Latest / The Grounded Show / Intro, Tyshawn Jones, Tony Hawk & THPS, Thrasher & Why Sucking Sucks #118

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Intro, Tyshawn Jones, Tony Hawk & THPS, Thrasher & Why Sucking Sucks #118 · The Grounded Show

0:00
Speaker 1: Hey man, we're back again The Groundest Show, Episode eighteen.
0:07
Speaker 2: Yeah.
0:07
Speaker 1: Man, we've been getting a lot of traction lately with
0:11
Speaker 1: the new and everything. Man, facts man, I'm super excited
0:14
Speaker 1: with the algorithm has incorporated us into it and I'm
0:16
Speaker 1: feeling it. Not facts it they wanted us to be
0:18
Speaker 1: more sexy and they you know what I'm saying, definitely
0:21
Speaker 1: working though.
0:22
Speaker 2: We need have the wave shirts and the yeah yeah shirts.
0:24
Speaker 1: In the mixing of Yo, It's funny man, before we
0:28
Speaker 1: got on, I randomly messed up and said that I
0:31
Speaker 1: was recording on acid Pro and.
0:32
Speaker 2: You were like, that's what you used to use, baday.
0:36
Speaker 1: People that used to make music back in the day,
0:38
Speaker 1: or just anything musically. Everybody knows acid Pro.
0:40
Speaker 2: Bro. It was a Acira and fruity loops yep.
0:43
Speaker 1: Acid Pro was a program that Sony made to record
0:46
Speaker 1: music and no lie Bro. To me, acid Pro like
0:50
Speaker 1: was one of them ones.
0:52
Speaker 2: It was easy, man, it was easy.
0:54
Speaker 1: It had a really dope feature to get the tempo right.
0:58
Speaker 1: Recording on it, bro it was just splicing. And then
1:02
Speaker 1: they had cool at It, which was like another one
1:05
Speaker 1: that I forgot who made it, but that ended up
1:08
Speaker 1: being auditioned Adobe Audition was cool at it.
1:12
Speaker 2: It was called cool let it Pro.
1:13
Speaker 1: They had a couple versions of it of it and
1:15
Speaker 1: then Adobe bo and they turned it into Adobe Audition.
1:19
Speaker 2: Damn. And you figured, like these big market are these
1:23
Speaker 2: big companies, big brand incompanies. They see the small especially
1:27
Speaker 2: coming up in the technology industry and the software industry,
1:31
Speaker 2: like hey, y'all got it, we could buy that off.
1:33
Speaker 2: You can turn into some big and seller for more money.
1:36
Speaker 1: Facts, And that happens so often, Bro, people don't realize,
1:38
Speaker 1: like they see these big companies, like damn, what are
1:41
Speaker 1: they going to think of next? A lot of times
1:42
Speaker 1: they not necessarily thinking of stuff. They're just keeping their
1:45
Speaker 1: ears to the streets, seeing what's going on when people
1:48
Speaker 1: are doing yep bruh. And even speaking of that, we
1:53
Speaker 1: always think that they're really good and they're coming up
1:56
Speaker 1: with dope stuff. But they be sucking, you know, that's
1:59
Speaker 1: why they be buying stuff from people. Sometimes they be
2:01
Speaker 1: trying to figure it out. And Bro, that even kind
2:04
Speaker 1: of just leads into one of the topics we had,
2:06
Speaker 1: Like when you're in that stage, bro, when things suck
2:09
Speaker 1: real bad, you feel like mass stuck. You're trying to
2:13
Speaker 1: figure out a way to like get yourself out of
2:15
Speaker 1: that situation, even if you gotta do it a different
2:18
Speaker 1: way or pay or whatever. Like always think about it
2:21
Speaker 1: with music, you know, there's so many people that try
2:23
Speaker 1: to cut out the middle man with music, like you know,
2:26
Speaker 1: trying to record themselves or produce their own music and stuff,
2:29
Speaker 1: but then they don't realize, like, bro, you're you're gonna
2:32
Speaker 1: have to take on a whole new skill set that
2:35
Speaker 1: you're gonna have to hone for years to get to
2:37
Speaker 1: the point where you're good at it, and then now
2:40
Speaker 1: you're essentially doubling up your work, you know what I mean.
2:43
Speaker 1: It's not like you're just gonna pick up this and
2:46
Speaker 1: then you're just gonna do both things equally good and
2:49
Speaker 1: just be able to output it in the same timeframe.
2:51
Speaker 1: Like nah, Bro, it takes more time, It takes more tweaking,
2:55
Speaker 1: and even though you might have more control of it
2:58
Speaker 1: and you might have more or how you say it,
3:02
Speaker 1: like autonomy and what you're doing, you still have to
3:06
Speaker 1: put in the work behind it. That's why you pay
3:08
Speaker 1: people for stuff. That's why these companies are paying people
3:11
Speaker 1: for stuff because it's like I don't have to go
3:13
Speaker 1: through the blood sweat and tears of figuring all this out.
3:16
Speaker 1: You already figured it out. I could just give you
3:17
Speaker 1: the bread and pay you for your blood, sweat and tears.
3:21
Speaker 2: Exact, and we just keep it moving. No, And that's
3:24
Speaker 2: that's when it comes down to, like you can't shift
3:27
Speaker 2: the blame, you know what I mean, Like, if something's
3:29
Speaker 2: not working out for you, it's not because of the
3:31
Speaker 2: things that you're or the environment of what you're doing it.
3:35
Speaker 2: And you're like, oh, it's because like we're making podcasts,
3:38
Speaker 2: you know what I mean. And it's not like our
3:39
Speaker 2: podcast isn't working because a podcast game. You could easily
3:43
Speaker 2: we could easily shut the blame. The podcast games oversaturated
3:46
Speaker 2: and it's so hard to get out there. No, we
3:48
Speaker 2: got to put in the work to see how we
3:50
Speaker 2: can line up and get in the algorithm. That's what
3:52
Speaker 2: we've been doing. It's so easy to hate, they say,
3:55
Speaker 2: it so easy to hate the game because you're not
3:58
Speaker 2: doing good at it. But if you figure out ways
4:00
Speaker 2: to improve and incorporate yourself into how the game works,
4:04
Speaker 2: that is how you evolve, and that's how you improve.
4:06
Speaker 1: Yeah. Facts, man, something that I've learned that's so valuable
4:09
Speaker 1: through music is just getting to that realization where what
4:14
Speaker 1: you do is not everybody's cup of tea at all,
4:17
Speaker 1: and sometimes you're not leading with your best foot, or
4:20
Speaker 1: maybe you haven't figured it out in a way that
4:23
Speaker 1: people are going to resonate with it the way that
4:25
Speaker 1: you want them to. And so many people, when they're
4:28
Speaker 1: doing anything business, something, creative, music, video, whatever the case is,
4:33
Speaker 1: anything that they're doing, they take it so personal when
4:36
Speaker 1: somebody don't rock with it. They take it so personal
4:39
Speaker 1: when it's not doing well. And it's like, Bro, you
4:41
Speaker 1: have to consider there's so much good quality content out
4:45
Speaker 1: there that that's what you're competing with. Bro, You're not
4:47
Speaker 1: competing against amateurs. No, you're competing against millionaire billionaires, creative teams,
4:54
Speaker 1: companies like we were talking about that are you know,
4:56
Speaker 1: paying somebody else for their hard you know, their skill
5:00
Speaker 1: and their hard work to make their stuff pop in
5:03
Speaker 1: a different way, like, you can't take this personally. You
5:07
Speaker 1: either got to get better adapt or just accept, Hey,
5:11
Speaker 1: a wide range of people ain't gonna like this, but
5:12
Speaker 1: I'm not doing it for that, you know what I mean? Like,
5:14
Speaker 1: you really got to figure out what you want it.
5:16
Speaker 1: And it's funny, man, because somebody that I met doing
5:21
Speaker 1: music that was actually somebody that ended up being a
5:25
Speaker 1: dirt bag. He really was the one that opened up
5:28
Speaker 1: my eyes to certain things. And one of the things
5:30
Speaker 1: was like.
5:31
Speaker 2: Whatever you blow up with, that's what people.
5:34
Speaker 1: Is gonna pay.
5:35
Speaker 2: They're gonna expect you to expect that people.
5:38
Speaker 1: That's why, like a lot of people, you be seeing
5:40
Speaker 1: them trying to do these viral type things, and it's like, Okay,
5:44
Speaker 1: you might go viral, but what's next are you thinking
5:47
Speaker 1: about what you're gonna follow up this with? Because if
5:49
Speaker 1: you go viral because you hopped on a train or
5:51
Speaker 1: you did some wild kind of video, whoever's following you
5:54
Speaker 1: from that, that's what they following you for. If you're
5:57
Speaker 1: a let's say, if you're a DJ and you doing
6:00
Speaker 1: a viral video where you're doing like a jackass type
6:03
Speaker 1: stunt and you get mad followers, them people is not
6:05
Speaker 1: going to book you for DJ gigs. They're just going
6:08
Speaker 1: to follow you because they think that you're going to
6:09
Speaker 1: throw yourself against the ground again.
6:11
Speaker 2: And you know where the truth comes out of that
6:12
Speaker 2: in the common section and they'll be like, bro, stop
6:15
Speaker 2: doing this, just go back to your videos. Yeah, we
6:17
Speaker 2: all enjoy. Yeah, Like, we didn't come here to see this.
6:20
Speaker 2: We came here to see what you started out with,
6:22
Speaker 2: what you grassed us eat, what you grasped our attention with.
6:26
Speaker 2: Why are you doing this now? And it's like that
6:27
Speaker 2: that's a hard transition for a lot of the creatives.
6:29
Speaker 1: Yeah, exactly, Bro. And it's like, and it kind of
6:31
Speaker 1: goes back to the thing about when you suck at stuff,
6:34
Speaker 1: you're trying anything to hopefully propel you to that next
6:38
Speaker 1: stage that you want to be at. But it's like, now,
6:41
Speaker 1: what's going to propel you to that next stage is
6:43
Speaker 1: the thing that you're trying to get better at. It
6:44
Speaker 1: sucks when you're bad at it and you're kind of
6:47
Speaker 1: like in a rut with it. Like you know, with
6:49
Speaker 1: the production that I've been doing, Bro, it was like
6:51
Speaker 1: a good year two years that I was just banging
6:54
Speaker 1: out a whole bunch of trash. Bro. I was pulling
6:57
Speaker 1: out these beats and they would sounding like straight ass,
6:59
Speaker 1: like I'm not going to record on nobody's gonna record
7:02
Speaker 1: on them beats. But I had to get through that
7:03
Speaker 1: stage to get to the point where now I'll lay
7:06
Speaker 1: some down and somebody be like, dang, Bro, send me that.
7:08
Speaker 1: Send me that you know what I mean, And I'm
7:10
Speaker 1: like fighting people off, like I'm like, nah, bro, I'm
7:13
Speaker 1: keeping yeah, I got this one for me. I already
7:14
Speaker 1: sent this one of this person. Whatever the case is,
7:17
Speaker 1: you know what I mean. But I wouldn't have got
7:18
Speaker 1: there without the ugly stage. Something we always talk about here,
7:21
Speaker 1: that ugly stage.
7:22
Speaker 2: Bro, you gotta go through it. It's something that I said,
7:24
Speaker 2: you love something when you're doing good, and you hating
7:27
Speaker 2: when you're doing bad, And it's easy to shift to
7:28
Speaker 2: blame and say, oh, it's because the people out there,
7:31
Speaker 2: and always think about what you're doing, think about what
7:33
Speaker 2: you're creating, think about you're presenting, think about your strategy.
7:37
Speaker 2: It's important because if now you're just gonna blame, Oh,
7:39
Speaker 2: I can't be good at something because of how everybody's
7:42
Speaker 2: receiving it. And that's not what it is. It's how
7:45
Speaker 2: you're presenting it. And think about your strategy and keeping
7:48
Speaker 2: lock into that facts. Man.
7:50
Speaker 1: It makes me even think about Tyshawn Jones, which is
7:53
Speaker 1: a professional skateboarder that was recently on the Breakfast Club.
7:56
Speaker 2: They interviewed him. He has to deal with supreme.
7:59
Speaker 1: He's like, I don't know if it's sponsored or if
8:02
Speaker 1: he's a collaborate. I don't know what the term is
8:04
Speaker 1: with Louis Vuitton how they do things, but he's associated
8:07
Speaker 1: with them. Also, he had a collab with Virgil that
8:10
Speaker 1: he was in the middle of before Virgil passed away unexpectedly,
8:14
Speaker 1: and he was just talking about skateboarding from the point
8:16
Speaker 1: of view of like Bro, he knows so many people
8:19
Speaker 1: that have told him, Oh, I tried skateboarding, then ifel
8:21
Speaker 1: and I stopped, you know what I mean? And he's like, Bro,
8:23
Speaker 1: skateboarding is just learning that you're gonna fall, getting used
8:26
Speaker 1: to it and keep going. And it goes back to
8:28
Speaker 1: something I've talked about a lot before, Comedians and CARSI
8:31
Speaker 1: and Coffee and Jerry Seinfeld in there he said something
8:34
Speaker 1: along the lines of whenever he sees the skateboarder, he
8:37
Speaker 1: knows they're gonna be all right in life, you know
8:39
Speaker 1: what I mean, because he just knows the process of
8:42
Speaker 1: he don't know anything about skateboarding, but he knows the process.
8:45
Speaker 1: He knows that it's hard, it's rough, and for you
8:48
Speaker 1: to get back on that board after it hits you
8:50
Speaker 1: in the leg or it throws you, you fall, whatever
8:52
Speaker 1: the case is. He knows that those people with that
8:56
Speaker 1: followed through, they gonna be all right whatever they do.
8:59
Speaker 2: And that's why I love Tony Hawk used to go
9:01
Speaker 2: around the cars and hes to see people skateboarding like
9:04
Speaker 2: the cake flat, because you know, if you got that
9:06
Speaker 2: cake flip down you on your way, that could be
9:08
Speaker 2: the only trick. That's the first trick you got to.
9:10
Speaker 1: Learn, bro. And that's the thing about skateboarding that is
9:13
Speaker 1: so fire is like there's very few things in life
9:19
Speaker 1: period that if you're exceptionally good at it, it'll it'll
9:24
Speaker 1: just cut like no matter what. And skateboarding is one
9:27
Speaker 1: of those things where it's like, dog, it's not opinion,
9:30
Speaker 1: Like you can't like if if a dude is laying
9:34
Speaker 1: certain tricks, bro, he is undeniable because he's not doing
9:38
Speaker 1: that with smoking.
9:39
Speaker 2: Mirrors, Bro. They can't fake it exactly.
9:41
Speaker 1: And like that's something I always respect about stuff like
9:44
Speaker 1: skateboarding because like, even like sports, you could be real
9:46
Speaker 1: good at sports, but if you're not good at selling
9:48
Speaker 1: yourself or if you don't meet the right people, you know,
9:51
Speaker 1: you're just a guy that says he was good. But
9:54
Speaker 1: nowver you got the chance to show it. But if skateboard,
9:57
Speaker 1: you don't need nobody to co sign. You don't need
9:58
Speaker 1: no you need the skateboard. You take that skateboard somewhere
10:01
Speaker 1: and you show that you could do it. Bro, there's
10:04
Speaker 1: nobody that could stop you.
10:05
Speaker 2: You can't fake that funk. You're either gonna know. Yeah,
10:08
Speaker 2: there's so much that comes to it, and there's so
10:10
Speaker 2: much skill behind it. You can't fake that. You can't
10:13
Speaker 2: do one trick. And everybody thinks, like you go out
10:16
Speaker 2: on a basketball court, you make a three pointer and
10:18
Speaker 2: swish it, that don't mean you get at basketball. You can't.
10:22
Speaker 2: You can't do that with any other thing. Bro.
10:25
Speaker 1: Back in Wentworth when I was when we was going
10:29
Speaker 1: up there, like obviously there was white people in the neighborhood,
10:33
Speaker 1: but there was no white kids on the bus, you
10:35
Speaker 1: know what I mean, Like literally, like there was one
10:37
Speaker 1: that came like later on, and we were all like
10:39
Speaker 1: we would always like like pointing them out because it
10:42
Speaker 1: was like he stuck out like a sword thumb. But
10:44
Speaker 1: he was the only white boy on the bus and
10:46
Speaker 1: he didn't even live in the neighborhood. He lived on
10:48
Speaker 1: a trailer across the street, and he rode the bus
10:51
Speaker 1: obviously because you know, he was mad close. He didn't
10:54
Speaker 1: even live in the neighborhood.
10:55
Speaker 2: Bro.
10:55
Speaker 1: So we was like maybe fifth or sixth grade, and
11:00
Speaker 1: this white boy named Andrew moved in and he was
11:03
Speaker 1: a skateboarder. We ain't know nothing about skateboarding nothing, you know,
11:07
Speaker 1: but he came and he was really good, and he
11:09
Speaker 1: just came with that energy and he was like really
11:11
Speaker 1: like passionate about teaching us and stuff like that. So
11:14
Speaker 1: that Christmas, we all asked for skateboards from.
11:18
Speaker 2: Our parents, you know what I mean, everybody hit a band.
11:20
Speaker 1: So Bro, Christmas Christmas came Christmas Day. Bro, I'll never forget.
11:24
Speaker 1: We all come outside with our skateboards. We set up
11:28
Speaker 1: like in like this little area like that in Wentworth,
11:31
Speaker 1: like in the middle of the neighborhood, and we're all
11:33
Speaker 1: just trying to ali over stuff, learn the tricks, all
11:36
Speaker 1: this stuff. And we just got really into it because
11:39
Speaker 1: of Andrew, you know what I mean. And I've always
11:42
Speaker 1: like just stayed up with skateboarding since then, you know,
11:44
Speaker 1: I mean, because of the same stuff that we're talking about.
11:47
Speaker 1: And you know, obviously Tony Hawk pro skater bro Dog
11:51
Speaker 1: that game right there, b Like.
11:54
Speaker 2: That made you feel like he was a skater even
11:56
Speaker 2: if you weren't running the soundtrack.
11:58
Speaker 1: Bro, Like it was like music that I had ever
12:00
Speaker 1: heard before, but it was fire.
12:02
Speaker 2: Bro.
12:03
Speaker 1: You know what I'm saying. It was that like it
12:05
Speaker 1: wasna That's where I was going with it.
12:08
Speaker 2: BRO.
12:08
Speaker 1: Shout out to my boy Ronnie Doug because he listens
12:11
Speaker 1: to like the rock where Buddy like has a soup
12:15
Speaker 1: hair in his front like this, He's like like the
12:21
Speaker 1: little accent stuff, you know what I mean, Like rock that.
12:25
Speaker 2: Bro.
12:26
Speaker 1: I like like, bro, that that grunge, punk rock, you know,
12:33
Speaker 1: British rock, grime, you know the ramones uh that kind
12:37
Speaker 1: of vibe, you know what I'm saying. So like when
12:39
Speaker 1: that Tony Hawk hit, Bro, that was hip hop but
12:42
Speaker 1: with enough like in another genre.
12:43
Speaker 2: You know what I'm saying.
12:44
Speaker 1: That's hip hop energy the stuff they saying, the vibes
12:47
Speaker 1: of the song because you had to be able to
12:48
Speaker 1: skate to it exactly, Bro. So like that just opened
12:51
Speaker 1: my mind my mind, Like damn, Bro, like this is dope.
12:54
Speaker 1: Like it's different, but it's super dope, you know what
12:56
Speaker 1: I mean. And there was actually a skateboarding game before
12:59
Speaker 1: Tony Hawk on PS one that was called Thrasher that
13:03
Speaker 1: Thrasher dropped like the magazine Thrasher. They dropped the game
13:07
Speaker 1: it was called Thrasher Skating Destroyer or something like that. Bro,
13:13
Speaker 1: that game was like mad innovative. The way the controls
13:16
Speaker 1: was and the way the game was was like you
13:18
Speaker 1: would go on a run like how you would doing
13:20
Speaker 1: Tony Hawk, like to try to get your points or whatever.
13:22
Speaker 1: They didn't have like all these objectives and stuff. It
13:25
Speaker 1: was more just like point based or like yeah, like
13:28
Speaker 1: you're just trying to get like a certain amount of
13:29
Speaker 1: points or like it's like a competition level or whatever.
13:32
Speaker 1: But at the end of the level, a cop would
13:35
Speaker 1: chase you, and if you didn't out run the cop,
13:39
Speaker 1: your your run doesn't count. So you could like complete
13:42
Speaker 1: the objective, but if the cop catches you, you gotta hit
13:45
Speaker 1: it again because he hits you with the citation and
13:48
Speaker 1: you was done, you know what I'm saying. And that
13:49
Speaker 1: game was super dope. But that game had mad classic
13:52
Speaker 1: hip hop on it. So that game soundtrack was Africa
13:56
Speaker 1: bombarda Gang Star to Sonics. Like, Bro, it was like
14:02
Speaker 1: real real, like, uh, what's it called EPM d Uh?
14:08
Speaker 1: What's his name? Chuck d what was it? What was
14:12
Speaker 1: the group that uh Chuck D and Flavor Flay was?
14:16
Speaker 1: Why am I public Republic enemy? Like bro, it was
14:19
Speaker 1: just them type of bangers bro. And and at that time,
14:23
Speaker 1: you know, like I has mentioned before, like my my
14:26
Speaker 1: first taste of hip hop was really like early the
14:29
Speaker 1: mid nineties stuff, you know, may you know that kind
14:32
Speaker 1: of vibe, you know, just the classic nineties hip hop.
14:34
Speaker 1: So I wasn't really hip on the early nineties and
14:36
Speaker 1: that he was giving you taste so exactly. So when
14:39
Speaker 1: I was when I was here, and now I'm like, damn,
14:41
Speaker 1: these songs are bangers, bro. And like those songs from
14:44
Speaker 1: Tony Hawk and from Thrasher. Bro, there's still like a
14:46
Speaker 1: big part of my playlist and just my listening experience nowadays,
14:51
Speaker 1: because like Bro, like I was listening to a boy
14:54
Speaker 1: MJG on my way home today and I was just thinking, like, Bro,
14:57
Speaker 1: when a song is a vibe, Bro, it don't matter
15:00
Speaker 1: when it was made at all. Like a vibe is a.
15:03
Speaker 2: Vibe regard to sound exactly.
15:05
Speaker 1: It's like you cannot try to tell me like, oh,
15:08
Speaker 1: this is whatever the case is, Like bro, if I
15:10
Speaker 1: play if you're the time that shit facts if you're
15:13
Speaker 1: a music head and I play you something that's a classic, bro,
15:15
Speaker 1: you're gonna rock with it because it is a classic.
15:17
Speaker 2: That's just how it goes now. But I inter close
15:20
Speaker 2: it out. I loved how it's not like that anymore.
15:23
Speaker 2: But video games were a major part of well, music
15:27
Speaker 2: production was a major part of video games back then,
15:31
Speaker 2: even like the old mad uh, the old college football
15:34
Speaker 2: games and the Madden games, Like they had soundtracks, Bro,
15:37
Speaker 2: that really introduced the whole generation of people who didn't
15:41
Speaker 2: know the music to music that that was before their time.
15:44
Speaker 2: And they're like, oh damn mean and it liked that.
15:47
Speaker 2: I think they lost that little so.
15:49
Speaker 1: Even like the importance that they used to put on
15:51
Speaker 1: soundtracks and putting together vibes for movies, shows, video games,
15:55
Speaker 1: like you said, like they would actually like get a
15:58
Speaker 1: Grammy winning producer.
15:59
Speaker 2: Auld say, I remember used to go on and buy
16:01
Speaker 2: CDs of soundtracks and movies yep, yeah.
16:04
Speaker 1: And they would win awards and stuff like and it
16:05
Speaker 1: was bangers because they were just thinking about stuff in
16:09
Speaker 1: a different way like now everything is so like quick, let's.
16:11
Speaker 2: Get it out of the Rushower soundtrack with Cisco that
16:15
Speaker 2: was a banging soundtrack.
16:16
Speaker 1: I'm gonna close it out with this cause I was
16:17
Speaker 1: listening to this song the other day and they're reminded
16:19
Speaker 1: me this is a super obscure R and B song.
16:24
Speaker 1: The artist's name is best Man and the song is
16:27
Speaker 1: called I See You. I'm gonna send it to you
16:30
Speaker 1: so you can check it out after this. Bro. A banger.
16:33
Speaker 1: The beat is fire, the song is fire, everything is
16:36
Speaker 1: fire about it. It was from the Barbershop soundtrack.
16:39
Speaker 2: Oh yeah, the barber The.
16:41
Speaker 1: Barbershop soundtrack was a b had traded all on there.
16:44
Speaker 2: They had a bostface song on in the video. They
16:47
Speaker 2: had them in the videos too.
16:48
Speaker 1: Yep, And they had that song on their best Man
16:51
Speaker 1: I See You, bro, And I never heard that song
16:54
Speaker 1: anywhere but on that soundtrack. And that's, like I said,
16:57
Speaker 1: one of them songs that I still listened to to
16:59
Speaker 1: this day.
16:59
Speaker 2: Bro shout here.
17:01
Speaker 1: I got to check out and see what he even
17:03
Speaker 1: on now because I only heard of him then and
17:05
Speaker 1: that was it and I still never heard of him again.
17:09
Speaker 1: But yeah, bro, yeah, we got a lot more to
17:12
Speaker 1: get into on this episode. The way that we've been
17:16
Speaker 1: breaking down the episodes has been really beneficial, and I
17:19
Speaker 1: feel like people have been able to, like we said
17:21
Speaker 1: in the beginning, people can kind of pick and choose
17:23
Speaker 1: a little more. It's a little easier listen than, you know,
17:26
Speaker 1: just seeing a whole forty five minute episode or whatever.
17:29
Speaker 1: So I appreciate everybody that's been rocking with us, all
17:32
Speaker 1: the new people that have been joining us, because it's
17:34
Speaker 1: definitely been hundreds of people that's joined us since we've
17:37
Speaker 1: made the change. We've been looking at the stats over
17:41
Speaker 1: you know, we've been seeing engagements.
17:42
Speaker 2: Keep engaging with us, keep comment and just give us
17:45
Speaker 2: your opinions because that's going to change our opinions. And
17:48
Speaker 2: something to talk about. Facts, facts,