Latest / DISGRACELAND / Bill Murray: Airport Drug Busts, Backstage Brawls, and Crashing Elvis’s Burial
Transcript
- 0:00Speaker 1: Disgraceland is a production of Double Elvis. This is a
- 0:28Speaker 1: story about a bomb threat, about a drug bust, about
- 0:32Speaker 1: the burial of a king crashed by a court jester.
- 0:36Speaker 1: It's about a fight with Chevy Chase backstage at SNL
- 0:40Speaker 1: that almost aired live on national television. And it's about
- 0:44Speaker 1: a world renowned smartass, a comedic actor who never fails
- 0:49Speaker 1: to subvert and always succeeds in cutting me up. This
- 0:54Speaker 1: is about Bill Murray, a great comic, a comic who
- 0:59Speaker 1: is currently on tour or making music, some of it great,
- 1:02Speaker 1: I'm sure, unlike that music I played for you at
- 1:06Speaker 1: the top of the show. That wasn't great music. That
- 1:10Speaker 1: was a preset loop for my mellotron called Crashing the
- 1:13Speaker 1: Party MK. Two. I played you that loop because I
- 1:18Speaker 1: can't afford the rights to Bridge Over Troubled Water by
- 1:21Speaker 1: Simon and Garfunkel. And why would I play you that
- 1:25Speaker 1: specific slice of algebra Teacher Cheese? Could I afford it?
- 1:31Speaker 1: Because that was the number one song in America on
- 1:34Speaker 1: September twentieth, nineteen seventy, And that was the day Bill
- 1:38Speaker 1: Murray was arrested for possession of over twenty thousand dollars
- 1:42Speaker 1: in marijuana, an event that shifted his career course from
- 1:45Speaker 1: drug dealer to comedy legend. On this episode, a bomb thread,
- 1:52Speaker 1: a drug bust, burying a king and brawling with Chevy
- 1:56Speaker 1: Chase and Bill Murray.
- 1:58Speaker 2: I'm Jake Brennan and this this disgrace Sland.
- 2:30Speaker 1: He says he's got two bombs in a suitcase. The
- 2:34Speaker 1: ticket agent kept her voice down on the phone. No
- 2:37Speaker 1: need to advertise that there might be a terrorist at
- 2:40Speaker 1: O'Hare International Airport walking among them right the second. Thank
- 2:45Speaker 1: god she didn't let him board that flight to Denver.
- 2:48Speaker 1: Maybe she just saved a few dozen lives, and maybe
- 2:51Speaker 1: they call her a hero. She whispered information to the
- 2:55Speaker 1: US marshals on the line. The suspect was young, college ade,
- 3:00Speaker 1: brown hair, tall, definitely over six feet, and he looked smug, Yeah, smug,
- 3:06Speaker 1: with a big mouth. It gave her a lot of
- 3:08Speaker 1: lip when she wouldn't let him board the next tw waveflight.
- 3:11Speaker 1: It was against protocol to let someone board without an ID,
- 3:15Speaker 1: and this kid had nothing to show for himself. If
- 3:18Speaker 1: only he had a driver's license, he could prove that
- 3:21Speaker 1: he was in fact William James Murray Bill to his friends.
- 3:26Speaker 1: But the stewardess stood her ground, no ID, no entry.
- 3:31Speaker 1: Bill then dropped the alarming comment, that's too bad. I
- 3:35Speaker 1: wanted to get on because I got two bombs in
- 3:36Speaker 1: my suitcase. Yeah, that wasn't gonna fly, and neither was he.
- 3:42Speaker 1: September twenty first, nineteen seventy aka Bill Murray's twentieth birthday
- 3:48Speaker 1: aka the day he was arrested for the first time.
- 3:53Speaker 1: Of course, Bill Murray wasn't a terrorist. He dabbled in
- 3:56Speaker 1: some nefarious ship, but the flight attendant had it all wrong.
- 4:00Speaker 1: Bill wasn't a threat. He was just a drug dealer,
- 4:03Speaker 1: a run of the milk kid selling Jamaica's finest grass
- 4:06Speaker 1: to get him through college. Bill was a student at
- 4:09Speaker 1: Regis College in Denver pre med leafy Green Medicine was
- 4:13Speaker 1: practically part of his education. Technically, he was healing people. Besides,
- 4:19Speaker 1: every college kid needed a shitty job to help them
- 4:21Speaker 1: scrape by. Bill just happened to opt for a gig
- 4:24Speaker 1: that aligned with his career path and traveled the country
- 4:27Speaker 1: peddling pot by the kilo. It was a surprisingly rewarding job.
- 4:32Speaker 1: Every time Bill returned to Denver, he had a new
- 4:34Speaker 1: story to regale his friends with. Bill observed his clients
- 4:38Speaker 1: carefully made up little bits about their characteristics and quirks.
- 4:43Speaker 1: It made him a better storyteller and an even more
- 4:46Speaker 1: convincing actor. Bill already wasn't half bad at putting on
- 4:50Speaker 1: a show, thanks to years of taking roles in high
- 4:53Speaker 1: school plays. It was a win win job. The stories
- 4:58Speaker 1: from dealing Grass elevated his work ice cracks and kept
- 5:01Speaker 1: cash in his pocket with zero repercussions. The police only
- 5:05Speaker 1: sniffed him out once in some unremarkable Midwest town. It
- 5:10Speaker 1: was the most podunk, ragtag team of cops Bill had
- 5:13Speaker 1: ever seen. They arrested him for dealing, but had to
- 5:16Speaker 1: release Bill when they lost the evidence. Other than that
- 5:20Speaker 1: pitiful running, Bill's record was squeaky clean until today. The
- 5:27Speaker 1: ticket agent was watching him like a hawk. If this
- 5:30Speaker 1: so called terrorist was sweating it, he sure didn't show it.
- 5:34Speaker 1: Bill was down the hall, tugging on the lockers. He
- 5:37Speaker 1: felt around his pants pockets for change and found none,
- 5:40Speaker 1: just a personal check from his last client. No quarters
- 5:44Speaker 1: meant no locker, which meant no place to stash the
- 5:47Speaker 1: luggage he just called attention to. Now Bill started to sweat.
- 5:53Speaker 1: There were five bricks of grass dashed in his suitcase,
- 5:56Speaker 1: two pounds each worth twenty grand. Total, it's over one
- 6:00Speaker 1: hundred and fifty thousand dollars in today's money. It was
- 6:03Speaker 1: too late for Bill to save himself. Chicago vice detectives
- 6:07Speaker 1: were already on the move, barreling towards him from down
- 6:09Speaker 1: the hall. He had to think quick. Bill took the
- 6:12Speaker 1: check from his pocket, stuffed it in his mouth, and
- 6:14Speaker 1: swallowed the mystery client was safe, but Bill wasn't. The
- 6:20Speaker 1: cops tore apart his luggage and found the weed, which
- 6:22Speaker 1: was a welcome relief compared to what they thought they
- 6:24Speaker 1: were searching for. But that relief didn't spare Bill a
- 6:27Speaker 1: date in narcotics court. He was arrested and slapped with
- 6:30Speaker 1: a charge for possession of marijuana with no prior rap sheet.
- 6:34Speaker 1: The court let him off with five years probation and
- 6:37Speaker 1: no jail time, but Bill's days in medicine were over
- 6:42Speaker 1: as a dealer and a doctor. It would only be
- 6:45Speaker 1: a matter of time until Regi's college learned that one
- 6:48Speaker 1: of their students not only made a bomb threat, but
- 6:50Speaker 1: was also earning his tuition with illegal drug sales. And
- 6:54Speaker 1: the entire ordeal was so stupid that it made the
- 6:56Speaker 1: Chicago Tribune. The article mentioned Bill by name. Before Regis
- 7:01Speaker 1: could expel him, Bill showed himself out. There would be
- 7:04Speaker 1: no flight back to Denver. He was stuck in the
- 7:07Speaker 1: suburbs of Chicago. Now back to Evanstone. Back home. For
- 7:13Speaker 1: Bill Murray, home was where everything and nothing happened all
- 7:17Speaker 1: at once. His parents' house crawled with nine children, and
- 7:21Speaker 1: that was the everything. Bill was a fifth kid, a
- 7:24Speaker 1: true middle child, with all the textbook symptoms of craving
- 7:28Speaker 1: attention his childhood. The house was his first stage, a
- 7:31Speaker 1: place where he commanded his parents' attention with goofy Jimmy
- 7:35Speaker 1: Cagney impressions at the dinner table bonus laughs if he
- 7:38Speaker 1: fell down and hit his head afterwards. But outside of
- 7:42Speaker 1: that house there was a whole lot of nothing. Evanston
- 7:46Speaker 1: was twenty miles north of Chicago, which meant it was
- 7:48Speaker 1: twenty miles north of anything they could get your blood pumping.
- 7:52Speaker 1: Bill pivoted between jobs basic stuff like landscaping and surveying
- 7:57Speaker 1: and laying concrete bricks, which was nearly as much fun
- 8:01Speaker 1: or lucrative as transporting bricks of weed across America, by
- 8:04Speaker 1: the way, and then he took shifts at Little Caesars
- 8:07Speaker 1: as a pizza maker, where he swiped chunks of raw
- 8:09Speaker 1: doau to eat when no one was looking. He was
- 8:12Speaker 1: that hungry. The pay was that bad. Life in Evanstone
- 8:16Speaker 1: just wasn't happening, and there was no promise, no metaphorical
- 8:21Speaker 1: stage to act out on. If you wanted culture, you
- 8:24Speaker 1: get a head into the city, just like Bill's older
- 8:27Speaker 1: brother did. Brian Murray had an apartment in the Old
- 8:32Speaker 1: Town section of Chicago that Bill liked to visit. As
- 8:35Speaker 1: it turns out, entertaining ran in the family. Brian worked
- 8:39Speaker 1: with a well established improv troop called the Second City.
- 8:43Speaker 1: They were a wise cracking set of gestures from Chicago,
- 8:47Speaker 1: a perfect organization for Bill to fit into. It wasn't
- 8:51Speaker 1: long before Bill was tagging along and taking improv workshops
- 8:54Speaker 1: with the troop. It wasn't interstate drug dealing, but it
- 8:58Speaker 1: was more interesting than whatever day job had a breaking
- 9:00Speaker 1: his back from minimum wage. What's the worst that could happen?
- 9:07Speaker 1: Bill Murray walked off the stage, through the wings of
- 9:10Speaker 1: the theater and right out the back door and toward
- 9:13Speaker 1: the street. It was the only way to leave with dignity. This,
- 9:18Speaker 1: This is the worst thing that could happen. Bill's on
- 9:21Speaker 1: stage comedy debut was to be frank disastrous. Bill bombed
- 9:27Speaker 1: so badly that he didn't want to stick around and
- 9:29Speaker 1: hear what people had to say. On the outside, he
- 9:32Speaker 1: looked cool, but on the inside Bill was breaking down.
- 9:36Speaker 1: It was clear this comedy thing wasn't going to work out.
- 9:39Speaker 1: Just like his attempts at becoming a dealer and a healer,
- 9:42Speaker 1: the confident, smartass inside of him shrank away. He walked
- 9:47Speaker 1: down the sidewalk away from the theater. He kept going.
- 9:50Speaker 1: He wasn't going to stop until he reached Lake Michigan,
- 9:53Speaker 1: and when he got there he would swan dive from
- 9:55Speaker 1: this life into the next. Comedy was his third strike
- 10:00Speaker 1: out for good. His inner compass pointed toward Lake Michigan,
- 10:04Speaker 1: toward the end. That was the right direction, he was
- 10:08Speaker 1: sure of it. He gained speed and headed straight down
- 10:12Speaker 1: Michigan Avenue. He didn't stop until he hit the Art
- 10:15Speaker 1: Institute of Chicago. His compass told him to turn a
- 10:18Speaker 1: corner and duck inside, and Bill brushed past the donation
- 10:22Speaker 1: bin without even reaching for his wallet. I mean, he
- 10:25Speaker 1: was going to die, so what was the point. He
- 10:28Speaker 1: didn't stop walking until he saw a painting that stopped
- 10:30Speaker 1: him in his tracks. It was an oil on canvas
- 10:34Speaker 1: piece by a peasant woman barefoot in the fields with
- 10:37Speaker 1: a scythe in her hand, The Song of the Lark
- 10:40Speaker 1: by Jules Breton. The sun poked out on the horizon
- 10:44Speaker 1: behind the woman. Her back turned away from the light,
- 10:48Speaker 1: but the sun was rising regardless. Bill paused, his compass
- 10:53Speaker 1: spawn out of control. Why was he following it? This
- 10:57Speaker 1: compass was broken? Lake Michigan was the wrong direction. Actually,
- 11:02Speaker 1: it was so plain to see. Now is in her
- 11:04Speaker 1: smartass piped up? That woman doesn't have a lot of prospects,
- 11:08Speaker 1: But the sun's coming up anyway. She's got another chance,
- 11:11Speaker 1: and so did Bill Maury. He stepped out of the
- 11:14Speaker 1: museum and faced the sunlight. Lake Michigan would have to wait.
- 11:45Speaker 1: The whole audience is under arrest. The voice on the
- 11:49Speaker 1: megaphone cut through the crowd. People winced and threw their
- 11:52Speaker 1: hands over their years. The strong ones squinted and leaned
- 11:56Speaker 1: forward in their seats to see who was admonishing them
- 11:58Speaker 1: on stage? Was that Marlon Brando Truman Capoti? No, it
- 12:05Speaker 1: was John Belushi dressed as an archbishop. It made no
- 12:10Speaker 1: sense wasn't supposed to the core of the National Lampoon
- 12:15Speaker 1: Show was absolute nonsense. Committing blasphemy was child's play for
- 12:20Speaker 1: these actors, especially for John Belushi. Belushi was the spirit
- 12:24Speaker 1: of the Lampoon in Karnate Ir Reverend Witty truly edgy.
- 12:29Speaker 1: We're talking about the National Lampoon, a publication that once
- 12:33Speaker 1: published an issue with a dog on the cover a
- 12:36Speaker 1: pistol pointed straight at its head with a caption that said,
- 12:39Speaker 1: if you don't buy this magazine, we'll kill this dog.
- 12:43Speaker 1: You get the idea. The National Lampoon Show made the
- 12:46Speaker 1: magazine's cost a commentary leap from its pages and take
- 12:49Speaker 1: form and actors such as Gilda Radner and Harold Ramis.
- 12:53Speaker 1: John Belushi even tapped Bill Murray, an up and coming
- 12:55Speaker 1: comedy pal from Chicago, to dine at this all you
- 12:58Speaker 1: can eat buffet of vulgars, skits, and cheap shots. Bill's
- 13:02Speaker 1: flippant attitude made him a perfect fit for the Lampoons.
- 13:05Speaker 1: Traveling Offendathon, the Review toured American colleges in Canadian bars
- 13:10Speaker 1: in the mid nineteen seventies and eventually found a home
- 13:13Speaker 1: off Broadway at the New Palladium. Theater on West fifty
- 13:16Speaker 1: first Street, New York. Audiences gathered late at night to
- 13:19Speaker 1: witness the cast shock schlock brand of comedy, The Wildest
- 13:23Speaker 1: Reality Is unfolded after midnight on stage at the New Palladium.
- 13:27Speaker 1: The skits were tasteless, but so was the audience. Crowds
- 13:32Speaker 1: were rowdy, often drunk stoned. Nightly brawls were inevitable. The
- 13:37Speaker 1: show mostly brought up the worst in people, being the
- 13:40Speaker 1: crowd and the cast. The chatter and the audience hummed
- 13:46Speaker 1: in Bill Murray's ear. It was incessant, like a buzzing fly.
- 13:50Speaker 1: He tried to block out the noise as he acted
- 13:52Speaker 1: out a skit, a shockingly normal number about living in
- 13:55Speaker 1: the Big City. Bill was used to heckling, but this
- 13:59Speaker 1: was different. This was just plain rude. The National Lampoon
- 14:04Speaker 1: Show actors were rude too, but they were funny. Bill
- 14:07Speaker 1: didn't see any humor in this situation. He projected his
- 14:11Speaker 1: voice over the chit chat. Whoever was yucking it up
- 14:14Speaker 1: in the front must not have heard how Bill Dealt
- 14:16Speaker 1: would push the audience members. One drunk schmuck in Toronto
- 14:20Speaker 1: was so mouthy that Bill personally pulled him into a
- 14:22Speaker 1: back alley and broke his arm. He was prepared to
- 14:25Speaker 1: do it again if he had to. Bill scanned the
- 14:28Speaker 1: crowd for the asshole who couldn't keep his mouth shut,
- 14:31Speaker 1: and the jerk was seated up front, some blondheaded prick
- 14:35Speaker 1: who was nearly spilling his drinks on himself, fully absorbed
- 14:38Speaker 1: in a conversation with his buddy. His name was Martin Maull,
- 14:42Speaker 1: a name you might recognize from his roles in nineteen
- 14:45Speaker 1: eighties comedy classics like Mister Mom and Clue, except those
- 14:49Speaker 1: films didn't exist yet. In nineteen seventy five. Martin Mall
- 14:53Speaker 1: was a folk singer, years away from his first movie role.
- 14:57Speaker 1: He opened for Billy Joel, for Randy Newman. He was
- 15:00Speaker 1: a performer of that caliber. The point is, a performer
- 15:03Speaker 1: of that caliber should have known how to behave when
- 15:05Speaker 1: someone else was on stage. But Martin Maull was too
- 15:10Speaker 1: shit faced to keep quiet, so he didn't. He talked NonStop,
- 15:14Speaker 1: and then he took his fat mouth backstage to congratulate
- 15:17Speaker 1: the crew on the great performance that he barely saw.
- 15:20Speaker 1: Bill Murray had already heard enough. He recognized Martin Maull
- 15:24Speaker 1: was the loud mouth from up front. And he instantly
- 15:26Speaker 1: lunged at him. He wrapped his hands around the folk
- 15:29Speaker 1: singer's throat, and this was no fistfight. Bill Murray was
- 15:33Speaker 1: ready to wring Martin Bull's neck like a damn towel.
- 15:36Speaker 1: I'll kill him. I'll kill that fucker, Bill yelled as
- 15:39Speaker 1: he pressed his thumbs into Martin's neck. Rage funneled into
- 15:43Speaker 1: his fingertips. He talked through the whole thing, I fucking
- 15:46Speaker 1: hate him. Lucy rushed over and pried Bill's hands off
- 15:50Speaker 1: Martin's neck before he could do any real damage, and
- 15:53Speaker 1: Martin didn't stick around to say goodbye. He made his
- 15:56Speaker 1: exit stage left. Medium talent Talent Billy yelled as Martin
- 16:00Speaker 1: rushed away. Medium Talent Bill was incensed. He had no
- 16:07Speaker 1: interest in hanging around these half ass phonies and their mediocrity.
- 16:11Speaker 1: If Bill was going to be the best, he needed
- 16:13Speaker 1: to be around the best all the time, on the
- 16:17Speaker 1: stage and off of the stage, even if it meant
- 16:20Speaker 1: catching a last minute flight to Memphis. The crowd rammed
- 16:29Speaker 1: into the fence again, harder this time, and they had
- 16:32Speaker 1: no reason to hold back. Soon their idol would be
- 16:35Speaker 1: gone forever, never to be seen in the flesh ever. Again.
- 16:40Speaker 1: A cemetery gate separated them from their last glimpse of
- 16:43Speaker 1: the king, and that gate had to go. It was
- 16:47Speaker 1: now or never. The crowd heaved into the back gate
- 16:50Speaker 1: again and their bodies a sweaty wrecking ball. The ninety
- 16:53Speaker 1: degree Memphis heat helicopters hovered overhead. It was August eighteenth,
- 16:58Speaker 1: nineteen seventy seven, the day America buried its only royalty Elvis.
- 17:04Speaker 1: Presley had left the building. The King is dead, Long
- 17:08Speaker 1: Live the King. Bill Murray watched the riot wrestle with
- 17:12Speaker 1: the back gate at Forest Hill Cemetery, which by the way,
- 17:16Speaker 1: was where Elvis was initially buried next to his mother
- 17:18Speaker 1: before they were moved to the plot at Graceland. Bill
- 17:21Speaker 1: shook his head. If they wanted to get inside the cemetery,
- 17:24Speaker 1: they needed to be subtle, sneaky, do something like hop
- 17:28Speaker 1: on the press bus that was headed stray for Elvis's gravesite,
- 17:31Speaker 1: just like Bill had done. He missed the actual viewing
- 17:34Speaker 1: at Graceland. The Presley family closed it off once they
- 17:38Speaker 1: heard the National Inquirer was paying big money for photos
- 17:41Speaker 1: of the King in his casket. Bill grabbed an empty
- 17:44Speaker 1: seed on the press bus, though, and he headed into
- 17:46Speaker 1: the cemetery. Regardless, It crawled forward at five or six
- 17:50Speaker 1: miles an hour, stifled by the number of mourning fans
- 17:53Speaker 1: clogging the streets, and the hears inched along behind them,
- 17:57Speaker 1: surely moving even slower. It would be a way while
- 18:00Speaker 1: before the King reached his final resting place. But when
- 18:03Speaker 1: the bus finally pulled into the cemetery, Bill got a
- 18:06Speaker 1: good look at the riot. The crowd never broke down
- 18:09Speaker 1: the gate. In fact, when Elvis made his grand entrance,
- 18:13Speaker 1: Bill was the only person standing in the cemetery. The
- 18:17Speaker 1: cops pulled in first, twenty four of them in a row,
- 18:21Speaker 1: each one eyeing Bill Murray like prey. Their militant glares
- 18:25Speaker 1: told Bill everything he needed to know. One move, motherfucker,
- 18:29Speaker 1: and your funeral will be next. So he froze in place,
- 18:32Speaker 1: and people began to point, and they signaled Bill out,
- 18:36Speaker 1: and they stared. Wait were people recognizing him? Bill was
- 18:43Speaker 1: a fresh face on Saturday Night Live SNL. Producer Lauren
- 18:47Speaker 1: Michaels had freed Bill from his rut of rude comedy
- 18:49Speaker 1: with the National Lampoon Show earlier that year, and maybe
- 18:53Speaker 1: he really was rising up in the ranks on his
- 18:56Speaker 1: way to being one of the greats, one of the best,
- 18:59Speaker 1: just like Ella. That's when Bill saw the name on
- 19:02Speaker 1: the grave in front of him, Gladys Presley. He was
- 19:06Speaker 1: standing at the grave of Elvis's mother. That was why
- 19:10Speaker 1: people couldn't stop looking at him. It had nothing to
- 19:13Speaker 1: do with Bill or SNL or fame. Bill Murray was
- 19:16Speaker 1: just the guy who played characters like Nick the lounge
- 19:19Speaker 1: singer on late night TV in the presence of the King.
- 19:24Speaker 1: Bill was the medium talent. We'll be right back after this.
- 19:32Speaker 2: We're we're, we're.
- 19:43Speaker 1: It was minutes before Saturday Night Live went on air,
- 19:47Speaker 1: but no one was laughing. The cast members were keeping
- 19:50Speaker 1: to themselves. Backstage. The crew eyed tonight's guest host with distrust,
- 19:56Speaker 1: and they were not fans. February eighteenth, teen seventy eight,
- 20:01Speaker 1: barely a year prior, Chevy Chase had been one of
- 20:04Speaker 1: the vital members of SNL, original cast member, the first
- 20:08Speaker 1: anchor ever to host the satirical weekend Update segment, which
- 20:12Speaker 1: remains part of the show today. Chevy was hot shit
- 20:15Speaker 1: and he knew it, and when he signed a three
- 20:17Speaker 1: picture deal with Universal, he made sure everyone around him
- 20:21Speaker 1: knew it too. Chevy's departure from Saturday Night Live was
- 20:26Speaker 1: less than graceful. He made it seem like he was
- 20:29Speaker 1: graduating from TV to film while everyone else was a
- 20:32Speaker 1: dunce being held back a grade. Yet SNL have been
- 20:35Speaker 1: able to replace him in just five weeks. In early
- 20:39Speaker 1: nineteen seventy seven, Bill Murray filled the Chevy Chase sized
- 20:42Speaker 1: hole in the cast. He was back to working with Belushi,
- 20:45Speaker 1: Gilda and Harold Ramis again. The Lampoon gang was back
- 20:49Speaker 1: on their old bullshit. His old pals quickly brought Bill
- 20:52Speaker 1: up to speed on Chevy Chase's whole deal, like how
- 20:56Speaker 1: Chevy treated the rest of the actors as if he
- 20:58Speaker 1: was better than them. And now he was back as
- 21:01Speaker 1: Tonight's guest host the movie star mingling with the not
- 21:05Speaker 1: ready for Primetime Peasants, and there was an unspoken expectation
- 21:09Speaker 1: that Bill would strike back, knocked Chevy down a peg
- 21:12Speaker 1: or two, since he had the gall to show his
- 21:14Speaker 1: face here again. Bill and his temper were happy to oblige.
- 21:19Speaker 1: No two stories about what happened next are exactly alike,
- 21:24Speaker 1: and this thing is stuff of thirty rock legend passed
- 21:27Speaker 1: down from generation to generation, with the details shifting in
- 21:30Speaker 1: each retelling, but we do know it went something like this.
- 21:37Speaker 1: Bill and Belushi were shooting the shit on the couch
- 21:40Speaker 1: in a dressing room when Bill saw Chevy in his doorway.
- 21:43Speaker 1: He told Chevy to knock off the big shot act,
- 21:46Speaker 1: and Chevy changed the subject and immediately went for the jugular,
- 21:49Speaker 1: said the acne scars on Bill's face looked like craters
- 21:52Speaker 1: on the moon. Bill bit back and made a comment
- 21:55Speaker 1: about Chevy's floundering second marriage. Why don't you fuck your
- 21:58Speaker 1: wife once in a while, she needs it. Then the
- 22:02Speaker 1: gloves really came off. Bill sprang up from the sofa
- 22:05Speaker 1: in charge toward Chevy. Chevy hopped into a fighting stance,
- 22:09Speaker 1: straight back, feet shoulders in length the park. Chevy knew
- 22:12Speaker 1: on a scrap he had an older brother who kicked
- 22:14Speaker 1: a crap out of him, even boxed for fun. Chevy
- 22:17Speaker 1: was a pro and fistfights. To him. This was no
- 22:20Speaker 1: sweat like David versus Goliath, and He's sure wasn't. David.
- 22:24Speaker 1: Belushi launched off the sofa to block Chevy from the attack.
- 22:27Speaker 1: In the nick of time, Chevy threw punches at Pepper
- 22:30Speaker 1: Belushi's forehead. Bill's fist met the back of Belushi's scalp
- 22:33Speaker 1: was a tangle in ego, screams, slaps, savage, name calling.
- 22:38Speaker 1: Another cast member eventually forced Chevy's arms behind his back
- 22:41Speaker 1: and pulled him away. Chevy, dude, you have an opening
- 22:45Speaker 1: monologue to do, like right this second, and Chevy pivoted
- 22:49Speaker 1: to hosting mode like a seasoned pro. As he made
- 22:53Speaker 1: his way towards the stage, Bill chanted a familiar phrase
- 22:56Speaker 1: at his back. Medium talent, medium talent. But wait, what
- 23:04Speaker 1: if Bill was the medium talent? After all, Chevy was
- 23:09Speaker 1: SNL's first choice. SNL had hired Chevy first and left
- 23:13Speaker 1: Bill behind to sling crude jokes with the National Lampoon Show.
- 23:17Speaker 1: SNL didn't want him until after Chevy left for Hollywood.
- 23:21Speaker 1: And if he was Chevy's replacement and Chevy was medium talent,
- 23:25Speaker 1: what did that make him? No, Bill didn't want to
- 23:29Speaker 1: go there. His inner wise ass wouldn't even entertain the
- 23:32Speaker 1: thought his own break was coming. He knew it, He
- 23:35Speaker 1: just had to wait it out a little longer. His brother,
- 23:38Speaker 1: Brian had been working on a film script for Ages
- 23:40Speaker 1: and said he needed one more actor to round it out.
- 23:43Speaker 1: Brian didn't even have a specific role for Bill yet,
- 23:46Speaker 1: but He knew Bill could nail whatever was thrown his
- 23:48Speaker 1: way better, yet he knew Bill would do it for cheap.
- 23:52Speaker 1: The two brothers shook on it. Bill was going to
- 23:55Speaker 1: be a movie star and everything was going to be
- 23:58Speaker 1: all right. There was only one question that mattered at
- 24:05Speaker 1: Rolling Hills in the summer of nineteen seventy nine, and
- 24:09Speaker 1: it was this, Do you take drugs? Good? Good? Drugs
- 24:15Speaker 1: were in high demand at the Florida Golf Club that season,
- 24:18Speaker 1: not from their guests, from the camera crew. The club
- 24:20Speaker 1: was foolish enough to allow on site to film Brian
- 24:23Speaker 1: Murray's movie Caddyshack. Brian had written a movie about what
- 24:27Speaker 1: he knew best, and that was life spent lugging clubs
- 24:30Speaker 1: between the tea and the Fairway. He and Bill pocketed
- 24:33Speaker 1: plenty of cash working as teenage caddies. Not unlike one
- 24:37Speaker 1: of Caddyshack's main characters, Danny Newnan, Brian had a meager
- 24:42Speaker 1: six million dollar budget to replicate his experiences for Hollywood,
- 24:46Speaker 1: and the dollars were already dwindling thanks to an unending
- 24:49Speaker 1: supply of cocaine to keep everyone feeling all right all
- 24:52Speaker 1: the time. It started small, a little Bompierre and a
- 24:56Speaker 1: quick hit there, and just a few grams at a time,
- 24:59Speaker 1: but it was hard to curb the cast and cruise appetite.
- 25:03Speaker 1: This wasn't just any old coke. This was a palate
- 25:06Speaker 1: cleanser from the cheap stuff. It was pure, it was clean.
- 25:10Speaker 1: It's like it was made to order straight from Colombia
- 25:12Speaker 1: and directly up your nose. Overindulging was easy. Lines at
- 25:18Speaker 1: lunchtime became normal. Quick bumps screwed to binges by the ounce,
- 25:23Speaker 1: and the madness peaked when the cast and crew allegedly
- 25:26Speaker 1: inhaled eighty grams of cocaine every week. And then there
- 25:30Speaker 1: was the booze, and that was even easier to overdo.
- 25:35Speaker 1: You needed the right vice for the right situation. Cocaine
- 25:39Speaker 1: was powdered and energy. It kept you upright on long
- 25:42Speaker 1: days getting down to the hard work of movie making.
- 25:45Speaker 1: But alcohol was for killing time, especially when the elements
- 25:49Speaker 1: in Florida trump the production schedule. Elements like category five hurricanes.
- 25:58Speaker 1: Hurricane David ripped the path through the Dominican Republic where
- 26:01Speaker 1: it's one hundred and twenty five mile per hour winds
- 26:04Speaker 1: killed two thousand people and left one billion dollars worth
- 26:08Speaker 1: of damage in its wake, and soon Hurricane David's eye
- 26:12Speaker 1: would be staring down at Florida. So production on Caddyshack
- 26:16Speaker 1: came to a halt. The party was over, sort of.
- 26:21Speaker 1: The cast and crew fled to their rooms to board
- 26:23Speaker 1: up their windows. They kept all the essentials in stock,
- 26:26Speaker 1: clean water in the bathtub, extra batteries for power outages,
- 26:30Speaker 1: and enough booze to last them through hurricane season. And
- 26:33Speaker 1: the film's budget shrank yet again, and it was about
- 26:36Speaker 1: to shrink even further. One of the film's biggest expenses
- 26:40Speaker 1: would arrive soon and drained two hundred and fifty thousand
- 26:42Speaker 1: dollars a week. Brian had wildly underestimated the cost of
- 26:47Speaker 1: paying his brother, who was now counted as a mainstay
- 26:50Speaker 1: on the SNL cast, and did not come as cheap
- 26:53Speaker 1: as previously thought. Hurricane David passed over rolling hells, though
- 26:58Speaker 1: without much harm, and before were too long, the ominous
- 27:01Speaker 1: storm clouds would part and the Florida sun would beam
- 27:04Speaker 1: over the golf course once again, just like that day
- 27:08Speaker 1: years earlier, when Bill Murray stepped out of the Art
- 27:10Speaker 1: Institute of Chicago and stepped into the light.
- 27:13Speaker 3: It was a new day, a new beginning, Chevy.
- 27:43Speaker 1: Chase stirred in bed. He looked at the clock in
- 27:46Speaker 1: the nightstand three am. It was too early for this,
- 27:50Speaker 1: and the knocking at his hotel door escalated to urgent banging.
- 27:54Speaker 1: It was becoming clear that rolling over wasn't an option.
- 27:57Speaker 1: Chevy stumbled to the door in the darkness. Two Murray's
- 28:01Speaker 1: were on the other side. Bill and Brian didn't bother
- 28:04Speaker 1: with pleasantries. Hey man got any grass? No, Chevy didn't
- 28:09Speaker 1: have any grass on him. Caddy Shack was a cocaine crew.
- 28:13Speaker 1: Weed was the light beer of this drug world. It
- 28:17Speaker 1: was good enough, But why settle for good enough when
- 28:19Speaker 1: you could get ghacked. The Murray brothers didn't budge from
- 28:23Speaker 1: the doorway. If there was any bad blood left between
- 28:26Speaker 1: Bill and Chevy, Bill seemed willing to put it behind
- 28:29Speaker 1: him for the sake of getting stoned. Besides, the tension
- 28:32Speaker 1: from their fight at Saturday Night Live had dissolved while
- 28:35Speaker 1: shooting their low scene together in Caddyshack, You know, the
- 28:38Speaker 1: one where Chevy's character Ty Webb is forced to enter
- 28:41Speaker 1: the dingy boat of greenskeeper Carl Spackler. Spackler played by
- 28:45Speaker 1: Bill Murray. Maybe it stroked Chevy's ego that he was
- 28:49Speaker 1: playing the posh golf player while Bill took the role
- 28:52Speaker 1: of a crooked mouth burnout living in his own filth.
- 28:55Speaker 1: Bill even contributed to said filth directly. He provided the
- 28:58Speaker 1: hustler centerfolds, the walls, and the tattered car seat to
- 29:02Speaker 1: use his Carl's couch. It's really awful, Chevy's character says
- 29:05Speaker 1: as he scans the shack right before Carl probably shows
- 29:08Speaker 1: him a type of grass. He claims to have invented
- 29:11Speaker 1: a hybrid of Kentucky bluegrass, featherbed bet and northern California
- 29:15Speaker 1: since Amelia perfect for thirty six holes by day, even
- 29:19Speaker 1: better for getting stone to the Jesus Belt at night.
- 29:23Speaker 1: It was a phenomenal scene, but Bill needed the real
- 29:26Speaker 1: thing right now, The unspoken question lingered in the air.
- 29:31Speaker 1: All right, so who does have grass? Younger members of
- 29:34Speaker 1: the crew, Maybe, No, it would be too cheap, like
- 29:37Speaker 1: smoking trash. They didn't need to go down the chain
- 29:39Speaker 1: in command. They had to go up right to the top.
- 29:42Speaker 1: Chevy would be the gateway. He saw himself as the
- 29:45Speaker 1: biggest source of star power in the entire movie, except
- 29:49Speaker 1: for one man, Rodney Dangerfield. Now that was a man
- 29:54Speaker 1: whose resume you really had to respect. He made so
- 29:57Speaker 1: much bread headlining comedy shows and must Vegas that he
- 30:00Speaker 1: actually lost money to step away and film Caddyshack. Rodney
- 30:05Speaker 1: Dangerfield hustled hard, laughed hard, and partied even harder. When
- 30:09Speaker 1: he first visited the film studio, he arrived in a
- 30:12Speaker 1: bright blue leisure suit, pulled out a bag of coke,
- 30:15Speaker 1: did two lines on the spot, and asked, where's the pussy?
- 30:19Speaker 1: If anyone on set had drugs, it was Rodney who,
- 30:22Speaker 1: luck would have It was just two doors down from Chevy.
- 30:25Speaker 1: Bill and Brian let Chevy do the talking as the
- 30:28Speaker 1: so called main star who could approach a comedy giant
- 30:31Speaker 1: like Rodney Dangerfield. Rodney had some grass, all right, the
- 30:35Speaker 1: good stuff, not the kindie gave away for free, even
- 30:38Speaker 1: to cast mates. He'd need a fat water of cash
- 30:41Speaker 1: for this stuff. Rodney pulled a plastic baggy from a
- 30:44Speaker 1: suitcase to dangle under their noses. Bill and Brian phoned
- 30:48Speaker 1: up a few hundred bucks between the two of them
- 30:49Speaker 1: and walked away with rodney stash. It wasn't until they
- 30:53Speaker 1: got into some decent lighting that they saw what they
- 30:55Speaker 1: had actually just copped it was just a bag of seats.
- 31:00Speaker 1: He sold them a glorified grow your own kit and
- 31:03Speaker 1: the smart asses have been out smarted. One former drug
- 31:07Speaker 1: dealer swindled. Some folks might have been pissed. Bill, Brian
- 31:11Speaker 1: and Chevy just laughed it off. Apparently they still had
- 31:15Speaker 1: a lot to learn. In a rare occurrence, three egos
- 31:19Speaker 1: went up in smoke at Rolling Hills that night. Anything
- 31:23Speaker 1: less would have been a disgrace, Tom Jake Brennan and
- 31:29Speaker 1: this this disgrace slamp all right. This week's question of
- 31:44Speaker 1: the week is which Bill Murray performance from which film
- 31:47Speaker 1: is your favorite? And why there are so many iconic
- 31:51Speaker 1: options life aquatics, stripes lost in translation, and also if
- 31:56Speaker 1: you have any Bill Murray experiences, if he's ever served
- 31:59Speaker 1: you a drinker, crash to your house, party in Brooklyn,
- 32:01Speaker 1: or pet your dog. Whatever I want to know about it,
- 32:04Speaker 1: Hit me up, let me know and we will discuss
- 32:06Speaker 1: in this week's after Party Bonus episode six one seven
- 32:10Speaker 1: nine oh six sixty six three eight. Leave me a voicemail,
- 32:13Speaker 1: send me a text. You can also reach me at
- 32:15Speaker 1: disgracelampod as well on Instagram, X and Facebook, and do
- 32:19Speaker 1: me a favor if you're an Apple podcast listener, make
- 32:22Speaker 1: sure you're following Disgraceland and have automatic downloads turned on
- 32:26Speaker 1: so that you are guaranteed not to miss one of
- 32:28Speaker 1: our episodes. It really helps the show, all right, you
- 32:31Speaker 1: know the drill. Leaver a review for disgrace Sland on
- 32:33Speaker 1: Apple Podcasts or Spotify and win some free merch. Here
- 32:36Speaker 1: comes some credits. Disgracelam was created by Yours Truly and
- 32:40Speaker 1: is produced in partnership with Double Elvis. Credits for this
- 32:43Speaker 1: episode it can be found on the show notes page
- 32:45Speaker 1: at disgracelampod dot com. If you're listening as a Disgracelan
- 32:49Speaker 1: All Access member, thank you for supporting the show. We
- 32:52Speaker 1: really appreciate it. And if not, you can become a
- 32:54Speaker 1: member right now by going to disgracelampod dot com slash Membership.
- 33:00Speaker 1: Members can listen to every episode of disgracelam ad free,
- 33:03Speaker 1: Plus you'll get one brand new exclusive episode every month,
- 33:07Speaker 1: weekly unscripted bonus episodes, special audio collections, and early access
- 33:11Speaker 1: to merchandise and events. Visit disgraceslampod dot com slash membership
- 33:16Speaker 1: for details, rate and review the show, and follow us
- 33:19Speaker 1: on Instagram. TikTok, Twitter, and Facebook at disgracelampod, and on
- 33:23Speaker 1: YouTube at YouTube dot com, slash at disgracelampod, Rock a Roller,
- 33:32Speaker 1: He the Man,