Latest / X Minus One | Old Time Radio / X Minus One - "Protective Mimicry" (Old Time Radio, 1956)
Transcript
- 0:00Speaker 1: Perfect duplicates of Galactic Federation credit notes have begun turning up,
- 0:04Speaker 1: serial numbers and all. That sends Treasury investigator Baumholzer to
- 0:09Speaker 1: Deneb de Levent, a humid jungle and swamp world where
- 0:13Speaker 1: the local low-technology culture seems an unlikely source for such counterfeits.
- 0:19Speaker 1: On October 3, 1956, NBC presented episode 69 of X-Minus-1,
- 0:26Speaker 1: Protective Mimicry, adapted for radio by Ernest Kenoy, from a
- 0:30Speaker 1: story by Algis Budris, first published in Galaxy Science Fiction.
- 0:35Speaker 1: Mandel Kramer heads a cast that includes Terry Keene, Charles Penman,
- 0:41Speaker 1: Richard Hamilton, and Wendell Holmes. Daniel Sutter directed. And now,
- 0:47Speaker 1: the original broadcast.
- 0:49Speaker 2: The National Broadcasting Company at this time wishes to thank
- 0:52Speaker 2: the editors and publishers of Galaxy Magazine for a special
- 0:56Speaker 2: award which has just been presented to the program X-1.
- 1:00Speaker 2: The award cites X-1 for the outstanding adaptation and the
- 1:04Speaker 2: original method of presentation of adult science fiction stories to
- 1:08Speaker 2: the vast audience that has shown increasing interest in this
- 1:11Speaker 2: newest form of journalism. The NBC Radio Network is proud
- 1:16Speaker 2: to receive this citation on behalf of X-1. NBC is
- 1:21Speaker 2: also happy to acknowledge the enthusiastic response and support of
- 1:25Speaker 2: the listening audience to this program. Your many letters of
- 1:29Speaker 2: encouragement and constructive criticism are always gratefully received. Your criticisms
- 1:34Speaker 2: carefully noted, and whenever possible, your suggestions acted upon. Please
- 1:40Speaker 2: listen at the end of this program for a special
- 1:42Speaker 2: free offer.
- 1:45Speaker 3: And now, X minus one.
- 1:48Speaker 4: Countdown for blastoff. X minus five, four, three, two, X
- 1:55Speaker 4: minus one, fire.
- 2:27Speaker 2: From the far horizons of the unknown come transcribed tales
- 2:31Speaker 2: of new dimensions in time and space.
- 2:34Speaker 3: These are stories of the future.
- 2:36Speaker 5: Adventures in which you'll live in a million could be
- 2:39Speaker 5: years on a thousand maybe worlds.
- 2:42Speaker 3: The National Broadcasting Company presents X minus 1.
- 2:59Speaker 5: Tonight's story, Protective Mimicry, by Algis Boudris.
- 3:18Speaker 6: Frankly, I think I'll probably have to take my expense
- 3:20Speaker 6: account clear up to the Central Gaelic Civil Service Board.
- 3:24Speaker 6: My friends tell me to forget it. But take it
- 3:26Speaker 6: from me, a rap in the credit book like this
- 3:28Speaker 6: isn't easy to laugh off. Not on a grade four
- 3:30Speaker 6: civil service pay scale. So I've made my beef out
- 3:33Speaker 6: in quadruplicate and filed it. Usually a special agent in
- 3:37Speaker 6: United Galactic Federation's Department of the Treasury Investigations Division Currency
- 3:41Speaker 6: Section doesn't have much trouble with his swindle sheet.
- 3:44Speaker 4: But this? No, this one's a corker. To understand, you
- 3:48Speaker 4: gotta know how they make the stuff.
- 3:50Speaker 6: The Ungallic Men is in New Geneva on Canopus 3.
- 3:54Speaker 6: I remember I went around with the 40-deci credit tour
- 3:56Speaker 6: when I first joined the staff. The guide was a
- 3:59Speaker 6: cute little brunette from one of the rim stars who
- 4:01Speaker 6: was later fired following an annual Pan-Solstice office party.
- 4:05Speaker 4: I didn't pay much attention to her spiel.
- 4:07Speaker 6: She was dressed in the new neo-Minoan style, but I
- 4:09Speaker 6: got the general idea.
- 4:15Speaker 7: This is a demonstration machine, of course, but you will
- 4:17Speaker 7: notice the indestructible fiber coming off that spool at the right.
- 4:21Speaker 7: It goes into the slot in the machine there. Now,
- 4:23Speaker 7: if you'll pass along, you see it goes between those
- 4:25Speaker 7: two rollers through six or seven chemical baths. No, I'm
- 4:28Speaker 7: not sure what chemicals. That's restricted information. It's stamped, analyzed
- 4:33Speaker 7: for flaws, dyed, and then run through this unit here.
- 4:36Speaker 7: This is the most carefully guarded part of the process.
- 4:40Speaker 7: The unit is removed from the plant each night and
- 4:42Speaker 7: locked in the deep space vault on the satellite station
- 4:44Speaker 7: directly overhead. After the strip emerges here, it is chopped
- 4:48Speaker 7: into convenient lengths and carefully removed into armored cars.
- 4:51Speaker 3: It is called money.
- 4:53Speaker 4: What does that secret unit do?
- 4:55Speaker 3: Well, that's a very good question.
- 4:56Speaker 7: You see, the currency is non-defacable, fireproof, immune to wear, weather,
- 5:00Speaker 7: and water. But the most important thing is an electronic
- 5:03Speaker 7: pattern impressed into the fiber by that secret pattern. You
- 5:06Speaker 7: all know when you cash a bill, it is passed
- 5:08Speaker 7: over an electronic plate that reads the pattern. If the
- 5:10Speaker 7: serial number and the pattern match... Well, but if they don't... Well,
- 5:15Speaker 7: first I'll put an ordinary credit note over the beeper.
- 5:18Speaker 3: There.
- 5:19Speaker 6: There.
- 5:20Speaker 3: Perfectly good.
- 5:21Speaker 7: Now, a simulated counterfeit bill without the electronic pattern. Well, now,
- 5:27Speaker 7: that wouldn't fool anybody.
- 5:28Speaker 3: Long, would it?
- 5:29Speaker 4: Could anybody duplicate that electronic pattern?
- 5:31Speaker 3: Well, that's a very good question.
- 5:33Speaker 7: Only the government has the equipment to put that in.
- 5:35Speaker 7: Your currency is safe and sound. Don't you worry about that.
- 5:38Speaker 7: Are there any more questions?
- 5:40Speaker 6: Yeah.
- 5:41Speaker 4: How about a drink after the tour?
- 5:43Speaker 8: Well, that.
- 5:45Speaker 6: Oh.
- 5:46Speaker 3: That's a very good question.
- 5:48Speaker 6: Oh.
- 5:58Speaker 4: It sure was. So was the answer. Well, getting back
- 6:03Speaker 4: to money.
- 6:05Speaker 6: The engraving, the chemical composition of the ink and the
- 6:07Speaker 6: fiber would be tough enough to duplicate. But that electronic
- 6:10Speaker 6: pattern snaps the clincher on it. That's why Chief Inspector
- 6:14Speaker 6: Saxguard of my division looked sourly at me when I
- 6:16Speaker 6: came into his office and spread a fistful of credit
- 6:18Speaker 6: notes on his desk.
- 6:20Speaker 3: What's that?
- 6:21Speaker 4: What's it look like?
- 6:23Speaker 8: A handful of 50s. Why?
- 6:24Speaker 4: Put a couple of them over your beeper plate.
- 6:26Speaker 3: Okay.
- 6:30Speaker 8: They're perfectly okay.
- 6:31Speaker 3: What's it all about?
- 6:32Speaker 4: Look at the serial numbers. 3, 4, 5, 6, 5, 6.
- 6:35Speaker 9: 7, 8, M.
- 6:35Speaker 8: Look at the others. 3, 4, 5, 6, 5... What?
- 6:45Speaker 8: Let me see them.
- 6:46Speaker 3: Save your eyes.
- 6:46Speaker 4: They're all the same.
- 6:47Speaker 6: 14 50-credit notes with identical serial numbers.
- 6:51Speaker 3: That's impossible.
- 6:52Speaker 6: And every one of them goes over a beeper plate,
- 6:54Speaker 6: quiet as a sophomore climbing into a dormitory window after hours.
- 6:58Speaker 3: Formal, sir, where did you get these?
- 7:00Speaker 6: They came into the New York clearinghouse from a branch
- 7:02Speaker 6: on Den of 11. The manager blew his top. He
- 7:04Speaker 6: called us the minute he spotted them and sent them
- 7:06Speaker 6: out to us. How about the manager?
- 7:07Speaker 9: Is he blabbing all over the banker's club about it?
- 7:10Speaker 4: I read the Ungallic Riot Act to him. He'll keep
- 7:12Speaker 4: it under his hat.
- 7:13Speaker 3: Good.
- 7:13Speaker 9: At least we won't have any financial panics for a while.
- 7:17Speaker 9: Have you checked these through the lab?
- 7:18Speaker 6: Well, the ink and paper is government stock, and they
- 7:20Speaker 6: match government beepers. The lab plates didn't squawk any more
- 7:23Speaker 6: than yours did. You could spend these anywhere, as long
- 7:25Speaker 6: as you only pass them one at a time.
- 7:27Speaker 9: Baumholzer, you know, since the beeper plate came in, we've
- 7:31Speaker 9: been sitting on our tails in this department, building up
- 7:34Speaker 9: our pensions.
- 7:35Speaker 4: Oh, I wouldn't say that.
- 7:36Speaker 9: Neither would I, outside this office. But you know darn
- 7:39Speaker 9: well nobody can expect to counterfeit a bill and get
- 7:42Speaker 9: away with it. It's only because throughout the universe there's
- 7:46Speaker 9: a certain percentage of people who will try anything once.
- 7:49Speaker 9: And a corresponding percentage of purr-blind idiots who will accept
- 7:53Speaker 9: anything with engraving on it as money that we're here
- 7:56Speaker 9: at all. I've seen cigar coupons and crayon sketches come
- 8:00Speaker 9: into this office.
- 8:01Speaker 4: I've seen premium.
- 8:02Speaker 9: Offers from household magazines, jet bus transfers... Why, some people
- 8:06Speaker 9: would try to pick a Yale lock with a quarter
- 8:08Speaker 9: of a.
- 8:08Speaker 3: Pound of butter.
- 8:09Speaker 9: Now, the only reason any queer can pass is because
- 8:13Speaker 9: some goggle-eyed nudnik neglects to use his beeper plate.
- 8:16Speaker 3: But I worry.
- 8:18Speaker 1: I worry.
- 8:19Speaker 9: For 15 years, I've sat in this stinking office and
- 8:23Speaker 9: waited for somebody to invent a matter duplicator.
- 8:25Speaker 6: Well, it looks like you can stop worrying. Look at
- 8:27Speaker 6: those bills, identical down to the whiskey stain in the corner.
- 8:30Speaker 9: All right, Bumholzer, you call transportation and get out to
- 8:33Speaker 9: Deneb 11 and find out if anybody in that neighborhood
- 8:35Speaker 9: has a matter duplicator, or if he hasn't, what he
- 8:38Speaker 9: has got.
- 8:49Speaker 6: I picked up the department shuttle to the satellite and
- 8:51Speaker 6: made fair connections up to Deneb 11. It's a four-day
- 8:54Speaker 6: run on drive, and I get free fall sick, so
- 8:56Speaker 6: I was glad to hit the port in Glub, which,
- 8:58Speaker 6: so help me, is the name of the only city
- 9:00Speaker 6: on the place. Den of Eleven is what we call
- 9:03Speaker 6: in the department a mud ball. It's a jungle world
- 9:07Speaker 6: with an atmosphere like a swatch of Harris Tweed. I
- 9:10Speaker 6: was smoking a cigarette when I got off the shuttle,
- 9:12Speaker 6: and the air I pulled in made the smoke taste
- 9:13Speaker 6: like well-decayed leaf mold. I was wringing wet two minutes
- 9:17Speaker 6: after I left the air-conditioned port. I noticed the local
- 9:20Speaker 6: costume would get you arrested on any beach in the galaxy,
- 9:22Speaker 6: but it didn't matter since there's nothing titillating about pasty
- 9:25Speaker 6: skin dripping with weary perspiration. I checked in with the
- 9:29Speaker 6: regional office and found the resident agent tinkering with his
- 9:31Speaker 6: air conditioner.
- 9:35Speaker 3: Hi, bomb holster.
- 9:37Speaker 6: You know anything about the sealed power pack on this condenser? Yeah,
- 9:40Speaker 6: if you keep banging at it like that, you'll crack
- 9:42Speaker 6: the seal on the atomic shielding and your posterity will
- 9:45Speaker 6: thank you. Three heads at a time. Oh, I guess
- 9:49Speaker 6: I better not fool with it. Take off your pants
- 9:52Speaker 6: and pull.
- 9:52Speaker 3: Up a chair.
- 9:53Speaker 4: I don't mind if I do. Is it always this humid?
- 9:56Speaker 3: Oh, no. In the hot season, it's worse. I'd send
- 9:59Speaker 3: for a.
- 10:00Speaker 6: replacement part, but the fax line isn't too reliable. The
- 10:03Speaker 6: last time I sent for a sealed unit, they shipped
- 10:05Speaker 6: back an over-aged sea lion.
- 10:07Speaker 4: Yeah, I know.
- 10:07Speaker 6: I was on Polar Station on Ganymede when my heater
- 10:09Speaker 6: element broke down. I faxed for three feet of element,
- 10:12Speaker 6: and they shipped me back three fetal elephants.
- 10:14Speaker 8: Yeah.
- 10:15Speaker 3: Well, I suppose you're here about the queer bill, huh?
- 10:18Speaker 9: Yeah.
- 10:18Speaker 4: Got any lines on it?
- 10:20Speaker 6: Well, my orders will lay off and let the central
- 10:22Speaker 6: office handle it.
- 10:23Speaker 3: Be my guest. Any ideas?
- 10:25Speaker 6: No.
- 10:26Speaker 3: Where do you figure to start?
- 10:27Speaker 6: Well, this is the only city. I'll have to check
- 10:29Speaker 6: it out. Uh, have you got a list of authorized
- 10:31Speaker 6: beeper plates?
- 10:32Speaker 3: Somewhere. Oh, look out!
- 10:35Speaker 6: Why?
- 10:35Speaker 3: There's a whittle fly.
- 10:37Speaker 4: On your arm.
- 10:38Speaker 6: Hey, how does a thing that size get through the filters?
- 10:41Speaker 6: Insects on Denver are tricky. This one is a non-filterable
- 10:44Speaker 6: virus in the larval stage. Then it blows up to
- 10:47Speaker 6: this side. carve his initials in your arm if he
- 10:50Speaker 6: gets a good bite.
- 10:51Speaker 3: That's why he's called a whittlefly.
- 10:56Speaker 6: The whittlefly was only one of the darlings that made
- 11:04Speaker 6: the fair city of Glubb a garden spot. They had
- 11:07Speaker 6: one cute little type called the laboratory beetle, because when
- 11:11Speaker 6: he bit you, he typed your blood and followed you
- 11:13Speaker 6: around for days getting refills. I had one take a
- 11:15Speaker 6: sample of me as I went out the door of
- 11:17Speaker 6: the residency with a list of beeper plates, and he
- 11:18Speaker 6: followed me from store to store while I checked every
- 11:20Speaker 6: installation in the city. The little devil would step up
- 11:23Speaker 6: to the bar every once and again and take another
- 11:25Speaker 6: shot of my hemoglobin. I even tried ducking into men's
- 11:28Speaker 6: rooms fast, but he'd be waiting for me when I
- 11:30Speaker 6: came out. Well, I slogged through glove for three days
- 11:33Speaker 6: and then poured myself back into the residence office.
- 11:36Speaker 4: Did he come in?
- 11:36Speaker 3: Who?
- 11:37Speaker 4: The laboratory needle.
- 11:38Speaker 6: No, they usually hang around in the hall and wait.
- 11:41Speaker 6: Sometimes when I've got a poker game going, you can
- 11:43Speaker 6: see three or four of the little... Angels buzzing around
- 11:46Speaker 6: outside waiting like chauffeurs outside the opera. Wow.
- 11:50Speaker 3: Draw a blank?
- 11:51Speaker 6: Well, I found seven defective beeper plates, but nobody remembers
- 11:54Speaker 6: any queer bills being passed. You know, who checks serial numbers?
- 11:57Speaker 6: They must have come in one at a time. And
- 11:59Speaker 6: the clerks at the bank always were out to lunch
- 12:01Speaker 6: and referred me to the next guy. You got any
- 12:03Speaker 6: lotion for insect bites?
- 12:04Speaker 3: A desk drawer.
- 12:07Speaker 6: In a way, the beeper plates make it tougher. Nobody
- 12:09Speaker 6: even looks at the bills anymore. Just throw them over
- 12:11Speaker 6: the plate, and if no bells ring, it's okay.
- 12:13Speaker 3: Okay. How about the other angle?
- 12:15Speaker 4: Matter duplicator? I checked invoices and purchase records.
- 12:18Speaker 6: Nobody's been buying electronic parts that can't account for every tube.
- 12:22Speaker 4: I thought I had something.
- 12:23Speaker 6: One fellow bought 12 of those giant lithium cathode tubes,
- 12:25Speaker 6: but it turned out his wife was having them wired
- 12:27Speaker 6: as lamp bases.
- 12:29Speaker 4: Well, I better be going.
- 12:30Speaker 6: I hate to keep my little insect friend out there
- 12:31Speaker 6: in suspense as to cocktail time.
- 12:33Speaker 3: You got another leave?
- 12:34Speaker 6: Yeah, I found a bar that makes a Tom Collins
- 12:36Speaker 6: with real lemon juice instead of battery acid. Oh! I
- 12:46Speaker 6: managed to duck my lab beetle in a revolving door.
- 12:48Speaker 6: He went around twice and shot out into the street,
- 12:50Speaker 6: so I settled down at a table at the bar
- 12:52Speaker 6: and tried to make believe that I couldn't taste den
- 12:54Speaker 6: of 11 atmosphere in my Tom Collins.
- 12:56Speaker 4: I was chewing on an ice cube when I looked up.
- 12:59Speaker 3: Mr. Baumholzer?
- 13:00Speaker 4: That's right.
- 13:00Speaker 3: I want to talk to you about money.
- 13:12Speaker 6: He was a terrestrial, but he'd been on dinner a
- 13:14Speaker 6: long time because he was wearing the native garment about
- 13:17Speaker 6: the size of a five-pound sugar sack. His hair, which
- 13:20Speaker 6: was potato-field gray, was arranged in the old-fashioned Presley style.
- 13:25Speaker 6: You know, the ancient long sideburns, duck's tail in the
- 13:28Speaker 6: rear that vice presidents wear in family-style banks. His ears
- 13:31Speaker 6: had little bits of bone stuck in them, and his
- 13:33Speaker 6: eyebrows wandered all over his face, and he stood about
- 13:35Speaker 6: six foot eight. And I waited him out, and presently
- 13:38Speaker 6: he spoke up again.
- 13:42Speaker 3: You are the same Mr. Baumholzer who's been going around
- 13:44Speaker 3: asking all those questions about duplicate ungalic notes?
- 13:47Speaker 4: That's right. Can I help you, Mr... Munger.
- 13:50Speaker 3: Duodecimus Munger.
- 13:52Speaker 4: Now, this is fair to be fascinating.
- 13:54Speaker 6: I was under the impression that my mission here was
- 13:57Speaker 6: just a wee bit on the secret side.
- 13:59Speaker 4: There are no secrets in gloves. Now, why don't you
- 14:02Speaker 4: pull up a chair, Mr.
- 14:03Speaker 9: Munger?
- 14:03Speaker 3: I'm afraid I haven't time.
- 14:04Speaker 4: Well, join me in a drink.
- 14:05Speaker 3: Are you really the Mr. Baumholzer that's working on this
- 14:08Speaker 3: case for the Treasury Department? Yeah, sure.
- 14:10Speaker 4: You're not the fellow that's turning out these duplicates, are you?
- 14:12Speaker 3: Well, as a matter of fact, I am. What? And
- 14:14Speaker 3: don't move. This is a power 30 mistral coagulator I have.
- 14:19Speaker 4: Look out with that thing. You've got it pointed at
- 14:20Speaker 4: my head.
- 14:21Speaker 3: Yes. I've got it set on high charge. It will
- 14:23Speaker 3: fuse your brain solid. What else is new? Now, Mr. Baumholzer,
- 14:30Speaker 3: stay right behind that table.
- 14:31Speaker 6: Now, let's not make any rash decisions now.
- 14:33Speaker 3: I can't very well see how I could let you live. Oh,
- 14:35Speaker 3: come on.
- 14:36Speaker 6: Try. What?
- 14:38Speaker 4: Now drop the gun.
- 14:39Speaker 3: I'm afraid we'll be collecting a crowd.
- 14:41Speaker 4: Give me that. Don't try to pick it up.
- 14:44Speaker 3: I won't.
- 14:45Speaker 6: I had something completely different in mind. Just like in
- 15:00Speaker 6: those ancient legends the archaeologists keep digging up the ones
- 15:02Speaker 6: with the hard-boiled detective and the beautiful blonde, I felt
- 15:05Speaker 6: the traditional roof fall in on the back of my head.
- 15:07Speaker 6: As I went black, I remember thinking how odd it
- 15:09Speaker 6: was that it was happening to me some 500 years
- 15:11Speaker 6: after Spillane the Scrivener. I came to in the same
- 15:14Speaker 6: archaic fashion with my head going around in a free
- 15:17Speaker 6: orbit around my neck.
- 15:18Speaker 3: Baumholzer, are you all right?
- 15:19Speaker 4: I can't see.
- 15:20Speaker 6: I'm blind.
- 15:20Speaker 4: Everything's black.
- 15:21Speaker 3: Well, open your eyes. Oh, where is he?
- 15:24Speaker 6: Who? The guy who slugged me. What am I doing
- 15:26Speaker 6: back at your office? Oh, some bartender brought you in.
- 15:29Speaker 6: I thought you passed out from too much lemon juice.
- 15:31Speaker 4: It was a guy named Munger. Which way did he go?
- 15:33Speaker 3: Reach me. Munger?
- 15:35Speaker 6: Hmm.
- 15:36Speaker 3: Tall fella in native dress?
- 15:37Speaker 8: Yeah.
- 15:38Speaker 3: Oh, well, you might as well forget about it.
- 15:40Speaker 6: Why? Well, I can order a pickup on him the
- 15:42Speaker 6: next time he's in town. They'll sock him away in
- 15:44Speaker 6: a psych ward for a while.
- 15:46Speaker 3: Forget it.
- 15:46Speaker 6: Look, I am not an old lady calling up complaining
- 15:49Speaker 6: that the nasty delinquents are teasing my cats that Munger's
- 15:51Speaker 6: tied in with the queer.
- 15:52Speaker 3: Him?
- 15:53Speaker 4: He said he was the passer.
- 15:54Speaker 3: Well, that can't be. Munger, Munger, Munger, Munger.
- 15:57Speaker 4: You got a file on him?
- 15:58Speaker 3: Yeah.
- 15:59Speaker 6: I get a number of complaints on him, so do
- 16:01Speaker 6: the local cops. He's... Well, I didn't want to make trouble.
- 16:04Speaker 6: He's a very wealthy man.
- 16:05Speaker 4: I'll bet.
- 16:07Speaker 3: What does he do?
- 16:08Speaker 6: Well, he's a merchant or something in a native village.
- 16:10Speaker 6: Once or twice a year he comes out and paints
- 16:12Speaker 6: the town, but....
- 16:14Speaker 4: I would like to talk to him again with the
- 16:16Speaker 4: mistral in my hand.
- 16:17Speaker 6: He had a mistral? That's a violation of a municipal ordinance.
- 16:21Speaker 6: You're supposed to check him at the quarantine gate. Look,
- 16:23Speaker 6: I'm not investigating parking tickets and violations of the anti-noise laws.
- 16:27Speaker 6: This is a counterfeiting case. Now, do you know where
- 16:28Speaker 6: I can find him? Well, he's probably gone back to
- 16:30Speaker 6: his village.
- 16:31Speaker 4: Where's that?
- 16:32Speaker 3: Out in the jungle.
- 16:32Speaker 6: All right.
- 16:33Speaker 4: Get out your rubbers, friend. We're going out after him.
- 16:39Speaker 6: Suppose you fill your bathtub full of mud, build a
- 16:42Speaker 6: fire under it, turn on the shower, and crawl in
- 16:44Speaker 6: and wallow a little. Do that, and you've got a
- 16:46Speaker 6: fair idea of the Denebian jungle. I went out with Hall,
- 16:50Speaker 6: the resident agent, and we started off. Stick close, Barholzer.
- 16:55Speaker 6: Visibility is about ten feet.
- 16:57Speaker 4: I'll eat everything I can see within ten feet.
- 17:00Speaker 6: Ow!
- 17:00Speaker 3: What happened?
- 17:01Speaker 4: I walked into a tree.
- 17:03Speaker 6: Help me up out of the mud. We puddled on
- 17:15Speaker 6: for a couple of hours. The rain was so thick
- 17:17Speaker 6: I didn't see the trees until I bounced off of
- 17:19Speaker 6: them and sat down in the warm mud. I reflected
- 17:22Speaker 6: as I struggled on my feet what a terrible waste.
- 17:25Speaker 6: In the beauty salons of Charles of the Ritz Asteroid,
- 17:28Speaker 6: ladies from all over the galaxy paid thousands of credits
- 17:30Speaker 6: for hot mud baths to take the wrinkles out and
- 17:32Speaker 6: make their skin smooth and caressable. And here was I
- 17:36Speaker 6: getting a much more thorough treatment every time I sat down.
- 17:39Speaker 6: They issue a lot of special equipment from department stores
- 17:42Speaker 6: and it all functioned perfectly. My neo-latex galoshes were fine,
- 17:46Speaker 6: but stuck in the mud. My Minipower goggles and wipers
- 17:49Speaker 6: kept my eyes clear, but they didn't keep me.
- 17:51Speaker 4: From crashing into every tree.
- 17:53Speaker 6: My leak-proof sportsman's flashlight stayed dry as a bone, but
- 17:55Speaker 6: powerful as it was, it couldn't light up more than
- 17:57Speaker 6: three feet in the pelting rain. Paul, the resident, led
- 18:00Speaker 6: the way, consoling a compass and a waterproof map, and
- 18:03Speaker 6: finally we stopped, and I noticed that there wasn't any
- 18:05Speaker 6: rain coming down on me.
- 18:06Speaker 3: It's a rain shelter. The natives build them.
- 18:09Speaker 4: Kind of them.
- 18:10Speaker 3: Well, they're on all the trails.
- 18:11Speaker 6: If you go more than a day in the rain,
- 18:13Speaker 6: you go punchy from water drumming on your hat.
- 18:15Speaker 4: I believe it.
- 18:16Speaker 3: Well, now, don't sit down. You'll sink in. I don't know.
- 18:18Speaker 6: Theoretically, a broader base should keep you from sinking like snowshoes.
- 18:21Speaker 3: Well, also increases the suction.
- 18:23Speaker 4: I'll stand.
- 18:24Speaker 6: How far is Munger's village? Either two miles or 22.
- 18:28Speaker 6: I can't read the map very well.
- 18:29Speaker 3: Hey, wait a minute. Listen. Well, that's the rain.
- 18:33Speaker 6: No, no, no.
- 18:33Speaker 3: You hear that squelching?
- 18:36Speaker 4: Somebody's coming.
- 18:37Speaker 3: Oh, yeah, yeah. From over there. Native? Maybe. There he comes.
- 18:42Speaker 6: We've got first pick on the shelter. It's a native tradition.
- 18:45Speaker 6: First come, first dry. Yeah, there's somebody out there, all right.
- 18:48Speaker 4: Who's there?
- 18:48Speaker 6: Who is it?
- 18:49Speaker 3: A friend of mine, Mr. Baumholzer.
- 18:52Speaker 4: All right, Munger. Where did you come from?
- 18:53Speaker 3: Don't move. I have several friends pointing long spears at
- 18:56Speaker 3: your kidney. Shall we go, gentlemen, back to my village?
- 19:05Speaker 3: I believe you were looking for it.
- 19:17Speaker 4: Munger was so intent on me that he didn't seem.
- 19:19Speaker 6: To notice as Hall sidled off into the darkness, and
- 19:21Speaker 6: when he did, he set up a desperate cackle. He
- 19:26Speaker 6: had a few of his fraternity brothers chased down the
- 19:28Speaker 6: trail with spears waving wildly, but they came back murmuring
- 19:30Speaker 6: some kind of a chock-taw which seemed to carry the
- 19:32Speaker 6: implication that Hall had gotten away like a big bottom turtle.
- 19:37Speaker 3: Well, Mr. Baumholzer? Your companion's action has saved your life
- 19:41Speaker 3: for a while.
- 19:41Speaker 6: Yeah, he'll bring back a platoon of Marines and they'll
- 19:43Speaker 6: reduce that village to a bullion cube.
- 19:45Speaker 3: We'll just have to hold you as a hostage in
- 19:47Speaker 3: case help should arrive.
- 19:48Speaker 4: Thanks.
- 19:49Speaker 3: At any rate, shall we get back to the village?
- 19:59Speaker 6: He had about ten natives with him, each one about
- 20:01Speaker 6: seven foot tall, with those big flat feet that evolved
- 20:03Speaker 6: on Denham for walking in primordial ooze. They were dressed
- 20:07Speaker 6: in the standard native loincloth with matching accessories, namely 10-foot spears. When,
- 20:12Speaker 6: as we started out along the trail, I got a
- 20:14Speaker 6: good look at Munger's loincloth, it was composed of tastefully
- 20:17Speaker 6: arranged thousand-credit notes. By the time we got back to
- 20:22Speaker 6: the village, the rain had stopped. The humidity, of course,
- 20:24Speaker 6: was still 120%, and the only difference was that the
- 20:27Speaker 6: moisture just loitered around rather than actually falling.
- 20:30Speaker 4: There was some kind of a clam bake going on
- 20:32Speaker 4: in the village.
- 20:32Speaker 6: The natives were pounding a couple of drums, and as
- 20:34Speaker 6: far as I could see, getting rapidly stinko on some
- 20:36Speaker 6: kind of jungle juice that they passed around in huge gourds.
- 20:39Speaker 6: They were leaping and dancing, and as far as I
- 20:41Speaker 6: could tell, doing snappy sayings and fancy patter as I
- 20:43Speaker 6: sat on some kind of a low mushroom and tried
- 20:45Speaker 6: to ignore the two spears that were pressed against my throat.
- 20:48Speaker 6: It felt as if a nervous barber was trying to
- 20:50Speaker 6: shave me with his razor tied on the end of
- 20:51Speaker 6: a ten-foot pole. After a bit, Munger strode up to
- 20:54Speaker 6: me with all the dignity of the lord of the jungle,
- 20:56Speaker 6: and he waved the spears a foot away, pulled up
- 20:58Speaker 6: a mushroom, and sat down.
- 21:02Speaker 3: Actually, you know, that wasn't a native rhythm at all.
- 21:04Speaker 3: The original Denebian music is a kind of quiet, flute-like melody,
- 21:08Speaker 3: something like Mozart.
- 21:10Speaker 4: That didn't sound very flute-like.
- 21:11Speaker 3: Yes, I know. One of the first terrestrial anthropologists out
- 21:14Speaker 3: here to study the Denebs took recordings of their music,
- 21:16Speaker 3: and then, to be polite, he played them in a
- 21:18Speaker 3: few recordings that he'd made on an earlier field trip. Unfortunately,
- 21:22Speaker 3: they were from that lost rocket colony on Ceres. Their
- 21:25Speaker 3: music was a degenerate ancient form called, I believe, Roland Rock.
- 21:29Speaker 3: The Denebs liked it. And they've been doing it ever since.
- 21:34Speaker 3: What's the party? They're propitiating the tree. I don't know why.
- 21:39Speaker 3: It's never failed yet. But they're very conservative. They've got
- 21:42Speaker 3: to go into this act every night before I can
- 21:44Speaker 3: do my stuff. Blasts all night. Want a drink?
- 21:48Speaker 4: No, no, thanks.
- 21:52Speaker 3: Oh, I wish I had a fifth of something civilized.
- 21:56Speaker 3: I've been drinking this native swamp water for much too long.
- 22:07Speaker 4: He was right.
- 22:08Speaker 6: They kept it up all night, and I sat trying
- 22:10Speaker 6: to figure out in which hut Munger kept his machinery
- 22:12Speaker 6: to make those duplicate bills. Finally, the weak light that
- 22:15Speaker 6: passes for dawn on Dennett came up, and the natives
- 22:18Speaker 6: quit hollering.
- 22:20Speaker 3: Let's go, Bonanza. I hate to keep a man in suspense.
- 22:22Speaker 3: You're curious about those duplicate bills. Well, now you're going
- 22:25Speaker 3: to find out how it's done.
- 22:27Speaker 6: Well, it's good of you to show me. I suppose
- 22:28Speaker 6: your theory is that I'll never live to tell about it.
- 22:30Speaker 3: That's very sensible of you. I like a man who
- 22:32Speaker 3: can face facts.
- 22:48Speaker 6: We walked across the mud square to the base of
- 22:49Speaker 6: a tremendous tree, which I gathered was the guest of
- 22:52Speaker 6: honor for last night's chivalry. I still couldn't see the connection,
- 22:56Speaker 6: but I was willing to wait. The natives sat around
- 22:58Speaker 6: in a deathly hush. Munger and I stepped forward.
- 23:02Speaker 3: You notice? Nothing up my sleeves. As a matter of fact,
- 23:05Speaker 3: no sleeves.
- 23:06Speaker 4: Not much on me, then.
- 23:08Speaker 3: Now, I take this 50-credit note. Care to examine it?
- 23:11Speaker 4: Oh, I've seen it, and 14 others like it.
- 23:12Speaker 3: Yes, I only use the 1,000-credit bill when the natives
- 23:15Speaker 3: need new loincloths. These 50s are a lot easier to
- 23:18Speaker 3: dispose of.
- 23:18Speaker 8: Oh, I don't know.
- 23:19Speaker 4: I traced them to you.
- 23:20Speaker 3: Well, that was a mistake. One of my contacts got
- 23:21Speaker 3: a little greedy, spent too many bills in one place.
- 23:25Speaker 3: All right. Now, I used to have the natives make
- 23:28Speaker 3: a loud noise, but I'll use your gun instead here.
- 23:30Speaker 3: You see, I take this bill, fold it, so... And so.
- 23:40Speaker 3: And so.
- 23:42Speaker 8: And there.
- 23:43Speaker 4: What are you making a paper plane for?
- 23:45Speaker 3: Just watch. I raise the note in one hand, I
- 23:48Speaker 3: aim at the tree, and I fire your gun up
- 23:51Speaker 3: in the air. Like this.
- 24:03Speaker 6: As he let fly with my gun, Munger sailed the
- 24:05Speaker 6: paper airplane straight at the tree, and.
- 24:06Speaker 4: It sailed right into the foliage.
- 24:07Speaker 8: Now watch!
- 24:14Speaker 6: The bill came sailing back out of the leaves, and
- 24:16Speaker 6: right behind it came another one. And then the air
- 24:18Speaker 6: was filled with paper planes, squadrons, wings, armadas of paper airplanes,
- 24:23Speaker 6: each one made up of a folded 50-credit note. They
- 24:26Speaker 6: sailed out over the whole village, and Munger set the
- 24:28Speaker 6: natives to collecting them and bringing them back.
- 24:30Speaker 3: There you are. There'll be several thousands of them. Look, look, look, look, look, look. Genuine.
- 24:35Speaker 4: Absolutely genuine.
- 24:37Speaker 6: And I suppose they'd go over a beeper plate without
- 24:39Speaker 6: a tinkle.
- 24:39Speaker 3: Startling, isn't it? Protective mimicry? Yes, yes, precisely. You know,
- 24:45Speaker 3: I discovered this tree six years ago while I was
- 24:48Speaker 3: attempting to evade the clutches of the law and the
- 24:50Speaker 3: confidence rent. I swung an axe at it to blaze
- 24:53Speaker 3: a trail, and 50 axes came bouncing back at me.
- 24:58Speaker 6: Well, I never heard of any plant developing mimicry to
- 25:00Speaker 6: this extent. I know some plants and animals assume dangerous
- 25:03Speaker 6: life forms as a camouflage, but this?
- 25:06Speaker 3: Well, I'm not a botanist. All I know is that
- 25:09Speaker 3: you scare the tree with a loud noise. You throw
- 25:11Speaker 3: something at it, and it duplicates what it thinks is
- 25:14Speaker 3: the danger. Well, speaking of danger, it doesn't look as
- 25:19Speaker 3: if your colleague is bringing any help. Oh, I'll miss
- 25:23Speaker 3: your company. Interesting. You'll be shot with your own gun. Now, look, Munger,
- 25:29Speaker 3: don't wriggle. I hate a moving target. What is that?
- 25:32Speaker 4: Looks like the cops, Munger, at the edge of the village.
- 25:34Speaker 3: Home host, sir, where are you? We outnumber them. Oh, no!
- 25:41Speaker 3: I'll get you anyway.
- 25:41Speaker 6: No, no.
- 25:42Speaker 3: You can't run away from me. I'll shoot.
- 25:54Speaker 6: I broke for the other side of the square, and
- 25:55Speaker 6: just as he shot at me, I tripped.
- 25:57Speaker 4: Over a pot and went flying smack into the tree. Well,
- 26:02Speaker 4: that's about it.
- 26:04Speaker 6: Here we sit in the spaceport on Den of Eleven,
- 26:06Speaker 6: and I'm darned if I'll pay our transportation back until
- 26:09Speaker 6: I hear that the office is going to okay my
- 26:11Speaker 6: expense account.
- 26:13Speaker 4: Munger?
- 26:14Speaker 6: Oh, he's in jail at New Alcatraz. Once he missed
- 26:17Speaker 6: his shot at me, it was all over. After I
- 26:19Speaker 6: fell into the tree, he didn't stand a chance against us.
- 26:22Speaker 3: That's right.
- 26:24Speaker 6: Us.
- 26:25Speaker 3: All 168 of me. Right, Ed?
- 26:31Speaker 6: Right! Right!
- 26:32Speaker 3: Right!
- 26:32Speaker 5: Right!
- 26:32Speaker 3: Right! Right!
- 26:33Speaker 6: Right!
- 26:33Speaker 3: Right!
- 26:33Speaker 6: Right! Right! Right! Right! Right!
- 26:35Speaker 3: Right!
- 26:35Speaker 6: Right!
- 26:36Speaker 9: Right! Right!
- 26:36Speaker 6: Right!
- 26:37Speaker 9: Right!
- 26:37Speaker 6: Right! Right!
- 26:37Speaker 3: Right! Right!
- 26:38Speaker 6: Right! Right! Right! Right! Right!
- 26:39Speaker 5: Right! Right!
- 26:40Speaker 6: Right! Right!
- 26:40Speaker 9: Right!
- 26:40Speaker 6: Right! Right!
- 26:41Speaker 9: Right!
- 26:41Speaker 6: Right!
- 26:42Speaker 9: Right!
- 26:42Speaker 5: Right!
- 26:42Speaker 9: Right! Right! Right!
- 26:43Speaker 6: Right! Right! Right! Right!
- 26:44Speaker 3: Right!
- 26:45Speaker 6: Right!
- 26:45Speaker 3: Right!
- 26:45Speaker 6: Right!
- 26:46Speaker 2: Right!
- 26:46Speaker 3: Right!
- 26:46Speaker 6: Right! Right! Right! Right!
- 26:47Speaker 3: Right! Right!
- 26:47Speaker 6: Right!
- 26:47Speaker 3: Right! Right!
- 26:48Speaker 6: Right!
- 26:48Speaker 3: Right!
- 26:48Speaker 6: Right!
- 26:48Speaker 3: Right!
- 26:48Speaker 6: Right! Right!
- 26:48Speaker 3: Right!
- 26:49Speaker 6: Right! Right! Right!
- 26:49Speaker 5: Right!
- 26:49Speaker 6: Right! Right!
- 26:50Speaker 5: Right!
- 26:50Speaker 6: Right! Right!
- 26:50Speaker 3: Right!
- 26:50Speaker 6: Right! Right! Right!
- 26:51Speaker 3: Right! Right!
- 26:51Speaker 6: Right!
- 26:51Speaker 3: Right!
- 26:51Speaker 9: Right!
- 26:52Speaker 6: Right! Right! Right! Right! Right! Right!
- 26:52Speaker 5: Right!
- 26:53Speaker 6: Right!
- 26:53Speaker 8: Right!
- 26:53Speaker 6: Right! Right!
- 26:53Speaker 9: Right!
- 26:53Speaker 6: Right! Right!
- 26:54Speaker 3: Right!
- 26:54Speaker 6: Right!
- 26:54Speaker 3: Right!
- 26:54Speaker 6: Right! Right!
- 26:54Speaker 3: Right!
- 26:55Speaker 6: Right! Right! Right! Right! Right! Right!
- 27:02Speaker 2: In appreciation of bringing adult science fiction to the listening
- 27:05Speaker 2: audience through the medium of this program, X-Minus One, Galaxy
- 27:09Speaker 2: Magazine wishes to make the following free offer to our listeners.
- 27:13Speaker 2: For the first 2,500 who write in requesting it, we
- 27:16Speaker 2: will send a sample copy of Galaxy Magazine at absolutely
- 27:20Speaker 2: no cost. This is an opportunity to read the finest
- 27:23Speaker 2: in adult science fiction, just as you listen to it
- 27:26Speaker 2: each week here on X-Minus One. To get your free
- 27:30Speaker 2: sample copy of Galaxy, just write a postcard or letter
- 27:34Speaker 2: to X-1 NBC Radio City, New York 20, New York,
- 27:40Speaker 2: and ask for your free copy. Be sure to print
- 27:43Speaker 2: your name and address plainly on your card or letter.
- 27:47Speaker 2: This offer can be made only once, so if you
- 27:49Speaker 2: want your own free copy of this leading science fiction publication,
- 27:53Speaker 2: be sure to write without delay. Here is the address again.
- 27:57Speaker 2: write to X-1 NBC Radio City, New York 20, New York.
- 28:03Speaker 2: Your sample copy of Galaxy will be sent to you
- 28:06Speaker 2: without obligation of any kind.
- 28:10Speaker 5: Tonight, by transcription, X-1 has brought you Protective Mimicry, written
- 28:15Speaker 5: by Algis Brutus, and adapted for.
- 28:17Speaker 3: Radio by Ernest Canoy.
- 28:19Speaker 5: Featured in tonight's cast were Mandel Kramer, Terry Keene, Charles Penman,
- 28:25Speaker 5: Dick Hamilton.
- 28:26Speaker 3: And Wendell Holmes. This is Roger Tuttle.
- 28:29Speaker 5: X-1 was directed by Daniel Sutter and is an NBC
- 28:33Speaker 5: Radio Network production. © BF-WATCH TV 2021.
- 29:14Speaker 10: Remember, for your free sample copy of Galaxy, just send
- 29:19Speaker 10: a postcard to X-1 NBC Radio City, New York 20,
- 29:25Speaker 10: New York. Now be sure to print your name and
- 29:28Speaker 10: address plainly on your card. This offer can be made
- 29:32Speaker 10: only once, so if you want your own free copy
- 29:35Speaker 10: of this leading science fiction publication, be sure to write
- 29:39Speaker 10: without delay. The address again, X-1, NBC, Radio City, New
- 29:47Speaker 10: York 20, New York. The Roaring Twenties in song and
- 29:53Speaker 10: story hear Gordon McRae in The Best Things in Life
- 29:56Speaker 10: Are Free tonight.
- 30:01Speaker 1: We close this visit with X-1's protective mimicry. Follow X-1
- 30:06Speaker 1: for more classic broadcasts.