out, he
• 1:05:12
  Speaker 3: led her to this older banded house out in the
• 1:05:13
  Speaker 3: middle of nowhere and it come to find out, he
• 1:05:17
  Speaker 3: had kidnapped the guy. In case you haven't figured this
• 1:05:19
  Speaker 3: out yet, Saka Jewey was is his business was a
• 1:05:22
  Speaker 3: street court of pharmaceuticals. Yeah, m hm, street corner pharmaceuticals.
• 1:05:30
  Speaker 2: So, come to find out Saka Jewel had kidnaped, found
• 1:05:34
  Speaker 2: the kidnapped the guy who killed her ex husband in
• 1:05:36
  Speaker 2: front of her and her ex husband or her husband, yeah,
• 1:05:40
  Speaker 2: her ex husband because they're not married no more, because
• 1:05:43
  Speaker 2: he dead. Technically she's a widow her late husband, her
• 1:05:46
  Speaker 2: late husband, okay, technical some man takes and her late husband.
• 1:05:52
  Speaker 2: He found a guy, kidnapped and beat him up and
• 1:05:54
  Speaker 2: bought him to brought him in five minutes. Right, he
• 1:05:58
  Speaker 2: was only the first I missing movie and he's a baby.
• 1:06:02
  Speaker 2: This is your push gift. I found the motherfucker that
• 1:06:05
  Speaker 2: killed your ex husband or killed your husband. You got
• 1:06:09
  Speaker 2: anything you want to say to this man before before
• 1:06:11
  Speaker 2: he and she walks up there.
• 1:06:15
  Speaker 3: But she said, Aaron, I can't even remember what the
• 1:06:18
  Speaker 3: fuck she said. It was something, bro, it was something.
• 1:06:19
  Speaker 3: It was something that did.
• 1:06:21
  Speaker 4: It was something crazy.
• 1:06:22
  Speaker 2: What does she say to him irrelevantly? Can move past?
• 1:06:25
  Speaker 2: Because it was something she was shocked at first, but
• 1:06:27
  Speaker 2: she was like and then turned around and walked off.
• 1:06:31
  Speaker 2: And I guess the dude was that did was killed
• 1:06:32
  Speaker 2: because we didn't hear the guns shot after that or anything.
• 1:06:35
  Speaker 2: So fast forward to to the going away party.
• 1:06:39
  Speaker 3: It's gonna bring our family back.
• 1:06:40
  Speaker 2: It's gonna bring our family back together, because I'm gonna
• 1:06:42
  Speaker 2: get my family back. So apparently Lolo and sack Will
• 1:06:48
  Speaker 2: pulled up at the house at the exact same time,
• 1:06:50
  Speaker 2: or he was sitting there lurking outside the outside the
• 1:06:53
  Speaker 2: house when when Lolo pulled up. So he's like, Lolo,
• 1:06:57
  Speaker 2: you see about this on I soald on Facebook. We
• 1:07:01
  Speaker 2: moved to Atlanta, Nick say we She was like, Lola
• 1:07:06
  Speaker 2: was like, we y'all, y'all not moving. She's moving to
• 1:07:09
  Speaker 2: Atlanta to start over.
• 1:07:12
  Speaker 3: Yeah, And that's when he revealed that he that that
• 1:07:16
  Speaker 3: that that money that she got, that money that she got,
• 1:07:19
  Speaker 3: they came from her husband. He was actually working. They
• 1:07:22
  Speaker 3: was actually working together, and he wanted and he wanted out,
• 1:07:26
  Speaker 3: and because he wanted out, he couldn't have that because
• 1:07:29
  Speaker 3: they made a lot of money together.
• 1:07:32
  Speaker 2: So well, what what I couldn't understand was and I
• 1:07:35
  Speaker 2: quit that part. But the thing that that I was
• 1:07:37
  Speaker 2: questioning while I was watching this was did secondary were
• 1:07:42
  Speaker 2: set up? Yeah?
• 1:07:45
  Speaker 3: He said, okay, okay, he set the murder up. That's why.
• 1:07:50
  Speaker 3: And like when she said he got he got them.
• 1:07:52
  Speaker 3: When she told him that that her husband got up,
• 1:07:54
  Speaker 3: his brain's blown on, blown out in front of her.
• 1:07:57
  Speaker 3: He was like, you know we like you know for real,
• 1:07:59
  Speaker 3: like like like where he at? She was like, and
• 1:08:02
  Speaker 3: then she told him, like there's that location. He was like, yeah,
• 1:08:07
  Speaker 3: you know what I'm saying, like eyes, eyes a little
• 1:08:09
  Speaker 3: wide like and I'm like, yeah, that nigga know some ship.
• 1:08:11
  Speaker 3: Then you find out like, yo, he set he set
• 1:08:14
  Speaker 3: the ship up because the man, you know, he was
• 1:08:17
  Speaker 3: trying he was trying to be outcon second Joeya Dela Cruz,
• 1:08:23
  Speaker 3: because that's what that's what, that's what, that's what. That's
• 1:08:27
  Speaker 3: what Dela Cruise did. He said, I'm leaving because I
• 1:08:34
  Speaker 3: gotta go home to Coco, to my to my Coco. Yeah,
• 1:08:38
  Speaker 3: he poisoned him. Let the man left that man and
• 1:08:40
  Speaker 3: die in the street and stole his book. We don't
• 1:08:46
  Speaker 3: play by Bruno No no, no no no song type
• 1:08:50
  Speaker 3: this song forever? So remember me from what from Cocoa?
• 1:08:55
  Speaker 2: Don't I ain't never seen Coco?
• 1:08:56
  Speaker 3: Bro, damn Bro.
• 1:08:59
  Speaker 2: Episode title is I want my family back? What's the
• 1:09:07
  Speaker 2: song from from Bruno Coco?
• 1:09:09
  Speaker 3: Remember me?
• 1:09:12
  Speaker 2: Who singing?
• 1:09:14
  Speaker 1: Then?
• 1:09:15
  Speaker 2: Why are you looking at me? Keep talking? So, so
• 1:09:16
  Speaker 2: he pops with the house talking a little. He explains
• 1:09:18
  Speaker 2: basically the whole situation to Lolo. Lolo's ass is just
• 1:09:22
  Speaker 2: shocked as hell that he basically set up Emory to
• 1:09:26
  Speaker 2: get the husband. Name was Emory, set up Emory to
• 1:09:28
  Speaker 2: get murdered, and then moved in on em Emory's ex
• 1:09:32
  Speaker 2: ex wife and got her pregnant and admitted to fucking around,
• 1:09:36
  Speaker 2: which I mean, Lolo already knew, and a whole bunch
• 1:09:39
  Speaker 2: of shit. But he said, in spite of all of that,
• 1:09:42
  Speaker 2: I want my family back, and I'm gonna get my
• 1:09:44
  Speaker 2: family back.
• 1:09:47
  Speaker 3: That ship puts ain't gonna lie.
• 1:09:50
  Speaker 2: Hey, hey, mis sure how you doing? So the mother
• 1:09:55
  Speaker 2: comes out pushing the baby in the stroller, baby true
• 1:09:58
  Speaker 2: in the stroller, and and he's sitting there talking. He's
• 1:10:01
  Speaker 2: standing outside talking to her, and she well, he proceeds
• 1:10:05
  Speaker 2: to attempt to walk past, you know, harllering his mother.
• 1:10:09
  Speaker 2: She said, nigga, where you going, Come get your damn baby,
• 1:10:11
  Speaker 2: and she walks off. He said, well, you know I
• 1:10:14
  Speaker 2: always didn't like you, Miss Chryl. You know, you keep
• 1:10:17
  Speaker 2: me straight, you keep me honest. So he pushes the
• 1:10:19
  Speaker 2: stroller back into the house and then he looks around.
• 1:10:21
  Speaker 2: When he gets in the front door, day, mischele you
• 1:10:23
  Speaker 2: cleaning out your house?
• 1:10:24
  Speaker 3: What what's going on?
• 1:10:27
  Speaker 2: So she looks at him and rolls her eyes and
• 1:10:29
  Speaker 2: walks away. You're going right. He goes in the backyard,
• 1:10:33
  Speaker 2: sees Harlem London Brooklyn talking to people and you know
• 1:10:37
  Speaker 2: it's a I guess it was. It was a going
• 1:10:39
  Speaker 2: away party. He left a red envelope for his daughter.
• 1:10:45
  Speaker 2: Before that, he left the envelope, gave it to you know,
• 1:10:48
  Speaker 2: miss Chryl for his daughter and said, let true read
• 1:10:51
  Speaker 2: that when you get a chance. But also when he
• 1:10:54
  Speaker 2: went to leave to go in the house, Miss s
• 1:10:56
  Speaker 2: Sherl was like, hey, nigga, take that. Ain't no guns
• 1:10:58
  Speaker 2: allowed at my party? She said, you know, you never
• 1:11:01
  Speaker 2: know where you're at. You know, this neighborhood not all
• 1:11:03
  Speaker 2: that's safe, mind mind you They deep deep in the suburbs.
• 1:11:06
  Speaker 2: Ain't nothing but luxury suv surrounding and saying off at
• 1:11:09
  Speaker 2: the house with manicure lawns all around them. But he said,
• 1:11:12
  Speaker 2: my bad, Michelle. You know, I'm gonna put this in
• 1:11:14
  Speaker 2: the car ipp be back. So they're going to party
• 1:11:17
  Speaker 2: and he comes in and he talks to London Brooklyn
• 1:11:22
  Speaker 2: Harlem about you know, the plans, and they sitting in
• 1:11:24
  Speaker 2: the in the rock and chair and that's the girl name,
• 1:11:29
  Speaker 2: and he's like, so big, so so what's up with Atlanta?
• 1:11:32
  Speaker 2: Tell me about it. I ain't never been before. And
• 1:11:34
  Speaker 2: she's like, tell you what about Atlanta. I'm so like
• 1:11:38
  Speaker 2: when we're leaving, like what's the plan where we're going?
• 1:11:40
  Speaker 2: Because you know, because you know Shawna, you know, I
• 1:11:42
  Speaker 2: want to give my family back. I wanted to do
• 1:11:45
  Speaker 2: whatever to get my family back. She looks at him, confused,
• 1:11:52
  Speaker 2: like get your family back. She was like, you invited
• 1:11:55
  Speaker 2: me over here to talk so we can start fresh.
• 1:11:57
  Speaker 3: And she was like, uh no, I can't talk about
• 1:12:01
  Speaker 3: a custody He came in for.
• 1:12:03
  Speaker 2: True, right, we're here to talk about a custody agreement
• 1:12:06
  Speaker 2: for True. If you need, I can pay for a lawyer.
• 1:12:10
  Speaker 2: For both of us, so we can iron it out
• 1:12:11
  Speaker 2: that way. But I thought that we could discuss this,
• 1:12:15
  Speaker 2: you know, like adults, so we can. He was like, so,
• 1:12:19
  Speaker 2: so we can start over fresh and I can get
• 1:12:21
  Speaker 2: my family back, right. But he no, But the nigga
• 1:12:26
  Speaker 2: he was hearing what he wanted to hear.
• 1:12:29
  Speaker 4: Yeah, yeah, because he already had his mind made up.
• 1:12:31
  Speaker 4: That's what he didn't want to accept. He was living
• 1:12:35
  Speaker 4: in the land of no.
• 1:12:37
  Speaker 3: He didn't like the fact that Joe this time yo,
• 1:12:39
  Speaker 3: he couldn't. He couldn't. He can manipulate the situation. He
• 1:12:42
  Speaker 3: could buy her something, and she was around a bunch
• 1:12:46
  Speaker 3: of people, so she couldn't bust something, so he couldn't
• 1:12:48
  Speaker 3: bust on the forehead to be like before.
• 1:12:52
  Speaker 2: And Lolo said that when after you know, he was
• 1:12:56
  Speaker 2: a bit. If I can't hen you, nobody can't have you.
• 1:12:58
  Speaker 2: You think you're gonna let you take take my kids
• 1:13:02
  Speaker 2: and move out of town and shoot with it. I
• 1:13:06
  Speaker 2: can't go nowhere with my kids, bitch, she said, Okay, now,
• 1:13:09
  Speaker 2: mind you. This girl flashes little as toy gun that
• 1:13:11
  Speaker 2: she's been holding her purse this whole time. But she
• 1:13:14
  Speaker 2: basically grabbed her person and said yeah, okay and walks away,
• 1:13:18
  Speaker 2: and the niggas sitting with me.
• 1:13:20
  Speaker 3: Like like you you you thought she was doing so
• 1:13:23
  Speaker 3: much till the twenty two.
• 1:13:25
  Speaker 2: Right, he's sitting there, he's getting mad faces.
• 1:13:29
  Speaker 7: Tritching, like community that you can head, like you can head,
• 1:13:33
  Speaker 7: you can ahead the heavy breezing, so he he.
• 1:13:39
  Speaker 2: Basically storms out. He shakes his head like all right, bet,
• 1:13:42
  Speaker 2: this's what we're gonna do. This is what we're gonna do.
• 1:13:44
  Speaker 2: So he gets up, walks around the house and walks
• 1:13:46
  Speaker 2: start walking towards his car. He turns around and looks
• 1:13:49
  Speaker 2: at the front window and sees London Brooklyn Harle. I'm
• 1:13:51
  Speaker 2: standing there holding his daughter playing with in the front
• 1:13:54
  Speaker 2: window and ship. He like turns around, goes to his car.
• 1:14:00
  Speaker 2: Now London Brooklyn Harlem is in the living room changing
• 1:14:03
  Speaker 2: the babies, attempting to change the baby's diaper, and she
• 1:14:06
  Speaker 2: sits a purse down with the gun they showed. They
• 1:14:09
  Speaker 2: made sure they show the purse. How she pushes it
• 1:14:11
  Speaker 2: like I guess out of reach. She's like, oh no,
• 1:14:14
  Speaker 2: we can't have this close to you baby while I
• 1:14:15
  Speaker 2: change the diaper, So she pushes it to like the
• 1:14:17
  Speaker 2: fall end of the table. To where even she can't
• 1:14:19
  Speaker 2: reach it, dumb ass true, And I think in the
• 1:14:24
  Speaker 2: midst of her it took to change the baby's diaper.
• 1:14:26
  Speaker 2: I'm know she knocked it over if true grabbed it
• 1:14:28
  Speaker 2: and like pushed like some jelly beans off of a
• 1:14:30
  Speaker 2: table or something. But something got knocked over. And she's
• 1:14:33
  Speaker 2: like the baby's on the couch and she's on the
• 1:14:37
  Speaker 2: floor like she set her down, like all right, hold on,
• 1:14:40
  Speaker 2: hold on, don't move nothing right, and she's like trying
• 1:14:43
  Speaker 2: to pick up these jelly beans. And all of a
• 1:14:45
  Speaker 2: sudden you hear, you know, little Emery at the front
• 1:14:47
  Speaker 2: door say I hate you.
• 1:14:48
  Speaker 3: I hate you.
• 1:14:50
  Speaker 4: No, I hate you.
• 1:14:51
  Speaker 2: And she's like, baby, who are you talking to? Just
• 1:14:56
  Speaker 2: standing at the door like m and she's she stopped.
• 1:14:59
  Speaker 2: She says up, like who you're talking to?
• 1:15:02
  Speaker 4: I hate you? I hate you?
• 1:15:04
  Speaker 2: And then you see a gun and little boy falls.
• 1:15:09
  Speaker 4: That ship killed me, yo, I'm sorry as he was.
• 1:15:16
  Speaker 2: I never did like your little punk ass anywhere a
• 1:15:17
  Speaker 2: little bitch. He steps over the little boys worry body.
• 1:15:20
  Speaker 3: I was like, right, I was like nah.
• 1:15:25
  Speaker 2: So he comes in not the baby out London haul
• 1:15:29
  Speaker 2: and Brooklyn is on the floor like no, no, baby,
• 1:15:31
  Speaker 2: please don't. She said, Oh, now I'm good enough for you, bitch.
• 1:15:34
  Speaker 2: You was gonna leave me right, I told you, bitch.
• 1:15:36
  Speaker 2: If I can't have you, bitch, nobody can have you, bitch.
• 1:15:40
  Speaker 2: And then the scene switches to people out in the
• 1:15:42
  Speaker 2: yard and you just say, gunshots ring out and everybody's
• 1:15:46
  Speaker 2: fake ass running They was doing.
• 1:15:50
  Speaker 4: Mm hmm yo. So he goes out the door, out
• 1:15:55
  Speaker 4: the front door. The mother goes in the house.
• 1:15:57
  Speaker 2: No, but before that, right before that happened. He goes
• 1:16:01
  Speaker 2: up the front door. The people are running to their
• 1:16:04
  Speaker 2: cars in the front yard and Lolo is trying to
• 1:16:07
  Speaker 2: get her jeep and she for whatever reason frombling hers.
• 1:16:09
  Speaker 3: Oh no, the kid, the kid shoot won't work.
• 1:16:12
  Speaker 2: He walks up shoots her point blake range in.
• 1:16:13
  Speaker 3: The head like time three times. He's like pop, pop pop.
• 1:16:22
  Speaker 2: He goes to getting his car, bops off, stacking jewe
• 1:16:25
  Speaker 2: assist damn so getting the car shut, the door, rubbing
• 1:16:29
  Speaker 2: his braize and ship like. So. Meanwhile, her mother, missus Ryl,
• 1:16:35
  Speaker 2: goes in the house, balls out on the ground and
• 1:16:43
  Speaker 2: ship baby. So she picks up true and she's like,
• 1:16:54
  Speaker 2: oh baby, don't look.
• 1:16:58
  Speaker 4: Like I was getting my ass, you know, what's going on?
• 1:17:01
  Speaker 3: She found that gun she got she shut the gun,
• 1:17:04
  Speaker 3: go out to him, my baby, my baby a gun
• 1:17:09
  Speaker 3: like like she and juice like, yo, I told you,
• 1:17:12
  Speaker 3: I told Sean all he had to do, all he
• 1:17:15
  Speaker 3: had to do for me. They say, hey, Mama, Cheryl,
• 1:17:19
  Speaker 3: how my head looked.
• 1:17:23
  Speaker 2: So this nigga proceeds to take his little his little
• 1:17:25
  Speaker 2: Chinese secondary hat off. Rob smooths his head down, his
• 1:17:29
  Speaker 2: sister back like miss Shirk, got the gun in his face.
• 1:17:32
  Speaker 4: I'm like, why do you shoot him?
• 1:17:34
  Speaker 2: Right?
• 1:17:34
  Speaker 4: Why do you shoot him?
• 1:17:35
  Speaker 2: So he stakes his hat off with a smirk on
• 1:17:37
  Speaker 2: his face like bitch and proceeds to shoot himself through
• 1:17:42
  Speaker 2: the face and kills himself and mis cheer after watching
• 1:17:45
  Speaker 2: him blow his own brains out, she flings uself on
• 1:17:50
  Speaker 2: the lawn and she's.
• 1:17:52
  Speaker 3: She rolling around like she rolling around like Cameron did.
• 1:17:56
  Speaker 4: And so like, you had the gun right, didn't you
• 1:18:00
  Speaker 4: shoot him?
• 1:18:01
  Speaker 2: Now? While all this is going on, this is the
• 1:18:03
  Speaker 2: end of the movie. Is the end of the scene
• 1:18:04
  Speaker 2: that this drone who's capturing the footage is starting to
• 1:18:07
  Speaker 2: like paying out from the scene. You see Mama Shirt
• 1:18:11
  Speaker 2: on the ground rolling around just screaming and crying. He
• 1:18:13
  Speaker 2: in the front seat slumped over, and then Logo's dumb
• 1:18:16
  Speaker 2: asses laid out on the sidewalk in front of the
• 1:18:18
  Speaker 2: house like this, and then it's the movie.
• 1:18:20
  Speaker 3: Ends, and I was like, and then then it comes
• 1:18:23
  Speaker 3: back to the come back to the note that he
• 1:18:26
  Speaker 3: left for his daughter, and Shorty just sitting there playing
• 1:18:29
  Speaker 3: in blood by her by her mother, by her ma,
• 1:18:35
  Speaker 3: with the with the bad makeup. Yeah, the bad makeup
• 1:18:40
  Speaker 3: for that was that was that. That was the part
• 1:18:42
  Speaker 3: of city wound makeup.
• 1:18:46
  Speaker 4: But it needless to say, don't be Harlem.
• 1:18:52
  Speaker 2: Why would you invite this guy if you knew, you
• 1:18:55
  Speaker 2: said before early in the movie, Why would I want
• 1:18:58
  Speaker 2: to be around somebody with a gun makes those types
• 1:19:00
  Speaker 2: of threats? Why would you then, in turn invite him
• 1:19:03
  Speaker 2: to a going away party?
• 1:19:07
  Speaker 3: He saw that the move was Facebook, he invited something.
• 1:19:10
  Speaker 4: But I thought invited him to the baby shot baby
• 1:19:14
  Speaker 4: that was before. But she invited him to the going
• 1:19:16
  Speaker 4: away she remembers, she said, that's right because she wanted
• 1:19:19
  Speaker 4: to talk to him about the custody thing. That's right.
• 1:19:21
  Speaker 3: I forgot, Yeah, we forgot. We forgot how he killed Shana.
• 1:19:27
  Speaker 4: Oh Ship.
• 1:19:27
  Speaker 3: I forgot.
• 1:19:28
  Speaker 2: Oh yeah, yeah, So skip skip back, skip back. And
• 1:19:33
  Speaker 2: this is why this is this is this is why
• 1:19:36
  Speaker 2: Lolo popped up at the at the going away wasn't fired,
• 1:19:40
  Speaker 2: she invited. So the cousin, Shanea, invited Joe to her
• 1:19:44
  Speaker 2: hotel room under like the pretenses of like, oh, I'm
• 1:19:48
  Speaker 2: gonna help you get her back, and I'm gonna tell
• 1:19:50
  Speaker 2: my cousin that we never did anything so she could
• 1:19:52
  Speaker 2: take you back. So this dumb ass, delusional nigga shows.
• 1:19:55
  Speaker 2: He'm like, so, bitch, what's the plan, Like, I'm gonna
• 1:19:57
  Speaker 2: get my baby back? So she was like, well, I mean,
• 1:20:00
  Speaker 2: I she ain't even here. I just wanted you hear
• 1:20:02
  Speaker 2: all of myself. So giggy giggy, right, So since she
• 1:20:06
  Speaker 2: out the way, we could actually be together.
• 1:20:08
  Speaker 3: He said, you stupid bitch, bitch.
• 1:20:10
  Speaker 2: So he was like, all right, but shit, you want
• 1:20:12
  Speaker 2: to you want to do that ship, let's do it.
• 1:20:13
  Speaker 2: She said you got a rubber and she was like, well,
• 1:20:15
  Speaker 2: we ain't never used Connors before. She was like, but
• 1:20:17
  Speaker 2: you dirty bitch, I'm trying to get my family back.
• 1:20:21
  Speaker 3: Yeah, you know what.
• 1:20:23
  Speaker 4: That's what made me look got about her because I
• 1:20:25
  Speaker 4: didn't like the bitch.
• 1:20:26
  Speaker 3: But but that's what That's what made me ask you.
• 1:20:28
  Speaker 3: That's he that's made me ask you? Was that the
• 1:20:31
  Speaker 3: same Was that the same nigga? Was that the same nigga?
• 1:20:34
  Speaker 3: Because it was so what he did.
• 1:20:36
  Speaker 2: She was like, the nigga you hit me, I'm gonna
• 1:20:38
  Speaker 2: call the police and have your ass locked up. And
• 1:20:40
  Speaker 2: I guess I said them because I saw.
• 1:20:42
  Speaker 4: Twitching, like like your nigga was tripolo bitch.
• 1:20:46
  Speaker 2: Now when I tell you he grabbed this girl, they
• 1:20:48
  Speaker 2: started tussling. He grabbed her next for three seconds that
• 1:20:50
  Speaker 2: she was dead.
• 1:20:51
  Speaker 4: It was like, I was like, but you only got
• 1:20:56
  Speaker 4: to be deprived from oxygen.
• 1:21:00
  Speaker 2: It literally was like a grab and then a throat
• 1:21:02
  Speaker 2: and then was right type of Michaels desperately.
• 1:21:09
  Speaker 4: He snapped.
• 1:21:11
  Speaker 2: Maybe he snapped the next I don't know, but that
• 1:21:13
  Speaker 2: it was literally.
• 1:21:15
  Speaker 4: To know that this dude is a nigga in every
• 1:21:16
  Speaker 4: movie he is and I have not seen him. He
• 1:21:19
  Speaker 4: let her go.
• 1:21:20
  Speaker 3: Yo, you heard the body all you heard about how like?
• 1:21:27
  Speaker 4: So that was if I can't I said, bit when
• 1:21:31
  Speaker 4: I tell you, I'm in a two B group on Facebook.
• 1:21:34
  Speaker 4: And when that movie first came out, it was hell
• 1:21:38
  Speaker 4: in that damn group because everybody was so mad about
• 1:21:42
  Speaker 4: how she let him do her and all the stuff
• 1:21:45
  Speaker 4: that he did.
• 1:21:46
  Speaker 3: It was a hell, y'all know what I'm waiting for?
• 1:21:50
  Speaker 3: What I'm waiting for? That Benz ain't no movie.
• 1:21:54
  Speaker 4: I want them to put that back up. I was disgusted.
• 1:21:56
  Speaker 2: What What's what's happening next?
• 1:21:58
  Speaker 4: I was discussed that's a commercial break.
• 1:22:01
  Speaker 2: And we can go to the Q and a yeah,
• 1:22:03
  Speaker 2: what what?
• 1:22:04
  Speaker 1: What?
• 1:22:04
  Speaker 2: Sea said?
• 1:22:05
  Speaker 4: I don't recommend the movie, but I recommend the movie
• 1:22:08
  Speaker 4: if you haven't seen it already.
• 1:22:10
  Speaker 3: I give it honestly, honest reaction I give I give
• 1:22:14
  Speaker 3: it a six out of ten.
• 1:22:16
  Speaker 4: I give it a four and a half. The acting
• 1:22:19
  Speaker 4: wasn't all that great, I.
• 1:22:20
  Speaker 2: Said, solid five, four and a half five, it was stupid.
• 1:22:24
  Speaker 3: I give it a six because Lo Lo was cute.
• 1:22:28
  Speaker 4: Oh Christal yeah, Christmaler Doll. That's who played Lo Lo.
• 1:22:31
  Speaker 3: She she she pretty good.
• 1:22:33
  Speaker 4: I like her.
• 1:22:34
  Speaker 3: I ain't but sure always the.
• 1:22:36
  Speaker 4: One to play Hall. The name is meaning mom Roe.
• 1:22:38
  Speaker 4: She and a lot of she directed them, directed like her.
• 1:22:42
  Speaker 4: I think that was one of her first.
• 1:22:47
  Speaker 2: Your debut, yeah, I.
• 1:22:49
  Speaker 3: Mean, I'm be honest with you.
• 1:22:50
  Speaker 4: She always looked like she was up the siding because
• 1:22:52
  Speaker 4: she talks like that, and everything she's in her mouth
• 1:22:54
  Speaker 4: was always like that and everything she's in.
• 1:22:56
  Speaker 3: Like is that is that a world?
• 1:22:57
  Speaker 2: Like?
• 1:22:57
  Speaker 3: Is that like? Is that a like condition?
• 1:23:00
  Speaker 4: Because that was one of them things I kept saying,
• 1:23:02
  Speaker 4: they can't stay in her voice and I'm like, you
• 1:23:04
  Speaker 4: can't get mad at the girl because that's how she
• 1:23:06
  Speaker 4: talked like.
• 1:23:07
  Speaker 3: That's just like voice, which I love. I didn't know
• 1:23:12
  Speaker 3: talk like that, Hollywood.
• 1:23:18
  Speaker 4: I was like, is she joking? I never really heard
• 1:23:21
  Speaker 4: her girl voice. I always just heard a thing, so
• 1:23:23
  Speaker 4: I didn't know.
• 1:23:24
  Speaker 3: But yeah, I'll give it. I'll give them a strong
• 1:23:26
  Speaker 3: sex solidfy because they I mean, because they the wigs
• 1:23:32
  Speaker 3: was a lot.
• 1:23:32
  Speaker 4: But it wasn't one of the worst we've seen. Worst.
• 1:23:36
  Speaker 4: The one I watched yesterday was worse. And I don't
• 1:23:38
  Speaker 4: know how I made it through it.
• 1:23:40
  Speaker 3: I was sitting here on the counseide what what was
• 1:23:42
  Speaker 3: what was the side kick name?
• 1:23:44
  Speaker 4: I can't remember his name?
• 1:23:46
  Speaker 3: My friend? Yeah, he made he made them mover from me.
• 1:23:50
  Speaker 3: He was good. I ain't like good. Yeah, I ain't
• 1:23:52
  Speaker 3: like how they gave how you know, they put him
• 1:23:54
  Speaker 3: in the hospital game like all the scar the scabs
• 1:23:56
  Speaker 3: and ship on the face. I was like, damn, he
• 1:23:58
  Speaker 3: neither liked. Damn, you gotta beat up too, Like, no,
• 1:24:02
  Speaker 3: because I know that. I know that. I know that
• 1:24:05
  Speaker 3: ain't just that. Ain't just the thing alone, bro, Like,
• 1:24:09
  Speaker 3: come on.
• 1:24:10
  Speaker 4: You had the package.
• 1:24:11
  Speaker 3: They only gave me a week to live, but leave
• 1:24:16
  Speaker 3: Scott ass alone.
• 1:24:20
  Speaker 2: Mm that's all I'm gonna say.
• 1:24:23
  Speaker 4: Cham m hmm. Check commercial break and hop into the
• 1:24:28
  Speaker 4: Q and.
• 1:24:28
  Speaker 2: A and we're back since shawna mm hmmm. This to
• 1:24:35
  Speaker 2: a commercial break.
• 1:24:37
  Speaker 3: Oh ship, I.
• 1:24:38
  Speaker 4: Gotta do a commercial break, y'all.
• 1:24:44
  Speaker 3: That's what I say, talking.
• 1:24:45
  Speaker 2: About taking my damn job from this. You're welcome, hugs.
• 1:24:52
  Speaker 4: What kind of Shenannikins just took my little piece of
• 1:24:56
  Speaker 4: glory in twenty twenty five straight take it. I guess
• 1:24:58
  Speaker 4: I get to do another one and se from that,
• 1:25:01
  Speaker 4: trying to replace you, David. God, damn it. I just
• 1:25:06
  Speaker 4: showed up.
• 1:25:06
  Speaker 2: Ain't nobody come and see you? Old us showed us.
• 1:25:10
  Speaker 2: They come to the oldest.
• 1:25:11
  Speaker 4: Ask now.
• 1:25:13
  Speaker 3: We're doing that. We don't look at.
• 1:25:20
  Speaker 2: Video at you.
• 1:25:22
  Speaker 3: I told what said he was like he was chewing
• 1:25:25
  Speaker 3: to show that camel.
• 1:25:27
  Speaker 4: It was all right, y'all. Before we get started, If
• 1:25:29
  Speaker 4: you have any questions, coments, topic ideas, Uh movie recommendations,
• 1:25:36
  Speaker 4: Uh Vince rants, no more movie recommendations some ship that
• 1:25:40
  Speaker 4: you just weren't heard on this hip podcast. Y'all can
• 1:25:43
  Speaker 4: reach us via email. We are asking to party at
• 1:25:45
  Speaker 4: gmail dot com. That is a s k W A
• 1:25:47
  Speaker 4: N D A p O D at gmail dot com.
• 1:25:50
  Speaker 4: You can also find us via the Internet. We are
• 1:25:53
  Speaker 4: on all the social media platforms. We are winding all
• 1:25:56
  Speaker 4: da City of podcast on Facebook and YouTube. We are
• 1:26:00
  Speaker 4: underparty underscore on Twitter and ig and we are just
• 1:26:04
  Speaker 4: simply won to part on Blue Sky because they don't
• 1:26:07
  Speaker 4: let us have no underscore. M we don't know why
• 1:26:10
  Speaker 4: hate us. Let us know if you want to be anonymous,
• 1:26:12
  Speaker 4: if you want to use a pseudonym, first name, last
• 1:26:14
  Speaker 4: initial or vice versa double initials, or you just gonna
• 1:26:17
  Speaker 4: use your real name. Because anywhere to Charie with Phil
• 1:26:21
  Speaker 4: Via season one, two, three, four, five, I can't remember
• 1:26:24
  Speaker 4: what damn season it was on Real Housewives of Atlanta.
• 1:26:27
  Speaker 4: Who's gonna check you Bill? Okay, since we talked about Fucker,
• 1:26:32
  Speaker 4: I'm gonna stick to Fuckorea and we're going to six
• 1:26:34
  Speaker 4: brown checks because I can and this question roads. I
• 1:26:40
  Speaker 4: worked two jobs and My boyfriend works one. He was
• 1:26:43
  Speaker 4: married when we met, and I helped pay for his
• 1:26:45
  Speaker 4: divorce lawyer. Now he makes better money than I do
• 1:26:48
  Speaker 4: on paper. We don't have kids, and yet we are
• 1:26:51
  Speaker 4: always broke as fuck. He makes the money, but the
• 1:26:54
  Speaker 4: money never makes it home to me. He said that
• 1:26:57
  Speaker 4: his elderly female boss is having cash flow problems and
• 1:27:00
  Speaker 4: she can't pay everyone on time. I told him to
• 1:27:02
  Speaker 4: stop working for free. He told me she relies on
• 1:27:05
  Speaker 4: him and her small business will fail if he doesn't
• 1:27:07
  Speaker 4: do his part. I take off from my second job
• 1:27:10
  Speaker 4: to visit this old boss bitch and tell her to
• 1:27:13
  Speaker 4: pay my man one. She's not old, she's forty ish
• 1:27:18
  Speaker 4: and fine, she said. Quentin never told me he had
• 1:27:21
  Speaker 4: a girlfriend. I would have never got involved with him
• 1:27:24
  Speaker 4: or moved him in. Quinton walked into her office with
• 1:27:28
  Speaker 4: Starbucks and threw it at me. He was furious and
• 1:27:31
  Speaker 4: told me he never wants to see me again. I
• 1:27:34
  Speaker 4: love him. I invested in him. Advice, Please.
• 1:27:41
  Speaker 3: Just take that out, Just take that out. You can
• 1:27:44
  Speaker 3: do this. Look at London Home. Queen's Nah, this ain't no,
• 1:27:47
  Speaker 3: this ain't Harlem. What's that other bitch?
• 1:27:49
  Speaker 2: Name?
• 1:27:50
  Speaker 3: From One Man's Trash oh god, Ryan, Yeah, like listen.
• 1:27:55
  Speaker 2: Bitch, No, Ryan was the fucker read in that movie? Though?
• 1:27:59
  Speaker 3: True ship This bits is.
• 1:28:01
  Speaker 4: Just dumb because first of all, you're working too, Joe.
• 1:28:02
  Speaker 4: You paid for this man's divorce lawyer.
• 1:28:05
  Speaker 2: What.
• 1:28:07
  Speaker 3: Yeah, that's that's what that's that's what's fucking with me
• 1:28:09
  Speaker 3: right there?
• 1:28:09
  Speaker 4: No what never minds when you y'all probably didn't watch
• 1:28:11
  Speaker 4: this because Brandon started watching Love and Hip Hop after
• 1:28:15
  Speaker 4: the COVID season. No, what's someone married to the brook
• 1:28:21
  Speaker 4: Valley markets married? They married, about to have another baby.
• 1:28:28
  Speaker 4: So he was messing with another girl behind brook back
• 1:28:32
  Speaker 4: and she was a paralegal or something, and she helped
• 1:28:35
  Speaker 4: him file his He was legally married to somebody else,
• 1:28:38
  Speaker 4: not Brooke, and she apparently helps him fool his divorce
• 1:28:41
  Speaker 4: and he told her he was gonna be with her
• 1:28:43
  Speaker 4: and all this other stuff, but he wasn't. And Brooke
• 1:28:46
  Speaker 4: went in front of the girl and all this other stuff,
• 1:28:48
  Speaker 4: and she was just so but hurt because she helped
• 1:28:50
  Speaker 4: him fow his vorce because he was supposed to be right.
• 1:28:53
  Speaker 4: Keep doing this, ma'am, ma'am, like, what are we doing?
• 1:28:58
  Speaker 4: What are we doing here?
• 1:29:02
  Speaker 3: You need another album?
• 1:29:03
  Speaker 4: This man constantly working and he ain't bringing no money home.
• 1:29:05
  Speaker 4: You need to be old school fool. An old school
• 1:29:07
  Speaker 4: fool would have been checking bank statements, pay stubbs something.
• 1:29:13
  Speaker 3: Because I get married Amazon Brown.
• 1:29:17
  Speaker 4: It wasn't It wasn't hell actually that that that that
• 1:29:20
  Speaker 4: came from meet Brown to Richly. But yeah, anyway, like
• 1:29:26
  Speaker 4: I I, there's no way in hell that you are
• 1:29:30
  Speaker 4: in a relationship with somebody. I mean, yeah, that's your boyfriend.
• 1:29:34
  Speaker 4: And allegedly I guess y'all don't live together because she's
• 1:29:38
  Speaker 4: saying that she moved him in were hard, so he
• 1:29:42
  Speaker 4: and a whole number of relationship. Sounds like to me
• 1:29:44
  Speaker 4: that he used you to help pay for his divorce
• 1:29:46
  Speaker 4: so he can be a boss lady or I'm confusion.
• 1:29:49
  Speaker 3: No, no, y'all all y'all together, but you he yeah,
• 1:29:54
  Speaker 3: she paying like yo, she paying. And because she said
• 1:29:57
  Speaker 3: he lives with her, so I'm saying.
• 1:30:00
  Speaker 4: That means he always at your house. You ain't never
• 1:30:02
  Speaker 4: been to his house. That's red flag right there. That's
• 1:30:04
  Speaker 4: not even a red flag. That's a flashing red light.
• 1:30:06
  Speaker 2: Bitch.
• 1:30:06
  Speaker 4: It's gonna buy bar by.
• 1:30:10
  Speaker 3: What what is going on?
• 1:30:12
  Speaker 4: The old school dry Yeah, like the old school dryer
• 1:30:15
  Speaker 4: is loud, and you ignoring it. I'm all the way
• 1:30:18
  Speaker 4: to go off eventually here to stop going on.
• 1:30:21
  Speaker 3: Oh, it's how black people don't hear, Like how they
• 1:30:23
  Speaker 3: say black people don't hear their smoke, Detective, we really don't.
• 1:30:27
  Speaker 4: I don't know.
• 1:30:28
  Speaker 3: After a while, that.
• 1:30:30
  Speaker 4: Should gets you on your nerves, ma'am. I don't even
• 1:30:34
  Speaker 4: know what to tell you. He threw Starbucks at your
• 1:30:37
  Speaker 4: Starbucks be hot. No, Starbucks is expensive.
• 1:30:41
  Speaker 3: No, he's he's sound like a nigga to get an ice. Ice.
• 1:30:45
  Speaker 4: But that's cool.
• 1:30:46
  Speaker 3: So that's still bad.
• 1:30:49
  Speaker 2: And that's cold.
• 1:30:50
  Speaker 4: That's still bad. He threw Starbucks at you, That mean
• 1:30:53
  Speaker 4: he don't give a fuck about life.
• 1:30:54
  Speaker 5: Man.
• 1:30:54
  Speaker 4: Starbucks is expensive.
• 1:30:56
  Speaker 3: Yeah, yeah, take this up.
• 1:30:59
  Speaker 4: That wasn't no die the coffee from McDonald's. That was Starbucks.
• 1:31:02
  Speaker 3: Take that, old baby. That's all good.
• 1:31:04
  Speaker 4: Move on with your life.
• 1:31:06
  Speaker 3: You don't need that. Like be with with with with Shirley,
• 1:31:09
  Speaker 3: because eventually she's gonna get tired and she's gonna get
• 1:31:14
  Speaker 3: her new young buck and she's gonna put him down.
• 1:31:18
  Speaker 3: She's gonna take him back to the shed and put
• 1:31:19
  Speaker 3: him down.
• 1:31:20
  Speaker 4: Not taking back to the shed and put him down.
• 1:31:22
  Speaker 2: Jesus the old dog, ye.
• 1:31:24
  Speaker 3: Old yellow and she's gonna get her a nice new
• 1:31:26
  Speaker 3: young buck.
• 1:31:27
  Speaker 4: Oh Lord, this sounds like his memory, his misery. I
• 1:31:34
  Speaker 4: say this combobulated over him. What in the hell, But
• 1:31:39
  Speaker 4: that's what your losses says. He used you sorry, used.
• 1:31:44
  Speaker 3: But it's okay. It's okay.
• 1:31:46
  Speaker 2: We do.
• 1:31:46
  Speaker 3: We do this ship. You know what I'm saying. We live.
• 1:31:48
  Speaker 4: And last question, we're staying on six brown chicks because
• 1:31:53
  Speaker 4: it goes along with the read that we just talked about.
• 1:31:57
  Speaker 4: My future sister in Lord has a salon, a large
• 1:31:59
  Speaker 4: following them TikTok and ig, and she's been doing head
• 1:32:02
  Speaker 4: well for the past eight years. She offered to do
• 1:32:05
  Speaker 4: my hair fire engagement party as a gift. I sent
• 1:32:07
  Speaker 4: her to link to the wig I liked. It was
• 1:32:09
  Speaker 4: only three seventy five. She responded, that's cool. I love it.
• 1:32:12
  Speaker 4: Day of my appointment. Also, the day of my party,
• 1:32:14
  Speaker 4: she asked me, where's your wig? I said, excuse me,
• 1:32:18
  Speaker 4: I thought you bought my wig. I sent the link.
• 1:32:22
  Speaker 4: She said, I said, I'd styled you. My service is
• 1:32:24
  Speaker 4: the gift. I never buy one of my brother's holes
• 1:32:26
  Speaker 4: A four hundred dollars wigo. Hold up, what do you
• 1:32:30
  Speaker 4: mean one of your brother's holes. She apologized, Calm me down,
• 1:32:34
  Speaker 4: offer the cute sample wig she had and styled me.
• 1:32:37
  Speaker 4: I looked beautiful. At the party, my future sister in
• 1:32:40
  Speaker 4: law arrived with my fiance's baby mama.
• 1:32:43
  Speaker 2: We fought.
• 1:32:44
  Speaker 4: I don't think I won.
• 1:32:45
  Speaker 2: You did? You don't think you won?
• 1:32:47
  Speaker 4: He life with his baby mama. Oh, sir, I get back.
• 1:32:52
  Speaker 4: I get home and my wigs lace front had peeled
• 1:32:54
  Speaker 4: back like a sticker. I thought it was from the fight,
• 1:32:58
  Speaker 4: but when I looked at people's photos, my hair was
• 1:33:00
  Speaker 4: like that all evening. She did me dirty on purpose.
• 1:33:03
  Speaker 4: My fiance says our situation is complicated because he can't
• 1:33:06
  Speaker 4: walk away from his child. He had no trouble leaving
• 1:33:09
  Speaker 4: her for me in the first place. Though, what do
• 1:33:10
  Speaker 4: I do? Am? I still engaged? What the fuck you, ma'am?
• 1:33:16
  Speaker 1: Man?
• 1:33:16
  Speaker 3: Depend on what you I mean, depend on what you classify.
• 1:33:18
  Speaker 3: I still engage.
• 1:33:19
  Speaker 4: Your sister told you.
• 1:33:22
  Speaker 3: You're not the only one, that you was one of
• 1:33:25
  Speaker 3: his home.
• 1:33:27
  Speaker 4: How did you not look in the mirror while you
• 1:33:30
  Speaker 4: were getting ready and realized that your wig was peeling
• 1:33:33
  Speaker 4: back like cheap leather.
• 1:33:36
  Speaker 3: Covering on the airline?
• 1:33:38
  Speaker 4: But you still look in the mirror.
• 1:33:40
  Speaker 2: Look, I don't have hair.
• 1:33:41
  Speaker 3: Well, I do, but I need to shave mine off,
• 1:33:43
  Speaker 3: so I don't know what happens in your y'all salone.
• 1:33:45
  Speaker 4: You look in the mirror before you leave the house
• 1:33:46
  Speaker 4: to make sure that your wig ain't shifted. So how
• 1:33:49
  Speaker 4: did you not know all night? You didn't feel like
• 1:33:51
  Speaker 4: extra piece of air on your full head? Right here? Now,
• 1:33:54
  Speaker 4: I don't wear a lace fronts. I'm not interested. I
• 1:33:57
  Speaker 4: need my edges, so I don't wear lace fronts. But
• 1:34:01
  Speaker 4: I would have sense enough to look in the damn
• 1:34:04
  Speaker 4: mirror before I walk out the fucking door and realize
• 1:34:07
  Speaker 4: that my wig is sitting back like a Cadillac with
• 1:34:12
  Speaker 4: two back flats.
• 1:34:20
  Speaker 3: Ya again, take that out, like take.
• 1:34:26
  Speaker 4: Are you still engaged? Ma'am? He left with his baby mama.
• 1:34:32
  Speaker 4: That was your answer right there. If little Timmy, if
• 1:34:39
  Speaker 4: Timmy has five apples and he sells three of them,
• 1:34:43
  Speaker 4: how many apples does Timmy have?
• 1:34:47
  Speaker 2: Three?
• 1:34:48
  Speaker 4: If little Timmy has twelve eggs, he scrambles to eat
• 1:34:55
  Speaker 4: two and bulls three? How many eggs does twelve.
• 1:35:08
  Speaker 3: Three eks?
• 1:35:11
  Speaker 4: How much does one plus one equal seven? Eleven? What's
• 1:35:17
  Speaker 4: your favorite color? Three? That's what you sound like man,
• 1:35:22
  Speaker 4: what's wrong with you?
• 1:35:26
  Speaker 3: She can hear smells and see oh no, no real.
• 1:35:33
  Speaker 4: She can smell colors and and and and and see
• 1:35:36
  Speaker 4: sam because.
• 1:35:39
  Speaker 3: I didn't go yo. You know what I'm saying at
• 1:35:41
  Speaker 3: this point?
• 1:35:42
  Speaker 4: Show when you were in school and you went to lunch?
• 1:35:45
  Speaker 4: How many people were in your class? And did y'all
• 1:35:47
  Speaker 4: have to hold hands when you're walked out?
• 1:35:49
  Speaker 2: Okay, okay, Well that's the That's that's the end.
• 1:35:52
  Speaker 3: Enough enough, enough is enough before like like yo, let,
• 1:35:56
  Speaker 3: that's yo let, that's your rock, yo hand. He already
• 1:36:00
  Speaker 3: showing you that he.
• 1:36:01
  Speaker 4: Don't want you, he don't want you, he don't want you,
• 1:36:03
  Speaker 4: he don't want.
• 1:36:03
  Speaker 1: You no more.
• 1:36:06
  Speaker 3: Well, she just said, that's what the fuck though?
• 1:36:09
  Speaker 2: What that means said? I think we're gonna wrap the
• 1:36:11
  Speaker 2: episode up here.
• 1:36:12
  Speaker 3: Little Jesus, so far, anybody gotta talking that?
• 1:36:18
  Speaker 2: I went downstairs to get me.
• 1:36:20
  Speaker 4: A cold cold pot?
• 1:36:23
  Speaker 3: What since you're talking about Detroit?
• 1:36:26
  Speaker 2: I thought somebody was Bob pecuting.
• 1:36:29
  Speaker 4: I've ran out, I got a ans. Ain't nobody got
• 1:36:33
  Speaker 4: time for that.
• 1:36:34
  Speaker 2: I've ran outside with no shoes and nothing on Jesus,
• 1:36:37
  Speaker 2: I got brok Ain't nobody got time for that?
• 1:36:44
  Speaker 3: Oh the old, the old YouTube, Oh sweet brow old
• 1:36:48
  Speaker 3: social media.
• 1:36:51
  Speaker 4: Oh she's doing well.
• 1:36:52
  Speaker 2: Saying but what that said. We're gonna wrap up the
• 1:36:55
  Speaker 2: episode here if you have any questions, commentary, have any feedback,
• 1:36:59
  Speaker 2: or want to suggest another feed that we don't have
• 1:37:02
  Speaker 2: to be flabbergasted about when we read off these stories.
• 1:37:06
  Speaker 2: Yes they are, please send them my way at Askwonderpot
• 1:37:09
  Speaker 2: at gmail dot com, at is ask w A N
• 1:37:11
  Speaker 2: D A p O D at gmo dot com. You
• 1:37:14
  Speaker 2: can also find us all over the internet. We are
• 1:37:17
  Speaker 2: on Instagram and Twitter at wandapot, underscore, Facebook and YouTube
• 1:37:24
  Speaker 2: at Wine and Audacity the podcast don't forget out that
• 1:37:26
  Speaker 2: amper sand and on blue Scott at Wonderpot because they
• 1:37:31
  Speaker 2: don't allow underscores and their user names. With that being said,
• 1:37:35
  Speaker 2: we thank y'all for listening. We love y'all so much,
• 1:37:37
  Speaker 2: and we will be back next week for the last
• 1:37:40
  Speaker 2: Wednesday in January with the all new episode. Be easy,
• 1:37:45
  Speaker 2: be safe, and we'll see y'all next week. Don't be halling, Please,
• 1:37:50
  Speaker 2: don't be haulling, Brooklyn, don't be don't be sack a
• 1:37:55
  Speaker 2: joy Dela Cruz. That sounds like a five stripper name.
• 1:38:01
  Speaker 2: No that's the lawyer in the next two B movie.
• 1:38:05
  Speaker 2: My name is Secretary.
• 1:38:06
  Speaker 3: We had by Remember Me, Remember Me, different