Latest / HEAVY Music Interviews / Laughter Is The Best Medicine With TISM

Transcript

Laughter Is The Best Medicine With TISM · HEAVY Music Interviews

0:00
Speaker 1: Needs that addresses the needs of the more full bodied,
0:05
Speaker 1: heavier statute rock fan. After all, how many, how many you're,
0:14
Speaker 1: more full bodied fans have had a magazine devoted to them. Look,
0:19
Speaker 1: I must admit, Angela, it's for me. It's a rarity,
0:22
Speaker 1: and I can really see the use of this magazine.
0:26
Speaker 1: I mean, I assume that you have articles on you know,
0:29
Speaker 1: stage diving for the heavy fan. I mean, I know
0:33
Speaker 1: we're that some people complain about the nanny state, but
0:37
Speaker 1: I can very much see both for the heavier rock
0:40
Speaker 1: star and for the heavier fan stage diver. There are
0:43
Speaker 1: certain safety protocols. We live in a society of laws, Angela,
0:48
Speaker 1: and I think that with the heavier fan stage diving,
0:54
Speaker 1: I feel, you know, look, look, look, treating everyone equally, Angela.
0:58
Speaker 1: As you would know working for a magazine that caters
1:01
Speaker 1: to a minority group, treating everyone equally does not mean
1:07
Speaker 1: treating them the same. So perhaps we could your readers
1:12
Speaker 1: could perhaps war maybe a bell or some other signifying
1:17
Speaker 1: device on them, and when they get up on stage
1:21
Speaker 1: there are more strong, possibly weightlifter types, possibly wrestler types.
1:27
Speaker 1: I'm get ready to receive there. Look, Look, with mass
1:34
Speaker 1: and exalaration there's a sort of physics to it. And
1:37
Speaker 1: I think if the readers of Heavy magazine landed on
1:42
Speaker 1: the smaller fan, I think there's an issue there, and
1:46
Speaker 1: I think a special stage diving area so you're more
1:50
Speaker 1: heavy fan waddles up on stage, rings the little bell
1:55
Speaker 1: and then sort of, I assume, sort of flops like
1:59
Speaker 1: a would be rather like a seal of a peer. Yes,
2:06
Speaker 1: like a seal off a pier, you know, possibly honking
2:10
Speaker 1: like the seal rather like that Esdler. There's another article
2:16
Speaker 1: for you, by the way, that's not only the honk
2:19
Speaker 1: before the stage dive, and then you know you're more wrestler,
2:23
Speaker 1: you're more muscle types of peer. Below that area of
2:26
Speaker 1: the stage especially, there would have to be safety tape, Angela.
2:29
Speaker 1: There would be safety tape both for the people on stage,
2:34
Speaker 1: possibly even a slide, possibly even a greased up slide,
2:37
Speaker 1: and your seal like heavier fan bell ring comes down
2:42
Speaker 1: the slide. You know. It reminds me of touch of
2:45
Speaker 1: the ANZACs out of the trenches in World War One,
2:48
Speaker 1: as they're sort of they're sort of you know, like
2:51
Speaker 1: facing the future with courage and the fan gets to
2:55
Speaker 1: I mean, there would be a sort of a dip
2:57
Speaker 1: in the slide. Possibly some of the heavy fans wouldn't
2:59
Speaker 1: be able there would be not enough momentum. But the
3:02
Speaker 1: ones that do slowly slop off the end of the
3:06
Speaker 1: slide into the stage mosh pit area, those people would
3:12
Speaker 1: be caught by specially trade muscled stage mosh pit people.
3:18
Speaker 1: And this is this is the sort of care, yes,
3:22
Speaker 1: the care angler that Heavy magazine has for the for
3:28
Speaker 1: the king sized person.
3:30
Speaker 2: That's right, And we don't shame here. We're all about
3:32
Speaker 2: the heavier person.
3:33
Speaker 3: Of It's beautiful. Yeah, that's very beautiful of you, Ron.
3:37
Speaker 3: I think, you know, we all need to take an
3:39
Speaker 3: anti bias approach in the way that our assumptions about
3:45
Speaker 3: heavy people have you know, colored our lives over the years.
3:49
Speaker 3: And I would like to rewrite the Anzac history by
3:54
Speaker 3: making the movie Gallipoli and instead of that you know,
3:59
Speaker 3: that sort of unnaturally handsome young bile uh, you know
4:08
Speaker 3: character getting short, you know, I would like to end
4:11
Speaker 3: the film with a mass of corpulent flet.
4:20
Speaker 1: Exactly. Well, I I think if it's the film caliperly Humphrey.
4:24
Speaker 1: I don't normally disagree, but I do like the idea
4:29
Speaker 1: of it, of your rippling, corpulent, king size antacs at
4:38
Speaker 1: the neck at caliberally running towards the Turks. We know
4:43
Speaker 1: the tragic we know the tragic resolutions. They're all going
4:47
Speaker 1: to die. And then in slow motion the Turkish bullets
4:51
Speaker 1: burrowing their.
4:53
Speaker 2: I think I like the seal imagery you gave before actually.
4:57
Speaker 1: Borrowing way into the flesh. Would take quite some time
5:01
Speaker 1: to get to a vital organ. And and I just
5:05
Speaker 1: and imagine imagine how good they would look that the
5:08
Speaker 1: extent of the of the World War One uniform taking
5:13
Speaker 1: up that much Clough, it writes itself, Humphrey, it does.
5:18
Speaker 3: We could Yeah, I mean those dawn services. We could
5:21
Speaker 3: have a massive blimp in the sky.
5:24
Speaker 2: Oh my gosh, well, I'm so glad we've stayed on topic.
5:27
Speaker 2: Guyss'm heavy. You were in the presence of Australia's most
5:30
Speaker 2: notable music greats. No, it's not the Wiggles, they were busy.
5:33
Speaker 2: It's Ron and Humphrey of.
5:36
Speaker 1: On hold on Angela of the comparison to the Wiggles.
5:40
Speaker 1: I bet right, because we are a serious bunch of artists.
5:43
Speaker 1: I understand that our girth is greater than the Wiggles,
5:48
Speaker 1: and I understand the sly underhanded, underhanded shot you were
5:54
Speaker 1: taking in the Yes, okay, the wiggles are thin and
5:57
Speaker 1: we're not so thin, Angela. And I did I expect
6:01
Speaker 1: this from most of the media, but for someone from
6:03
Speaker 1: heavy I'm disappointed. Oh, I know, I've really done my
6:08
Speaker 1: grandfather wand towards world, towards the Turks. Angela, And this
6:14
Speaker 1: is where we're at.
6:16
Speaker 2: Well, I apologize. I'll just send it here.
6:18
Speaker 3: Then, Okay, Mustafa, you do realize, you know, we have
6:25
Speaker 3: to do brief afterwards with our owner, the Crown Prince
6:29
Speaker 3: Muhammad been so mut and he has very set attitudes
6:35
Speaker 3: about you know, the appreciating heaviness, yes in people. And
6:45
Speaker 3: we want you to make sure you understand that Aism
6:48
Speaker 3: has not got bigger, We have got thicker.
6:53
Speaker 1: That's right, Angela. Look look, Angela, our owner don't take
6:57
Speaker 1: this in any way or shape of thought as a threat.
7:01
Speaker 1: But the Prince Muhammad ben Solomon does Auntism. He's very
7:07
Speaker 1: protective of his assets. It's a hard time in the
7:10
Speaker 1: Middle East. And the last time, we don't often meet him,
7:14
Speaker 1: by the way, Angela, we often meet his Factotain Morris.
7:17
Speaker 1: We'll talk about that, Moti. But we have heard, and
7:20
Speaker 1: we've actually experienced ourselves. He's ire and you know, Koshogi
7:29
Speaker 1: experienced the Prince's ira and that fan had to break up,
7:32
Speaker 1: and we don't want to break up now, Angela. He's
7:35
Speaker 1: factotum or batman or servant as you will. Was Morris
7:39
Speaker 1: is a Morris actually a lovely boy from Baronia who
7:43
Speaker 1: many years ago realized he's got transsexual urges, and he
7:47
Speaker 1: realized that as a man he wanted to become a woman.
7:51
Speaker 1: And now, in twenty twenty four, of course there's no
7:54
Speaker 1: problem with that. But back when he was growing up
7:56
Speaker 1: in Baronia, back in about ninety read, he was stuck
8:01
Speaker 1: and he worked out that in Saudi Arabia, the penalty
8:04
Speaker 1: for a man becoming a woman was to have one's
8:06
Speaker 1: penis removed. Now, I'm loth to ever criticize the prince,
8:13
Speaker 1: but I feel that the incentives in that law probably
8:17
Speaker 1: not quite right. He went to Saudi Arabia had his's
8:19
Speaker 1: penis removed, no anesthetic, unfortunately, And since then that's the
8:25
Speaker 1: person that many of the princes, many of the groups
8:29
Speaker 1: and the people the princes own talked to. Lovely man
8:32
Speaker 1: and Angela, I can sense from the blank black and
8:36
Speaker 1: white icon on my zoom screen. You're distaste for this
8:39
Speaker 1: whole area, but I can only tell you that when
8:43
Speaker 1: moral exemplars like Greg Norman have agreed to be the
8:47
Speaker 1: Prince's creatures, who atism to refuse?
8:51
Speaker 2: Well, okay, yes, yes to all of that. You for
8:57
Speaker 2: going on Tour Autism's first full length album in twenty years.
9:00
Speaker 2: There's some huge special guests. Lot took you, guys so long?
9:02
Speaker 2: And what made you choose these artists as supports?
9:05
Speaker 1: Did you write that question, Angela? Or did did Chris
9:09
Speaker 1: give you that?
9:10
Speaker 2: Chris definitely wrote, well, lift.
9:14
Speaker 1: Lift your game, Chris, lift your fucking game. What sort
9:17
Speaker 1: of like what GBT fucking prompt got that one?
9:22
Speaker 4: Going ridiculous question?
9:24
Speaker 3: Throwing Angela under the bus. I think like that, you know,
9:29
Speaker 3: even for a heavy man like yourself, Chris, is you
9:33
Speaker 3: know it's really incrimination?
9:39
Speaker 1: Yeah? Yeah, this article should really be about the truth
9:42
Speaker 1: about Chris. Chris Peters in person with two first names
9:47
Speaker 1: is dodgy start off angler. I can tell that that
9:51
Speaker 1: I feel there's an unhealthy work, an unhealthy work environment
9:57
Speaker 1: and heavy heavy and went well, Angela, I know that
10:02
Speaker 1: you've been gas lip now for a while, but when
10:04
Speaker 1: Chris hands you a shit question like that, I don't
10:06
Speaker 1: think there's respect for anyone involved. Chris will hear this
10:10
Speaker 1: interview or read this interview and he will be laughing.
10:13
Speaker 1: I know.
10:14
Speaker 2: As a heavier woman, though, I have to say that
10:17
Speaker 2: Heavy really does cater to my every need.
10:19
Speaker 1: And I mean, I know, I know it's stupid, this
10:21
Speaker 1: whole Heavy thing. I think that joke's over. I actually
10:25
Speaker 1: thought that Heavy surely the magazine is about physics, like
10:29
Speaker 1: like Heavy is, like like gravity is. I mean, the
10:32
Speaker 1: whole point about gravity is Newtonian gravity, especially is you
10:38
Speaker 1: put a glass on a table and there's that the
10:41
Speaker 1: gravitational force of the Earth is pulling the grass the
10:44
Speaker 1: glass towards its center of the Earth. But then there's
10:46
Speaker 1: also a well, it's a force pushing up on the glass,
10:51
Speaker 1: forced from the truck table. And so I feel Heavy
10:56
Speaker 1: probably has many articles about not not just not just
11:01
Speaker 1: Newtonian physics. But I'm just wondering, Angela, whether Heavy has
11:06
Speaker 1: the Einstein view about curved space time and look like,
11:11
Speaker 1: after all, no one can truly explain the concept of
11:13
Speaker 1: heaviness and what is Heavy's attitude towards the whole idea
11:18
Speaker 1: that space and time of curved which causes the phenomenon
11:21
Speaker 1: of gravity.
11:23
Speaker 2: I think if you go back a few articles into
11:26
Speaker 2: our history you will find the answer.
11:29
Speaker 1: It's all there.
11:30
Speaker 2: We had an interview with Einstein.
11:40
Speaker 4: Yeah, that's it.
11:41
Speaker 1: That's it.
11:41
Speaker 3: It was Heavy Water as well. That's another you know,
11:46
Speaker 3: I look forward to reading about that.
11:47
Speaker 1: But yeah, what the fuck is heavy magazine about? Do
11:51
Speaker 1: you know? Is this about like head banger bands and ship?
11:54
Speaker 3: I think it's I think it's about Barrett's esophagus.
12:00
Speaker 1: Close.
12:01
Speaker 3: I mean, surely that's obvious. I mean, the barretssophagus market
12:04
Speaker 3: is quite massy ab out there.
12:07
Speaker 1: What every what are you saying? I don't understand what
12:10
Speaker 1: someone's Barrett's barretts.
12:14
Speaker 3: It's a parent It's a condition that was first suffered
12:20
Speaker 3: by Sid Barrett, the principal songwriter of Employed.
12:26
Speaker 1: He was this is true, not anyway.
12:29
Speaker 3: What traumatized by traumatized by reflux that he, you know,
12:37
Speaker 3: disappeared from and arguably one of the brightest burning pop
12:42
Speaker 3: stars of the sixties. Shine on you, crazy Diamond, going
12:47
Speaker 3: on you, Yes, shine on you, lazy heartburn suffering diamond, right,
12:53
Speaker 3: you know. The there is, of course, this apocryphal story about,
12:59
Speaker 3: said Barrett turning up at a Pink Floyd recording session
13:05
Speaker 3: when they're actually recording a song in tribute to Seid Barrett.
13:10
Speaker 1: And it was a song.
13:12
Speaker 3: It was called I Wish You Were Here, And it
13:16
Speaker 3: was all about going to bed after a really massive
13:21
Speaker 3: chilick on carne and to your left, and and it's
13:28
Speaker 3: and the and the boiling vesuvius like eruption. It's you know,
13:36
Speaker 3: it causes you terrible, terrible stress. And that that's really
13:41
Speaker 3: what Barrett's esophagus is all about.
13:44
Speaker 1: Was that the album cover which had the chili con
13:46
Speaker 1: Carnie flying through the air. Yes, that's right, Yes, yes,
13:51
Speaker 1: I remember that one. Well, the red chili.
13:54
Speaker 3: Came with a came with a tube of my Lanta
13:58
Speaker 3: with every album. Yeah.
14:01
Speaker 1: They used to do that, didn't they. I do think
14:04
Speaker 1: that many heavy metal bands, it was the album covers
14:08
Speaker 1: were the main attraction. I feel like, like, you know,
14:10
Speaker 1: the album covers evoked and image a sort of world
14:14
Speaker 1: of the band, did they not, And so the fan
14:17
Speaker 1: could join this sort of little mini like this is
14:20
Speaker 1: it before social media? It was the way you joined
14:22
Speaker 1: the little cult of the band and the bands sort
14:25
Speaker 1: of ethos Like I actually think most heavy metal bands
14:29
Speaker 1: should just cut the music out. It's sort of like
14:31
Speaker 1: the worst part of their They should just do costumes,
14:34
Speaker 1: hair posturing. You know. They could have the amps, they
14:38
Speaker 1: could have the guitars, they could have the album covers,
14:41
Speaker 1: have the vinyl records. All that would be fine. Just
14:43
Speaker 1: don't play anything.
14:46
Speaker 2: Okay, lost control of this.
14:50
Speaker 1: Who's going to put this together? Just give it the
14:52
Speaker 1: shit to who can sort it out with his job?
14:56
Speaker 2: It is Okay. I've got a good question, though.
14:58
Speaker 4: Can you listen for one second.
15:01
Speaker 2: Okay, we spoke about peak ossie musicians, of which Tism
15:05
Speaker 2: is one. Have you guys had a Savage Garden level
15:07
Speaker 2: argument yet?
15:09
Speaker 4: That's a good question.
15:10
Speaker 5: Come on, one question that finishes with that's a good question.
15:16
Speaker 1: I'm not sure that is such a great question. That's
15:18
Speaker 1: a good question. Discuss thoughts.
15:22
Speaker 3: Yes, sorry, what did you describe?
15:28
Speaker 2: Yes, Savage Garden level argument? You said that there you know.
15:32
Speaker 1: Nothing about Savage Garden. You want to ask us about
15:35
Speaker 1: carbarettas or you know, like rainfall in bloody Brazil, Like
15:41
Speaker 1: who gives a fuck?
15:43
Speaker 4: Okay, moving on.
15:44
Speaker 2: You once said if Tism ever came back, there'd be
15:47
Speaker 2: ship house. Can you confirm or deny.
15:51
Speaker 3: Yes, we did want to say that good.
15:53
Speaker 2: Okay, I'll thee arthritis after you played Good Things a
15:58
Speaker 2: few years ago.
15:59
Speaker 3: Well, well it wasn't so much the arthritis angular because
16:03
Speaker 3: all of our bones have been replaced by cy But but.
16:11
Speaker 1: It was the reflex that got us, that really got us.
16:16
Speaker 3: Yeah, I mean I was belting up fumes of sulfuric
16:21
Speaker 3: fury after Good Things. Uh, and a lot of the
16:26
Speaker 3: bands on that festival sound were terribly suffering from reflux.
16:31
Speaker 1: Yeah, yes, exactly. I remember quite a few would come
16:35
Speaker 1: to our gest Hey, guys, you got any of the
16:38
Speaker 1: good stuff? You know, you can got any two hundred
16:40
Speaker 1: grams of my lead? Actually, I do remember, Humphrey. There's
16:45
Speaker 1: quite a lot of belching from many of the bands there.
16:49
Speaker 1: I think, like you know, on on stage and yeah,
16:53
Speaker 1: and I think given that the amount of fire special
16:59
Speaker 1: effects that I think it's a good thing there. Well,
17:03
Speaker 1: I just think it's a catastrophe waiting to happen.
17:06
Speaker 2: Yeah, please call your next album Sulfuric Fury.
17:10
Speaker 1: I like it. That is good fine, something not from Chris.
17:18
Speaker 3: You're happy for good Yarra to use that Goodyear just
17:23
Speaker 3: sounds like what comes out of your mouth when you
17:26
Speaker 3: when you're belting out.
17:30
Speaker 1: And their album could be called Page Fury.
17:37
Speaker 3: Have you are you familiar with the meta musial, Angela?
17:41
Speaker 4: Yes i am.
17:42
Speaker 2: I have very hard stools, thank you very much.
17:46
Speaker 3: I not wear a poo band or anything.
17:51
Speaker 1: We fucking wish, Angela, we wish at our age.
17:55
Speaker 2: But I'm assuming you guys do take the metal musical
18:00
Speaker 2: as well daily three times?
18:02
Speaker 3: Well, it's you know, it's obviously the trappings of rock
18:05
Speaker 3: star excess and appearances. Angela.
18:08
Speaker 5: So met a musial from a hooker's tits age? Yea,
18:17
Speaker 5: many fans a little bit of a little bit of
18:20
Speaker 5: old heavy metal misogyny for you?
18:24
Speaker 1: So ready for it, isn't it?
18:27
Speaker 4: You shut up now?
18:28
Speaker 1: Okay?
18:28
Speaker 2: Many fans would agree that tism unnational treasures thoughts.
18:34
Speaker 1: Round them up?
18:35
Speaker 4: Yes, yes, Text questions? What would you like to say?
18:42
Speaker 1: What else? Did chat with? Angela?
18:47
Speaker 4: I'm getting to it.
18:47
Speaker 1: Just where is this going? Is this a live thing?
18:50
Speaker 1: You said apply before it's live? Or is it going
18:52
Speaker 1: to be a article.
18:53
Speaker 4: Or what it's recorded?
18:55
Speaker 1: Mate? Okay?
18:56
Speaker 2: What would you guys like to say to your fans?
18:58
Speaker 2: Very old and you.
19:01
Speaker 6: Oh, don't you hate these questions where you have to
19:04
Speaker 6: think of a line you get, Well, here's what I'd
19:07
Speaker 6: like to say, think of your own funny line of
19:09
Speaker 6: fat cunts.
19:11
Speaker 4: Perfect.
19:13
Speaker 2: What do you guys hope TISM's legacy will be?
19:16
Speaker 1: How many fucking of these are they? How many fucking
19:20
Speaker 1: fucking hype the legacy? Fucking what's the next? You know? Fuck?
19:24
Speaker 1: And what are the chords on Death to Art? We
19:26
Speaker 1: don't fucking know. There's only three of them working out yourself. No,
19:30
Speaker 1: I don't blame you for any of this. I blame
19:33
Speaker 1: the patriarchy. In the terms of Chris sounds like Chris Penis.
19:39
Speaker 1: It sounds like a fucking character for a nineteen fifty
19:42
Speaker 1: mister Peters. Mister Peters, so the evil guy in a
19:45
Speaker 1: fucking nineteen fifties black and white fucking film.
19:48
Speaker 2: Okay, I've got a good one, actually good one.
19:51
Speaker 4: Doubt.
19:52
Speaker 2: The title of your album and tour is Death to Art?
19:55
Speaker 2: Which art in particular do you summon death upon?
20:00
Speaker 1: Right?
20:00
Speaker 3: Well? Yes, well you see you misinterpreted the title that
20:05
Speaker 3: have I yeah, yeah, yeah, it actually it means it
20:11
Speaker 3: means night train to Venus. And I'm not sure why
20:16
Speaker 3: that wasn't obvious.
20:20
Speaker 1: You do need to do it. We do need to
20:22
Speaker 1: investigate how free more here.
20:26
Speaker 3: Not trained to Venus.
20:27
Speaker 1: I mean, it's that obvious.
20:29
Speaker 3: It's not your fault, Angelo, it's.
20:30
Speaker 4: My fault.
20:35
Speaker 1: When I reference to understand.
20:39
Speaker 3: No, no, no, no, no, I just made it up.
20:41
Speaker 1: Not Venus may be a pig album.
20:46
Speaker 3: No, it's it's a I think it's a bony m album. Actually,
20:51
Speaker 3: But and I've got them all of course I should
20:54
Speaker 3: know the answer to that. But I was just trying
20:58
Speaker 3: to kind of point out my lack of facility with
21:02
Speaker 3: the language.
21:03
Speaker 1: And I mean I agree with your overall point. I mean,
21:07
Speaker 1: death to our clearly the message it fucking foods like
21:15
Speaker 1: fucking night and day. Annoying that people haven't got it.
21:21
Speaker 3: It is so annoying. I mean, there's all these people
21:23
Speaker 3: on the internets who who are quantificating at the moment
21:28
Speaker 3: that there's this funereal theme on the album, that it's
21:31
Speaker 3: something dignifies that that this is the final act in career.
21:40
Speaker 3: They've got it all wrong because we're hopping on the
21:43
Speaker 3: night truck.
21:47
Speaker 1: Two Venus. That's right.
21:50
Speaker 3: I don't want to daminate any further because there is
21:55
Speaker 3: a void.
21:58
Speaker 1: What am I doing your job for? Trying to beat us.
22:01
Speaker 1: I'm investigating, I'm interrogating, and you're just saying they're doing nothing.
22:05
Speaker 1: Your next idiotic.
22:07
Speaker 2: Question from christ it makes my job easy.
22:11
Speaker 1: And well, fucking what are they going to give us
22:13
Speaker 1: in the shows? What's surprising? Not trying to beat us.
22:19
Speaker 4: That's my gold, That's all it is. Yeah, that's what
22:22
Speaker 4: I should I'm sorry, guys.
22:25
Speaker 3: It's not your fault, Angela, it's and Chris.
22:29
Speaker 4: Good.
22:32
Speaker 2: Another great question from Chris, of course, not me.
22:35
Speaker 4: Can we talk.
22:36
Speaker 2: About the garb fans can expect on this tour? Any
22:40
Speaker 2: no listen?
22:41
Speaker 1: It's good. That's an example of a bad question.
22:45
Speaker 2: Let me finish though, Will we see any inflatable bonbag
22:48
Speaker 2: onesies this time?
22:50
Speaker 1: That's good? Yeah, that finish really helps.
22:53
Speaker 3: Look, it's actually I've got the album here now and
22:57
Speaker 3: it's not actually not trained to venus. I'm sorry I
23:02
Speaker 3: was wrong again.
23:05
Speaker 7: You know.
23:05
Speaker 3: Really what I should do is find somebody like poor
23:08
Speaker 3: Angela to do my dirty work.
23:10
Speaker 1: For me, like like Chris, yes, mister Peters, mister Peters,
23:14
Speaker 1: he likes being called, by the way.
23:17
Speaker 3: Yeah, mister Peters.
23:18
Speaker 1: Yes, trying to venus, Humphrey, it's instally rather like a
23:24
Speaker 1: traffic album from you know, seventy six seventy seven. That's
23:29
Speaker 1: sort of europe Angela who's into well angels and the
23:33
Speaker 1: civy metal music. So maybe she's not. So I'll pay
23:37
Speaker 1: with this. Stevie Win would not.
23:39
Speaker 3: Yeah, I like about about night train to Venus is
23:44
Speaker 3: it's completely illogical, like if you're heading devenor ah, night
23:50
Speaker 3: is not a concept that exists.
23:53
Speaker 1: Well, that's right, I mean I do. However, I do, however,
23:58
Speaker 1: like the specific nature of to try to be it's not.
24:06
Speaker 3: Like any train it's it's not that's right.
24:11
Speaker 1: I think what was the band before Pandya the.
24:16
Speaker 2: But they're French, so I don't know.
24:19
Speaker 1: Oh yeah, yeah, yeah, yeah yeah. I feel that not
24:24
Speaker 1: trying to Venus is it is perhaps to subtle. It's
24:26
Speaker 1: it's it's sort of there's relevants of jazz influences there.
24:31
Speaker 1: It's it's rather like a Coultrane album. I feel not
24:34
Speaker 1: trained to be Yeah, basic, I can't very much.
24:44
Speaker 2: I asked one last question, thank god, excellent question.
24:48
Speaker 1: That one second. Angeler Siri, how long left on the timer?
24:54
Speaker 4: There's a timer with about seven minutes left.
24:56
Speaker 1: Seven minutes till my roast chicken is done, Siri.
24:59
Speaker 2: All right, y'allo, okay, I live in Mudgy. I'm a
25:02
Speaker 2: bit upset that you've left us off the map of touring.
25:05
Speaker 2: Now there's nowhere I can get my pills tested.
25:07
Speaker 1: What am I going to do? Guys? That's the extrogen pills.
25:12
Speaker 3: Yes, that's right, Mudge, Mudge. Budgets in Queensland, isn't it.
25:17
Speaker 2: It's not completely it's New South Wales.
25:21
Speaker 3: Well, there I go again.
25:22
Speaker 1: You know the thing about is we know and the
25:25
Speaker 1: rest of the world don't care much about Mudgie Angela.
25:28
Speaker 2: What you've got Bricelyne, Sydney, Melbourne Mudgy.
25:33
Speaker 1: Well that's that goes well then Melbourne Mudgy. That's beautiful.
25:38
Speaker 3: Actually Chris didn't obviously didn't write that one.
25:41
Speaker 1: That was quite good. That was a good one. That's
25:44
Speaker 1: here Alive tour album Brisbane, Sydney Mudge. Have you got
25:54
Speaker 1: a train station there, Mudgy?
25:56
Speaker 2: We're used to we got anymore? So can't catch the
26:00
Speaker 2: night trained Venus?
26:01
Speaker 1: So I like night Train of Venus? Well, yeah, exactly,
26:08
Speaker 1: it's logically possible.
26:10
Speaker 3: Well in the sense that you would imagine train tracks
26:14
Speaker 3: going through space. Yes, yes.
26:18
Speaker 1: Too. Look who's the album cover artists? Who did all
26:22
Speaker 1: of Yes albums.
26:23
Speaker 3: Who was Roger Deane?
26:25
Speaker 1: Roger Deane, thank you? Yeah, you played for Richmond Richmond
26:28
Speaker 1: Captain like sixties I think, and just imagine night Train
26:34
Speaker 1: to Venus Roger Deane. Well no, not pre Coltrane cult
26:42
Speaker 1: and and that would be good. Like it's like you
26:45
Speaker 1: know those Yes songs and all those album covers. You
26:48
Speaker 1: would know about the same, Like you could sort of
26:50
Speaker 1: lose yourself. I assume't had to be smoking something, but
26:53
Speaker 1: you could lose yourself in the mystic distances, the sort
26:58
Speaker 1: of Da Vinci like Italian landscapes, the world, the twisted,
27:03
Speaker 1: the italian Esque, the landscapes the Dean would paint far
27:07
Speaker 1: more interesting.
27:08
Speaker 7: I think he's far He's far distances than his actual foregrounds,
27:14
Speaker 7: don't you feel Angela, Yes, definitely, the fucking Peters to
27:18
Speaker 7: find out what do you think I will?
27:21
Speaker 4: Who does your cover art?
27:22
Speaker 3: By the way, Oh does that cover art?
27:28
Speaker 1: No way?
27:30
Speaker 3: Yeah, he's dead, of course.
27:32
Speaker 1: I know. I know that way you can tell from
27:35
Speaker 1: the art with but get sponsored by mit Lanta actually,
27:41
Speaker 1: and we asked them, can you provide the cover art
27:44
Speaker 1: for our album? And they refuse because of our association
27:48
Speaker 1: with our owner Mohammed bin Selman and Morris. He's factotum
27:52
Speaker 1: Batman but not if you will, who was a transsexual
27:56
Speaker 1: from Baronia who went back in the early eighties to
28:00
Speaker 1: Shouty Arabia to confess to his transsexual urges and had
28:03
Speaker 1: his penis cut off for that. I'm only competing this
28:08
Speaker 1: Andela because I think it's important for this interview, okay,
28:12
Speaker 1: And I do.
28:12
Speaker 3: Love the way that the cyclical nature of this discussion.
28:17
Speaker 3: Ron has beautifully brought it back. And you can publish
28:22
Speaker 3: this and he can have his roast chok, which is
28:25
Speaker 3: now overdue.
28:27
Speaker 2: Well, I don't care because I've got to finish this
28:29
Speaker 2: some way, okay, So.
28:30
Speaker 1: Just sure how long there's a timer and twelve seconds left?
28:37
Speaker 4: Seconds sick? Okay, Well, we can't wait for another.
28:40
Speaker 2: One of Tim's bringing intours. We love you guys here
28:43
Speaker 2: at Heavy. Leave me alone so I can go pondo.
28:45
Speaker 2: My life choices have.
28:46
Speaker 3: A change, lovers in the middle of the night.
28:49
Speaker 2: Angela all right, very poignant, Thank you, Peters.
28:54
Speaker 4: Any closing thoughts.
28:56
Speaker 3: Peters, Peters, Yeah, you know, just give Angela the promotion.
29:04
Speaker 4: Oh my thank you.
29:06
Speaker 1: Hack chat GPT heck yeah.
29:10
Speaker 2: No chat GPT wasn't in no way involved.
29:13
Speaker 3: Thank you very much, Jack, g G the p is Peters.
29:19
Speaker 1: Let's go. I'm on the night train devet us. Goodbye bye,
29:23
Speaker 1: good bye. See U.