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The Immortals, The Matrix & Life as a Simulation with Tom Althouse on SOR · The Cryptid Huntress

1:49
Are you all ready to have us the trolls. I'm the cryptin my dressed
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Jessica Jones, and I'm ready to take you on a mysterious journey. Right
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y'all please come see me, Go like, share and subscribe at the Crypti
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Huntress on YouTube and Rumble and everywhere else it's broadcasting. Okay, Well,
3:25
I have a fantastic show for us tonight. You guys. Are you guys
3:30
into The Matrix movie? I know you are because that was always one of
3:34
my favorite movies. Well, I have Tom Althouse here in the studio with
3:38
us tonight. Now. He wrote a screenplay called The Immortals, and apparently,
3:46
okay, we're just gonna say, I'm gonna we're gonna talk about this
3:47
tonight. H The Matrix was based off of his screenplay, and so we're
3:53
gonna really get deep into that tonight, and we're gonna talk about the Matrix
3:57
and potentially us living in a simular Okay, because I think it's totally possible
4:03
that that's what's happening right now. But okay, so don't forget that.
4:09
Right after this show, Rob g has a fantastic show on after Hours,
4:12
So you guys please go and hang out with Rob g it after Hours right
4:15
when we get done tonight. Okay, let's get to our guests. Thomas
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House is an award winning performer, visionary, and writer who is fighting to
4:26
restore his rights and named credit to his work fully submitted and used to create
4:30
the Matrix. He and his last surviving son have refused to give up after
4:34
having everything taken from them by Hollywood studios and agencies. Working in tandem is
4:41
Evidence, referred often as Blowaway, speaks for itself, as he is currently
4:46
working on his book Disclosing All and hoping to make a difference for other writers
4:50
in the twisted realm that is Hollywood. Let me tell you, I've heard
4:55
some pretty horror, horrific stories of people having their work to and copied in
5:01
Hollywood. So we are going to bring up Tomthouse. Now, please help
5:06
me welcome Thomas to the show tonight. Hey Tom, Hey, great to
5:11
be here, Jessica, and great to see the chat going off. Oh
5:14
yeah, thank you so much for being here. This is a treat and
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it's really an honor to have you here, it really is. I know,
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I got to meet you on Beyond the Box when I was a special
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guest over there, and it's just been it tagled me to death to find
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out that you are Tom House that actually wrote the Immortals, which I believe
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that I believe that the matrix was based off of. Yes, we have
5:39
the script right here to show you. And they the other side hates when
5:42
I hope this up, but I mean they're trying to call this a forgery.
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Now you can see the embossed seal from the confrade, the bolted this
5:48
bolted thing they say here, the one party here, this is a supervising
5:54
copyright specialist. Their name on it says that this is irrefutable and even as
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the PAU number here where anybody can look up that number and find the Immortals
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and all the pages they're in in the Cochrte office. And so it's interesting
6:09
is that we have all the proof and Warner Brothers in Disney is actually saying
6:13
you have too much proof. It's overwhelming. No one will ever understand it.
6:17
There's too much evidence. I'm like, wow, okay, well,
6:20
when does that ever happen? Too much evidence, you know, so that
6:25
that should hold up in a court of law. And it's just really perplexing
6:30
that. And this is You're not the only story that I've heard of something
6:32
like this happening too. I actually have a friend who this has happened to
6:35
before. But it seems like that a judge would would overturn that or something
6:41
at some point. Why is going on exactly? But what you have to
6:46
look at is the playbook we're actually writing. You see the papers on the
6:47
floor back there, that's the book. One book coming up. We're also
6:50
writing the playbook of the cabal. People need to help each other out,
6:55
especially in the entertainment industry. You can't let them pick us off like Caesar
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conquering Gaul, one tribe after another. We've got to have the tribes unite
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if we're going to stops in Hollywood and so basically historic reference. But you
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need to do this right now. I have so much information on the court
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system, how it's monkeyed with and played with. And I will give you
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a key element for people to watch for right here, free of charge.
7:18
What you have is they are going to go for a summary judgment. Now,
7:23
some judgment means there's absolutely not a single triable issue. That means you
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don't have this. This is a tribal issue. Their page in here with
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all the one hundred and ninety matchups including Jackson Neck preceding the matrix, little
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Girl, train Station, liquid Mirrors, blue Pill, Red Pill, Squidties,
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little Girl pointing the Sun, each one of those is a tribal issue.
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You cannot have a summary judgment against this author unless you provide your own
7:50
attorney. If you provide your own attorney, your classmate a defense attorney,
7:55
watch for defense attorneys wanting to prosecute for you. Doesn't make any sense.
7:59
Do their defense attorneys going to use them as defense for their defendants by representing
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you? Does that make sense? Yes? What happens is they will do
8:09
this. The last thing are Tony Rankin for MAUI classmates with Linda Borough of
8:15
Warner Brothers classmates from University of Berkeley did basically was after I finally fired him
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within a half hour after he was fired, he calls his classmate from Warner
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Brothers and says, you may proceed to summary judgment without any objections and take
8:35
this phone call to represent the meeting. Let's dissect that he was fired.
8:41
He's done audios. Yet they railroaded it through that. His call to his
8:48
classmate in cohort at Warner Brothers enabled not one single tribal issue, not just
8:54
this. Every working draft, every matchup, every insert was then out of
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play. That's the only way they can get a summary judgment. Then they
9:05
use their own news sources to say he lost his case and they want that
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to stand and get the judge that they appointed to say with prejudiced people ask,
9:16
why aren't you doing a case right now? You have to educate the
9:18
public with all the facts like Batman, the Fingers family from Batman. Then
9:24
you go to court, educate the court of public opinion. Now they're gonna
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that's the battlefront right now. So you're going to plants coming in going like
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you should vetch your guests. This man is full of you know, shovel
9:37
and this man is a liar, he's a con artist. You're going to
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hear this a lot from those that are their biggest threats that will be levied
9:45
upon us, even though we have all the evidence. So I look forward
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to going some of the evidence tonight. Oh my gosh, Okay, well
9:50
you do have. I was looking over all the stuff that you've sent me,
9:54
all the documents and everything, and I mean, you have some pretty
9:58
big names that you're kind of happening to go up against here, and I
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just, man, you hear so many things about people in Hollywood and I
10:07
don't want to say it. You know, cult things like that. You
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know, but there's a lot. There's a lot. It's like an uphill
10:13
battle and it can be very dangerous, I can assume, and I want
10:18
to say deadly, And I know I don't want to. I don't want
10:20
to get too much into that aspect tonight because I don't want to get David
10:26
in trouble over here at Space Out Radio. But I do want to talk
10:30
about it a little bit. And I also want to pick your brain because
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we need to talk about the Matrix and the immortals. I want I want
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to kind of compare and contrast a little bit your screenplay with the Matrix,
10:41
which is one of my favorite movies. One thing I'd love to do with
10:43
you, Jessica. Your audience also is let's take a look if you want
10:48
at some of how the images were lifted, because what they did was they
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fans of the work would know that the Wachowsky's created a six hundred page visual
10:56
storyboard. That is the device they pitched to Warner Brothers in order to steal
11:01
the work. So what you have is this, this screenplay was used Palmarn't
11:07
even verified the fight choreograph. Choreographer, this is used on set. They're
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lifting every image as they think is cool, with the visual storyboard in the
11:15
other hand, with a twenty foot rule that if you're within twenty feet your
11:18
fire because you'll see this. And what happens is they lift every image and
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hope it would tie together in the end. That does not make a story
11:28
tight. So what you have then is concepts that are lifted and simplified with
11:35
what they're familiar with being mixed in. The train Man from Ghost, You've
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got I also Wonderland Imagery, You've got Necromancer, You've got Dark City.
11:45
Yes, all these are being mixed in as the Wachowski's make it up on
11:50
set to fill in the gaps. As the crew teams are waiting to shoot
11:54
the next set. So what you have is the actors are actually improvising.
11:58
This has been made clear in test money and everything else. So now we
12:01
understand how they lifted it. But what's fun is what I'm proposing is looking
12:05
at some of the scenes they lifted and seeing how they simplified it and look
12:09
at what they were actually originally meant to be and where they came from.
12:13
If that float your boat, oh my god, absolutely, I mean,
12:16
because okay, I have to give full disclosure here. I watched The Matrix
12:20
again this morning because I had not seen it since it first came out,
12:24
honestly, even though it was one of my favorite movies and I thought I
12:28
was awake back then. Okay, I thought I was awake, but today
12:31
I am awake, very much awake, and it had a whole other meaning
12:35
to it, to where I was actually crying because I resonated so much with
12:39
so much of the content in that movie. I actually felt like I part
12:45
of it was my life. Okay, some of it it was weird,
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and so so that's why I'm just, like I said, I'm honored to
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have you here so we can actually discuss some of the aspects of this movie.
12:56
I one to you right away. Yes, the silver pen. Now
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what's interesting is we have the silver pen here and you have the architect clicking
13:05
the silver pen, changing channels on as monitors. That's the simple minds of
13:11
the little Chowsky's that failed it everything. Even though they said their mom said
13:15
all they did was read comic books, right, they never succeeded that they're
13:18
painting business. They flugged out of school. They had never made even their
13:20
original work, Plastic Man in Carnivor, yet nobody still wants it. So
13:24
they simplify everything with their simple minds. They even has had an article in
13:26
nineteen ninety five that they failed as writers had to pack their bags unless they're
13:31
given the science project, which is one of the code names they used for
13:33
this. So the silver pen, why do they have the architect holding a
13:39
silver pen and going click, changing channels. They're using their trying to invert
13:45
and create something to make sense out of a lifting of an image they think
13:48
is cool. Here's the secret from the inside, if you will. From
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the horse's mouth. The silver pen. I thought was stupid that I put
13:56
it in there later and meant to take it out, but I forgot uh,
14:00
so the silver pen stayed and then Wachowski lifted it. There's a rule
14:03
and copyright law if you have a fair venue with due process, not with
14:07
what we had, then it is considered that if a mistake carries over from
14:11
the original work into the stolen version, it's a thumbprint of the theft.
14:16
Does that makes sense, right? Yeah? One of these looks evidence exactly.
14:20
So the silver pen originally was in the scene with Bain and Smith.
14:26
Where do you remember the scene where Neo is looking through Bain's eyes and sees
14:31
the flaming Smith. Okay, you recall that that scene when he's on the
14:37
ship and about to go to the dome right the Trinity. That scene is
14:41
where they put the silver The idea of where the silver pen actually was originally
14:46
in that scene where Bain faces off with Neo in the original work and Smith
14:52
is being seen through the eyes of the Bain character. You have Smith ordering
14:58
Neo in my work to remove the pen from his pocket, and it's like
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that's kind of odd, right, and he's told to put it down.
15:07
This is in one of the beginning sequences, So Neo is not as savvy
15:11
as he is this point later in the in the film, right, So
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it's an earlier scene where he's not so savvy yet, he's a fish out
15:18
of water. I hope people can follow me. So what happens is that's
15:22
that's pen is blasted away by the agent as a threatening gesture. Here's what's
15:26
going on. The pen symbolizes the loss of Neo's freedom of choice and creativity.
15:35
So what they do They take the screenplay Neo character the author models after
15:39
himself and gives the pen to the architect to hold in the stolen work,
15:45
clicking it. Does that make any sense? Oh? Yeah it does.
15:50
I mean that's a that's a telltale sign, right there. That's something.
15:54
Yeah? Is that something? Now? You want one more? Just in
15:56
case? Oh yeah, okay's another one. Hells to another little girl at
16:00
the train station. The little girl at the train station. Where does that
16:03
come from? First of all, the little girl is my daughter that was
16:07
taken from me. And in the original work, Neo loses his daughter.
16:14
She's taken from him, and he's brought back and sees her dying as an
16:19
older woman. When he's cryogenically preserved and brought back out of the field of
16:22
pods, right revived, that's where that comes from, and he sees her
16:26
and sold he's told that he can't see anybody, but it's Smith that's there
16:32
when he's revived from the field of pods, and the Architect has instructed Smith
16:36
to mentor Neo in the program. Follow that's a totally different, totally different
16:44
way. Isn't it much more complex? Why? Because the architect isn't an
16:48
immortal program? Follow me on this. This, This is a lot.
16:52
The architect is in an immortal program where his mind is going to atrophy from
16:56
lack of stimulation. So he has agents that stir up trouble with others in
17:02
the free world to stimulate the architect's mind where he knows what's gonna happen,
17:07
and also has Neo the Greatest Good represented facing off with Smith the Greatest Bad,
17:15
where Smith is to mentor him and they hate each other to create even
17:18
a more conflict in stimulation for the Architect's mind where he's going to turn them
17:22
on each other at a certain point. It's it's so much to it where
17:26
the Neurlink's gonna say she's still alive, which sends him high tailing to underground,
17:32
the architects, plans and timing. This is all the layers. Now
17:36
keep in track. One more thing now simplified by howskies. They do this
17:41
with the red pill blue pill, right, yeah, very famous. Yes,
17:45
she has the blue pill. It's from Alice in Wonderland, drink meat.
17:51
They put Alice in Wonderland. That's not what it's supposed to be.
17:53
Now, the scenario I just gave you, and I know you're super intelligent,
17:56
your audiences too. That's why I'm going this level I wrote. The
18:00
instance is intelligent. So here we go back to the scenario right where we're
18:04
talking about Neo going to see his daughter and Smith is gonna enter him.
18:08
Here we go. Smith gives him the red pill. There is no choice
18:15
but to take the red pill. It's not this, it's this, and
18:18
that's how the capal works. I've had this happen. You are offered the
18:22
red pill or you and your last surviving family members will die. That's how
18:27
the coupal works. It's not this. You don't get choice in the cabal.
18:30
You get this. So Neo takes the red pill, enters the program,
18:34
buying time, trying to see what he can do, and achieve to
18:37
reunite with his daughter and find his wife. What happens is they took a
18:41
relationship out. He is cut from the program at that one point, ends
18:47
up in Underground, and they Morpheus gives him a blue pill, a bootleg
18:53
pill up the red pill, so he can re enter the program to take
18:56
on the Smith and the Architect. The blue pill is the bootleg pill with
19:00
painful side effects that he is given in the underground in Zion. See,
19:07
it doesn't so they ruined it. They simplified it by going take your choice.
19:11
It's like, no, it's this year you die. You're cut from
19:14
the program. We have a solution. Here's a blue pill. You can
19:17
reider the program not based on the blood of the children. Wow, okay,
19:22
go ahead, Well okay, well I have a million questions for you.
19:26
Okay, but to start off with, what year did you write The
19:30
Immortals? Because you are way way beyond your your years, okay, because
19:36
of course most of us didn't discover the matrix until we even saw the movie.
19:41
Okay, a lot of people, I mean, what year did you
19:44
write this screenplay The Immortals? And I mean, how do you have this
19:48
knowledge? Is this is this something that you've always studied or you just inherently
19:53
you've lived it. Now keep you on track as an answer as a writer,
19:57
and as a writer I think as right in layers, it'll go different
20:02
tracks, back to a point. If it seems like I'm missing it,
20:04
bring me back to that point. Got it. That's a ground us.
20:07
Okay, on track. So basically I wanted it. And then ask me
20:12
too after this about the ghost program another thing they ruined. I want to
20:18
tell you about the ghost program, and I think we'll be hearing things I've
20:19
never been talked about before. So it's going in the book back there.
20:23
But yeah, so anyway, it was written between nineteen eighty nine and nineteen
20:27
ninety three. Now the Wachowski say it took them three days to write it.
20:33
No it didn't it. Maybe it took you three days to decide to
20:36
lift it. But the thing is that basically what you have is it is
20:40
a reflection of what happened in my real life where I felt I was told
20:44
my life was over. I knew what it meant and I would end up
20:48
dead. So I whispered through art for future generations that they may have a
20:53
better chance than we did now that's what I'm referencing that time, right,
21:00
That's what I was doing. And it was written so expensive before I even
21:03
knew about Green Screen. Right. It's written with such a budget needed to
21:07
do it that I didn't think it would ever be made. But the Latowsky's
21:12
promised to get it under budget with Joel Silver okay, and I was asked
21:17
to pitch it Upondaventure at Warner Brothers and he was saga about it with all
21:19
the new concepts. So it was penned. Then at that point, now
21:23
where did it come from? It was like Shakespeare in Love. I was
21:30
putting in what I experienced. I was drawing from what I saw and adding
21:37
the what if? According to what I was told was the plans within the
21:41
Cabal, I was being groomed to be the face of Christian coalition. I
21:45
was being groomed to be an Antichrist, as being groomed to lead mislead all
21:48
people with the blue eyes and the blonde hair at the time, the smile
21:52
and dimples, to mislead everybody as the right hand of God, as they
21:56
said a Netflix or Newsweek for Ralph Reed, who took my place to mislead
22:00
everyone down the path of darkness. That was what I was being grown for.
22:04
I decided no to that lost everything I was. In fact, they
22:10
say what happened to my two sons and the rest of us was because I
22:12
quote dared to face them down. So when anybody attacks people like myself,
22:22
like you, or anybody else, my first thought is I'm not like,
22:25
oh damn you, I'm like this. Please stop proving to me that most
22:30
of humanity are idiots. Please give me the hope of humanity. Because the
22:33
dark side of this, the cabal has been trying to convince me to come
22:37
to their side again, to be a script doctor, rip off work,
22:41
saying that all humanity is bad, that they're not worth it. They're not
22:45
going to get it, Tom. We're fans of your work. We're the
22:48
ones that know it was taken because we're the ones that took it. Just
22:51
come home work for us. So they're trying to have me lose my faith
22:56
in humanity so that I'll give up on humanity. It's a hard walk tread,
23:03
hard path of tread when you're trying to king faith in humanity, when
23:06
they're sending shells to you walk the death of your sons and to mock your
23:11
work, call you crazy everything else. You're going to see them surface and
23:15
they'll say things like you should bet your guests, this kind of stuff when
23:18
we have all this proof that you are now holder for your emails. Tom.
23:22
Okay, So you're you're you're on a larger scale than I am as
23:26
far as getting the word out and putting your work out there. I'm just
23:30
a little podcaster over here with a little I love it, thank you.
23:37
But the things that you're speaking of, I mean, I get threats,
23:41
I get made fun of. I have people that are plants that get sent
23:44
in to throw me off, of course, and to put me in a
23:48
different direction that I shouldn't be. And I think that I could even have
23:49
a handler here there that keeps trying to pop in. Okay, so getting
23:53
you in the egg. I'm feeling it, okay. And I know this
23:57
is probably stuff I don't talk about often, and I'm not going to talk
24:00
about it very much here, but but there are it happens on a smaller
24:06
scale too when it comes to you know, because I think podcasters and people
24:08
like myself we are the grassroots, okay and uh and and people like myself
24:15
when it comes to. My field is crypti research, and so I'm dealing
24:18
with bigfoots and dog man and modanness, monsters and stuff. But but I'm
24:22
actually putting out real information, okay, and uh, and I'm not.
24:26
I'm only censored by you know, the social media companies and stuff occasionally,
24:33
so I you know, it's it's kind of easier to get the word out.
24:34
But I just have a smaller audience. But I'm experiencing some of the
24:37
same similar things on a smaller scale. So it happens. It happens on
24:44
this level that I'm at to, I see you, I can discern certain
24:47
things I see you as, and I bet many of for audience members would
24:49
be the same as a much larger than you see yourself, much larger power.
24:55
And what they're concerned about is your influence. Now your genuine nature,
25:00
which is obvious. I said it before. You are coming across this extremely
25:03
genuine that is a almost extinct, rarefied trait that's left in humanity in a
25:11
remnant form. There are very few that are actually genuine. You can look
25:17
at them and go, this is a genuine person. I have no doubts
25:18
about it. Nothing's going to cause me to question it just by looking at
25:22
you and hearing you and sound hearing you sound off. It's like you're a
25:25
genuine person that is gold in the field of garbage, and so what we
25:30
need to have is you protect it and others like you. And that's who
25:34
I wrote the piece for. I know you guys would get it because your
25:38
minds aren't cluttered all the one in the Glamour What was the Wachowski's promised at
25:44
their dinner when they failed at everything material things? Fortune and Starlet's as if
25:49
women are a commodity fame Fortune and Starlet's Dean Lareent has promised them when they
25:56
had never achieved anything, and still their work isn't made for real work.
26:00
You guys that are genuine and anyone listening in that is genuine. Stay who
26:06
you are, don't lose your character, don't lose your feelings the way you
26:07
can feel. You are, solve the earth. You are what we need
26:12
to have, remain intact and safe. The other side knows this because their
26:18
agenda is to prove to us that everyone is darkness. Are yes, Oh
26:21
my gosh, thank you. I appreciate that. And it's it's not just
26:23
me over here, and I really appreciate those compliments. That's very sweet.
26:29
But there's a lot of people, especially there's some people in the chat that
26:32
also have channels and that are researchers that you know, we all get attacked
26:36
a lot, but we do it out of the goodness and the genuine you
26:38
know, it just comes from a genuine place because we really want to help
26:41
people and we want to be there for other people and share our stories.
26:45
And so that's why I have a lot of respect for you for putting yourself
26:48
out there and you sharing your story and is dangerous. It's very dangerous.
26:55
What you do is extremely dangerous. What I'm doing is a little bit dangerous,
26:59
you know. But we're doing it for a bigger we know there's a
27:03
bigger purpose. It's not about us, yes, and that's it right there.
27:07
It's not about us their side. Like the Sophia Stewart character has their
27:11
company called all Eyes on Me, director of producer writer, if you are
27:17
actually one of the genuine ones, you're not going to call your company all
27:19
eyes on Me. You're going to be saying, you know, I mean,
27:23
I don't know if you've heard me on the other program, I was
27:26
saying, let's not categorize who's the best of the best. Never put judgment
27:33
on each other, or rate each other, or rank each other. Everyone
27:37
should be considered equally. If humanity is going to advance and evolve, we
27:41
cannot make judgments on who is better than who. That is a sandbox game
27:47
left for preschool. We've got to move on for that. Especially in this
27:49
movement, we lift each other. We do not compare ourselves with each other,
27:55
and gifted geniuses will not do that. We don't time for it.
27:59
But those that fail that take the work, that they employ to take the
28:02
work, are all about that. You'll see them all about wanting the fame
28:06
fortune. Now, if someone sat down with you jan La Rerentis and said,
28:08
Jessica, I'll give you this work and you'll have fame, fortune and
28:12
beautiful hunks in Hollywood, I don't think you take it. I don't think
28:15
you take it right. You have to have the failed ones doing it.
28:19
There is definitely a way to discern. Yet the failed ones call us the
28:23
ones with ego. That's the main time say we're egotistical. Sofia throws it
28:27
all the time at me. So if you Stewart egotistical, We're out for
28:30
ourselves. We're egomaniacs, delusional, that's what they throw all the time when
28:34
they're the ones that are actually projecting themselves on those of us that are actually
28:40
trying to feed the flocks. We're actually trying to take other kids, lift
28:42
each other, and you can tell in the program that happens you and I
28:45
on the air right now with your beautiful chat room. We are not tearing
28:49
each other. We're not competing for attention. We're not trying to put our
28:52
stuff forward and say, well, Jessica, mine is better than yours.
28:56
No. In fact, we're ones that will say, jessica't done a great
28:59
job, honored to be here with you. That's not how they talk.
29:03
That's not how they talk. It's pretty easy to discern what's real once we
29:07
remove the veil of what they put on us, get rid of the Hollywood
29:10
red carpets, get rid of their programming, get rid of their whole celebrity
29:14
thing, and turn it around to what it should be. Worthy of celebration.
29:18
You are worthy of celebration. These people in here are also worthy of
29:22
celebration that have other channels worthy of celebration because they're getting the job done.
29:27
It's what you do. So that's why, just to point that out,
29:30
it's just that's my heart, my heart, and the work is to gather
29:33
a remnant of people from cross disciplines. That's the code of the Matrix story.
29:37
The immortals that have a heart for all life, to solve the world's
29:42
problems by coming together in a think tank. That's the code in the Matrix.
29:48
And incidentally, what the Wachowskies did was they took the Immortals title,
29:52
and they take the Immortals title and they just switch letters around. The Warner
29:57
Brothers, I sent the materials to you. They have a copyright on the
30:00
Immortals. Oski's we're so mad about having another writer brought in to replace them
30:04
in the assassins that they did. They broke the rule. They didn't use
30:08
the copyright titles under Immortals, the subtitles. They took the letters of the
30:12
Immortals switches around a chemical matrix, Yes, the writer of the Matrix.
30:17
They just switched letters around. Yeah, yeah, okay, so every everything,
30:22
Gosh, I love this, Tom Okay. So what comes to my
30:26
mind is this is so it's kind of ironic, right, is the people
30:32
that we're talking about, and the things that we're talking about, they're they're
30:34
living in the matrix, right, They're living in the matrix. And that's
30:38
that's what the story, what the movie is about. Uh And and I
30:42
know my audience is very familiar with the matrix, but the Matrix is basically
30:48
just a virtual world that has been pulled over the minds to hide the truth,
30:52
okay, to hide the truth. And I feel like the truth has
30:55
been hidden from us for so long, and those of us who are trying
30:57
to put the truth out there are the ones that are being targeted and we're
31:03
trying they're trying to shut us up. Okay, you're ready. You are
31:06
a freaking genius. Okay, thank you. I knew this was timed right.
31:11
What puts us in the matrix? What device, tech device locks us
31:18
forever in the matrix? What technical device that this author channeled through put in
31:23
the work to make the work work? Is the first thing Warner Brothers attacked
31:27
me on is that it's not in there. What do you think is the
31:30
tech in the matrix that will lock you in the matrix? Anybody? Oh
31:34
my gosh, I mean it could be your cell phone for all I know
31:41
the r Okay, what could it be. I'm going to say a cell
31:45
phone or some kind of Wi Fi Wi Fi or Bluetooth or something. I
31:49
don't know. The neural link. The neural link, Oh my god,
31:52
of course, that way to have you locked in the matrix. I intended
31:59
the neural link when I created it for the work, and it's all through
32:01
it. Jack's the back of the neck. In fact, I have a
32:02
hole in the back of my neck where it all comes from from a fist
32:07
that was excised and left a scar and a hole in the back of the
32:09
neck, and that's where I would touch, and that's where the whole jack
32:12
of the neck came from. If that cyst had been up higher, that
32:15
jack would have been here, but it was right on the center of the
32:17
back of the neck. That's where me touching that hole as the author,
32:22
and then the whole idea of being jacked into where you can relive your memories
32:27
and also have a library of memories, where you can live your ancestors memories.
32:30
You can feel what they fell and lived what they lived without even hearing
32:35
the words. Think of it. You can take a Alzheimer's patient. I
32:38
intended and they would be able to be fully functional. You can have a
32:44
parent who's driving their car and they have a terrible accident, their child's near
32:49
death. They pop in the medical enhancer I called it. He changed its
32:53
neural LINKO. It's an answer and be able to do anything medically on their
32:58
child instantly and save their life by a downloaded instant program. Now they left
33:02
all that out. But see, I'm the creator. I'm not trying to
33:07
brag up again. It's not about me. It's about all of us.
33:08
So when I say I, I mean us, all right, because it's
33:12
meant for all of us. This was actually I've been told disneyness, this
33:15
was written as a gift, my gift to humanity, just like all there's
33:20
others out there of yours that are writing gifts for humanity and doing gifts for
33:23
humanity. We're givers. And I tried to tell Disney stop saying it's all
33:29
about power. It's about compassion with power. If power doesn't corrupt, absolutely,
33:32
if compassion's seeded in that formula, if it's compassion and power, you
33:37
will not be corrupted. It's not absolute. You're going to be using that
33:42
power to give. See, and so that's what this This was written as
33:45
a service to humanity. If you write from that aspect and that orientation,
33:51
your work's going to do really well because you're allowing your you're treating you're serving
33:54
your audience right, treat me smart. They didn't understand that, so they
33:59
give it to fail people. But the neurolink was taken and given to Elon
34:04
Musk. He didn't come up with it, It was given to him by
34:07
they. Oh yeah, I feel like a lot of things like that that
34:12
inventions and things that are so you know, going to pull push humanity forward.
34:16
I don't think those people, not all those people came up with that.
34:20
I believe it. I believe one hundred percent that some of these people
34:22
are just given these things to be the face of the link or whatever.
34:29
Yeah, your chat people, you do have a brilliant light right there.
34:32
Oh my god. And I'm not trying to flatter you or hit on you
34:35
anything. I'm a soul being another person telling another person, well done,
34:42
thank you. I just I just see patterns, Tom, That's all I
34:45
You know, I do this thing remote view stuff, and I see patterns
34:50
and everything. Now I've been doing this long enough to where you see it
34:52
it's pretty obvious. There's a time. There's a time with the clips coming,
34:57
there's a timing right here, right now now, with everybody gathered right
35:00
here, I'm going to a lemon, say every one of us right here,
35:05
chat here on the air. We're meant to be here right now.
35:07
Take it to the guy that wrote the matrix, because what we have right
35:10
now, if it will, if it helps, what we have is yes,
35:14
media control, absolutely right. They use their own media sources to control
35:19
the narrative, don't they and does work. They use the courts as a
35:22
means of a second theft so they can then steal with the punity, right.
35:27
And what's going on is and this Neurallink thing. That's really good too,
35:29
because you know that in Star Trek, the Darkness Star Trek series,
35:32
they actually say, and I have the clips to show you later, the
35:36
extreme shots. They call it neuro Enhanser first in the same episode they switch
35:40
to Neurolink in the same episode, so I called it en Hanser. They
35:45
call it Enhanser. Same episode in Star Trek they switch it from Universal Studios
35:50
two Neurolink. They're giving themselves away. But that's what's so wild is they'll
35:55
call us crazy, delusional, disconnected, seriously physically impaired. We are tracking
35:59
moultiple thoughts right now on heavy duty material with a brilliant audience and friends that
36:05
are able to follow exactly what we're talking about. That's the future of humanity
36:09
and what's going on. Is you ever watch the film Idiosyncrasy? None?
36:15
No, not yet chat Ideosyncrasy. Basically, if I got this right,
36:19
is how the world has all these people that are not very smart thriving and
36:22
taking charge of the world, and the smart people are thumbed out. What
36:28
Warner Bros. Does, besides saying everything's dark, is saying that the strongest
36:30
will survive, and that using Darwin's theory, that the world is being better
36:36
and better by those that take control, seize control, take what they want.
36:40
The alpha males if they get control and take materials like say, steal
36:45
this screenplay, they're saying. The Wachowskis are then perpetuating an age old rule
36:52
of life, as Morgan Freeman narrates it in the Origins of Life, whatever
36:54
it is that those of you that take steal our actually using your wherewithal to
37:01
follow the rules of the laws of nature to be the best. What's happening
37:07
is we're stealing from our own pockets. We're dawling humanity down, We're ruining
37:12
humanity by embracing that thought process and having Morgan Freeman narrated for us to try
37:16
to sement it in stone. This is not evolving humanity when those of us
37:22
that are working hard to hammer out things as a service are simply being beaten
37:27
and stolen from and railroad through the courts, and then the ones that steal
37:30
it are considered the ones that are going to be the evolution of the planet
37:34
and humanity. Now, that's taking us backwards, the kail it everything.
37:38
Anyway, I love what you said about that. But anyway, what you
37:40
said, I went, I went on the pathway of the writer thought train.
37:45
But oh no, I love it. I think you're doing a great
37:47
job. I think I think that I think we're making a good team tonight
37:51
talking about this stuff because it's so important. And you mentioned that the solar
37:53
eclipse tomorrow. I mean, that's that's a big deal, okay, And
37:58
there's something really weird about that, and I feel, okay, so I
38:00
can tell that I'm living in a matrix. Let's just say buy things like
38:05
the solar eclipse and the programs. I feel like sometimes I just feel like
38:08
somebody hits a button and the program changes and uh and I don't know if
38:13
that has something to do with the man, like even the Mandela effect.
38:15
You know there's Mandela effects and that meant in the Matrix movie, right,
38:21
and uh, okay, so but but I feel like, you know,
38:23
the stars are not aligned, like it's not even the right It's like the
38:28
moon's in Pisces right now. It's not even supposed to like line up with
38:30
the moon and the sun together and stuff like. And and the government,
38:35
dare I say, is you know, sending out all the National Guards and
38:38
the Homeland Security and they're going to be shooting off rockets into the sun.
38:43
And like what why I tell you that I was to rewrite the script right
38:49
now? If I was to rewrite the script where the whole balance the equation
38:52
where at the end of the matrix again, how they simplify it. They
38:54
had the oracle babbling with the architect about this easy alliance and there to balance
39:00
equation, blah blah blah blah blah. The thing is that the balancing the
39:02
equation comes from getting free humanity untainted to come out of Zion by an ambiguous
39:07
oracle that brings them out to see the Architect come back as Christ, so
39:10
we can have the pure power worship purging his agents so his mind will be
39:14
stimulated forever. But if the Architect had you in front of him and your
39:17
chat people, he'd be stimulated forever. Forget it. They just need you
39:21
that would stimulate their forever. Because I am being stimulated, and I felt
39:24
like, you know, bored to death in life because there's just nobody that
39:28
would simulate my mind. You guys are stimulated. And the comment about Einstein
39:30
spot on, I even heard his wife was contributing stuff. So it's like,
39:35
really, what you have is this whole game? Now, where's it's
39:37
apropos or proper to steal from each other? What the house isn't going to
39:42
stand if we're going around saying that's the way to evolve, right, So
39:46
yes, but here's the deal, the matrix itself, the studios, and
39:51
I have tapes of different calls with Disney heads and stuff. Believe or not,
39:52
Yeah, I don't care. I take Yeah. The thing is that
39:59
you're saying thing like we put you in your own story. Okay, thanks
40:02
for having that on a record. Yeah, thank you and a Baker's office
40:07
and so, yeah, we put you in your own story. You should
40:09
be grateful. You should be grateful, Tom, just kidding. Well,
40:15
here's the deal. How stupid are they? Are you ready? I think
40:17
anybody would follow this? How stupid are they? Oh that's nice, thank
40:22
you, thank you for oxy Joe for that super sticker. I appreciate you.
40:25
Thank you. I think that's really sweet. How stupid are they think
40:30
of this? If you're stealing the work right, and you're saying to the
40:35
original author you stole from, we put you in your own story, that
40:38
means they're in the story with me. Who owns that territory, the creator
40:45
of that territory, the creator of that story. If in the story with
40:49
me, it's my story. I can out with them. And even at
40:52
TMZ they said TMZ they said it was kind of stupid. We do this
40:55
to you, Tom, because if you're smart enough to write the matrix,
40:59
you're smart the trail. And I'm like, yeah, yeah, now I
41:01
have to budge it, grudgingly devote my life to following their stupid breadcom trails,
41:07
which are like steak trails when they put everything like I sent to you
41:10
in the inserts. It's like, I'd rather be writing more material. But
41:14
if I write more material without writing this, others are gonna get ripped off.
41:17
Children are still going to suffer, Animals are going to suffer. This
41:20
world's going to suffer until we clane back. So I wrote the work final
41:23
thought on this one. I wrote the work to create a world where people
41:29
like all of us will fit, where people with compassion and fat and avalance
41:34
would fit. And isn't it interesting, even in stolen form, we have
41:37
that world right now from the lifted images. Isn't that amazing? So we
41:42
do have that seeded and planted for decades. Now all we have to do
41:45
is take the wheel, and that means present our evidence. And you said
41:50
about being a host, you are permitting it. Why am I still alive?
41:53
They said, I won the Chess games because I'm doing interviews. You
41:57
are the reason my last son and I are alive. The people with these
42:00
wonderful comments in the chat are part of me being alive. My son's alive,
42:04
and others like me and I will do the job, and I'll finish
42:07
a job. Count on it. One of the things that it says,
42:09
get this due when they simplified it. One more thing. I don't mean
42:13
to talk so much and talk over it, but I want to share this.
42:15
You got me going, Okay, do it. It's the original story.
42:17
I'll cut it and go to the clips. In the original story,
42:22
Neo has a best friend. Stay with me now on this one. Okay,
42:27
simplify this. The best friend of Neo is a former agent who's had
42:31
his memories erased, but he knows his memories are raised and has residue of
42:37
horrendous things that happen. Josh Whedon used it in the doll House afterwards.
42:43
So what happens is you have this residue going on. So his best friend
42:47
is an agent. Now, why why do the architect allow that? Because
42:51
later, how does in the matrix you'll see Neo and Trinity get into the
42:54
Cortex building basically unopposed. How do they get into the Cortex building basically on
42:59
as because the architect and the original work reinstates his best friend to meet him
43:06
in the hallway to have the shock effect of a friend turning on you.
43:10
Instead, the friend faces him down and says, basically, help yourself screw
43:16
them. I'm standing for friendship and he's terminated remotely. That's how Trinity and
43:23
Neo get into the Cortex building unopposed. And yes, I have the dome
43:27
at the end two. So doesn't that make more of but I would.
43:30
I'm going to venture out here. Is that's a little more interesting than just
43:32
getting in there. They like everything your best friend being employed to work against
43:38
you. How many in the chat know what I'm talking about in your own
43:44
lives that they employ your own to work against you with rewards? Oh god,
43:50
in this original screenplay. So that's what happens. That's part of the
43:54
that's part of the matrix. That's part of the matrix. Well, when
43:59
you're when there are people, when there are people who are working to help
44:04
humanity, who are here to do a job. We're on a mission.
44:07
I'm on a mission. You are too, We're on a mission. You
44:10
know, once your vibration is a certain point and you are vibrating, how
44:15
your energetic field is untouchable at some point. And I'm not saying your mind's
44:20
untouchable, but it's it's a lot better than it used to be. So
44:23
the dark forces can't get at you. But they can get it the people
44:27
around you, and so that man, I tell you what this is.
44:30
This is exactly why I've been attacked for the past two days because of this
44:34
interview. Right here, this interview, Steve, I've been under attack,
44:38
y'all. I mean, I swear to God. I have Stephen, who
44:42
is working on the book back there on the floor with me. Right,
44:44
that's how our system laying in working. You got footage of the planes zooming
44:47
over, the jet zooming over spraying our house. You got footage of it.
44:52
Yeah, right, So they were trying to hit you and hit us
44:53
at the same time. Yeah, here's the beauty of it. I'm supposed
44:58
to be dead them, I supposed to be dead, but they're fans of
45:00
the work. Because there's so much fans of the work. They I'm still
45:06
alive because of the interviews and everything. So therefore it disrupted their whole timeline.
45:12
They we got them because we're not dead and we're talking each other with
45:15
these brilliant people here, we're talking to each other this very meeting tonight.
45:21
Of course they wouldn't after you for two days. He's going to spread them
45:23
and make them throw furniture around the conference room. I am guaranteeing you this
45:28
is gonna upset them because they it's screwing up everything right for them? Is
45:34
or are I know so much interview at all? You got me going I
45:37
apologize. I usually I am sharing the screen or a lot going on because
45:40
you got me flowing out, putting, like finally like a cap off the
45:44
trailer that finally gets to run on grass. I'm fining, you know.
45:46
So it's like nice, but no, I already first saw that we were
45:50
gonna have a really good interview tonight. We're gonna have a lot of We're
45:52
actually gonna make it something that see. I have a knack of making dark
45:55
subjects kind of fun okay, and not just not fun per se, but
46:00
like informative and in a light way. And so that's what we're doing tonight
46:05
because it helps to to get the message out. Okay too, Can I
46:09
tell you about the ghost program real quick and also talk about Yes, I
46:13
want people I know people are don't understand this. I'm not saying that I
46:15
know something that others don't. I love it when others know it and add
46:21
something for me to learn from it. I wrote the piece the Immortals,
46:23
this screenplay was written to ask questions and treat the audience as intelligent. So
46:30
we all and left out a lot of the backstories so we can all fill
46:31
in our own parts and own it ourselves. You said you felt you belonged
46:35
in. It is designed that way. Now the wach Oskies say, well,
46:37
they meant that too, but they don't explain how we are in the
46:40
hijacked timeline. Now, the beauty of a hijack timeline. Take it from
46:44
this writer, you will and add to it. Please. Is that a
46:47
timeline that's hijacked will come back to its original lineup? It will, and
46:52
we're doing that right now. Now. I want to share something with you
46:55
if I may, And here we go, the Liquid Mirrors, the ghost
47:00
program, Ghost Program. Anybody agree with me that the ghosts in the matrix
47:06
were kind of like, huh, the two silvery ghost guys that were coming
47:13
in things? Right while on a highway, cars are flipping, trucks are
47:16
flipping, and everybody's just driving along like they're going to Sunday lunch. Now
47:22
the traffic doesn't do anything. If you had cars flipping and ghost people's going
47:25
on your you would go like when you turn the car go around. No,
47:30
you don't just go like what, Yeah, I see it, babe,
47:32
there's a ghost program. It goes a truck chuck that kids just keep
47:37
going PLAYERR little games. Nothing seeing here. It's like, what's the highway
47:39
scene? Nobody reacts. They don't make reality. It drives me crazy.
47:45
What they did to the story the Ghost Program originally in the original work and
47:47
thanks. Let me explain this with my passion behind it, guys, is
47:52
that the ghost Program is actually a security device of Neo at his house and
47:58
what it does, and I thought it was great. They actually put it
48:00
into their to the second screenplay they scrapped, but anyway, as you know,
48:04
they actually try to put it in. The Ghost Program is turned on
48:07
when Neo realizes he's been framed by the Architect, right after he's been the
48:09
red Pill and being cut from the Red Pill. At that time he's being
48:13
cut from the Red Pill. He can't get through the train station scene,
48:15
which is liquid mirrors the train station scene you only passed through every red Pill.
48:19
Triny gets him through. That's how he gets out of the train station
48:21
scene. And yes, it's in the original. The security device kicks on,
48:24
which shows an image of him walking about his house like normal activity.
48:29
Now what's cool is the agents start firing upon it right while he's escaping,
48:34
right the Ghost program. And I thought it was cool the figure the Ghost
48:38
program touches the bullet entry wounds like an inquisitive child. So it's like going
48:45
like this, and that's how you can tell it's really not him, right,
48:47
But it's the program to respond to all stimuli. So I even threw
48:51
in a short short fall where the program's going like this to themselves. Now
48:55
you know that was pointed out to me that in Matrix they have Neo touching
49:00
his bullet wounds. They kept it so the Ghost Program was turned again,
49:07
simplified to something stupid and taking out of the story and ripped apart. Do
49:12
you know that they said on set, one more thing I've turned back over.
49:15
It is your program too. It's like amazing, you're so cool.
49:22
You guys are here. It's like that's Virginia for everybody. What they did
49:25
was they said on set, we're going to keep the exact same ending,
49:29
exact same ending. On what they said, everybody argued to blow it up.
49:31
Why would they be arguing to blow it up? He said, all
49:34
the cast and crew said, blow it up the matrix, blow it up
49:36
to end it. Why would there be an argument on set if you have
49:38
an actual screenplay. Oh, that's right. You got to stolen screenplay and
49:43
you're making up off it with the storyboard, so you don't know how to
49:45
end it now, so you've ripped everything out of the context. So now
49:47
they're arguing, what are you going to do? We'll keep the same ending,
49:51
which Elski say, and that's all right here, the exact same ending.
49:54
What's that exactly? That's your end? Is the little girl at the
49:58
train station, the identical figures facing off. The pulse wave comes out from
50:02
the one going in the crater. The pulse wave turns the earth green,
50:06
renewing the little girl to life. The gray streets are greened again, the
50:10
sunset forms. She comes up, hugs Neo, not the Oracle, because
50:15
they need Neo to replace the identical figures, and she points to the sun.
50:21
They did keep the exact ending. When we go to court fraud and
50:25
get due process guaranteed and do it, we can't lose. I will bet
50:30
you my life we will not lose in a fair venue. And we'll do
50:35
that fair venue even if it's another country, because they have done this all
50:37
across the world, so we can pick Switzerland or or or else whereas my
50:40
roots are from, and we can do it there. Good luck, Warner,
50:43
brothers ain't stopping us. And this world's going to be reclaimed by those
50:46
that are lights, and those that are visionaries, and those that care about
50:52
children and don't exploit children, and those that want a better future and realize
50:55
that humanity lifting each other is the only way where ego has no place.
51:00
And that's what we're evolving to, not this dark garbage where the failed people
51:04
are running Hollywood in the agencies. We're going to recruve. This world is
51:07
going to beautiful because the people are going to respond. Also in part my
51:10
piece of the puzzle, my code to bring certain ones that feel called together
51:16
to solve world problems. That's the code of the Matrix. And thanks for
51:21
having me getting to say this, Oh my gosh, of course, Well,
51:23
I mean what we're talking about is absolutely in the Matrix movie, which
51:29
so so we're talking about not you would have to let go of fear.
51:31
Okay, that's one of the one of the points of the movie, the
51:36
fear doubt disbelief, right, and we also have to I mean we can't.
51:43
We can't make people see these things. They have to experience it for
51:45
themselves. And we have been going and that's in the movie and we do.
51:50
Just you're so blowing me away, You're all blown away comments and all.
51:55
It's like this. Listen the remember telling you about the best friend who's
51:59
an agent who has raised and he's put there and it seems like honky dory
52:02
until the end when he's actually reinstated and he sacrifices himself for right. His
52:07
phrase that he always says is no fear, no fear. You know,
52:12
that's it the reason, don't say no fear. Remember the room of monitors
52:19
in the original work, the room of monitors are in here. So you
52:22
have the room of monitors, and each agent is hooked up to a room
52:25
in the Room of monitors, and if they show any feelings or any fear,
52:29
guess what happens to them. They're terminated. Do you have that going
52:34
on in here? And I'm gonna see if I can just grab it,
52:37
just see it piss pops up. But that's what's going on in here,
52:39
is the room of monitors. Right here, I think you got it.
52:44
Wait, no, that's not it. I going I just have to come
52:45
up. Please come up. I want to come up. I want to
52:49
show you for yourself. Okay, wait wait anyway, the room of monitors
52:52
in here, that's what they say. That's why the agents say no fear,
52:55
because they show any emotion. Doll, they're killed. Now with the
52:59
neural that could be instituted. Yeah, Neuralink can institute where they're going to
53:02
have a room monitors. They can follow everything the agency and if you don't
53:06
do exactly what they want, including killing innocence, then you can de termined
53:09
to get the detonation on the enhancer, which is in the original word.
53:13
Oh my gosh, I mean this is this is all being in an acted
53:16
right now. You know, we're such a visionary with this, with this
53:20
work that you did, and uh and for this to be playing out right
53:23
now, I mean, we are living in a crazy, amazing, amazing
53:28
time to be alive right now. That comment too, and I'm hearing you.
53:31
I definitely agree with this amazing time. This is the perfect time to
53:34
be alive. If we were sitting up in the cosmos and said, and
53:37
they got a choice, when do you want to come to Earth. Now.
53:39
Now is the time to come to Earth. This is the time if
53:43
you want to make a difference, This is the time if you want to
53:45
matter. This is the time to watch a whole new world where if there's
53:47
time travel, there is a lineup of taurusts looking for tickets to this very
53:52
moment in time with all of us. They want to see this moment.
53:55
It's like going back to see the decoration and depends sign times ten. But
54:00
what you have is this whole idea where we are going to win this thing
54:04
because we're the creators, are given this creativity, and it's amazing that it's
54:07
all right there in the story and you're pointing it out so fluently and easily.
54:14
That's the way we do it. We relax into our win. We're
54:16
going to relax into it. We're going to lift each other. If we
54:20
find ourselves putting anyone down, recheck because the way to win is to celebrate,
54:27
create beautiful work, bring your visions forward, add your piece of the
54:30
puzzle, and don't legate anyone else's exactly. And so I just want to
54:37
tell you Tom Okay, even though this has been a really tough experience for
54:42
you having your work taken and you know, turn into a movie without you
54:46
getting the credit for it. Still what your work, what you did has
54:51
helped advance humanity. Okay, No matter what I mean, you that that
54:55
is an accomplishment in itself. I mean you, you woke me up here
54:59
I am today, I have the ear of a few people, okay,
55:02
and I have a platform. I have a couple of different platforms and I'm
55:07
able to get the word out and share my message. But the information woke
55:14
me up even more than I am to be. So thank you for that
55:17
there, if I can finalize too, I appreciate so much what you just
55:21
said means so much. In the past I could even to hear compliments because
55:23
I was so put under this comment that you just put up there about natural
55:25
abilities. It is absolutely right if we do neural link, they'll be able
55:30
to monkey with it, take it out, shut us down everything else.
55:32
So really I am arguing, don't do it. And you know where Surrey
55:36
comes from. Surrey. The original work is from Surrey, is from Virginal
55:40
work. In the original work, Neo has a wife and a daughter.
55:44
That's why this little girl at the train station. The little girl reminds him
55:46
of the dotterary lost, and she's being pushed forward like legend, to be
55:50
put into him to go into the program for a better life. And they're
55:52
ragged people doing this. And so what you have is Surrey is his wife's
55:57
voice manners everything programmed because he's so obsessed about having lost his wife that he
56:01
programs his home and his neural link and everything to her voice so he can
56:05
converse with her even though he's lost her. Then what the architect does is
56:09
he puts to a vocal through en answer which is gonna happen the neural links
56:14
in the future. It says she's still alive. That is the architect triggering
56:17
Neo to go down the path to head to underground Zion to try to see
56:22
where she is. The architect uses that one sentence, that short phrasing to
56:27
get Neo to go exactly when he wants him to go. She's still alive.
56:31
They took that out too. The witch howskies, why did you take
56:35
all this stuff out? Why did you take it all out? Because they
56:38
didn't care what audiences thought, They said, let him figure out for themselves.
56:42
All they cared about was lifting every visual They thought was cool and getting
56:46
credit for it, that's all they cared about. Wow, well, you
56:50
know that's part of the matrix as well. You know everybody's we are figuring
56:54
this out for ourselves. Yes, and I have the privilege of having you
57:00
right here to talk to about this and to to bring you over here.
57:05
I hope that you'll come back. I want to appreciate the chats too,
57:08
because I'll tell you what, I'm a ghost, I'm so smeth Dad many
57:13
times over. But I learned and I want to pass this to people.
57:16
If you have been wronged by the cabal and you have wonderful hosts that will
57:21
put you on the air, don't hold anything back. Say it all in
57:27
detail. That is how you win the chess game. If it's out there,
57:31
you become an untouchable. That's right. That's why I put all I
57:36
mean, I'm not saying I put all my business out there, Okay,
57:38
I don't, but I put out the important stuff and and I know I
57:43
know when to hold them and know when to fold them. Well you you
57:45
guys are you and your your I said your team, your your chat team
57:50
is like so refreshing. That's why I told my comfort would come from those
57:53
that had a heart and compassion that a remnant, and I put remnant in
57:59
there. That's why Turning called trinity, because Nel had three love interests and
58:01
it was about the remnant, and so they called her trinity. Anyway,
58:06
So the thing is, that's where my comfort comes from, and that's what's
58:08
going to change the world. We are right there and realize many of you
58:14
realize, all of you realize here you are much bigger, many of you'll
58:17
probably already do, much bigger than what they label you as, much bigger
58:22
than your Social Security card, much bigger than what they write up in their
58:25
little bios, much bigger and their vic and layers of your humanity and who
58:30
you are. And the more you can feel, the more dangerous you are
58:35
to bring. So feel if you feel down, Celebrate you can feel at
58:39
all that might lift help puts you back out of it. Celebrate that you
58:43
can feel, and you're going to beat them. So thanks all the stuff.
58:47
Absolutely, Oh my gosh, I wish I could talk to you for
58:51
another hour, but we have to go. Tom Okay, can you please?
58:55
Oh you absolutely? I hope you will be and and UH will tell
58:59
them abvious about your upcoming book and where they can find you. I know,
59:02
you've got to show that you're doing that. I went on with the
59:06
host, well, do you imagine what happens when in the situation like we're
59:08
in. So my website was stark truck twice. It was struck when they
59:13
were striking other people's sites like red Pill seventy eight West, all all the
59:16
sides got struck the same day and that Sophia Stewart called me and said,
59:20
all the SUTs are struck and we struck your website. I'm like, okay,
59:22
well okay anyway. So yeah, so that's being reconstituted as the real
59:27
Neo story at World dot Net. You're going to see that come up and
59:30
there's pages on the back. There is going to be a book. We're
59:31
doing, the Playbook of the Cabal, which is also going to tell you
59:35
about all the tricks used in the courts, so you don't have to go
59:37
through what I went through, Noxu. I'm gonna feel really good about that.
59:39
And also one Man's Journey. So we're going to do a whole thing
59:43
with the whole story, the real life story. Because the attorneys in Hollywood
59:47
even said, you know, real life story is bigger than the matrix.
59:50
Okay, fine, we'll see the real life story and let you see exactly
59:52
where every aspect of the Matrix comes from. Okay, oh awesome, all
59:58
right, And you also do the Beyond the Box podcast okay now, and
1:00:04
you you got a Penny on there and Brian seeing he's a friend of the
1:00:07
show, and some other great co hosts. And I enjoyed meeting you there
1:00:12
on that. Absolutely all right, Tom, thank you so much for being
1:00:15
here. I can't wait to see what you have in the in store for
1:00:19
us in the future. And I'm going to see you again soon, I
1:00:22
hope. Okay, please please have me. I'd love to be with But
1:00:27
the thing is, you're like some of the things like and have people ask
1:00:32
you know, where'd this come from the matrix? Where does this comes to
1:00:35
the matrix? Because it comes from a real life story? And then which
1:00:37
oski you said, they're not going to tell you. I would love to
1:00:38
finally get to tell you where all these things which they are from from real
1:00:43
life situations. Well, we're going to make a list and have some questions.
1:00:45
We'll take questions from the audience next time. How about that? Okay,
1:00:52
Okay, it'd be awesome. Okay, have a great night and we'll
1:00:53
see you next time. Okay, and stay stay during that eclipse tomorrow.
1:00:58
Okay, all right, thanks Tom. All right, y'all, that was
1:01:01
amazing. Oh my gosh, I had such a wonderful time with Tom.
1:01:05
Please don't forget to go to After Hours with Robbie. He is going live
1:01:08
right now, and please come see me over on my channel this week.
1:01:12
I'll be live on Wednesday, Thursday and Saturday night at the Crypti Hunter's channel.
1:01:16
You guys are amazing. Thank you for the super chat, super stickers,
1:01:21
and just for being here. Shout out to all my moderators. I
1:01:24
love you guys. All Right, y'all, have a wonderful night. Please
1:01:28
stay safe out there tomorrow during the eclipse. Keep your head on a swivel,
1:01:31
lock your doors. I'll see you next week. Bye.