Latest / Estúpido Nerd / T14E08- Robot Dreams: Mucho Perro!

Transcript

T14E08- Robot Dreams: Mucho Perro! · Estúpido Nerd

• 0:00
  Because I don' t have a damn rhythm, it' s how hard
• 0:05
  it is to get that son of a bitch song out of my head.
• 0:06
  I just mind that piece. Then that' s the worst. That'
• 0:08
  s the worst. The worst thing about you hitting a song is that you
• 0:12
  hit a song from the colus so you know a verse, a piece.
• 0:16
  Yeah, it' s not even a stanza. It' s a verse.
• 0:20
  It' s one because I don' t have rhythm, I don
• 0:27
  ' t have rhythm, I don' t laugh at you. Well,
• 0:30
  yeah, but anyway, you don' t look for it on YouTube and
• 0:33
  get it out of your head. Yeah, that' s right. What
• 0:35
  is doing I diego your tropes, why so far I diego faggot, because
• 0:42
  life is hard. Weón that is, what will be done to him how
• 0:46
  the weather is going in Bogotá, I say that I gave him the cream
• 0:56
  is coming new winds and change, the climate. The climate is the truth
• 1:00
  these days has been neutral Bogotan, like Bogotan, not rain, but not
• 1:06
  so much sun, neither as lukewarm. But that' s true, but
• 1:10
  that only bodes yes. The change in the suns is happening, and I
• 1:17
  think we' re already getting the rainy season, the rains and the whores,
• 1:21
  the juyas. No, I say we' re already gonorrhea, but
• 1:23
  yes, but diego knows that, that is, my departure from the city
• 1:26
  doesn' t have to take my quiet place. I don' t know
• 1:30
  what to talk about. I mean, you don' t have to replace
• 1:34
  it. There are things that can run out of activities, that can be
• 1:41
  left without irresponsibleness. Let' s say for sure, yes, yes,
• 1:45
  I think, I don' t think we should. You have to see
• 1:49
  one eye another is so safe. I don' t fucking ay wey one
• 1:53
  night I' m late and they' re gonna ride me. And that
• 1:55
  ' s what I' m telling you for other fighters. But, okay,
• 1:59
  here, you already feel the heat here. Yesterday we made a brunch
• 2:05
  on the sunny terrace. These people, these people are mammals, diegoes,
• 2:10
  they' re hot- blooded people and they' re hiding from the sun.
• 2:15
  I was there like the lizard that is today getting all the vitamin D.
• 2:23
  But my friends here are mammals. Then they hide from the sun.
• 2:30
  They hide like every decent thing. What a decent thing to be. They
• 2:34
  were all the land. The bugs hide from the sun, the cockroaches hide
• 2:38
  the sun and the ugly mommys, the cats come out in the sun.
• 2:44
  They' re mommys, too. But this is cool. I can'
• 2:46
  t fight that. I mean, I can' t object to cats.
• 2:50
  Cats are the exact data and they are our masters, and gentlemen, everyone
• 2:53
  knows that before Google there were cats. Google really is like a plot of
• 2:59
  a cat conspiracy to show pictures and feed people more, because it has raised
• 3:04
  the number of cats people have. He' s gone up from one another.
• 3:07
  Who would say that Google was all the cats we met on the way
• 3:12
  What I fucked in all the cats and goat songs. Let' s start
• 3:16
  with that inspirational phrase of another giveaway hear brother or hello and welcome to stupid
• 3:38
  nert a podcast about series movies advance and other things you, Other neon things,
• 3:46
  like change, Other girl things, like love? Other little things,
• 3:51
  like memories? Other little things, like relationships? Other little things, like
• 3:57
  feeling that someone is always there to give someone for John when they can.
• 4:04
  Please, because today we are going to talk about the adaptation to animated film
• 4:11
  and nominated for the Oscar Robot Drigue and as always we are with the Geraldian
• 4:20
  Fernández of Spodcast, we are going to talk about old animation Argüello. You
• 4:24
  ' ll never be at the level of my two million frames. Dog ok
• 4:29
  Ton actual, Akira, Akira Toriyama, my dad, not your dad,
• 4:34
  dad, my dad I love diego is Arrobale Frito, I am arroba.
• 4:41
  Juan Dappo and all the social networks of stupionr can find them in stupid ner
• 4:46
  Com and if they want to support us listening, they can share this episode
• 4:50
  and, above all, they can enter to stupid ner Com, Slash station
• 4:58
  Podcast and support us with the dream with the vision, with our presentation at
• 5:03
  the Podcast Festival station Podcast here in Spain, we have to bring Diego in
• 5:11
  a suitcase, in a and with a suitcase, sorry with a suitcase so
• 5:18
  that we can present ourselves on the same platform and make a pleasant. Oh.
• 5:21
  That' s the dream. That' s the dream, and we
• 5:26
  ' re only a few of our contributions to achieve it. It' s
• 5:30
  a whole or nothing, so we need to get to the number or else,
• 5:36
  all the effort we' ve made will be lost like tears in the
• 5:39
  rain. So, you know, stupid ener com is the podcast calmableg Roner
• 5:49
  We to Don Diego what the tropo dreams are, the tropo dreams. I
• 5:58
  bring you something special for these Troppo dreams. And it' s because it
• 6:03
  ' s just that for these grinning tropes I chose a theme. Then all
• 6:09
  these tropes start with love ok ok ok. Then we have to start the
• 6:21
  shopping love trope. Wow. Sounds like Merengue. Right, that' s
• 6:29
  what I liked the most. This trope, obviously sounds meringue, because let
• 6:33
  ' s be honest. The movie of your meringue. The merengue is a
• 6:38
  delicious simple apost pestilence, whether it beats the snowy egg whites and mixes it
• 6:42
  with the syrup. But then we do have the love of buying sale,
• 6:50
  because let' s say the robot is bought anyway. Yeah, then a
• 6:58
  love buys sale, without going into more detail. But we also have non
• 7:02
  - binary love, which is a beautiful thing in the movie. But we
• 7:09
  also have idealized love, because when there is time apart, there is time
• 7:17
  to idealize and besides that, we have unconditional love, because we are as
• 7:24
  we are and we find how we are? Love remains in some way and
• 7:30
  besides that we have the most painful of all, realistic love. Uff because
• 7:36
  this animated film brings us a much more realistic love than most movies I'
• 7:44
  ve seen in a long time. Those are my five tropes of love,
• 7:50
  the trophies of love, the stropes of love how, how it is that
• 7:57
  it is about love. The five ways of expressing the way of thinking love
• 8:00
  are the love of sale, non binary love, idealized love, unconditional love
• 8:05
  and realistic love. What I just changed is yours, but we' re
• 8:11
  honest which ones are more fun. Ah ah, that' s what pioner
• 8:16
  Dog is for to learn, to learn and to have fun ok in the
• 8:24
  quantities. I have that although the film has no dialogues, if there are
• 8:30
  voice actors, there is a voice actor in credits, and it is because
• 8:33
  this person made Perro and a and Robots, that the band is the same
• 8:39
  and in what it does are the curios sounds if they do not speak,
• 8:45
  but there is someone who hired him to make the sounds and the expressions.
• 8:48
  And how to give them that personality and not download it from a YouTube video,
• 8:54
  because they also make a lot of sounds that are very of each character.
• 8:58
  Then yes well, valid, valid is secret. The second is that
• 9:03
  the box where Robot comes from is Berger Corpus. What alludes to Pablo Berger,
• 9:09
  director ja you know how to say acme? What' s iracmes like?
• 9:15
  More or less, and in the film it is based on a book
• 9:18
  of the same name, Sara Sara Baron or Baron Sarah Baron. I want
• 9:24
  to. I want to see her. I want to see her, though
• 9:28
  Perro imagines she' s very alive above Chicken and Cut which is another book
• 9:31
  of her that lives. Or I love it, I love it when those
• 9:35
  worlds cross like that and for those who don' t know the bag it
• 9:37
  has. Dog has a logo on the mascot of Naranjito de Maria sp Originaria,
• 9:45
  O is the director and the movie head. That seemed very beautiful to
• 9:48
  me because, of course, everything is set, it is in New York,
• 9:52
  but Naranjito is a very fine detail, because everything else if it is
• 9:56
  very New York, but Naranjito is orange. Well, there, that was
• 9:58
  ero. The amortropes, now tropes of love, the tropes of life sounds
• 10:05
  like that sounds more cheesy or better. And so we return on this delicious
• 10:13
  afternoon to our favorite love tropes show with Dr Heart, Diego, the love
• 10:20
  tropist Hello I' m Dr Diego. You want me to diagnose your trope,
• 10:28
  your love trope. Wow, boy ay very fucking us talking about movies
• 10:39
  and video games mother and whatever you do wey n tropos of the mor ok.
• 10:48
  Those were the tropes of love, the juandatazos and after the next cortin
• 10:52
  and all the spoilers of Robots Chico, w h or Diego are coming.
• 11:39
  I' m sorry. I know these from past moments, but Robbery Dreams
• 11:48
  is the story of a love. It' s worth it today. Today
• 11:52
  it' s worth it, because besides, I feel that today I was
• 11:54
  the one who started this shitty then yes, sir, it' s the
• 12:03
  story of a love and a pretty girl who never cried this girly story.
• 12:09
  Or not yes or in an interview with the creators, they said they have
• 12:16
  no gender. Not the genre gets it from who' s watching it.
• 12:22
  Then you saw the couple you wanted to see. It' s okay.
• 12:26
  He' s on his own just in case this goes to the end of
• 12:31
  the chapter. But as soon as I think about it, because I'
• 12:35
  m going to ask you what you saw. Okay, but at the end
• 12:41
  of the chapter, okay, Da' s gonna think about it. In
• 12:45
  those diegos exactly then Tenga came out soft alis Man Games talking about that is
• 12:54
  throwing me in the face that you didn' t just go to see Repi
• 13:01
  Paries knows it' s sadder. He wants to watch that movie and watch
• 13:05
  it is only the story of Perro, who feels like I am in the
• 13:09
  cinema and sees that everyone is accompanied looks around and sees everyone as a couple
• 13:13
  doing activities of the day to day, even pololeando polo, alliances are polo,
• 13:18
  because that one feels very lonely. She' s very sad. Like
• 13:22
  you said diegoes. There' s the serrap in New York in the'
• 13:28
  80s and he' s watching TV eats like food for one person. Everything
• 13:31
  is very sad and you find a commercial in which you can buy a fellow
• 13:37
  robots, he buys it, arrives, arms it and become absolutely friends and
• 13:43
  maga. But such for such an impressive lover are the couple of the moment.
• 13:50
  Concepte on seeing background, all the time you dancing, that two dancing
• 13:56
  on have to see on Patineas. But he' s absolutely in love.
• 14:01
  Robot is absolutely in love with them. They' re living an incredible love.
• 14:05
  Until the unthinkable happens. They go to the beach and because Robot spent
• 14:11
  a long time at sea, he stays stiff and Dog can' t help
• 14:16
  him. He tries to carry tools, but the beach is closed. He
• 14:22
  ' s trying to get a permit for the beach. It' s closed
• 14:24
  and Dog puts a note in his fridge to get back to the beach.
• 14:31
  June. You spend Halloween, you spend Christmas, you have a meeting,
• 14:35
  you spend the holidays, you go through harassment for almost a year. It
• 14:37
  ' s just that the way time spends in the movie is in the jimba,
• 14:41
  because, of course, it accepts in venere of the song. But
• 14:43
  he' s also telling us this movie starts in September. Well, let
• 14:48
  ' s say so. Let' s say one says, Let' s
• 14:52
  say it starts in August, when he' s only September when he meets
• 14:56
  Robot and already Halloween and then comes hallowien which is when the beach is already
• 15:00
  closed, then, then it' s waiting from September to June next year,
• 15:09
  exactly, which is a gonorrhea, which is a long time. And
• 15:09
  the Dog, because at that time he meets other people, at that time,
• 15:18
  he has dreams about Robot and on his side, Robot also has dreams
• 15:22
  about Dog. But at a terrible point they take him off the beach.
• 15:26
  He' s been there all year and they take him off the beach and
• 15:28
  they find him, they scratch, Rascal finds him, they put him up
• 15:35
  and then they start living with Rascal from the other side, Dog, by
• 15:39
  not finding Robots, they buy another Robot and at one point of the movie
• 15:46
  that we' ll talk about I' m doing the synonces, because we
• 15:48
  ' ll talk about this. Yeah. The only thing was the impulse.
• 15:52
  You see each other or Robots sees him. He has a hallucination, he
• 15:56
  sets the music for the dog to listen to, but in the end he
• 16:00
  hides from him and the two follow their lives separately. Uff Marica that that
• 16:06
  moment Robo Dreams past lives made best rob Dreams is pass Lives best Uff Marica
• 16:17
  It seems there is the first thing that surprised me the movie because I didn
• 16:21
  ' t know that before I entered, I had no idea that the movie
• 16:22
  was silent. I didn' t know the movie was silent. When this
• 16:27
  shit starts and I see that they haven' t said anything for a while
• 16:32
  and that since, whatever it is, this isn' t Wally to someone
• 16:34
  else would have said something here This isn' t a stylistic decision for this
• 16:40
  scene. This is like real faggot. Seriously, they' re gonna start
• 16:44
  telling me a silent animated story. I don' t think I' ve
• 16:51
  seen a silent animated movie since Vallville triplets and now and so much, and
• 16:57
  to be dominated, that is, exactly, act, because by an experiment
• 17:02
  they independent high movie triplets, great movie, yes, but this shit without
• 17:10
  words, just with music or sounds and animation evokes a beautiful, beautiful,
• 17:26
  painful, real love. To me, that' s what fucked my fucking
• 17:34
  head the most, how real it is when they' re together, when
• 17:42
  they start to split up and how they end up, in the end,
• 17:47
  all three of them are very real. Robot' s lived dreams were incredible
• 17:55
  because, in addition, the first is the cruelest of all, because the
• 18:00
  first you have is that these pyrobian rabbits arrive in the canoe, in the
• 18:06
  boat and arrive and give it. It' s sinking. If they give
• 18:11
  him magic oil and he recovers, which must have been a clue to me,
• 18:17
  but it wasn' t and he turns no one to anyone. That
• 18:22
  is, when you see that and it' s how they' re helping
• 18:26
  you that chimbas go away, you go and clear with a dog and then
• 18:30
  later you say clearly that ridiculous to think it was to give you a little
• 18:37
  bit that taking oil says cure. Obviously, that' s stupid to the
• 18:41
  logic that the film isn' t imposing. But I was so looking forward
• 18:45
  to it. I needed so much that robots ran into dog again that I
• 18:52
  decided to blindly believe in exact love, that it was the same thing that
• 19:00
  Robo did, idealized love and really not fag and then realize that these fuckers
• 19:07
  are really cutting off a leg to cut off his finger, to cut off
• 19:14
  his finger. Besides, it' s the ridiculous one. It' s
• 19:17
  cruelty. For cruelty, for cruelty, it is as we say, in
• 19:21
  their love. The dog feels alone, yes, it' s a very
• 19:26
  good scene, that is, because what is jud started the same way by
• 19:30
  saying that it' s amazing that this movie is told without words. I
• 19:33
  mean, it' s a great achievement, the movie tells the story,
• 19:38
  it told without stopping and he starts. It shows us how all these tropes
• 19:44
  are alone then eats food like microwave, like these dishes for one and their
• 19:49
  light is like sad bluish. It feels like shit, you see in the
• 19:52
  reflection of the TV absolutely alone, that is, everyone tells us, Dog
• 19:57
  feels very lonely and around it is all couples. And that, then,
• 20:03
  makes it even clearer. And he wants that love, yes, but he
• 20:06
  can' t get it. He wants and seeks that. And this is
• 20:14
  what I' m going to do later because there' s one thing that
• 20:18
  I find very godorrea. I fight her, very real goro, very slutty
• 20:22
  and at one point she has the commercial and finds Robot and Robot is made
• 20:26
  for him, yes, but recorded so that he does, yes and they
• 20:32
  have this story that is as cute told as because it' s not like
• 20:37
  I learn Robodio and Robot already loves it. Robbery' s learning too.
• 20:41
  Yeah, they' re fucking leaving, they' re gonna start. But
• 20:44
  what I like is how a relationship begins, that one begins, one begins
• 20:47
  as loving the other person, one begins with a love overflowing with another person,
• 20:49
  one begins as with a taste and such with a feeling. But he
• 20:55
  ' s building the dynamics. Above all, they start us with the thing.
• 21:00
  I think the prettiest thing there is in a relationship at the beginning,
• 21:02
  they start with curiosity of the other. Yeah, that' s, that
• 21:07
  ' s what it really feeds me at the beginning of a relationship. If
• 21:11
  I want to meet the other, I' m intrigued by this one and
• 21:15
  want to know more and more about him from Arrobot. He' s intrigued
• 21:19
  by how Dog works, and Dog tells you how Robot works and how the
• 21:22
  world works and the two start building this dynamic. But it' s also
• 21:27
  clumsy that, it' s just that he' s the one in the
• 21:30
  movie, it' s just that he holds his hand perfectly at first I
• 21:33
  squeeze his hand. Yeah, yeah, yeah, it' s just like
• 21:37
  it is. There' s a mini retrocesito at first at the scene that
• 21:41
  are showing dogs just to me. What I found most striking about the scene
• 21:45
  is that they did show us a pathetic scene. It is pathetic, that
• 21:52
  is, in the most literal sense, it is pathetic, but it is
• 21:56
  not caricaturesque. Even though that animation is not caricaturesque, it is very realistic.
• 22:02
  Feels. It feels familiar to people who have been in a similar situation.
• 22:07
  It feels very familiar, like how to lower your whore, family rumba,
• 22:15
  how to get me the family son of a bitch, Yes like not
• 22:21
  moms let me go dog, let me go family, Yes, because it
• 22:25
  is very well armed? That is very well armed? Because the movie is
• 22:29
  that, it' s an animation movie. I mean, obviously, I
• 22:30
  ' m a lot of things like far away, far away from the real
• 22:37
  world. Yeah, the way this world is built, that I love that
• 22:41
  it' s so built. But at the same time have the rules as
• 22:48
  fuzzy as there are that all citizens are animals, but I was also going
• 22:51
  there are animals, but they are a kind of animal, that is,
• 22:55
  like that' s weird, but it' s video but it' s
• 23:00
  cool And I mean, it doesn' t matter very much and it doesn
• 23:03
  ' t matter very much, because that' s what it' s all
• 23:11
  about to set this story, this story that, without there being any human
• 23:19
  being, feels fucking human, fucking human and starts that construction from the pathetic
• 23:19
  dog. Yeah, and then they build this relationship and make us believe and
• 23:27
  this will come back when I say I have the bomb, which I have
• 23:33
  to let go if it' s that day, when I release it before
• 23:36
  and I don' t think it before and it' s I don'
• 23:38
  t know without believing that the dog is in love with Robot and Robot is
• 23:38
  in love. They look at each other is absolutely like this love overflowing with
• 23:48
  the couple. There' s nothing else. I just want you. I
• 23:52
  don' t want anything else in the world. I only see for you,
• 23:56
  I only see for you, and you only see for me. You
• 24:00
  only see me. You just want me and I just want you. So
• 24:04
  far the terrible moment of silver. Yeah, plus, I mean, he
• 24:08
  ' s really scared, and I thought he was so fried but so brilliant
• 24:11
  right now. So that' s what separates him because he' s so
• 24:15
  arbitrary, so fucking out, but so inevitable, because Dog does everything he
• 24:22
  can. Dog is already afraid that the sea as one does, then not
• 24:30
  faggot, everything works. Then it' s like the sea isn' t
• 24:32
  going to be a danger. And it' s like ah, well,
• 24:34
  you' re at a nice dinner and it' s like uf and then
• 24:38
  you fall asleep. And as many times the movie does, it' s
• 24:41
  how you played it, you played it for me. Yeah, obviously,
• 24:51
  the moment I saw that in Robot, the robot was able to get into
• 24:53
  the lake and I floated and said what a joke day on the beach you
• 25:00
  never see as whores scoundrel, which is exactly the same as ay. The
• 25:03
  bunnies helped her squeal what the fuck. And so it happens and it happens
• 25:11
  here in fucking life. No more, no more, don' t do
• 25:15
  this to me, I mean, stop fanciing the characters, and therefore,
• 25:21
  flatter me. And when you see he' s gonna lose Robot, Dog
• 25:27
  does everything not because I love that. Dog does everything possible. Try to
• 25:32
  move it, try to take it, try to drag it all night.
• 25:36
  Try, try to bring tools, try the brute force. He loves brute
• 25:40
  force, which is the first thing he tries. Then try the crime.
• 25:45
  Yes, then try the bureaucracy, which is worse, the bureaucracy and then
• 25:53
  try again the crime, but even higher. And that' s when he
• 26:00
  says I won' t be able to, Faggot, I don' t
• 26:03
  have the tools I don' t have, but that' s what he
• 26:06
  says. That' s not what he says. Yeah, yeah, ay
• 26:11
  fag, especially why. But once because I didn' t think so directly
• 26:17
  at the time. I said like why? Why? Because he' s
• 26:19
  not doing it, because I think he could do something else, too.
• 26:22
  But that' s especially when Marica got a boat. Obviously, there were
• 26:26
  forms, son of a whore, there were forms. Dog stopped trying.
• 26:30
  Dog stopped trying completely. Dog said ay, but he literally said come on,
• 26:37
  put it in, put it in we' ll see literally in the
• 26:40
  fridge. I put a pin pulse on duty and he said there' s
• 26:44
  gonna be robot waiting for me. Yes, the first young man. Yes,
• 26:47
  sir, you took it. There was a problem absolutely for granted.
• 26:52
  He took it absolutely for granted. There was a problem. It' s
• 26:56
  not a relationship. You can' t fix it right there. We'
• 27:00
  re not going to separate, but when I can, I' m going
• 27:04
  to come back and it' s going to be clear, and that'
• 27:10
  s what I mean, it wasn' t even like a I' m
• 27:15
  going to visit him to talk to him I could' ve done it in
• 27:19
  the morning. There was also, as the rabbits of the ship entered the
• 27:26
  ship and the pyro of ra the scrap. Yeah, and that without getting
• 27:33
  any more ticks, miquis that' s if the birds could get in you
• 27:38
  motherfucker from upstairs. But it is that the scene of the birds also seemed
• 27:41
  to me divine weon of the bird and the child seemed incredible, incredible,
• 27:48
  but Dog stopped trying and apply a part that I loved and are the dreams
• 27:56
  Robot Dreams of coming back with Dog. All the time. Robbery loves Dog.
• 28:00
  Dream about going back to him. Dog dreams of not being alone.
• 28:07
  Dog goes out with the duck, but imagines the snowman. Dream of the
• 28:14
  man ne Then he re- creates a robot, but the whole line is
• 28:19
  he wants someone who wants it doesn' t necessarily have to be robots.
• 28:23
  I mean, it' s a robot. If he then sees everyone the
• 28:26
  robot, but he tries to date more people and if it didn' t
• 28:29
  work out for him, he goes back to Robot and his thoughts. Because
• 28:30
  they don' t work, the robots come back. Dog is a child
• 28:33
  he and s F Güey. I want them to love me. I want
• 28:36
  to have a name. That' s his representation. Say the score clearly,
• 28:44
  it wasn' t Septeme. We thought it was Septemer, but no.
• 28:48
  The thing is, they didn' t have to pay the fees for
• 28:51
  that song. That was the mess. My dog pawns, Dog seeks his
• 28:57
  cir. But that' s it. But yeah, obviously, and that
• 29:00
  ' s the shit, because that' s where my first trope comes from.
• 29:06
  It is a love of sale, because of course, one can analyze
• 29:11
  this only from how one builds the love relationship, tini what truth means.
• 29:17
  But you can also start by analyzing it from a small step earlier. Dog
• 29:22
  buys Robot. That' s just that one can completely ignore and have a
• 29:30
  whole dialogue about the movie. But only that detail gives for another complete dialogue.
• 29:33
  Besides that' s what I really like about the movie, well,
• 29:37
  one of the many things this movie really liked and for many reasons. It
• 29:41
  ' s one of the things that I really like about this movie and it
• 29:45
  ' s what it gives to have a lot of different levels of dialogue.
• 29:48
  Yeah,' cause of course that thing about buying Robot, that' s
• 29:53
  a comment about the search for artificial company in networks and whatever Weon is.
• 30:03
  That' s what he gets, and that' s what he gets.
• 30:08
  That' s why Dog doesn' t really feel tied to that relationship,
• 30:17
  because Weon bought it and the not only is then going and realizes that he
• 30:22
  ' s not in his Despero realizes he lost Robot, lost Robot and does
• 30:26
  the Dog, son of a whore. This was bought by another, bought
• 30:32
  by another, bought by another and this time by Amari de Puta. If
• 30:40
  he was buying another one, he wanted Robot, I got another one,
• 30:45
  like someone else. And robot what he did to robot. They put him
• 30:49
  together, put them together and showed him affection, and he found someone else,
• 30:53
  but in a different way. He didn' t want another dog,
• 30:56
  he found him someone else. He changed yes, because they rearm it and
• 31:00
  put it a they call it a yes, an engraver a that' s
• 31:08
  mystery or a double cassette stereo and they put an ana of gold, faggot,
• 31:15
  Marica a mystery of double cassette. And that one of the cassettes was
• 31:19
  Rasca' s favorite, that another was Robot' s favorite, because at
• 31:23
  first it was just Rascal' s, because it was the scratch music he
• 31:29
  was playing. I don' t know what, but then the relationship was
• 31:33
  built to be something of the two is that it' s a lot and
• 31:42
  you Probot, that is Robot, finds a different kind of relationship with Rascal
• 31:48
  and Dog finds I feel like the same kind of ration he wanted with his
• 31:52
  new robot. Yeah, I remember you and Perro, I finally got a
• 31:56
  little bad. But I understand. But I got a yes. Yeah,
• 31:59
  yeah, because besides, and I think we all saw it, Dog was
• 32:04
  more than willing to vote the new Robot for the old Robot, just because
• 32:08
  of the idealization of the relationship and already because he heard the b because he
• 32:15
  heard the exact music and it was Robot himself who said no. No,
• 32:16
  no, no, no, faggot. This is a memory. Let'
• 32:21
  s have it as a nice memory, but make a shitty hill. I
• 32:24
  ' m going to hide from you, because the other one wasn' t
• 32:28
  looking desperate, obvious, obvious, and it was like Yugo Robot. Well,
• 32:31
  not you Gogger, because we haven' t talked about it yet,
• 32:36
  but you go rock faggot as well there firm son of Puta, because besides,
• 32:40
  the relationship you had with Rascal is pretty. Weon' s a nice
• 32:45
  relationship of equals. They work together for something and they' re cooking on
• 32:52
  the terrace and they' re all cute and they' re not only listening
• 32:57
  to Rasca' s music anymore, but also Roboto' s. She'
• 33:00
  s a pretty slut, Rascal Rasca the MVP for forgiveness, Rascal MVP.
• 33:06
  And you give yourself this last dream of Robot in which he dreams of that
• 33:09
  is, lucid dream, in which he comes, he goes and looks for
• 33:13
  it and sees it with another robot, bay Lobus that is found. The
• 33:15
  dog lets go of Yellow' s hand, hugs him, and he feels
• 33:19
  like Rascar himself another who I bought if it' s for res another who
• 33:23
  I bought 100% because, like Whores the movie keeps making me to the
• 33:27
  very end. I buy it, too, as a slutty dog dog,
• 33:30
  as well as because it' s either that they made them laugh. They
• 33:32
  did well because Robot' s first dream, when he' s on the
• 33:37
  beach, is one. He buys it 100%. Next, no,
• 33:42
  because in all the following he has both legs or they' re already super
• 33:46
  unreal or shit. So, then one says clearly. Now you know what
• 33:52
  they are or they stop being rusty or they let be one of the clear
• 33:58
  is. There' s a lot of pods that says straight. This is
• 34:00
  a dream here, not this last not son of Whores, I mean,
• 34:04
  they made me fall into a zone of comfort and safety and then make it
• 34:09
  to me again. And it' s like bad birthings are, I mean,
• 34:15
  of those moments that impute me, but above all they impute to the
• 34:19
  bright ones that were, because, again, it' s a movie without
• 34:22
  fucking dialogue, why, because they make me feel so much and make me
• 34:27
  feel stupid as well. But also, grateful for feeling stupid, because that
• 34:30
  ' s why I felt so much more in this scene. And the movie
• 34:31
  ' s a dumb bitch, that' s a lot. It' s
• 34:36
  a lot that this movie made me give and that' s a lot.
• 34:40
  And then that' s a hallucination. It' s not a dream.
• 34:45
  It' s a Lucio Hume dream, not if it' s wet,
• 34:52
  awake, humid, humid, because it rusts already clear, yes, it
• 34:57
  makes exact excush with the sauce. It' s a metaphor. I don
• 35:00
  ' t understand her. Putting the song to full volume. Theirs your song
• 35:05
  and Bailan? He' s got this dance for the last time where the
• 35:10
  two equals are separated, but they' re both dancing I thought it was
• 35:15
  beautiful, like thinking about, they' ll be our song. This was
• 35:19
  ours and I' m gonna like honoring this love I have for you and
• 35:22
  I' m gonna keep wanting all this from Robot, because the other is
• 35:25
  a dog. I' m gonna honor this, I' m gonna keep
• 35:28
  loving you, like that feeling of me I' m gonna keep wanting you
• 35:31
  my whole life. But by hiding and seeing Rascar it' s like but
• 35:35
  it' s no longer the same love it' s going to be.
• 35:37
  But it changed my love now it' s the love of love of the
• 35:42
  past, of course because besides, and that' s a super pretty thing,
• 35:46
  septenber at the end for Dog it' s still the song I had
• 35:52
  with Robot one, because besides, Robot one and Robot two, because she
• 35:53
  was a whore. Yeah, because we didn' t even name them while
• 36:00
  he did that scene. What we like is that for Robot it' s
• 36:01
  like a this song was ours. Now that song is yours and besides it
• 36:07
  ' s mine and I' m going to go dance it with race,
• 36:12
  but you run the dance another no, not stop, but they get to
• 36:16
  dance this ah Yes, they dance September and it' s like Robot saying
• 36:24
  now this song is no longer ours. It' s not ours for me
• 36:25
  anymore. The song is mine. It' s in my cassette of my
• 36:30
  favorites, you deliver it to her, if not ours today, not ours
• 36:36
  of my favorites. It' s like, obviously, everything has to be
• 36:40
  related to real fucking life,' cause it' s all bullshit. It
• 36:43
  ' s like that moment in which you have to go through that process of
• 36:47
  remeaning a movie, a series, a musical artist after a relationship, because
• 36:53
  the artist is a chimba, but a nest that lets me remember this shit
• 36:57
  that hurts me is his face in the face of the exactly because, well,
• 37:02
  whore you go and they' re empty. But yes, that'
• 37:07
  s what Robot did and then he did in a divine scene. And Dog
• 37:10
  is not, but not because Dog is in another shit, because Dog wants
• 37:15
  not to be alone. But in the end, he was also cuffering.
• 37:17
  But it was also like no, I don' t get it. But
• 37:21
  also Dog starts dancing a new thing with the new Robot, but his steps
• 37:25
  have changed anyway, Dog also wants Robot two debt new form. Yeah,
• 37:32
  yeah, that' s true. It can be noticed, although they show
• 37:37
  little, but it can be noticed, but it is heavy to think that
• 37:39
  it is a replacement and it starts as a replacement and then they change the
• 37:45
  dynamics of Robot, because it is dancing. Yeah, because, as Cafeta
• 37:46
  says, love is dancing and he' s like choreography and being there together
• 37:53
  and that' s the way he shows love. I steal a little too,
• 37:58
  but the way I showed him love with Raskal was a little different.
• 38:02
  In the end they dance, but it was another love and that also seemed
• 38:06
  to me there. I mean, it was a very sad movie. That
• 38:08
  ' s true, very sad. It' s very yes, it'
• 38:12
  s very sad, because where you' re as used to seeing them end
• 38:16
  up together as those two deserve already together they changed. That' s nicer
• 38:20
  life on the other hand, yes, and on the other hand, Marica
• 38:22
  is an animated movie, which many times not all obvious and is grave the
• 38:28
  fireflies. But in Axon Brackxa animated films tend to have happier endings than sad
• 38:31
  ones. But especially movies with this kind of cheerful animation. It' s
• 38:38
  a super- joyful animation of the world Faggot, the world I loved more
• 38:45
  because all the scenes had rich backgrounds, they had a lot of people behind
• 38:50
  them and all the people were alive, making pods, like every character had
• 38:55
  their own life that was going on behind them. That kind of animation is
• 39:00
  an animation that tends to be cheerful. It' s pretty much what'
• 39:07
  s good. Not so much, because, because more or less what happens
• 39:10
  with Boyac at the beginning What more is that I go already the animation is
• 39:15
  also like more serious creepy. Yes more, yes, yes, m is
• 39:19
  an exact adult, but equal to the beginning, the one or the first
• 39:24
  two chapters that Boyac still doesn' t get den. That' s just
• 39:27
  a weird comedy, yeah, and then it goes inside the dream robbery is
• 39:32
  how I' m gonna take my kids to see. Of course, Marika
• 39:36
  uy to take two children to see. There was a boy a couple of
• 39:38
  kids who came out when I was the one who was there. Because besides,
• 39:40
  I went to see the movie which is ten and twenty in the morning.
• 39:45
  Okay, because I went to see her this weekend and I was almost
• 39:49
  out of theaters and at ten twenty it costs me six thousand pesos. Then
• 39:55
  I think I decided that now I' m only going to watch movies at
• 40:00
  that time why they' re out a thousand pesos ago, Güey the real
• 40:08
  who could Marik one goes see her. It' s now six thousand pesos
• 40:10
  and what saves me my lunch ticket outside. Then I don' t fucking
• 40:15
  reni, but I think I do, which is the important thing. Diego
• 40:19
  Matt, Diego Matt, Marica goil Matt. To me it' s like
• 40:23
  the most enviable thing in the world. I want that' s my life,
• 40:28
  podcasts and tiktox and cough. This Girmatt shit is like uf Uff because
• 40:35
  it also shows that you impute a lot to economists. It' s really
• 40:38
  not like Mariker who equals, what is economics doing astrology for white men exactly
• 40:43
  and I' ll know that my dad has a PhD in economics. No,
• 40:50
  no, no, I' m confirming. I' m confirming.
• 40:54
  I came out of the taciturno movie, remembering, remembering Diego, yes,
• 41:04
  remembering past relationships, remembering when I was a dog and when I was a
• 41:07
  Robot? Is that the shit, remembering where I was fag, remembering when
• 41:12
  I was a dog, remembering when I was a robot, remembering when I
• 41:15
  was a robot, two, remembering how much Ra Rascal was? Yeah,
• 41:20
  it' s just what I' m telling you to make such a short,
• 41:29
  mute movie has so much more shit to say than many of the movies
• 41:36
  that now last between two or three hours. Much more to say. I
• 41:38
  ' m not saying it' s a dune we did like, but many
• 41:44
  others who are of that duration don' t say. Not Chinese equal half
• 41:49
  the budget. He said more than madame, I' m completely talking about
• 41:54
  buying them in silver. As someone who wants to tell a story and decides
• 41:59
  to tell that animation is used, he uses all the resources he can and
• 42:02
  scratch the resources as he can and he will see how he can make the
• 42:07
  cat and scratch the feet, because it is a Spanish film. I don
• 42:10
  ' t know how much money and how much. I mean, like this,
• 42:14
  I feel like somehow he had to have a low job, really,
• 42:17
  really son of a bitch. It' s not Disney giving and giving lucas,
• 42:22
  it' s true, it' s true. And to make the
• 42:23
  funds as they did, the effort that they made, this had to be
• 42:30
  clear a hope, for example, a sheath, a sheath that is seen
• 42:31
  in the credits of the film that, moreover, is a sheath that is
• 42:36
  very Spanish film, very European film, and is that the beginning of the
• 42:39
  film is to come show them all the son of fucking alliances that we had
• 42:45
  to make so that this film existed and all the two five million euros of
• 42:50
  queer come out. That' s it, that' s nothing. Dul
• 42:53
  dooon that cost little to make a triple film of that type. It cost
• 42:59
  two hundred billion dollars, which is a few two percent yes, which is
• 43:04
  little, because, among others and this was a sheath that I read and
• 43:07
  that I am 100 percent. Okay, Dun showed that triple films have one
• 43:14
  me, of course, ridiculous budgets, because if Dun' s is short
• 43:22
  compared to others', and look what Dun did to, where he'
• 43:27
  s going tin- throwing, he told him of exact fucking silver and he
• 43:30
  ' s five hooon five, so he says, that says on Internet five.
• 43:37
  I feel like that makes it even more beautiful, the more things I
• 43:40
  find out. I think about this movie more I like and more it hurts
• 43:45
  me. And I think I like it better because it hurts more. Or
• 43:51
  else it hurts because I like it better. I think it' s intrinsic
• 43:54
  in this movie it' s like, and going back to what you'
• 43:59
  re doing as a man it' s like this movie is life, like
• 44:02
  this happy love, like I saw my relationships, there, yes, yes,
• 44:07
  it' s exactly that and it' s even creepy güey is even
• 44:12
  creepy it' s even like it' s please leave it or give me
• 44:17
  my fucking life and don' t authorize this exactly. Yes, sir it
• 44:21
  was, it was wonderful and painful to see and I didn' t cry
• 44:28
  because but no, because guando doesn' t cry we when, because he
• 44:30
  doesn' t have a heart. But he didn' t really cry,
• 44:34
  no, but it hurt so much. Yeah, no, I did a
• 44:37
  lot of this movie too, I mean, me that movie, for example,
• 44:39
  didn' t make me cry egg- to- egg and when it
• 44:45
  was over, I kind of had to take off my glasses to dry my
• 44:47
  eyes. But there were no tears. Yeah, I had to do that
• 44:52
  one, which for me is little. I mean, when I cry a
• 44:57
  movie, I cry, but I got much more affected by this movie than
• 45:01
  by others that I' ve cried a lot, because I feel that I
• 45:10
  also took a lot of time to analyze it and that I hit it when
• 45:14
  it hit me. Yes, sir, yes, sir, what a beautiful
• 45:21
  movie. I think, I went out thinking they stole my oscarn or.
• 45:29
  Be wooded the heron. Let' s start, let' s not start,
• 45:32
  because the truth does tell him I really liked the boy of the Garza,
• 45:35
  but the boy of the heron didn' t deserve the oscar, even
• 45:37
  before I had seen Robotris I kind of like, for me the boy was
• 45:40
  garzan. For me, the heron' s boy didn' t get drunk.
• 45:44
  Let' s just say I feel that here the tori and I deserved
• 45:46
  the oscar, but not that movie yes for a while here in Toriyama,
• 45:52
  it was Illas, not Giratoria and it calls posthumous very good. He deserves,
• 45:54
  all perish, just and already. This is where the oscar used to
• 46:00
  be, but not because of that movie. I mean, he deserves it
• 46:02
  for the others who have robbed him. But this one, not Disney,
• 46:07
  who' s been around Disney, but this one doesn' t feel like
• 46:09
  it was. For example, for me, spider Man is still above it,
• 46:15
  okay, but for me this movie was the winner. But then I
• 46:17
  saw this Weon and yes, Weon is at least. At least. This
• 46:29
  movie is given to you, that is to you with gibley with spider man
• 46:37
  attends and gives three sons of bitches laps to elements the same was others.
• 46:46
  The love of elements is not as well written as this. Love, love,
• 46:52
  the love of elements that we even said was one of the things When
• 46:54
  when we talked about elements, we even said it was like the nice things
• 46:59
  in the movie, the same is the piece Huubón, it' s the
• 47:04
  lukewarmness next to this, because it' s realistic zero. It' s
• 47:09
  not that interesting. It' s love, it' s love from It
• 47:17
  ' s a movie for children can' t be very realistic. It'
• 47:21
  s that love, yeah, it' s that love, yeah, what
• 47:25
  is it? Not a no. For Pizzal Pizzar has shown us the relationship
• 47:31
  ofÉlie Carl Weon. That' s a real love and he showed it
• 47:37
  in a first app scene and point and with that they dramatized us for life
• 47:42
  and so, they raised the rest of the film that the same is more
• 47:45
  like the best part of the whole film. This partes us, but Pizzar
• 47:50
  could do that, if he showed us real loves, sometimes at least that
• 47:54
  of wall and Eva too. But this Delemiro is what Robodrian does. He
• 48:04
  ' s masterful. He' s masterful. Because besides, besides, I
• 48:08
  mean, I can' t say it' s an adult movie, because,
• 48:12
  I mean, there' s no reason why a child couldn' t
• 48:15
  see it, but it' s not the entity or the children' s
• 48:17
  audience. Oh, yeah, but I mean, yeah, they took that
• 48:22
  one in the water in New Key for real. Oh, what an asshole
• 48:28
  to be a family device. You rat in the family, which is like
• 48:30
  a non- guey I mean could do it easily, but it' s
• 48:36
  not the idea, because let' s be honest, that is, a
• 48:39
  child. No. Unlike Pizzar movies, which if they are looking for them
• 48:44
  to be for the whole family, include, including the good ones, they
• 48:50
  agree with the güey family. That' s for people who loved and lost
• 48:54
  and loved this movie again. It' s for people who love yes,
• 48:59
  this pulpit. It' s for people who love with everything that implies,
• 49:01
  win, lose, try again, miss faggot again, tie, which is
• 49:07
  the saddest form of all. Besides, because tie is like a robot.
• 49:16
  Yeah, it' s a robot. Robot empato two. He tied robot
• 49:22
  two. That' s that river a glorified that scratch a point, that
• 49:30
  faggot, that' s that one I love you, but you' re
• 49:35
  not what my previous partner was and you' re going to get all my
• 49:37
  love, obviously. But, but, but, the comparison m was very
• 49:40
  constant. But it will always be robot two, it will always be broken
• 49:46
  weon, while robot robots. And he said how is Dog, I'
• 49:52
  m Rascal wey different relationships, different feelings, all different, that of course
• 49:57
  I look different, a different self than my relationship with Rascal, obviously born
• 50:01
  of what I learned from my relationship with Dog. Yeah, but they'
• 50:08
  re completely separated. That' s not a continuation of me. I'
• 50:15
  m not a dog. How can he be a dog son of a bitch,
• 50:19
  yeah, well, from there, yeah, but it was the least
• 50:22
  he liked, the least I liked son of a bitch. Fuck, no,
• 50:25
  no, no, but now he' s holding on. He'
• 50:28
  s holding on, while or not the question he was going to ask.
• 50:32
  No, he' s gonna pick me up. This one first answers it.
• 50:36
  Which I didn' t like being very serious about. The least I
• 50:38
  liked was how it was the least I liked, but at the same time
• 50:45
  and I really liked how queer I had been told that the movie kind of
• 50:50
  hit you hard, but when they tell me that, I tend to think,
• 50:57
  it' s like oh, having tragic things. He' s gonna
• 51:04
  have not a sign of realism so direct that you' re gonna be checking
• 51:10
  your life for weeks. What' s fucking Robot Dreams. I don'
• 51:15
  t know if I was ready for that, but anyway, I thank you
• 51:20
  very much but half hard and you emboldened me because I wasn' t ready
• 51:25
  and san then that was the least I liked, but then Wanda for you
• 51:37
  in a completely arbitrary, horrible, categorizing sense, even colonizing, fascist,
• 51:49
  fascist, yes, all horrible. You take so much. Neither did you
• 52:00
  this film as you saw the genres represented in people. It would be minded
• 52:13
  to say that I did not see genres, because really yes, because it
• 52:17
  does and for me both were completely agreed. Totally faggot is more, for
• 52:22
  me the four were he four ras four escal was more yes. Scratching is
• 52:28
  like the clearest between quotes, because equal to one to know, moreover,
• 52:31
  are wey animals then ok yes, but yes, Rascal is the one that
• 52:37
  had the most as attributes, typically masculine, buts. If Marica I put
• 52:46
  them to her yes, duck, duck, yes, I thought she duck
• 52:52
  was very her, the duck was her. The two anthills were his.
• 52:58
  The two anteaters were him, and they were bastards and left. Yeah,
• 53:01
  hey, hey. I hated them so much,' cause it' s
• 53:10
  just that you fuckers out of the nothingness I' d feel there, half
• 53:15
  shit with a dog and half shit with dogs. Yes, yes, yes,
• 53:16
  yes, because, because the lovelessness, that is, is that the
• 53:19
  tuesa that shows the film is your one fire. It' s a very
• 53:22
  or, it' s clear as it shows a tusa of a relationship he
• 53:30
  really fought for, which is like a dog mm. But you know you
• 53:32
  know, the tuas hurt, faggot, they hurt, and getting out of
• 53:37
  a viz, you got a clear leash, and that' s what we
• 53:42
  were saying. Yeah, well, that the void I felt was more of
• 53:45
  being alone than of robot specifically, but because it feels it and it'
• 53:50
  s a pain, it' s a tusa And we' ve been there
• 53:57
  fag and we' ve been saying that it' s not a lie to
• 54:04
  deny the mom, I win it goes the yes, I also vill them
• 54:07
  not them, they, they, they Yes, everything, very everything,
• 54:13
  very bolyball scene, top yeah, well, yeah, exactly or that was
• 54:46
  our episode about Robot Dreams. The film that taught them how love is,
• 54:50
  how it can be of love, how relationships can be beyond love, not
• 54:53
  beyond what taught us how we have lived love. That' s what I
• 54:59
  smell the most whore. I thought thanks for showing me everything I' d
• 55:02
  already learned, but now it' s my turn to re- analyze it.
• 55:07
  How to analyze and analyze me is like not faggots, that is,
• 55:12
  they are traumas of the healthy Geon. Oh, what a beautiful, bad
• 55:15
  - natured movie. Yeah, now, in all relationships, all relationships,
• 55:21
  I' m gonna see my relationship is raking, who robots, who red
• 55:25
  dog am I, who am I, who am I? In this prisoner
• 55:29
  I' m scratches I' m robots, robot two uy that good reas
• 55:34
  robos two we am dog I' m dog that gonorrhea. I have to
• 55:37
  re- evaluate and re- evaluate the reason, yes, faggot. I
• 55:42
  ' m a duck like going from the chipping country. I' m a
• 55:45
  duck. If you' re a duck, if you' re a duck,
• 55:51
  if you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck, you' re a duck, you
• 55:52
  ' re a duck, you' re a duck, you' re a
• 55:52
  duck, you' re a duck. So that' s why they support
• 56:00
  me so I can go give him a napato coscorro for abandoning me. Hahahahahaja
• 56:07
  now of whores or of course I want Güey changed analogy good tell us you,
• 56:16
  who are in your relationship? Whew? How many of you, who
• 56:20
  do your relationships? What if they' re brave? And if they'
• 56:22
  re brave, it' s agglomeration not paonre or chapter, but couples in
• 56:30
  front of gloves relationships and they' re brave, as you' re robots
• 56:38
  that end the interneo Marica, so that' s the American thing is that
• 56:43
  you' re scratching and I' m dogs. What a heep That'
• 56:50
  s my way of telling you that I want a threesome how Marica there are
• 56:55
  people like that, Huevon, there are people like that. Well, yes,
• 56:57
  they' re damaged, Mother. But if you want to support us,
• 57:02
  if you like this chapter, share it. And if you want to
• 57:06
  support us by listening to us, you can enter stupionder with Slash Estación Podcast
• 57:13
  or Bucky co Slash stupid ner in Madrid and buy to purchase one of the
• 57:19
  two episodes that we are going to be special about Star Wars and Harry Potter,
• 57:27
  the saga to collect funds to bring Diego to present us live at the
• 57:31
  festival here in Madrid. It' s very close. We allow help,
• 57:36
  we need to get to the end, otherwise it will be a wasted effort,
• 57:42
  because it is a whole or nothing. Then we ask for your help
• 57:45
  and, in return, we offer you these chapters that have asked us a
• 57:50
  lot and it is a small contribution that would do us a lot, a
• 57:57
  lot of good and the podcast, as we are already put into life and
• 58:00
  life. Having said all this, don diego from zero to ten how many
• 58:10
  cassettes with the favourites has this happy Know what I' m going to minimum
• 58:17
  build it only so that the number will fit. Besides, I' m
• 58:21
  gonna tell you how many songs this U S mix has. How many songs
• 58:28
  your mixte ten Higüey has ten songs. Faggot, there' s nothing negative
• 58:37
  I can say about this movie. The only negative thing you can say about
• 58:42
  this movie is what' s left of me in the analysis. And I
• 58:47
  do it is that it is that and that queer, and it is that
• 58:52
  for me that must be the art geon, the art is that, the
• 58:55
  art is shit that you move it, that you move it and it was
• 59:01
  whore one way or another. I think I saw robodreams and I didn'
• 59:07
  t tell the person before I saw Robot. I' m not being made
• 59:09
  a change. So, ah Marek, but there was a change, that
• 59:13
  is, the film generated in me a change undoubtedly and just what good art
• 59:22
  has to do. So I' m not even talking about the animation being
• 59:25
  the story anymore. I am already at the point of I mean I am
• 59:31
  already speaking from my spirituality. So it is, as I say, a
• 59:35
  spiritual through art and what art generates in me for me and it will sound
• 59:40
  very because besides, I will use very very cringe words and it went on
• 59:45
  purpose clearly, I can use very crisp words, but they are still very
• 59:50
  real. For me this was a religious experience, but it was that.
• 59:57
  Yes an experience aha, but it was for me that was me, in
• 1:00:02
  my spirituality, I feel that I live it by consuming art and trying to
• 1:00:07
  generate art. And this was a perfect sample of what it' s like
• 1:00:17
  to let an hour into me wreak havoc, go out and my life be
• 1:00:24
  another. Those Robo Dreams. That' s a fucking ten. If there
• 1:00:30
  are tens there' s nothing to do. Ok Don Juan Dapple from zero
• 1:00:39
  to ten. What a robot number this movie for and what a scorer doesn
• 1:00:52
  ' t make sense with what I' m going to say. I know,
• 1:00:54
  but true because between robots less value. I don' t know when
• 1:01:01
  I don' t know, because I don' t know how to tell
• 1:01:02
  Robot two this either. If not, no, not for your worth less
• 1:01:05
  than Robbery and no idea, because maybe, if we' re looking at
• 1:01:07
  it from Perro' s side, maybe it' s more valuable, because
• 1:01:12
  it had more montscription than k Weon. I saw the movie knowing that the
• 1:01:17
  little movie, that they had recommended it, that it was dominated. Then
• 1:01:20
  we said no good, or first domi nothing. I wasn' t expecting
• 1:01:23
  this, this gown I got in. I wasn' t expecting myself.
• 1:01:28
  I didn' t, I hadn' t seen anything, I had seen
• 1:01:31
  concept and characters at a festival that I went And also when I saw that
• 1:01:36
  I was dominated, it was like ah and my brain and that click and
• 1:01:40
  I said I took advantage of it and I saw this experience, because I
• 1:01:46
  didn' t expect this zero story that expected me this as I expected what
• 1:01:46
  happened. I didn' t expect what I saw. I didn' t
• 1:01:52
  expect to be so hypnotized by history and see this story so real and so
• 1:01:59
  sad and so painy and pink and so heartbreaking and so human and so a
• 1:02:04
  reflection of relationships. And I didn' t expect what I told them.
• 1:02:07
  I didn' t expect to see relationships there and and and and I didn
• 1:02:15
  ' t expect to go out thinking it was a movie and I should have
• 1:02:19
  won the Oscar. I said well, it must be good, but the
• 1:02:22
  others are the others. And this is like an indi movie that got stuck
• 1:02:24
  that sometimes happens no, it' s not that it' s clausocular,
• 1:02:30
  it' s that they stole it, it' s that it was comfortable.
• 1:02:32
  This, this was really bad for the kid and the heron and all
• 1:02:37
  I did for her, I did believe she deserved the oscar. But this,
• 1:02:45
  this and this was fucking cinema, cinema Martin is corset like and like
• 1:02:52
  without irony. Besides, with us we always use it with iron and really
• 1:02:57
  mocking us that it' s 100% real here. That' s cinema
• 1:03:01
  weon point. If you ever ask me what movie I' m going to
• 1:03:08
  use to show people that animation is a medium and not a genre, this
• 1:03:13
  wey and when at the same time like this is a little pass Life,
• 1:03:19
  better your raisins, the best done a hundred percent past lines, it'
• 1:03:29
  s not against. It' s just that this is brilliant wey and it
• 1:03:34
  ' s also kind of similar on certain topics. And if they want to,
• 1:03:37
  they want to talk about something else. But for me this was amazing.
• 1:03:40
  I' m going to put it in ten days, too, and
• 1:03:43
  I can' t, so at least this movie. This was a true
• 1:03:45
  experience. I' m going to make it very sincere Honda Po before you
• 1:03:50
  put the number, I had already put the ten on the calendar. It
• 1:03:54
  ' s because I knew that we were going there, that I knew that
• 1:04:00
  pal but to see then ten for Robo Dreams. And thank you so much
• 1:04:02
  for listening to this episode. Thank you very much to all those who have
• 1:04:04
  supported us in the going here and thank you very much, Don Diego,
• 1:04:10
  not good, and more thanks to Robot, Pablo ben Ok, all his
• 1:04:16
  people and Pablo Berger great. You' re, God, you' re
• 1:04:20
  the dick, Paulo, you' re the dick, you' re the
• 1:04:24
  dick. I' m Juan Tapo and ah God, you stupid nerts.