Latest / Very Fine Friends / K-Moneyball

Transcript

K-Moneyball · Very Fine Friends

• 0:00
  I was at a bar the other day and I was sitting next to two guys that were they just out of it
• 0:22
  seemingly came out of nowhere the bartender they asked her how many times have you line
• 0:29
  dance to cotton-eyed joe in your life do you think i thought that was such a weird question
• 0:34
  and like in my head i'm like wouldn't the answer to this question for most people be zero zero times
• 0:39
  not me um really yeah when i used to do those childhood country music contests yeah that song
• 0:46
  was always going they played it every night and people always got up and danced and i did too
• 0:50
  wow okay i guess then i'm in the minority because she was she was like oh i don't know
• 0:54
  she's from like Texas or something and they're like more than 10 she's like yeah definitely
• 0:59
  and they're like more than 20 and she's like probably more than 20 yeah yeah I just thought
• 1:05
  that was that is interesting from someone with no country background yeah it doesn't seem like
• 1:10
  a country song to me but I mean it is right it it feels like I guess it technically is it feels
• 1:17
  like it's a hold on piece.
• 1:20
  I don't know. It feels like
• 1:21
  a joke song.
• 1:24
  Yeah,
• 1:25
  it does. It's kind of like Red Robin.
• 1:27
  You believe that was on the radio was like a real song.
• 1:29
  He rocks in the treetops all
• 1:31
  day long.
• 1:34
  Rock it.
• 1:35
  Wait, rocks in the treetops
• 1:37
  all day long.
• 1:38
  Rocking and rolling and singing this song.
• 1:41
  Rocking Robin. Yeah. Tweet.
• 1:42
  Tweedly deed. You would have lost me on that as a singer.
• 1:45
  I'm like, nope, can't do it.
• 1:47
  yeah but then but as a result you would say that that is no longer defined by a genre right right
• 1:54
  it's not like you think of that as like do-wop or like old-timey like rock and roll or anything
• 2:00
  100 it's its own stupid thing it's it's yeah that's how i feel about cotton-eyed joe do
• 2:08
  you're saying you didn't play this at your wedding no i did not no no swing and a miss
• 2:16
  Apparently.
• 2:17
  Apparently everyone else would have had a very choreographed dance to hop up and start
• 2:21
  doing.
• 2:21
  You deprived dozens of people the chance to line dance to that song one more time.
• 2:26
  Okay.
• 2:27
  Well, I'm having a party.
• 2:28
  Maybe I'll just have that on repeat and see how many people line dance.
• 2:31
  Play it at the beginning and then like as your opener and then your closing song.
• 2:35
  Oh, good.
• 2:35
  I want the party to have an opener till every way till everyone gets there.
• 2:41
  No, you don't start.
• 2:43
  We're not starting.
• 2:44
  No sips.
• 2:44
  No sips.
• 2:45
  and now yeah that would be fun yeah welcome to very fine friends oh hi hi i know i didn't say
• 2:58
  the tagline no i i then i panicked i thought you were wanting me to say something so here i am hi
• 3:02
  hi speaking words i know hello you want to hear something that was mildly annoying the other day
• 3:08
  Please, God, tell me.
• 3:11
  I was taking a Waymo on my way to a bar slash theater.
• 3:18
  A lot of bar stories.
• 3:21
  And I get in the Waymo, and it starts to drive,
• 3:23
  and then there's this ringing noise, like an alert-type noise.
• 3:27
  And at first I thought it was coming from the car,
• 3:29
  because it just didn't stop.
• 3:31
  And then I'm like, I think it's a phone,
• 3:34
  and I find underneath the fake driver's side seat,
• 3:38
  I think the seat's real.
• 3:40
  The driver's fake.
• 3:42
  Under the joke seat.
• 3:45
  The figurehead seat.
• 3:48
  There's a phone and it's doing like the lost my iPhone like alert thing.
• 3:54
  And I just kind of like hit the button on the side and it stopped.
• 3:58
  And then it just like a minute later started doing it again and it kept doing it.
• 4:01
  And I was like, this is really annoying.
• 4:03
  um and then all of a sudden there's a like facetime call coming through
• 4:09
  from someone named k money according to the phone
• 4:13
  uh and it's this young kid like young like teens late teens maybe early 20s
• 4:22
  please tell me you answered i did what up say money
• 4:25
  i did not do that no i was trying money you're on with jay dog i was trying to avoid
• 4:32
  showing my face oh and like you because it looks like you stole the phone kind of
• 4:36
  well or just whatever like i just didn't want i just didn't want
• 4:40
  k money or his proxies knowing what i looked like um
• 4:45
  anyway hell no
• 4:49
  so i i answer and he's like oh you have my phone thank you thank you so much
• 4:55
  and i was uh i said yeah sorry i'm in a waymo right he's like like he's like what can i can
• 5:02
  can you Uber it to me?
• 5:03
  And I was like,
• 5:04
  no,
• 5:04
  I'm not doing that.
• 5:05
  I'm not calling an Uber and paying for it to send it to you.
• 5:08
  Yeah.
• 5:08
  This sounds like someone who's in their late teens,
• 5:10
  early twenties.
• 5:11
  Yeah.
• 5:11
  And I could hear his like idiot friends in the background.
• 5:14
  They were all being like loud and stupid.
• 5:16
  Um,
• 5:17
  and so I,
• 5:19
  I should have just not,
• 5:21
  not answered it.
• 5:21
  I just did not like the idea of being in a car with this thing ringing for 40
• 5:25
  minutes and out the window.
• 5:28
  Yeah.
• 5:29
  Yeah.
• 5:30
  Find it now,
• 5:30
  bitch.
• 5:32
  I was like, I'm in a Waymo. Like, so I, I was like, look, here's where I'm going. If you want
• 5:38
  to pick it up from here, you can, but that's like the most that I'm doing with it. And he was like,
• 5:42
  okay, like, I'll be right there. I'm on my way. And then it's like, so I'm waiting for this guy.
• 5:48
  And it's like, all right. Like every few minutes I go back from the theater to the front bar,
• 5:52
  like Dr. Bart, like, no, nothing yet. No, nobody yet. And eventually I just gave it to the bartender
• 6:00
  And I was like, can you just give it to him if he shows up?
• 6:04
  I'm done waiting for this.
• 6:05
  But it was very annoying.
• 6:07
  Can I hear the exact tone you used when he asked if you could Uber it?
• 6:10
  And you said no.
• 6:12
  Here, I'll be K-Money.
• 6:13
  Is there any chance you could Uber this to where I am?
• 6:17
  No.
• 6:17
  Sorry.
• 6:20
  Perfect.
• 6:21
  Yeah.
• 6:22
  Just like, what a ridiculous question.
• 6:24
  Yeah.
• 6:25
  Did you pause at all?
• 6:25
  Did I think about it?
• 6:27
  I paused, I think, at the ridiculousness of the suggestion.
• 6:29
  yeah how much heat should i give back to this question you know yeah it's like no no you're
• 6:37
  the idiot you fucked up you figure out a way to get your phone back here's where there's a there's
• 6:42
  got to be a button on the way map it's like i forgot my phone in the car yeah and and it looked
• 6:49
  it up later the what you're supposed to do if that happens is you like if you find something in the car
• 6:54
  you call support you describe it to them and then you it says but don't take it out of the car like
• 7:00
  leave it in the car and then it said if you lost something in the car there's a depot
• 7:05
  that you can go pick it up from between like 6 a.m and 6 p.m that's a lot that's a wide berth
• 7:15
  of hours it is but if you're like this dude and you have it's your phone so he couldn't do it on
• 7:23
  the app because he didn't have his phone.
• 7:25
  That's why we can't get rid of computers.
• 7:26
  Gotta have both.
• 7:28
  You know,
• 7:28
  exactly.
• 7:29
  You don't got an iPad.
• 7:31
  You get you mad.
• 7:33
  This was really just an advertisement to get K monies and his friends to
• 7:39
  invest in computers.
• 7:41
  Invest.
• 7:42
  Yeah.
• 7:42
  I'm telling you,
• 7:43
  these things are going to be huge.
• 7:46
  Get in the ground floor.
• 7:47
  Trust me on this one.
• 7:50
  Yeah.
• 7:50
  So anyway,
• 7:52
  it was just very annoying.
• 7:53
  And then me realizing, why did I get involved?
• 7:57
  I should not have gotten involved.
• 7:58
  We ask ourselves, why are you involved?
• 8:00
  At least I was happy that it's like, all right,
• 8:03
  if I have possession of this thing,
• 8:04
  I gave it away to somebody else in a public place.
• 8:08
  As far as I know, it worked,
• 8:11
  and he did eventually come get the phone.
• 8:12
  I don't know, because it wasn't there the next day
• 8:14
  when I went to the theater.
• 8:17
  There you go.
• 8:18
  That was bewitching.
• 8:19
  Thank you.
• 8:20
  It wasn't really that bewitching.
• 8:21
  It was just a mildly annoying story that I was going to tell you anyway,
• 8:26
  so I thought I might as well mildly entertain our listeners, too.
• 8:30
  That's what we strive for here on the podcast.
• 8:33
  Mild entertainment.
• 8:34
  Well, if they're too hard in driving, we can be liable.
• 8:37
  That's true.
• 8:37
  I know.
• 8:39
  We don't have insurance for that.
• 8:41
  Our insurance doesn't cover that.
• 8:43
  Welcome to Very Fine Friends, the comatose podcast.
• 8:46
  Yeah, K Money's friends that you were listening to in the background
• 8:48
  were actually all laughing at our bonus improv episodes.
• 8:51
  Oh, that makes sense.
• 8:53
  Yeah.
• 8:53
  Yeah.
• 8:54
  K-Money is actually pretty cool.
• 8:55
  K-Money and your proxies, if you're listening, and I know you are, you're welcome.
• 9:00
  Cut it out.
• 9:04
  You are consistently a problem for me.
• 9:08
  Quick interruption.
• 9:09
  Every week on the podcast, we do something where our producer, Joe, gives Francis and I each our own secret word.
• 9:19
  throughout the course of the podcast, we need to find a way to slip the secret word into our
• 9:25
  conversation without the other person noticing. If the other person can correctly guess the secret
• 9:30
  word, they get a point. And right before we die, we add up all the points. And then we get a prize,
• 9:39
  whoever has the most points for guessing the most secret words. Here's Joe with today's secret words.
• 9:46
  Jenna's secret word is seamstress
• 9:48
  Jenna's decoy word is kneecaps
• 9:50
  Francis' secret word is workable
• 9:52
  Francis' decoy word is pyramid
• 9:55
  Back to the pod
• 9:57
  Someone invented computers, which was great
• 10:00
  And we're glad that they did
• 10:01
  Where are you going with this?
• 10:04
  I think it's time for another invention
• 10:06
  The invention of the week
• 10:08
  Inventions
• 10:12
  Hi Jenna
• 10:15
  oh hey francis i have a i have a twofer oh yeah this is great this is great okay like two inventions
• 10:26
  or an invention that does two things no okay two inventions they go in a pack okay great
• 10:32
  you're getting a real treat today listeners listen don't don't don't ever let it be said
• 10:38
  that i was a money hungry fool okay i'm here for to give you value yep okay here it is
• 10:45
  here's coming it's coming right now okay you know some people work from home i do know that
• 10:51
  you know how sometimes people have hair that need to be combed i do know that you know sometimes
• 10:57
  your your boss wants you on a call with the camera on i do know that do you know how that's a total
• 11:04
  waste of clothes i do know that yeah why waste clothes you could be sitting there naked working
• 11:10
  if not for that pesky camera yes you get it she gets it jenna joe whoa
• 11:17
  here's what's happening in my head here's my new invention okay okay it's gonna blow your minds off
• 11:23
  the first part of my invention
• 11:27
  is a helmet that you put on this is before you start your shift just stop you're laughing
• 11:35
  no listen it's real it's a helmet you put on that has a two little let's call it legs that
• 11:43
  perch onto your shoulders and then it so because it's not like a helmet that's like hugging your
• 11:49
  head hard it's you purchase on your shoulders and then it um senses
• 11:58
  your head and hair
• 12:03
  and combs it.
• 12:05
  It knows where to comb.
• 12:10
  It has a little water compartment
• 12:12
  so you can add water.
• 12:14
  Because you know sometimes in the morning when you wake up
• 12:16
  and you could comb your hair a hundred times, it's still going to be crazy.
• 12:18
  Add a little water. The whole situation's changed.
• 12:21
  Like an iron.
• 12:23
  How irons have water in them for the steam function.
• 12:26
  So does the water come out from between the little legs?
• 12:28
  no the legs are on your shoulder
• 12:30
  okay
• 12:33
  anyway so your hair could be getting combed while you're making your coffee
• 12:40
  and you don't have to worry about how you look because you're home so yes it's going to be silly
• 12:45
  looking i'm sure super useful this part one okay okay the hair comber and wetter okay
• 12:51
  picture this you want to put on a whole shirt no you don't
• 12:57
  introducing for the first time in human history
• 13:01
  a shirt that only goes down to the nipples
• 13:04
  and covers your arms and has a collar
• 13:08
  and the rest of you is naked.
• 13:13
  All you have to do is make sure your camera's positioned
• 13:15
  above the nipple line.
• 13:20
  And since they're so small,
• 13:22
  you can get a three-pack for the price of one regular shirt.
• 13:27
  Okay. All right.
• 13:33
  So a helmet that combs your hair and basically a dickie with sleeves.
• 13:41
  What? A dickie. It's like a false front shirt.
• 13:45
  This has been done?
• 13:46
  For wearing under a sweater.
• 13:48
  For wearing under a sweater so it looks like you have a collared shirt on underneath.
• 13:51
  or like in Christmas Vacation, the movie,
• 13:55
  he famously wears a black fake turtleneck dickie
• 13:59
  under a white sweater so you can see the outline of the dickie.
• 14:02
  But he doesn't have sleeves.
• 14:05
  No, this is a work shirt.
• 14:07
  It's a real work shirt.
• 14:09
  If you didn't know any better,
• 14:10
  you'd say that all we were doing is buying real shirts
• 14:13
  and cutting off three quarters of them.
• 14:16
  Okay.
• 14:17
  All right, let's start with the combing.
• 14:20
  Yeah.
• 14:21
  quick question for you okay how much time do you spend combing your hair every day
• 14:29
  counter question doesn't it always feel better when someone else does it
• 14:34
  yes it does yeah it it does feel good when like have you ever had one of the like you know those
• 14:41
  like claw things yeah that go on the head no man yeah that is a miser hands yes like miser hands
• 14:48
  thank you we just got those back in stock by the way
• 14:52
  bye bye bye
• 14:53
  35friends.com
• 14:55
  but they're probably out of stock by the time this episode
• 14:57
  yeah be fast
• 14:58
  be fast or be last
• 15:00
  yeah that was pretty good
• 15:03
  but yeah so it feels good when someone else does it's not about time
• 15:05
  it's about convenience
• 15:06
  I could be combing my hair and then going to the kitchen
• 15:10
  or it could be in the kitchen combing my hair
• 15:12
  you either get it or you don't
• 15:16
  I can't sell you on the concept
• 15:18
  I can only put it in front of you.
• 15:19
  Okay.
• 15:21
  All right.
• 15:22
  The companion.
• 15:25
  That's not bad.
• 15:26
  I was thinking payload perch,
• 15:28
  but that's not bad.
• 15:30
  Payloads hair in Spanish and birds perch.
• 15:36
  But what he said was better hair helper hair helper.
• 15:41
  Who's that's nice.
• 15:43
  Although it does make me think of hamburger helper.
• 15:46
  well you gotta eat breakfast too yeah we could have a partnership i got my hair helper and my
• 15:54
  hamburger helper i'm a happy mom yeah um okay something with strand follicle diabolical follicle
• 16:02
  that could be like memorable you know
• 16:06
  um morning muff
• 16:09
  I'm interested in this Dickies thing you mentioned
• 16:18
  because I definitely don't want to be accused of stealing someone else's idea
• 16:22
  I can't reiterate enough that this is a real shirt
• 16:25
  it's realer than more Dickies
• 16:29
  can you do something with that?
• 16:34
  love it, that's all I can do with it
• 16:36
  love that you said it
• 16:39
  Um, yeah.
• 16:42
  I, okay.
• 16:43
  Here's my question.
• 16:45
  Why not just wear a shirt?
• 16:52
  A shirt?
• 16:54
  Why not wear a whole shirt?
• 16:57
  Why not wear one?
• 16:58
  Yeah Some people just love their oppression It doesn feel good to be in clothes
• 17:08
  You're at home.
• 17:09
  You want to be as nude as possible.
• 17:12
  So you're fully naked.
• 17:14
  Dress shirt.
• 17:17
  Just on the shoulders.
• 17:19
  Fully naked below that.
• 17:22
  Yeah.
• 17:22
  Yeah.
• 17:24
  And unashamed.
• 17:25
  pre-snake shame.
• 17:30
  Okay, so the benefit of
• 17:32
  this is that
• 17:34
  you look presentable on camera
• 17:36
  and no one knows you're naked from the nipples down.
• 17:39
  Yeah.
• 17:40
  And
• 17:41
  and you pay less
• 17:46
  for the shirt?
• 17:48
  Yeah.
• 17:49
  Because it's less material.
• 17:51
  You're paying, for the price of one shirt,
• 17:52
  you're getting three different colors.
• 17:55
  I also like that you think that everyone is putting on shirts for their meetings
• 18:00
  and then immediately throwing them in the wash
• 18:02
  and being naked in their house for the rest of the day
• 18:04
  maybe not in the wash but on a chair
• 18:06
  or on a brother's printer next to their computer setup
• 18:09
  that's very specific
• 18:15
  I read a lot of books
• 18:17
  a lot of fine literature
• 18:20
  what happens if you adjust a little
• 18:23
  And like, or like, you need to stand up real quick for something.
• 18:26
  And then everyone's like, Oh, my stars cannot do that.
• 18:36
  In fact, there's a QR code on the package when you get it that you need to scan.
• 18:40
  It goes to a video and the video opens.
• 18:42
  It says, if you value your job, you need to watch this video.
• 18:47
  You cannot move once you have this shirt on.
• 18:50
  Do not forget.
• 18:51
  And there's a little sticker of a nipple that you put on your monitor so that
• 18:55
  it just keeps it in your mind.
• 18:59
  We're not taking the fall for this.
• 19:01
  You want the luxury and convenience of this breezy, breezy shirt.
• 19:04
  Luxury.
• 19:07
  Uh,
• 19:08
  we,
• 19:11
  um,
• 19:13
  what was it that we,
• 19:14
  we could give them,
• 19:16
  we can combine this with another one of our products,
• 19:18
  the fake nipples that we sold for pranks.
• 19:21
  stop yeah except you have to go sideways with them i guess i'm finding that that's been our
• 19:28
  most versatile invention that it's come up the most as like oh we could do this like we could
• 19:34
  work with the knot pulls with this it's come up like every episode in the past five episodes i
• 19:40
  feel like oh my god i just speaking of not pulls speaking of i was trying to find the name that's
• 19:47
  Beyond the breast.
• 19:49
  Did you say not pulse?
• 19:50
  I'm sorry.
• 19:51
  No.
• 19:51
  Yeah.
• 19:52
  Okay.
• 19:53
  Thank you,
• 19:53
  Francis.
• 19:53
  Yeah.
• 19:55
  I was just thinking,
• 19:56
  I don't know if this would work,
• 19:56
  but what if one of our novels,
• 19:58
  Mr.
• 19:58
  Potato Head,
• 19:59
  like conducted electricity.
• 20:01
  So if someone needed to jumpstart their car,
• 20:04
  they could just be like,
• 20:08
  what?
• 20:08
  Like passersby would be like,
• 20:09
  what?
• 20:10
  And then be like,
• 20:11
  watch the power of my nipples.
• 20:13
  Yeah.
• 20:13
  And you could like put a show on.
• 20:14
  Never get nerpled again.
• 20:20
  The no nerp.
• 20:21
  The no nerp nip.
• 20:25
  These shirts would be good.
• 20:28
  Would be good for preppy gay dudes out at the club.
• 20:33
  Yeah, I'm pretty sure I've seen this before.
• 20:38
  No.
• 20:39
  No.
• 20:42
  Ours can't be worn in a club.
• 20:43
  it's for work that's another thing yeah we have another qr code that says listen up you piece of
• 20:52
  shit you try and wear this anywhere else but in front of your zoom camera we're coming heavy on
• 20:59
  the piece of shit hello person just gave us your money you piece of shit um here's the difference
• 21:04
  everyone for i lose credibility here my shirt my superior shirt covers the nipples unlike
• 21:13
  at the gay bar where nipples are exposed.
• 21:16
  This is a work shirt.
• 21:19
  It's the new work shirt.
• 21:20
  But if you happen to be at the gay bar
• 21:23
  and you just give a little arms up,
• 21:25
  woo, suddenly nips.
• 21:28
  That's different.
• 21:29
  And you know what's funny?
• 21:30
  We can have a-
• 21:30
  Suddenly nips.
• 21:32
  No, we don't want the-
• 21:33
  No, this is for work.
• 21:34
  That's the opposite of what we're trying to do.
• 21:36
  As a matter of fact,
• 21:37
  there is a mechanism inside the shirt
• 21:39
  where if you lift your arms up,
• 21:40
  little white pocket squares come down
• 21:42
  to cover your nipples.
• 21:43
  I thought you were going to say that it's like weighted on the shoulders that you can't lift them up.
• 21:49
  No, no, no.
• 21:50
  This is like a pop-up book for your nipples.
• 21:53
  You will always be respectable.
• 21:55
  So that answers, if you accidentally move a little bit, you're covered.
• 21:57
  It's just fucking squares.
• 21:59
  I mean, the rest of your body will be visible, but not your nipples.
• 22:01
  Okay.
• 22:04
  Is this for, this works for men and for women?
• 22:07
  Sure, yeah.
• 22:08
  Okay.
• 22:09
  Absolutely.
• 22:09
  We do not discriminate.
• 22:13
  So, I mean, for women, the squares that go down,
• 22:19
  if they raise their arms up, need to be motorized
• 22:21
  because there's a curvature.
• 22:24
  So this is a motorized shirt.
• 22:25
  Or there just need to be bigger flaps.
• 22:28
  Yeah, that's true.
• 22:29
  Actually, these shirts come with, when you put it on,
• 22:34
  you pull the little tabs down and it has a little adhesive
• 22:36
  and you stick it under your boobs.
• 22:38
  So in case, you know, they won't.
• 22:41
  So it acts as like a little bra.
• 22:42
  too in a way.
• 22:44
  Yeah.
• 22:44
  I was thinking suspenders,
• 22:45
  but yeah.
• 22:47
  Yeah.
• 22:47
  Yeah.
• 22:48
  The women's version
• 22:48
  is slightly more expensive,
• 22:49
  but that's only to cover
• 22:50
  the cost of materials,
• 22:51
  you guys.
• 22:52
  Right.
• 22:53
  We're not trying to fleece women.
• 22:55
  No,
• 22:55
  no,
• 22:55
  no,
• 22:55
  no,
• 22:56
  no.
• 22:57
  However,
• 22:57
  we do pay our female employees
• 22:59
  70 cents on the dollar.
• 23:01
  They like it.
• 23:02
  Yeah.
• 23:03
  It's true.
• 23:03
  We do.
• 23:04
  I'm going to be honest.
• 23:06
  I like making less.
• 23:08
  You have to do something
• 23:09
  to talk about.
• 23:10
  I know.
• 23:10
  Really.
• 23:11
  god i'm boring so i need it i need that well i feel like we've pivoted a we've pivoted far away
• 23:19
  from uh the hair comber come now imagine these two things together for the person that works from
• 23:26
  home or a news anchor uh yeah so no a news anchor that lives in the news studio so the news anchor
• 23:39
  when he stands up, he's naked from the nipples down.
• 23:42
  He doesn't have to stand up.
• 23:44
  Well, he's got to get up from the desk eventually.
• 23:47
  Somebody can come over with a blanket.
• 23:51
  Okay, so here's what I'm wondering.
• 23:53
  Is it still going to be finished like a shirt?
• 23:57
  With like buttons and stuff?
• 23:58
  Well, yeah, like is there going to be a bot?
• 24:00
  Because like you're saying,
• 24:02
  like think of a shirt cut off right below the nipples, right?
• 24:04
  but part of the savings is um is the lack the lack of fabric so we're not just cutting off
• 24:13
  the bottom of a shirt because that's how we're saving money right but then
• 24:18
  we're still having to pay someone to sew it right we still need like like a seamstress
• 24:25
  at there at the hems or you know i guess with her machine
• 24:28
  i'm doing the machine yeah hands yeah this is a we have a factory so okay work is done there
• 24:37
  so they're making it i'm i'm assuming that most of the cost of a shirt is the labor
• 24:41
  that's my point although it is a seamstress so we're paying her 70 cents as opposed to a seam
• 24:46
  stir that's true yeah that'd be a whole dollar is that the right term dollar no seamster what's a
• 24:56
  Male seamstress.
• 24:58
  Someone who sews.
• 25:04
  Joe, is your wife?
• 25:06
  Don't they get a whole other word?
• 25:07
  Yeah.
• 25:10
  Did you want me to say that?
• 25:13
  Seamster or Taylor?
• 25:14
  What the word you wanted me to say?
• 25:18
  Yes.
• 25:18
  You're on...
• 25:21
  Francis' wheels are churning for secret words.
• 25:24
  this yeah even he's writing that down too all right uh secret word secret words
• 25:32
  your secret word francis oh anyway um we love it yes i want to see people wearing this in the
• 25:43
  well i want to see the accidental foibles of someone standing up
• 25:47
  you're being such a dick right now
• 25:51
  you're saying all these words to throw Francis off the scent um yeah
• 25:58
  i want to yes i want to see the chicanery stop it the shenanigans no
• 26:05
  that happened to 60 cents done with the shit
• 26:08
  you also lost your right to vote oh i and then we're forgetting about uh that's fine
• 26:15
  I don't need it
• 26:16
  I'll drop your palette off for you
• 26:19
  just take it away from everyone though
• 26:21
  you're taking it away from me
• 26:22
  no more voting we're done
• 26:23
  it's not working out
• 26:25
  I forgot about the head helmet thing
• 26:29
  they have to be bought in tandem
• 26:30
  you get a discount
• 26:32
  it's financially
• 26:35
  advantageous
• 26:37
  to get them together
• 26:38
  because I do think
• 26:40
  people would like to have
• 26:43
  something that just like kind of
• 26:45
  does the auto like
• 26:46
  because you're right it does feel good when somebody else does
• 26:49
  something to your hair. You could buy it separately it's just be a tiny bit more
• 26:51
  expensive. I think that works better
• 26:52
  as just kind of like a head massage
• 26:54
  as opposed to people using it for practical
• 26:57
  combing.
• 26:59
  Yeah.
• 27:00
  It can do both.
• 27:03
  Okay.
• 27:04
  So I think that you'd be able to
• 27:07
  sell that. Is this
• 27:08
  too much like a pyramid scheme?
• 27:11
  Do you think?
• 27:12
  No we're not recruiting people
• 27:14
  for me to put them together?
• 27:16
  No.
• 27:17
  No, no.
• 27:18
  Okay.
• 27:20
  The first thing to understand about this product
• 27:22
  is it's not pyramid selling.
• 27:28
  Yeah.
• 27:29
  So I don't...
• 27:31
  No.
• 27:32
  We're not recruiting people.
• 27:34
  Did you have a name for the Dickies?
• 27:36
  um
• 27:41
  sit
• 27:44
  sit
• 27:49
  okay I'm writing it down
• 27:52
  um
• 27:53
  no nip slip
• 27:55
  no nip slip the no slip
• 27:57
  the no slip on
• 27:59
  nip tuck
• 28:03
  I like that
• 28:05
  raise it down
• 28:06
  what about
• 28:12
  what about
• 28:15
  seems nice
• 28:20
  seems nice okay yeah
• 28:25
  okay busty quarter busty corridor quarter oh it's like a quarter shirt yeah yeah
• 28:35
  but you're writing it down
• 28:37
  yeah I'm writing a busty corridor down
• 28:39
  I was going to say that I think that's my favorite
• 28:43
  but yeah
• 28:45
  also the idea of a busty corridor
• 28:47
  not bad either
• 28:48
  is that where you just walk down a
• 28:51
  hallway and there's a bunch of boobs
• 28:53
  I was thinking it was like a fun house mirror
• 28:55
  situation but it made your boobs look gigantic
• 28:57
  no I want there just to be boobs on the wall
• 29:00
  yeah me too
• 29:01
  next to
• 29:03
  you've had many times where you've referenced mouths being in walls too.
• 29:07
  Like lips on walls.
• 29:08
  Like a boob glory hole?
• 29:10
  Yeah.
• 29:11
  Okay.
• 29:12
  I never said glory hole.
• 29:14
  That's what we were all about.
• 29:16
  I had a wholesome wonk invention and you two perverted it.
• 29:19
  We made it glory wholesome.
• 29:21
  No.
• 29:23
  Okay, so we're happy and we like this.
• 29:25
  Yeah.
• 29:25
  And we'll buy it.
• 29:26
  And we won't judge people who use it.
• 29:29
  We will admire them.
• 29:31
  Yes.
• 29:31
  Well, I mean, how would we even know someone was using it?
• 29:34
  That's the whole point of it, right?
• 29:35
  They'll probably be posting about it.
• 29:38
  Talking about it nonstop.
• 29:39
  Yeah.
• 29:42
  They're going to post the bottom half of their body and be like,
• 29:44
  you think the top half's naked too, right?
• 29:49
  This product gave me wings.
• 29:53
  Diaphanous wings.
• 29:55
  Now, here's my question.
• 29:57
  Do we have a back to the shirt or is it just a...
• 30:00
  We don't need it.
• 30:01
  A ceremonial front.
• 30:02
  Please do not need it.
• 30:04
  Okay.
• 30:04
  The collar comes around, you button the collar so it stays on.
• 30:07
  There's no back.
• 30:08
  Okay.
• 30:09
  Yeah.
• 30:09
  That's the cheap, cheap model.
• 30:10
  We have two models.
• 30:11
  One is backless and one has a back.
• 30:13
  You want to pay a little more, you get the back.
• 30:14
  Okay.
• 30:15
  Because what if your AC is going crazy?
• 30:17
  There they are.
• 30:18
  High nipples.
• 30:21
  Yes, covering just your back will fix that problem.
• 30:23
  Just the upper half of your back.
• 30:26
  It's physics.
• 30:27
  Okay.
• 30:28
  Well, the the companion and the busty quarter are probably available now.
• 30:34
  You're welcome.
• 30:35
  Just in time for summer when you want less fabric on your body.
• 30:40
  So go to very fine friends dot com.
• 30:43
  Pick pick up a pair and get your hair helper.
• 30:48
  The companion.
• 30:49
  Yeah.
• 30:50
  Yeah.
• 30:51
  Yeah.
• 30:52
  Yeah.
• 30:52
  Get them both.
• 30:52
  Pick them both up.
• 30:55
  Yeah.
• 30:55
  And for just a friend, see if this discount code works.
• 30:57
  very fine friends.
• 31:00
  Plug it in and see what happens.
• 31:01
  It might not. You'll see.
• 31:02
  I don't know how to work that. Do you?
• 31:05
  Yeah, I can
• 31:06
  figure it out.
• 31:07
  I can figure it out.
• 31:11
  Yeah, I was going to say
• 31:15
  the coupon code
• 31:18
  SIT.
• 31:20
  See if that works.
• 31:21
  SIT20.
• 31:24
  Alright, well that wraps up
• 31:26
  the invention of the week.
• 31:27
  I think it's time for our next segment.
• 31:34
  Cut my hair and shut up.
• 31:39
  Do me a favor.
• 31:41
  Cut my hair and shut up.
• 31:45
  Francis, you want to explain this?
• 31:47
  Yeah, yeah, I do.
• 31:49
  Cut my hair and shut up.
• 31:51
  Works like this.
• 31:52
  One of us is a hairstylist and neither is a customer or client.
• 31:56
  and the client really just wants to get a haircut experience.
• 32:00
  It doesn't really want to talk,
• 32:01
  but the hairstylist can't shut up.
• 32:05
  That's it.
• 32:06
  Okay.
• 32:07
  Who you feel like you are.
• 32:10
  I think we're both in real life,
• 32:14
  the person that wants the hairstylist to shut up.
• 32:19
  Totally.
• 32:19
  Who do you want to be now?
• 32:20
  um
• 32:22
  I'll
• 32:25
  I don't know you pick you be stylist
• 32:28
  okay I'll be stylist yeah
• 32:29
  hey hon oh hey Jane good to see you
• 32:34
  hey well so what are we doing today
• 32:36
  oh just the usual and if you don't mind I've had a really long
• 32:38
  week I just want to veg out and run this
• 32:40
  oh I understand
• 32:42
  completely
• 32:43
  speaking of long
• 32:46
  weeks god I have something to tell you
• 32:49
  honey oh okay i okay do you remember last time you were here i was telling you about my cat
• 32:57
  who kept throwing up all over yeah mr gerbils you okay yeah oh i i wish the throwing up has stopped
• 33:08
  oh but it has been replaced by the loudest meowing oh my god i can't sleep i can't sleep
• 33:18
  Oh, nothing happened? It's just meowing?
• 33:21
  No, it's just meowing. It's just, ugh.
• 33:23
  Oh, that's hard.
• 33:25
  You know me. You know how I am about my sleep.
• 33:27
  Yeah, I'm going to close my eyes now.
• 33:28
  Yeah, ugh. Oh, I wish I could do that, hon.
• 33:33
  Anyway, don't move your head.
• 33:36
  Yeah, sorry.
• 33:38
  That's fine. I just don't want to keep it even.
• 33:42
  Anyway, do you remember when I was telling you about that time
• 33:45
  that my grandmother had been in the hospital.
• 33:48
  I don't want to be rude.
• 33:49
  I just,
• 33:50
  um,
• 33:51
  when I came in and said I had a lung week,
• 33:53
  what I,
• 33:53
  what I was trying to say was you had a lung week.
• 33:55
  Like my grandmother did that one time where she went,
• 33:58
  she had that thing on her lung.
• 34:00
  Oh,
• 34:00
  that's rough.
• 34:01
  I'm,
• 34:02
  I just I kind of good I going to zone out Oh okay Well no well that that that fine I just keep telling you my story Um yeah So she had to go to the
• 34:13
  hospital and, um, remember she had that thing on her lung that had to be checked out and Jane is
• 34:19
  really hard to zone out. Um, someone like me, I just, I feel like I just need a little Zen,
• 34:25
  you know, you got it. Thank you. You're the best. Oh yeah. No, no. I, I, honey, I get it.
• 34:31
  I get it.
• 34:34
  So anyway, she was at the hospital.
• 34:38
  And there was that nurse.
• 34:40
  Remember I told you that nurse?
• 34:42
  Jane?
• 34:43
  I'm talking in my most zen voice.
• 34:46
  But why are you talking at all?
• 34:48
  Because it's just, you know, I'm cutting your hair all day.
• 34:52
  And I haven't seen you since the last time you were here.
• 34:54
  Okay, let's just, I'm going to give you, here, let's just really quick.
• 34:58
  I don't want to be rude.
• 34:59
  There's one thing I want to be is not rude.
• 35:01
  Oh, you're not, hon.
• 35:02
  It's good to see you.
• 35:03
  Thank you.
• 35:04
  I'll just let you know nothing new is going on with me.
• 35:06
  I understand you got some stuff with Mr. Durable and your grandma.
• 35:08
  Yeah, no, I got and I got more to tell you.
• 35:10
  Oh, well, let's pick maybe one more thing and then let's lock it down.
• 35:16
  Okay.
• 35:18
  Oh, God.
• 35:18
  One more.
• 35:19
  So much has happened.
• 35:21
  So much has happened since the last time you were here.
• 35:23
  Here's an extra.
• 35:24
  Has my therapist taught me?
• 35:25
  Close your eyes.
• 35:26
  Okay.
• 35:26
  Okay.
• 35:26
  What's the biggest thing that happened?
• 35:27
  okay i got it i got it great great okay all right
• 35:35
  lucky charms added a new marshmallow to their cereal and it's yeah they added it's it's a new
• 35:47
  and i don't know if it's sticking around or not this is some this is news to you this is big news
• 35:52
  Mr. Gerber, Grandma, and Lucky Charms?
• 35:55
  I'm getting to it.
• 35:56
  I'm sorry.
• 35:56
  I'm getting to it.
• 35:57
  I'm just grumpy.
• 35:58
  Boss called me a shithead.
• 36:00
  Go ahead.
• 36:00
  Oh, you could talk about that if you want, hon.
• 36:03
  Tempting, but no.
• 36:05
  Anyway, here's the thing.
• 36:08
  I know all the marshmallows supposedly taste the same,
• 36:11
  but this new one, this little treasure chest,
• 36:13
  I'm fairly certain they're using a whole different marshmallow recipe
• 36:17
  just for the treasure chest.
• 36:19
  And I'm thinking to myself, how could that be profitable?
• 36:23
  How could that even be something worthwhile?
• 36:26
  Just make a different one, right?
• 36:29
  And so I...
• 36:31
  Oh, sorry, honey.
• 36:33
  Let me just shake you away.
• 36:35
  Are you saying something?
• 36:37
  Yeah.
• 36:38
  Right.
• 36:39
  Okay, so back to the treasure chest.
• 36:41
  Here, I'm just going to put my scissors down for a second.
• 36:42
  I can't even...
• 36:43
  No, no, no, no.
• 36:44
  I got to look you in the eye when I'm talking to you, honey.
• 36:47
  I got to look...
• 36:49
  be mirror eyes either. I'm going to, I got to lean up. I got to lean up against the,
• 36:53
  against my little booth here. I do have a funeral to get to after this. Oh, I'm so sorry.
• 36:59
  Yeah. So I'm sorry, but I do need you to just work. Pick up the scissors
• 37:02
  and give me the mullet I asked for. Thank you. All right. You hear one mullet coming up.
• 37:08
  Thanks.
• 37:09
  it was
• 37:13
  okay
• 37:15
  it's
• 37:19
  I just
• 37:21
  it noises
• 37:23
  you're still making
• 37:25
  noises
• 37:26
  I'm trying
• 37:28
  I'm trying so hard
• 37:29
  this can't be the first time someone's asked you
• 37:33
  no one's ever
• 37:35
  no
• 37:35
  Oh my god, this is worse somehow
• 37:40
  Jane, no, no, no, sit down
• 37:44
  Sit down, you sit down, sit down
• 37:45
  Okay, oh, thank you
• 37:47
  Take a breath, take a breath
• 37:48
  God, that was horrible
• 37:49
  I'm sorry, I'm sorry
• 37:51
  Here, hand me the scissors
• 37:53
  Yeah, here you go, you try it
• 37:55
  You try cutting hair and not talking at the same time
• 37:58
  I'm doing it, look how easy this is, ready?
• 38:01
  Oh, you're cutting my hair
• 38:02
  Yeah, let's, you know
• 38:04
  the shoemakers children always go bald.
• 38:07
  Thank you.
• 38:08
  Yeah.
• 38:09
  Thank you.
• 38:10
  Yeah.
• 38:11
  All right.
• 38:11
  Okay.
• 38:12
  No,
• 38:12
  you're right.
• 38:12
  It's actually very peaceful in this chair.
• 38:14
  I'm going to take a moment.
• 38:15
  Please do.
• 38:16
  Please do.
• 38:17
  I'm going to take a moment and take a moment.
• 38:20
  I'll give you some peace.
• 38:21
  I'll show you what I'm talking about.
• 38:22
  Okay.
• 38:24
  God,
• 38:24
  the texture on your hair,
• 38:26
  you know,
• 38:26
  it reminds me of just right.
• 38:31
  Hey,
• 38:32
  have you ever thought that maybe,
• 38:33
  um,
• 38:34
  if you would just reshape the look of the back of your head,
• 38:37
  the front of your head will look a lot better.
• 38:38
  I Toby,
• 38:39
  Toby just,
• 38:41
  I,
• 38:41
  I,
• 38:41
  you're right.
• 38:42
  I needed this moment.
• 38:43
  I needed this moment.
• 38:44
  Take it,
• 38:44
  Jane,
• 38:44
  take it,
• 38:45
  take it.
• 38:45
  Silence.
• 38:46
  Relax.
• 38:46
  It's really comfortable in this chair.
• 38:48
  And I,
• 38:48
  I,
• 38:48
  I like that you're,
• 38:49
  you're giving us matching mullets,
• 38:51
  but I think I just want to sit here and you sit there.
• 38:54
  I'll do some light feathering and I'll do it in silence.
• 38:58
  Okay.
• 39:02
  Okay, you're humming.
• 39:04
  You're humming to yourself.
• 39:05
  Oh, you can hear that?
• 39:06
  I can hear that, yeah.
• 39:06
  Oh, sorry, it was in my throat.
• 39:08
  I didn't know you could hear it.
• 39:08
  Was that a real song?
• 39:10
  Yeah, you don't know it?
• 39:11
  What's the song?
• 39:12
  It's called Don't You Remember You Told Me You Loved Me Baby.
• 39:15
  Oh.
• 39:16
  Oh, okay.
• 39:19
  Okay, well, if you could just not do that, that would be great.
• 39:22
  Sure, no problem.
• 39:23
  Yeah, you got it.
• 39:24
  by the way i wasn't too sure on the name of that song earlier
• 39:32
  that's i think i might have told you the chorus name and
• 39:36
  the point the point stood i knew what the song was once you said it is don't worry about it
• 39:43
  how many use fire to cut your hair now no wait no wait
• 39:46
  what do you do no yeah i saw this on youtube you just burn the ends real quick and just
• 39:53
  and it cuts into this really beautiful fringe.
• 39:56
  Okay.
• 39:56
  Well, I just need this moment to relax.
• 40:01
  You're right.
• 40:02
  Yeah, relax.
• 40:02
  Fire is very relaxing.
• 40:03
  I just finally have stopped thinking about Lucky Charms
• 40:06
  for the first time in like three or four weeks.
• 40:08
  Oh, yeah.
• 40:09
  So just do whatever you're going to do.
• 40:11
  Just do it quietly, please.
• 40:13
  Okay.
• 40:14
  You got it.
• 40:17
  Meow.
• 40:18
  Are you speaking of meow?
• 40:19
  Mr. Gerbil.
• 40:20
  Oh, now you want to talk about Mr. Gerbil?
• 40:22
  Oh, I'm sorry.
• 40:23
  I saw the picture of him on your stand.
• 40:29
  Yeah.
• 40:30
  Okay.
• 40:30
  Yeah.
• 40:32
  Made me want to meow.
• 40:33
  That's all I had to say.
• 40:33
  Sorry.
• 40:35
  It's all just meowing my head.
• 40:38
  That's, please, if you could.
• 40:39
  I wish Mr. Gerbils would do that.
• 40:41
  What if I take this up above the ears?
• 40:43
  That could be interesting.
• 40:44
  Oh, no.
• 40:45
  Is that too pig in a wig?
• 40:47
  Yeah, a little bit.
• 40:49
  I apologize.
• 40:50
  I'm new to this.
• 40:51
  Okay.
• 40:52
  You know, you never walk me through it when you're doing it.
• 40:54
  You're always talking about your life and you're never telling me about my haircut.
• 40:56
  I know that's part of the, that's part of it.
• 40:57
  It's like the, you need to have the mind mouth connection.
• 41:01
  Let me tell you what I'm doing.
• 41:03
  I'm cutting now.
• 41:04
  I'm cutting.
• 41:05
  Oh, I don't need to hear about putting some of your hair between my fingers and arbitrarily
• 41:09
  cutting.
• 41:09
  Yeah.
• 41:10
  I don't need to hear about it.
• 41:11
  I know this doesn't make sense as someone who's not a professional, but the hair is going
• 41:14
  through my fingers and I know what that means.
• 41:16
  Okay.
• 41:18
  Yeah.
• 41:19
  I can.
• 41:20
  I cut your mole.
• 41:21
  you know what you know what toby you've
• 41:27
  you've made me see the error of my ways uh it is really frustrating when you're sitting in this
• 41:35
  chair and it's like a really comfortable chair and you just want someone to be quiet so you can
• 41:38
  sit there and then so okay if you want to either either we both sit and be quiet or we both gotta
• 41:47
  be cutting hair and be chatting with each other.
• 41:49
  How about we just take the lessons that we learned.
• 41:52
  You go back to cutting my hair.
• 41:53
  All right.
• 41:54
  And we got this.
• 41:55
  Okay.
• 41:56
  Okay.
• 41:59
  All right.
• 42:00
  Here we go.
• 42:03
  Resuming my cutting.
• 42:04
  Perfect.
• 42:06
  I have learned my lesson.
• 42:08
  It is a lesson learned.
• 42:10
  Yep.
• 42:11
  I'm educated.
• 42:13
  Oh,
• 42:13
  so last week I noticed in my neighborhood,
• 42:14
  there was a little library.
• 42:17
  Toby, would you...
• 42:18
  Somebody ran over it.
• 42:20
  What?
• 42:20
  Shut the fuck up, Toby.
• 42:21
  What?
• 42:22
  Shut up.
• 42:22
  Shut up.
• 42:23
  No, the floodgates are open.
• 42:25
  And there was pornography in it.
• 42:28
  In my neighborhood.
• 42:31
  You want to cut my mole?
• 42:38
  Okay, well, I think we've figured it out.
• 42:40
  We know what it's like.
• 42:41
  I hope that every hairstylist in the world
• 42:43
  got a chance to hear this. I know.
• 42:47
  Hairstylists, if you're listening, and we know you are. Dressed hairstylists
• 42:51
  before, haven't we? We have. We have. We have. With miser hands.
• 42:55
  This is a big miser hands episode.
• 42:58
  Yeah.
• 43:01
  I guess, yeah, we know it's frustrating on either end, apparently.
• 43:06
  There's no winning. The lady that cuts my hair, just to let you know,
• 43:10
  does not know what she's doing.
• 43:15
  No,
• 43:15
  no,
• 43:15
  she's like,
• 43:16
  you look good.
• 43:17
  Thanks.
• 43:17
  I go home and fix it while I cry.
• 43:20
  No,
• 43:20
  she interrupts me on that.
• 43:23
  So like talk,
• 43:25
  I hate when people do that.
• 43:26
  Oh my God,
• 43:26
  my hairstylist.
• 43:27
  Yeah.
• 43:29
  Yeah.
• 43:33
  So she just picks up what you're saying or just goes up.
• 43:36
  Yeah.
• 43:36
  It's like,
• 43:37
  she'll ask me a question.
• 43:37
  I'll start to answer it.
• 43:38
  And then like before I'm finished,
• 43:39
  she like pipes in.
• 43:40
  I didn't really even want to talk anyway.
• 43:44
  I appreciate that she remembers things like, oh, how's this going?
• 43:46
  How's that going?
• 43:46
  It's like, I told you about that.
• 43:49
  Did you tell her about the podcast?
• 43:50
  No.
• 43:50
  Okay.
• 43:51
  No, no, no, no.
• 43:52
  All right.
• 43:53
  Good.
• 43:53
  I didn't know if she would.
• 43:54
  What if she accidentally stumbles upon it?
• 43:57
  Then she deserved to.
• 43:59
  Yeah.
• 43:59
  There were no accidents.
• 44:00
  Burn notice.
• 44:01
  Yeah.
• 44:02
  Hairstylist.
• 44:02
  Yeah, you got it.
• 44:03
  Ooh, my tummy just rumbled.
• 44:05
  Oh.
• 44:07
  That's because that was a very invigorating segment.
• 44:09
  Yeah, I worked up an appetite.
• 44:11
  Yep.
• 44:11
  That wraps up.
• 44:14
  Cut my hair and shut up.
• 44:17
  I can't hear you over the sound of you shutting up.
• 44:22
  Okay.
• 44:25
  Delightful.
• 44:26
  It's time for our last segment.
• 44:31
  Apologize that.
• 44:33
  That was.
• 44:33
  should we put a recording of that onto the sound machine no just said no just sounded like a yes
• 44:44
  i said yes
• 44:46
  all right uh i've got a big old question for you okay good i was gonna say that takes us to our
• 44:54
  next segment the big question the question is very big oh i thought you already said that
• 45:03
  sorry everyone i'm stupid no you're not stupid you're just excited i'm stupid but lovable
• 45:11
  but i'm afraid you're being a dumb bitch
• 45:13
  and you're bringing a jacket too
• 45:18
  oh my god swap my fly and call me a dead fly
• 45:25
  where'd it go it's on the ground oh you put it on the ground there's a dead fly that was on our
• 45:31
  table. It was very, it was so green. It was so green and shiny. It was crazy.
• 45:36
  It was opalescent. It will put a picture of it on the very fine friends website,
• 45:41
  but just for one day. So if you don't see it up there, that means you missed it.
• 45:45
  Yeah. And then I saw it was gone and I thought it got up and left to laugh at our content.
• 45:49
  It walked itself away. Yeah. It's a hairstylist fly. It was devastated.
• 45:56
  So, okay. Sorry.
• 45:57
  don't apologize
• 45:58
  big question oh yeah yeah yeah you want me to ask you
• 46:02
  you want me to ask your big question
• 46:04
  or I will
• 46:04
  here it is my big question
• 46:07
  you were on top of a cliff
• 46:12
  or a tall tall building
• 46:14
  on the roof you were with someone
• 46:16
  and you wanted them to jump off it
• 46:18
  how
• 46:20
  and they're saying how would you convince them
• 46:22
  to jump off the roof
• 46:23
  no this is not like texture
• 46:26
  so you're john lithgow no no no you're not threatening them they can't do it sad you gotta
• 46:33
  gaslight them into thinking you gotta make them die happy yes yes joe gets it i can't believe
• 46:39
  you brought up dexter although love that season that episode made me sick yeah that was a
• 46:45
  scene stuck with me yeah me too
• 46:47
  okay so i have to get them
• 46:54
  to voluntarily
• 46:57
  walk off the edge of a high building
• 47:00
  and
• 47:03
  there's all sorts of shenanigans
• 47:10
  going on in the background
• 47:12
  listeners I can't describe what it is
• 47:14
  to you
• 47:15
  okay
• 47:20
  walk off jump whatever
• 47:22
  they have to voluntarily
• 47:23
  throw themselves
• 47:25
  off this building.
• 47:28
  Yeah.
• 47:29
  Do I have to
• 47:30
  to start
• 47:32
  with them on the building?
• 47:34
  Can I have some lead up
• 47:35
  to this?
• 47:36
  You can have some lead up.
• 47:37
  Okay.
• 47:38
  All right.
• 47:41
  Is it a friend of mine?
• 47:44
  Be anyone you want.
• 47:45
  Okay.
• 47:45
  Okay.
• 47:46
  Let's
• 47:46
  say it's a friend of mine
• 47:49
  just for ease of
• 47:51
  relationship.
• 47:53
  yeah it's someone that i'm already acquainted with yeah someone who trusts you basically
• 47:57
  yeah sure although the trust is not doesn't have to be there yet um
• 48:02
  i would
• 48:06
  i would start like around this friend um
• 48:15
  uh, I would start with doing like nostalgic references at times, like getting them in
• 48:29
  kind of like a nostalgia mode. Um, and then have them have them, um, okay, sorry. It was
• 48:45
  It's too much of a pause.
• 48:46
  What am I trying to say?
• 48:47
  Okay.
• 48:47
  So then,
• 48:48
  then I,
• 48:48
  then they'd be like longing for their past for the child,
• 48:51
  the childhood.
• 48:51
  Right.
• 48:52
  Right.
• 48:52
  But like subtly,
• 48:54
  like little drips of it,
• 48:55
  not here and there,
• 48:55
  nothing like,
• 48:56
  so like suspiciously over the top all at once.
• 49:00
  And then I'd be like,
• 49:03
  Hey,
• 49:03
  do you want to have like,
• 49:05
  do you want to have like a,
• 49:07
  do you want to hang out for a day?
• 49:08
  Like as if we're 12 years old,
• 49:10
  like we were buddies when we were 12 and like,
• 49:13
  have like a fun like 12 year old day not not in a weird way no but like i know i know but i see
• 49:19
  where you're going with this okay do you okay finish it for okay go on um and then and they'd
• 49:29
  be like yeah you know what that sounds really great like yeah i'd love to be like a carefree
• 49:33
  12 year old again so like all right great cool no phones um no phones like we're gonna like get up
• 49:42
  early, like watch Saturday morning cartoons, like hang out, like go to a skate park or whatever.
• 49:52
  And so be like, great. Like, so then we watch cartoons. And then I started telling them like,
• 49:59
  man, cartoons are the best. I love the logic behind cartoons, you know, like,
• 50:06
  you're in love and you get a giant heart coming out of your chest, right?
• 50:13
  Or, yeah, like all like the, you know, that kind of stuff.
• 50:20
  You like stuff.
• 50:21
  Yeah, all that, right?
• 50:23
  I don't say anything about buildings or heights or anything like that.
• 50:28
  Just talking about like the little stuff, right?
• 50:33
  And they'd be like, yeah, that is cool, right?
• 50:35
  Cause everyone thinks that's cool.
• 50:37
  The logic of cartoons.
• 50:39
  Um,
• 50:39
  and then the day would go on and,
• 50:43
  um,
• 50:44
  we'd have peanut butter and jelly sandwiches for lunch.
• 50:47
  Yeah.
• 50:49
  Yeah.
• 50:51
  Uh,
• 50:51
  sidebar.
• 50:52
  Yeah.
• 50:53
  Is there a perfect way to make those in your mind?
• 50:55
  What's your favorite way?
• 50:56
  Well,
• 50:57
  yeah,
• 50:57
  I,
• 50:57
  I,
• 50:58
  lots of peanut butter.
• 50:59
  You gotta have a lot of peanut butter.
• 51:00
  And then I do the jelly on top of the peanut butter.
• 51:04
  It's like,
• 51:04
  so it gets mixed in I don do jelly on a different slice of bread They don need to be meat in for the first time like an arranged marriage That interesting That interesting Yeah Why do you not do that
• 51:16
  No, I've never thought of that.
• 51:17
  And you're right.
• 51:18
  Because the virgin bread is going to get the shit on it
• 51:22
  when you put it together anyway.
• 51:24
  Yeah.
• 51:25
  So why do I do it on two pieces of bread?
• 51:27
  Because you can't spread it properly
• 51:29
  with the surface of the peanut butter.
• 51:31
  No.
• 51:31
  It coagulates.
• 51:32
  I argue that you want more of a peanut butter to jelly ratio.
• 51:37
  Yeah, I agree.
• 51:37
  I would say like two to one.
• 51:39
  So the doing it on there, it like allows you to spread it and you don't do as much jelly.
• 51:45
  I think you do.
• 51:47
  I think it gives you just the right amount of jelly.
• 51:50
  For the for the peanut butter, I'm try it.
• 51:54
  Try it.
• 51:54
  I'm telling you, it tastes different.
• 51:56
  Can we can make videos on our site?
• 51:58
  We should make the perfect.
• 51:59
  We should make it and then show people.
• 52:01
  Okay.
• 52:02
  yeah we can do that okay i don't know back to your anyways back to killing your friend yeah
• 52:06
  uh so then we'd have after our peanut butter and jelly sandwiches we'd um we'd go swimming
• 52:12
  for a little while and even and we would not wait 30 minutes to get in the pool
• 52:17
  uh we would just tell our mom that we no no it's been 30 minutes we can go in the pool
• 52:23
  and then we'd secretly be wondering if we were going to get a stitch in our side and drown
• 52:28
  but we wouldn't.
• 52:30
  And then after that,
• 52:32
  we would go to the skate park
• 52:34
  and here's where my plan comes.
• 52:38
  You seem bored by my plan.
• 52:39
  No, I'm thinking about what you're saying.
• 52:41
  Okay.
• 52:43
  So I,
• 52:45
  we'd be skating
• 52:46
  and I,
• 52:49
  I would purposefully
• 52:52
  take a spill,
• 52:54
  but they wouldn't,
• 52:55
  my friend wouldn't know it was on purpose.
• 52:57
  Oh.
• 52:57
  And I'd be like,
• 52:58
  oh man oh my kneecaps ah yes because i've yelled that out oh my kneecaps yeah ah
• 53:06
  shit is that your word
• 53:09
  okay and then oh boy i hope no
• 53:17
  just listen to the story i'm answering your big question don't get distracted by joe writing things
• 53:27
  I'm distracted by just go on.
• 53:29
  Okay.
• 53:31
  I'd be like,
• 53:32
  Oh,
• 53:32
  my kneecaps.
• 53:35
  And then,
• 53:36
  and then,
• 53:36
  but here's what I would do.
• 53:38
  I would have like a prosthetic thing,
• 53:41
  like a,
• 53:42
  like a fake thing that looked like a big kneecap that was pulsing.
• 53:48
  Okay.
• 53:50
  So it's,
• 53:51
  it's pulsing.
• 53:52
  And then I'm like,
• 53:53
  like,
• 53:54
  it's like,
• 53:54
  what would happen is if it was,
• 53:56
  You got injured in a cartoon.
• 53:59
  Like, what is going on?
• 54:01
  Wait, have we made cartoon stuff seem real?
• 54:06
  Would you be using the knot pulls for these fake kneecaps?
• 54:08
  Yes, of course.
• 54:10
  Why try to invent something better?
• 54:13
  Go right to the source.
• 54:13
  Yeah.
• 54:15
  And so my friend would be like, holy crap, that's crazy.
• 54:20
  And then I'd be like, let's test this out.
• 54:23
  let's see if like, wait, our cartoon rules,
• 54:28
  like actually coming true. So it'd be like, okay, let's, you know,
• 54:31
  I have that crush. Let's go,
• 54:33
  let's go talk to my crush and we'll see if like something happens and I'd have
• 54:37
  a fake heart that does the same thing. It's like shaped like a heart,
• 54:40
  like the traditional, you know, not like an actual physical human heart,
• 54:44
  but you know that, you know? Yeah.
• 54:46
  And I'd set that up under my shirt and then I'd walk by somebody that my friend
• 54:50
  knows I have a crush on. And then all of a sudden my, like the heart would start, I'd activate a
• 54:56
  button and the heart would start going through. I'd be like, Oh my God. Okay. We gotta get out
• 54:58
  of here. I can't let my crush know. But this is like, Oh my God, this is really, this is like real.
• 55:04
  And, um, then I, I would have hired an actor. Um, I would have hired an actor. Uh,
• 55:13
  so I'd be up at the top of a building and I, we'd get, I'd be like, let's go to the top of
• 55:20
  this bank building. Let's go
• 55:22
  to this bank building.
• 55:24
  Let's see if any of their old safes are up there.
• 55:29
  There would be a safe there.
• 55:32
  You'd put it there.
• 55:33
  Right. I'd be like, I knew it. I knew they stored them up here.
• 55:38
  And then I would be like,
• 55:40
  and it would be like a real safe, right?
• 55:43
  Yeah, of course.
• 55:44
  Right, because I would hire an actor to walk
• 55:46
  by. Always good to have a witness.
• 55:48
  Yeah.
• 55:48
  Well, no, I would walk by down below right at the moment.
• 55:52
  So be like, let's see if we can, if we crush this guy and then he gets back up and he just
• 55:58
  looks a little flat in the middle from where the safe crushed him.
• 56:01
  My friend would be like, whoa, whoa, whoa.
• 56:03
  And I'm like, this is maybe a little too much.
• 56:04
  I'm like, no, I'm telling you, this is the ultimate test.
• 56:07
  I bet you it'll work.
• 56:08
  So then I pushed the safe over the edge.
• 56:11
  And they're like, yeah, okay, do it.
• 56:12
  Well, you can't stop me.
• 56:14
  I'm strong-willed.
• 56:15
  Once I get an idea in my head, they know this.
• 56:17
  so i push the safe over the side and then the safe falls down and lands on the actor the actor's got
• 56:24
  a whole thing jerry rigged where it's like it looks like he's so then like he's flattened
• 56:28
  underneath the safe but then this uh and then we have other actors there that are like oh my gosh
• 56:33
  and they like pull the safe off of him and then he stands up and he just like looks taller and
• 56:37
  flat in the middle and it's a bit of an optical illusion which we can get away with because we're
• 56:41
  on top of the roof so that there's like sure it's not we're not up close you could tell it wasn't
• 56:45
  real but um farther away um why did you tell the actors that you're doing this i'm but it doesn't
• 56:53
  matter they they're they're local community theater type actors they just want the work
• 56:57
  they want it for their real i don't know the rest of your plan yet but i'm just curious
• 57:01
  they leave you get what you want which is your friend jumps they turn on the news later they
• 57:09
  don't put two and two together like they can't see they can't it's getting as far away that they
• 57:13
  don't know what my friend looks like they only have a vague like okay all right and then so and
• 57:18
  and also this is i haven't thought this through so look they're just happy to be working no no
• 57:24
  i've thought this through so they haven't seen what my friend really looks like other than a
• 57:28
  vague shape looking off the side of top of the building yeah and then i'm not stupid i'm not
• 57:34
  going to tell him to jump off this building oh where there were previously a bunch of witnesses
• 57:38
  to my weird stunt,
• 57:41
  we go to,
• 57:42
  we go like,
• 57:43
  let's go through the park
• 57:44
  and see if flowers
• 57:47
  will squirt water
• 57:48
  or whatever.
• 57:49
  And I'll have a few
• 57:49
  strategically placed flowers
• 57:51
  that we can try
• 57:51
  that will squirt water.
• 57:52
  They go to the wrong one.
• 57:53
  She's like,
• 57:53
  no, no, no, not that one.
• 57:54
  This one.
• 57:54
  This one.
• 57:55
  Squeeze this one.
• 57:56
  Yeah.
• 57:58
  And then,
• 57:59
  or maybe I squeezed
• 58:00
  the wrong one
• 58:01
  and then my friend
• 58:02
  squeezes the right one
• 58:03
  and is like,
• 58:04
  you've got the touch.
• 58:05
  You've got the cartoon touch.
• 58:07
  You should jump.
• 58:08
  Yeah.
• 58:08
  And I was like,
• 58:08
  let's go to a different building.
• 58:11
  It's like,
• 58:11
  let's,
• 58:12
  let's see if we can find a building that's even higher up.
• 58:14
  Oh,
• 58:14
  look in this park,
• 58:15
  there's an observation tower.
• 58:18
  Um,
• 58:18
  and I was like,
• 58:19
  let's run really fast up,
• 58:21
  up the stairs and see if there's like our legs go in circles and there's like
• 58:25
  dust coming out from behind us.
• 58:26
  And we,
• 58:26
  so we try that.
• 58:28
  Um,
• 58:28
  and,
• 58:29
  uh,
• 58:29
  it's like,
• 58:30
  Oh,
• 58:30
  I couldn't tell.
• 58:30
  It looked like your,
• 58:31
  it did look like your legs were going as fast,
• 58:33
  really in circles as we were running.
• 58:34
  So like now we're at the top of a different building across town.
• 58:38
  And then I'm like, oh, man, we got to try that.
• 58:41
  That one last thing you'll have to try, man, is just I want you to like step off this building and just don't look down.
• 58:49
  You'll be able to like basically keep walking as long as you don't know that you're not on the building anymore.
• 58:55
  And then my friends by this point is jazzed because, yeah, we're living in cartoon world.
• 59:00
  Yeah.
• 59:01
  So he does it and he dies.
• 59:03
  The end.
• 59:05
  Good night.
• 59:05
  Yeah.
• 59:06
  Can I just say that I kind of love that this is only an effective workable plan if our product comes to market?
• 59:18
  Hey, luckily it is.
• 59:20
  So next week, do I need to introduce the thumping heart?
• 59:24
  No, that's part of the package.
• 59:26
  I mean, we basically pitched that whole thing as a bunch of different body parts, different things.
• 59:33
  It's going to be a whole set.
• 59:34
  There will be a deluxe set that includes that.
• 59:37
  I bet if you really like destroyed someone's reality like that,
• 59:42
  then you could get them to do things,
• 59:44
  but it would really need to be convincing.
• 59:46
  Well,
• 59:47
  I don't know if there's anything that can get me to do that.
• 59:49
  Cause in the back of my mind,
• 59:50
  I'd be like,
• 59:51
  what if best case scenario,
• 59:54
  this is a dream and I wake up like,
• 59:57
  it's like a nightmare,
• 59:58
  right?
• 59:59
  Cause that's scary,
• 1:00:00
  you know?
• 1:00:01
  No.
• 1:00:01
  Cause I mean,
• 1:00:02
  he,
• 1:00:02
  well except for that last few seconds of his life he died happy yeah i gave him a good day
• 1:00:09
  actually if you go to a building that's tall enough he'll pass out before he hits the ground
• 1:00:13
  yeah why uh just the like the brain and the human body like after you've reached a certain amount of
• 1:00:20
  like pressure and time spent falling like you just your body can't handle it and you pass out
• 1:00:24
  how do people skydive then yeah i there i have heard different theories about this about why
• 1:00:32
  people pass out but i've heard that they do and i one of the theories i've heard about it is that
• 1:00:36
  it's like psychologically you can't handle your brain can't handle the idea that you're dying
• 1:00:43
  you're gonna die so you pass out from that to save you from it but he doesn't think that
• 1:00:49
  well once he once he starts falling he'll think that joe's gonna shout you're gonna die
• 1:00:56
  whoops i was wrong there was no cloud of dust while you were running up the stairs
• 1:01:02
  I'm the one who has the touch, not you.
• 1:01:06
  Thanks for telling Janine I liked her in third grade.
• 1:01:10
  Anyway, that's what I'd do.
• 1:01:12
  Oh, great.
• 1:01:12
  Great.
• 1:01:13
  Thank you.
• 1:01:13
  Thank you.
• 1:01:14
  Now I know what to watch out for.
• 1:01:16
  You little minx.
• 1:01:17
  If I ever start subtly being nostalgic around you.
• 1:01:21
  I see your heart like pounding through your chest.
• 1:01:23
  I'm like, nice try.
• 1:01:23
  But you're having like a medical emergency.
• 1:01:25
  I'm like, uh-huh.
• 1:01:25
  No, it's just because of you, Francis.
• 1:01:27
  Oh, thanks.
• 1:01:28
  It's because I love you.
• 1:01:29
  Oh, wow.
• 1:01:30
  Did you hear that, listeners?
• 1:01:32
  loved.
• 1:01:35
  Anyway, how would you do it?
• 1:01:38
  Um,
• 1:01:41
  your way.
• 1:01:44
  Okay, cool.
• 1:01:45
  I can't believe we came up with this independently,
• 1:01:46
  came up with the same idea.
• 1:01:48
  Everyone loves cartoon logic.
• 1:01:49
  Yeah.
• 1:01:54
  Okay.
• 1:01:54
  Okay.
• 1:01:55
  Well, I guess we've got nothing further.
• 1:01:59
  No.
• 1:02:00
  Our friends are dead.
• 1:02:02
  Yeah.
• 1:02:03
  Our money is big.
• 1:02:06
  Yeah.
• 1:02:07
  Our hearts are full and pounding out of our chest.
• 1:02:10
  Everything's good.
• 1:02:11
  Everything's coming up in the mail house.
• 1:02:13
  That wraps up the big question.
• 1:02:16
  The big question.
• 1:02:18
  One final bit of business.
• 1:02:23
  Secret words.
• 1:02:24
  Secret words.
• 1:02:25
  Yeah.
• 1:02:26
  Secret words.
• 1:02:27
  Palabras secretos.
• 1:02:28
  secretos um how you feeling i feel like i have a chance to guess your secret word all right go for
• 1:02:37
  it all right i'm gonna come right out of the gate and usually i read them in the order that i've
• 1:02:42
  written them down okay i'm gonna say first the one that i think it might be all right because
• 1:02:47
  then that way if i'm wrong or if i'm right i can guess the rest of them as your that's good logic
• 1:02:52
  that's good logic thank you maybe in the future if you guess the wrong word it should stop your
• 1:02:57
  ability to keep going. We should think about that.
• 1:02:59
  No. No, we shouldn't
• 1:03:01
  think about it? No, because I like when we have
• 1:03:03
  multiple...
• 1:03:04
  I'm done with this.
• 1:03:08
  You wrote down
• 1:03:09
  like 80 million things. So
• 1:03:10
  what, you want me to tell you that if you guess wrong
• 1:03:13
  on the first one that you don't get to guess any of your
• 1:03:15
  other ones? Have you ever heard the phrase rules for thee,
• 1:03:17
  not for me?
• 1:03:19
  All right. Go ahead.
• 1:03:21
  Is your word
• 1:03:22
  pyramid? Decoy word.
• 1:03:25
  Damn!
• 1:03:27
  All right.
• 1:03:28
  Well, now I'm guessing all these other ones as you're...
• 1:03:30
  Dang it.
• 1:03:31
  Damn.
• 1:03:31
  I felt really good about that.
• 1:03:33
  I even accidentally said it, too.
• 1:03:34
  I know.
• 1:03:34
  And then after I did, I was like, ah, shit.
• 1:03:36
  Sorry, Francie.
• 1:03:37
  Well, it's fine if you say it once it's been said by one of us.
• 1:03:39
  You're allowed to repeat it.
• 1:03:40
  No, I know.
• 1:03:41
  But I make it a point only to do that with the decoy words, which is why I made it a
• 1:03:45
  point later.
• 1:03:47
  Never mind.
• 1:03:48
  Okay.
• 1:03:50
  The sisters are squabbling.
• 1:03:53
  Okay.
• 1:03:54
  All right.
• 1:03:54
  Dang it.
• 1:03:54
  Well, they're already one point for you.
• 1:03:56
  Thank you.
• 1:03:56
  I needed it.
• 1:03:58
  Is your real word diabolical?
• 1:04:01
  Second decoy word.
• 1:04:02
  No kidding.
• 1:04:03
  No, it's not.
• 1:04:05
  Okay.
• 1:04:06
  I was like, I need to come up with a hair related invention so I can say diabolical follicle.
• 1:04:11
  Oppression?
• 1:04:12
  No.
• 1:04:14
  Nipples?
• 1:04:15
  I wish.
• 1:04:16
  Or nipple, singular?
• 1:04:17
  No.
• 1:04:19
  No.
• 1:04:22
  Mechanism?
• 1:04:23
  No.
• 1:04:25
  Scheme?
• 1:04:25
  No.
• 1:04:26
  bald no i hope it's not this gerbils third decoy word no and then my last guess appetite
• 1:04:38
  no dang uh i've felt really good going into that i know i could feel it coming off you
• 1:04:44
  uh scheming mechanism we're kind of close okay what was your my word yeah workable
• 1:04:52
  workable yeah at the end i said your plan was only going to be effective for workable if
• 1:04:57
  wow yeah you made it to the end with that wow never happens hey there was equal chance i was
• 1:05:04
  going to forget to say it completely that'll be the what third time that's happened
• 1:05:09
  dang that's okay that's part of my problem too i don't know if i would have written down
• 1:05:15
  workable because that was a very natural way to say it yeah but part of the problem is i
• 1:05:22
  I just assume you've said it already once we get to the end.
• 1:05:26
  I don't, I didn't think you'd be living on the edge.
• 1:05:29
  I thought I missed it.
• 1:05:30
  Oh, you did?
• 1:05:30
  Yeah.
• 1:05:32
  Oh, then I heard it and I was like, I did miss shit.
• 1:05:36
  Okay.
• 1:05:38
  You remember last week was so good for me.
• 1:05:40
  No, it was good for me.
• 1:05:42
  Okay.
• 1:05:42
  All right.
• 1:05:43
  My turn.
• 1:05:43
  Time to guess.
• 1:05:44
  Okay.
• 1:05:44
  And I like your thing.
• 1:05:45
  If I guess you're the decoy word, I just keep going then.
• 1:05:48
  It takes the fear away.
• 1:05:49
  Yeah.
• 1:05:52
  Is your word prosthetics?
• 1:05:56
  No.
• 1:05:56
  Prosthetic?
• 1:05:57
  No.
• 1:05:59
  Is your word churning?
• 1:06:01
  No.
• 1:06:03
  Is your word...
• 1:06:04
  Taylor?
• 1:06:06
  No.
• 1:06:08
  Is your word fleece?
• 1:06:10
  No.
• 1:06:11
  Pulsing?
• 1:06:12
  Nope.
• 1:06:14
  Invigorating?
• 1:06:15
  Nope.
• 1:06:17
  Cartoons?
• 1:06:18
  No.
• 1:06:18
  Cartoon?
• 1:06:19
  No.
• 1:06:20
  kneecaps decoy
• 1:06:23
  oh we both we both okay all right all right yes you do is your word foibles no
• 1:06:35
  is your word seamstress yeah i was hoping you missed that one when you said taylor i was like
• 1:06:45
  good he's he glossed over i know that's what i thought too uh you you picked you also said
• 1:06:50
  proxies a lot that was gonna be my next guess yeah were you just trying to no i i literally
• 1:06:55
  was talking about k money's proxies that's a very that's a very natural thing virginity to say
• 1:06:59
  yeah all right cool plus one for me plus two for you because you get two for guessing the word you
• 1:07:06
  get one if you someone guesses your decoy oh so you got one and i got two yes no you got three
• 1:07:15
  I got one.
• 1:07:16
  Yeah.
• 1:07:17
  Cause you guys,
• 1:07:17
  so you're net two.
• 1:07:19
  This is riveting.
• 1:07:21
  It is.
• 1:07:22
  Yeah.
• 1:07:23
  Yes.
• 1:07:23
  Listeners go to very fine friends.com and check out the point totals.
• 1:07:28
  Also,
• 1:07:28
  um,
• 1:07:29
  go on social media and send us video of how you make peanut butter and jelly
• 1:07:35
  sandwiches.
• 1:07:36
  Yeah.
• 1:07:36
  Nothing weird.
• 1:07:37
  And how you convince your friends to kill themselves.
• 1:07:39
  Yeah.
• 1:07:40
  All of that.
• 1:07:41
  We want videos of all of it.
• 1:07:43
  All right.
• 1:07:44
  good job Francis
• 1:07:45
  hey good job to you
• 1:07:46
  you got my decoy word
• 1:07:47
  or
• 1:07:49
  I got you to guess my decoy
• 1:07:52
  yeah that's what I meant
• 1:07:54
  yeah
• 1:07:55
  you said my decoy word
• 1:07:56
  yeah
• 1:07:57
  well
• 1:07:58
  all right
• 1:07:59
  till next time
• 1:08:00
  bye