Latest / HEAVY Music Interviews / Confronting The Enemy With CHRIS SORBYE From SMASH INTO PIECES

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Confronting The Enemy With CHRIS SORBYE From SMASH INTO PIECES · HEAVY Music Interviews

• 0:00
  Speaker 1: Hi, Chris. This is Chris. It's the Swedish Chris. I'm
• 0:12
  Speaker 1: the singer of Smashing two pieces, Swedish band, and yeah
• 0:18
  Speaker 1: I'm here talking to Chris Peters.
• 0:23
  Speaker 2: What a pleasure you are, indeed, pleasure to see your
• 0:26
  Speaker 2: smallen place again.
• 0:26
  Speaker 1: Brother, I've missed your really uh really uh you really
• 0:35
  Speaker 1: have an accent.
• 0:35
  Speaker 3: Man.
• 0:36
  Speaker 1: It's very hard sometimes to hear, but.
• 0:42
  Speaker 2: You're going to say something nice head and then you
• 0:44
  Speaker 2: just you just turn it on his heads real quick.
• 0:47
  Speaker 1: But it's it's it's so nice to hear this Australian
• 0:51
  Speaker 1: you know, accent again, because we were we just came
• 0:56
  Speaker 1: back from basically from Australia, so our first ever visit there,
• 1:00
  Speaker 1: and was amazing, even though we had quite a jet
• 1:05
  Speaker 1: lag after you know, flying from you know, the Swedish
• 1:11
  Speaker 1: and European festivals straight to Bangkok, which was our first
• 1:16
  Speaker 1: ever visiting Thailand, and then we flew from basically after
• 1:21
  Speaker 1: show right straight down to down on the to do
• 1:27
  Speaker 1: three Shio shows and we were so yet, like, oh
• 1:30
  Speaker 1: my god, we were so tired. You know, we didn't
• 1:34
  Speaker 1: really see much, but we managed to do the shows
• 1:38
  Speaker 1: and in between I kind of slept the whole time,
• 1:41
  Speaker 1: so we didn't.
• 1:41
  Speaker 2: See Next Time Society rather, but that's that's all news.
• 1:46
  Speaker 2: Maybe we got near news to get onto and the
• 1:48
  Speaker 2: near news is it's smashed in the paces, releasing new
• 1:51
  Speaker 2: album on a Heaven on October thirty. First, how are
• 1:55
  Speaker 2: you feeling.
• 1:58
  Speaker 1: Yeah, it's it's it feels great. We have been working
• 2:04
  Speaker 1: on this album for a long time. There's a lot
• 2:07
  Speaker 1: of songs there that has been with us for a
• 2:10
  Speaker 1: long time which we haven't really had the time to finish.
• 2:13
  Speaker 1: And U for example, definitely in my head has been
• 2:17
  Speaker 1: with us for almost five years now. We haven't had
• 2:22
  Speaker 1: the time too or you know, we we we really
• 2:25
  Speaker 1: didn't know what to make about of that song in
• 2:28
  Speaker 1: the early stages, so but it turned out great. And yeah,
• 2:33
  Speaker 1: it's the lead single for for this album, and it
• 2:37
  Speaker 1: feels feels great, you know. And we're also going to
• 2:40
  Speaker 1: go out promoting this album everywhere basically from now on.
• 2:46
  Speaker 1: So yeah, nice, nice.
• 2:50
  Speaker 2: It takes in side the album would be from a
• 2:52
  Speaker 2: musical point of view, and tell us what you're gone
• 2:54
  Speaker 2: for the stumm a nd oh.
• 2:59
  Speaker 1: This album, we have had a lot of different producers
• 3:03
  Speaker 1: actually working with us. We have Dino medon Hotsick we
• 3:09
  Speaker 1: have pair Bequist, my my guitarists, and also a guy
• 3:16
  Speaker 1: from Germany called Julian, which are producing a lot of
• 3:20
  Speaker 1: the Apoc songs. So he has been with us on
• 3:25
  Speaker 1: this album a lot, and yeah, different other people, so yeah,
• 3:32
  Speaker 1: we have So it's a lot of people involved in
• 3:35
  Speaker 1: this album, which is kind of kind of nice and
• 3:38
  Speaker 1: brings brings a different touch to the smash sound a
• 3:41
  Speaker 1: little bit, makes us move forward as usual and try
• 3:49
  Speaker 1: to re do ourselves. Because last time we talked, last
• 3:56
  Speaker 1: time we spoke, I was I said, like, I hope
• 4:00
  Speaker 1: I remember this right, but I said that we are
• 4:02
  Speaker 1: constantly evolving and we don't want to sound the same
• 4:05
  Speaker 1: on every single album. So yeah, yeah, nice.
• 4:10
  Speaker 2: So yeah, the album actually picks up where your previous album,
• 4:13
  Speaker 2: ghost Code, left off. So how so is it in
• 4:16
  Speaker 2: the continuation of the story or is it musically?
• 4:21
  Speaker 1: Yeah, I mean the story now is basically because on
• 4:27
  Speaker 1: Ghost Code, which was the album before Arma Haven't, which
• 4:29
  Speaker 1: is going to be out in late October. Here on
• 4:34
  Speaker 1: that album, Apoc kind of find a way out of
• 4:38
  Speaker 1: his game, which is called Arcadia. It's the world that
• 4:41
  Speaker 1: he has been living in and now he has escaped
• 4:46
  Speaker 1: from that game. Into our world where we are here,
• 4:50
  Speaker 1: you know, and his nemesis called Ghost is he has
• 4:55
  Speaker 1: also found a way to follow Apoc into this world.
• 5:02
  Speaker 1: So now it's like and the whole thing with Ai
• 5:05
  Speaker 1: and stuff like that. So it's like AI versus AI,
• 5:09
  Speaker 1: and the humans based and humans are basically cattle, you know,
• 5:15
  Speaker 1: we don't matter anymore. That's kind of the story where
• 5:19
  Speaker 1: we are now in the Smashing the Pieces universe. So yeah,
• 5:26
  Speaker 1: we're taking this story outside the Walls Arcadia now for real.
• 5:31
  Speaker 1: So nice.
• 5:32
  Speaker 2: And does this album wrap things up? Is it the
• 5:35
  Speaker 2: completion of this cycle or is it is it still
• 5:38
  Speaker 2: got more and motives to be told.
• 5:41
  Speaker 1: It's too early to say, but I think if I
• 5:44
  Speaker 1: if I, I mean this is also a thing I
• 5:49
  Speaker 1: said to you last time that this is one of
• 5:51
  Speaker 1: the fun the nicest things to be in Smash because
• 5:54
  Speaker 1: we we don't only make we only we don't only
• 5:58
  Speaker 1: make music. We make the whole package, you know, like
• 6:01
  Speaker 1: the image and the video, the storyline, and and you know,
• 6:08
  Speaker 1: if you if you're doing, for example, a serious on
• 6:12
  Speaker 1: Netflix or whatever, and you don't really have an ending
• 6:16
  Speaker 1: so to speak, it's kind of a you know, to
• 6:19
  Speaker 1: be continued things. So I guess we're gonna continue with this,
• 6:23
  Speaker 1: but we have no clue actually after this what we're
• 6:25
  Speaker 1: going to do, So it's too early to say.
• 6:28
  Speaker 2: Not a bad plight, not a bad place.
• 6:31
  Speaker 1: It's yeah, it's it's good time since smash.
• 6:37
  Speaker 2: Yeah, and the press release causes your most ambitious album
• 6:41
  Speaker 2: to date? Would would you agree with that?
• 6:44
  Speaker 1: It's always the most ambitious album, But I guess for
• 6:52
  Speaker 1: us has been I think the real challenge for this
• 6:55
  Speaker 1: album has been more into finding where this or line
• 7:00
  Speaker 1: is going to go and try to understand what we
• 7:09
  Speaker 1: are in this as members and humans and it's yeah, yeah,
• 7:22
  Speaker 1: So I think that's for me at least, that's that
• 7:26
  Speaker 1: has been the most challenging thing with this album.
• 7:32
  Speaker 2: Rose. I don't know anything about the storyline, but I
• 7:35
  Speaker 2: had to listen to it before and I could still
• 7:37
  Speaker 2: appreciate it as a piece of art and as a
• 7:39
  Speaker 2: piece of music, like it's not. You don't have to
• 7:41
  Speaker 2: buy the whole history and you don't have to be
• 7:43
  Speaker 2: involved in the storyline to actually appreciate the music, which.
• 7:47
  Speaker 1: Is exactly but if you're if you're nerdy enough, you
• 7:51
  Speaker 1: can actually dive into the rabbit hole. Yeah, I think.
• 7:56
  Speaker 2: I'd never come out. If I dive into that rabbit hole.
• 7:59
  Speaker 1: Brother, who's your goal?
• 8:03
  Speaker 2: Smash you never look back. The album opens with that
• 8:08
  Speaker 2: with a beautiful intro piece of music called Neo Future
• 8:11
  Speaker 2: that repeatedly asks are you prepared for what's coming? Like
• 8:14
  Speaker 2: it kind of puts you on edge straight away, but
• 8:16
  Speaker 2: it's also really captivating, Like what was the thought process
• 8:20
  Speaker 2: behind that piece of music?
• 8:26
  Speaker 1: I guess. I guess it comes from the whole thing
• 8:37
  Speaker 1: we're in now with AI and everything, and it's just weird.
• 8:42
  Speaker 1: If you have a social media account, things right now
• 8:46
  Speaker 1: are just super weird, you know, for especially for us musicians.
• 8:54
  Speaker 1: I it's it's kind of it's taken away a little
• 9:01
  Speaker 1: bit for me, at least, it's taken away a little
• 9:03
  Speaker 1: bit of the whole creative process thing. Like it's you're
• 9:09
  Speaker 1: getting a little sad actually, because now you can like
• 9:13
  Speaker 1: make songs like this, and the whole creative part has
• 9:16
  Speaker 1: been secondary, I guess in a lot of ways with
• 9:22
  Speaker 1: all the all the apps and everything that you can
• 9:26
  Speaker 1: use to like do everything yourselves, you know basically. So
• 9:31
  Speaker 1: I guess the whole message with that is that it's
• 9:36
  Speaker 1: weird times and it's probably gonna be even weird.
• 9:41
  Speaker 2: Yeah, and.
• 9:47
  Speaker 1: Yeah, it's like humans are also very good at as
• 9:51
  Speaker 1: we're talking about lately in Smash that if we see
• 9:55
  Speaker 1: a butterfly, for example, it's a beautiful butterfly, where we
• 9:58
  Speaker 1: just we somehow I wants to capture the beauty and
• 10:01
  Speaker 1: just like we're really good at destroying things that are beautiful.
• 10:08
  Speaker 2: That's a good point.
• 10:09
  Speaker 1: And it's kind of the human nature, I guess too.
• 10:12
  Speaker 1: When things are too perfect, someone just wants to mess
• 10:17
  Speaker 1: it up, you know, and we're in this cycle that
• 10:21
  Speaker 1: we never seemed to come out of, you know. And yeah,
• 10:27
  Speaker 1: so it's it's basically really weird times. It's you don't
• 10:31
  Speaker 1: know what to believe anymore. On social media, for I
• 10:35
  Speaker 1: don't know if you've seen this. I saw this thing
• 10:37
  Speaker 1: on on Instagram, the evolution of Will Smith eating spaghetti.
• 10:43
  Speaker 1: Have you seen it?
• 10:44
  Speaker 2: I hope, but I'm going to look it up.
• 10:46
  Speaker 1: I actually really speaking about, you know, going down the
• 10:50
  Speaker 1: rabbit hole. You can actually see the evolution of you
• 10:55
  Speaker 1: could really see the evolution of on ai and how
• 11:00
  Speaker 1: how real it looks from you know, the previous two
• 11:04
  Speaker 1: years ago, one year ago, where you can generate like
• 11:09
  Speaker 1: take Will Smith eating spaghetti, and you get like a
• 11:13
  Speaker 1: video from AI, so you should really check it out,
• 11:17
  Speaker 1: really really really scary stuff.
• 11:21
  Speaker 4: Yeah.
• 11:22
  Speaker 2: So I sort of sometimes try not to watch that
• 11:24
  Speaker 2: because it's too scary, you know, like it's just sort
• 11:26
  Speaker 2: of that you can't really do anything about it. It's
• 11:29
  Speaker 2: like you just look at it and gone, why you
• 11:33
  Speaker 2: should do anything about it?
• 11:36
  Speaker 1: Yeah, Now you have to be all the time. You
• 11:38
  Speaker 1: have to be like suspicious everything everything you seem. You're like,
• 11:43
  Speaker 1: is this real or or if you For example, for
• 11:48
  Speaker 1: the first time in my life, I added an AI
• 11:51
  Speaker 1: song to my Spotify playlist, which is really good. It's
• 11:55
  Speaker 1: like an eighty eighties white Snake Yeah.
• 12:01
  Speaker 2: Uh, you know.
• 12:03
  Speaker 1: Mtley Crue kind of a song, which was really fucking
• 12:07
  Speaker 1: catchy and it sounded like the like the all star
• 12:11
  Speaker 1: eighties rock band that was like perfect production. And then
• 12:16
  Speaker 1: I went into the biography and the profile, the Spotify profile,
• 12:21
  Speaker 1: and it was an AI artist and I was like,
• 12:25
  Speaker 1: and he had no idea, you know, I fell for it.
• 12:27
  Speaker 1: So it's it's yeah, it's weird. It's fucking weird times.
• 12:32
  Speaker 2: It's going to get to the stage where the only
• 12:34
  Speaker 2: way you're going to find out there an AI band
• 12:36
  Speaker 2: is when you try to buy a ticket to see
• 12:37
  Speaker 2: him live and find out that you can't do it.
• 12:40
  Speaker 1: Yeah, so I think that live is actually even more
• 12:43
  Speaker 1: important now than it was before.
• 12:45
  Speaker 2: So Well said on the album you got a couple
• 12:50
  Speaker 2: of collaborations on there. One of them is with the
• 12:53
  Speaker 2: Leaves from Emma Rad Then you guys have got a
• 12:55
  Speaker 2: bit of a history with them, haven't you. You did
• 12:57
  Speaker 2: a tour with them early on, and you sort of
• 12:59
  Speaker 2: work together it.
• 13:02
  Speaker 1: Yeah, I mean I got the call the first I
• 13:04
  Speaker 1: mean smashing emmerand we kind of shared the same audio
• 13:10
  Speaker 1: guy back in the days. And we're talking about like
• 13:15
  Speaker 1: twenty twelve or something, so we had met them during
• 13:21
  Speaker 1: a lot of you know, festivals and shows, and as
• 13:26
  Speaker 1: I said, we shared the same sound guy back in
• 13:28
  Speaker 1: the back in the days, and things kind of start evolving.
• 13:32
  Speaker 1: And I got my first call I think it was
• 13:34
  Speaker 1: like in twenty thirteen, where the lead singer at that
• 13:39
  Speaker 1: time called and the former the band, the band he
• 13:48
  Speaker 1: kind of started the whole band speak. He I got
• 13:52
  Speaker 1: a call from him and he was like, so I'm
• 13:56
  Speaker 1: gonna be away for a while, can you do a
• 13:58
  Speaker 1: show for me? So I basically did kind of every
• 14:04
  Speaker 1: show with them from twenty fifteen, fourteen fifteen to like
• 14:10
  Speaker 1: twenty nineteen something like that, right before the pandemic. And meanwhile,
• 14:16
  Speaker 1: he was like going away from the band, stepping away
• 14:20
  Speaker 1: one hundred percent. And meanwhile I did all the shows
• 14:24
  Speaker 1: and the tours so they could go out and tour,
• 14:27
  Speaker 1: you know, even though he wasn't a part of the
• 14:30
  Speaker 1: band anymore. So, Yeah, I have a I have a
• 14:35
  Speaker 1: lot of history with them, and I see Elise as
• 14:39
  Speaker 1: my kind of my sister in a weird way. We
• 14:43
  Speaker 1: have shared a lot of hours in the tour bus
• 14:46
  Speaker 1: and speaking and you know, it's it's it's kind of
• 14:51
  Speaker 1: challenging to be a girl with like ninety five percent
• 14:56
  Speaker 1: guys on tours. I have talked about a lot about that,
• 15:00
  Speaker 1: and I tried to be like, I don't know. I
• 15:04
  Speaker 1: tried to talk with her a lot on the tours
• 15:06
  Speaker 1: so she could manage it. I guess we all tried
• 15:09
  Speaker 1: to help her a lot when we were on Torror. So, yeah,
• 15:15
  Speaker 1: I see her as my sister basically. So we did
• 15:18
  Speaker 1: this song Paradise together and it felt like a full
• 15:23
  Speaker 1: circle moment. Yeah, what else, because we did a collaboration
• 15:28
  Speaker 1: with her back in twenty fourteen fifteen on a song
• 15:33
  Speaker 1: called Michae Cocaine. But this was like I really felt
• 15:37
  Speaker 1: that Paradise was like we nailed it. This is this
• 15:41
  Speaker 1: is really a mixture between amerand and smash in a song. Yeah,
• 15:46
  Speaker 1: and it felt genuine and yeah, that's a great song.
• 15:51
  Speaker 1: Yeah it is.
• 15:52
  Speaker 2: Indeed, you've also got a duoet code first time with
• 15:56
  Speaker 2: the Swedish Japanese media Icon and Lileko. So let's say,
• 15:59
  Speaker 2: I'm pretty interesting. I like bringing bringing a few different
• 16:02
  Speaker 2: cultures together musically.
• 16:04
  Speaker 1: Yeah. We did a tour in Japan in twenty thirteen.
• 16:11
  Speaker 1: It was really early in our career and we haven't
• 16:14
  Speaker 1: been there ever since. And as you said, she's half Swedish.
• 16:21
  Speaker 1: And this was like an idea from I don't even remember.
• 16:28
  Speaker 1: I think it was from some some of my working
• 16:36
  Speaker 1: personnel in my label that said something like, oh, we
• 16:41
  Speaker 1: should do a collaboration with blah blah blah because she's
• 16:46
  Speaker 1: really big in Japan and she's like the TV host
• 16:50
  Speaker 1: in one of the biggest TV radio things over there.
• 16:54
  Speaker 1: So and we have always talked about doing something, you know,
• 16:58
  Speaker 1: in Japan again, and so it felt kind of natural
• 17:02
  Speaker 1: to like do a reach out and she has. It
• 17:06
  Speaker 1: turns out that she has a really cool rock voice,
• 17:10
  Speaker 1: which was really weird. Uh you couldn't really, I couldn't really.
• 17:17
  Speaker 1: I mean, because she has one image and then she
• 17:19
  Speaker 1: has the rock the rock things. I was like, ohh yeah,
• 17:22
  Speaker 1: that was unexpected, so that was kind of cool. So yeah,
• 17:28
  Speaker 1: I think I think that song is one of my
• 17:31
  Speaker 1: favorites on this album, and it was it was a
• 17:38
  Speaker 1: song that we had to like finish really fast. I
• 17:41
  Speaker 1: think that was the last song for this album to
• 17:44
  Speaker 1: make it. It was a really stressful song to make
• 17:48
  Speaker 1: because we had to like, we need one more song,
• 17:50
  Speaker 1: like we have this one, we have this collaboration, we
• 17:53
  Speaker 1: need to do now, now, now, now. And I just
• 17:55
  Speaker 1: spent a lot of time recording that song with banjo
• 17:58
  Speaker 1: and a guy called Fredrick Samson. And yeah, but I
• 18:03
  Speaker 1: think it turned out really great. And it's the only
• 18:07
  Speaker 1: it's the only guitar solo as well on this album.
• 18:11
  Speaker 2: Interesting, I don't think we sort of touched on this
• 18:13
  Speaker 2: a little bit last Time to You, but I wanted
• 18:15
  Speaker 2: to go a little bit deeper into it, like all
• 18:17
  Speaker 2: of your albums, like you've got a really strong cinematic
• 18:20
  Speaker 2: score to go with the actual music. How difficult is
• 18:24
  Speaker 2: it to create a cinematic journey on a sonic level
• 18:27
  Speaker 2: when it comes to albums.
• 18:35
  Speaker 1: I think it's more and more difficult. I mean, for me,
• 18:45
  Speaker 1: I am, to be honest with you, I'm very into
• 18:48
  Speaker 1: the music making more than I am into the storyline thing. Okay,
• 18:55
  Speaker 1: So usually usually things starts with me being a part
• 19:04
  Speaker 1: of making a song with Banjo and pair and we're
• 19:08
  Speaker 1: trying to make this song into the storyline afterwards, right,
• 19:14
  Speaker 1: So we're and also like, meanwhile this song is being made,
• 19:20
  Speaker 1: it's kind of we always kind of have this in
• 19:23
  Speaker 1: mind that we are in Arcadia somehow and it should
• 19:27
  Speaker 1: should make sense in our world. And so yeah, but
• 19:34
  Speaker 1: to be honest with you, it's like, when we started
• 19:38
  Speaker 1: this whole thing with Arcadia and apoc and everything, it
• 19:43
  Speaker 1: was kind of everything was new and everything was very
• 19:50
  Speaker 1: you know, you could you could do basically everything. But
• 19:55
  Speaker 1: now it's like, because we have also entered the the
• 20:00
  Speaker 1: real world with this story, it's kind of hard to
• 20:03
  Speaker 1: know where to go from now a little bit. So
• 20:09
  Speaker 1: I think it's getting tougher and tougher to come.
• 20:13
  Speaker 2: Up with.
• 20:15
  Speaker 1: A story where to go next for every single album.
• 20:23
  Speaker 1: And yeah, maybe it's just a phase. I don't know,
• 20:29
  Speaker 1: but we are really working hard to get to the
• 20:36
  Speaker 1: next place after this. So, as I said, I'm not
• 20:42
  Speaker 1: really into the storyline thing. I'm more into making the
• 20:46
  Speaker 1: songs and and try to have time with even doing
• 20:51
  Speaker 1: all the shows that we're doing, hundreds of shows every year.
• 20:55
  Speaker 1: And yeah, it's Paris more of the the how do
• 21:03
  Speaker 1: you say, like the creative mind in coming up with storylines,
• 21:09
  Speaker 1: and he's more of the producer, the mastermind, and the
• 21:16
  Speaker 1: engineer so to speak. So but he has a really
• 21:21
  Speaker 1: special brain. He has a really good brain for this.
• 21:24
  Speaker 1: So I some sometimes I ask him where are we
• 21:29
  Speaker 1: in this? And he kind of comes up with his
• 21:32
  Speaker 1: story and it's very fascinating.
• 21:35
  Speaker 2: Hey would be what you guys don't make it easy
• 21:38
  Speaker 2: for yourself though, bright Like I was looking through your
• 21:40
  Speaker 2: albums and since you brought up Breakabay Out in twenty thirteen,
• 21:44
  Speaker 2: it hasn't been more than two years in between release
• 21:47
  Speaker 2: and albums. Sometimes it's years, sometimes it's two years. Like
• 21:50
  Speaker 2: you're not really giving yourself much time between him you
• 21:53
  Speaker 2: get things right with all the touring you're doing.
• 21:57
  Speaker 1: Yeah, I mean we had because before twenty twenty three,
• 22:04
  Speaker 1: when this whole thing with your revision Caladida's all and happened.
• 22:08
  Speaker 1: We had basically all the time in the world to
• 22:11
  Speaker 1: make great songs and taking our times with coming up
• 22:16
  Speaker 1: with the concepts for things. It's different times now when
• 22:20
  Speaker 1: you're doing you know, last year, I did two hundred
• 22:25
  Speaker 1: and fifty travel days something on tour, which makes you
• 22:31
  Speaker 1: slower obviously into making the songs because we don't really
• 22:35
  Speaker 1: have time. So now it's been slow, a slower pace.
• 22:42
  Speaker 1: Actually then we were then we're used to so so.
• 22:48
  Speaker 1: But for this album that's going to be out after Armahaven,
• 22:54
  Speaker 1: we had we have said internally that we really need
• 22:58
  Speaker 1: to start up promising release dates. We need to stop
• 23:04
  Speaker 1: pushing dates basically to get the album number ten, because
• 23:10
  Speaker 1: then we have a good window two to make the album,
• 23:17
  Speaker 1: if you know what I'm saying. Yeah, so we can
• 23:20
  Speaker 1: really take our time and people are not going to
• 23:22
  Speaker 1: be like, oh, when can we have a new album out,
• 23:26
  Speaker 1: and we're then we're going to be more like, oh,
• 23:28
  Speaker 1: you know, we're going to take our time on this one,
• 23:31
  Speaker 1: and yeah, I think we have a really good window
• 23:36
  Speaker 1: to make the best album ever in the history of Smash.
• 23:40
  Speaker 1: On album number ten, so no promise with dates or.
• 23:45
  Speaker 2: Like you guys, like you guys just keep going up
• 23:47
  Speaker 2: and up and up, like it must be hard to
• 23:50
  Speaker 2: sort of take a step back and take some time
• 23:52
  Speaker 2: off yourself because it's part of would be one to
• 23:54
  Speaker 2: capitalize on everything while they go on. Is good, but
• 23:57
  Speaker 2: you've got to sometimes just sort of, guy, I need
• 24:01
  Speaker 2: some time. I gotta have a brain.
• 24:04
  Speaker 1: Yeah, but I think we all have have a strategy
• 24:09
  Speaker 1: for that. So I think it's just gonna be a
• 24:16
  Speaker 1: natural step to take because we have worked so hard
• 24:23
  Speaker 1: now for the last almost three years, ever since as
• 24:27
  Speaker 1: I said, six feet under era, and yeah, sometimes you
• 24:33
  Speaker 1: have to push the brakes a little bit on the
• 24:35
  Speaker 1: try to process the things that happen has happened, and
• 24:43
  Speaker 1: and try to to find new inspiration and yeah. So
• 24:50
  Speaker 1: but I really think that album number number ten is
• 24:53
  Speaker 1: gonna my minimum. My minimum expectations for that album is
• 25:02
  Speaker 1: gonna be that I want to listen to every single
• 25:05
  Speaker 1: song the whole day until I go to bed, and
• 25:10
  Speaker 1: I'm gonna get goose bumps from every song. That's like
• 25:13
  Speaker 1: my that's the minimum expectations that I'm I'm gonna have
• 25:18
  Speaker 1: for album number ten. That's just my personal I'm not
• 25:22
  Speaker 1: speaking for everyone. I'm just saying that's that's my goal.
• 25:27
  Speaker 2: I want you to send me goose bumps on your
• 25:29
  Speaker 2: arms before you go to bed what not.
• 25:32
  Speaker 1: I'm just gonna google goose bumps and I'm gonna send
• 25:35
  Speaker 1: you those pictures right now and I can do it
• 25:38
  Speaker 1: for you easy. Yeah, exactly, make my arm with goose bumps,
• 25:45
  Speaker 1: make some goose bumps on dineback. Darryl's all right, Christ
• 25:54
  Speaker 1: we always.
• 25:55
  Speaker 2: The pleasure to speak with you rather, thanks for telling again.
• 25:58
  Speaker 2: I'm a heaven is out of tyber thing person. You
• 26:01
  Speaker 2: should be getting goosebumps over this one too, Broy, because
• 26:03
  Speaker 2: it's a bloody good album.
• 26:23
  Speaker 3: You got me beating on my drum.
• 26:28
  Speaker 4: It's gone on man, let's be gone.
• 26:33
  Speaker 3: A million.
• 26:33
  Speaker 4: Trigger's gonna ball, Oh faillion it go. We're gonna say,
• 26:43
  Speaker 4: young man.
• 26:44
  Speaker 3: No man to raise that name. I guess, don't they
• 26:52
  Speaker 3: raise nothing up? Oh the any day.
• 27:01
  Speaker 4: And the Devil. I won't play nice o any I
• 27:16
  Speaker 4: mean my keen, I'm having a glass. I wants them
• 27:21
  Speaker 4: down out loud, on fire.
• 27:26
  Speaker 3: My gun.
• 27:29
  Speaker 4: We're gone and say come down.
• 27:32
  Speaker 3: Do they're raising tame? Yes? No, there is up in cop.
• 27:44
  Speaker 4: Me Angel, my Goddy, Me and the Double.
• 27:54
  Speaker 3: I'm running down down time call and nine you want
• 28:04
  Speaker 3: me Cromon line won me.
• 28:07
  Speaker 4: Come nine, take command on me. Raised the slave I
• 28:19
  Speaker 4: used to be. We're gonna take come.
• 28:29
  Speaker 3: There is says no, there is nothing nothing about the
• 28:40
  Speaker 3: Angel by.
• 28:42
  Speaker 4: Dan me and the Devil in my head sake a