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They Shoot, WE Score! Hollywood's Music Composers (w/ Lisa Gilroy) · Artists on Artists on Artists on Artists

• 0:00
  Speaker 1: Welcome back to artists on artists on artists on artists. Boy,
• 0:03
  Speaker 1: do we have a panel for you.
• 0:04
  Speaker 2: Today, Mystry's Screenwriting Expert panel of new voices in Hollywood.
• 0:08
  Speaker 3: Costumes are character.
• 0:10
  Speaker 4: Buck Mary cal wide shot, two shot, close up.
• 0:13
  Speaker 3: This is artist on artists.
• 0:15
  Speaker 4: On artists on artists.
• 0:16
  Speaker 1: Do you know why they call it show business?
• 0:18
  Speaker 2: I always wondered that. Welcome back to artists on artists
• 0:26
  Speaker 2: on artists on artists, And boy do we have a
• 0:29
  Speaker 2: little bit of a musical note one for you today.
• 0:33
  Speaker 1: And no, we're not talking about singers or even the
• 0:37
  Speaker 1: people who sing on Broadway. No, no, we're talking about
• 0:41
  Speaker 1: background music, or some would say the score.
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  Speaker 5: Composers tend to be the heart of every film, television show,
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  Speaker 5: or other multi media production, including Internet content, and no
• 0:55
  Speaker 5: film production or television production or Internet medium content to
• 1:00
  Speaker 5: be the same without it.
• 1:02
  Speaker 3: Let's pull up a chair, sit on down and take
• 1:05
  Speaker 3: out our notes. Let's take notes. Here we go, let's
• 1:10
  Speaker 3: listen it.
• 1:15
  Speaker 6: And then I said, put that violin down.
• 1:23
  Speaker 4: It was so insane.
• 1:24
  Speaker 3: Wow, guys, can't believe we're all here together.
• 1:28
  Speaker 5: It's really nice to be here with all of you today.
• 1:31
  Speaker 5: I should introduce myself. My name is Carl Heinz Stott.
• 1:35
  Speaker 5: I am a movie composer with a lot of big movies.
• 1:39
  Speaker 4: Anedo wants to yo, what's up?
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  Speaker 2: My name is Dank and I of course was in
• 1:47
  Speaker 2: the band forty two for Fighting and now I have
• 1:51
  Speaker 2: transitioned for the last ten years to do a music composition.
• 1:54
  Speaker 7: Hello, What's up? My name is Harlem Shake. Add to
• 1:57
  Speaker 7: the original songwriting original songs for every movie.
• 2:02
  Speaker 1: Hi am Tricia Johnson and I am a music composer
• 2:06
  Speaker 1: for commercials, or at least I was. I've been blackballed.
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  Speaker 6: I'm Diego zimmer Has zimmer Sun. Excited to be here.
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  Speaker 2: Wow, guys, seriously, seriously, this is really exciting for me because,
• 2:23
  Speaker 2: like I feel like I'm sitting with honestly, like a
• 2:26
  Speaker 2: room of my idols, like the people that got me
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  Speaker 2: into this creat He's.
• 2:29
  Speaker 5: Really wonderful to see all of you together because when
• 2:32
  Speaker 5: I look at you, I hear your music voices. So
• 2:36
  Speaker 5: it's really funny to hear your vocal voices, don't you know?
• 2:43
  Speaker 2: Do you know how I'm saying totally totally. I would
• 2:45
  Speaker 2: just like to take a second and just say, like
• 2:48
  Speaker 2: I feel like that's one of the most amazing parts
• 2:50
  Speaker 2: about music is that we can all sound so differently
• 2:53
  Speaker 2: and yet all work in the same field.
• 2:55
  Speaker 7: Well, I'm not one of that, but there's you know,
• 2:57
  Speaker 7: like you had those flutes and their recoverers, drums, trunk
• 3:01
  Speaker 7: or there's so many different hands of instruments. Am I wrong?
• 3:06
  Speaker 5: You are saying something that is very true, Yes, something
• 3:10
  Speaker 5: that is really true. There's a lot of instruments.
• 3:13
  Speaker 4: This is my question. I actually had.
• 3:17
  Speaker 5: A question that I had was it's my son's love Internet.
• 3:23
  Speaker 5: You know, memes and stuff, and I see a lot
• 3:25
  Speaker 5: of I see a lot of one gotta goal. If
• 3:28
  Speaker 5: do you guys have if if if I say one
• 3:31
  Speaker 5: gotta goal in a score, you know, drums, piano, I'm
• 3:37
  Speaker 5: telling you all of them, drums, piano, guitar, one gotta go?
• 3:41
  Speaker 4: Which one? What are you saying one gotta go?
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  Speaker 7: You know you have to answer yes, I know the
• 3:47
  Speaker 7: answer to that, because guess what all of it can girl,
• 3:50
  Speaker 7: because the most important instrument is No.
• 3:55
  Speaker 1: I was going to say drums, so you're not you're
• 3:57
  Speaker 1: not a drum guy.
• 3:59
  Speaker 4: No, at Harlem.
• 4:00
  Speaker 5: I I was going to bring up your voice, by
• 4:03
  Speaker 5: the way, because all of your movies you do all
• 4:06
  Speaker 5: of the sounds.
• 4:07
  Speaker 7: Your legend, your legend, Yeah, thank you. You know. I started,
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  Speaker 7: of course on die Hard, which I wrote the original
• 4:14
  Speaker 7: song for which they didn't use in the movie, but
• 4:17
  Speaker 7: they pay me out of me the well, you guys
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  Speaker 7: know what happened. I meane the die Hard song that
• 4:22
  Speaker 7: Dieu that man and I'm growling through the event.
• 4:29
  Speaker 3: God, that is so good.
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  Speaker 7: Yeah, but they didn't use it in the movie. So
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  Speaker 7: I stood them. And now I have to make the
• 4:36
  Speaker 7: song for every movie and they pay me for it,
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  Speaker 7: but they don't have to use it. Do you understand?
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  Speaker 4: Oh, it's it little. I'm kind of a prison of
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  Speaker 4: your own making in a way.
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  Speaker 7: Oh, but I love it. If you name any movie
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  Speaker 7: I have written a song for it, even if they
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  Speaker 7: didn't use it. I got paid at least twenty K.
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  Speaker 2: That's insane. So most movies that.
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  Speaker 7: Have twenty o K, y'all think of every movie you've
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  Speaker 7: ever seen, and then times that. But twenty k. I
• 5:00
  Speaker 7: buy fifty percent for my manager and then another thirty
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  Speaker 7: for my wife. And that's how much I have.
• 5:05
  Speaker 4: What about the Avengers number one?
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  Speaker 7: Avengers? That was a short one, but there was What
• 5:13
  Speaker 7: about Girls Gone? Wow? Girls Gone Wow, ty nipple, take
• 5:19
  Speaker 7: you she's drunk. It's okay.
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  Speaker 6: That one I really like especially and not just because
• 5:27
  Speaker 6: of the tits, but that one has a melody and
• 5:30
  Speaker 6: it has a message too.
• 5:31
  Speaker 4: What about hurt Locker?
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  Speaker 7: Oh, oh, that one hurts hurt Locker. Hurt me Locker?
• 5:38
  Speaker 7: Why go on and hurt me Locker?
• 5:43
  Speaker 2: I remember that, and I remember that because that was
• 5:46
  Speaker 2: also another lawsuit, the hurt Locker one, because they were
• 5:49
  Speaker 2: saying it's so drastically different than the movie. Ye, hurt
• 5:53
  Speaker 2: Locker is the story about in America.
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  Speaker 7: But actually I won that lawsuit, and that's so that
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  Speaker 7: song is at the very very end of the You
• 6:00
  Speaker 7: watch the end of the credits, wait seven minutes in
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  Speaker 7: pure black screen, and then you will hear hurt mid
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  Speaker 7: Locker really really quiet. You have to turn your remote
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  Speaker 7: control all the oil.
• 6:09
  Speaker 1: Wow.
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  Speaker 7: But it's on there because I won the lawsuit.
• 6:11
  Speaker 3: Like when the movie theater people are cleaning up the trash.
• 6:13
  Speaker 7: Yeah, there were a lot of them actually do their
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  Speaker 7: job to my soundtrack sounds like it.
• 6:19
  Speaker 2: That's wow. This is you know, like for me, because
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  Speaker 2: I feel still so new to this industry, like five
• 6:25
  Speaker 2: to ten years, you know, and like I come from
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  Speaker 2: a pop punk background, so like that's where I'm getting
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  Speaker 2: a lot of my influences.
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  Speaker 7: What's pop punk?
• 6:32
  Speaker 2: Pop punk?
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  Speaker 7: Pop punk background?
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  Speaker 2: Pop punk? You know, pop punk. It's like music that
• 6:38
  Speaker 2: it's a little whiny and it's like very like guitar
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  Speaker 2: garage back. It kind of is like, hey, welcome to
• 6:44
  Speaker 2: the third locker.
• 6:46
  Speaker 7: Heard mid locker?
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  Speaker 6: Yeah well no, no, Tricia, you said that you are
• 6:53
  Speaker 6: black fault. I'm really interested what that is, because I
• 6:56
  Speaker 6: just want to say off the bat, I feel really
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  Speaker 6: humble to be here.
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  Speaker 3: I'm fourteen.
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  Speaker 6: I don't write that much music, but I have been
• 7:05
  Speaker 6: writing since I was a kid. I am nominated, but
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  Speaker 6: I just haven't been in the business like you guys.
• 7:11
  Speaker 1: Yeah so you say you're fourteen, Yeah, I'm fourteen. Okay.
• 7:15
  Speaker 1: Can I give you a little bit of advice.
• 7:16
  Speaker 3: Please, Trisia, I just want advice from all of you guys.
• 7:19
  Speaker 1: Just get out now, get out all you can, because
• 7:23
  Speaker 1: you know, one day you're composing for the Lion King,
• 7:26
  Speaker 1: and then the next day you're in a Carl's Junior
• 7:28
  Speaker 1: commercial and they're telling you you're using way too much Obo,
• 7:32
  Speaker 1: and we think you stole that obo sound from a
• 7:35
  Speaker 1: different artist. We think you copied and pasted that from
• 7:38
  Speaker 1: your desktop onto our files when you were drunk, you
• 7:42
  Speaker 1: know what I mean.
• 7:43
  Speaker 2: So that that's what happened. That's why you're blackbald well.
• 7:47
  Speaker 1: You know, here's the thing. Every once in a while,
• 7:50
  Speaker 1: somebody makes a mistake, right totally. You go to burning Man,
• 7:55
  Speaker 1: you come back to your job composing, and you mix
• 8:00
  Speaker 1: up some files and people think that you stole some content,
• 8:04
  Speaker 1: you know, and you know, it happened again. It happened again.
• 8:07
  Speaker 1: I was working on this, uh, this commercial for Sea World.
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  Speaker 1: I was trying to make the whales look like they
• 8:12
  Speaker 1: weren't sad, and I, you know, I was wasted in
• 8:17
  Speaker 1: the morning and I sort of I mixed up the files.
• 8:21
  Speaker 1: One of them said happy whale and the other said
• 8:25
  Speaker 1: happy by Farrell, and I accidentally dragged Happy by Farrell
• 8:28
  Speaker 1: into the Google drive. And now everybody thinks of some
• 8:32
  Speaker 1: sort of cheater, like of some sort of thief. But
• 8:35
  Speaker 1: you know what, it's all bullshit. So kid, get out
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  Speaker 1: what you can, you know, get out while you can,
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  Speaker 1: because everyone's going to spin a narrative value that's not true.
• 8:42
  Speaker 3: Did you call your dad? I find that when I
• 8:44
  Speaker 3: call my dad in the middle of a problem. It
• 8:46
  Speaker 3: usually helps.
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  Speaker 1: Yeah, my dad is I don't know where he is.
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  Speaker 1: He's usually on the road. He's like a traveling clown
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  Speaker 1: or something. I don't really know.
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  Speaker 5: That's really hard. I'm sorry to hear that shit. I
• 9:00
  Speaker 5: would like to offer a counterpoint that it is not bullshit.
• 9:02
  Speaker 5: It's actually a really great job and I love it.
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  Speaker 5: Oh yeah, it's my advice for you as a little
• 9:07
  Speaker 5: boy is to write and all the sounds to hear
• 9:10
  Speaker 5: all the time, because you don't know the kind of
• 9:12
  Speaker 5: thing is going to come along. So there is a
• 9:15
  Speaker 5: chance that you know, oh, I'm writing a movie about
• 9:20
  Speaker 5: a man made of metal. But I remember that there
• 9:24
  Speaker 5: was a time when I heard a can hit another can.
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  Speaker 2: In the store.
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  Speaker 5: And then you go to somebody who is in charge
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  Speaker 5: of music and you say, hey, you have drums, let's
• 9:34
  Speaker 5: knock this drum into this bass guitar. And then that's
• 9:37
  Speaker 5: the noise, and that's kind of the tham and I.
• 9:40
  Speaker 7: Would ask I would want to add to that too,
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  Speaker 7: like if you hear a noise come out of your
• 9:44
  Speaker 7: body or your mouth, or like but giant or like
• 9:47
  Speaker 7: any kind of skin or Okay, then you can use
• 9:55
  Speaker 7: that song. Also that noise to make music too, Like
• 9:58
  Speaker 7: once I saw a ghost my part or thought I did,
• 10:01
  Speaker 7: but I was actually a cleanex and I said, and
• 10:04
  Speaker 7: I heard this noise my throat And you recognize that
• 10:09
  Speaker 7: from mulan, right.
• 10:12
  Speaker 4: Mulone, I remember the exact woman you're talking about.
• 10:17
  Speaker 1: Song, Christina Applegate song.
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  Speaker 7: That's what Christina Aguilera didn't want to sing it. She
• 10:25
  Speaker 7: didn't know if she could do it both. In some versions,
• 10:28
  Speaker 7: when the girls singing into the mirror, that's the song
• 10:30
  Speaker 7: that's playing. Molon.
• 10:34
  Speaker 6: Now that you sing it, I hear a woman being
• 10:37
  Speaker 6: scared by a ghost. It's crazy, the duality of these things.
• 10:41
  Speaker 2: Yeah, yeah, Like I guess my advice would be, like,
• 10:44
  Speaker 2: you know the same, like music is kind of everywhere,
• 10:47
  Speaker 2: and if you just kind of fuck it and do
• 10:49
  Speaker 2: your life, you know, fucket and do your life biddle,
• 10:54
  Speaker 2: then you're good to go. You know, you got to
• 10:59
  Speaker 2: live like I'm fine songs anywhere. One time, I fucking
• 11:02
  Speaker 2: hit this vape so hard and I started coughing, and
• 11:06
  Speaker 2: then I just had this thought. It was damn coughing's
• 11:10
  Speaker 2: tough boom. What do you think that was? That was
• 11:14
  Speaker 2: the New Goofy movie soundtrack. I got in there and
• 11:17
  Speaker 2: it starts with damn Coughing's tough. I grew up on that, Yeah,
• 11:25
  Speaker 2: the New Goofy movies, which, yeah, it's brand new, so
• 11:27
  Speaker 2: when you're fourteen, so of course you would grow up
• 11:29
  Speaker 2: growing up as we.
• 11:30
  Speaker 3: Speaking, It's crazy.
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  Speaker 6: It just feels like I love this advice, but as
• 11:34
  Speaker 6: a kid that's been doing music theory since I was
• 11:36
  Speaker 6: three years old.
• 11:37
  Speaker 3: Do any of you read music?
• 11:39
  Speaker 2: I don't.
• 11:41
  Speaker 5: I'd read it like a book. I love to sit
• 11:43
  Speaker 5: down in the morning. I read it like the morning news.
• 11:47
  Speaker 5: I love reading.
• 11:48
  Speaker 7: I do read. I read. You know, sees come with
• 11:50
  Speaker 7: the lyrics inside. For me, that's music.
• 11:54
  Speaker 3: Do you read musical notes?
• 11:56
  Speaker 7: I read the lyrics there?
• 11:57
  Speaker 3: Okay, Trish, I don't.
• 12:00
  Speaker 1: I don't understand the question. So you're saying that you
• 12:03
  Speaker 1: are you're reading music, like.
• 12:05
  Speaker 6: How do you guys like abies? Don't you know what
• 12:08
  Speaker 6: key you're playing in? Based off of this staff?
• 12:10
  Speaker 1: Look, these kids they come in here with all these
• 12:13
  Speaker 1: new fangled ideas about how music has notes and how
• 12:16
  Speaker 1: there's like a system. There's no system when I was
• 12:19
  Speaker 1: coming up. When I was coming up in the eighties,
• 12:21
  Speaker 1: we didn't have a system. You know what I mean, you.
• 12:22
  Speaker 3: Know, like Mozart like wrote music.
• 12:25
  Speaker 4: Yeah, this system has been in place, to be honest, trees.
• 12:28
  Speaker 1: You really like in the eighties, even.
• 12:30
  Speaker 4: In the eighties.
• 12:31
  Speaker 1: Yes, I'm talking like I'm not talking late eighties. I'm
• 12:34
  Speaker 1: talking like nineteen eighty one.
• 12:35
  Speaker 4: Yeah I was.
• 12:36
  Speaker 5: You know, I'm seventy five years old. So this is
• 12:38
  Speaker 5: something that I've known for my own life, which includes
• 12:40
  Speaker 5: the eighties.
• 12:41
  Speaker 4: My life includes the eighties.
• 12:43
  Speaker 1: Okay, well, I mean we all have our own way
• 12:45
  Speaker 1: of doing things. But what I mean, what's your dream?
• 12:47
  Speaker 1: What do you what kind of music do you want
• 12:49
  Speaker 1: to do? What's your what's your dream film to score?
• 12:53
  Speaker 3: I want to finish the work my dad started.
• 12:56
  Speaker 4: Hans Zimmer, who's still alive, good friend of mine.
• 13:00
  Speaker 2: I feel like he's finished. I feel like he's basically.
• 13:02
  Speaker 7: He got canceled, didn't you for you know what I'm
• 13:05
  Speaker 7: talking about. Okay, remember that the Girl's Gone the Wild
• 13:08
  Speaker 7: song I was singing earlier, Yes, that's hands, that's hands
• 13:12
  Speaker 7: show and the people found out that he was so
• 13:14
  Speaker 7: long doing that and the and they canceled him.
• 13:18
  Speaker 3: We'll talk about that in my house.
• 13:19
  Speaker 5: No, I want to talk about that famous composer Hander
• 13:23
  Speaker 5: of the Lion King and other things secretly mounded making
• 13:26
  Speaker 5: Girls Go Wild?
• 13:27
  Speaker 7: Yes, because have you ever seen a Girls Are Gone Wild?
• 13:30
  Speaker 7: There's usually a girl.
• 13:31
  Speaker 8: Going whoa, whoa, whoa, and she's she's going Holy ship,
• 13:35
  Speaker 8: and she's going, oh my fucking girl, Dad, She's gone
• 13:40
  Speaker 8: it does because she's going I'm so drunk. She's showing
• 13:43
  Speaker 8: her breast in the background. I've almost ever single Girl's
• 13:47
  Speaker 8: Gone the Wild. You see hands Simmer standing in the
• 13:49
  Speaker 8: background going yeah, do show.
• 13:52
  Speaker 1: That's crazy.
• 13:55
  Speaker 2: Yeah. Also, the craziest thing for me about that is
• 13:58
  Speaker 2: that he wouldn't come pose his own movies.
• 14:01
  Speaker 5: No, No, this is big to me because I'm realizing
• 14:04
  Speaker 5: there is a moment in Girls Cone Wild seven, which
• 14:08
  Speaker 5: was the one in Tampa seven, I think, and there
• 14:11
  Speaker 5: is a tit drop and it goes bom and that
• 14:15
  Speaker 5: is the sounds from inception. And I'm realizing the similarities
• 14:20
  Speaker 5: and overlap.
• 14:21
  Speaker 3: Yeah, my dad an inception when I was like in diapers.
• 14:24
  Speaker 1: So like the original inspiration for inception was a titty
• 14:28
  Speaker 1: drop in Girls Gone Wild.
• 14:30
  Speaker 6: Listen, I don't want to get in the weeds of why.
• 14:33
  Speaker 6: I want to pick up where my dad left off.
• 14:36
  Speaker 6: But that is what I'm doing.
• 14:38
  Speaker 1: Okay, does he have like an unfinished movie we don't
• 14:40
  Speaker 1: know about or something?
• 14:41
  Speaker 3: I want to pick up where my dad went left off.
• 14:45
  Speaker 5: So if so, usually a composer goes from job to job, right,
• 14:49
  Speaker 5: just kind of basically, are you picking up a job
• 14:53
  Speaker 5: that he did not finish or are you going back
• 14:55
  Speaker 5: to his old.
• 14:56
  Speaker 4: Jobs and.
• 14:59
  Speaker 3: A mix of the two.
• 15:00
  Speaker 2: Okay, so you're gonna go back and like touch scores
• 15:03
  Speaker 2: that he's already finished.
• 15:05
  Speaker 3: I'm gonna wherever he left off.
• 15:07
  Speaker 2: Yeah, I just wouldn't do that. I just really would
• 15:10
  Speaker 2: see you're gonna.
• 15:10
  Speaker 1: Go in the garage band and just like tinker with
• 15:12
  Speaker 1: stuff that's already going on.
• 15:14
  Speaker 6: Yeah I I yeah, I wherever he stopped, I'm gonna
• 15:20
  Speaker 6: pick up.
• 15:21
  Speaker 3: And that's just the end of the day, what I'm
• 15:23
  Speaker 3: gonna do.
• 15:24
  Speaker 6: I don't really want to be grilled by all these
• 15:27
  Speaker 6: old people.
• 15:28
  Speaker 2: Just okay, okay, I'm not old.
• 15:29
  Speaker 6: I'm I'm and I do love your band for into fighting.
• 15:34
  Speaker 2: I thank you.
• 15:35
  Speaker 3: I do respect everyone here.
• 15:37
  Speaker 6: I just don't want to make this about my dad,
• 15:38
  Speaker 6: because what's so fucking frustrating is when people make my
• 15:41
  Speaker 6: identity about my dad. And yeah, in this artist room.
• 15:45
  Speaker 6: I did say my dad is Hans Zimmer before saying
• 15:48
  Speaker 6: my name is Diego, And I get that, and that's
• 15:50
  Speaker 6: something I'm working through, Okay, Like, as a son of
• 15:54
  Speaker 6: the greats in this music composing industry, I am constantly
• 15:59
  Speaker 6: needing to pick up where he left off and make
• 16:01
  Speaker 6: a name for myself.
• 16:03
  Speaker 1: So I was gonna say because I didn't, I don't
• 16:05
  Speaker 1: want to make it about your dad at all. But
• 16:07
  Speaker 1: I did notice that the back of your chair said
• 16:11
  Speaker 1: Hans Zimmer. And the person on the email list and
• 16:14
  Speaker 1: they said who was going to be here was Hans Zimmer.
• 16:17
  Speaker 1: Everyone who briefed me told me that Hans Zimmer was
• 16:20
  Speaker 1: going to be here, text you want to be yeah,
• 16:23
  Speaker 1: and he's not here, and so I was wondering, and
• 16:26
  Speaker 1: you were new information to me. I didn't know you
• 16:28
  Speaker 1: were going to do this. So I mean, was he
• 16:30
  Speaker 1: supposed to be doing this?
• 16:32
  Speaker 3: Yeah, and that's where he left off.
• 16:35
  Speaker 2: Okay, I get it.
• 16:36
  Speaker 4: Now makes sense.
• 16:38
  Speaker 2: So you're doing just a podcast. You just do the
• 16:41
  Speaker 2: podcast for him, Okay, Well, I qudn't want to do
• 16:43
  Speaker 2: the podcast.
• 16:44
  Speaker 5: I have a question from the fish bowl, if we
• 16:46
  Speaker 5: want to ask that. When they wonderful I love that
• 16:50
  Speaker 5: listeners within the question what is the typical process for
• 16:55
  Speaker 5: you when you're working on a production?
• 16:58
  Speaker 4: What what is this soup? Do notts? What's the steps?
• 17:02
  Speaker 7: Well, for me, I'm gonna write the original song, and
• 17:05
  Speaker 7: so I don't really like to watch the movie or
• 17:07
  Speaker 7: read the log line because I can't well, I have
• 17:10
  Speaker 7: them headaches for reading, so I don't do it very often.
• 17:13
  Speaker 7: So what I do is I ask them for a
• 17:15
  Speaker 7: movie poster, and if they don't have the poster read
• 17:17
  Speaker 7: it yet, I just say, can you draw what it's
• 17:19
  Speaker 7: gonna look like? And then they send it to me
• 17:22
  Speaker 7: and I look at it and I say, well, for example,
• 17:24
  Speaker 7: one hundred one Dalmatians, they sent me picture of all
• 17:28
  Speaker 7: of those dogs. Holy crap, you guys heard of this movie?
• 17:32
  Speaker 1: Yeah?
• 17:32
  Speaker 4: So many.
• 17:34
  Speaker 2: Also, I feel like a movie like one hundred and
• 17:36
  Speaker 2: one Dalmatians doesn't necessarily need a poster because it's pretty
• 17:39
  Speaker 2: self explanatory in.
• 17:40
  Speaker 7: Well, no, because I didn't know what what is a Dalmatian?
• 17:43
  Speaker 7: I didn't know what's this world. I thought it was
• 17:46
  Speaker 7: the name of a city somewhere else. So for me
• 17:48
  Speaker 7: to see all those body dogs, holy crap, I saw
• 17:52
  Speaker 7: them together. I said what's going on here? And so
• 17:56
  Speaker 7: I didn't know what the movie was about. But I
• 17:58
  Speaker 7: then I made the song just from looking in the picture.
• 18:00
  Speaker 2: And it's one of my favorites you've ever actually done.
• 18:03
  Speaker 4: Did she grace us with this song?
• 18:04
  Speaker 7: Of course?
• 18:04
  Speaker 4: Yeah?
• 18:05
  Speaker 7: Oh oh spawl the dog spotted wolf wolf. Hey send
• 18:10
  Speaker 7: me your bone, oh bone, oh boom.
• 18:20
  Speaker 3: I don't know why. I really love that.
• 18:22
  Speaker 7: I love that I have to use it in the movie.
• 18:25
  Speaker 7: That song because they ended up using song gooing Corola
• 18:28
  Speaker 7: deveil Crodova. They didn't tell me about that dog named Corolla,
• 18:31
  Speaker 7: so I didn't know to write it.
• 18:33
  Speaker 2: She's not she's not a dog, She's a she's.
• 18:35
  Speaker 7: One of the dogs. Heah, she's a dumbation.
• 18:37
  Speaker 4: I want to make sure you know I loved that song.
• 18:40
  Speaker 4: I just wanted to be clear. I loved it.
• 18:42
  Speaker 7: Thank you. I think they should have used it, but
• 18:44
  Speaker 7: to cruel all of it they wrote end up breaking
• 18:47
  Speaker 7: the song for it's too bad.
• 18:49
  Speaker 1: Now, are you approached for cruel at all? The current
• 18:53
  Speaker 1: the twenty twenty one version.
• 18:54
  Speaker 7: Oh, twenty twenty one version, yes, I was. And that
• 18:57
  Speaker 7: time because it was called I knew that, I knew
• 18:59
  Speaker 7: to write the song about that. So again they didn't
• 19:03
  Speaker 7: use it, but I made it like Kwelpa, cwelpa kid.
• 19:10
  Speaker 4: Oh are you saying Elba?
• 19:17
  Speaker 6: Yeah, because I don't think you're saying Kuelpa and it's Kuella.
• 19:21
  Speaker 7: Oh my god, is a Kruella?
• 19:23
  Speaker 1: Yeah?
• 19:23
  Speaker 3: That might be why you can get.
• 19:24
  Speaker 4: It, probably before a song calling heelba.
• 19:28
  Speaker 1: Man sucks. Some good people don't get jobs because of misunderstanding.
• 19:31
  Speaker 7: That's exactly right, because, for example, for they didn't have
• 19:35
  Speaker 7: the poster already, so they sent me just a picture
• 19:37
  Speaker 7: and it was so many. Again, you guys wouldn't believe it.
• 19:39
  Speaker 7: Those spotty dogs were on that poster again, many of them,
• 19:42
  Speaker 7: about eighty of them, and Kuelpa was there. But they
• 19:46
  Speaker 7: had the picture of her, but they didn't put Kruelpa,
• 19:48
  Speaker 7: so I didn't know.
• 19:50
  Speaker 4: So they sent you a picture of a bunch of
• 19:52
  Speaker 4: dogs and just no no subject.
• 19:55
  Speaker 7: Well, they had a picture of a woman and I
• 19:57
  Speaker 7: assume what they told me over the phone. Her names Scropo.
• 19:59
  Speaker 7: So you're saying, now it's Cruella. But they didn't write
• 20:02
  Speaker 7: this on the postm.
• 20:03
  Speaker 3: It makes sense because you don't want the log line
• 20:05
  Speaker 3: or any words about it.
• 20:06
  Speaker 7: And I don't want to watch the movie or read
• 20:08
  Speaker 7: the script.
• 20:08
  Speaker 3: You just want a picture. Makes sense that you must
• 20:11
  Speaker 3: have misheard the title of the movie.
• 20:13
  Speaker 7: Yeah, because when they call me, it's such a rush. Oh,
• 20:15
  Speaker 7: get on the phone, get Harlem shake on the phone.
• 20:17
  Speaker 7: We need the song, we need a song. And all
• 20:19
  Speaker 7: I hear quickly, quickly someone running driving to a grocery store.
• 20:23
  Speaker 7: Really last minute, Harlem shake and hang up. So I
• 20:27
  Speaker 7: don't hear if it's Kruelpa, Kruella, Selena and Karnini.
• 20:32
  Speaker 2: Who's giving you these phone calls? Is it? Is it
• 20:35
  Speaker 2: your agent? Is it the company? It seems like they're
• 20:40
  Speaker 2: very rushed the grocery store.
• 20:44
  Speaker 7: Yeah, it's pretty hectic. And to be honest, I don't
• 20:47
  Speaker 7: know where the calls come from, because every time I say,
• 20:49
  Speaker 7: who's just to hang.
• 20:52
  Speaker 1: So Harlem shake, I think as I mean, so you've
• 20:57
  Speaker 1: just been getting these calls and then you send off
• 21:01
  Speaker 1: the file and they're never in the movie. Do you
• 21:05
  Speaker 1: think that you've been pranked for like a long long time.
• 21:08
  Speaker 7: No, definitely not, because, like I said, I get the
• 21:10
  Speaker 7: twenty k for every song, minus fifty percent for my agent,
• 21:13
  Speaker 7: minus thirty percent for my wife, and then of course
• 21:16
  Speaker 7: always a little bit for the postman. And when it
• 21:18
  Speaker 7: gets to me in my mailbox.
• 21:22
  Speaker 3: Ohwaits a little bit for the postman.
• 21:24
  Speaker 7: Yeah, so when it gets to me in my in
• 21:26
  Speaker 7: my post box sometimes looks like a flyer for the YMCA.
• 21:30
  Speaker 7: But I know it's my payment, I will say.
• 21:33
  Speaker 1: I mean, the rule that composers have to give five
• 21:36
  Speaker 1: percent to the mailman is messed up.
• 21:39
  Speaker 2: It's crazy.
• 21:39
  Speaker 5: I love my postman. I love my postman. You know,
• 21:43
  Speaker 5: dyare really so nice and funny. But I'm like, man,
• 21:47
  Speaker 5: you are robbing me blind because I'm doing these big movies.
• 21:50
  Speaker 5: I'm getting, you know, thirty million dollars a movie.
• 21:53
  Speaker 4: I'm giving you a million dollars you know, five percent.
• 21:56
  Speaker 3: No, for sure, and it's a lot.
• 21:58
  Speaker 2: I think, what was that? Say that one more time?
• 22:00
  Speaker 4: I'm giving him thirty you know, five percent of this thing.
• 22:04
  Speaker 4: So million dollars for every thirty million, you.
• 22:06
  Speaker 2: Know, thirty million, thirty thousand, sorry, yes, yes, yeah yeah.
• 22:11
  Speaker 5: The typical day for me usually is, you know, working
• 22:16
  Speaker 5: on a movie. When someone calls me, you know, usually
• 22:19
  Speaker 5: I come in on the very end. They've shot the thing.
• 22:21
  Speaker 4: They are they have the post they have the poster,
• 22:24
  Speaker 4: for sure.
• 22:24
  Speaker 5: They know the name of the movie, and they tell
• 22:27
  Speaker 5: me all, you know, if there's dogs, they tell me that,
• 22:29
  Speaker 5: And I'm not surprised.
• 22:30
  Speaker 4: I've heard of it. I've heard of most dogs. So
• 22:32
  Speaker 4: that's probably what we differ.
• 22:35
  Speaker 5: But I go in and I watch the full movie
• 22:38
  Speaker 5: and I just have a little recorder and and as
• 22:42
  Speaker 5: I'm watching a boom boom, you know, just doing kind
• 22:45
  Speaker 5: of the Caribbean.
• 22:46
  Speaker 4: Yeah, I do Pirates of the Caribbean to the movie.
• 22:50
  Speaker 3: That's my dad.
• 22:51
  Speaker 5: Yeah, I do, because I love Hans and I call
• 22:53
  Speaker 5: it and I say, if Pirates of the Caribe is
• 22:56
  Speaker 5: why I tell the director.
• 22:57
  Speaker 4: I say, if Pirates of the Caribbean works to this movie,
• 23:00
  Speaker 4: you gotta call horns. But if it doesn't, I'll do
• 23:03
  Speaker 4: the job.
• 23:04
  Speaker 7: And when you say you had your little recorder, do
• 23:06
  Speaker 7: you mean like the instrument?
• 23:08
  Speaker 5: Like, yes, I have a recorder, a plastic recorder that
• 23:11
  Speaker 5: I buy at a little music store next to all
• 23:13
  Speaker 5: the little egg shakers.
• 23:14
  Speaker 7: And you buy a new one every time.
• 23:16
  Speaker 4: Every time if it's a new job, you know, and
• 23:19
  Speaker 4: they don't.
• 23:20
  Speaker 7: You find by the end it's totally filled with Spit
• 23:22
  Speaker 7: can't be used again.
• 23:23
  Speaker 5: Absolutely, because I wear it down, you know, that kind
• 23:29
  Speaker 5: of thing. It didn't work for the Amelia Earhart movie.
• 23:31
  Speaker 5: Clint Eastwood said, this season's gonna work, and I said,
• 23:33
  Speaker 5: that's right, So Hans can't do it, so I'm ready
• 23:36
  Speaker 5: to go.
• 23:37
  Speaker 4: That's how it is for me.
• 23:39
  Speaker 2: Well, my you know, like what I really try to
• 23:41
  Speaker 2: do is like find the essence of the tune. And
• 23:45
  Speaker 2: how I start kind of is I'll wake up, I'll
• 23:47
  Speaker 2: drink some juice, and I'll find myself just in a
• 23:50
  Speaker 2: beach or in a skate park or something pretty rad.
• 23:54
  Speaker 2: I always try to start with something rad in my day,
• 23:57
  Speaker 2: and then I'll kind of find a note if I'm
• 24:00
  Speaker 2: wandering around through the day, you know, if it's like,
• 24:02
  Speaker 2: let's say a Space Jam movie or something like that,
• 24:05
  Speaker 2: I'll kind of like space Jam, space.
• 24:08
  Speaker 6: Bom bom.
• 24:12
  Speaker 2: Bom bom bom bom boom boom bom bom bom. And
• 24:20
  Speaker 2: that's just kind of how I build it, like right there,
• 24:23
  Speaker 2: So right there, I've just invented something that actually I
• 24:25
  Speaker 2: will own that. So like that's how I'm building it,
• 24:27
  Speaker 2: you know, because like yeah, because that's how we formed
• 24:30
  Speaker 2: the pop band, you know, like the pop punk band.
• 24:32
  Speaker 2: Back in the day. It was just me and my boys.
• 24:34
  Speaker 2: We were just hanging out in my garage and all
• 24:36
  Speaker 2: of a sudden, I'm like, wait, what about this boom
• 24:39
  Speaker 2: bomb bum? Boom bomb bum? And that's actually most of
• 24:45
  Speaker 2: the music I use. Is that tune for If you
• 24:47
  Speaker 2: watch any of my movies or TV shows, I constantly
• 24:51
  Speaker 2: start out with that. You know, what's the movie that's
• 24:53
  Speaker 2: from that movie that's from all of my work?
• 24:58
  Speaker 7: What's the movie that we know it from?
• 25:00
  Speaker 2: Oh, you guys probably saw it on you know Flowers.
• 25:04
  Speaker 2: You guys see that movie?
• 25:06
  Speaker 4: Oh, yes, the Holocaust movie.
• 25:08
  Speaker 2: Yeah, the Holocaust movie Flowers.
• 25:11
  Speaker 3: So it's like one of my favorite films.
• 25:12
  Speaker 1: Yeah.
• 25:13
  Speaker 2: So when the when the kids are kind of like
• 25:15
  Speaker 2: being broken up on that train sequence and you understand
• 25:19
  Speaker 2: that one of the trains is going to live and
• 25:21
  Speaker 2: one of the trains is actually gonna die, who kind
• 25:23
  Speaker 2: of starts off bump bump, don't un dun. Kids are
• 25:28
  Speaker 2: gonna die and live? What's gonna happen to them? We
• 25:33
  Speaker 2: don't know, kids are gonna die or live? What's gonna
• 25:37
  Speaker 2: happen to them? Only time will tell.
• 25:41
  Speaker 3: Keep on watching, So it's like so haunting.
• 25:46
  Speaker 4: Yeah, I love that you tell people to keep on
• 25:48
  Speaker 4: watching I think that's so.
• 25:50
  Speaker 2: It's one of my biggest tricks in my in.
• 25:51
  Speaker 3: My school, you find that helps them watch the movie.
• 25:53
  Speaker 2: Mark, I think so, that's I. I personally think so.
• 25:57
  Speaker 2: But I don't know. You know, I get a lot
• 25:59
  Speaker 2: of mixed reviews on a lot of my youtubes and
• 26:01
  Speaker 2: tiktoks and stuff like that about me. So, but honestly,
• 26:04
  Speaker 2: we're just grinding and we're just out here living life
• 26:08
  Speaker 2: to the fullest every day. If I could take a
• 26:11
  Speaker 2: second to drop a I recently got into God. So
• 26:16
  Speaker 2: if you guys are interestation, Yeah, if you guys are interested,
• 26:19
  Speaker 2: I would love to show you guys that later.
• 26:22
  Speaker 5: Go for it now.
• 26:22
  Speaker 3: No I'm not interested, okay, okay, yeah, no, no, no,
• 26:28
  Speaker 3: please go into it.
• 26:29
  Speaker 2: No, it's fine, it's fine, it's fine if you guys
• 26:30
  Speaker 2: aren't into it.
• 26:31
  Speaker 7: With that, did you say God?
• 26:34
  Speaker 2: Yeah?
• 26:34
  Speaker 7: Okay, what did you think?
• 26:35
  Speaker 2: I said?
• 26:36
  Speaker 7: I didn't know. I didn't understand, because I did. I
• 26:39
  Speaker 7: really only know God from Bruce Almighty. He was in that,
• 26:45
  Speaker 7: and I didn't know God. Yes, God, Yeah, I mean.
• 26:50
  Speaker 1: It's basically, you know, like what he does in the
• 26:53
  Speaker 1: movie is basically what he does in real life. Or
• 26:55
  Speaker 1: some believe you know what I mean. Your process was, well,
• 27:00
  Speaker 1: you know, as you guys know, I have not booked
• 27:03
  Speaker 1: anything since twenty fifteen. Or maybe you wouldn't know that
• 27:07
  Speaker 1: because nobody knows my name. I don't even know why
• 27:09
  Speaker 1: I'm here. I don't know why I'm here. Was it
• 27:12
  Speaker 1: so that they could laugh at me? So that they
• 27:14
  Speaker 1: could say, look at this out of work composer. Let's
• 27:17
  Speaker 1: sit her up on a panel of experts and watch
• 27:19
  Speaker 1: her flail around.
• 27:21
  Speaker 2: She's probably drunk, Tricia, you have eight oscars.
• 27:25
  Speaker 1: That's true.
• 27:26
  Speaker 3: For commercial composing, that's true.
• 27:28
  Speaker 1: So why doesn't anybody call me? Why doesn't anybody call me?
• 27:34
  Speaker 1: I was winning oscars left and right. I was winning
• 27:36
  Speaker 1: Oscars for Jack in the box. I was winning Oscars
• 27:39
  Speaker 1: for me and dies.
• 27:41
  Speaker 2: Then I'll never forget that Oscar Quite a jingle, Please
• 27:48
  Speaker 2: please please will you play it for us?
• 27:50
  Speaker 1: Okay, I'll play a little bit of it. Bum bum
• 27:54
  Speaker 1: bum medes.
• 27:59
  Speaker 7: Me me?
• 28:03
  Speaker 1: D's for two enough fast?
• 28:12
  Speaker 4: The three hundred person chorus.
• 28:14
  Speaker 2: That you had doing that, all hitting the same note.
• 28:18
  Speaker 1: I don't do harmonies. I don't do harmonies that you
• 28:20
  Speaker 1: didn't get in trouble for that one, right? I did
• 28:23
  Speaker 1: get in trouble for that one, because that was just
• 28:25
  Speaker 1: one clip I played. This is the second half of
• 28:27
  Speaker 1: the song me on des for this Wet Ass Pussy.
• 28:34
  Speaker 1: I'm trucking bucket and a mop with this wet ass pussy.
• 28:39
  Speaker 1: I'm talking wop wop wop. Which that was a little
• 28:43
  Speaker 1: mistake on my part because I had, you know, I
• 28:45
  Speaker 1: had the files lined up.
• 28:46
  Speaker 3: I had wop that sounds just like wah.
• 28:49
  Speaker 4: Yes, but that's crazy because that was in twenty ten.
• 28:52
  Speaker 1: You have me like a really early copy. And I
• 28:55
  Speaker 1: was and she was like, keep this file safe. Don't
• 28:58
  Speaker 1: do anything with this file like I.
• 29:03
  Speaker 2: I was.
• 29:03
  Speaker 1: Yeah, I was like, I'll keep Yeah, I keep it
• 29:05
  Speaker 1: open when I'm writing so that I can I can
• 29:07
  Speaker 1: make sure not to use it. And then you never know,
• 29:14
  Speaker 1: like you just never know, everything can be taken from
• 29:17
  Speaker 1: you so fast. I just you gotta have a if
• 29:20
  Speaker 1: I if I have one piece of advice, I'm sure
• 29:22
  Speaker 1: we'll get to this later. We'll get to advice. Lad.
• 29:28
  Speaker 1: That's okay.
• 29:30
  Speaker 3: Yeah, I love more advice. You already gave me some.
• 29:32
  Speaker 1: Listen, you'd already give advice. If I could step on
• 29:36
  Speaker 1: here and be the first to give advice, today, it
• 29:39
  Speaker 1: would be to have two computers. Okay, have one computer
• 29:42
  Speaker 1: where you compose everything, and have another computer where you
• 29:45
  Speaker 1: keep all your files of popular songs. And marry the
• 29:49
  Speaker 1: two should ever meet. Okay, marry the two should meet.
• 29:52
  Speaker 1: Because I used to go to parties. I used to
• 29:54
  Speaker 1: do coke off Matt Damon's fucking ass, and now I
• 29:57
  Speaker 1: don't anymore.
• 29:58
  Speaker 2: Is that why you're the most appointed? Is the coke?
• 30:02
  Speaker 1: I miss the cocaine. I really let me tell you
• 30:06
  Speaker 1: something that I miss booking, but I miss cocaine more.
• 30:08
  Speaker 4: That's great advice. You should write that down. Have a
• 30:10
  Speaker 4: work computer advice from today? Now, great advice.
• 30:14
  Speaker 2: I have a work computer's process.
• 30:16
  Speaker 6: Ill my process, I'll say, my process is well, I
• 30:21
  Speaker 6: live with my dad and my mom, and my dad
• 30:25
  Speaker 6: will be working away and it comes time for lunch
• 30:29
  Speaker 6: and my dad stops and I run the fuck in there.
• 30:33
  Speaker 6: And because you know my dad, he's like the godfather
• 30:36
  Speaker 6: of this business. I hate to say that, but I
• 30:39
  Speaker 6: mean you are all giants under them. But I mean
• 30:42
  Speaker 6: my dad just he never stops working.
• 30:44
  Speaker 4: So when he doesn't, giants under the godfather, it's.
• 30:48
  Speaker 2: Usually how the.
• 30:51
  Speaker 6: We're huge and he's the Godfather, Big Giants and the
• 30:54
  Speaker 6: Godfather on top. But I'll say I just pick up
• 30:57
  Speaker 6: where he left off, like the first thing I ever did.
• 30:59
  Speaker 6: I was nine years old when he was writing Priates
• 31:02
  Speaker 6: to the Caribbean, and then he went to the bathroom
• 31:04
  Speaker 6: he left off, and I picked up where he left off,
• 31:06
  Speaker 6: and I wrote that bathroom, and you picked up where
• 31:10
  Speaker 6: he left I wrote the bridge of that drag.
• 31:14
  Speaker 3: Yeah, yeah, yeah, didn boo boop. Do you hear where
• 31:30
  Speaker 3: I went where he went to the bathroom?
• 31:33
  Speaker 1: I do, Yeah, I can tell. I can tell quite queerly.
• 31:38
  Speaker 6: So right now it's like I'm working as his assistant
• 31:41
  Speaker 6: or his associate, and slowly, like in recent events in
• 31:44
  Speaker 6: the news, my dad is finding some time that he
• 31:47
  Speaker 6: needs to stop working canceled culture. That's all I'll say.
• 31:51
  Speaker 6: But I don't even want to get into it. But
• 31:54
  Speaker 6: I'm I'm just following in his footsteps. And if he
• 31:57
  Speaker 6: started writing something, I'll finish it or all start writing
• 32:00
  Speaker 6: my own.
• 32:01
  Speaker 7: How often does it go to the bathroom like a
• 32:04
  Speaker 7: normal amount?
• 32:05
  Speaker 5: Okay, I would love to hear any regional composition from you,
• 32:11
  Speaker 5: because you're saying you're working on your own stuff.
• 32:12
  Speaker 4: I would love to hear what that is.
• 32:14
  Speaker 9: That means a lot to me, and I thank you
• 32:17
  Speaker 9: for that. I thank you for that, Carl, because I
• 32:20
  Speaker 9: don't get asked that lot. M Here's an original piece
• 32:24
  Speaker 9: I wrote for a p T A movie, Paul Tom Sanderson.
• 32:39
  Speaker 2: You love drums.
• 32:40
  Speaker 3: Yeah, I'm a drummer at heart. I hear strings as drums.
• 32:44
  Speaker 3: I hear flutes as drums. I love what do you
• 32:49
  Speaker 3: guys think?
• 32:50
  Speaker 6: I actually would love like a workshop session you guys
• 32:52
  Speaker 6: are we can do the young Boy.
• 32:57
  Speaker 3: I would love like from the greats and as a godfather,
• 33:00
  Speaker 3: I'd love some notes on that piece.
• 33:02
  Speaker 7: Okay, I could give you a note. First of all,
• 33:03
  Speaker 7: I think it could use a little bit of words. Yeah,
• 33:06
  Speaker 7: So what's the movie?
• 33:08
  Speaker 3: So it's PTA's movie about?
• 33:10
  Speaker 7: Okay, don't say it, just can draw it on that
• 33:12
  Speaker 7: piece of paper. Okay, she drying some she drying a house,
• 33:17
  Speaker 7: and beside it she drank. Oh my god, you're seen
• 33:20
  Speaker 7: there's a spotty dog.
• 33:22
  Speaker 3: Okay, that's not I literally I literally do a peace sign.
• 33:26
  Speaker 7: Okay, So I thought that was a dog. I thought
• 33:29
  Speaker 7: there was a dog with spots. So I would say
• 33:32
  Speaker 7: for a movie like that, you said it was a
• 33:33
  Speaker 7: peace sign. Yeah, okay, So I'd say for a movie
• 33:35
  Speaker 7: like that, add some lyrics.
• 33:37
  Speaker 3: Like spoilted doll, Yeah, going.
• 33:43
  Speaker 7: Yeah, speileded doll, gave him a bomb into bomb into it.
• 33:53
  Speaker 1: I can really hear the peace sign of that.
• 33:55
  Speaker 5: Ye, And now you know if I were to give
• 33:58
  Speaker 5: you notes, what how I would tinker? Can you tell
• 34:01
  Speaker 5: me what the plot is?
• 34:02
  Speaker 1: Now?
• 34:02
  Speaker 7: Now that we you know, yeah, you saw the picture.
• 34:05
  Speaker 4: I saw the picture, but for me it's a different process.
• 34:08
  Speaker 4: So now that we did yours, I think we can
• 34:10
  Speaker 4: do mine, and I can hear what well.
• 34:11
  Speaker 7: I just want to challenge you that you should guess
• 34:13
  Speaker 7: what the plot is. And I bet you anything, when
• 34:15
  Speaker 7: the dirego tells you what it is, it would be
• 34:17
  Speaker 7: exact same. So what did you see in the picture?
• 34:20
  Speaker 7: Just trust your insidre Okay.
• 34:23
  Speaker 5: If I'm looking at the picture, it's is a house
• 34:27
  Speaker 5: with a peace sign on it, I'm going to guess
• 34:30
  Speaker 5: it is a spotted dove.
• 34:34
  Speaker 6: No, it's about the stock market crisis in two thousand
• 34:37
  Speaker 6: and eight.
• 34:38
  Speaker 7: Oh okay, so I went about your song, Yes you
• 34:43
  Speaker 7: must have been.
• 34:44
  Speaker 6: It's crazy when you get a bunch of musicians and
• 34:46
  Speaker 6: composers in a room like it gets wacky.
• 34:49
  Speaker 4: It's infectious as I mean, as can tell us. You know,
• 34:53
  Speaker 4: if if we listen to a song by sneak into
• 34:55
  Speaker 4: our work, right, it might.
• 34:58
  Speaker 1: Sneak into our work. And I don't find that very
• 35:00
  Speaker 1: funny because I had real life consequences for me. But
• 35:04
  Speaker 1: I'm glad that this is a big joke for all
• 35:06
  Speaker 1: of you.
• 35:06
  Speaker 7: But Trus, not all of your songs are a rip off, right,
• 35:10
  Speaker 7: Because I did see the Sea World. Why don't you
• 35:12
  Speaker 7: talk about too? Nor maybe you did also Marine World?
• 35:15
  Speaker 2: That was the.
• 35:17
  Speaker 7: I'm loving it Marine World.
• 35:20
  Speaker 1: Yeah, I did do that, and I wanted. I'm just
• 35:24
  Speaker 1: glad that you noticed that because that's actually one of
• 35:27
  Speaker 1: my favorites. So I mean, thank you. I did love
• 35:31
  Speaker 1: but up bus Sea World. I'm loving it. It's like
• 35:34
  Speaker 1: one of my babies, one of the first original things
• 35:36
  Speaker 1: I ever made.
• 35:37
  Speaker 3: It's a great tune, you know.
• 35:39
  Speaker 1: I mean to go off of your tune that you had,
• 35:42
  Speaker 1: like I do have. I don't normally do this, but
• 35:45
  Speaker 1: I do have this this percussive under bassline that I
• 35:50
  Speaker 1: could I could overlay over. Do you want me to
• 35:52
  Speaker 1: play a little bit of it right now? Yeah?
• 35:53
  Speaker 3: Do you want me to get my drum line.
• 35:54
  Speaker 1: Yeah, get your drum let going. Let me let me
• 35:56
  Speaker 1: zap it in with my work computer.
• 35:58
  Speaker 3: Yeah, there's nothing.
• 36:08
  Speaker 1: No that My hard will, my hard will.
• 36:14
  Speaker 2: Yeah.
• 36:14
  Speaker 1: How does that sound to you?
• 36:16
  Speaker 2: For me, that sounded a lot like Titanic.
• 36:20
  Speaker 1: Now. Fuck, this is my home computer. Oh my fucking god.
• 36:24
  Speaker 6: It's crazy how you have to look and make sure
• 36:26
  Speaker 6: your files are safe, but by looking at them they're opened.
• 36:29
  Speaker 4: Sounds like someone needs to take their own advice.
• 36:33
  Speaker 1: That's the Pandora's box. That's all I can say. You
• 36:36
  Speaker 1: know what, but you're on the right track. I don't
• 36:39
  Speaker 1: mean to come down too hard on you. You know,
• 36:40
  Speaker 1: bad stuff has happened to me. Good stuff is gonna
• 36:42
  Speaker 1: happen for you because of nepotism, but also because you're talented. Anyway,
• 36:48
  Speaker 1: thank you, Just do with some coffee. Yeah, it would
• 36:53
  Speaker 1: be really nice. Actually, I'm sorry. I feel like I
• 36:56
  Speaker 1: came in kind of hot and you guys are showing
• 36:58
  Speaker 1: me nothing but kindness. So thank you.
• 37:01
  Speaker 2: Carl. Did what would you add?
• 37:03
  Speaker 1: Oh?
• 37:03
  Speaker 5: Yes, we were talking about this event. Spot it, so
• 37:07
  Speaker 5: if you want to go ahead and hit that. So
• 37:09
  Speaker 5: it is about the stock market crisis in two thousand
• 37:11
  Speaker 5: and eight, Paul Thomas Anderson. I'm thinking weird, funky, off cuter.
• 37:18
  Speaker 5: Something is not what it seems, So go ahead and
• 37:21
  Speaker 5: go for it, and then I'll do it. And so
• 37:32
  Speaker 5: do we think that worked?
• 37:33
  Speaker 7: I thought that was really good, but it sounded like
• 37:36
  Speaker 7: Pirates of the Titanic.
• 37:38
  Speaker 3: It sounds like one of my dad's piece exactly.
• 37:41
  Speaker 4: It means that I shouldn't do this job.
• 37:45
  Speaker 3: Was a piece, that is it yours?
• 37:48
  Speaker 2: You know that that job is it?
• 37:50
  Speaker 4: If it fits, I must sits.
• 37:55
  Speaker 1: So if it fits, you have to set it out.
• 37:58
  Speaker 1: Is essentially rsic.
• 38:00
  Speaker 4: If someone else can do it, I cannot, so I leave.
• 38:04
  Speaker 4: But if do we want to say that I did it?
• 38:07
  Speaker 4: We want to say that didn't work. We can try
• 38:09
  Speaker 4: it again. I'll do it one more time. Give me
• 38:11
  Speaker 4: the beat and I'll tell you what I would do.
• 38:30
  Speaker 3: Louder So you are a monster and a great for
• 38:39
  Speaker 3: a reason.
• 38:40
  Speaker 4: Wow, yeah, that is of course the piano.
• 38:46
  Speaker 2: Well, I've got nothing to offer to that. Let's move
• 38:48
  Speaker 2: on to another question.
• 38:49
  Speaker 4: We want to hear this is drums. You want a
• 38:52
  Speaker 4: drum boy, No, I want.
• 38:54
  Speaker 1: To hear pop punk. I want to hear a pop
• 38:56
  Speaker 1: punk version of this, because she's got something.
• 38:59
  Speaker 2: Not all my music. It gets pop punk.
• 39:01
  Speaker 3: I mean thinking about the Lord. I am sorry I
• 39:03
  Speaker 3: cut you off and I said you couldn't talk about God.
• 39:05
  Speaker 2: No, it's fine. I got to read the room with
• 39:07
  Speaker 2: that worship. My bishop told me that I've got to
• 39:10
  Speaker 2: read the room with that.
• 39:12
  Speaker 4: I love a good bishop who gives you good advice God.
• 39:15
  Speaker 3: Can we all just sit down and agree that we
• 39:17
  Speaker 3: love a good bishop.
• 39:18
  Speaker 1: I don't believe in God, but I fucking believe in
• 39:20
  Speaker 1: a bishop.
• 39:20
  Speaker 7: I tell you that my postman is also a bishop,
• 39:23
  Speaker 7: so I have to tithe to him as well.
• 39:25
  Speaker 2: So you're beliking him extra Yes, you're very.
• 39:28
  Speaker 7: Sure, Farst. Yeah, it's a biblical principle tithing. You give
• 39:31
  Speaker 7: ten percent. He told me about it. Yes, he's also
• 39:34
  Speaker 7: a bishop.
• 39:35
  Speaker 2: Because I also love I get tithing and I love it.
• 39:38
  Speaker 7: You love to give it to your money, yes.
• 39:40
  Speaker 2: Yeah, I love it to give it to my money.
• 39:42
  Speaker 7: Yes, I love to give it to my money.
• 39:43
  Speaker 6: I love to give it to my Can you guys
• 39:46
  Speaker 6: find that having a partner in this industry is difficult
• 39:49
  Speaker 6: because I'm trying to get in the dating scene and
• 39:51
  Speaker 6: I'm just so focused on my work.
• 39:53
  Speaker 4: You little boy getting in the daisy scene.
• 39:58
  Speaker 1: Yeah, what's the scene like Tactoe hopscotch. Little boy, you.
• 40:03
  Speaker 4: Boy, why are you going on dates to day lunch room?
• 40:06
  Speaker 7: What are you doing? Little boy? Prop in your pants?
• 40:10
  Speaker 7: I have the nerves to come and take Oh we
• 40:13
  Speaker 7: gotta stay home from school A little boy meet some
• 40:16
  Speaker 7: third girl. Huh, you guys are.
• 40:20
  Speaker 2: We just think you're a little stupid for doing that
• 40:23
  Speaker 2: trying to date. We just think you're all a little stupid.
• 40:27
  Speaker 4: What none of us date?
• 40:30
  Speaker 2: You're married. We're married to the music. That's the first
• 40:35
  Speaker 2: you have made. Times have gotten divorced?
• 40:38
  Speaker 1: You know?
• 40:39
  Speaker 2: Yes, a couple? A couple? What a couple of hundred?
• 40:43
  Speaker 2: Because you would be wrong. It's five.
• 40:46
  Speaker 3: Cool.
• 40:46
  Speaker 7: And why do you think all my songs sometimes sound
• 40:49
  Speaker 7: a little bit sexual? Because I'm doing sex on my music.
• 40:52
  Speaker 7: I'm doing love on my music. I'm doing some sort
• 40:55
  Speaker 7: of engagement party every time I do in my music.
• 40:58
  Speaker 1: It's like you're living an entire your marriage through your music.
• 41:01
  Speaker 1: I sometimes even hear, like in that one song you
• 41:04
  Speaker 1: did for Devilwaar's Praduct, like I almost hear like fighting
• 41:09
  Speaker 1: with a spouse energy in it.
• 41:11
  Speaker 7: Oh yeah, that's like Miranda Preachely Oh where have you bringing?
• 41:16
  Speaker 7: You been so late from work? You forget to cook
• 41:19
  Speaker 7: din I missed you want to be close to you.
• 41:22
  Speaker 7: That's why I gave her the time and ring don't
• 41:24
  Speaker 7: your rusbut it anymore.
• 41:26
  Speaker 5: Amazing point of view of Metro Streep's husband in the movie,
• 41:31
  Speaker 5: who we barely.
• 41:32
  Speaker 7: See to get that off of a picture, I got
• 41:34
  Speaker 7: that from the picture.
• 41:38
  Speaker 3: He needs a song, and that's so good that you
• 41:40
  Speaker 3: gave him that for the credits.
• 41:43
  Speaker 2: Well that one.
• 41:44
  Speaker 7: The poster was fully finished, though. I did have a
• 41:46
  Speaker 7: picture of a really looking, mean kind of lady, but
• 41:49
  Speaker 7: I didn't have her name. You're right. I guessed it
• 41:51
  Speaker 7: because I thought she looked a little bit like Miranda
• 41:54
  Speaker 7: from Lizzie McGuire. And Priestley from My Bishop actually gave
• 41:58
  Speaker 7: me that one.
• 41:59
  Speaker 4: You're Bishop. Him is Priestley.
• 42:01
  Speaker 7: Yes, he's also my postman, so you call him postman?
• 42:04
  Speaker 7: Pretty yeah for me?
• 42:10
  Speaker 5: Sexually, I push it all into the notes, you know
• 42:13
  Speaker 5: I that. And of course Girls Come Wild we've talked about.
• 42:18
  Speaker 5: It's been really helped.
• 42:19
  Speaker 7: The girls don't come Girls Gone Wild? Said, Girls come
• 42:23
  Speaker 7: wilder Wild.
• 42:25
  Speaker 4: Said, I said the girls Gone Wild. I was not
• 42:28
  Speaker 4: talking about girls Come Wild.
• 42:29
  Speaker 3: Harlem for a musician. You're pretty shitty hearing.
• 42:33
  Speaker 1: Hey, watch a diego Zimmer. Okay, watch it?
• 42:36
  Speaker 2: Why don't you stick to your fucking dating?
• 42:38
  Speaker 3: Sorry, if my ears are literally inherited from the gods, why.
• 42:42
  Speaker 4: Don't you go kiss a little girl behind a tree?
• 42:44
  Speaker 4: And lunch class?
• 42:46
  Speaker 7: Why don't you go to your second grade classroom and
• 42:49
  Speaker 7: ask your teacher? Well, tell her you forgot your lunch?
• 42:52
  Speaker 3: First about lunch isn't a class?
• 42:55
  Speaker 1: No?
• 42:56
  Speaker 2: Well, then what is it?
• 42:57
  Speaker 3: You said, lunch class?
• 42:59
  Speaker 7: What he's a great class? You forgot your lunch?
• 43:04
  Speaker 2: If lunch is in a class, what is it?
• 43:06
  Speaker 4: What is lunch? Little boy?
• 43:10
  Speaker 1: Yeah, why don't you riddle me that?
• 43:12
  Speaker 8: What's lunch?
• 43:13
  Speaker 7: Got to do? Got to do with it?
• 43:16
  Speaker 2: That's good.
• 43:17
  Speaker 6: I'm getting the fuck out here, and I'm reporting you
• 43:20
  Speaker 6: to my dad, the godfather of our industry.
• 43:22
  Speaker 7: No, no, no, no, no, no, no one will hurt
• 43:25
  Speaker 7: the giant.
• 43:28
  Speaker 1: We can't please, we cannot take somebody to say something
• 43:32
  Speaker 1: bad about me in this town. I'm shaking in my boots.
• 43:36
  Speaker 1: God damn, does anyone have any plugs?
• 43:39
  Speaker 5: I wanted to ask you kind of what is next
• 43:43
  Speaker 5: for you? You're going to try to continue pursuing music,
• 43:47
  Speaker 5: or they are they tides turned?
• 43:50
  Speaker 1: Well, you know, I'm trying to put a lot of
• 43:53
  Speaker 1: this chapter behind me. I've gotten really into crocheting and
• 43:59
  Speaker 1: fucking a lot. So those are a couple of things
• 44:02
  Speaker 1: that are on my radar. I am in the mix
• 44:05
  Speaker 1: for this Mercedes commercial and it all goes well. You
• 44:10
  Speaker 1: will hear a sample of my original tune who Let
• 44:13
  Speaker 1: the Dogs Out? Okay, obviously that was the wrong one,
• 44:18
  Speaker 1: but I will email it.
• 44:19
  Speaker 3: To That sounds like a banger.
• 44:23
  Speaker 7: It is? That was a file you were playing because
• 44:26
  Speaker 7: it sounded like your voice. Wait, so every song you
• 44:28
  Speaker 7: have you have re recorded in your own voice and
• 44:31
  Speaker 7: saved it on the laptop.
• 44:32
  Speaker 1: Yeah, that's also part of it. That's like I hear
• 44:35
  Speaker 1: the song, I say it out loud because I like
• 44:38
  Speaker 1: the way it sounds, and then I record it, and
• 44:41
  Speaker 1: then I have the file and then I open it
• 44:44
  Speaker 1: and then I get confused.
• 44:46
  Speaker 2: Yes, and well, yeah, I can see that process being
• 44:49
  Speaker 2: very confusing because it's a lot of steps unnecessarily.
• 44:52
  Speaker 4: What an next for you, Carl, Well, I'm doing another
• 44:56
  Speaker 4: Star Wars.
• 45:00
  Speaker 2: So the Pirates of the Caribbean didn't match the Star
• 45:02
  Speaker 2: Wars movie.
• 45:03
  Speaker 4: No, this is a private separate kind of origin story.
• 45:08
  Speaker 2: Private.
• 45:08
  Speaker 4: It's a private story. It's a private movie for Disney.
• 45:12
  Speaker 4: It's only for the execs.
• 45:13
  Speaker 5: I'm making a movie just for the executives at Disney
• 45:16
  Speaker 5: about Boba Fett's ex husband.
• 45:19
  Speaker 2: So why is it for just that?
• 45:21
  Speaker 4: That's what they told me. There's something going on.
• 45:24
  Speaker 5: They have so much money over there, they're just making
• 45:26
  Speaker 5: movies quietly for themselves. Right now, if you if this
• 45:31
  Speaker 5: is something I we should talk about, if you get
• 45:33
  Speaker 5: an email executive only production, make sure you read that.
• 45:38
  Speaker 5: Make sure you read that Harlem shake, because that means
• 45:42
  Speaker 5: it's going to about five ten people.
• 45:45
  Speaker 4: And you know they built make fifty eighty million dollar
• 45:49
  Speaker 4: movies just for five to ten people. There's as for fun.
• 45:52
  Speaker 4: And this one, as I said, Boba FET's ex husband
• 45:55
  Speaker 4: and he lives in a little tiny island planet named
• 45:59
  Speaker 4: Bubba gararh.
• 46:01
  Speaker 6: Wait, now that you're talking about these secret movies, I
• 46:04
  Speaker 6: remember when I was in diapers, my dad was working
• 46:08
  Speaker 6: on Forrest Gump too, just for the Warner Brothers.
• 46:12
  Speaker 3: Shit, they made it only for the top execs.
• 46:17
  Speaker 4: Do you remember what he did in the movie? Do
• 46:21
  Speaker 4: you remember what he did?
• 46:23
  Speaker 3: Little Boy?
• 46:24
  Speaker 2: Oh?
• 46:25
  Speaker 3: Forrest Jr. That's all I remember.
• 46:28
  Speaker 4: We'll probably have to take all of this out. I
• 46:29
  Speaker 4: don't know if I for the public.
• 46:34
  Speaker 5: I'm doing another Puss in Boots another, Yes, I did
• 46:38
  Speaker 5: the first Puss in boots.
• 46:40
  Speaker 1: There's a there's about a couple puss in boots right.
• 46:43
  Speaker 5: Yes, the first one and then the second one in
• 46:45
  Speaker 5: parts of the Caribbean sync up, so I couldn't do it.
• 46:47
  Speaker 4: And then I'm back on the third one.
• 46:49
  Speaker 3: Incredible.
• 46:50
  Speaker 4: Yes, what about you, man?
• 46:54
  Speaker 7: What are you up to? Man?
• 46:56
  Speaker 2: Well as I don't know if you guys have seen
• 46:59
  Speaker 2: my Instagram, but forty two for Fighting is actually doing
• 47:01
  Speaker 2: a reunion tour this summer. We're so actually pumped for that.
• 47:06
  Speaker 2: So if you guys want to come out, I can
• 47:07
  Speaker 2: definitely get you comps. We're doing all the fan favorites
• 47:10
  Speaker 2: like girls Got My Number. We are doing like fight Fight, Fight, Fight, Fight, Fight, Fight,
• 47:15
  Speaker 2: We're doing all the pop pump finger it's and then
• 47:18
  Speaker 2: right after that, I'm gonna go teach it a Bible camp.
• 47:21
  Speaker 2: I'm really really excited about that, you know, just getting
• 47:24
  Speaker 2: with the kids and understanding how kids work and maybe
• 47:27
  Speaker 2: singing a couple of songs. And then after that I
• 47:30
  Speaker 2: am doing a movie that's about the Sudanese genocide, and
• 47:36
  Speaker 2: I'm really excited about that.
• 47:39
  Speaker 1: Yeah, can you give us a sneak pee?
• 47:40
  Speaker 2: Yeah for sure. So in eighteen ninety there is this
• 47:46
  Speaker 2: terrible genocide that happened in Sudan, and it was kind
• 47:49
  Speaker 2: of you know, it really made me feel the color purple,
• 47:52
  Speaker 2: not the not the play, And it made me actually
• 47:57
  Speaker 2: feel like the.
• 47:58
  Speaker 1: Color purple, not the Did it make you feel like purple?
• 48:01
  Speaker 1: Or like the color purple made me.
• 48:03
  Speaker 2: Feel like purple? It would probably be a much clearer
• 48:05
  Speaker 2: way to say that. So not like the book, it's
• 48:10
  Speaker 2: not TI.
• 48:11
  Speaker 3: I also think there was a mini series and it's.
• 48:13
  Speaker 2: Not Nothing was tied. It was just the color of purple.
• 48:17
  Speaker 2: So with that in mind, it really made me just go, like, m.
• 48:28
  Speaker 4: Bad things are happening to it's very way.
• 48:34
  Speaker 2: And that's just a little workshop.
• 48:36
  Speaker 3: That's incredible. That's great, Harlem. What's next for you?
• 48:41
  Speaker 1: Wow?
• 48:41
  Speaker 7: Oh my god, I got a really really big project
• 48:43
  Speaker 7: coming up here. I got a new movie poster that
• 48:47
  Speaker 7: I'm gonna be working off. It's just a sketch for now.
• 48:50
  Speaker 7: And well, I got I found in my mailbox. It's
• 48:52
  Speaker 7: a drawing of a penis, and so I can only
• 48:55
  Speaker 7: assume that's the next movie poster for me, which I think, well,
• 49:00
  Speaker 7: maybe you guys can help me. But I'm thinking the
• 49:02
  Speaker 7: movie probably about a man who is living in a
• 49:06
  Speaker 7: big adventure in the big city and he loses his
• 49:09
  Speaker 7: baby off a skyscraper.
• 49:11
  Speaker 2: So just really quick. The process is, you get a call, say.
• 49:20
  Speaker 3: You're like a rough call a supermarket.
• 49:24
  Speaker 7: Sometimes I can barely hear on the other end, a
• 49:26
  Speaker 7: lot of shuffling sounds almost sounds like they didn't mean
• 49:31
  Speaker 7: to call me. But it's in the phone in a pocket,
• 49:34
  Speaker 7: and I think that's part of it. I have to
• 49:35
  Speaker 7: discern what is going on.
• 49:37
  Speaker 2: Then you get an undisclosed letter in the mail that's
• 49:41
  Speaker 2: a picture, yes, no words or anything, and you just
• 49:45
  Speaker 2: assume it's connect.
• 49:48
  Speaker 7: I just want to guess to follow up to the call.
• 49:51
  Speaker 4: When you get paid, your wife definitely gets money. Correct.
• 49:55
  Speaker 3: Sometimes you say they're like flyers.
• 49:57
  Speaker 7: The checks look like you I know, Oh yes, I
• 50:00
  Speaker 7: know what you're thinking. And of course my wife is
• 50:02
  Speaker 7: getting paid because we have been we have been separated
• 50:06
  Speaker 7: for twenty years. I follow her on Facebook and she
• 50:09
  Speaker 7: is living a glamorous life. So I can only assume I'm.
• 50:17
  Speaker 2: Do you send her the jack?
• 50:19
  Speaker 1: No?
• 50:20
  Speaker 7: She gets the first cut, she goes to it, goes
• 50:22
  Speaker 7: to my agent. I've told you this guy's a million times.
• 50:25
  Speaker 7: It's like you don't even work on the business.
• 50:27
  Speaker 1: She I do.
• 50:29
  Speaker 7: My my Bishop Postman gets gets his cut right, running
• 50:34
  Speaker 7: back again.
• 50:36
  Speaker 4: Yes, you have to give us. Tricia is drunk, so
• 50:39
  Speaker 4: she's having trouble.
• 50:40
  Speaker 3: I can't have trouble. I need you to run it backside. Okay, okay,
• 50:44
  Speaker 3: I'm gonna write it all down for my advice.
• 50:46
  Speaker 7: I'm sure the work's the same for you. I write
• 50:48
  Speaker 7: the song. My agent takes fifty percent. My Bishop Postman,
• 50:55
  Speaker 7: My Bishop Postman takes a five percent. After he has
• 50:58
  Speaker 7: taken Postman priests. He has taken his five percent. He
• 51:01
  Speaker 7: sends the remainder to my wife into Heiti and I
• 51:05
  Speaker 7: get a YMCA flyer.
• 51:13
  Speaker 1: Weren't you talking about twenty million dollars before? Where did that?
• 51:16
  Speaker 2: Gow happens for every movie exists. This happens for every
• 51:24
  Speaker 2: single movie you.
• 51:26
  Speaker 4: Might have talked about, every movie that comes out.
• 51:29
  Speaker 2: When you go out, you buy things, No, I don't.
• 51:33
  Speaker 7: I haven't bought anything in twenty years because I'm very,
• 51:37
  Speaker 7: very frugal and I save. I'm saving my flyers for
• 51:39
  Speaker 7: when when the when? Now y two k hits and
• 51:44
  Speaker 7: I can redeem it for you know, Costco and stuff
• 51:48
  Speaker 7: like that.
• 51:48
  Speaker 2: So hy two K was the year two thousand?
• 51:52
  Speaker 3: No?
• 51:52
  Speaker 7: Y two K year three thousand.
• 51:56
  Speaker 3: CARLM You're one of the greats for a reason.
• 51:58
  Speaker 4: Can I ask? I've been dying to the name Hartmshake?
• 52:01
  Speaker 4: Did that inspire the internet trend?
• 52:03
  Speaker 1: What? So?
• 52:06
  Speaker 2: What's next for you?
• 52:08
  Speaker 3: Middle school?
• 52:09
  Speaker 1: This has been Artists on Artists on Artists on Artists,
• 52:12
  Speaker 1: composer panel answering the question. Now, that's why they.
• 52:16
  Speaker 2: Call it show business.
• 52:17
  Speaker 1: We'll see you next time.
• 52:28
  Speaker 3: Hi, I'm Angela Jerretana, I'm.
• 52:30
  Speaker 4: Jeremy Colhaane, I'm Patrick McDonald.
• 52:32
  Speaker 1: And I'm Kylie Brakman. Artists on Artists on Artists on
• 52:35
  Speaker 1: Artists is an improvised Hollywood roundtable podcast available on iTunes
• 52:38
  Speaker 1: and Spotify.
• 52:39
  Speaker 2: You can follow us at aoaoaoa pod on Twitter and Instagram.
• 52:44
  Speaker 4: That's right, four a's with three o's in between, then pod.
• 52:48
  Speaker 1: This episode was edited by July Diaz.
• 52:50
  Speaker 2: Music for this week's episode was provided by Gabriel Ponton
• 52:53
  Speaker 2: and our guest this week was Lisa Gilroy. You can
• 52:57
  Speaker 2: follow her at the Lisa Gilroy on TikTok, Instagram and
• 53:01
  Speaker 2: Twitter and everywhere else. And if you liked this episode,
• 53:04
  Speaker 2: make sure to rate it on the place that you
• 53:07
  Speaker 2: listen to podcasts.
• 53:08
  Speaker 1: That's all for now, good Night Hollywood.