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Ava Duvernay Interview and More · The Breakfast Club

• 0:01
  Speaker 1: In the morning. You gone the morning. I'm talking right,
• 0:05
  Speaker 1: I never you're about to experience a morning showing like
• 0:07
  Speaker 1: any yoast club. What you guys are doing right now,
• 0:12
  Speaker 1: it's the hump culture. Breakfast club is my morning. I
• 0:15
  Speaker 1: need it and I love it. Something like you're really
• 0:18
  Speaker 1: not popping until you do the breakfast club and waiting
• 0:22
  Speaker 1: come to y'all, show man. I know you gotta be
• 0:24
  Speaker 1: a big time celebt me to be up and here
• 0:26
  Speaker 1: you gotta be. You gotta be a big time DJ.
• 0:27
  Speaker 1: Entry at Lay and Charlotmagne the guy the breakfast Club bitching.
• 0:43
  Speaker 1: Good morning Usa yo yo yo yo yo yo yo
• 0:46
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:48
  Speaker 1: yo yo yo yo yo yo yo yo yo yo
• 0:50
  Speaker 1: yo yo yo yo yo yo yo yo yo. Good
• 0:52
  Speaker 1: morning Angela, yee hey, good man, Charlomagne the guy, Peace
• 0:56
  Speaker 1: to the plan. It is Tuesday. It's Tuesday, Yes week.
• 1:04
  Speaker 1: It's tough here in New York City in the Try State.
• 1:06
  Speaker 1: Now the weather's disgusting. Is about forty eight degrees. Yes,
• 1:11
  Speaker 1: it's disgusting out here. Well, maybe sooner than later people
• 1:14
  Speaker 1: will start taking climate change seriously, because if you don't
• 1:17
  Speaker 1: think climate change is a real thing at this point
• 1:19
  Speaker 1: in the games. Then I don't know what game you're
• 1:20
  Speaker 1: paying attention to. My goodness, it's the middle of May
• 1:23
  Speaker 1: in New York City, the New Jersey area, and it's
• 1:25
  Speaker 1: still cold, you're still got on hoodies. And I don't
• 1:29
  Speaker 1: know what's going on with sanitation, because New York is
• 1:31
  Speaker 1: disgusting right now. I was just walking walking over here
• 1:34
  Speaker 1: from the park a Lot and it's trash and garbage everywhere. Um,
• 1:38
  Speaker 1: that's been New York since the day I got here,
• 1:40
  Speaker 1: and that seems worse though I didn't get into two
• 1:44
  Speaker 1: thousand and six. New York's always gonna trashy place. If
• 1:46
  Speaker 1: you ask me. You go to so many different other places.
• 1:48
  Speaker 1: It's so clean, so neat they take care that city,
• 1:50
  Speaker 1: New York. It's just disgusting and wonder wonder way it
• 1:53
  Speaker 1: makes you wonder why your tax dollars going right? Yeah,
• 1:55
  Speaker 1: pretty much? Listen, somebody got to feed the rats rights
• 1:57
  Speaker 1: to New York bigg as hell, all right? The weather
• 1:59
  Speaker 1: for the t a, what would the rat feet? I
• 2:01
  Speaker 1: don't knows. Well. Last night I had a long lad
• 2:03
  Speaker 1: of course. Yesterday we celebrated my eighteenth year anniversary, me
• 2:07
  Speaker 1: and the wife yes, congratulations Again. We got massages and
• 2:12
  Speaker 1: we went to a nice restaurant and then we just
• 2:14
  Speaker 1: had a lot of sex. So it was great, great, great,
• 2:16
  Speaker 1: great great great for your legs, weak legs. My knee
• 2:19
  Speaker 1: hurts like am over man, I ain't even go from
• 2:21
  Speaker 1: my knee hurts, my back hurt. Once you get up
• 2:23
  Speaker 1: over forty boys, sex, sex especially after midnight, is very
• 2:27
  Speaker 1: screenuous tasks. Name was how all getting up this morning?
• 2:29
  Speaker 1: But yesterday I got it. Yes to hang out with Lizzo.
• 2:32
  Speaker 1: You know, I love her if she just did lip service,
• 2:34
  Speaker 1: So that'll be out on Friday. And then I hosted
• 2:36
  Speaker 1: this braid battle. Shout out to Mimi. She she does
• 2:39
  Speaker 1: gears here. Yeah, Mimi does gears here, brace for gears here.
• 2:42
  Speaker 1: So I hosted this braid battle. It was really fun
• 2:44
  Speaker 1: to see all these very talented stylists working on you know,
• 2:48
  Speaker 1: different competitions with the braids and everything. Yeah, she gets
• 2:51
  Speaker 1: big gears Envy's wife. Yeah, it gets my wife Asho,
• 2:53
  Speaker 1: who may just be joining us. And she also does
• 2:55
  Speaker 1: my son. She corn rolls my son's heir as well.
• 2:58
  Speaker 1: She's actually gonna be at the car show this year,
• 3:00
  Speaker 1: and she's gonna be braiding people if you need hair
• 3:02
  Speaker 1: braid during the car show, maybe women or kids or whatever.
• 3:05
  Speaker 1: She's gonna be braiding hairds during the show. She did
• 3:06
  Speaker 1: a last year. Her booth was rampacked, so yeah, it's
• 3:09
  Speaker 1: shout to me me going on vacation. Everybody wants to
• 3:12
  Speaker 1: get braids, and people came from all over. There were
• 3:13
  Speaker 1: people from Houston, from Atlanta, from Jamaica, like literally people
• 3:18
  Speaker 1: flew in for this competition. So it was pretty nice
• 3:20
  Speaker 1: to see everyone representing Ye put your braiders with respect. Man,
• 3:24
  Speaker 1: braids gonna get enough respect out here in these greets. Yeah,
• 3:27
  Speaker 1: you know how much patient you gotta have the braid. Yeah,
• 3:29
  Speaker 1: some of y'all be bringing y'all little nappy head kids
• 3:31
  Speaker 1: and then the kids only gotta half an inch your hand,
• 3:33
  Speaker 1: and y'all want them to get car rolls right, and
• 3:35
  Speaker 1: it needs the braids. Got to work. Miracles make that happen.
• 3:37
  Speaker 1: They do, They done, they do though. Yeah, she's done
• 3:40
  Speaker 1: an ALLANIV. Since she's done a while, she's had a
• 3:41
  Speaker 1: bunch of people, So shout to mee me. Now Today
• 3:44
  Speaker 1: on the show, Ava Duvenai will be joining us special coming. Yeah,
• 3:50
  Speaker 1: when they see us, when they see US Central Park five,
• 3:53
  Speaker 1: four part series on the Central Park five. It'll be
• 3:56
  Speaker 1: out on the thirty first from that mistaken that's right,
• 3:58
  Speaker 1: So we'll kick it with her today. And we got
• 3:59
  Speaker 1: from PAGs what we're talking about you all right, we're
• 4:01
  Speaker 1: gonna talk about this flight that was delayed because the
• 4:04
  Speaker 1: pilot got arrested and you won't believe why, my goodness.
• 4:07
  Speaker 1: All right, we'll get into that next. Keep a lot
• 4:09
  Speaker 1: just to Breakfast Club. Good morning morning. Everybody is DJ
• 4:12
  Speaker 1: mvy angela yee, Charlemagne the God we are to Breakfast Club.
• 4:16
  Speaker 1: Let's get in some front page news. Now. Last night
• 4:19
  Speaker 1: in sports, there was no games last name, but tonight
• 4:22
  Speaker 1: Game one Golden State Warriors take on the Portland Trail Blazes.
• 4:24
  Speaker 1: Am already YEP. Game on Wednesday. And also the NBA
• 4:30
  Speaker 1: lottery is tonight, and we'll see that the Knicks get
• 4:32
  Speaker 1: the first pick. So I'm excited about that. Yeah, man,
• 4:35
  Speaker 1: I hope that Zion Willison doesn't get kursted and the
• 4:37
  Speaker 1: New York Knicks get the number one pick. He deserves better,
• 4:40
  Speaker 1: my goodness. What else? Well, as long as James Dolan
• 4:42
  Speaker 1: is the owner of that organization, nothing, nothing will go
• 4:44
  Speaker 1: right for the New York Knicks. All right, Well, for
• 4:47
  Speaker 1: employees at Amazon that want to quit their job and
• 4:49
  Speaker 1: start their own delivery businesses, they are gonna help them out.
• 4:53
  Speaker 1: They are gonna pay ten thousand dollars and three months
• 4:55
  Speaker 1: salary to help workers start their own delivery businesses. So
• 4:57
  Speaker 1: it's gonna help them out a lot because they need
• 4:59
  Speaker 1: people to helped to deliver those Prime packages and those
• 5:02
  Speaker 1: Amazon branded vans and uniforms. And they had told employees
• 5:05
  Speaker 1: that they could apply to start their own small businesses
• 5:07
  Speaker 1: just last year, but unfortunately a lot of people didn't
• 5:10
  Speaker 1: have the capital that they needed to get their businesses
• 5:12
  Speaker 1: off the ground. So now they're going to give employees
• 5:14
  Speaker 1: up to ten thousand dollars of the startup money that
• 5:16
  Speaker 1: they need and three months of their existing Amazon got
• 5:19
  Speaker 1: to do something better, man, because these people will be
• 5:21
  Speaker 1: pulling up and you haul truck sometimes with Amazon shown,
• 5:26
  Speaker 1: I go get my pistol. I mean, I'll be nervous
• 5:28
  Speaker 1: because they come up in any type of vehicle. Yeah,
• 5:30
  Speaker 1: they do that, and they know in my neighborhood. They
• 5:32
  Speaker 1: pull up in like these non descript white vans and
• 5:34
  Speaker 1: you know, for somebody who has been in drug rade
• 5:37
  Speaker 1: before I got PTSD from stuff like that. You can't
• 5:39
  Speaker 1: just be pulling up Mark White vans makes me nervous.
• 5:42
  Speaker 1: What else we got you? All? Right? Now? Nike, according
• 5:44
  Speaker 1: to one Olympic runner, Alicia Montagno, says that they need
• 5:48
  Speaker 1: to do a better deal as far as maternally for
• 5:51
  Speaker 1: female athletes now. She was known as the pregnant runner
• 5:54
  Speaker 1: back in the twenty fourteen Olympics, and she did a
• 5:57
  Speaker 1: video where she says, basically, Nike's pretty hypocritical, but their
• 6:00
  Speaker 1: inspirational ad slogans and their maternity lead policy because they
• 6:03
  Speaker 1: said if she said, if you want to be an
• 6:05
  Speaker 1: athlete and a mother, well that's just crazy. She said, No, seriously,
• 6:08
  Speaker 1: it's not a good idea. She said when she told
• 6:10
  Speaker 1: Nike she was pregnant, they told her they would pause
• 6:12
  Speaker 1: her sponsorship contract and stop paying her. So she actually
• 6:15
  Speaker 1: had to tape her abs together and ship her breastmolk
• 6:18
  Speaker 1: from China to the United States during a competition after
• 6:21
  Speaker 1: her daughter was born because she didn't want to lose
• 6:23
  Speaker 1: sponsorships that she had because that's what made up her money. Wow,
• 6:27
  Speaker 1: So they just need to figure out a better way
• 6:29
  Speaker 1: to make sure that women are able to be on
• 6:31
  Speaker 1: maternity leave not be in risk of losing that sponsorship
• 6:34
  Speaker 1: money that helps them out a lot. I'm shocked going
• 6:36
  Speaker 1: to come to the maternity leave. Nike just doesn't tell them.
• 6:39
  Speaker 1: Just do it. Yeah, I mean they can. They just
• 6:42
  Speaker 1: have to pause their sponsorship. I know, I get it,
• 6:46
  Speaker 1: but I'm playing American Airlines. Let's talk about a pilot
• 6:52
  Speaker 1: that actually ended up getting arrested and the flight got delayed,
• 6:55
  Speaker 1: and that's because the pilot, Christian Richard Martin, was arrested
• 6:58
  Speaker 1: one day after a grand jury indicted him for triple murder.
• 7:03
  Speaker 1: He's a pilot, Yeah, he's pilot. Allegedly he killed his
• 7:09
  Speaker 1: Calvin and Pamela Phillips of Pembroke, Kentucky, and their neighbor.
• 7:13
  Speaker 1: They said Calvin Phillips was discovered dead in the cellar
• 7:15
  Speaker 1: of his house from a gunshot wound, while his wife
• 7:18
  Speaker 1: and the neighbor, Edward Dancerro were found dead in a
• 7:21
  Speaker 1: nearby phil So they did not list a possible motive,
• 7:24
  Speaker 1: but they did say that Christian Richard Martin served in
• 7:26
  Speaker 1: the military earlier this decade and was court marshaled in
• 7:29
  Speaker 1: a case involving physical and sexual abuse and mishandling classified information.
• 7:33
  Speaker 1: So so he was in the military, he might he
• 7:36
  Speaker 1: might be suffering from some type of PTS, some type
• 7:38
  Speaker 1: of trauma. Right. But yeah, that was the crazy magine
• 7:41
  Speaker 1: because people were actually about to get on the flight.
• 7:44
  Speaker 1: It was right there like boarding, and they pilot got arrested.
• 7:48
  Speaker 1: That's crazy, that's crazy. Yeah, that is insane, that's all
• 7:53
  Speaker 1: you know. That's why you when you got to speak
• 7:55
  Speaker 1: to the apology when you get on the plane. Man,
• 7:56
  Speaker 1: sometimes you just gotta look in the polot's eyes and
• 7:58
  Speaker 1: say hello, you know, just to make sure that he
• 8:00
  Speaker 1: or she is all there. You know what they started
• 8:02
  Speaker 1: doing on Delton. Now the pilot comes out and so
• 8:04
  Speaker 1: reach to everybody. That's kind of They don't always do that,
• 8:08
  Speaker 1: but now in every fight I've been on lately, they
• 8:10
  Speaker 1: do that. Think about how how we just put our
• 8:12
  Speaker 1: lives in the hands of certain people and don't even
• 8:16
  Speaker 1: know what that person looks like about all the time,
• 8:17
  Speaker 1: you just bought the plane, sit in your chair. You
• 8:20
  Speaker 1: may see the stewardess, but you don't never pay attention
• 8:22
  Speaker 1: to the pilot ever. Right, but that person is about
• 8:25
  Speaker 1: to take us in the sky. Right, Well, I like
• 8:28
  Speaker 1: that new policy they come out, greet everybody. How you doing,
• 8:30
  Speaker 1: I'm your pilot? Yeah, man, all right, well that is
• 8:33
  Speaker 1: front page news. Get it off your chests eight d
• 8:37
  Speaker 1: five one oh five one. If you're upset, you need
• 8:38
  Speaker 1: to vent hit us up right now. Maybe had a
• 8:41
  Speaker 1: bad night or bad morning, or maybe things are blessed
• 8:43
  Speaker 1: and you just want to spread some positivity. Eight five
• 8:46
  Speaker 1: eight five one oh five one. Get it off your chests.
• 8:48
  Speaker 1: It's the breakfast Club. Go morning, the Breakfast Club. It
• 8:55
  Speaker 1: is your time to get it off your chests. Whether
• 8:57
  Speaker 1: you're man or blast, but people to have the same end.
• 9:00
  Speaker 1: We want to hear from you on the Breakfast Club. Hello.
• 9:03
  Speaker 1: Who's that? I can't believe it. My name is joy
• 9:09
  Speaker 1: her chest. Yeah you sound joyous. I love the station
• 9:15
  Speaker 1: I always call. I mean, listen to y'all every morning.
• 9:19
  Speaker 1: But I'm from Columbia, SOD, I'm Carolina. My daughter recently
• 9:22
  Speaker 1: moved to Brooklyn, New York. Hey, shout out to bern
• 9:26
  Speaker 1: slew to the Metro two eight oh three was happening. Yeah,
• 9:30
  Speaker 1: she has her own business and she was recently on
• 9:32
  Speaker 1: the Oprah Winfrey Network on Sunday. She's twenty five years old.
• 9:36
  Speaker 1: Her name is Shadell Calwell, and her business is black
• 9:40
  Speaker 1: Girl Magic with a K at the end dot com.
• 9:43
  Speaker 1: And I was wondering if y'all could just help promote her.
• 9:47
  Speaker 1: You just did. What does she sell though? We gotta
• 9:49
  Speaker 1: know what she sells first? Well, actually, she's a motivational
• 9:52
  Speaker 1: speak up for young black girls. Why she spelled magic
• 9:54
  Speaker 1: wrong because black Girl Magic website wasn't available with the
• 9:57
  Speaker 1: sea it's another black Girl Magic with the cr Oh Okay,
• 10:00
  Speaker 1: that's what I just said. But yeah, I got you.
• 10:02
  Speaker 1: All right, We'll take you mom. Okay, I'm looking right now.
• 10:05
  Speaker 1: Keep by, yeah, keep it. Getting off your chess. I'm
• 10:08
  Speaker 1: getting out of my chest. I wanted to tell y'all cool,
• 10:11
  Speaker 1: Charlotte Man. The reason why all the crazy people come
• 10:15
  Speaker 1: from Florida because the school system is trash. They sent
• 10:19
  Speaker 1: them up to be crazy. I don't blame y'all crazy
• 10:22
  Speaker 1: on the school system. Now. I think it's the water.
• 10:24
  Speaker 1: You think so it's the water they're drinking sofa water
• 10:28
  Speaker 1: down here because the bat The bad part about Florida
• 10:35
  Speaker 1: you got educated people who've been to school who's still
• 10:38
  Speaker 1: got some crazy in them. They're so crazy. I agree,
• 10:43
  Speaker 1: all right, baby egg water Anthony. Hey, morning, d James,
• 10:48
  Speaker 1: Good morning, Charlotte mank Mornagually, what's up Anthony? Getting off
• 10:52
  Speaker 1: your chests? Bro Hey, I went to Charlotte May No
• 10:55
  Speaker 1: Chris Rock that he will executive producer a comedy special
• 10:58
  Speaker 1: for him. So why have you never took him up
• 11:00
  Speaker 1: on that? You know, just get Jarnald Rawlins, Chris Rock
• 11:03
  Speaker 1: and Andrew Schultz and then do it like a little
• 11:05
  Speaker 1: quick comedy tour. Make a couple of bucks off of it.
• 11:08
  Speaker 1: Because because I don't do things for money, and I'm
• 11:10
  Speaker 1: not a comedian, I respect the stage too much. I
• 11:12
  Speaker 1: respect all of those people you just said. And there's
• 11:14
  Speaker 1: nothing harder than getting on that stage with a microphone
• 11:17
  Speaker 1: and making people laugh like that, Like for people to
• 11:20
  Speaker 1: have that expectation that they're coming to see you and
• 11:22
  Speaker 1: to laugh, and then they actually fulfill that expectation. I
• 11:25
  Speaker 1: would never do that to myself. That takes years and
• 11:27
  Speaker 1: years and years of hard work. All right, this is
• 11:30
  Speaker 1: what I do. I'm I'm on this radio every day. Baby. Yeah,
• 11:33
  Speaker 1: that's true. That's true. And and be on. When are
• 11:36
  Speaker 1: you gonna bring cars through to California? Um? I don't know,
• 11:39
  Speaker 1: I really don't know. We're not actually on radio in California,
• 11:42
  Speaker 1: so I know we're hitting a lot of the markets
• 11:44
  Speaker 1: that we on radio. But maybe maybe one day I'll
• 11:46
  Speaker 1: bring it to California. It's a long way to bring
• 11:47
  Speaker 1: them cars out there, though. I got a perfect card
• 11:50
  Speaker 1: for the two thousand and nine Chevy equalnocks sixty thousand
• 11:53
  Speaker 1: mills on its first show. I put it right next
• 11:56
  Speaker 1: to Charlemagne's Cadillic Escalator two thousand and two. Remember you
• 12:02
  Speaker 1: gave a story, UM about you being in college and
• 12:05
  Speaker 1: you signed up for somebody that was getting picked on
• 12:07
  Speaker 1: by his kids on the football team. Yes, I finally
• 12:10
  Speaker 1: hurt to believe because you said you were five too.
• 12:12
  Speaker 1: When you're I need anybody that I was in, UM,
• 12:17
  Speaker 1: that went to school with you back in nineteen eighty
• 12:19
  Speaker 1: eight when you were a freshman. I need someone to
• 12:21
  Speaker 1: come and say that they were on the football team,
• 12:23
  Speaker 1: and that yeah that really we know, we know he's lying,
• 12:26
  Speaker 1: we know. I love your stats, I love your stabs,
• 12:27
  Speaker 1: but I was five two in high school, bro, not
• 12:29
  Speaker 1: in college. He shot up a shot out between between
• 12:33
  Speaker 1: sophomore year in junior. Just because he stood up doesn't
• 12:36
  Speaker 1: mean it worked. I went from five to the six
• 12:38
  Speaker 1: foot but thank you, though, good stabs. I'm glad you
• 12:41
  Speaker 1: that's not a stab. I remember that story too, And
• 12:43
  Speaker 1: he said he backed down the whole football team. I
• 12:46
  Speaker 1: never said I backed down. I said I said I
• 12:50
  Speaker 1: stood up for somebody that was getting picked on. I
• 12:52
  Speaker 1: never said I backed out. I had to said you
• 12:54
  Speaker 1: backed the ball now. You said you were nas had guns,
• 12:56
  Speaker 1: and y'all pulled them out on the football team and
• 12:58
  Speaker 1: then backed the whole football and said even the load.
• 13:03
  Speaker 1: Get it off your chests. Eight hundred five A five
• 13:06
  Speaker 1: one o five one. I need somebody stand up for me.
• 13:08
  Speaker 1: Did you got ye get chests? It's the Breakfast Club.
• 13:11
  Speaker 1: Good morning, the Breakfast Club. Wake up, wake up, wake yap.
• 13:19
  Speaker 1: This is your time to get it off your chest
• 13:23
  Speaker 1: with your man or blas. We want to hear from
• 13:24
  Speaker 1: you on the Breakfast Club. Dan, Yeah, yeah, oh yeah no.
• 13:28
  Speaker 1: Just just Daniel MB just Daniel from Seattle. Ah my
• 13:31
  Speaker 1: bad Daniel. What's up? Get you off your chests? Are
• 13:33
  Speaker 1: you good? Y'all? Good man? This plager talking to me, y'all.
• 13:36
  Speaker 1: I just gotta get this off my chest. You're probably
• 13:38
  Speaker 1: all like you know about this five mister Rathburn from Arthur.
• 13:41
  Speaker 1: Uh you know he's about to be coming out. Yeah,
• 13:46
  Speaker 1: it's gonna be a gay wedding on Arthur. Yo yo yo.
• 13:49
  Speaker 1: I'm born in nineteen ninety two, my nineties. Baby, I'm
• 13:53
  Speaker 1: watching it from John. O'm sorry I can't get kiss
• 13:58
  Speaker 1: but it's just funny. Like you see the did you
• 14:01
  Speaker 1: see the clip? You see mostly talking like mister like,
• 14:06
  Speaker 1: how do you not know your old teacher? You go
• 14:09
  Speaker 1: to his wedding? You don't even know who he married? Like, bro,
• 14:12
  Speaker 1: like I don't even makes like so you mad? Mister
• 14:15
  Speaker 1: Rathburg is gay on the Author TV show. I'm not
• 14:19
  Speaker 1: at he doesn't understand the plot line. No, it's just
• 14:24
  Speaker 1: the fact that he didn't write that some jump street
• 14:26
  Speaker 1: like he didn't get him no type of storyline. He
• 14:29
  Speaker 1: didn't make them fall in love right, none of that.
• 14:33
  Speaker 1: He wanted to see the whole progress leading up to
• 14:35
  Speaker 1: How old are you to be watching the Author? Man?
• 14:37
  Speaker 1: WHOA I was born in ninety nine? Ten them not
• 14:41
  Speaker 1: like ninety nine, they're like seven eight years old probably. Yeah,
• 14:45
  Speaker 1: he's been following. I'm gonna tell you something though, Man,
• 14:48
  Speaker 1: when it comes to the author and they're talking about
• 14:50
  Speaker 1: in Marvel, comics, they're gonna be introducing gay characters, and
• 14:54
  Speaker 1: some of some of the characters gonna come out of gay.
• 14:56
  Speaker 1: I don't see the need for any of that in
• 14:58
  Speaker 1: my cartoons, all my comic books, Like I don't care
• 15:00
  Speaker 1: about you know who any of my favorite fictional cartoon
• 15:03
  Speaker 1: characters are sleeping with. I don't need that in my
• 15:05
  Speaker 1: comic books and in my cartoons, Like, what's the point.
• 15:08
  Speaker 1: I guess it's representation because that's really happens in real life.
• 15:11
  Speaker 1: So way, yeah, so he ye, they're superheroes and it's
• 15:15
  Speaker 1: aunt isn't what the author? Aunt eater? Love story has
• 15:19
  Speaker 1: been superheroes all the time. Yeah, I really know. Not
• 15:22
  Speaker 1: in the movies. You tell me, what's the love story
• 15:24
  Speaker 1: in the Marvel movies? I don't know. I was just
• 15:26
  Speaker 1: thinking about Supermann. I had a girlfriend whatever her name was,
• 15:28
  Speaker 1: Mary Jane, the Superman. Superman had a girlfriend. Lois Lane
• 15:33
  Speaker 1: was around. Didn't the whole a girlfriends? The wholes a girlfriend?
• 15:38
  Speaker 1: I think there's always love line came out of nowhere,
• 15:40
  Speaker 1: chapter snuck in the back door. Sometimes that's right here,
• 15:43
  Speaker 1: I am doing something. So what up? Trav? How you
• 15:48
  Speaker 1: doing this? You know who you look like? I look
• 15:51
  Speaker 1: like Andrew Carlwell, the deliver it guy, and like the
• 15:54
  Speaker 1: more and more I can never never. I rebuked that
• 15:59
  Speaker 1: in the name of Jesus, Andrew Carwell don't look nothing
• 16:02
  Speaker 1: to like he was hoping he was gonna say more Chesnut.
• 16:06
  Speaker 1: You know my tribe is Jeez Mars Chestnut. You know
• 16:10
  Speaker 1: what I'm saying. Joe Tyson, Blackfoot and them too, black
• 16:17
  Speaker 1: could be part of our tribe. You know what I'm saying.
• 16:19
  Speaker 1: I'm not Andrew car Well. It's not part of our tribe.
• 16:21
  Speaker 1: I just gonna leave out on and be singing. Joe,
• 16:23
  Speaker 1: But what's up track? How are you calling? Listen? I
• 16:25
  Speaker 1: want to talk about Listen. I hate to talk about
• 16:28
  Speaker 1: the dumb and straight people out there. Today I got
• 16:30
  Speaker 1: to talk about dumb and straight people who sit there
• 16:32
  Speaker 1: and think that having to explain why Rant is marrying
• 16:37
  Speaker 1: art of art on the show are there and it's
• 16:42
  Speaker 1: so hard to explain between their children, and they really
• 16:45
  Speaker 1: trying to make it seem like, I don't know. It
• 16:48
  Speaker 1: seems like every time a straight person drops a movie,
• 16:50
  Speaker 1: I don't see nobody from the LGBT community I hear screaming,
• 16:53
  Speaker 1: oh y'all are pushing the agenda. Y'all are pushing the attenda.
• 16:56
  Speaker 1: Straighty people have pushing and pushing the agenda on my
• 16:59
  Speaker 1: life since I was a town growing up, I didn't
• 17:03
  Speaker 1: see any representation of the LGBT community as far as cartoons,
• 17:08
  Speaker 1: as far as anything. And I am still gay. So
• 17:10
  Speaker 1: watching TV is not going to turn your children gay,
• 17:13
  Speaker 1: not gonna turn your children straight. If you lose to
• 17:15
  Speaker 1: a turnout gay, his ass gonna be gay anyway. Yeah,
• 17:18
  Speaker 1: I agree with that. I just think it's weird to
• 17:19
  Speaker 1: say representation matters when we're talking about a rat and
• 17:22
  Speaker 1: the art Bark getting married. Well, it was also because
• 17:24
  Speaker 1: they they are pots to represent two men. And now
• 17:26
  Speaker 1: I can just imagine back in the nineteen fifties when
• 17:29
  Speaker 1: black people first started appearing on television, when they first
• 17:32
  Speaker 1: started having interracial couples on television, the way black people
• 17:35
  Speaker 1: sound right now. A lot of us sound right now. No, no,
• 17:38
  Speaker 1: not even a lot of us. A lot of y'all
• 17:40
  Speaker 1: in straight community, the way that's y'all sound right now,
• 17:42
  Speaker 1: especially black people. I can only imagine how white people
• 17:45
  Speaker 1: sounded when we first started appearing on TV and they
• 17:47
  Speaker 1: first started showing us and show representation of black people.
• 17:50
  Speaker 1: That sounds stupid, and a lot of straight people going
• 17:52
  Speaker 1: to hell with y'all domination. Listen. I don't, I don't,
• 17:54
  Speaker 1: I don't. I don't care. I don't care either way.
• 17:56
  Speaker 1: I just, you know, I just I just don't want
• 17:58
  Speaker 1: any I don't want no love story in my superhero moves.
• 18:01
  Speaker 1: I don't care. Are you saying that all they's not
• 18:04
  Speaker 1: a superhero? But you're only saying that now because work,
• 18:06
  Speaker 1: because everybody talking about it and saying they don't want
• 18:08
  Speaker 1: homo sexuality representation. I think it's I haven't cared about it.
• 18:12
  Speaker 1: I never I never cared about love stories in my
• 18:16
  Speaker 1: superhero movies. I don't go watch the Hope to watch
• 18:18
  Speaker 1: him in uh his girlfriend kiss, you know what I mean.
• 18:21
  Speaker 1: I don't watch Piper Many. Yeah, it is part of
• 18:24
  Speaker 1: the every two cartoon I can think of. I think
• 18:28
  Speaker 1: that they've always had When you think of the Simpsons,
• 18:30
  Speaker 1: they had a man and a woman that was married.
• 18:32
  Speaker 1: When you think of any cartoons, bro Burton Hernie was gay.
• 18:37
  Speaker 1: We grew up on Burton Rnie. They were gay. I
• 18:39
  Speaker 1: don't think they were openly gay. Yeah, they never need
• 18:42
  Speaker 1: to take bath together. Then they used to take bath together,
• 18:45
  Speaker 1: you took a bath with your brother too, or you
• 18:47
  Speaker 1: know your friends watch each other's backs. All right, Yeah,
• 18:51
  Speaker 1: but exactly what actually really shown it was gay. It
• 18:54
  Speaker 1: just came out to people. Gotta stop being weird. Whenever
• 18:57
  Speaker 1: you gotta drop a movie, We're not gonna scream that
• 18:58
  Speaker 1: y'all pushing that gender, even though y'all always pushing. They
• 19:01
  Speaker 1: just let it. Just let it be. That's all I'm
• 19:03
  Speaker 1: gonna tell you. I'm gonna tell you the weird to
• 19:05
  Speaker 1: think about this, y'all acting like y'all watch author, I
• 19:07
  Speaker 1: watched no goddamn author. Only the coolest author been in
• 19:10
  Speaker 1: the last twenty years is the memes with his fist
• 19:12
  Speaker 1: balled up by There's a lot of issues here for you,
• 19:17
  Speaker 1: damn author eight hundred five eight five one on five one.
• 19:20
  Speaker 1: If you need to vent, you can hit this up
• 19:22
  Speaker 1: at any time that you've got rumors on the way. Well,
• 19:24
  Speaker 1: since we're talking about it, let's talk about Girard Carmichael
• 19:27
  Speaker 1: and his home video is his latest HPIO special, and
• 19:31
  Speaker 1: one thing he does discuss is his own sexuality. Are
• 19:34
  Speaker 1: you telling me that Girard is the art mark? Possibly? Alright,
• 19:37
  Speaker 1: turn into that next keep been locked as to Breakfast Club,
• 19:39
  Speaker 1: God Morning, the Breakfast Club. It's about who's report is
• 19:51
  Speaker 1: the rumor report? Angela Yee on the Breakfast Club. Well,
• 19:56
  Speaker 1: Steve Harvey is no longer hosting The Little Bit Shot Show,
• 20:01
  Speaker 1: That's a kid's Talent Show when they return to NBC.
• 20:03
  Speaker 1: He hosted the show for the first three seasons, but
• 20:05
  Speaker 1: now Melissa McCarthy has taking over those duties. In addition
• 20:09
  Speaker 1: to that, we told you previously that his Steve Harvey
• 20:12
  Speaker 1: Talk Show is also coming to an end. His daytime
• 20:15
  Speaker 1: talk show Steve is canceled after seven years with the network,
• 20:18
  Speaker 1: and Kelly Clarkson is going to have her Kelly Collocson
• 20:21
  Speaker 1: Show in its place. Well, you know, he's still executive producing,
• 20:24
  Speaker 1: a co creative a Little Big Shots, so he's still
• 20:26
  Speaker 1: getting a check, yes, and he's still on Family Feud
• 20:29
  Speaker 1: as well. They said that they ended his talk show
• 20:32
  Speaker 1: because he had a higher percentage than NBC. Is that true.
• 20:35
  Speaker 1: I don't know the reason why. I know there's a
• 20:37
  Speaker 1: lot of talk about reasons why, and you know, and
• 20:40
  Speaker 1: I remember he was upset because he would have liked
• 20:42
  Speaker 1: for NBC to reveal the news to him personally instead
• 20:45
  Speaker 1: of him finding out in the press because he found
• 20:47
  Speaker 1: out the same way everybody else did, and so that's
• 20:50
  Speaker 1: kind of found Who the hell watching the Kelly Clarkson
• 20:52
  Speaker 1: Daytime Talk Show though, I mean it could be good,
• 20:54
  Speaker 1: but yeah, we don't know what it's gonna be like
• 20:55
  Speaker 1: it don't It don't look appealing on paper, yeah, I mean,
• 20:59
  Speaker 1: you know, it's a lot of day time talk show
• 21:00
  Speaker 1: hosts previously that I used to enjoy watching and I
• 21:02
  Speaker 1: didn't know who they were before their show. So as
• 21:04
  Speaker 1: long as no personality can make it work, I don't
• 21:07
  Speaker 1: know where personality is like. To be honest, I don't
• 21:09
  Speaker 1: really know. I never paid that much attention. Daytime talk
• 21:11
  Speaker 1: is tough man, all right. Now, Lee Daniels is being
• 21:14
  Speaker 1: sued now, and this is by Rachel Roy and Syndia Morale.
• 21:18
  Speaker 1: So to Damon Dash's exes, now, we told you that
• 21:21
  Speaker 1: he settled everything with Damon Dash, Lee Daniels did, but
• 21:25
  Speaker 1: now they're saying that they want to get the money
• 21:27
  Speaker 1: directly from Lee Daniels because they say the money that
• 21:30
  Speaker 1: he agreed to pay Damon Dash is there's really because
• 21:33
  Speaker 1: he owes money and back child support and other expenses
• 21:36
  Speaker 1: as well. So that mean Lee fault though, Like why
• 21:39
  Speaker 1: he's suing Lee. I guess he's trying to They're trying
• 21:42
  Speaker 1: to go directly to him to get that money that
• 21:44
  Speaker 1: he's going to pay Damon Dash, So it goes directly
• 21:46
  Speaker 1: to that they want to cut out the middle man.
• 21:48
  Speaker 1: I mean, they are suing. I don't know if it's
• 21:49
  Speaker 1: gonna work out, but they're trying Lee. I'm like, already
• 21:53
  Speaker 1: passed that money over. I gave that bag away already.
• 21:56
  Speaker 1: In the meantime, Empire is ending after season six, after
• 21:59
  Speaker 1: the next Upcomings sixth season. They did make that announcement.
• 22:02
  Speaker 1: They said, that's going to be a television event and
• 22:04
  Speaker 1: we're trying to go out guns blazing. According to Fox
• 22:08
  Speaker 1: Entertainment CEO Charlie Collier, he said that he said, you
• 22:10
  Speaker 1: allow fans to lean in and have the ending they deserve.
• 22:13
  Speaker 1: So I don't know what that ending could potentially be like,
• 22:16
  Speaker 1: but they said at this point, they also have no
• 22:17
  Speaker 1: plans for Jesse small Att to return. They buggin they
• 22:20
  Speaker 1: need to let Jesse write the season for Natalie because
• 22:23
  Speaker 1: there's nothing that they can write that's going to be
• 22:25
  Speaker 1: better than with Jesse concocted a couple of months ago,
• 22:27
  Speaker 1: he's stupid. All right. Now, let's talk about Gerard Carmichael.
• 22:30
  Speaker 1: He has an HBO special and that came on Sunday,
• 22:34
  Speaker 1: and he's revealing a discussion that he had with his mom.
• 22:38
  Speaker 1: It's Home. It's called Home Video. So it's the first
• 22:40
  Speaker 1: of two specials which he's having intimate conversations with his family.
• 22:43
  Speaker 1: He went back home to North Carolina, sat down with
• 22:45
  Speaker 1: his mother for a Q and A, and had his
• 22:48
  Speaker 1: mind reflect on different things. One thing he talked to
• 22:51
  Speaker 1: her about was bringing home a white girl. While bringing
• 22:54
  Speaker 1: home a white girl, what's your reaction to me after
• 22:57
  Speaker 1: we leave, I'm gonna have to process it. I just
• 23:00
  Speaker 1: really want you to celebrate it. Embrace black love. Does
• 23:03
  Speaker 1: that mean that? I don't if I did, Mary, But
• 23:07
  Speaker 1: if you did, embrace black love. When you have a
• 23:09
  Speaker 1: black partner, you can embrace without being involved, can't you. Yeah? Yeah,
• 23:16
  Speaker 1: hey man, tough time to bring home white women. Blame Trump?
• 23:19
  Speaker 1: All right? All right? In addition to that, he asked
• 23:22
  Speaker 1: his mother if she's ever had feelings for a woman,
• 23:25
  Speaker 1: and here's what happened. You ever been attracted to a woman? No,
• 23:29
  Speaker 1: I mean, I don't mean that ugly, but no, I
• 23:31
  Speaker 1: don't know. I prefer man, I hooked up with dudes before. Okay,
• 23:36
  Speaker 1: well that's your option drawed out here trying to steal
• 23:39
  Speaker 1: mister rat burn shine. All right. I saw that a
• 23:42
  Speaker 1: few weeks ago, you know, because and I remember Gerard
• 23:45
  Speaker 1: saying that, but I didn't. I didn't think anything of it.
• 23:47
  Speaker 1: I actually thought he was joking, joke, sarcastic. I thought
• 23:51
  Speaker 1: he's having real conversations. I mean, you can't never really
• 23:54
  Speaker 1: tell with comedians man. And then and I also said,
• 23:58
  Speaker 1: why would you have that conversation with your mother? I've
• 24:00
  Speaker 1: never talked to my mother about someone I was having
• 24:02
  Speaker 1: sex with, so even and even dawned on me that
• 24:05
  Speaker 1: he said he slept it other dudes. I was just saying,
• 24:07
  Speaker 1: why would you be talking to your mom about sex.
• 24:08
  Speaker 1: I'm sure your mom knows, Charlie. I'm sure I dull,
• 24:11
  Speaker 1: but you know, I've never sat there and had the
• 24:12
  Speaker 1: conversation with it a dude, with anybody period Like that's
• 24:16
  Speaker 1: why why would you have that conversation with your mother?
• 24:18
  Speaker 1: And have you had that conversation with your mom? No? Yeah,
• 24:21
  Speaker 1: but he's doing home video, so I guess the whole
• 24:22
  Speaker 1: point of this for him to have these conversations that
• 24:24
  Speaker 1: he's never had before. That's probably the candidness of it
• 24:28
  Speaker 1: comes from the fact that they've never had these discussions.
• 24:30
  Speaker 1: I've had a lot of handy conversations with my mother,
• 24:33
  Speaker 1: but I've never told her about who I was sleeping with. Yes,
• 24:35
  Speaker 1: So that's probably why it's fun to do something like
• 24:37
  Speaker 1: that on camera, because it's interesting to see what her
• 24:39
  Speaker 1: response is because he's the things you guys have never discussed. Yeah,
• 24:42
  Speaker 1: and that's what I thought. I thought he was just
• 24:43
  Speaker 1: trying to get a rise out of her by saying that.
• 24:45
  Speaker 1: But I won't say though. I love the fact that
• 24:46
  Speaker 1: you know, it isn't really news, meaning that a person
• 24:49
  Speaker 1: saying there slept with a man doesn't need a press conference,
• 24:51
  Speaker 1: doesn't need to be breaking news. If if that's what
• 24:53
  Speaker 1: you do, that's what you do. All right, Well let
• 24:55
  Speaker 1: me as you like. Yeah, and that's your room of report.
• 24:56
  Speaker 1: All right, thank you, Mischi fromt Page News. What we're
• 24:58
  Speaker 1: talking about you, Well, let's talk about some body else
• 25:00
  Speaker 1: who has just joined the twenty twenty Democratic presidential race.
• 25:03
  Speaker 1: All right, we'll get into that next. Keep the lock time.
• 25:05
  Speaker 1: It's the breakfast Club. Good morning, Good morning, everybody is
• 25:08
  Speaker 1: dj mv Angela Yee Charlomagne that God, we are the
• 25:12
  Speaker 1: breakfast Club. Let's getting some front page news. Now. No
• 25:16
  Speaker 1: games will last night, but tonight the Warriors take on
• 25:19
  Speaker 1: the Trail Blazes. And also is the NBA lottery, so
• 25:22
  Speaker 1: I'm sure the Knicks will get the first pick. Good
• 25:24
  Speaker 1: luck to the Knicks. It's a damn shame that all
• 25:26
  Speaker 1: y'all New York Knicks fans are wasting y'all prayers, wasting
• 25:29
  Speaker 1: God's valuable time sending that energy of asking him if
• 25:32
  Speaker 1: Zion Wimson can be y'all number one pick, please give
• 25:35
  Speaker 1: us the number one picks we can get Zion Wimson,
• 25:37
  Speaker 1: stop wasting your time, Godson and all in prayers. This bandfold. Now,
• 25:40
  Speaker 1: what's gonna happen? It might let us you're talking about you,
• 25:43
  Speaker 1: all right? Well, Montana Governor Steve Bullock is now saying
• 25:47
  Speaker 1: that he's joining the race for the twenty twenty presidential election.
• 25:51
  Speaker 1: So he's telling voters that he succeeded as a Democrat
• 25:54
  Speaker 1: in the state that's very Republican, that would make him
• 25:57
  Speaker 1: an ideal person to take on Donald Trump. So that's
• 25:59
  Speaker 1: somebody else who is now joining this race. He's the
• 26:02
  Speaker 1: third governor right now. Two dozen candidates, majority of y'all,
• 26:06
  Speaker 1: A large majority of y'all in the Democratic Party that
• 26:09
  Speaker 1: are announcing y'all candidacy for president. A lot of y'all
• 26:12
  Speaker 1: just wasting time. At this point. Our Democratic nomination field
• 26:15
  Speaker 1: is too crowded. This is like back in the day
• 26:16
  Speaker 1: and wrestling, when everybody started joining the nWo and after
• 26:19
  Speaker 1: a while you just stopped caring. That's what this is.
• 26:22
  Speaker 1: At this point, he's the only state wide elected official
• 26:24
  Speaker 1: to win a state that Donald Trump carried in twenty sixteen.
• 26:26
  Speaker 1: So that's where he's really going off of right now.
• 26:29
  Speaker 1: He needs to raise money and get enough supporting polls
• 26:31
  Speaker 1: to qualify for the first debates, which is in June.
• 26:33
  Speaker 1: For the Democrats, everybody or everybody already stretched out. It's
• 26:36
  Speaker 1: seventy three nominees now. Jerry has given a two billion
• 26:41
  Speaker 1: dollar verdict that's in favor of a couple in California.
• 26:45
  Speaker 1: They say their cancer was caused by long term exposure
• 26:48
  Speaker 1: to Monsanto's popular weed killer called Roundup. According to the attorneys,
• 26:53
  Speaker 1: the verdict is because they said basically using that is
• 26:57
  Speaker 1: what caused them to get cancer. So two billion dollars.
• 27:00
  Speaker 1: Verdict is with this couple one. But unfortunately they have cancer. Cancer.
• 27:04
  Speaker 1: It's not even worthy. That's not even a fair trade.
• 27:06
  Speaker 1: That's not even exchange. Right, anybody out there that thinks otherwise,
• 27:09
  Speaker 1: y'all got your priorities in life all messed up. And
• 27:12
  Speaker 1: I'm sure they'll never get that two billion regardless. Most
• 27:14
  Speaker 1: companies of file bankrupt and they'll never get that money.
• 27:17
  Speaker 1: And if they do get a percentity of that money,
• 27:19
  Speaker 1: is probably gonna take a while for them to get it.
• 27:21
  Speaker 1: And you know that whole couple of years it's gonna take,
• 27:24
  Speaker 1: they'll be battling cancer. Nah, they're older couple too, So
• 27:27
  Speaker 1: Lord have mercy and some positive news. Amazon is going
• 27:31
  Speaker 1: to start paying their workers who want to start their
• 27:33
  Speaker 1: own delivery businesses. They're going to pay them up to
• 27:35
  Speaker 1: ten thousand dollars and three months salary to help them
• 27:38
  Speaker 1: start their own businesses to coming entrepreneur. So what they
• 27:41
  Speaker 1: are looking for is for people to start their businesses
• 27:43
  Speaker 1: doing Prime packages deliveries and Amazon brand advance and with
• 27:48
  Speaker 1: Amazon uniforms on. Now. They had announced back in twenty eighteen,
• 27:52
  Speaker 1: just last year, that they need people to actually do
• 27:55
  Speaker 1: these jobs but I guess a lot of people didn't
• 27:57
  Speaker 1: have to start up money. So now they're offering their
• 28:00
  Speaker 1: eployees up to ten thousand dollars up that startup money.
• 28:02
  Speaker 1: Very capital. They need to start very important. They need
• 28:05
  Speaker 1: branded vans, branded vehicles, and they definitely need uniforms because
• 28:09
  Speaker 1: they'd be pulling up and then you know them non
• 28:12
  Speaker 1: descript white van. Yep, you know what I'm saying. I've
• 28:16
  Speaker 1: been in. I've been in kicked dogs before. Okay, I
• 28:18
  Speaker 1: got PTSD from stuff like that. You've got to be
• 28:20
  Speaker 1: pulling up in white vans and jumping out. Yeah, now
• 28:23
  Speaker 1: I'm with y'all. I let the dog out on somebody
• 28:25
  Speaker 1: the other day. He had a big U haul van
• 28:27
  Speaker 1: coming up my driveway. I opened it almost geared the
• 28:29
  Speaker 1: issh out of me. All Right, if you see that
• 28:30
  Speaker 1: white van pull up and you start thinking you gotta
• 28:32
  Speaker 1: go flush stuff, and you're like, man, I don't live
• 28:34
  Speaker 1: that life. Ain't live that life in twenty something years, well,
• 28:36
  Speaker 1: I didn't think I had to flush anything, but it
• 28:38
  Speaker 1: made me kind of nervous. You don't know my life,
• 28:39
  Speaker 1: all right. Well, all right, that is your front page news. Okay,
• 28:43
  Speaker 1: thank you. Now when we come back. Ava Duvenai will
• 28:46
  Speaker 1: be joining us, Queen Avau. We're gonna kick it with her.
• 28:49
  Speaker 1: She has a new show coming on Netflix. It's called
• 28:52
  Speaker 1: Up When they see Us. When they see us, it's
• 28:53
  Speaker 1: all about Central Park and the Central Park five. So
• 28:56
  Speaker 1: we'll talk to about it. Please make sure it's all
• 28:58
  Speaker 1: it's about the Central Park five and ain't about to
• 29:00
  Speaker 1: depart from the Central Park five. Yes, so we'll talk
• 29:02
  Speaker 1: to us when we come back. Don't move. It's to
• 29:04
  Speaker 1: Breakfast Club. Comoro envy Angela yee, Charlemagne the guy. We
• 29:07
  Speaker 1: are to Breakfast Club. We have a special guest in
• 29:10
  Speaker 1: the building, the queen director, miss Eva Dupina. Let's talk
• 29:15
  Speaker 1: about this this when they see us, when they see
• 29:18
  Speaker 1: if we needed another reason to hate white, Oh goodness,
• 29:22
  Speaker 1: it's very triggering. Oh my goodness, very triggering. Yes, yes, yes, man,
• 29:26
  Speaker 1: it's like but I knew that going in that it
• 29:28
  Speaker 1: was gonna make me feel that way, right, you know,
• 29:31
  Speaker 1: But I don't think I did that. You. I love
• 29:32
  Speaker 1: that you did. You did a great job of humanizing
• 29:34
  Speaker 1: these kids and showing their lives and how innocent they
• 29:37
  Speaker 1: were and how that was taken from them. Why was
• 29:39
  Speaker 1: that important? Well, I mean, it's the story of of
• 29:43
  Speaker 1: black and brown boys all over this country for generations
• 29:45
  Speaker 1: and generations. And so this case is this this this film,
• 29:49
  Speaker 1: it's a four part from AMO, a small series, is
• 29:52
  Speaker 1: on its surface about the Central Park five, but it's
• 29:54
  Speaker 1: really about all of us, both of you, you know,
• 29:57
  Speaker 1: and the assumption and of criminality and that is put
• 30:02
  Speaker 1: upon you when you just walk down the street. And
• 30:05
  Speaker 1: so it's trying to get under that and understand why
• 30:09
  Speaker 1: and how that happens and how it fits into the
• 30:10
  Speaker 1: criminal justice system. That the criminal justice system is really
• 30:13
  Speaker 1: built upon this deep, deep bias. And we know that
• 30:16
  Speaker 1: because we feel it and livid. But when you do
• 30:18
  Speaker 1: it through the case of these boys, which is a
• 30:20
  Speaker 1: real extreme case, it really allows you to show all
• 30:23
  Speaker 1: the levers and the looks and grannies of the criminal
• 30:25
  Speaker 1: justice system to people that don't know and for people
• 30:28
  Speaker 1: that take it for granted. And so I think this
• 30:30
  Speaker 1: is my goal, is to try to explain a little
• 30:32
  Speaker 1: bit more that we are caught in a system that
• 30:35
  Speaker 1: needs to be dismantled. I hated it and I loved
• 30:37
  Speaker 1: it good. I hated it because that's the best review
• 30:40
  Speaker 1: I can hear. It made me dislike so many different people.
• 30:43
  Speaker 1: I came so many different people, white people, may prosecutors.
• 30:48
  Speaker 1: It made me hate what they did to those young men,
• 30:50
  Speaker 1: made me hate people so bad, just the way they
• 30:53
  Speaker 1: took advantage of them. But I loved it because it
• 30:56
  Speaker 1: was a story that I could never retell. You know,
• 30:58
  Speaker 1: I'm from New York, Sol I grew up through that story.
• 31:01
  Speaker 1: But I watched it with my son who's fifteen years old,
• 31:03
  Speaker 1: and I watched it with my daughter who's seventeen years old,
• 31:05
  Speaker 1: and just watching their faces and asking too many questions
• 31:08
  Speaker 1: but that they can't do that, and I'm like, yes,
• 31:10
  Speaker 1: they can and they will try. And being able to
• 31:13
  Speaker 1: have that conversation and say, hey, just let you know
• 31:16
  Speaker 1: that if anything ever happens, just no, the police, not
• 31:18
  Speaker 1: your friends. Yeah, you don't say anything without a lawyer.
• 31:21
  Speaker 1: You called me first, and it was it was easy
• 31:23
  Speaker 1: to have that dialogue with them. Yes, Oh, I'm glad
• 31:25
  Speaker 1: you watched it with them. I think it's a good
• 31:27
  Speaker 1: piece because we take for granted what I mean at
• 31:31
  Speaker 1: the time, when you look at it like now, we feel, oh,
• 31:33
  Speaker 1: we would never go into an interrogation room and talk
• 31:36
  Speaker 1: like those boys talk. But we're not fourteen, fifteen years old.
• 31:40
  Speaker 1: What if you weren't there in the room. That's what
• 31:42
  Speaker 1: happened to these boys. They kept their their parents out
• 31:44
  Speaker 1: of the room. So if your kid, did you think,
• 31:47
  Speaker 1: is is street smarter, knows everything or you've taught everything?
• 31:51
  Speaker 1: Your kid was in an interrogation room, picked up for
• 31:54
  Speaker 1: something they didn't do, which could happen? Would they know
• 31:56
  Speaker 1: what to do? I've been in that same situation. The
• 32:00
  Speaker 1: first time I ever got arrested was for Sultan Bradley
• 32:02
  Speaker 1: would intent to kill And I was in the back
• 32:03
  Speaker 1: seat of a car with some of my homeboys and
• 32:06
  Speaker 1: my homeboy shot out the car. And when they came
• 32:08
  Speaker 1: to arrest me from high school, in my mind, I'm thinking, like,
• 32:11
  Speaker 1: I'm just in the principal's office, so I'm writing statements,
• 32:14
  Speaker 1: but I'm lying in the statements, and I'm saying I
• 32:16
  Speaker 1: got picked up by a hitchhiker, but I have no lawyer,
• 32:19
  Speaker 1: no nothing. But I didn't know that I had to
• 32:21
  Speaker 1: write to remain of cold and I wasn't supposed to
• 32:23
  Speaker 1: be norm Yes, that's exactly what happened to these kids,
• 32:25
  Speaker 1: right and so, and also the pressure of that police authority.
• 32:29
  Speaker 1: They're telling you to do it with an authoritative voice,
• 32:31
  Speaker 1: and you were wired to do it. And so the
• 32:34
  Speaker 1: piece beyond just being I think a compelling piece and
• 32:37
  Speaker 1: a piece that has a lot of emotion to it,
• 32:39
  Speaker 1: a lot of joy. It's real triumphant piece about over tragedy,
• 32:43
  Speaker 1: this this overall story. It's also teaching folks how to
• 32:47
  Speaker 1: act around police and police aggression and what not to do. Yeah,
• 32:52
  Speaker 1: how difficult was it for them to relive this situation?
• 32:55
  Speaker 1: It was. It was you know, the five real men living,
• 32:58
  Speaker 1: still living, still thriving, and they were really around the production,
• 33:02
  Speaker 1: so they worked with me. I want to make sure
• 33:05
  Speaker 1: that I was telling their story because even when they
• 33:07
  Speaker 1: were young, those statements that they made were coerced. Those
• 33:10
  Speaker 1: are not their voices, so their voices had never really
• 33:13
  Speaker 1: been heard. So I want to make sure that this
• 33:15
  Speaker 1: story was their voice heard, and so they were around
• 33:18
  Speaker 1: the production. I researched this for four years. I started
• 33:21
  Speaker 1: on this in twenty fifteen and pouring through all the
• 33:24
  Speaker 1: court documents, all of the press coverage, but really listening
• 33:27
  Speaker 1: to them sitting down, listen to the stories, their family stories.
• 33:30
  Speaker 1: So they were very involved. They were on the set,
• 33:33
  Speaker 1: they were there. It's it's there, it's their story. What
• 33:35
  Speaker 1: made you do this story? What intrigued you about this story?
• 33:38
  Speaker 1: Raymond Santana, one of the men, actually tweeted me and
• 33:41
  Speaker 1: he said, what, it's going to be your next film
• 33:43
  Speaker 1: after Selma CP five. So I slid it to his
• 33:47
  Speaker 1: DMS and I said, no, one has your story and
• 33:49
  Speaker 1: he said no, and I said, I'm going to be
• 33:51
  Speaker 1: in New York in a couple of months, maybe we'll
• 33:52
  Speaker 1: get together. Did And from there I got just pulled
• 33:56
  Speaker 1: into the story. That's the greatest DM slide I've ever Everybody,
• 34:05
  Speaker 1: all right, Wow, that's how happened. It's interesting, though, because
• 34:09
  Speaker 1: I always I thought this got pinned on these kids,
• 34:11
  Speaker 1: what you did with some of these people, especially that
• 34:13
  Speaker 1: blind detective. Oh my god, I hate her. She really
• 34:17
  Speaker 1: thought these kids did it. And I was wondering that
• 34:19
  Speaker 1: she really believed they did it, or was it because
• 34:21
  Speaker 1: they were black or because there was so many raps
• 34:23
  Speaker 1: going on in the city at the time, Like what
• 34:25
  Speaker 1: was her reasoning for going? Yeah, I mean, I think
• 34:28
  Speaker 1: I think people have to come up with that conclusion
• 34:30
  Speaker 1: when they watch it. The big question is why why
• 34:33
  Speaker 1: did they do it? Um, there's a lot of different answers.
• 34:35
  Speaker 1: But to this day, Linda Faerstein, who you know lives
• 34:38
  Speaker 1: in New York City and who's now a crime novelist,
• 34:42
  Speaker 1: um uh, maintains that they did it and there was
• 34:48
  Speaker 1: never any DNA, right. But even after the man came
• 34:53
  Speaker 1: out and said I did it take by blood and
• 34:56
  Speaker 1: they took his blood and they knew it was him,
• 34:58
  Speaker 1: and it was returned and they were exonerated and they
• 35:02
  Speaker 1: got forty one million dollars from the city, she's still
• 35:05
  Speaker 1: maintained that's crazy that they were involved. They don't want
• 35:11
  Speaker 1: to admit, Hey, we were wrong. That's that's what That's
• 35:13
  Speaker 1: what she says. And Donald Trump never apologized. No, he's
• 35:16
  Speaker 1: the same. He still he says they did it too. Yeah.
• 35:19
  Speaker 1: And for people that don't know, Donald Trump actually put
• 35:21
  Speaker 1: out a full page ad in the paper for New
• 35:24
  Speaker 1: York papers for papers, Yeah, trying to get these kids convicted, yes, well,
• 35:28
  Speaker 1: not trying to get these kids convicted, training and get
• 35:31
  Speaker 1: them executed. Definitely. He called for the death penalty before
• 35:35
  Speaker 1: their trial. Fourteen to sixteen year old boys. Called for
• 35:38
  Speaker 1: the execution of of these boys before they had even
• 35:43
  Speaker 1: gone to trial. Was two weeks after the arrest that's
• 35:46
  Speaker 1: how many times did you cry? I did a lot.
• 35:50
  Speaker 1: I cried a lot making Thirteenth, I cried making Selma
• 35:52
  Speaker 1: And this though, it was just really tough because the
• 35:55
  Speaker 1: boys they were just they were just young boys. And
• 35:57
  Speaker 1: when I still see the five men now and I
• 35:59
  Speaker 1: talked to and they've all become I love him like brothers.
• 36:02
  Speaker 1: I really do. Um. I see the boys in their face,
• 36:05
  Speaker 1: I could still see the young boy. Are there any
• 36:07
  Speaker 1: lifelong dramatic effects these these guys are dealing with today?
• 36:10
  Speaker 1: Gotta be right? Yeah, yeah, I think they're all working
• 36:14
  Speaker 1: really hard to to to stay focused on life and hill.
• 36:20
  Speaker 1: But yeah, even even Corey says, um, you know right
• 36:23
  Speaker 1: now he's living life after death because he already you know,
• 36:26
  Speaker 1: feels like he died a couple of times in prison,
• 36:29
  Speaker 1: the things that he'd gone through, and you see that
• 36:31
  Speaker 1: in the final episode, and so um, so yeah, it's
• 36:34
  Speaker 1: it's it's tough, but hopefully this piece will help. We
• 36:37
  Speaker 1: got more with Ava Duvenai when we come back. Don't move.
• 36:39
  Speaker 1: It's the Breakfast Club. Good morning, DJ Envy, Angela Yee,
• 36:43
  Speaker 1: Charlemagne the guy. We all the Breakfast Club. We're still
• 36:46
  Speaker 1: kicking it with Ava Duvenais, who has the Netflix series
• 36:50
  Speaker 1: coming out. When NAC is talking about Central Park five now,
• 36:53
  Speaker 1: they said, you interview people on both sides, the young
• 36:55
  Speaker 1: men and the police. Now where the police apologetic at
• 36:58
  Speaker 1: any time? No, I really had hope to find one.
• 37:01
  Speaker 1: I'd hope to find one. I'd hope to find one.
• 37:04
  Speaker 1: Very few of them talk to me. Some of them
• 37:06
  Speaker 1: talk to me off records. So some people on the
• 37:08
  Speaker 1: other side did talk to me, but that side doesn't
• 37:11
  Speaker 1: know that they did. But they weren't apologetic. They were
• 37:15
  Speaker 1: kind of like, this is how it happened, and you know,
• 37:17
  Speaker 1: very matter of fact, like we did our jobs and
• 37:20
  Speaker 1: they did to their jobs. Because the job of the
• 37:22
  Speaker 1: police is unfortunately in this teen age I believe in
• 37:26
  Speaker 1: the way that they've been trained and the way that
• 37:27
  Speaker 1: they've been mismanaged and under supervised on the job of
• 37:34
  Speaker 1: the police largely not always just as it's keeping order.
• 37:38
  Speaker 1: It's quote unquote law laws are just in order, which
• 37:42
  Speaker 1: is not always just. And so the idea that that
• 37:46
  Speaker 1: they would ever say, oh, no, this was wrong, it's
• 37:49
  Speaker 1: not a part of the way that they're trained there
• 37:51
  Speaker 1: to keep law in order. And you know, in their
• 37:55
  Speaker 1: point of view, they did because I'm like, how do
• 37:57
  Speaker 1: you keep order if you're locking up the wrong people?
• 38:00
  Speaker 1: Could that means that the people who are actually committing
• 38:02
  Speaker 1: the crimes still on the screet. Well, they mean that's
• 38:04
  Speaker 1: the question of the woman who was raped Trician Miley.
• 38:07
  Speaker 1: You know, for a long time, the wrong people were
• 38:11
  Speaker 1: locked up for her crimes, so her the man who
• 38:14
  Speaker 1: assaulted her and raped her and violated her was out.
• 38:17
  Speaker 1: He killed somebody else, He raped another woman and killed
• 38:19
  Speaker 1: some so, UM, it's just it's just this rush to judgment.
• 38:24
  Speaker 1: I was reading this incredible thing during that time in
• 38:27
  Speaker 1: New York City. It was a study done that ninety
• 38:30
  Speaker 1: percent of the articles about this case never used the
• 38:33
  Speaker 1: word alleged for the boys. They it wasn't like alleged rapist, alleged,
• 38:39
  Speaker 1: you know, assault, they were just it just said that
• 38:42
  Speaker 1: they did it. That's the New York Times, the New
• 38:44
  Speaker 1: York Daily News, and New York was all the New
• 38:46
  Speaker 1: York papers. UM really did not cover this properly, didn't
• 38:51
  Speaker 1: ask the second question, just believed what the state said,
• 38:55
  Speaker 1: UM and took it as fact and then basically buried
• 38:58
  Speaker 1: these boys. And the first episode they will shoot the
• 39:01
  Speaker 1: victims that you know, weren't even of aged being interrogated
• 39:03
  Speaker 1: unless they had an adult there. But they were still
• 39:05
  Speaker 1: making deals to sign a confession. So do you think
• 39:07
  Speaker 1: we'll see any repercussions from those cops that were depicted.
• 39:11
  Speaker 1: Do you think they'll be upset? Um? Maybe we didn't
• 39:16
  Speaker 1: make them lie. Um. These are the stories of the men,
• 39:19
  Speaker 1: and this is what the men told me. And so
• 39:21
  Speaker 1: we've believed the police side for you know, thirty years,
• 39:25
  Speaker 1: and so now it's time to listen to and believe
• 39:28
  Speaker 1: the men who've now been exonerated. They were innocent. All
• 39:30
  Speaker 1: that was done in those precincts, all those confessions, all
• 39:33
  Speaker 1: that stuff has been overturned. It was all eyes. It
• 39:36
  Speaker 1: has been overturned. The men are free, innocent, and so
• 39:40
  Speaker 1: everything that we're watching, I mean, don't be mad at it.
• 39:42
  Speaker 1: You convicted these boys and you were wrong. I mean,
• 39:45
  Speaker 1: but I'm sure they will be Did you did you
• 39:47
  Speaker 1: get a chance to talk to the Jagger and his
• 39:49
  Speaker 1: family and all that? Now? I reached out to her.
• 39:50
  Speaker 1: She she she wanted to keep her privacy, so she
• 39:53
  Speaker 1: did speak with me, but I tried. That's probably so
• 39:55
  Speaker 1: traumatic for her, so she probably don't want to talk
• 39:57
  Speaker 1: about that. Yeah, No, she talks about it. Okay, she
• 39:59
  Speaker 1: talks about a couple of Yeah, she's written some things,
• 40:02
  Speaker 1: and I think she wants to pick and choose what
• 40:04
  Speaker 1: she speaks to about it. But I figured she was
• 40:05
  Speaker 1: going to say something like these kids didn't do what
• 40:08
  Speaker 1: I feel. So no, she's never said that. Just this
• 40:10
  Speaker 1: past summer she came out and said, I don't know
• 40:13
  Speaker 1: that they didn't do it, but you know, I'm not sure.
• 40:16
  Speaker 1: You know, I'm not sure, and so usually shit said
• 40:19
  Speaker 1: I just don't know, I don't remember, But this summer
• 40:21
  Speaker 1: she went a little further and she seemed to be, um,
• 40:25
  Speaker 1: you know, feeling like they might have had some involvement.
• 40:28
  Speaker 1: And I think, you know, it has to do a
• 40:30
  Speaker 1: lot with this campaign that um, the state side has
• 40:35
  Speaker 1: been launching. They've released released all these new documents. You know,
• 40:40
  Speaker 1: you have Linda Fairstein out a flurry of articles last
• 40:44
  Speaker 1: summer when the when the new documents were released, kind
• 40:47
  Speaker 1: of defending their side. And it's it's kind of like,
• 40:50
  Speaker 1: you guys knew all that these men are free, innocent
• 40:53
  Speaker 1: or exonerated, so you can keep telling that story, but
• 40:57
  Speaker 1: now they have their story on record, and and my
• 41:00
  Speaker 1: thing is, we just need to always hear two sides
• 41:02
  Speaker 1: of the story. You know, you can't be out there
• 41:04
  Speaker 1: for thirty years only saying you're a piece. It's like
• 41:06
  Speaker 1: Trump and the smaller report. It's like I'm gonna get
• 41:08
  Speaker 1: out six weeks before and just keep saying, ain't nothing
• 41:12
  Speaker 1: in the report, ain't nothing in the report, and then
• 41:13
  Speaker 1: people start to believe that some when the report comes out,
• 41:15
  Speaker 1: it's got all this stuff in it. Oh, we're already
• 41:18
  Speaker 1: wired to just believe the first thing. Get to interrogate
• 41:21
  Speaker 1: the news, you know what I mean. We're we are
• 41:24
  Speaker 1: not free unless we can really free our minds and
• 41:26
  Speaker 1: gain knowledge. You cannot take everything on the pace value.
• 41:30
  Speaker 1: Nobody does that no more. Everything's so surface like and
• 41:33
  Speaker 1: nobody cares about the truth when the lives more entertaining.
• 41:35
  Speaker 1: So it's just like, well, that's why I think places
• 41:37
  Speaker 1: like this are important. I remember the first time I
• 41:38
  Speaker 1: came in here, it was really scared. Wow, I don't know,
• 41:41
  Speaker 1: I was scared of you guys. But um, I don't know,
• 41:43
  Speaker 1: I don't know, I don't know what's gonna happen. But anyway,
• 41:48
  Speaker 1: that was scared. That was scared. But um, but now
• 41:53
  Speaker 1: I start to listen to it more. It's just places
• 41:55
  Speaker 1: for conversation about things, and where we talk about things,
• 41:57
  Speaker 1: we can drill down and get beyond the surface, beyond
• 42:00
  Speaker 1: the click, beyond the tweet or the ig store. You
• 42:02
  Speaker 1: do realize you intimidate uh, people walking the room. But
• 42:08
  Speaker 1: when I when I interviewed you a BT, I was
• 42:09
  Speaker 1: scared to death. Well, because that's such this your comfort zone.
• 42:12
  Speaker 1: That wasn't your comfort zone. Now you're on TV doing
• 42:16
  Speaker 1: even when you coming here Now, I'm like, all right,
• 42:17
  Speaker 1: clean up, guys, all right, I've never seen them clean up. Now,
• 42:23
  Speaker 1: show up. The valerie just came up. Came you don't
• 42:27
  Speaker 1: clean up when you came. He was like, we got
• 42:29
  Speaker 1: to clean up up. But it looks lovely, thank you.
• 42:35
  Speaker 1: It looks really fantastic. You know what I noticed about you,
• 42:40
  Speaker 1: I noticed that you listen intently. How did that help
• 42:43
  Speaker 1: you with the director? Um? Well, I think people will
• 42:46
  Speaker 1: tell you what they need and what they want if
• 42:47
  Speaker 1: you just listen. But most of the time, when Pete,
• 42:49
  Speaker 1: when you're talking to someone, you're talking to someone. Most
• 42:52
  Speaker 1: of the time they're thinking about what they're gonna say next, truly,
• 42:55
  Speaker 1: And so if you can just wipe out what you're
• 42:57
  Speaker 1: gonna say next, and just look at the person that
• 42:59
  Speaker 1: I connect with them on what they're saying. You're gonna
• 43:01
  Speaker 1: get so much, gonna learn so much, and you're gonna
• 43:03
  Speaker 1: know what to do and say. I just think most
• 43:06
  Speaker 1: people are just trying to get their peace in and
• 43:09
  Speaker 1: be heard because everybody wants to be seen and heard.
• 43:11
  Speaker 1: So that's just something that I don't know how I
• 43:13
  Speaker 1: practiced that. I probably got it from my dad me
• 43:15
  Speaker 1: to stare you down. Listen. Yeah, that's what you do,
• 43:18
  Speaker 1: like when we have you a question, like you can
• 43:20
  Speaker 1: tell you're really absolutely Oh, okay, we're good, Thank you. Now,
• 43:27
  Speaker 1: What's what's the next project that I know you finished
• 43:30
  Speaker 1: with this? This one's coming out shortly. What's the next project?
• 43:32
  Speaker 1: Something else that you somebody hit you in the DM
• 43:34
  Speaker 1: about another passion project? So much I get on Twitter
• 43:39
  Speaker 1: almost every day, maybe two dozen things, Hey make this story,
• 43:43
  Speaker 1: or hey but you should do this, or you would
• 43:45
  Speaker 1: kill this or I saw this article. It's crazy and
• 43:47
  Speaker 1: it's an honor that people think I can tell whatever story. Um,
• 43:51
  Speaker 1: but Queen Sugar comes back in June. I've got a
• 43:54
  Speaker 1: new show that we're doing called Chairs Today. A new
• 43:57
  Speaker 1: romance romance Drawa that's coming on, So we're starting to
• 44:00
  Speaker 1: write that. Working on this Prince documentary. The estate m
• 44:05
  Speaker 1: you know, allowed me to be involved in telling his story.
• 44:08
  Speaker 1: So I'm in the vaults and I got all the
• 44:10
  Speaker 1: costs from the beginning to start everything Wow, cradle to
• 44:14
  Speaker 1: the unfortunately, and just getting into all his music, so
• 44:18
  Speaker 1: much music that we never even heard. And I could
• 44:21
  Speaker 1: just sit there and listen to unreleased music. See the
• 44:23
  Speaker 1: lyrics that he wrote in his own hand on napkins
• 44:27
  Speaker 1: from cafes and in Europe, and like incredible, incredible things.
• 44:33
  Speaker 1: A lot of wrote a lot of lyrics on notepads
• 44:36
  Speaker 1: of hotels around the world, so it would just be
• 44:39
  Speaker 1: like next to his man and he write things down anyway.
• 44:41
  Speaker 1: Fascinating brother. Um, So working on that and uh and yeah,
• 44:45
  Speaker 1: just trying to, you know, make sure that the story
• 44:47
  Speaker 1: gets out and people see it. All right. We got
• 44:49
  Speaker 1: more with Ava Duvenet when we come back, don't move.
• 44:51
  Speaker 1: It's to Breakfast Club. Good morning morning. Everybody is DJ
• 44:55
  Speaker 1: Envy Angela Yee. Charlomagne, the guy we all to Breakfast
• 44:59
  Speaker 1: Club were still kicking it with Ava Duvenais. Charman, you know,
• 45:02
  Speaker 1: as a creative. You know what I'm saying, somebody who
• 45:04
  Speaker 1: expresses themselves. What do you think about the Facebook band?
• 45:07
  Speaker 1: If you think since the Shipokah, do you think sensorship
• 45:10
  Speaker 1: is is warranted in our society? Well, Facebook is a business,
• 45:14
  Speaker 1: so I don't think. You know, censorship of of kind
• 45:17
  Speaker 1: of public expression is one thing. But you know if
• 45:20
  Speaker 1: you and I started you know something and we didn't
• 45:23
  Speaker 1: want him on it, yeah, and we would just be like,
• 45:28
  Speaker 1: you can't come, I cannot do this. So it's it's
• 45:31
  Speaker 1: I mean, I we we are. We have to remember
• 45:34
  Speaker 1: when we're dealing with Twitter and IG and Facebook, we're
• 45:37
  Speaker 1: participating in you know, the commodification of our expression absolutely,
• 45:42
  Speaker 1: and that at any point if that is is is
• 45:46
  Speaker 1: you know, um assaulting their ability to make money, then
• 45:50
  Speaker 1: we then we're then we're off. We've become unimportant. Then
• 45:52
  Speaker 1: we can get kicked off. So you know they're advertisers
• 45:55
  Speaker 1: and everyone's up in arms about those people. You know,
• 45:58
  Speaker 1: that's not a free space. So what's young black creatives?
• 46:00
  Speaker 1: Because I always say that we don't own any of
• 46:02
  Speaker 1: those platforms that y'all are giving out all of these
• 46:04
  Speaker 1: free materials. What should young black creators do well. I
• 46:08
  Speaker 1: think you should use it to further your own business,
• 46:12
  Speaker 1: but just to be really aware that you know, these
• 46:14
  Speaker 1: are not free spaces. These are commodified spaces. And to
• 46:18
  Speaker 1: make sure that you own your own I mean, own
• 46:20
  Speaker 1: your own content, own your own spaces. Man, I'm trying
• 46:23
  Speaker 1: to I'm really talking to peopleout owning space. There are
• 46:26
  Speaker 1: own spaces, you know, our theaters, our community centers are
• 46:30
  Speaker 1: our offices. Um, so I think that's that's important. But
• 46:35
  Speaker 1: but yeah, if you if you're on them with the
• 46:36
  Speaker 1: knowledge that I'm participating in this exchange, you know, then
• 46:41
  Speaker 1: then you'll be much more um, you'll be protecting yourself
• 46:44
  Speaker 1: much more than thinking that you're just you know, actually
• 46:47
  Speaker 1: in a free state. How hard is it for you
• 46:49
  Speaker 1: not to stunt because you are a boss? Not to
• 46:51
  Speaker 1: what stunt? What stunt? I know what it means, Say
• 46:59
  Speaker 1: what is he taught? We know that you are boss,
• 47:01
  Speaker 1: and we seen one hundred million dollars deals with Netflix
• 47:04
  Speaker 1: and all of that type of stuff, Like he's a
• 47:05
  Speaker 1: he can't your money. Every can't everybody money. But I
• 47:10
  Speaker 1: mean it's not the money, it's the fact that somebody
• 47:12
  Speaker 1: that does the type of art you do get rewarded
• 47:15
  Speaker 1: in that way. You know what I'm saying. You do
• 47:16
  Speaker 1: things that matter, you do things of substance, and you
• 47:19
  Speaker 1: get rewarded for To me, that is what inspires me. Yes,
• 47:23
  Speaker 1: well that's one hundred million dollars with Warner Brothers, not Netflixs.
• 47:27
  Speaker 1: But but that's a little stunt right there, you know,
• 47:29
  Speaker 1: just no, but it's only Likelix. But it's it's it's
• 47:34
  Speaker 1: it doesn't go in our pockets. It goes to make things,
• 47:37
  Speaker 1: you know what I mean. And so if they're gonna
• 47:38
  Speaker 1: give me the kinds of things that I make, which
• 47:40
  Speaker 1: I'm trying to uplift people, I'm trying to center black
• 47:42
  Speaker 1: and brown people and women. I'm trying to be able
• 47:45
  Speaker 1: to have that kind of wherewithal to tell these kinds
• 47:47
  Speaker 1: of stories. Um. I was just like, let me grab
• 47:49
  Speaker 1: this before they change their mind and make as much
• 47:52
  Speaker 1: as I care while I can. Um. And so that's
• 47:54
  Speaker 1: the thing, it's just like how much can we make?
• 47:56
  Speaker 1: How much can we do? You know? You look at
• 47:58
  Speaker 1: lean Away to the East Ray and Jordans and Coogler
• 48:01
  Speaker 1: and so many of us. You know, I was talking
• 48:03
  Speaker 1: to an older U creator who was saying, guy, you
• 48:06
  Speaker 1: guys are going so fast, Like you guys have one
• 48:09
  Speaker 1: hit and then pop out with three shows. It's like
• 48:11
  Speaker 1: doors open. We try to rush in and do as
• 48:13
  Speaker 1: much as we can before it closes, but also just
• 48:16
  Speaker 1: to put out as much in this era. But it's
• 48:18
  Speaker 1: a good time, so much out. But people are working hard.
• 48:22
  Speaker 1: We also have to have self care. Every time I
• 48:24
  Speaker 1: see my Carmmands, I'm like, are you taking a vacation,
• 48:27
  Speaker 1: are you resting? Have you bought your home? Like? You
• 48:30
  Speaker 1: know what I mean, Like, let's make sure that everybody's
• 48:32
  Speaker 1: taking care of themselves, you know, and shout out to
• 48:36
  Speaker 1: John you know who Singleton. You know, he was someone
• 48:41
  Speaker 1: who you know, really did that. You know, he looked
• 48:46
  Speaker 1: after all of us. He would call and you know,
• 48:48
  Speaker 1: you'd see you out. He'd come and support and you
• 48:51
  Speaker 1: know it's one of the real, you know, few people
• 48:53
  Speaker 1: of that generation who would actually reach out actively or
• 48:56
  Speaker 1: come show up to your thing as a filmmaker, you know. Um,
• 49:00
  Speaker 1: And so we just have to keep doing that for
• 49:02
  Speaker 1: each other. He was a great example of it. Rest
• 49:03
  Speaker 1: in peace. Well kind of influence did he have on
• 49:05
  Speaker 1: a young abel? He did, you know, because he went
• 49:08
  Speaker 1: from around the same place. I mean he was South
• 49:10
  Speaker 1: centraum Compton. It's not that far actually physically it's a
• 49:13
  Speaker 1: little far, but it's the same kind of environment. And
• 49:16
  Speaker 1: it was very supportive. Became from my first premiere in
• 49:19
  Speaker 1: my fifty thousand dollars film he Um. He you know,
• 49:23
  Speaker 1: always was encouraging and so I remember seeing Boyslhood and
• 49:26
  Speaker 1: being like, those are people in my neighbor. Like that
• 49:28
  Speaker 1: was the first time I saw them fully rendered on screen,
• 49:32
  Speaker 1: not being like the thug that held up you know,
• 49:35
  Speaker 1: Beverly Hill's coup or whatever, but like as as real people.
• 49:40
  Speaker 1: And uh so it was it was huge. It was huge.
• 49:43
  Speaker 1: It's a big it's a big loss because there's so
• 49:45
  Speaker 1: few of us. It's a very small tribe out there.
• 49:48
  Speaker 1: If people do it, um, it's a lot of people
• 49:50
  Speaker 1: that can, but there's just a few that have been
• 49:53
  Speaker 1: able to make it through. I mean, when you count
• 49:55
  Speaker 1: on both hands all the filmmakers, there might be twenty
• 49:57
  Speaker 1: twenty five. So to lose once early, um, it's something
• 50:01
  Speaker 1: that we haven't really dealt with. Like when you look
• 50:03
  Speaker 1: at our space, we haven't lost any black filmmakers who
• 50:07
  Speaker 1: you know who we're still in their working prime. So
• 50:10
  Speaker 1: it was it's devastating. What is ABA doing for self care? Uh?
• 50:17
  Speaker 1: I do meditation. I Hi, I need to do more,
• 50:20
  Speaker 1: you know what I mean? I really really need to
• 50:21
  Speaker 1: do more because I'll be working on these things that
• 50:23
  Speaker 1: are super I don't know, dramatic, violent subject matter. So
• 50:28
  Speaker 1: I really need to do more. So, UM, I'm gonna
• 50:31
  Speaker 1: take that encourage. How do you let it go? Um?
• 50:34
  Speaker 1: I don't know. I don't have a real practice. I
• 50:36
  Speaker 1: wish I could say something op like, but I really
• 50:40
  Speaker 1: I really don't know. You know, she really helps we
• 50:42
  Speaker 1: Usually I'll call her and it's such a blessing to
• 50:45
  Speaker 1: be able to pick up the phone and like it's
• 50:46
  Speaker 1: actually her other line. I'll be like, this is what's happening,
• 50:49
  Speaker 1: and she'll be like okay, and it should just talk
• 50:52
  Speaker 1: to me. And I mean like it's like therapy really is.
• 50:55
  Speaker 1: She's just like the world's world's greatest therapy that was
• 50:57
  Speaker 1: called a stunt leader. You know what I'm saying. Right now?
• 51:07
  Speaker 1: Time you got time? Right time? It was not you
• 51:11
  Speaker 1: know you know, um when they see us. One thing
• 51:13
  Speaker 1: that I love is um it really put me back
• 51:16
  Speaker 1: to that that era good from the music. As soon
• 51:19
  Speaker 1: as it starts, all good you know, how how hard
• 51:22
  Speaker 1: is it to really go into depth about all that
• 51:25
  Speaker 1: because you know, I'm look, I'm looking at everything. I'm
• 51:26
  Speaker 1: that type of person. I'm looking at the police cars
• 51:28
  Speaker 1: and I'm looking at the cars, what they're selling in
• 51:32
  Speaker 1: the store, what the kids are wearing on their feet. Good,
• 51:35
  Speaker 1: But like, how deep do you go with that? That's
• 51:38
  Speaker 1: what the director's job is, all of it. So every
• 51:40
  Speaker 1: piece of the costume, everything that everyone's wearing, the production design,
• 51:43
  Speaker 1: the way it looks. We have to go out and
• 51:45
  Speaker 1: scout location, scout, look for those places in New York
• 51:48
  Speaker 1: City that you can age back and make look like eighty.
• 51:50
  Speaker 1: It's hard. Your city has changed. We look at pictures
• 51:53
  Speaker 1: like so much has changed the way that signs were
• 51:56
  Speaker 1: back then, cell phone, shoes, cars, all of that. A
• 51:59
  Speaker 1: lot out of it. We have to change digitally, um
• 52:02
  Speaker 1: and in visual effects, but try to get it as
• 52:04
  Speaker 1: close as possible. I was looking for a Starbucks copy.
• 52:06
  Speaker 1: Now quit because do you know how many people had
• 52:13
  Speaker 1: do you know how many people that passed through? No? No,
• 52:17
  Speaker 1: from the set. Okay, everyone is standing on the set.
• 52:20
  Speaker 1: Then it goes to the editors. The editors watch it,
• 52:23
  Speaker 1: then it goes through then everyone at Netflix, all the producers,
• 52:27
  Speaker 1: the colorist sorry HBO, all the colorist, there's somebody that
• 52:31
  Speaker 1: goes in and adjust the color, and the sound team.
• 52:33
  Speaker 1: They watch it on a big I can't believe nobody
• 52:36
  Speaker 1: saw it. Yeah, it's crazy, it's almost they told me.
• 52:39
  Speaker 1: My friend Victoria Mahoney texted me and said somebody was
• 52:41
  Speaker 1: mad and that saw it. Was like, I'm gonna let
• 52:44
  Speaker 1: that step because it's not possible that so many people
• 52:47
  Speaker 1: miss it, but it happens all the time when they
• 52:50
  Speaker 1: see us. What does that title mean? It's it's a
• 52:52
  Speaker 1: powerful title. I didn't want it to be called Central
• 52:54
  Speaker 1: Park five because I feel like that's the name at
• 52:56
  Speaker 1: the State and the press gave them, and that it
• 52:59
  Speaker 1: allows you not to be able to see them as human.
• 53:02
  Speaker 1: So when they see us, you know, opens it up,
• 53:05
  Speaker 1: humanizes them more, but it also asks the question who's
• 53:08
  Speaker 1: the they and who's the us? Check it out May
• 53:10
  Speaker 1: thirty first, you can see it on Netflix. We've seen
• 53:13
  Speaker 1: it already. Amazing. I loved it. Watch it with your kids.
• 53:16
  Speaker 1: Let your kids watch it. I don't ever do music
• 53:18
  Speaker 1: for your own soundtracks. Do you go back to your rapping? Then? Okay,
• 53:21
  Speaker 1: thank you, so happy so happy to be here. Almost
• 53:27
  Speaker 1: got out all right. The Breakfast Club, good morning, Hey,
• 53:33
  Speaker 1: good morning. Everybody is DJ MV and Angela Yee, Charlomagne
• 53:37
  Speaker 1: the guy we are the Breakfast Club. Good morning, good morning.
• 53:40
  Speaker 1: Let's get to these rumors. Let's talk to the number
• 53:42
  Speaker 1: one show Netflix's tea. This is the rumor Report with
• 53:49
  Speaker 1: Angela Yee on The Breakfast Club. What would you say
• 53:53
  Speaker 1: is the number one show on Netflix? I have no clue.
• 53:56
  Speaker 1: The Office, Yes, so there were some issues people the
• 54:00
  Speaker 1: show was gonna get taken off of Netflix and all
• 54:02
  Speaker 1: of that, but they had to post hello, it's me
• 54:04
  Speaker 1: with your regularly schedule reminder. The Office will be on
• 54:07
  Speaker 1: Netflix until twenty twenty one at least. By the way,
• 54:10
  Speaker 1: I was on a flight the other day watching The Office,
• 54:12
  Speaker 1: because you know, that's one of my favorite shows. It's hilarious.
• 54:16
  Speaker 1: Really yeah, you will love it. And my best friends
• 54:19
  Speaker 1: Santi Gold was on two episodes and never even told me.
• 54:21
  Speaker 1: So I'm watching it on the plane and then I
• 54:23
  Speaker 1: see her on these two episodes of the Office, and
• 54:25
  Speaker 1: I texted her. I was like, you didn't tell me
• 54:27
  Speaker 1: you were on the show. That's like a dream come true?
• 54:29
  Speaker 1: Are you show? Y'alls. For instance, she just was like,
• 54:31
  Speaker 1: oh my god, I didn't know. It's so amazing. I
• 54:33
  Speaker 1: did it before I even got pregnant with my twins.
• 54:35
  Speaker 1: So yeah, we don't talk every day, but I'm like,
• 54:38
  Speaker 1: how could you not bring that up? But The Office
• 54:40
  Speaker 1: is the number one show on Netflix, So shout out
• 54:43
  Speaker 1: to that show all right. Now, Lebron James he now
• 54:46
  Speaker 1: has a brand new gym for his students. Well, he's
• 54:49
  Speaker 1: gonna have have it for the I Primary School and
• 54:52
  Speaker 1: acron Ohio. He just got a one million dollar check
• 54:54
  Speaker 1: from Dick Sporting Goods Foundation, so they're going to provide
• 54:57
  Speaker 1: that recreational center for everyone at that school. So that's amazing. Now,
• 55:02
  Speaker 1: Lebron James said, I believe this guy is a limit
• 55:04
  Speaker 1: for these kids and the results we're seeing are just
• 55:06
  Speaker 1: the beginning. Dick Sporting Goods Foundation believes in the opportunities
• 55:09
  Speaker 1: and values sports provide, and I've experienced at every level.
• 55:12
  Speaker 1: So he said he's very excited to provide a space
• 55:15
  Speaker 1: for the growth at the I Promise School, dropping a
• 55:17
  Speaker 1: clos bunfle Lebron James having more faith in those kids
• 55:19
  Speaker 1: than he does in the Los Angeles Lakers, as he should.
• 55:22
  Speaker 1: Now Tiger Woods has a lawsuit. That's because one of
• 55:26
  Speaker 1: the employees at his restaurant that he owns died in
• 55:30
  Speaker 1: a car crash. Now, what they are saying is this
• 55:34
  Speaker 1: man was drunk after he crashed his car and he
• 55:38
  Speaker 1: died December tenth, And that's because he was leaving the
• 55:41
  Speaker 1: Woods restaurant and bar and he crashed his corvette. They're
• 55:45
  Speaker 1: saying that Tiger Woods, who owns the restaurant, and his
• 55:47
  Speaker 1: girlfriend is the manager at the restaurant, she's a general manager,
• 55:50
  Speaker 1: they're the ones who are to blame for the wrongful death.
• 55:53
  Speaker 1: So he worked there as a bartender. He sat there
• 55:56
  Speaker 1: and drank from three pm until six pm, as the
• 56:00
  Speaker 1: blood alcohol level was three times the legal limit, and
• 56:03
  Speaker 1: they said that he was suffering from alcohol alcoholism. He
• 56:06
  Speaker 1: went to Alcoholics anonymous meetings and he had had another
• 56:09
  Speaker 1: alcohol related crash in November, and that Tiger Woods and
• 56:12
  Speaker 1: Erica Herman, who's the manager and Tiger Wood's girlfriend knew
• 56:15
  Speaker 1: about his disease, but they were drinking with him before
• 56:18
  Speaker 1: that crash happened a few nights ago. I never understood that.
• 56:20
  Speaker 1: I never understood you go to a bar and then
• 56:22
  Speaker 1: you get into an accident when you leave the bar,
• 56:24
  Speaker 1: and then you could see the ball for oversuwing you,
• 56:26
  Speaker 1: like I don't know how much serving you for saying
• 56:30
  Speaker 1: so you're overserving you. You know, I don't know how
• 56:32
  Speaker 1: much liquor you had. You know, you could come in
• 56:34
  Speaker 1: and get three. Some people can take five shots before
• 56:36
  Speaker 1: they drunk. Some people could take seven shots, like yeah,
• 56:38
  Speaker 1: but I think you can when you look at somebody
• 56:40
  Speaker 1: and you if they're slurring, they can't A bunch of
• 56:43
  Speaker 1: people as drunk that that function from they do say
• 56:46
  Speaker 1: as a bar attender, though, when you see somebody who
• 56:48
  Speaker 1: is visibly drunk and slurring and they've had a certain
• 56:51
  Speaker 1: amount of drinks, you're supposed to stop serving them. I've
• 56:53
  Speaker 1: seen like flight attendants on the plane stopped giving people
• 56:56
  Speaker 1: drinks because they were absolutely and you're sorry, can't do it.
• 57:00
  Speaker 1: And if that person is sitting there for all of
• 57:02
  Speaker 1: those hours, you can visibly tell if somebody's like super
• 57:05
  Speaker 1: intoxic katy, right, And I understand that there's times you're
• 57:08
  Speaker 1: not one hundred percent sure, like I don't know, but
• 57:11
  Speaker 1: in this situation, they're saying that you knew he was
• 57:13
  Speaker 1: an alcoholic, you knew he was going to these classes,
• 57:15
  Speaker 1: but I don't know if that particular night. Tyger Wood
• 57:17
  Speaker 1: wasn't tricky with him that night, so it probably wasn't
• 57:21
  Speaker 1: a great idea for him to be a bartender if
• 57:23
  Speaker 1: he was an alcoholic. Oh yeah, all right. Byron Allen,
• 57:27
  Speaker 1: his company has just purchased Remember that whole acquisition of
• 57:32
  Speaker 1: the twenty one Fox regional sports networks that everybody was
• 57:35
  Speaker 1: trying to get, ice Q, Bellow, cool J. They were
• 57:37
  Speaker 1: all bidding on it, while Byron Allen's empire just got it.
• 57:40
  Speaker 1: So they acquire that, yes, ten billion dollar acquisition. Man
• 57:44
  Speaker 1: drop on a clues box from Byron Allen. Y'all don't
• 57:46
  Speaker 1: even know how Byron Byron Allen a black man out
• 57:49
  Speaker 1: here getting it? Okay, Weather Channel last year, all right,
• 57:53
  Speaker 1: so yeah, congratulations to him. I mean, everybody was trying
• 57:57
  Speaker 1: to make it happen different groups, but Byron Allen is
• 58:00
  Speaker 1: the person who actually won. I do want to say
• 58:03
  Speaker 1: the Weather Channel has been wrong a lot since Byron
• 58:05
  Speaker 1: Allen acquired it, though, I just want to throw that
• 58:06
  Speaker 1: out there. They should hire Envy. No, now I'm joking.
• 58:12
  Speaker 1: The Weather Channel is still the same Weather Channel has been,
• 58:14
  Speaker 1: but Byron Allen. If you don't know who that is, kids,
• 58:16
  Speaker 1: google Byron Allan. Okay, all right, I'm angela ye and
• 58:20
  Speaker 1: that is your rumor report. All right, thank you, yee, Charlemagne. Donkey,
• 58:23
  Speaker 1: who are giving that to Listen? Donkey of the day
• 58:26
  Speaker 1: to day is a prime example of why you should
• 58:28
  Speaker 1: go where you're celebrated, not where you're tolerated. We need
• 58:31
  Speaker 1: Phoenix Hunts for Josh Jackson to come to the front
• 58:33
  Speaker 1: of the conversation. We'd like to have a world with Okay,
• 58:37
  Speaker 1: all right, we'll get to that next. Keeping lockedice to
• 58:38
  Speaker 1: breakfast club. Good morning, it's time for Donkey of the day,
• 58:47
  Speaker 1: being Dunky of the day, a little bit of a
• 58:50
  Speaker 1: mix like a dope the other day. Now, I've been
• 58:58
  Speaker 1: called a lot of my twenty three years, but wife, yeah,
• 59:02
  Speaker 1: it's dunk here today for Tuesday, May for a teenth
• 59:04
  Speaker 1: goes to Phoenix Suns forward Josh Jackson. Now Josh is
• 59:08
  Speaker 1: twenty two years old. He got drafted in twenty seventeen
• 59:11
  Speaker 1: first round pick. Uh he was number four. Actually a
• 59:14
  Speaker 1: solid player so far in the league, I would say
• 59:17
  Speaker 1: so rookie year, he averaged a little over thirteen points
• 59:19
  Speaker 1: a game. This year he averaged around eleven points a game,
• 59:22
  Speaker 1: so decent first couple of years. I think his career
• 59:24
  Speaker 1: average is like twelve points a game something like that.
• 59:26
  Speaker 1: He's still got a lot of work to do, though,
• 59:28
  Speaker 1: a lot of work to do to be a household name,
• 59:31
  Speaker 1: and he was reminded of that this past weekend at
• 59:33
  Speaker 1: the Rolling Loud Festival in Miami. Now, I think, God,
• 59:36
  Speaker 1: I've never been one of these negroes who have a desire,
• 59:39
  Speaker 1: our problem getting in vi IP. Okay, let me tell
• 59:41
  Speaker 1: you something to to this day, to this die. If
• 59:44
  Speaker 1: I'm somewhere and there's a VIP section, if they don't
• 59:47
  Speaker 1: let me in, I'm not tripping. I'm not about to
• 59:49
  Speaker 1: beg anyone. I'm not about to ask to talk to anyone.
• 59:52
  Speaker 1: To manager, I'm damn sure not hitting you with it.
• 59:54
  Speaker 1: Do you know who I am? Because number one, security
• 59:56
  Speaker 1: got a job to do, all right. Number two they
• 59:59
  Speaker 1: may know who you you are and not care because
• 1:00:01
  Speaker 1: they have a job to do. And number three, who
• 1:00:03
  Speaker 1: the hell are you? Okay, No, I don't know who
• 1:00:06
  Speaker 1: you are. And it's my job to keep people out
• 1:00:08
  Speaker 1: of here, because duh, I have a job to do
• 1:00:11
  Speaker 1: and you don't have the credentials to be in here. Well,
• 1:00:13
  Speaker 1: Josh Jackson of the Phoenix Suns is one of those people,
• 1:00:16
  Speaker 1: one of those annoying ass people who can't take no
• 1:00:18
  Speaker 1: fa nancier. When it comes to not being allowed in
• 1:00:20
  Speaker 1: the VIP, the male ego is so fragile. The rejection
• 1:00:24
  Speaker 1: of not being allowed in the VIP is too much
• 1:00:26
  Speaker 1: for Josh Jackson the handle, especially because he's an NBA player.
• 1:00:30
  Speaker 1: And this happened. Let's go to Andy Slay the show
• 1:00:33
  Speaker 1: for the report. Police. Josh Jackson plays with the Phoenix Suns.
• 1:00:36
  Speaker 1: He was at Rolling Loud in Miami Gardens, which was
• 1:00:39
  Speaker 1: at hard Rock Stadium, and according to my sources, Josh
• 1:00:44
  Speaker 1: Jackson was arrested because he tried to get into the
• 1:00:48
  Speaker 1: VIP area several times without having proper VIP access. Officers
• 1:00:56
  Speaker 1: were being kind of polite to him. After like three
• 1:00:59
  Speaker 1: or four were times he tried him and then they
• 1:01:03
  Speaker 1: finally took him out. They put him in handcuffs, put
• 1:01:06
  Speaker 1: him on a golf cart, and this NBA player gets
• 1:01:09
  Speaker 1: off the golf cart in handcuffs and starts running away.
• 1:01:13
  Speaker 1: So police catch up to him and then they charge
• 1:01:15
  Speaker 1: him with a felony for escape and then also resisting
• 1:01:18
  Speaker 1: a rise. Now I want to ask Angelie a question.
• 1:01:21
  Speaker 1: If you couldn't get into the VP, would you beg
• 1:01:24
  Speaker 1: to get int the VP? Absolutely not, I'll walk away, Envy.
• 1:01:27
  Speaker 1: If you couldn't get into VP, would you beg to
• 1:01:29
  Speaker 1: get into VFP? That doesn't happen to me, Bro, Angelie,
• 1:01:32
  Speaker 1: I think Envy would definitely be put in this situation.
• 1:01:34
  Speaker 1: They would definitely run through. And if he doesn't do that,
• 1:01:40
  Speaker 1: he might argue with security and time him. You don't
• 1:01:42
  Speaker 1: know who I am. That doesn't happen to me, Bro,
• 1:01:45
  Speaker 1: This absolutely sounds like something that would happen in me.
• 1:01:47
  Speaker 1: But I was keep in mind, Josh Jackson is six eight,
• 1:01:51
  Speaker 1: all right? Running when handcuffs on that rolling loud? Josh Jackson,
• 1:01:54
  Speaker 1: where are you going? All right? You think nobody is
• 1:01:57
  Speaker 1: going to notice in six eight man running in handcuffs
• 1:01:59
  Speaker 1: that rolling loud? And Josh, you would never you would
• 1:02:02
  Speaker 1: never have been in this situation if you went where
• 1:02:04
  Speaker 1: you are celebrating, not where you're tolerating. Not only that,
• 1:02:06
  Speaker 1: instead of fighting and getting the VIP, take your ass
• 1:02:10
  Speaker 1: to general population and do what we all do. Okay,
• 1:02:13
  Speaker 1: daydream about one day being in position to get you
• 1:02:16
  Speaker 1: and your friends into VIP if you want to, Well
• 1:02:19
  Speaker 1: he should have did, was Texas agent and be like, look,
• 1:02:21
  Speaker 1: I'm out here, I need you to get me into
• 1:02:23
  Speaker 1: the VIP. Make it happen. And then you wait until
• 1:02:26
  Speaker 1: they text you back and be like, okay, I have
• 1:02:28
  Speaker 1: such a text coming to get you where you are.
• 1:02:30
  Speaker 1: I highly doubt his basketball agent knows anything about some
• 1:02:33
  Speaker 1: damn rolling loud. He'll figure it out, trust me. The
• 1:02:36
  Speaker 1: money they get paid. Now here's another secret. Once you
• 1:02:39
  Speaker 1: get into v IP, you'll realize you don't even want
• 1:02:41
  Speaker 1: to be in there, all right, Nothing in there but
• 1:02:42
  Speaker 1: a bunch of people acting fake important. Who got time
• 1:02:44
  Speaker 1: for that? All right? You should feel like v IP
• 1:02:46
  Speaker 1: wherever you go, and you don't need the validation of
• 1:02:49
  Speaker 1: a VIP credential to be considered a very important person. Now,
• 1:02:53
  Speaker 1: if Josh hits that court and does what he's supposed
• 1:02:56
  Speaker 1: to do and becomes an all star, right, starts getting
• 1:02:59
  Speaker 1: endorsement deals, gets into some commercials, gets the Suns in
• 1:03:02
  Speaker 1: the playoffs so people can see him, he won't ever
• 1:03:04
  Speaker 1: have to beg to get into a VIP ever. Again,
• 1:03:08
  Speaker 1: the moral of the story is work, so you never
• 1:03:12
  Speaker 1: have to introduce yourself. Please give Josh Jackson to the
• 1:03:15
  Speaker 1: Phoenix Suns the biggest he hall. Although I will say
• 1:03:21
  Speaker 1: at an event like that, maybe it was annoying for
• 1:03:23
  Speaker 1: him because he is very tall, people might recognize him.
• 1:03:26
  Speaker 1: So people might have just kept coming up to him
• 1:03:28
  Speaker 1: and are just trying to not be out there. I
• 1:03:31
  Speaker 1: don't know. I'm just guessing because he's so tall, people
• 1:03:34
  Speaker 1: already look at you, Josh Jackson. But I Holly Dott,
• 1:03:38
  Speaker 1: anybody knows who Josh Jackson. That's disrespectful, Holly dot not not. No,
• 1:03:44
  Speaker 1: you know some basketball fans might give me some time.
• 1:03:46
  Speaker 1: And he's only been in the league two years. Give
• 1:03:47
  Speaker 1: him some time. All right, Wow, thank you for that.
• 1:03:51
  Speaker 1: Donkey today. Now that's talk low Kisha no Quisha. All right,
• 1:03:57
  Speaker 1: that's a new movie that's coming out that people are
• 1:04:00
  Speaker 1: said about. Let's play at black Player's brilliant. I know,
• 1:04:08
  Speaker 1: the biggest thing in radio, but I still need mine
• 1:04:10
  Speaker 1: and you reserve quisa. What's your problem? Hi? It's oh,
• 1:04:16
  Speaker 1: I ain't talking to you, not the way you sound.
• 1:04:18
  Speaker 1: Nuts Dollar you go, girl, be good at her. If
• 1:04:22
  Speaker 1: you're good at yourself, you can be good at others.
• 1:04:25
  Speaker 1: Don't be too good because the police to come around
• 1:04:28
  Speaker 1: is a pretty role motherfucker. If you're asking an America woman,
• 1:04:32
  Speaker 1: I think I like being a black woman trapped in
• 1:04:34
  Speaker 1: a white man's body. Now let's talk a little quistion.
• 1:04:37
  Speaker 1: Now give him then, okay. So the truth to this
• 1:04:40
  Speaker 1: story is it's a white man who is pretending to
• 1:04:42
  Speaker 1: be a black woman because there was an opening that's
• 1:04:45
  Speaker 1: looking for a black woman radio host and he wasn't
• 1:04:48
  Speaker 1: able to get it as a white man. So he
• 1:04:50
  Speaker 1: disguises himself just his voice to be talking as a
• 1:04:53
  Speaker 1: black woman, calls himself a low Quisha, and that's his
• 1:04:56
  Speaker 1: idea to try to land this job. Of course, they
• 1:04:59
  Speaker 1: have not seen that he's a white man, so he
• 1:05:01
  Speaker 1: basically gets the job and goes on the air pretending
• 1:05:04
  Speaker 1: to be a black woman named Loquish. Amazing premise. All right,
• 1:05:07
  Speaker 1: what's the problem. Let's hopen up the phone lines. How
• 1:05:09
  Speaker 1: do you feel asked you yet? We didn't ask you yet?
• 1:05:13
  Speaker 1: Eight hundred five one oh five one. How do you
• 1:05:17
  Speaker 1: guys feel about it? A white man acting like a
• 1:05:20
  Speaker 1: black woman to get a job seems out of te
• 1:05:24
  Speaker 1: five eight five one o five one. We'll talk about
• 1:05:27
  Speaker 1: it when we come back. It's kind of like a
• 1:05:29
  Speaker 1: like what they did in White Chicks. It was a
• 1:05:31
  Speaker 1: black guy that pretended to be a white chick, and
• 1:05:33
  Speaker 1: now there's a white man that's pretending to be a
• 1:05:36
  Speaker 1: hold on, I need more details, though, who's behind this film?
• 1:05:39
  Speaker 1: Like a white man is the person that wrote, directed,
• 1:05:42
  Speaker 1: and started it. He's the white man. Well that's the
• 1:05:45
  Speaker 1: problem because because it's not it's not the idea that
• 1:05:47
  Speaker 1: was bothering people, it's the presentation. He should have had
• 1:05:49
  Speaker 1: a jeremyville is his name, Well, Jeremy should have had
• 1:05:52
  Speaker 1: a black person, specifically a black woman be the executive producer.
• 1:05:55
  Speaker 1: If this was a black woman's idea are presented as
• 1:05:57
  Speaker 1: a black woman's idea, it wouldn't be an issue. Well,
• 1:05:59
  Speaker 1: let's let's talk about it when we come back. Eight
• 1:06:01
  Speaker 1: hundred five eight five one on five one, what are
• 1:06:03
  Speaker 1: your thoughts? Call us now, it's the Breakfast Club. Good morning,
• 1:06:06
  Speaker 1: the Breakfast Club Morning. Everybody is DJ Envy, Angela Yee,
• 1:06:14
  Speaker 1: Charlomagne the guy. We are the Breakfast Club. Good morning. Now,
• 1:06:17
  Speaker 1: if you just joined us, we're talking low Quisha. Now
• 1:06:19
  Speaker 1: tell him about low Quistion. La Quisha is a movie
• 1:06:22
  Speaker 1: about a white man who's pretending to be a black
• 1:06:24
  Speaker 1: woman in order to get a job on radio where
• 1:06:26
  Speaker 1: they're looking for a black woman radio host. All right,
• 1:06:29
  Speaker 1: so when the cross the show becomes successful when he
• 1:06:31
  Speaker 1: lands the job even though he's a white man. So
• 1:06:32
  Speaker 1: let's playing snippet at the trailer right fast. She's brilliant.
• 1:06:36
  Speaker 1: I know, get her. We're gonna be the biggest thing
• 1:06:39
  Speaker 1: in radio. Well, I still need mine, and you served
• 1:06:42
  Speaker 1: with low Quisia. What's your problem? Hi? It's oh, I
• 1:06:47
  Speaker 1: ain't talking to you, not the way you sound. Next
• 1:06:49
  Speaker 1: callar you go, girl. You just be good at her.
• 1:06:53
  Speaker 1: If you're good at yourself, you can be good at others.
• 1:06:55
  Speaker 1: Don't be too good because the police to come around.
• 1:06:58
  Speaker 1: Question is a real role for every African American play.
• 1:07:03
  Speaker 1: I think a black woman trapped in a white man's body.
• 1:07:06
  Speaker 1: So we're asking eight hundred five eighty five one on
• 1:07:08
  Speaker 1: five one, what are your thoughts? Let's start with you. Yeah,
• 1:07:10
  Speaker 1: you're a black woman. Yeah. I thought it was very
• 1:07:12
  Speaker 1: offensive that he tried it. First of all, it sounds
• 1:07:14
  Speaker 1: like a stereotypical what a white person thinks a black
• 1:07:16
  Speaker 1: woman sounds like. And then the name Locuisia is that
• 1:07:20
  Speaker 1: it just feels very like stereo typing what a black
• 1:07:24
  Speaker 1: woman is. And it's already hard enough for black woman
• 1:07:26
  Speaker 1: to get these positions in these jobs. So the fact
• 1:07:28
  Speaker 1: that you make a movie about a white man getting
• 1:07:30
  Speaker 1: this job because he can't get it because he's a
• 1:07:33
  Speaker 1: white man, it's kind of like, you know, we have
• 1:07:35
  Speaker 1: some type of affirmative action going on, like let us
• 1:07:37
  Speaker 1: have a job that is very few and far between
• 1:07:40
  Speaker 1: for us. But people would say, it's a movie. And
• 1:07:42
  Speaker 1: you know, they did it in White Chicks with Marlin
• 1:07:43
  Speaker 1: and Damon played h they were black men that played
• 1:07:46
  Speaker 1: white chicks. I think that's the exact opposite of what
• 1:07:48
  Speaker 1: this is. What Charloman, what do you think? Well, I mean,
• 1:07:51
  Speaker 1: here's the problem. The problem is there's not a black
• 1:07:54
  Speaker 1: woman behind us, all right. That white guy what's his name?
• 1:07:56
  Speaker 1: That Jaremy Saville suld have went to one of his
• 1:07:59
  Speaker 1: black fem comedian friends and let her be, let her
• 1:08:01
  Speaker 1: be the face of this. You know, if he did that,
• 1:08:03
  Speaker 1: I don't think it would be an issue because there's
• 1:08:05
  Speaker 1: an unwritten rule that the oppressor can't make films like
• 1:08:08
  Speaker 1: this about the oppressed, but the oppressed can do that
• 1:08:11
  Speaker 1: to the oppressors, and that's just the way it is.
• 1:08:13
  Speaker 1: But I think that, you know, people got to stop
• 1:08:15
  Speaker 1: being offended by fictional world like it's a movie, it's entertainment.
• 1:08:17
  Speaker 1: Like I grew up on people pretending to be other
• 1:08:20
  Speaker 1: people all the time and living Color made fun of everybody.
• 1:08:24
  Speaker 1: Dave Chappelle made fun of everybody. You got white chicks.
• 1:08:26
  Speaker 1: Remember Jihuana Man where he pretended to be a woman
• 1:08:30
  Speaker 1: NBA player. We would have never gotten Shenaa all Wanda
• 1:08:33
  Speaker 1: in this generation. You tell me, You tell me Wanda
• 1:08:36
  Speaker 1: were positive depictions of black women kind of this is
• 1:08:40
  Speaker 1: what a white man thinks the black woman sounds and
• 1:08:42
  Speaker 1: you know, looks like and what her name should be.
• 1:08:44
  Speaker 1: But there is a black comedian from the movie who
• 1:08:47
  Speaker 1: is defending the movie, and here is what he has
• 1:08:50
  Speaker 1: to say. If anyone's offended, I'm very sorry. But I
• 1:08:52
  Speaker 1: wasn't trying to make any The answer mockery, And in fact,
• 1:08:54
  Speaker 1: I don't think the trailer does the movie an injustice.
• 1:08:57
  Speaker 1: I don't think any of the black people I worked
• 1:08:59
  Speaker 1: on so we were making a mockery. I think we're
• 1:09:02
  Speaker 1: at least for myself, well versed in our plight and
• 1:09:05
  Speaker 1: our history. And all of that. This is a comedy.
• 1:09:07
  Speaker 1: It's a story about one guy who does the wrong
• 1:09:11
  Speaker 1: thing for the right reasons and ultimately he pays the place.
• 1:09:14
  Speaker 1: I think you kind of have to withhold judgment until
• 1:09:16
  Speaker 1: you see the movie. All right, Well, let's go to
• 1:09:18
  Speaker 1: the phone lines eight hundred five eight five, one oh
• 1:09:21
  Speaker 1: five one. We have Elvis on the line. Elvis, good morning, Hey,
• 1:09:24
  Speaker 1: good morning. What's up. What do you think about? What
• 1:09:26
  Speaker 1: are your thoughts on the movie? I think it's great.
• 1:09:28
  Speaker 1: I think it's a great idea. I think if the
• 1:09:30
  Speaker 1: best idea his white chicks. Do you remember white chicks
• 1:09:33
  Speaker 1: were good? I'm not afraid this movie sounds like a
• 1:09:36
  Speaker 1: dope baddd y'all tripping? Well, he actually did. The writer
• 1:09:39
  Speaker 1: and director did actual and the guy who starting they
• 1:09:41
  Speaker 1: did actually tag Marlon Wayans and say, Lucretia meet white chicks,
• 1:09:45
  Speaker 1: and Marlin said, please stop tagging me, and this BS
• 1:09:49
  Speaker 1: well think so. But I mean, listen, white women could
• 1:09:53
  Speaker 1: have been offended by white chicks. White women could have
• 1:09:55
  Speaker 1: been like, we don't act like that, that's stereotypical. They
• 1:09:57
  Speaker 1: could have done the same exact thing. Yeah, we're just
• 1:10:00
  Speaker 1: always impressed, and um, you know always marginalized. But yeah,
• 1:10:03
  Speaker 1: that's the thing. It's an unten rule. It's an unwritten
• 1:10:07
  Speaker 1: rule that that the oppressed can't I mean, the oppressor
• 1:10:11
  Speaker 1: can't do that to the oppressed, but their press can
• 1:10:12
  Speaker 1: do that to their presser. This is the way it is. Hello,
• 1:10:14
  Speaker 1: who's this? Hi? Hey, Janie's what are your thoughts on
• 1:10:18
  Speaker 1: the quisha? I think it's offensive, Like number one, like
• 1:10:21
  Speaker 1: just the name alone, Like that's the name he chose
• 1:10:24
  Speaker 1: to um, you know, like like that's the first thing
• 1:10:28
  Speaker 1: he thinks he thought of when he thought of a
• 1:10:30
  Speaker 1: black woman. And and then I think, you can't compare
• 1:10:33
  Speaker 1: to white chicks because the white chicks, it was they
• 1:10:37
  Speaker 1: were studying Pacific to Pacific white girls that they had
• 1:10:40
  Speaker 1: to like, you know what I mean, to tempt to
• 1:10:42
  Speaker 1: be he decided to become a black woman and a
• 1:10:47
  Speaker 1: caricature old on y'all haven't even seen y'all have not
• 1:10:50
  Speaker 1: even seen the movie yet, because guess what we do radio?
• 1:10:52
  Speaker 1: And when we first start doing radio, what's the first
• 1:10:54
  Speaker 1: who they who they tell you that we're talking to?
• 1:10:56
  Speaker 1: Tell me Angela and Envy, Come on, now, who who
• 1:10:59
  Speaker 1: did the who did these can and stuff? Tell us
• 1:11:00
  Speaker 1: were talking to from New York who got two kids? Okay,
• 1:11:06
  Speaker 1: watches Loving hip hop all damn day. So we don't
• 1:11:08
  Speaker 1: know if in this movie this guy was talking to
• 1:11:10
  Speaker 1: a radio consultant who told him the same thing. Yeah,
• 1:11:12
  Speaker 1: but yeah, nobody want to talk. So wait a second.
• 1:11:17
  Speaker 1: I think from what we saw on the trailer, it
• 1:11:19
  Speaker 1: looks like he didn't get this job when he applied
• 1:11:20
  Speaker 1: as a white man, so he decided to disguise his
• 1:11:22
  Speaker 1: voice as a black woman. Makes up the name loquisa.
• 1:11:26
  Speaker 1: But we haven't seen a movie as a trailer. We're
• 1:11:28
  Speaker 1: basing it off of what we know. But in the movie, no,
• 1:11:31
  Speaker 1: come on, man, that's a small see I see, I
• 1:11:35
  Speaker 1: don't know. I see. I'm answer the question about who
• 1:11:37
  Speaker 1: they tell us we're talking to on this radio, then
• 1:11:40
  Speaker 1: let's be talking to eighteen to thirty four year old
• 1:11:42
  Speaker 1: African American woman is from New York. I don't know if,
• 1:11:48
  Speaker 1: but they're definitely for me, the Newark of Brooklyn. That's
• 1:11:50
  Speaker 1: when we was only watch Loving hip Hop all the time.
• 1:11:53
  Speaker 1: That's what we was only in New York. You know,
• 1:11:54
  Speaker 1: that was nine years ago we did that. I'm just
• 1:11:56
  Speaker 1: saying now, So I'm just saying that that doesn't no
• 1:11:58
  Speaker 1: longer apply to what we're talking about. I think there's
• 1:12:01
  Speaker 1: a difference between a white man pretending to sound and
• 1:12:04
  Speaker 1: talk like a black woman than knowing who your audience is.
• 1:12:07
  Speaker 1: Were you ever offended by wander when when Martin used
• 1:12:10
  Speaker 1: to he really is a black man that actually created
• 1:12:14
  Speaker 1: those characters. But it's still a stereotype of black women.
• 1:12:18
  Speaker 1: From what I've seen and from what I know about this,
• 1:12:20
  Speaker 1: I think it's just different to see a white man
• 1:12:22
  Speaker 1: pretending to be a black woman than it is to
• 1:12:25
  Speaker 1: see a black man doing what he did. And also,
• 1:12:27
  Speaker 1: Martin's a comedian. We know this guy's not a comedian.
• 1:12:30
  Speaker 1: All right, let's open up five one o five one. See.
• 1:12:34
  Speaker 1: I'm torn because I do feel it's disrespectful and it's
• 1:12:37
  Speaker 1: like it makes fun of our coaching in front of
• 1:12:39
  Speaker 1: our black queens. But also it is it's jokes, like
• 1:12:43
  Speaker 1: we all have jokes like liver Color. With jokes he
• 1:12:45
  Speaker 1: made fun of everybody, and liver color they made for
• 1:12:47
  Speaker 1: the gay people, they made for the black people, they
• 1:12:49
  Speaker 1: made for the white people. It was funny then, But
• 1:12:52
  Speaker 1: is it too sensitive now where we can't laugh? I
• 1:12:54
  Speaker 1: don't think. I think I think he should have had
• 1:12:56
  Speaker 1: a black woman. I think if it was this whole thing,
• 1:12:58
  Speaker 1: but I think that this just sounds like such a
• 1:13:01
  Speaker 1: mockery of what it is to be a black woman.
• 1:13:03
  Speaker 1: That's true too. Does that make it better if it
• 1:13:05
  Speaker 1: was a black woman? There, it's still making a mockery
• 1:13:07
  Speaker 1: of a black woman. All eight, I'm a black woman
• 1:13:09
  Speaker 1: radio host? Do I need to be named Luquisha and
• 1:13:11
  Speaker 1: talk like that? Eight five eight five one five one.
• 1:13:14
  Speaker 1: Call us now as the Breakfast Club, Good morning morning.
• 1:13:15
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the God. We
• 1:13:19
  Speaker 1: all the Breakfast Club. If you just joined us, we're
• 1:13:21
  Speaker 1: talking Little Quisha. Now, what's a little Quisha about you?
• 1:13:24
  Speaker 1: It's a movie about a white man who decides that
• 1:13:27
  Speaker 1: he wants to get a job as a black woman
• 1:13:28
  Speaker 1: radio host because that's what the ad was looking for,
• 1:13:31
  Speaker 1: and so he decides to name himself Loquisha and adopt
• 1:13:34
  Speaker 1: what he thinks sounds like a black woman and how
• 1:13:36
  Speaker 1: an opinionated black woman would sound. Well, let's cool to
• 1:13:38
  Speaker 1: the well, hold on, hold on, Sean, we got Coco
• 1:13:40
  Speaker 1: on the line. No, this is Devin. Oh, I'm sorry,
• 1:13:43
  Speaker 1: what Devin? What are you saying? Devin. I say, I
• 1:13:45
  Speaker 1: don't want to say waltele was mad because it sounds
• 1:13:48
  Speaker 1: just like that movie Starting to Bother You. I didn't
• 1:13:50
  Speaker 1: see that. No, not not really, because Sorry to Bother
• 1:13:54
  Speaker 1: You was about the black guy adopting the white voice
• 1:13:58
  Speaker 1: to sell more of the telemarketer. I guess I lie
• 1:14:03
  Speaker 1: what I did tell the mark You know, I had
• 1:14:04
  Speaker 1: to definitely, I definitely had my white voice on. Hi,
• 1:14:06
  Speaker 1: it is Sean from Pelco Fuel. How are you doing today, sir? Awesome? Yeah,
• 1:14:12
  Speaker 1: it's really different because if you would say as a
• 1:14:14
  Speaker 1: as a white person, right, if you wanted a job
• 1:14:16
  Speaker 1: and tell the marketing as a white man, could you
• 1:14:17
  Speaker 1: be like, hey, my name is the question, I'm trying
• 1:14:19
  Speaker 1: to get this job, then what would happen in real life? Nat? Okay,
• 1:14:24
  Speaker 1: I don't know about that. That was kind of the opposite. Hello,
• 1:14:26
  Speaker 1: who's this? My name is Chief Keith for something man,
• 1:14:28
  Speaker 1: we're talking about lo Keisha? What do you think? What
• 1:14:31
  Speaker 1: are your thought? And I don't have no problem with that, man. Uh,
• 1:14:34
  Speaker 1: you know, they just really did what the black claimsman
• 1:14:36
  Speaker 1: was like kind of like that same context, like well,
• 1:14:38
  Speaker 1: Homeboy was trying to uh change up its voice to
• 1:14:42
  Speaker 1: be a white person to catch somebody or whatever like
• 1:14:44
  Speaker 1: that same scenario. Right, I never saw black clansman. I
• 1:14:47
  Speaker 1: don't see him. Black Claimers were good man, that was
• 1:14:49
  Speaker 1: a good movie, but they had they had a recent
• 1:14:53
  Speaker 1: movie like that same scenario. Showman was right too. White chicks, Yeah,
• 1:14:56
  Speaker 1: a matter of stuff, Man, Weld. You have a problem
• 1:14:59
  Speaker 1: if after seeing this movie, white man went around talking
• 1:15:01
  Speaker 1: like they were loquisha. No, we threw the same thing
• 1:15:04
  Speaker 1: to them all time. But it's as I would. I
• 1:15:09
  Speaker 1: wouldn't want a white person to come up to me
• 1:15:11
  Speaker 1: and be like, hey, sister girl, I hate when people
• 1:15:13
  Speaker 1: do they do that. Now, hey, it's offensive. Now you
• 1:15:17
  Speaker 1: ever seen an empire? Listen. The problem is there's an
• 1:15:21
  Speaker 1: unwitten rule that the oppression can't make films. You know
• 1:15:24
  Speaker 1: about the oppressed, but der press can do that to
• 1:15:26
  Speaker 1: the oppress. That's just the way it is. Whether it's
• 1:15:28
  Speaker 1: a man doing that to a woman, a strap person
• 1:15:31
  Speaker 1: doing that to a gay person, a white person doing
• 1:15:33
  Speaker 1: that to a black person like you, just it never
• 1:15:36
  Speaker 1: looks good. You think a white man could know what
• 1:15:38
  Speaker 1: it's like to be a black woman, No, and accurately
• 1:15:40
  Speaker 1: portray that. But I'm sure that's the whole point of
• 1:15:43
  Speaker 1: the movie. I'm sure by the end of this movie,
• 1:15:45
  Speaker 1: his whole spot gets blown up. I'm sure by the
• 1:15:47
  Speaker 1: end of this movie, his whole spot gets blown up. Mike, Hey, Hey,
• 1:15:51
  Speaker 1: what's up? Bro? What are you? What do you? What
• 1:15:52
  Speaker 1: are your thoughts or Liquisha? All right? I got I
• 1:15:54
  Speaker 1: got three points. First of all, when I saw this thing,
• 1:15:57
  Speaker 1: I'm like this movie where this man five, I couldn't
• 1:15:59
  Speaker 1: put that. Someone put this on two thy and nineteen.
• 1:16:02
  Speaker 1: One of my biggest deployments was when you see the
• 1:16:05
  Speaker 1: Black movie. I can't believe any of them read the
• 1:16:07
  Speaker 1: script and showed up for this cat. I think see that,
• 1:16:10
  Speaker 1: you know they would endure something like this. I think
• 1:16:12
  Speaker 1: that that was a huge pro problem. But honestly, the
• 1:16:14
  Speaker 1: biggest plot hole is how many black women named Laquisha
• 1:16:17
  Speaker 1: are getting hired without a face to face interview. Right,
• 1:16:20
  Speaker 1: that doesn't happen. Ever, we haven't seen the movie. Well,
• 1:16:23
  Speaker 1: that's what happens in the movie. He doesn't have a
• 1:16:25
  Speaker 1: face to face interview. That's why he got hired because
• 1:16:27
  Speaker 1: it I'm not about to sit here and try to
• 1:16:29
  Speaker 1: figure out a fictional movie. It's because that is that's
• 1:16:32
  Speaker 1: part of the plot is that he gets hired without
• 1:16:34
  Speaker 1: them seeing him. But no, it's a movie. I'm not
• 1:16:37
  Speaker 1: gonna pick a part a movie like if we know
• 1:16:39
  Speaker 1: it for entertainment purposes, we know it's fictional. Hello, who's
• 1:16:43
  Speaker 1: this Mica Michael? What's up? Bro? What what are your thoughts? Man? Well,
• 1:16:47
  Speaker 1: I want to see people keep that same energy when
• 1:16:50
  Speaker 1: it comes to other movies. If they're gonna be disgusted
• 1:16:53
  Speaker 1: or something like Dinner. You can't watch like The Black
• 1:16:55
  Speaker 1: plans Man or A White Sick or something like that,
• 1:16:59
  Speaker 1: when when it's for one, it's a comedy. So al,
• 1:17:01
  Speaker 1: I'm serious about it, and too it's I mean, it's
• 1:17:05
  Speaker 1: a movie. You can't take something that that serious. Yeah,
• 1:17:08
  Speaker 1: nobody defends black women. It don't have nothing to do
• 1:17:10
  Speaker 1: with that. This is a movie like you get remember
• 1:17:12
  Speaker 1: that old movie, Remember that old movie in ninety six
• 1:17:14
  Speaker 1: with Whoope Goldberg called The Associate. We've seen Eddie Murphy
• 1:17:17
  Speaker 1: play white people like Listen. The problem with this whole
• 1:17:20
  Speaker 1: thing is they should have had a black woman behind it.
• 1:17:23
  Speaker 1: It should have been a black woman executive producer. It
• 1:17:26
  Speaker 1: should have been a black woman. Black women were writing
• 1:17:29
  Speaker 1: on it, like that's the biggest issue here to me
• 1:17:31
  Speaker 1: is that this white guy is at the forefront of this.
• 1:17:34
  Speaker 1: If they would have had a black woman attached to this,
• 1:17:35
  Speaker 1: it wouldn't even be an issue. That's that's why ashpect
• 1:17:38
  Speaker 1: the black women. You give a black woman some coin
• 1:17:41
  Speaker 1: and then make it make it seem okay. No, it's
• 1:17:43
  Speaker 1: more than just having a black woman behind that says
• 1:17:45
  Speaker 1: this disrespect It's a movie. If black women are finding
• 1:17:48
  Speaker 1: a disrespectful and don't like it, then it's disrespectful. I'm
• 1:17:50
  Speaker 1: not a black woman, so I can't sit here and
• 1:17:51
  Speaker 1: tell you what. How listen. I mean some people are
• 1:17:54
  Speaker 1: okay with it. Some people are n't what I go
• 1:17:56
  Speaker 1: see this movie? Now? We shouldn't We shouldn't add no
• 1:17:59
  Speaker 1: more reruns of than Him in Color. We shouldn't hed
• 1:18:01
  Speaker 1: no more reruns a Chappelle show. We shouldn't add no
• 1:18:03
  Speaker 1: more white chicks, no more do you want a man?
• 1:18:05
  Speaker 1: We shouldn't no more Martin because he did. She ain't
• 1:18:08
  Speaker 1: like what are we talking about him? I just think
• 1:18:10
  Speaker 1: it's a lot harder. It's not as easy as saying.
• 1:18:12
  Speaker 1: For us as a black woman, it's not very often
• 1:18:14
  Speaker 1: I'm like, hey, we're looking to hire a black woman
• 1:18:17
  Speaker 1: who is sassy opinionated to take this job. And then
• 1:18:20
  Speaker 1: a white man who has a name like who makes
• 1:18:22
  Speaker 1: up a name like Locuisia and then starts talking in
• 1:18:25
  Speaker 1: what he considers to be a black woman sassy rhetoric
• 1:18:28
  Speaker 1: comes against a job. It's weird to me, that's all.
• 1:18:31
  Speaker 1: But to me it's weird. All right, guys, what's the
• 1:18:33
  Speaker 1: world was? To me? I wasn't cracking up when I've
• 1:18:36
  Speaker 1: seen it. So the moral of the story is, y'all
• 1:18:38
  Speaker 1: promoted the hell out of this white man's movie. My god,
• 1:18:40
  Speaker 1: he's gonna kill at the box office on Netflix or
• 1:18:42
  Speaker 1: whatever the hell this is coming out. I doubt it.
• 1:18:44
  Speaker 1: There you crazy? This movie about the pop. It's about
• 1:18:48
  Speaker 1: the pop right now? Again, that's all right, Well, we
• 1:18:50
  Speaker 1: got rumors on the way. Yes, let's talk about Hey,
• 1:18:52
  Speaker 1: you mentioned Whoopie go Burg. Well, she has a new
• 1:18:54
  Speaker 1: venture that she's working on, and gonna tell you what
• 1:18:56
  Speaker 1: it is. It's about inclusivity. All right. We'll get into
• 1:18:58
  Speaker 1: that next. Keeping locked this to break this club. Good morning,
• 1:19:01
  Speaker 1: the Breakfast Club. Listen, just oh gosh, got guys, it's
• 1:19:12
  Speaker 1: the report the Breakfast Club. Well, if you guys, remember
• 1:19:15
  Speaker 1: Wendy Williams and Howard Stern used to have a great relationship,
• 1:19:18
  Speaker 1: but then they had a falling out all because Wendy
• 1:19:20
  Speaker 1: Williams is talking about Howard Stern's book coming out and
• 1:19:23
  Speaker 1: said this on her show, Howard is so Hollywood right
• 1:19:25
  Speaker 1: now that everything that you say is so predictable. Every
• 1:19:28
  Speaker 1: story is going to be about you know, Oh, I
• 1:19:31
  Speaker 1: love this one. And then we went on their yacht
• 1:19:33
  Speaker 1: and he's a Hollywood insider now, which sucks because you started,
• 1:19:38
  Speaker 1: like me, being of the people, but at some point
• 1:19:41
  Speaker 1: you sat behind that microphone for too long and now
• 1:19:43
  Speaker 1: you are the people. Yeah, that's whack. If we're supposed
• 1:19:46
  Speaker 1: to be friends and we're supposed to be cool and
• 1:19:47
  Speaker 1: you feel that way, come to me first, don't just
• 1:19:49
  Speaker 1: say it on your show, and then don't expect me
• 1:19:51
  Speaker 1: to clap back, because I'm gonna clap back. Well, Howard
• 1:19:53
  Speaker 1: Stern was triggered, and here's what he had to say
• 1:19:56
  Speaker 1: on his show because it was brought to his attention,
• 1:19:58
  Speaker 1: and then he talked about it for like forty minutes.
• 1:20:01
  Speaker 1: What ug you? You got those big fakes and I'm Hollywood, huh,
• 1:20:09
  Speaker 1: shut the fuck up. Worry about your husband, not me.
• 1:20:11
  Speaker 1: Shake a her or bullshit show. I'll bet twenty buckshee
• 1:20:15
  Speaker 1: piece standing up. I hope hers get stuck in his
• 1:20:18
  Speaker 1: I screw Paul before I watch True Paul's drag race.
• 1:20:21
  Speaker 1: Do you make sure Paul look like Margot Robbie down
• 1:20:24
  Speaker 1: see that the road with that? You tell you clap
• 1:20:26
  Speaker 1: at me, I'm gonna clap backing. He just went a
• 1:20:27
  Speaker 1: little fall, but he did it very he said forty minutes.
• 1:20:30
  Speaker 1: He did it like three hours. Well, Howard Sarin has apologized.
• 1:20:33
  Speaker 1: You know, he's um said that he does apologize and
• 1:20:37
  Speaker 1: is expressing love for her and all of that at
• 1:20:41
  Speaker 1: the Hollywood on the Hollywood Reporter, many apologized, I'm Hollywood Reporter.
• 1:20:44
  Speaker 1: I apologize in this article there and Wendy Williams has
• 1:20:47
  Speaker 1: responded to that apology on her show. And I saw
• 1:20:50
  Speaker 1: that you mentioned me and that you apologize. Howard, You
• 1:20:53
  Speaker 1: know what, if you never apologize to me ever in
• 1:20:55
  Speaker 1: your life, you would still be one of the most
• 1:20:58
  Speaker 1: influential people shaping my rear. And the idea that you
• 1:21:02
  Speaker 1: apologize and you went on the air. He went on
• 1:21:05
  Speaker 1: the air and ripped me a new one for no
• 1:21:07
  Speaker 1: damn reason, because I knew I was right. And then
• 1:21:10
  Speaker 1: in this article in Hollywood Reporter, he goes on to say,
• 1:21:13
  Speaker 1: you know that he loves me and that he's kind
• 1:21:16
  Speaker 1: of embarrassed by ripping me on the air, so he's
• 1:21:19
  Speaker 1: pulled that from the archives. You will never hear that
• 1:21:21
  Speaker 1: on repeat. Well, it's the Internet live on forever. Yeah,
• 1:21:23
  Speaker 1: but they had it. But the whole thing is is no,
• 1:21:26
  Speaker 1: she still doesn't think she was wrong. And that's the thing.
• 1:21:28
  Speaker 1: If we're friends, if we're cool, if we're compadres, and
• 1:21:30
  Speaker 1: you will respect me so much and as a problem,
• 1:21:32
  Speaker 1: you should check me off fav of like, yo, I
• 1:21:34
  Speaker 1: think your book is just that and the ovel you
• 1:21:35
  Speaker 1: know not. But she hadn't read the book. She was
• 1:21:37
  Speaker 1: just talking about him personally that she feels that he's
• 1:21:39
  Speaker 1: Hollywood now and she didn't him. She didn't even read
• 1:21:42
  Speaker 1: the book to say what, oh, you're gonna be on
• 1:21:43
  Speaker 1: your yacht with chair of celebrity friends. No, you didn't
• 1:21:45
  Speaker 1: even read the book to see I don't like that.
• 1:21:47
  Speaker 1: We know all right. Now, let's talk about Kodak Black.
• 1:21:50
  Speaker 1: We talked about how we got arrested at the Rolling
• 1:21:52
  Speaker 1: Loud Music Festival. According to the Fezi said he falsified
• 1:21:55
  Speaker 1: gun applications on two different occasions in order to buy firearms.
• 1:21:59
  Speaker 1: So that's why he was arrested, and that he did
• 1:22:01
  Speaker 1: acquire weapons in at least one of those transactions, and
• 1:22:05
  Speaker 1: so that could land him in jail because he's also
• 1:22:08
  Speaker 1: in the middle of a criminal case as well. Wait
• 1:22:10
  Speaker 1: a minute, Kodak Black forced falsified, falsified documents to buy
• 1:22:15
  Speaker 1: a gun. Yeah, and he doesn't know that they got
• 1:22:17
  Speaker 1: to use fingerprints. I listen, I can't tell you exactly
• 1:22:21
  Speaker 1: how it all went down, but in one of those cases,
• 1:22:23
  Speaker 1: he did manage to get a gun. Now you drop
• 1:22:26
  Speaker 1: one in one of those cases. His lawyer, however, and
• 1:22:30
  Speaker 1: I thought this was weird too because you saw how
• 1:22:31
  Speaker 1: they had that picture of him when he was in
• 1:22:33
  Speaker 1: custody arrested. How did that picture get out? So as
• 1:22:37
  Speaker 1: lawyer has an issue with the Florida Police Department for
• 1:22:39
  Speaker 1: sharing that arrest photo of him where he's sitting in
• 1:22:42
  Speaker 1: the police station, and that got sent out to all
• 1:22:44
  Speaker 1: the different news stations and everything. So why would you
• 1:22:47
  Speaker 1: do that. Clearly they're trying to embarrass him because I
• 1:22:49
  Speaker 1: didn't know you could just put out pictures like that,
• 1:22:52
  Speaker 1: all right, DJ Khalid is putting out an album Experienced
• 1:22:56
  Speaker 1: documentary his father of aside the album Experienced documentary, So
• 1:23:00
  Speaker 1: he's teaming up with Title and he's going to do
• 1:23:01
  Speaker 1: a lot of content for this album release. So that
• 1:23:04
  Speaker 1: documentary will come out this Friday on Title as well.
• 1:23:08
  Speaker 1: So the trailer is available now. Also, you don't have
• 1:23:10
  Speaker 1: to have a subscription to watch that either. So jay
• 1:23:14
  Speaker 1: Z's on the trailer. Mkmil says it and a lot
• 1:23:16
  Speaker 1: more shout to Kalig. So a lot of people don't
• 1:23:18
  Speaker 1: give Kalid the necessary respect he deserves. He took the
• 1:23:20
  Speaker 1: DJ game and upped it up one and he continues
• 1:23:23
  Speaker 1: to work hard, and Kali gets busy. I know a
• 1:23:25
  Speaker 1: lot of people are like, oh, Kell, it's not really
• 1:23:27
  Speaker 1: a DJ. No, Kalig gets busy as well, So salute
• 1:23:29
  Speaker 1: to Kalid. He's more than a DJ. Is alright. And
• 1:23:32
  Speaker 1: Diddy is saying goodbye to social media for now. He
• 1:23:34
  Speaker 1: posted back off the Grid and then he put a
• 1:23:37
  Speaker 1: black heart in the caption. I know he's going through
• 1:23:39
  Speaker 1: a lot right now and social media may not be
• 1:23:41
  Speaker 1: the best place. I see people coming from him about
• 1:23:43
  Speaker 1: how he treated Kim Porter and gotta like leave it alone.
• 1:23:47
  Speaker 1: It's not necessary his kids to seeing this. He's seeing it.
• 1:23:49
  Speaker 1: He's clearly hurt. So he's decided just to take a
• 1:23:52
  Speaker 1: break from that, and I think that's good for your
• 1:23:54
  Speaker 1: own energy. Right all right, I'm Angela Yee and that's
• 1:23:57
  Speaker 1: your room of reports. All right, thank you, miss ye Revolt.
• 1:24:00
  Speaker 1: We'll see you guys tomorrow. Everybody else to People's Choice
• 1:24:03
  Speaker 1: Mixes up. Next. We got a lot of request for
• 1:24:05
  Speaker 1: the City Girls joints, so we'll start off places with
• 1:24:07
  Speaker 1: that acting up. Okay, it's the Breakfast Club corning morning.
• 1:24:11
  Speaker 1: Everybody is DJ Envy, Angela Yee, Charlemagne the guy. We
• 1:24:15
  Speaker 1: are the Breakfast Club. Now. Thank you to Ava Duvenaid
• 1:24:19
  Speaker 1: for joining us this morning. Man, it's Luther Queen avl
• 1:24:22
  Speaker 1: You know, I got nothing but love and respect for
• 1:24:24
  Speaker 1: Ava Duvenai. I would love to hear what Abel would
• 1:24:26
  Speaker 1: have to say about Laquisia as other other you know,
• 1:24:30
  Speaker 1: the black creative that she is, director boss that she is.
• 1:24:33
  Speaker 1: I wonder what she would say about the trailer to
• 1:24:35
  Speaker 1: the movie Luquisha. I'm sure she'll tweet about it or
• 1:24:37
  Speaker 1: something if it comes across her radar. And also, you know,
• 1:24:40
  Speaker 1: shout out to everybody that um, you know, we do
• 1:24:43
  Speaker 1: the real estate seminars where we try to teach people
• 1:24:45
  Speaker 1: about real estate and try to try to giving them
• 1:24:47
  Speaker 1: an opening or how to invest so they can actually start.
• 1:24:50
  Speaker 1: The venue that we had in Jersey, it was so
• 1:24:53
  Speaker 1: many people that wanted to come, we had to move
• 1:24:55
  Speaker 1: the location. So we had to move into a bigger
• 1:24:58
  Speaker 1: location and we still damn there. Almost all the seats
• 1:25:00
  Speaker 1: are going. So we appreciate you guys, and hopefully you
• 1:25:03
  Speaker 1: guys will learn about real estate and start investing in
• 1:25:06
  Speaker 1: yourself so you can have generational wealth, so you can
• 1:25:08
  Speaker 1: have some kind of income for your kids, for yourself.
• 1:25:11
  Speaker 1: So shout to all you guys. I event bright if
• 1:25:14
  Speaker 1: you want more information about all seminars that we're doing,
• 1:25:17
  Speaker 1: I know we're doing one of Chicago and New Orleans,
• 1:25:20
  Speaker 1: LA Charlotte and New Jersey this Sunday, right when we
• 1:25:23
  Speaker 1: come back. We got your positive note, don't move. It's
• 1:25:25
  Speaker 1: to Breakfast Club. Good morning morning, Everybody's DJ Envy Angela Yee,
• 1:25:30
  Speaker 1: Charlomagne the guy we are the Breakfast Club. You got
• 1:25:33
  Speaker 1: a positive note? Yes, I do, Maniti. Well, first of all,
• 1:25:36
  Speaker 1: I want to tell everybody, salute to everyone. Who's been
• 1:25:38
  Speaker 1: watching Emerging Hollywood on The Hollywood Reporter. We got a
• 1:25:42
  Speaker 1: new episode up with Jamila Jamil where we talk about
• 1:25:45
  Speaker 1: a lot of different things, you know, when it comes
• 1:25:47
  Speaker 1: to like diversity in Hollywood, female inclusion, all of that
• 1:25:51
  Speaker 1: good stuff. And I got another one dropping this Thursday. Okay,
• 1:25:53
  Speaker 1: so flew to everybody who's been watching it. Now. The
• 1:25:56
  Speaker 1: positive note is simply this growth is painful. Change just painful.
• 1:26:00
  Speaker 1: But nothing is as painful as staying stuck somewhere you
• 1:26:04
  Speaker 1: don't belong.