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Episodio 100 - Detrás del Mural - De que me arrepiento, entre otras cosas · El Mural del Alma

• 0:00
  I' ll tell you what I' ll tell you what I' ll
• 0:26
  tell you what. I hope you' re feeling super good today. Ready,
• 0:29
  we' re all in order, ready and ready to accompany you.
• 0:34
  You are witnessing a private test of a set that we are going to do
• 0:41
  right now with the mural of the soul, a hug for all. I
• 0:44
  ' m David Fernando Guera. This opportunity is with you. Thank you for
• 0:47
  the vote of preference, for the vote of confidence that you give with this
• 0:51
  space, with this moment. And well, thank you for being there on
• 0:54
  the other side and always, I say the same thing, thank you for
• 0:59
  those reproductions allow us to continue with this project so that this project comes out
• 1:03
  in front of one way or another. And well, thank you there for
• 1:04
  always being connected to this time of the mural of the soul, this episode
• 1:10
  is special, so don' t miss it for anything, for nothing in
• 1:14
  the world and, of course, enjoy with me this special time here,
• 1:18
  here, no more, in the mural of the soul. It' s
• 1:19
  here severing everything, but not everything is ready, everything is prepared precisely to
• 1:23
  keep each and every one of you company on the other side, especially this
• 1:27
  episode, especially for the people who see us on YouTube. So, family,
• 1:34
  welcome, good family. We' re going to make some very interesting
• 2:27
  points here regarding this episode today. Here I' m testing another microphone and
• 2:32
  if I' m going to introduce you to some ups excuse me, excuse
• 2:39
  me I' m going to introduce you to some of my set list this
• 2:45
  time what is the set list? It' s just that I was looking
• 2:47
  here at a matter of the noise of my laptop processor that' s working
• 2:59
  because nothing, always sitting and I here are doing the live recording right now.
• 3:04
  Well, what' s the point of this, then, man,
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  to introduce you to the apologetic setlist, the foaming this microphone that you see
• 3:15
  here that I' m going to pass you to another dinner to see if
• 3:20
  I have the chance, but before that I tell you. Well this is
• 3:23
  a project of the mural of the soul, which was born precisely in the
• 3:28
  year two thousand nineteen. This episode is going to be the most organic of
• 3:30
  all for you to keep in mind. This project of the mural of the
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  soul aims, as I have told you in other episodes, to make a
• 3:38
  very particular catharsis, where I comment on certain questions, everything that has to
• 3:44
  do with life, with many super key and super interesting concepts and nothing,
• 3:53
  because it is always simple. I' ve been doing it since the year
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  two thousand nineteen, and I have a lot to tell you, but first
• 4:00
  let me give you a second. I' m going to make a microphone
• 4:01
  quaraca. Allow me to do that. I think it' s over there.
• 4:05
  It' s very good, it' s perfect, well, nothing
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  simple and I just want to do at this time is introduce you to a
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  little more of the back of the mural. Not this would become like a
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  special episode behind the mural of the soul where man in some way, because
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  I want to show you how this project is done and how I ventured to
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  launch it like this, because it was two thousand nineteen it was the year
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  of the pandemic, for it was not a year before the pandemic of covid
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  nineteen and I was living in a part of the center of the city of
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  Duitama, in the department of Boyacá, in Colombia, which is my city
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  of birth, is my hometown, and well, I had a very particular
• 5:01
  set. Well, I' m gonna tell you a little bit about that
• 5:05
  and I said, well, I' m a radio man. I'
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  ve been doing this radio job since the year two thousand and five. In
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  terms of production, in terms of control, in terms of speech, and
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  I have already gone through the University doing social communication and journalism. Then I
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  said no, because I want to do more than my own job as an
• 5:30
  announcer. I want to do more than my own job as a radio person.
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  Then, one day, the podcast came into my life one day that
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  format called podcast came into my life. But what' s with the podcast?
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  Well, the podcast, as I personally define it, is radio on
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  demand. Yes, it is a format that has been quite, very long
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  ago and that, in one way or another, has revolutionized communication in our
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  times. And it' s a supremely interesting thing. And I said listen
• 6:25
  to this podcast thing. He' s so bacano, he' s so
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  cool, he' s interesting. So, man, let' s venture.
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  But I said well, let' s look and I did questions like,
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  for example, those of many of you, not, for example,
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  well, but the podcast and it will be good. One can monetize with
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  a podcast. Well, so many things you still can' t think of.
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  Then I was looking for many platforms that there are, not Spotify,
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  for podcasters that used to be called anchore ibooks or ibox and spreader. Then
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  I said no, because let' s find out, let' s investigate,
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  I became a scraker and a chévere and then nothing, always and simply
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  because condition of making it free something limited I could only go up. I
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  think how to put it, I think it was like fifty episodes or twenty.
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  I don' t remember what it was like back then, two thousand
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  nineteen. Spreaker was very limited. But I said I' m going to
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  venture, to make a podcast, I' m going to dare to do
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  what no one my position would do a podcast. Yeah, a podcast.
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  Then I said let' s do it, but what' s it gonna
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  be called the podcast and chand pdcast or what I' m gonna call it.
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  Then, one day I was going through my photo gallery and checking my
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  photo gallery I found that there were some photographs that we had been asked to
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  include as part of a job, It was a group work of the University,
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  of a free topic that we could choose by talking about a sociological topic
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  we were in. I think the sociology subject or something, or it was
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  something to end one of the subjects of the career directly related to the career.
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  And I said well, what' s around here and I was struck
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  by the fact that there was a mural with a lot of graffiti, varied
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  graffiti of many types, in many ways, and that graffiti, that mural.
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  It caught my attention and I started doing an analysis. The analysis was
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  good. Here several boys used this one that in another hour was a blank
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  wall. And it was a blank wall, but until they occupied it with
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  different drawings or with different expressions against social protest politics. Well any number of
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  topics that you can find in a typical white mural that was located in a
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  part of Circuitvalar Avenue in the city of Duitama. Maybe that mural' s
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  gone. They' ve deleted it or they' ve done another one.
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  I don' t know. I haven' t been to the area long
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  ago, but in that little part of the Circuitvalar Avenue in Duitama, there
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  I saw that mural and I took advantage of it and took my cell phone
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  that I had at the time I had ufff I don' t remember.
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  I don' t remember the phone. I think it was a Samsung Galaxy
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  Grand Prime. I think I' ve got it out there. Let me
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  do it. I' ve got my phone around, but I don'
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  t see it around. Anyway, I took that picture and then a while
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  later I looked at my photo gallery and I got the bulb on. I
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  said if these guys used a blank mural to express their ideas or their feelings.
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  Well, man, I want to take advantage of and convert under this
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  podcast format, do something similar, but writing very punctual things that cause social
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  change, that cause change to us. If we want to change society,
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  if we want to change the planet, change has to start with oneself.
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  I' ve been clear about it and it' s the premise that I
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  want to share with each and every one of you. So, in that
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  order of ideas, I said, let' s do something with this consonance
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  and I said, because this is a mural. But of what then did
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  I return to the tripartite concept of human being? What is the tripartite concept
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  of the human being? That we are body, we are soul and we
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  are spirit. OK and four, not three, body, soul and spirit.
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  I' m fine now. So I said good what the body is.
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  It' s what' s visible about our person. The body can
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  be case by which the soul and the spirit, for it walks not in
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  the midst of this earthly plane. What is the spirit, because it is
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  the spirit, is the part of that connection with what is deep, which,
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  as anhan Designet Superry says, in the prince, with that character the
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  essential is invisible to the eyes. Then the spirit is the essence of the
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  human being. But what is the soul. The soul. I associated him,
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  for yes, the soul is the component that has three subcomponents in itself,
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  which is the mind emotions and the will. All that governs the soul.
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  But the soul for me is the connector. It is the bridge between
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  the spirit and the body, that is, the interaction body spirit is linked
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  with the soul. Yeah, it comes to mind. The Bosphorus Bridge in
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  Istanbul, the Bosfornes Bridge in Istanbull, Turkey. I' m forgetting.
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  The name of the country. It' s the bridge that connects. Well,
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  there are two areas of Istanbul. If my memory does not fail and
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  if I am not corrected, Istanbull has one part that is in Europe and
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  another part that is on the Asian continent, but both are separated by the
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  strait of the Bosphorus. Through there pass the waters of the Bosphorus. So,
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  what' s going on? It happens that that bridge unites two different
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  continents, it unites the same city, but then Turkey. It has that
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  ease of being one part in Europe and another part in Turkey, or forgive
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  one part in Europe and another part in Asia. Forgive me and nothing,
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  for there I said, because if the Bosphorus Bridge connects one European part of
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  Istanbul with the Asian part and in turn connects Europe with Asia, the soul.
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  For me, Fernando Higuera, connects the body with the spirit. Then
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  I associate with the concept. I associate the photo of the graffiti mural and
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  I said I already have the name of the podcast. The mural of the
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  soul. Why I called it the mural of the soul, because some people
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  would leave me. Fernando calls it the mural of the spirit, because the
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  spirit is the essence, it is the whole. Not also the mural of
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  the body, because there are already people who constituted the one of the sumural
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  body tatus in short, That is not the subject, but I called it
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  the mural of the soul, because, as I told you, the soul
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  is that connector, that bridge between the body and the spirit of the soul
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  proceeds all things. Yes, now another plus to this in the Bible.
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  Jesus said this about the abundance of the heart. The mouth speaks, that
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  is what comes from my five senses, from my touch, from my facial
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  expression, from my body, is an expression of the heart and where the
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  heart is or what the heart is associated with, because to what you feel
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  the emotions and those are classed the soul. Come on, so that'
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  s the point motive because I called this the mural of the soul. Look
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  I' m in green. Those who know me know that I have green
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  eyes. The House shows that I have black eyes, but they are green.
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  My smar watch strap is green. See, I didn' t seriously
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  plan this. I didn' t plan it, but here I go with
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  this. I go to this because the logo of the mural of the soul
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  is a green board, that of all life, the green blackboard, in
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  which we, as children, wrote things, or saw the teacher, the
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  teacher, the teacher, write the formulas, the texts, the expressions,
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  the basic concepts. That' s the mural of the soul for me then.
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  It' s not the mural I saw on circummbalar avenue in your Itama.
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  It' s a huge, huge board where I write things like I
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  told you, a personal catharsis, but I know that in some way or
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  other, I identify the people who see and listen to this podcast. So,
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  the mural of the soul. All right, man. I' m
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  going to end up telling you things that how to say things that I regret
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  within this exercise of the mural of the soul. Number one. I regret
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  taking vacations inside the mural of the soul. And you will say, but
• 16:37
  why it happens. Well, it turns out he' s coming in to
• 16:44
  see. The first season was from the two thousand nineteen to the year two
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  thousand twenty, when in another mural episode I told them I had appendicity.
• 16:53
  I' m three serial diseases. You and covid had tinnitus and had ap
• 17:00
  indicit, and that left me a year out of the mural. I took
• 17:06
  a forced sotic year. Then the audience, to the little audience that was
• 17:11
  receiving steel bago. After that it was the year two thousand twenty- three.
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  It' s been three years. Yes, it was a long time
• 17:23
  and I said in two thousand twenty- three I' m going to resume
• 17:29
  the mural why. Because I think his name is Rafael in the episode of
• 17:36
  the first season called Good, it' s something of marriage. It has
• 17:41
  something to do with marriage, with guidelines for happy marriage, I think it
• 17:45
  ' s called the episode. I saw a comment on YouTube. I had
• 17:51
  never been on YouTube studio at the time and I said let' s see
• 17:56
  what' s up. And I was given to see that comment and the
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  comment said very good advice, very good reflections, many blessings. That comment
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  motivated me and I said let' s go back to the mural of the
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  soul. And beginning of the year two thousand twenty- three we started again,
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  second season, second season, we started on all platforms via Spreaker and
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  I said in the middle of that year, that is, in the middle
• 18:41
  of that season. I said I' m gonna do something I' ve
• 18:45
  never done. I' m going on video. And I was sorry because,
• 18:53
  in another time of my life, I was terrified of a video camera,
• 19:02
  but I said I' m going to risk it and I did it
• 19:06
  and here we are and nothing. I said I' m gonna go out
• 19:15
  once a month on video and we' re gonna do it on YouTube.
• 19:18
  Then I had something, the knowledge of YouTube, soon a project job on
• 19:22
  the radio. Then I said we' re gonna take it back and so
• 19:26
  we did. And all right, good indexes, not hundreds or tenths,
• 19:32
  but good statistics on the side and yarn until I said I' m going
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  to rest, I' m going to take two weeks and close season.
• 19:42
  When I took back the third one, which is the one that' s
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  in effect all counters at zero, Spraker, zero, YouTube, zero.
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  I said first mistake. Well, we' re in the tech age.
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  You can rest, but take other strategies, but let the contents of the
• 20:03
  mural follow. And that one based on that mistake, I said, the
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  mural of the soul is going to continue against wind and tide as long as
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  God allows me, as long as I have breath in my lungs and have
• 20:14
  a voice. And so has been the dynamic that you have heard to this
• 20:18
  day. Yeah, but I think these things one transforms them into opportunities.
• 20:26
  Why. Because during those three forced years I had of absence, as I
• 20:36
  said, let' s look for ways and strategies to improve this and during
• 20:45
  that time that I took vacation, I said people got married and people didn
• 20:51
  ' t find out more about the mural until now, but because I discovered
• 20:56
  how logical I didn' t do it and that' s how logical I
• 20:57
  didn' t do it. Publish, post in networks. I' m
• 21:03
  doing it on my personal social networks to Roafer and it was on Facebook and
• 21:07
  Instagram. I' m doing it while I pose if, at this point,
• 21:14
  if there' s a need to create a special page on Lama'
• 21:17
  s mural, I already have it on Facebook. On Facebook we are with
• 21:19
  Lama' s mural, but I' m going to rethink it on Instagram
• 21:22
  as well. I think this is the end of the year. We would
• 21:26
  probably be taking into consideration making Instagram the page of the mural of the soul,
• 21:33
  trusting God that there are followers who remain faithful to this cause and then
• 21:41
  we are moving forward. A little more. I would love to make shorts
• 21:45
  on platforms of some particular content demands time, but it' s another thing
• 21:52
  I want to do. Obviously, to improve the equipment a little more and
• 21:55
  what I want to do a computer of performances even better than this one that,
• 22:03
  thank God, this computer has accompanied me in the good and the bad
• 22:07
  ones, if it is my faithful companion for twenty- one years, but
• 22:12
  well, there we are and in some other way making this possible from the
• 22:22
  mural of the soul change and all its genius allow me to make the covers
• 22:26
  and all this matter. I know a lot of things need to be improved
• 22:33
  that I know more dynamic covers. I know it demands a lot of work,
• 22:38
  but we' re going to try to get the best we can on
• 22:41
  the tab, as far as we can and with what we have and I
• 22:47
  think we' re doing the best with this. I end this episode by
• 22:48
  telling you the following. First goodbye. Thank you. Many thanks to God,
• 22:53
  who gives me life, gives me the strength and gives me the voice
• 22:57
  and gives me the wisdom to share each of these episodes in audio and video.
• 23:03
  I learn from what I record and would like to learn from you.
• 23:07
  I would like to learn from you for that reason the comments. Thank you
• 23:14
  for the comments, Thank you for the views, thank you for the likes,
• 23:18
  thank you for the reproductions. This motivates us to continue to do so.
• 23:21
  This isn' t a perfect podcast. I know there are better podcasts
• 23:26
  than this one you' re listening to and watching. I know, and
• 23:32
  they' re super- ranked episodes. They' re super- ranked podcasts,
• 23:36
  but believe me those podcasts. There, as you say, many know
• 23:38
  the glory, but few know the story. They are podcasts that come from
• 23:45
  years of process and of winning followers. But there he goes and there we
• 23:53
  go walking forgiveness. I move my jaw, that' s it already.
• 23:56
  My alevar clandulas say enough. Yeah. I' ll have some water when
• 24:03
  I' m done. Thank God, first of all, thanks to you
• 24:11
  who play read Like, subscribe to the YouTube channel, to Facebook, play
• 24:17
  it on all platforms. Thank you for that. Thank you for that.
• 24:22
  The idea is that with all this work, the channel can sustain itself and
• 24:30
  you know what I mean, not so much to enrich me. This I
• 24:34
  do is out of passion and taste, but it always requires funds to,
• 24:38
  for example, be able to change the laptop you saw and little by little
• 24:45
  have more equipment, improve it so that you have a professional audio and video
• 24:52
  experience. That' s what I want, and that' s all you
• 25:00
  have to present to you today, practically over 100 episodes each season. The
• 25:07
  mural of the soul lasts the school year, so by December of two thousand
• 25:11
  twenty- three we would be finishing season. But unlike the other time,
• 25:15
  I' m not going to rest, I mean, yeah, I'
• 25:18
  m going to rest. But while I rest, you' re going to
• 25:23
  have content. It can be a reflection or a tip something outside of the
• 25:29
  concept of the mural. So this project, as long as God owes me
• 25:33
  and licenses me, is going to go ahead and as long as I have
• 25:38
  saliva, I have breath, I have voice, lungs help everything, we
• 25:45
  are going to give it with everything, with all that God takes away all
• 25:48
  the glory, that the Lord takes all the recognition of this, which is
• 25:49
  the mural of the soul. To him be all the recognition, my immense
• 25:52
  gratitude to Daddy God and to you. Secondly, to make possible this project
• 25:57
  that from the year two thousand nineteen accompanies me and intends to change the world
• 26:02
  a little bit from a perspective, from a totally different shore, from the
• 26:07
  year two thousand nineteen to the present, from until the countus dísmo allows me.
• 26:10
  I am and will host that. I am David Fernando Iguera and this
• 26:12
  is the mural of the soul. Thank you very much, therefore and for everything,