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T14FDT- Rebel Moon: Zacky no sabe leer · Estúpido Nerd

• 0:04
  Diego. Or this is something we' ve never done well. Stupid,
• 0:08
  bold, no, no, because I feel that if we had done this
• 0:12
  in Bogotá, we would have been robbed yes, yes, let' s
• 0:18
  hope cacano steal podcasters. What a game it was that I was on the
• 0:23
  TV and how well a diego TV game is. It' s complicated because
• 0:29
  I' m from outside the precinct where there' s a TV. And
• 0:32
  I' m from outside the precinct because Juan Dapo invited me. I just
• 0:35
  said that Anda was my cheer or not. He invited me to take some
• 0:41
  canes in Barcelona. Aha in front of the little bar next to his house
• 0:49
  and he feels very first world leader. All that is, because not for
• 0:58
  things of life. The last sessions, the last recordings of stupid, where
• 1:02
  they have passed from all the computer damage, the presentation in Madrid and yesterday
• 1:07
  not being able to do the live. Then we decided, as we couldn
• 1:10
  ' t do live, how it should be and he live, how it
• 1:12
  should be. So we don' t, because I said diego, I
• 1:15
  have an idea, that' s how it all starts in stupid ner Yes,
• 1:19
  I have an idea. I have and so we decided to make for
• 1:23
  the first time a recording of stupid Ner out on the street with the noises
• 1:29
  that they will hear from background, because they will be cars motorcycles people passing
• 1:38
  conversations and that you can hear from but by choice i e, it is
• 1:41
  not that they have thrown Janda out of his house, or anything for the
• 1:42
  eson. No. Don' t you? Don' t you? Don
• 1:42
  ' t you? Don' t you? Don' t you? Don
• 1:44
  ' t you? Don' t you? Don' t you? Don
• 1:42
  ' t you? Don' t you? Don' t you? Don
• 1:48
  ' t you? Don' t you? Don' t you? I
• 1:48
  know no, but we say we do this to celebrate too that I say
• 1:53
  I was here that we' re going to see who months maybe and take
• 1:57
  advantage of doing the other season ending together, instead of making a live recording
• 2:04
  on YouTube. But far away that was the other option. All right,
• 2:07
  so, there' s no video, because we weren' t even able
• 2:12
  to put the camera and so much to record here on the street, because
• 2:15
  in front of all the Latin experience tells us what a fear to leave things
• 2:19
  there that will happen. Someone took them away that they could, but we
• 2:22
  couldn' t. I believe that if we had had someone else here helping
• 2:24
  with the House, I would feel more comfortable. Okay. Okay, but
• 2:28
  I think someone with another life experience would have done that and probably nothing would
• 2:32
  have happened. But not ours. But as the goalkeepers would say, we
• 2:39
  have a Latin heart, we have a Latin ass and pocket and a Latin.
• 2:50
  Oh, me, brother, or s but hello and welcome. Ah
• 3:08
  stupid ne a podcast about series movies Come I copied your homework. And other
• 3:19
  silly things. Other silly things. As he lomoson say it, he'
• 3:24
  s the big deal. Other little things, like epic things, epic things.
• 3:29
  Other silly things, like metelecolor. Other silly things, if you don
• 3:37
  ' t call us we' ll call you, because today we' re
• 3:46
  going to talk about the play doubly, triple- rejected of Kneyder sax.
• 3:49
  The double work, that is, the biology, the biology of Kneyder sack,
• 3:53
  that Netflix told him. Well, let' s do it I'
• 3:58
  ll do it I' ll do it. Rebelmon is going to see him
• 4:00
  and as we are always with diego the one who leaves marks Argüello I told
• 4:08
  him it was a mistake. Juan Dapu doesn' t have to keep throwing
• 4:10
  it at me or I' ve already had to use it. I had
• 4:12
  to wear a scarf for three weeks of pacifier. I almost didn' t
• 4:17
  leave I have a scar. The doctor told me that I could have surgery
• 4:20
  and get it out, but it was going to be expensive because I got
• 4:26
  puntus Jandapo. You said you were leaving the country. I had to make
• 4:30
  that whole continent know who you were from, that is, I had to
• 4:35
  go to the doctor and a paranormal doctor because it could be a vampire,
• 4:43
  because I' m going to see, I was afraid to go out in
• 4:46
  the sun and eat vampire vampire garlic. He sucked me out of the smell.
• 4:46
  If you mean the argo diego and I am the Jamarcas Argüelles tell a
• 4:53
  little bit of that in the brochure of the event. In the brochure it
• 4:59
  ' s a book. Yes, I sew the event in the part where
• 5:01
  it appears stupid nerg I don' t know what it was then, not
• 5:04
  Juan Dappo and Diego and both are worth and in the end presentation by Juan
• 5:14
  Dapo and Diego Argüelles, because here what there is is that, there is
• 5:16
  a station that is not making holes. I don' t know what.
• 5:18
  First of all, at first I thought I' d take it as an
• 5:20
  offense. Then let' s take it as a We want you to be
• 5:24
  our day. Ah, we' ll see you Spanish. Yeah. You
• 5:29
  can go to the nice embassy that believes you. Yes, he' s
• 5:32
  a Spanish passport. Jo in verse I am Argüelles gives my passport. It
• 5:35
  ' s got to go in there, get fingerprints. Of course, sir,
• 5:39
  excuse me, Diego' s gonna be fried. I am arroba,
• 5:43
  Juan Dapo and all our social networks can find them in stupid nerd com too
• 5:47
  I remind you that we have a sponsorship where you can support this podcast and
• 5:54
  your help is very, very appreciated to leave and continue with this project and
• 6:01
  keep it alive and strong and with fire inside it. I knew it was
• 6:06
  going to happen, I knew it was going to be a fan, I
• 6:09
  was going to go, I' m going to happen, it' s
• 6:13
  going to happen and it happened and this one in momo commes the great ones
• 6:17
  where they can access exclusive content that now on vacation, because they' re
• 6:24
  going to be the ones that propose the same sponsorships and maybe a couple of
• 6:29
  surprises more And then notice the foot logan, because it' s going to
• 6:30
  be available and before passing to the trophis. I want to give another special
• 6:32
  thanks to Podcast station for having invited us here, well here, not to
• 6:35
  the capital, to Madrid, to the capital to do the show. We
• 6:40
  had a great time. Let' s see if we can get the recording
• 6:42
  out, if there' s recording, if we can save the recording,
• 6:45
  because, as everything has happened here, we also hurt all the recording we
• 6:48
  were making of video, because we couldn' t transmit a good past of
• 6:51
  everything. So if we can get that recording out, all right, because
• 6:55
  it' s gonna be the four hundred recording saying diego, this is the
• 6:59
  four hundred recording. Knots take it Sack Snyder you' re our four hundred
• 7:01
  recording. You don' t deserve it, but it would be very much
• 7:04
  the episode. It' s not like the director' s recording is the
• 7:08
  truth. It' s true Yeah, yeah, well, that' s
• 7:12
  why it' s gonna be shorter. We have the opposite. Sax isn
• 7:15
  ' t gonna be four hours. Well, it' s the live stuff
• 7:18
  of the day. As motorcycles are going to pass, yes, let'
• 7:21
  s fill in with content to see if I can save anything from the recording.
• 7:24
  Greetings, Greetings, Diego, Greetings Wanda that sounds backarat. And so
• 7:35
  we apologize for the noises that may be caused again in this recording, because
• 7:41
  again we are on the street. Yeah, and if you don' t
• 7:45
  like it, I get it, but I don' t care. I
• 7:46
  ' m in Barcelona and there' s a chinguita, there' s the
• 7:53
  cars that pass, the chairs that move, the ones that get lit.
• 7:55
  I' m in Barcelona, perfect. I don' t know what the
• 8:01
  rebellions would be. Let' s say the luntropes by some corsa. He
• 8:05
  doesn' t deserve it. Don' t rebeltroduce them. All right,
• 8:11
  I did my job real serious. Then my tropes are not going to be
• 8:13
  mocking, because they are films that deserve to be treated with the respect they
• 8:20
  were made with. So, first we have the trope of functional alcoholism.
• 8:26
  Guath if there is a character who shows us that functional alcoholism is very useful,
• 8:35
  even in times of war, then there came a time when they may
• 8:37
  stop it, but there is still a good time of alcoholism working. I
• 8:43
  want to make a notation of that, right now within the perfect episode.
• 8:48
  If we distract ourselves momentarily in this chapter, you will forgive the city.
• 8:54
  Things happen and it' s really fun. If there are many mentions about
• 8:56
  it, you will understand our second, because Arwide Badys, because there is
• 9:03
  a very clear and very obvious moment in which one of the characters. It
• 9:07
  ' s like a moment. We' re the bad guys and it changes
• 9:11
  down aha. I think starting a motorcycle trip doesn' t take that long.
• 9:13
  I said, it depends, it depends what, such that the best
• 9:26
  part is to start it guauista. They were trying to start it was almost
• 9:30
  no bike. I mean, we' re debating whether to follow the simple
• 9:33
  tropes late and keep recording it. There even came a time when I thought
• 9:35
  it was that you' re trying not to turn it on so as not
• 9:37
  to hurt it, like a moment that you looked and moved the bike without
• 9:41
  getting it on, but you still learned that everything was confusing to me.
• 9:43
  Yeah, well, the second tromp the third trop By first it was functional
• 9:46
  alcnism, the second was the arwit of bady Ah we say, sorry.
• 9:48
  Third trope is the Asian with swords. Yeah, clearly there' s an
• 9:56
  Asian character Uh- huh Because he' s just one and he' s
• 10:03
  expert at using swords. We have the trope of the Hondo war. Put
• 10:07
  the war, the war of the family, because there is war and the
• 10:13
  war of other homes and families and lives. And it never changes. And
• 10:20
  there is war as an element and treated in the most generic way possible.
• 10:26
  The troops if the bad war, war spills, bad, bad, bad
• 10:30
  ma. Crazy with Nene. And finally, we have one I would say
• 10:37
  fifty percent trope of the house. Fifty percent. Tropo that I like very
• 10:41
  much is that this is like a bastard trope. It' s an a.
• 10:48
  They are also the Argentine cotorras diego because the cotorras are not the only
• 10:52
  species in garbage in Spain. It' s stupid nerd, too It'
• 10:56
  s the cotorras. As we have every right to record in the cache.
• 11:01
  We have this trope, which is a mutant trope, a hybrid trope,
• 11:03
  a mixture of two tropes. That' s why I call it the bull.
• 11:09
  Out with marriage. Apparently, out of wedlock. Clearly that' s
• 11:11
  why the sadapsus sadapsus group or the pairing group is bastard, because it'
• 11:22
  s a group. It' s adapted, but they' re all marisus
• 11:28
  ok ok is a group, they' re all misfits. They' re
• 11:30
  not part of society. It' s all very bad and they' re
• 11:35
  all marshes. None of them have a real flaw. They' re all
• 11:37
  perfect, amazing, magnificent and they' re constantly looking at it. Lighters
• 11:43
  are looking at it, okay? Those were the rebeltroups. And now I
• 11:48
  ' m going to give him the bundlings. Diego. I brought him two
• 11:54
  real guandatazos and one that I really liked because of the content of the film.
• 11:58
  And you' ll see why first, the farmer and the bad nobleman
• 12:03
  are Darion to Haris in Game of Thrones. If the two are Dario Naharis,
• 12:09
  oh, it' s true, they' re both Dario Navaris,
• 12:16
  and it' s true because they cashed it and it' s from each
• 12:18
  other. And you didn' t see any infilms since you made this character.
• 12:22
  Well, they didn' t look at each other, not like they
• 12:24
  didn' t know, they didn' t go out in the same play.
• 12:26
  Let' s just say the little little buddy cam, they weren'
• 12:31
  t, they weren' t like the same person. In fact, more
• 12:33
  than anything else. And I don' t think they crossed a lot on
• 12:35
  the set by being the same person and having taken the job from each other.
• 12:39
  He' s the second. It' s Sack Snyder' s second
• 12:43
  all- digital film, after Army of Death, and this happens, because
• 12:48
  well, the man likes to sign in thirty- five or sixty- five
• 12:50
  millimeters, but Netflix, not Netflix, touches him, likes everything in ultra
• 12:54
  HD. And that' s digital, and since he' s now the
• 13:00
  only one who believes Sack Snyder. So, well, well, you believe
• 13:01
  me. I do the homework, as who' s there let' s
• 13:03
  say that' s why the movie is like that. Then of course.
• 13:07
  Yeah, yeah. He introduced it to Disney Lucas Films to make a Star
• 13:11
  Wars movie and they said no, Daddy, thank you and they wrote episode
• 13:16
  nine. Yeah, let' s put it in perspective. One of the
• 13:22
  phrases is I don' t know how, but Palpatin came back and these
• 13:26
  people said no. And before Netflix said good, let' s do it.
• 13:30
  He introduced it twice to Warner and they told them not to call us,
• 13:35
  we called you and the top didn' t call him. And before
• 13:39
  that, the producers and everyone was saying. Then, you know what,
• 13:43
  well better, because better than they told me not to Fox Star Wars,
• 13:46
  because what we have is a chimba and that could never have been done because
• 13:50
  Star Wars for children and they came out with this blof We have to be
• 13:56
  very expensive to get a blog of that caliber. Yeah, yeah, I
• 13:58
  mean, the five best cereals for the best or recommended, they' re
• 14:05
  the best, the healthiest grains for people' s consumption, because what film
• 14:09
  is focused on the grain. Many are the amaranth perea, the amaranth perea,
• 14:16
  which is a great ancient Celtic, which was basic of the Aztecs,
• 14:20
  and now it is still cultivated this anciently I love it was an ancient Celtic
• 14:24
  grain, which was Aztec, you cassexic, because she is Celtic and can,
• 14:28
  but I believed lihuazteca, which was basic. The wine, the historic
• 14:31
  calon. Now it is incredible, yes and it is still cultivated in Peru,
• 14:37
  the rich, in proteins, fiber, micronutrients and lycine, which is
• 14:41
  an essential amino acid that often lacks the other celeals. Ok tef diego is
• 14:46
  the basic food of tiny ethiope grain that has a high content of proteins,
• 14:52
  calcium iron and a resistant starch. A type of figure that can benefit the
• 14:56
  control of sugar, blood and weight control of me classical barley by fiber,
• 15:01
  which is what we are consuming, so for the exact fibers. I wish,
• 15:11
  I wish, they' d catch that sweatshirt that' s chasing three
• 15:16
  fucking patrols. They reported a Colombian vein that if you' re off fire,
• 15:24
  I tell you it' s good for your heart and the winner is
• 15:30
  the kidua. Achinua is considered a super food because it has a high protein
• 15:33
  content and has no gluten that is very good for celiacs, but it also
• 15:39
  has fiber, magnesium, vitamin B, iron, potassium, potassium calcium,
• 15:43
  phosphorus, vitamin E and several beneficial antioxidants. Madrica has everything. So,
• 15:48
  those were mysters, my three amazing blunders in this health section. Thanks to
• 15:54
  sax Sknighder. Thank you, thank you, therefore, sorry for so few
• 15:58
  here. Sakis Nai, Saki, Saki Rumba. Those were the rebels and
• 16:03
  the Johns dating and after the next Cortini already and the next Brindis I give
• 16:07
  health the light by Belgrano since it was not noticed Sacknyder would be obsessed with
• 16:15
  you by this moment, exactly after the next Coti, we took with all
• 16:18
  the spoilers of Rebel Moom, part one and part two. Why we hate
• 16:25
  each other knows this story of Princess Issamo. According to the myth they called
• 16:45
  her the redeemer. It was said that the girl would put an end to
• 16:49
  the madness of the Duo Cha Chiche war, which would be the emissary of
• 16:56
  a new era of peace and compassion. I was granted memories of a world
• 17:03
  I will never see Wachi Gich loyalty to a king I cannot serve and love
• 17:10
  for a creature so you can' t love why you think you want.
• 17:30
  I' ve found everyone who leaves the most because I' m the daughter
• 17:37
  of the war. They taught me that love is weakness. There is a
• 17:48
  difference of justice and you love your repeating carries a price that you have to
• 18:03
  pay two for a moment. Rebel Mundiego, it' s not a love
• 18:07
  story, because I' m not gonna do that to Galician Paquita. Galician
• 18:08
  paquita deserves so much more than this shit. Rebelmn Diego is the story of
• 18:12
  a girl who never, never cry not name what happens a motorcycle. It
• 18:19
  is the story of a common citizen girl, a common citizen farmer, who
• 18:26
  is hit by war, who kills her whole family because of the imperium.
• 18:32
  The imperium anyone and she goes to one thing happens to her and she goes
• 18:37
  to live on a farm where the common people are threatened is threatened because the
• 18:41
  war comes and they end up with all their families by the imperium. So,
• 18:48
  to avoid that, you' re going to look for a man that
• 18:52
  your life was razed and kill your whole family by the empire, and when
• 18:56
  you meet him, you' re going to look for another man that your
• 18:59
  life was razed as a child or the imperium and look for him, you
• 19:02
  ' re going to look for someone else that your whole life was razed by
• 19:03
  the empire? Yeah, and when he' s looking, he' s
• 19:06
  gonna talk about looking for someone else who' s been wiped out of life.
• 19:07
  How they' re all the same character. They said they' re
• 19:10
  all Mary Sus, they' re all merisus. And because Saki, Saki
• 19:15
  has the depth of a puddle, of a puddle and rain three days ago,
• 19:23
  of a diego dish, of the depth of a plate of a coin.
• 19:27
  Yeah, bitch. Saki is the wet dream of the terraplanists and we
• 19:33
  are going to leave it there and then they gather everything to make a plan
• 19:42
  against it, this to save this farm that is threatened by the empire.
• 19:45
  The empire because how it threatens them, they come and ask for all the
• 19:49
  grain and all the harvest. Yes, but in this town, you'
• 19:53
  re all very peaceful, and you' re going to think about what film
• 19:57
  I' m talking about, in this town that everyone is very peaceful,
• 20:00
  there' s one that' s like different, that kind of doesn'
• 20:03
  t suit the people well. And then this is the person who' s
• 20:04
  going to look for the others. But to return them, as farmers and
• 20:08
  as people who know nothing, to organize themselves and very intelligently, to create
• 20:12
  plans to end this great empire that wants to steal all the grain from them.
• 20:18
  And this is the bug plot. The worst thing is that I was
• 20:23
  thinking about this whole plot of a lot of things, but these facts have
• 20:27
  the fact, many have the grain or the yes, it' s bugs
• 20:34
  and bugs are much better. And tachoos, that' s so much better.
• 20:41
  This movie has a scene where it shows Tarzan that I' m not
• 20:44
  going to name these people because they tarzan sa Tarsan yes. It has the
• 20:48
  same scene when Hipo tames Chimuelo, it is the same scene. It'
• 20:56
  s exactly the same scene. Only with less I will fall both from the
• 21:02
  rider and the animal have their han is only the story of Anakins, of
• 21:07
  Luke Skywalker, in episode one, even with the revelation that the bad guy
• 21:11
  is his father. Yes, and you were already told to act in gladiator,
• 21:18
  come and play exactly the same role. Yeah, but let' s
• 21:22
  hit it there at maximum and what ugly character designs? It doesn' t
• 21:30
  seem to me, because they would be ugly and years of characters if there
• 21:34
  were character designs and we have an Asian with swords who was going to say,
• 21:38
  obviously, that her life was rosy by war. No, and we
• 21:40
  know that part. Dude. What I like most about Sack Kneyder is that
• 21:42
  it' s the way he has to write movies. It' s a
• 21:48
  real M O, like the famous criminals. Diego doesn' t command like
• 21:52
  other famous criminals thanks to luty de n Marica and the movie ends with that
• 21:59
  a trench war in which she kills the bad guy and let us intuit that
• 22:04
  they' re coming back for a princess who had nothing to do with it.
• 22:07
  She was clearly taken out of the ortho, which is clearly the one
• 22:11
  who spoke to the machine and activated some feelings. There, then, it
• 22:15
  has to be, on the one hand, first, because Syke Nigder Subtle
• 22:19
  is never useful, it is not, but in other words, there are
• 22:23
  two options that the two equal Sack Snyder has made them. Either it'
• 22:26
  s this person who obviously is and there' s no subtles in this and
• 22:32
  it has to be or it' s someone who' s never shown and
• 22:36
  got out of the fucking orthos. One of two is the two that makes
• 22:37
  it. It' s the two that do it, and I' d
• 22:41
  tell you more things that happen, but they' d probably talk about them.
• 22:44
  You know nothing happens. But I wanted to start this diego chapter with
• 22:51
  two things. No one dedicated to alcoholism has that body. That' s
• 22:55
  why I said it' s functional and Mary' s because of user experience.
• 23:02
  I know exactly by playing Apple had the war. The war ended his
• 23:06
  life, I lost my whole family and since he devoted himself to alcohol,
• 23:11
  and his six bala now is just a forpac and it would be a less
• 23:15
  serious trauma than the one I' ve seen this movie I prefer that the
• 23:22
  war rage with me, that that' s the first thing I wanted to
• 23:26
  start with and the second thing is there' s no character design and everyone
• 23:32
  says yes. Very easily in this movie you will hear you are a teacher
• 23:37
  or you are hiding the imperitos want to avenge the empire that will go how
• 23:41
  much they will pay me a bag of rice has not told me ball and
• 23:45
  yes, yes, yes, yes, the empire is bad, yes,
• 23:48
  yes And they will pay me yes when a bag yes yes or of equinua
• 23:55
  or grain it was, because also no. I think that' s who
• 23:56
  the super food was, because all these more were more joints than yes in
• 24:00
  that one, that' s super quinoa, it' s not Facebok spaskinuas,
• 24:06
  it' s not Facebook. It' s the quinoa. The food
• 24:11
  of this plan, this moon and the Dun species are the same things.
• 24:15
  Diego left it there if he invented the journey, the planetarium, because thanks
• 24:21
  to her, yes, remember to give me the Nobel Prize. To me
• 24:26
  that they write down there like that when they say all this, when they
• 24:30
  say about the merisus, if I want to start with and this is serious
• 24:34
  with me I don' t care about anyone, because there' s no
• 24:37
  one to build me enough to care. Not even the villa. I don
• 24:41
  ' t care if they kill him or not. I don' t care
• 24:44
  You don' t wait It doesn' t produce anything. And I don
• 24:45
  ' t even care there. Protangoncia, which is the one that gave me
• 24:48
  the most memorality, I don' t care, not because I know you
• 24:52
  ' re going to get it. I mean, it doesn' t even
• 24:52
  make me believe the danger he can be in for nothing and the tragic scene
• 24:56
  where the rebel dies. This brother is like me, this command I know.
• 25:02
  The brother whose brother the b b the blodx remembers or the exact brother.
• 25:08
  Yes, exactly. He' s the rebel leader, the Canadie colder,
• 25:15
  he' s a fag. He can' t believe he died at
• 25:22
  some point in the movie. The Asian character who uses swords and I didn
• 25:26
  ' t care about it knows when that happened in the story of Asian characters
• 25:30
  who use swords never and they want me to tell him what bothered me.
• 25:33
  The aesthetic character who with those swords very much cut his arms to be able
• 25:41
  to use the swords. When the jerk could put a rag on them.
• 25:44
  Yeah, no, but that' s the thing about the protagonist, by
• 25:48
  the namerisu the rag, it was the rag of the arm cut. It
• 25:52
  was a squeal of an idea. That' s why there aren' t
• 25:56
  so many swords, they' re a conor resapas, but you have to
• 26:00
  make a sacrifice with prayer and she' s like a spit on a rag
• 26:02
  and comes out. If that means that if there' s the technology,
• 26:06
  you could see the technology, because if it' s tie a rag to
• 26:08
  it' s hate anything logos could have. But no, but you'
• 26:11
  re not seeing it too easily. You know him too easily. Obviously,
• 26:21
  that doesn' t work. Like this. It is simply that the protagonist
• 26:25
  has the super power of the full script end of the statement, because there
• 26:34
  is really no explanation for that to be so. It doesn' t have
• 26:37
  to be like this. That couldn' t work that way. But Zack
• 26:42
  Snyder, like everyone else, takes it out of his fucking mind that even
• 26:47
  if he hadn' t shown me the scene where that looks hot and she
• 26:51
  can' t take it. I say how ah the other one cut her
• 26:55
  arms to be better than done. I would have given him an explanation in
• 26:59
  my head and said ok to make him less weak, to have his hands
• 27:03
  cut off for himself, to have less weakness and already to be less life,
• 27:07
  to cut off his hands enter final fight they cut his hand yes,
• 27:11
  but I say how to have more agar, that is, like there would
• 27:14
  be many reasons there already you will have to grab and I love it yes
• 27:17
  like that the make- up could put you there and no one would take
• 27:19
  off his back and could have made him a grip there, like a tennis
• 27:22
  stick. But no, no, no, I' m going to cut
• 27:22
  off my hands, I' m going to cut off my hands that if
• 27:26
  it' s less work, but then there' s one is that then
• 27:30
  it' s the path, that that' s very cavita and that'
• 27:30
  s why those swords can' t be used. Obvious eye and there is
• 27:32
  one assumes that clear from there is where it comes from. But obviously,
• 27:33
  not obviously on a matter of trapping, i e Council, take a towel
• 27:40
  all over the place, taking advantage that recently passed the day of towel.
• 27:44
  Say hello to all towellers, to Philip key Penn exactly. But yes,
• 27:52
  the film is filled with a lot of inconsistencies and it happens what always happens
• 27:56
  with the movies of Sack Snyder. And it' s that, and it
• 28:02
  hurts to say it, the world he built, which is a world made
• 28:07
  of clichés, has interesting ideas. Yes, the general plot, that the
• 28:12
  stretch that has the depth of a coin, has a basic structure with which
• 28:18
  you could do something very cool so much so what and this is something that
• 28:26
  really juanda, seriously, set up an engine. It' s giving him
• 28:33
  combustion of this idea of diego. I' m carmuring, I' m
• 28:34
  calculating this day of ur I get r is I get, I get ironic,
• 28:41
  I get ironic band and manual. What we fill out with, I
• 28:48
  say I think I want to edit that a lot. With what we fill,
• 28:52
  let' s say like I think it' s mor to climb up
• 28:56
  and then light up, then it should. But maybe a lot and it
• 29:00
  ' s time to warm it up before I can start, because I don
• 29:04
  ' t melt the engine. If I believe yes and I don' t
• 29:07
  know if because the cars got warmed up before, because I had to warm
• 29:11
  up a car before I turned it on, because Ford play is important.
• 29:14
  Diegro for a moment I said playing since the more engineer answer I forget that
• 29:19
  it has systems we inhospitable. What time I' m gonna fuck up that
• 29:26
  so much worth the recording. Then that' s what I' m going
• 29:30
  to say. I can' t believe you' re admitting it out loud.
• 29:33
  When against all odds, all predictions, against all that is sanological and
• 29:40
  normal in the universe, if against all that is right, I am finding
• 29:45
  everything that is right in the world, if against the natural law, there
• 29:48
  is a third, against my God and against God himself there is a third.
• 29:55
  I' ll see about that. I' m going to see it
• 29:57
  and I' m going to see it well, on the one hand,
• 30:00
  because this is like seeing a train wreck that things aren' t awesome.
• 30:03
  But besides, I want to know what' s going to happen to the
• 30:06
  story. I want to know what' s going on with the story.
• 30:08
  I mean, I' m not spending a penny on this Chinese. I
• 30:14
  even think I' m gonna make things even harder and I' m gonna
• 30:19
  hack them. Yeah, yeah, I was gonna say yes, so,
• 30:22
  they come out. I have Slith' s account and you know I'
• 30:23
  m out. I' m going pirates take you all in four or twenty
• 30:27
  to hang all the motherfuckers. You' re going to see the worst saint
• 30:30
  all the fucking platforms that I have still, I' m going to hack
• 30:37
  it, but I want to see what happens because deep down, because I
• 30:45
  ' m curious where this is going, why, but why, because I
• 30:48
  have something else to say there. No, I mean, he' s
• 30:51
  got to be there. If it is to me I like it very much
• 30:52
  and I have said it before, like things like the Mandalorian, because they
• 30:56
  show us this vision of empires and things from the weaker side of view.
• 31:00
  And how these people suffer day by day like this community of people of massed
• 31:04
  men, perfect people who cultivated only grain and I don' t know how
• 31:10
  they look that rich everyone. But I' m not gonna judge what that
• 31:12
  is. It' s not the planet of the beautiful, that' s
• 31:17
  the planet of the beautiful people. But it was chevere to see how they
• 31:19
  are humble people, who don' t want to get into trouble and all
• 31:22
  they want is to live a quiet life and come to war, at their
• 31:26
  doors, that it doesn' t explore it so much the Star Wars movies
• 31:30
  I remember the people in power, the people above fighting who has more money
• 31:34
  and who has more power and who has more powers. Yeah, I think
• 31:37
  that' s more interesting. But Sack Neider, since he doesn' t
• 31:41
  know how to write, doesn' t know what pi knows and risked saying
• 31:47
  not only that he can write. He dictates to scripts, someone he doesn
• 31:49
  ' t know about writing his name. I' d go so far as
• 31:55
  to say he can' t read. I think he can read it.
• 31:57
  He can' t read, He can' t read. I think that
• 32:00
  ' s why you end up being these movies, because you sign contracts that
• 32:06
  you don' t know what they are and then you have to take a
• 32:07
  movie out. Who knows where from, but I do like that I try
• 32:12
  to bring this to the most human plane, to the plane no more.
• 32:15
  Wait, no, no, no, you' re wrong about normal people.
• 32:19
  You' ve made a mistake. It' s being said that he
• 32:22
  likes that he tried to bring this to the normal people' s plane.
• 32:24
  He didn' t try. I mean, that was the idea like on
• 32:30
  paper, but in the movie there was never an attempt to show us anything
• 32:34
  human. There was never an attempt or no attempt. Let' s make
• 32:38
  it fair. He tries not, because he has this character that is from
• 32:43
  farmer to hero, from zero to hero, really from farmer. They just
• 32:47
  want a simple life. No, they' re not fighting for power.
• 32:52
  War is something they have no interest in getting into. You remember how much
• 32:59
  we, when we talk, for example, about a movie like Shanshi,
• 33:01
  that there is a scene very similar to a scene that in this movie,
• 33:07
  that is we' re going to train people who don' t know how
• 33:10
  to fight for one for a fight very similar to a scene in this movie,
• 33:16
  because shack light has inspiration snatched away like other of his romantic composers,
• 33:22
  no ah other romantic composers, but yes, it' s very, very,
• 33:29
  very based like this typical scene of teaching people who don' t and
• 33:34
  that we saw that scene as one of the not- so- chiever things
• 33:37
  about that movie that we like a lot to me. I liked this.
• 33:40
  I liked that. Here' s the scene, it stays on the scene,
• 33:46
  but the way they showed it to me. What I didn' t
• 33:49
  like about that scene, the way they showed it is that the only villagers
• 33:53
  they showed were villagers who first did something, they did it perfectly. They
• 33:58
  were war machines already. I mean, there was never a learning montage.
• 34:02
  It' s not how you take this You' re already a war machine
• 34:07
  for and I love it. As you take this, your wife has a
• 34:10
  sword. At this moment go and kill someone, because it goes to this
• 34:15
  straw doll that I say sorry, doll is super grain or whatever aha so
• 34:19
  that then, when the war comes and there is a fight, only men
• 34:23
  fight. Yeah, only men fight. No woman is going to be in
• 34:30
  the combat field. Not the first one who sends Lock Rockets and the one
• 34:31
  who was called Rocket sends the first Rocket. And ready And ready And ready
• 34:37
  what? What? What? I think it' s the Asian one.
• 34:39
  At the same time if saved to one a boy man you brought Marica is
• 34:45
  a vice is a boy man laundering Rubio could belong to the Nazi youths.
• 34:52
  Wanda, Po could belong to the Nazi youth. You know I hate it
• 34:59
  so much in life, Diego, why they give themselves so much to motorcycles,
• 35:01
  because they' re people who have micropenis oranda to respect them. Greetings
• 35:05
  to all my friends who have bikes and micro Diego greetings and hello to their
• 35:12
  microphone. But yes, I was thinking that Nazi youths are neo- Nazis
• 35:21
  and are new Nazis want upp vipes. Yeah, then I save them a
• 35:25
  neon oras. The case is no woman ay, but here is no woman
• 35:32
  of the Village who was trained for combat, except the one who throws the
• 35:37
  first kick, which was I believe my favorite part of the entire combat sequence
• 35:40
  is Mega viet with itself is like that first piece, that first piece.
• 35:47
  I think it' s my favorite part of the whole combat scene. From
• 35:52
  there on out. I mean, that' s the second part of me
• 35:57
  from my favorite part fights because why don' t I want to think hyme
• 36:01
  shit, why. Why? Why? Because the protagonist knows not to see
• 36:07
  you just to say that because it' s after that, that' s
• 36:12
  the only woman in the village who goes into combat. Yes, which goes
• 36:16
  against the fact that at the training scene we were shown fifty men and women
• 36:22
  training for combat and children, that is, everyone is training exactly then that
• 36:27
  that scene is a chimba, because the melculus sucks, because the attack is
• 36:34
  started by the rebels, let' s say those who are defending you start
• 36:38
  the attack, that' s cool Yes, that' s why it'
• 36:43
  s surprising and that' s why it' s cool. But it is
• 36:45
  followed by the attachment of one of the worst scenes in the film. It
• 36:46
  ' s like you know how the empire is. You can' t trust
• 36:52
  him and offer yourself the worst deal and you know that man is going to
• 36:54
  betray you. I know. I know, He knows. You know that.
• 36:59
  Here she says how you don' t know what I' m going
• 37:02
  to trust in your word that if I go with you you' re going
• 37:05
  to leave the village people alone. She didn' t kill your people at
• 37:07
  the moment. They always do the same thing. It' s like his
• 37:09
  M O. And why you' re gonna make this deal doesn' t
• 37:13
  make sense. Your chapter was one of the best or the best wave warriors.
• 37:16
  Well, you' re seeing him wrong for a reason one, I
• 37:20
  mean, you' re seeing him as not. It' s just that
• 37:22
  she, the moment she decides not to, that is, decides to forget
• 37:28
  him all of a sudden. When he decided to suddenly forget that people,
• 37:31
  the Empire asked for a word. What you' re not understanding is that,
• 37:35
  of course, it' s the first time she' s had something
• 37:37
  like that happen to her. It' s not as if I don'
• 37:38
  t know, in the first film, she would have been embittered with all
• 37:43
  the motherfucker people, especially with the man she likes, because they thought maybe
• 37:47
  they wouldn' t declare direct war on the Empire, trusting God' s
• 37:52
  word goar slightly in their word. Then it' s not that I don
• 37:55
  ' t. She wouldn' t have gone through a situation like that.
• 38:00
  The characters. Characters, unlike events, forgive, like events, have no
• 38:06
  logical sense, order, and argument in this film. Everything is wrong,
• 38:13
  everything is badly armed. I want to see the third or. I want
• 38:17
  to see the third. I' m gonna say something. I think Sack
• 38:20
  Nyder is a great director of photography at An Hey because he does epic things
• 38:27
  to him, because he' s epic. But, as he is also
• 38:29
  the director and the writer, there are scenes that do not need to be
• 38:32
  epic. They' re a great wall paper. They look amazing, yes,
• 38:37
  visually, they are very well composed. The man composes the images,
• 38:42
  the fun of photography incredibly agreeable. They' re spectacular white papers. They
• 38:47
  ' re frames. The whole film is full of spectacular frames. But if
• 38:52
  we are all spectacular, and because that does not accompany it the story is
• 38:59
  not spectacular, what the dialogues are not spectacular, the characters are spectacular,
• 39:06
  the situations are explanatory. And that so this great work that there is one
• 39:09
  moment is not chimba to see, because it is like one after another after
• 39:15
  another. And what the dash joke is true is like so much, that
• 39:17
  it' s spectacular, that it' s like landscape to me. Then
• 39:22
  there' s a moment in the movie, it' s a zero,
• 39:25
  epic moment. I mean, they' re at the very beginning of the
• 39:29
  first movie and they' re like they got the harvest. And all this,
• 39:32
  so they' re celebrating the harvest a pod, as we get the
• 39:37
  harvest, we' re gonna fuck it takes. That' s literally what
• 39:38
  you' re saying. I mean, I' m not if it'
• 39:40
  s the chip. It is how we receive the harvest, how we receive
• 39:44
  the harvest, we will sow, because they were with it to the seed
• 39:47
  and I will sow it. I' ll plant it for you. I
• 39:49
  don' t understand why. For for this always be the seed, the
• 39:52
  exact grain. I liked poti mami, my grain bursts. Yes, not
• 39:57
  old sir, you give me your seed. You have to have children,
• 40:00
  you have to procreate exactly, although you and I are more of a planter
• 40:06
  in infertile land, but all that happens is all the other big ones or
• 40:09
  in our grain is not the super grain, no, not ours is a
• 40:14
  fake grain. It' s those plastic grains that people were afraid of coming
• 40:16
  from the rose. Those are our big, our, our grains, they
• 40:21
  are like the aquarium pebbles, our land, the land we manage is more
• 40:30
  like this, this green fomi that put the artificial plants well, We are
• 40:38
  the most artificial. The point is that there is that moment and they are
• 40:45
  in that celebration and even the protagonist, and the protagonist is like everyone is
• 40:50
  telling her. Hoiga the hunter. He wants the shoemaker with you, he
• 40:53
  wants to be married the hunter. The hunter wants the hunter against his own
• 40:59
  work. He wants to sow the seed or in the form of the village
• 41:08
  leader. Or he saw good, the old man, not the day.
• 41:13
  The old man says to him the sage, The old sabil The old sage
• 41:16
  comes and says to him that the note has distracted something is that I see
• 41:22
  you very distracted. You' re missing my old faggot. But if she
• 41:25
  says something like that, she says something like that and then she confirms that
• 41:29
  you forgive her. But the point is I can love more. I'
• 41:32
  m already lost, but then not that there came a time when he tells
• 41:37
  him, but and he' s told like that, I mean, he
• 41:40
  ' s not going to exaggerate the way you say it. And this is
• 41:43
  a moment it' s supposed to be a cheerful casual chat yes, and
• 41:50
  the way with it is told and it' s that you' re distracted
• 41:55
  by either ah no, that she says yes, that' s that it
• 41:59
  ' s awesome and she says yes, but that refers to the prey or
• 42:07
  the hunter. The hunter, I think I even accelerated the moment I said
• 42:20
  it. I think I did it faster than the cuckoo says in a talk
• 42:22
  that' s supposed to be casual with each other and saying it as the
• 42:25
  happiest epic way possible. It' s time when you even try to make
• 42:35
  an old green joke sound like something epic is that you' re serious Marica
• 42:40
  ' s going and looking for a help group. Go and get a fucking
• 42:43
  help group because of yours. No, no, it' s not normal.
• 42:46
  Not that, it' s not God' s John, it'
• 42:52
  s not that he doesn' t bother much is epic. Rumba here believes
• 42:54
  that Epis is epic, pathetic, what kinetic people handle. Epic people are
• 43:00
  always pathetic, and I don' t say martin, but people with a
• 43:05
  lot of epics are always pathetic. Exactly when you get over the epic,
• 43:10
  you only look pathetic and you see e. You know how much. You
• 43:15
  can also tell the way Sack Snyder says I' m going to put jokes
• 43:21
  in, but I' m going to Polder. But it' s like
• 43:24
  you just gave the most general chimba speech. Tito is crazy, but if
• 43:29
  you' re going to pass us, you can' t. He can
• 43:34
  ' t write no and can' t write casual conversations. No. For
• 43:39
  all of this it has to be that doesn' t exist in your world.
• 43:42
  It' s picky,' cause he wants to make one and the
• 43:45
  mostly I always want to make an epic movie that already made it and it
• 43:47
  ' s three hundred. He became mega famous by three hundred, of which
• 43:54
  we recall he made it based on something that already existed then. But he
• 44:00
  did it right. Yeah, yeah, yeah. That' s why you
• 44:02
  did it right. But the point is he didn' t have to write
• 44:06
  the lines of dialogue. No, but he wants, I mean, what
• 44:08
  I' m going to do is how he wants to do it again.
• 44:12
  That remembered director, because he knows how to do the epic, yes,
• 44:15
  but he also made him write exactly. For him he thinks he can,
• 44:21
  but not because he can' t read exactly. First, a chole is
• 44:24
  called the chapter. It' s called sax Nder can' t read.
• 44:29
  Sack Nyder doesn' t know. A nacho reads for zac fag is he
• 44:35
  doesn' t know his Sometimes, he doesn' t have his sometimes when
• 44:42
  sometimes he apo sometimes yes sometimes the whore and yet, the hatred jel I
• 44:49
  ' m talking to. To me, what I find most worrying about the
• 44:51
  film is that it doesn' t even become a Web woman that I could
• 44:53
  hate in an incredible way is the epitome of the middle. Well, I
• 45:00
  fucking thought it was too mediocre. It' s like it' s the
• 45:07
  first draft of something. It' s like I' ve done the homework
• 45:12
  before I mean, a minute before I hand it over. It' s
• 45:15
  mediocre. It does, it has characters, it has a development. Characters
• 45:19
  do for something past. Uh, because it doesn' t even have the
• 45:27
  very well- structured sequence. No, but you see it fast and you
• 45:30
  say like ah Ok A Ok? Okay? And it ended with the conclusion
• 45:36
  and Ok thanks for playing the joke that was built on me and shit the
• 45:40
  conclusion. One shits and comes to the conclusion that Ok? Okay? Oh,
• 45:49
  okay? And that' s why I love the third hahahahahahahah, because
• 45:54
  I point out and I keep digging my grave here. I barely see anyone
• 45:58
  sign him and I keep digging my grave here. I want to see the
• 46:06
  third. I want to see Rebelmon. There are buses now. Now there
• 46:15
  are Wanda buses. It can' t be a motorcycle that passed behind that
• 46:24
  buses sound like airplane turbines. If everything is amazing now, is the bus
• 46:29
  morbid when all the rich, all the 27 baby stuff? Twenty- seven
• 46:37
  baby? Seven, seven? I want to see the third? I love
• 46:42
  myself the third? I want to see Rebelmon, more rebellious and more lunatic
• 46:45
  than ever. I don' t know queer like Ramón, I do as
• 46:52
  angry ramen. You' ve had fevers You' re a rebel You'
• 46:58
  re a rebel You' re a rebel You' re not a tris,
• 47:00
  you' re a rebel. That' s not exactly what three of two
• 47:01
  were called. Then you can be rebelmun two, because there' s part
• 47:05
  one. But I wait part one for it can be because besides that you
• 47:09
  have to be very medium, they believe that botovía. I can' t
• 47:15
  believe you' re the chu tu. I thought that was a myth,
• 47:17
  that it was no cough left me ho or I would see the three.
• 47:22
  But I really want to know how the worst bad I' ve ever seen
• 47:25
  is killed. Severo game. Diego. Thank you for paying attention and showing
• 47:30
  me this sign of respect is to you, to Sack Snyder, aja why.
• 47:35
  I have to say one thing about the bad guy. I don'
• 47:37
  t know what he wants. I don' t know why it' s
• 47:42
  on the astral plane of which one we' re talking about Belisario, the
• 47:45
  President of Felisa PI, the Papi Yes, the plane of which if they
• 47:50
  kill in theory, in that movie, because I guess I would have killed,
• 47:52
  but they didn' t kill him, and I mean, I mean,
• 47:59
  but somehow yes, but somehow Robot came back a whore and what he
• 48:05
  was going to say and how I don' t know what anyone wants here,
• 48:07
  because it' s bad that he wants his daughter and that he wants
• 48:08
  his daughter. And that' s why he took power and that' s
• 48:10
  why he made the plan that I liked the same plan the man made to
• 48:14
  kill the king yes and accuse her. Yeah. The plan was good.
• 48:17
  The execution was ridiculous and stupid, but it' s just that I liked
• 48:23
  it because I thought of the kid, I mean, he yells at her
• 48:30
  rapper and she lets her go. And this is the way you should watch
• 48:34
  Rebelmun an episode of the boy saying how Jay Mire Sack Snyder wasn' t
• 48:40
  just inspired by ah because last time Roberto Gómez, Bueno already makes Rebelmun,
• 48:47
  direction Enrique Securia, Rebelmun and all the new vernades employ with che ja.
• 48:58
  But what was I going to say as if that' s the hair and
• 49:01
  beard of the man and what a gonorrhea it is, because it' s
• 49:06
  the most false thing I ever had in the faggot. No. Besides,
• 49:08
  the worst thing is that I saw him and I said Marica that is of
• 49:10
  the people that in the capitol of the eggs of hunger, they fuck them
• 49:15
  for poor, the man was of the poor, of the capitol, of
• 49:20
  the eggs, of the man was like woe, I want to see me
• 49:23
  cool like them, but grandfather was my was accurate, no, no,
• 49:30
  what misery of hand the goblins of the hunger of one and I do not
• 49:36
  want to see it. Me, I want to see her. I mean,
• 49:39
  on the one hand, I hope there' s no such thing as
• 49:45
  because it' s no longer fair for me to keep giving you these opportunities.
• 49:45
  It' s mediocre. But if there is, I want to see
• 49:52
  her why the cheeky son of a bitch cares cocksucker, indid sick dog,
• 50:00
  no blood, hard face, hard face, she went out to say what,
• 50:07
  because he already has. Oh that there is a version of the director
• 50:10
  where everything is understood more because when it goes wrong to one of his films,
• 50:14
  brand but that does not know how to read also has zero capacity of
• 50:19
  synthesis, because now you would suck a version of what six hours of rebelmund
• 50:25
  because it is that eh Mario is so good, because it is that it
• 50:31
  lacks the direction of obviously the director. That happens to some movies. Not
• 50:35
  that the league of justice is not good, because they changed me and so
• 50:40
  I buy you my director' s version. Fix things, but stop being.
• 50:45
  She' s still not good. You' re for Netflix. Yeah,
• 50:49
  eat shit, you didn' t have this one had to be the
• 50:52
  director' s version eats shit. It' s like when Kojima pulled out
• 50:55
  the director' s version of his game that I loved, but the game
• 51:00
  had to do something with the director' s direction, because you' re
• 51:02
  the director of that company. Kojima, yes, I really do. And
• 51:06
  second, it' s a movie for Irishman' s Netflix already lasts three
• 51:13
  hours. It' s for net three hours, plus four hours. I
• 51:16
  don' t know, but I' m saying the point is how you
• 51:20
  can do the diren version of why that' s so bad. Not because
• 51:22
  I would' ve had to see her for three hours. But what bothers
• 51:24
  me is that the man always goes out to say ay it' s not
• 51:29
  going wrong. It' s because I have the corrections in life. In
• 51:31
  fact, always yes, I' ve always done man is a mediocre school
• 51:36
  boy. Someone has to tell him look. You can use it all the
• 51:42
  time. We' re gonna put everything on you. If the film lasts
• 51:45
  fourteen hours, how do you put it Yorosky we put it, the poul
• 51:51
  demous you get good to see shown that you are, the you are,
• 51:55
  the true, the genius. What do you think the pathetic epic that you
• 52:00
  swear to give him can' t be if you always get gassed out of
• 52:04
  the afternoon. You can' t do this anymore. And again, yes,
• 52:07
  that' s in others, so the excuses are still cheap, because
• 52:10
  you can' t do this shit anymore. But in others one says I
• 52:14
  understand that they cut the film. Maybe he should have done something good in
• 52:16
  that time, but I understand he got cut off. There' s no
• 52:20
  excuse here, there' s no excuse. No, I' m not
• 52:22
  going to be told that other than that the part is two parts, they
• 52:28
  were, if apart they are already two parts and all you should almost show
• 52:32
  me is always a flashback of someone who is telling you, it' s
• 52:36
  always all he does is exhibition and that' s the other thing. Someone
• 52:38
  ' s always telling someone something, that' s the thing you' re
• 52:42
  saying, which is what we' re not supposed to understand when seventy percent
• 52:45
  of your hair is people explaining shit, or you' re not showing me
• 52:50
  that your protagonist is. You' re telling me to listen. You must
• 52:52
  believe that' s already there. Because of this, because it' s
• 52:54
  legendary. What the legendary 20th story does, twenty tales are not going to
• 52:59
  do. It' s legendary, but wait, wait. I' m
• 53:02
  sure you do. He' s even included flashbacks, which isn' t
• 53:06
  screaming and jumping after a character who' s going to do something gruesome,
• 53:08
  but only a character Titus the general. The legendary title is ah he does
• 53:14
  not hear the alcoholis escura of king ah. But mine, on the one
• 53:17
  hand very similar, the monita de la, the monita that we are sure
• 53:23
  is the Princess, not cute to monita, see me is a gendary of
• 53:30
  the rest, nothing more a personandario. Nobody does anything amazing. Nobody does
• 53:36
  anything amazing about what they show. But they' re all amazing at what
• 53:39
  they say, what they say, what they say about them. Not that
• 53:43
  in what they say no, not even that someone has said something that I
• 53:45
  said uy that was sent by the legendary. It' s not always someone
• 53:50
  says such a person is legendary point. That' s all that happens.
• 53:55
  You know what' s legendary about her, what' s her great ability
• 54:00
  to get someone to shoot her, but she shot the guy in the back.
• 54:04
  It happens to him, like, four or three times in this movie.
• 54:06
  So, the robot' s gonna shoot her. He didn' t
• 54:09
  shoot the bad guy who in the end has just betrayed them at first when
• 54:19
  you met him in the canteen. You' re gonna shoot her, you
• 54:21
  didn' t shoot the farmer in the back, you' re gonna shoot
• 54:25
  her? He didn' t take him out and shoot the guy who sent
• 54:30
  him three months. I can tell him what the same resolution. Yes,
• 54:37
  and again, if something that is legendary, not her good luck, her
• 54:43
  ability is to be domino fag, and not according to what they tell us,
• 54:50
  because what they told us was that she had a very difficult life.
• 54:53
  We don' t see it, but they told us she had a very
• 54:58
  difficult life. That' s not how I mean it. I understand that
• 55:06
  in a book, that is, in literature, sometimes it is difficult to
• 55:12
  show and not count yes, but in a film it should not. Not
• 55:19
  a movie is a fucking audiovisual medium. Sack Snyder makes a fucking hill of
• 55:22
  shit because besides, you can' t keep doing this. He' s
• 55:27
  got a hundred and eleven million dollars You hire someone who knows how to make
• 55:30
  superheroes and space science fiction boring. I mean, that' s hard.
• 55:37
  How you do this chapter that has everything, it' s got everything.
• 55:45
  You' re fighting moving chairs. All those dogs are the ones I'
• 55:51
  m kicking out Juan Dapo. How do you marvel at the dog situation?
• 55:57
  There' s one dog who wants to fight the other. The other one
• 56:00
  ignores it very elegantly. You, how do you do Sack Snyder? You,
• 56:04
  how do you do Zack Snyder? Seriously, I forgot what I was
• 56:07
  gonna say. We' re talking about the epics to prove and not tell
• 56:13
  yes about what an audiovisual medium is yes, yes, it has me father
• 56:20
  shit. That' s all we' re on our own. He'
• 56:22
  s totally right, uh, faggot, no, no, no, he
• 56:23
  ' s not gonna remember. But the point is, I don' t
• 56:25
  understand. I don' t understand how it is that thanks and tango massido
• 56:32
  to think Kitty Look that is Carlos Kitti take them away present in Madrid,
• 56:42
  but Kundina also marks because he was in Barcelona. Besides, we' re
• 56:45
  in Barcelona whore and they' re throwing this beer at her. It leaves
• 56:52
  fig of the five best grains that there are are the hypergrains, the big
• 56:59
  grain, the big brother. That Neta change made less noise than the whore.
• 57:04
  Fucking photo. It doesn' t make sense to you, you'
• 57:06
  ve got it. The point is, I don' t understand how you
• 57:12
  do Sack Snyder for an audiovisual medium not to show shit about everything. The
• 57:22
  only thing we' re trying to use is what we said. That'
• 57:32
  s the sweetest bike in the universe. I mean, I don' t
• 57:38
  want that bike to be bad, yeah, yeah, that bike doesn'
• 57:44
  t fit the bike that the other na' s being. I arrived I
• 57:50
  no longer understand the Jack Snyder, as well as, when he shows things,
• 57:57
  what he does is to stay in this, to want to make a
• 58:07
  museum, yes, to want to make incredible graphic pieces, that he achieves
• 58:15
  it, that he does not succeed in connecting with each other to tell a
• 58:22
  story and that he does not manage to connect with who is watching the film,
• 58:30
  because he is so worried, because people tell him what scene so squeaky
• 58:37
  that he forgets, what he is telling about history, man, is that
• 58:45
  he should be telling a story yes, and it continues to happen to him.
• 58:45
  In all the gras the fucking movies, in all, in all,
• 58:50
  in all, in all, in all, or how much more they want
• 58:54
  to forgive him this bastard. Robo Dreams had an epic scene in which,
• 59:06
  because the first one says nothing, in which there are two characters are saying
• 59:09
  goodbye, they are described as one of those loves of life. Only use
• 59:15
  is the song is made with ten percent of the budget and someone who knows
• 59:21
  can do something like that hi was a fucking robot scene putting the song to
• 59:27
  him and but listening to it. Sax Kneyder killed three relatively main characters and
• 59:37
  I care about cock. And I cared about a dick. Sax Kneyder showed
• 59:45
  short moments of how the families and children of the main characters were annihilated and
• 59:53
  I cared about a dick. Sax Kneyder, sax Kneyder came to a moment
• 1:00:01
  of showing how they were about to rape a woman, and that scene had
• 1:00:09
  no weight at all, because the film had already shown us on the one
• 1:00:15
  hand, because besides, what a cheap way to try baratito as the cheapest
• 1:00:20
  way to try to show how the military are bad. But besides that Saklider
• 1:00:25
  is fourteen years old. He' s fourteen years old, because, besides
• 1:00:30
  that he' s already shown us, we don' t know the two
• 1:00:32
  characters we knew were going to step in. Yeah, we already knew it
• 1:00:36
  was those two and we knew almost what time they were going in, who
• 1:00:40
  what. That kind of silk is important to movies because of course it shows
• 1:00:46
  us cruelty. But I have to believe that this person is in obvious danger,
• 1:00:52
  I have to believe that she' s started. I knew, I
• 1:00:55
  was just waiting at a time when our two friends would save her. Yes,
• 1:01:00
  that what happens, that when what they have surprised, if the manes
• 1:01:02
  manage to do that disgusting evil, when the characters are cartoons, the hys
• 1:01:09
  and the stories, I say those we could do this yu is the BSTAA
• 1:01:17
  for Barcelona, but you do not deny to catch it. And then what
• 1:01:28
  do I say is that what about the beers here are strong, good hard
• 1:01:31
  and smell like a whore. You know what those scenes have to want.
• 1:01:36
  Yes, we have then when his characters, especially in this case his villains,
• 1:01:43
  are cartoons, because they are the most cartoonic the world and the stories
• 1:01:50
  have no connection, logical connection. All he has is a logical connection,
• 1:01:54
  but they have no emotional connection at all. Yeah, I' m telling
• 1:02:00
  you logic. I knew you girls as well, that goes after that and
• 1:02:02
  that after that, yeah, your hatred of the empire, I' m
• 1:02:05
  coming to your revolution. It' s logical. Yeah, that' s
• 1:02:07
  logical, but that doesn' t have an emotional behind it. Zero,
• 1:02:10
  zero, zero, emotional connection to any event, any character there is.
• 1:02:15
  You' re saying when Sack nightr is an artificial intelligence. No, because
• 1:02:19
  I' d have to be smart for that. Hahahaja you call yourself artivists,
• 1:02:25
  these are intelligent. No. If I' m seeing that Sacknoider is
• 1:02:28
  artificial, what I' m saying is one of the plastic ones. He
• 1:02:32
  was a plastic girl of those who go around Wanda. When Sack Knightder sweats
• 1:02:38
  Sudasha in the name Trip is Exack Snyder. That' s x Snyder.
• 1:02:46
  When that happens, whatever scene he tries to do, just make a good
• 1:02:52
  grid. Or this was on the side of a scene that was supposed to
• 1:02:54
  be emotionalally strong and tense, not that again resorting to the idea that the
• 1:03:01
  military are going to rape a woman. It' s like I say,
• 1:03:07
  he said it happened because two kids passed by. I say it more,
• 1:03:09
  and resort to that one. Run a scene where the military are going to
• 1:03:13
  reveal a woman to show that the military is bad. It' s cheap.
• 1:03:20
  It' s bara. It can be done well, It can be
• 1:03:22
  done well, but it is that he does it in a cheap way and
• 1:03:28
  now let' s go then is another scene that also supposes that he would
• 1:03:31
  have to have a great emotional strength, but a scene now positive, not
• 1:03:34
  negative. And that' s when this same woman gives each of our heroes
• 1:03:38
  a tapestry that she made based on how each one of them sees. Great
• 1:03:45
  scene, great idea. I liked it not, for a simple reason.
• 1:03:51
  He put it on. No. He didn' t like it because I
• 1:03:52
  didn' t like it. No. I' m not going to let
• 1:03:55
  you explain why you expect me not to show you yet because you didn'
• 1:03:59
  t like it and then you give me the reason to see Wanda I really
• 1:04:04
  support why each of those figures represented those characters. Seriously, those figures represented
• 1:04:08
  something of those characters, something that they showed us in the film, like
• 1:04:12
  saying that this tapestry was said ah sure is, severe that they have been
• 1:04:15
  given that man tapestry that Chimba Fuck didn' t take it out of the
• 1:04:19
  fucking Ortho Hubón part because he already took it out for five days. She
• 1:04:24
  ' s known him for five days and they didn' t use a single
• 1:04:29
  wink at any of the little they' ve told us about the characters to
• 1:04:31
  make those tapestries, not even the old one she' s known for an
• 1:04:34
  egg of time. The only river is the heart of Godar. There it
• 1:04:41
  is because the man if wanted and the community that was the best is the
• 1:04:44
  ugliest tapis all. But the point is there is no emotional weight, true
• 1:04:53
  in that subscene that is supposed to be the mume is a moment, yes,
• 1:04:58
  as the only thing is for you to use it, so that when
• 1:05:00
  when we and we see us as ah, it does die, truth,
• 1:05:03
  yes, it' s like ah, well, I saw who died,
• 1:05:06
  because that was the tapestry that they gave him, because it does those things
• 1:05:11
  emphasize the good things that I have to give him a point and I like
• 1:05:17
  that of all the things that he could be brave about, but he did
• 1:05:21
  be brave many times kill the love of the protagonist. Yeah, yeah,
• 1:05:28
  he had that. I thought the most was saved when I got the other
• 1:05:30
  way around, also by the way the movie was showing me. Yeah,
• 1:05:33
  that, but he' s going well that he did, and I think
• 1:05:36
  that' s true. Yeah, I wish Alma, I would have cared.
• 1:05:41
  I wish soul, I wish hoal the man and the old woman on
• 1:05:44
  me I wish something, I wish her love had mattered to me. I
• 1:05:45
  wish the movie meyor mattered I wish Sacks nobody. But we' ve been
• 1:05:50
  talking about a movie we don' t care about for an hour. It
• 1:05:54
  ' s called stupid herfontama. It' s so ridiculous. You' re
• 1:06:00
  the two very ridiculous movies and I want to see the one. Third will
• 1:06:05
  be I want to come. Let' s do nothing, let' s
• 1:06:09
  not greasy, we don' t see, but I want to see her.
• 1:06:12
  We' re going to quickly search for Rebel in part is that it
• 1:06:15
  ' s fast and furiously. Please, or tell me so quickly that writing
• 1:06:20
  Rebelmo and Rebel Mu Marbel Mu the Rebel Maru, the Rebel Mu That would
• 1:06:31
  make the soundtrack Rebelmoon there will be third part of Netflix. Are we going
• 1:06:36
  to click yes yes yes yes yes yes yes yes? Let' s all
• 1:06:41
  go with me, all Latin America lives, even this goes here all Hispanic
• 1:06:45
  America. You have to play here like cukis is and I said run twice
• 1:06:47
  instead of united. It' s the cane' s fault. Let'
• 1:06:55
  s see now with the recent premiere of Rebelmun 23rd of April of two thousand
• 1:07:00
  ond will clearly nora in third part, why what gonorrhea so bad the warrior
• 1:07:03
  that leaves marks the question is inevitable. There will be a next part that
• 1:07:09
  explores its open ending. The odds are not good for the work of Sack
• 1:07:15
  Light. I' m sorry I have to correct something there. That'
• 1:07:17
  s not an open ending, because for there to be an open ending there
• 1:07:20
  has to be an end. And for there to be an end, there
• 1:07:24
  has to be a movie. And for a movie to have to be a
• 1:07:29
  writer who can read. It' s like you can' t, you
• 1:07:33
  can' t just see. I finally love the conclusion for now of the
• 1:07:39
  cosmic saga. Sax Snyder came to Netflix' s catalog. Newly released.
• 1:07:45
  Rebelmon premiered and, as expected, opened a wide debate on its quality.
• 1:07:49
  What was it like to be expected? He' s dying to wait?
• 1:07:53
  Everyone knows that Sack Nyder does not know how to be a policula, while
• 1:07:56
  much of the specialist criticism considers it a messy work and without much to offer.
• 1:08:00
  He' s here. So, part of the work of the specialist
• 1:08:01
  critic I have always considered myself very special in my criticisms. The director'
• 1:08:08
  s unconditionals consistently support it because Stockholm syndrome, not because Marica is that when
• 1:08:14
  you have already put ninety percent of your savings into a cult, you only
• 1:08:16
  have to continue to support it. To put it this way you can get
• 1:08:20
  out at some point and I love the way you follow what you came to
• 1:08:23
  have. One of the most curious scores. The aggregator rotates tortoises while specialized
• 1:08:29
  audiences give him only 16 percent. The audience is more generous, I say,
• 1:08:34
  and it' s a fifty- three. Ah well, they separate
• 1:08:40
  when the public is me the public. When the audience puts him fifty-
• 1:08:43
  three percent of a movie, he' s a bad fag. It'
• 1:08:45
  s because it' s poo is poo that I would understand if the movie
• 1:08:51
  in the audience like Mario is eighty seventy percent. It' s like because
• 1:08:58
  criticism sometimes, as a command, those annoying, but people with skirts close,
• 1:09:04
  reaches fifty- three percent. Don' t fuck with me, gonorrhea,
• 1:09:10
  yeah, but I die. With all the above, he answers the
• 1:09:12
  most important question or the beef for the production and added by this podcast a
• 1:09:16
  few minutes ago he will open to a third of the film Onda pobra Tell
• 1:09:24
  me has me on the edge of it. So far there are no ads
• 1:09:27
  from Netflix. Not because I expect the announcement to be other apologies, but
• 1:09:32
  what is Saki' s announcement that Saku says, apart from that his real
• 1:09:36
  version is eight hours and eight and four of those hours is to see again
• 1:09:42
  the League the taste May three of the two thousand twenty- four rebel Three,
• 1:09:46
  still need is, does not need to be confirmed by Netflix, because
• 1:09:50
  also said that of soccer poncho. He didn' t say that about everyone
• 1:09:57
  whore, but Sack Knyder has an egg and we all agree with that.
• 1:10:01
  Sack Neger gets burned to lunch and says no. It' s just that
• 1:10:04
  that' s not the director' s version, it' s just that
• 1:10:09
  the director' s version, it has to be another four hours in that
• 1:10:12
  pot to make it good. You know I do. It should be another
• 1:10:15
  four hours to write and read what he wrote and then another four and then
• 1:10:19
  another four and it' s called school. If you call the school,
• 1:10:23
  go to school, learn to read and you' re eleven years past Maria
• 1:10:29
  High School. We start with elementary school, because kindergarten. Let' s
• 1:10:32
  get the kindergarten. How to put together. How to assemble, Where the
• 1:10:36
  circle goes in the box, where the square goes, where the triangle goes,
• 1:10:42
  where it goes to the stars. Sas with mac sounds is that my
• 1:10:48
  mommy mom, but with everything and all visually yes, two characters are very
• 1:10:56
  cool. Unless the lead girl lets her turn the house on, but I
• 1:11:00
  always have my neck forward I look down because I' m conflicted. Yeah,
• 1:11:03
  she' s in conflict, a hombiego, but she' s in
• 1:11:06
  conflict. I think he does because he throws his head down. And it
• 1:11:10
  ' s like there was a moment of the protagonist who doesn' t whore.
• 1:11:13
  I can' t tell you any more. We have to trust each
• 1:11:15
  other so we can fight next door. You want to say something safe,
• 1:11:23
  you swear to me and I love it. People come from nowhere to defend
• 1:11:26
  their people, to defend their whore. And as you lie down and run
• 1:11:30
  away and you won' t be able to tell them the truth. And
• 1:11:32
  then she cries and everyone says how severe they don' t. And then
• 1:11:38
  she cries and besides, evil tells her she already knew and the old woman
• 1:11:40
  has her face, the hard face. It' s surprising if the man
• 1:11:44
  asked him eight times, it' s because he already knew how to see
• 1:11:46
  old, that is to say, desperate hunch, it' s not that
• 1:11:50
  he' s very brute, but a part of the protagonist who amputated me
• 1:11:54
  a lot, that is, there were many, but there was one in
• 1:11:56
  particular, and that' s when he' s at the burial of these
• 1:11:56
  people who are that same. But it' s a specic thing that happened
• 1:11:58
  when they' re buried and the old woman is leader of the revolutionaries,
• 1:12:02
  says a retense sheath. It was you who represent the honor of these people
• 1:12:09
  who died, that I don' t know what. And the other one
• 1:12:11
  that says moment because no one is looking at me alone. I' m
• 1:12:15
  the protagonist, she says no, I' m not, I' m
• 1:12:20
  not. Please flatter me, follow me nice, bad- natured things.
• 1:12:25
  For me it was like I thought of this. We are gathered here after
• 1:12:31
  the death of we go from the temples. Oh, thank you for saying
• 1:12:38
  who, but wait, wait, wait, wait I play dead. Who
• 1:12:42
  was a faithful friend, a good friend, Yes went and people supported him
• 1:12:46
  and people loved him very much. And someone is going to tell you that
• 1:12:49
  is not a burial with their relatives, with the other people who died at
• 1:12:54
  a time of community respect to do so. Not me. Not me.
• 1:13:00
  I don' t get a patch squeeze. I don' t want to.
• 1:13:01
  I don' t want to. Look no. Besides, someone who
• 1:13:04
  clearly did support me, someone who clearly is you there and everyone knows it,
• 1:13:08
  get up and say ay. I feel because I suggested that the fam
• 1:13:12
  of. I feel I can' t just be sad that I don'
• 1:13:15
  t support him enough. Yeah, I feel like I didn' t give
• 1:13:18
  as much as I could have. I' m sorry I could have been
• 1:13:20
  a better friend. I feel like he never knew how much I loved him
• 1:13:25
  and I, so I' m sadder than all of you right now.
• 1:13:30
  Yeah, thanks, that' s what the bitch' s son cart did,
• 1:13:35
  calculates and has egg wins puco colalo. That moment imputed me a lot.
• 1:13:41
  It' s that and then there' s a robot that looks important
• 1:13:45
  and then it' s important. It' s something because in a moment
• 1:13:45
  it becomes important. But it' s important. I have a cock voucher,
• 1:13:48
  because then everyone falls into a superhero pose and they see you each and
• 1:13:54
  every one ridiculous. Yeah, two things you wanted. I have a doubt,
• 1:13:59
  I have many, because the robot has caches. It' s philosophical
• 1:14:01
  about this one, because it would have seemed cool to me. I don
• 1:14:05
  ' t want the idea of the robot with flowers to evolve, because the
• 1:14:11
  old lady puts a wreath of flowers on it to take away. That went
• 1:14:15
  away like that and, suddenly, when I came back I didn' t
• 1:14:18
  know a thing about flowers or plants, I don' t know what,
• 1:14:23
  like I could have said, evolved this idea. I don' t know
• 1:14:25
  what. The truth was how he sent these fucking flowers to hell because he
• 1:14:28
  threw them away. The bad- natured one threw them out. They gave
• 1:14:30
  her a pair of shielded flowers. The only person who' s treated him
• 1:14:33
  like someone who' s got something of value, the person who' s
• 1:14:36
  supposed to be super important to him, because I was the one who woke
• 1:14:41
  him from his filthy sopor of not doing my shit and gave him these all
• 1:14:45
  - pretty flowers in a little corone so he' d be bad- natured
• 1:14:48
  to say that this crown happened to me because of the son of a bitch
• 1:14:49
  I don' t have. Did you clean my oil? Did you clean
• 1:14:55
  my oil? With this shit, if I throw it away, I throw
• 1:14:59
  it away and I get some fucking poop, some fucking poop that doesn'
• 1:15:02
  t represent anything, except the poop I' m putting on you, Mommy,
• 1:15:05
  who was the only one who looked at me wrong. But it'
• 1:15:08
  s cool, because the director, this is what he wants, it'
• 1:15:11
  s all cool, it' s just whores here Huubón learns to read.
• 1:15:15
  You know something that bothered me a lot about the idea I didn' t
• 1:15:18
  understand forgiveness, but I understood. When Sack Snyder is describing the script,
• 1:15:23
  they put the pucks on him not. He did not know that the word
• 1:15:29
  flower and the word poop is different and is written differently, because he does
• 1:15:34
  not know how to read or write exactly. Then fucking naide sax. I
• 1:15:39
  understand you talking about flower rice and you treated it, because that comes because
• 1:15:44
  the robot goes to the river to clean itself up. Yeah, because the
• 1:15:48
  robot is a beautiful, funny mosaic. It' s not important, exactly.
• 1:15:53
  No. China is the robot that is the beautiful and funny moosa marchosa
• 1:15:56
  to wash her face po. But I understand that Sack Snyder you' re
• 1:16:06
  fourteen years old and you' re going to do the scene You ask me
• 1:16:10
  that he' s 14 years old, whether he has family or someone should
• 1:16:13
  be like checking what' s going on. You' re going to make
• 1:16:15
  the cruelest scene where you' re going to get involved as a rape to
• 1:16:17
  show the evil of the ah these. You' re gonna do it wrong
• 1:16:19
  because you have to tie up, because you' re Sack Nigder, because
• 1:16:21
  you' re Acttighter. Yeah, but he wants to show that soldiers are
• 1:16:26
  bad? Because he wants to show that bad guys are bad. Yes,
• 1:16:29
  and he wants to show that the good ones are good, because for him
• 1:16:33
  subtlety and grays and things, for him there is no such thing. He
• 1:16:36
  uses them. For Zack Snyder it' s like written language. There'
• 1:16:40
  s no such thing, but it' s like everything right, everything right,
• 1:16:50
  everything that Private Malo and Private Bad' s boss do with the robot.
• 1:16:55
  That stupid guy, he' s really just got a robot. Everyone
• 1:16:57
  is amazed because they' re going to wait for you, it' s
• 1:17:00
  going to make the job easier and your lajayo starts to shoot at a good
• 1:17:06
  tool that has the empire, which is a robot of these that will help
• 1:17:11
  you, to which you' re going fas tells him to facilitate everything you
• 1:17:15
  have to do. As a dagger they don' t defend themselves Dad,
• 1:17:19
  because counting and not showing in an even bad way, like why you'
• 1:17:26
  re shooting at the robots and the other because let you be stupid shoots the
• 1:17:30
  robot. Besides, the first one who marveled and said that Chimba sent us
• 1:17:32
  one of those didn' t go on the street I think it was in
• 1:17:36
  the street the first one that said Marica watch that Chingón send one of his
• 1:17:39
  own. And that' s where you defend yourself See Dad why you'
• 1:17:43
  re gonna shoot this wey- ass robbery and by the way look I mean
• 1:17:46
  no soldiers and you don' t get out of Skyder and he' s
• 1:17:51
  got a lot of bad- natured Güey stones going. But then Diego and
• 1:17:54
  I had to come to an agreement, and it' s a gentlemen'
• 1:18:00
  s pact, because I understand that I could see for a movie to be
• 1:18:02
  true, oh, yeah, yeah, yeah, I didn' t want
• 1:18:06
  to see that movie because I knew it was going to be the slow-
• 1:18:08
  motion movie. So we said, let' s look at it two at
• 1:18:12
  double speed and that' s how the clothing movie looks. Yeah, yeah,
• 1:18:14
  ' cause little paragraph. It' s obviously a Nnader sack movie.
• 1:18:16
  Obviously he' s stupidly abusing the lethal chamber, but he' s already
• 1:18:23
  a level. I mean, the other Xaknae movies were the U. I
• 1:18:26
  think he uses more than the Justice League, and that' s a lot
• 1:18:28
  to say. That' s where there are scenes I say that without the
• 1:18:33
  slow camera, they' ll be good scenes. Yeah, always one hundred
• 1:18:36
  percent agree 100% colla and the slow House makes them ridiculous faggots that is
• 1:18:44
  how this didn' t need and fighting scenes also that are the best times
• 1:18:50
  he uses it because he uses it well. The slow camera sometimes because it
• 1:18:56
  ' s a shotgun. Then some of them do well. There are many
• 1:19:00
  penises that you don' t show me. The slow Jamara. Show me
• 1:19:02
  what this girl with the swords is brutally fast. That' s why the
• 1:19:08
  slow camera. It' s the resource that doesn' t suit you,
• 1:19:14
  unless you use it well. But you don' t know, I mean,
• 1:19:16
  it' s not used because again you know what' s good for
• 1:19:20
  the use of the House. Slow down the subtlety. Juan Dapo. Yeah,
• 1:19:26
  the most useful thing about Sack Leader is a paw in the face.
• 1:19:29
  Yeah, yeah, when he' s waving a baby. Yeah, that
• 1:19:31
  ' s the most useful thing about Essa with no one, not the egg
• 1:19:34
  keeper. He keeps egg, but then I said diego. Let' s
• 1:19:39
  see this movie, the double speed Güey and I told him and I held
• 1:19:43
  it, I told him no wanda, because if we see it at double
• 1:19:45
  speed or at one, five, one, twenty- five, which was
• 1:19:48
  what he tried to negotiate me, Juan, support or aha, if we
• 1:19:53
  see it at that speed, we will not suffer as much as we must
• 1:20:00
  suffer in order to have the level of stone with Sack and Max Sac so
• 1:20:02
  that we can make a chapter. It was known to be exactly where the
• 1:20:05
  balls are. That' s why I said it. Thank you, and
• 1:20:12
  then diego said well, I mean, I said, well. Let'
• 1:20:15
  s see one percent. But, but, but, but, but,
• 1:20:19
  to honor everything that' s happened this weekend, we' re gonna see
• 1:20:23
  it folded. And not happy with that. Not happy with him because he
• 1:20:29
  loves only one type of dubbing in Netflix, not at least when I lowered
• 1:20:33
  it, yes, aha, it was down. Only those Spanish from Spain
• 1:20:39
  appeared to me, yes, sir and diego and I came down from the
• 1:20:45
  censor here. We had a little one, really. And I told him,
• 1:20:47
  I told him when, because besides, for me it was a moment
• 1:20:49
  of vulnerability. I said, Annapo opened her heart. When I support him,
• 1:20:55
  I' m thinking of taking him down, uh, sorry, deep
• 1:21:01
  po, I' m sorry. Yo, I lied to him playing back.
• 1:21:08
  When I was little, the war came. I was a simple,
• 1:21:12
  I was a citizen and the war ended for two hours. My whole family
• 1:21:15
  was a simple citizen of a little one, it was another, but it
• 1:21:18
  was another and happy. No, well, I told him, Juan,
• 1:21:20
  for the truth was a moment at the very end of the film. In
• 1:21:24
  the last ten minutes I saw them in English. I wanted to see like
• 1:21:28
  the original voices. And the truth, The truth, The truth, because
• 1:21:32
  I' m a super prejudiced person with dubbing, especially with the dubbing of
• 1:21:36
  an accent that I didn' t normally handle and I told her I'
• 1:21:44
  m going to see it in English because maybe that' s what I recovered
• 1:21:51
  something and after I' ve done that I can say with every son of
• 1:21:57
  a bitch certainty, it' s better doubled in Spanish than in English,
• 1:22:03
  because at least it gives me an excuse for the suspension of dis The movie
• 1:22:12
  is so ridiculous that watching it as without dubbing makes it more real. I
• 1:22:14
  ' m worse, too. I also saw a piece in English for the
• 1:22:19
  same reason and honestly said, I think the work of the benders makes that
• 1:22:26
  film less bad, it gets more emotion. Yeah, yeah, because these
• 1:22:30
  people, and they didn' t make it the actors' fault because they
• 1:22:35
  work with a kid I' s script or I' m gonna say sorry
• 1:22:39
  to the actors because they decided to work with a Quing kid' s script.
• 1:22:42
  You don' t excuse the agents, because if they go back there,
• 1:22:47
  you' re working with Chak Knigder. It is that those who have
• 1:22:51
  done this, but deserve the flesh. I' m not going and I
• 1:22:55
  ' m not going to look because Sack Nayder doesn' t deserve it.
• 1:22:58
  But if any of these actors have already acted on anything from Sack Snyder before,
• 1:23:00
  that actor has an egg and deserves hell. Any of the others still
• 1:23:06
  have a chance to fire their agent and not do it again. This fucking
• 1:23:12
  gladiator who fired him. That one bye? That chao? Because, of
• 1:23:16
  course, the only person who could fool, because he took advantage of an
• 1:23:21
  old man, of a gentleman was Anthony Hopkints and he' s the voice
• 1:23:28
  of the robot and he' s the voice of rock. It' s
• 1:23:29
  the voice of a robot. I did hear the robot was one of the
• 1:23:33
  assholes at the time when I had it in English. Cr Anthony, I
• 1:23:42
  know you hear me. Don' t not say, Anthony, you deserve
• 1:23:53
  so much more in this life. You deserve so much more in this life
• 1:23:59
  than whatever you did there. Please don' t let this be. Aside
• 1:24:03
  from your legacy, ask to be deleted from IMDb and here among us,
• 1:24:10
  you who have more opportunities for this than I have to prevent sax Knigder from
• 1:24:15
  making films, contract him in order only as the right director of photography.
• 1:24:21
  No more, no more? The one you can' t do. He
• 1:24:26
  doesn' t have the linguistic ability, language is physical lin. There it
• 1:24:30
  is to do more. I feel that the more, like the people who
• 1:24:34
  led Cats, has taken advantage of these old diego people. Yeah, and
• 1:24:39
  I feel like, like the people who acted at Cats, they were licking
• 1:24:42
  their balls all the time because they didn' t know what' s going
• 1:24:45
  on in that fucking movie website. Yeah,' cause I say it honestly
• 1:24:48
  again. Bend is much better. Yeah, yeah, even I don'
• 1:24:54
  t think he speaks Latin Spanish anymore. Yeah. Now important clarification is not
• 1:24:59
  that it did much better, like Shereck, for example, that we say
• 1:25:01
  it is much better folded than Shrek. It' s better bent, not
• 1:25:05
  because it' s bad in English. Ah what is reck ah sorry is
• 1:25:10
  shreck, that shreck that gona is real, is shreck. It' s
• 1:25:15
  not that it' s better bent because it' s bad in English,
• 1:25:19
  but because the level of dubbing they put in it is amazing. If the
• 1:25:23
  job and so be good, it passes fifth element, fifth method or the
• 1:25:27
  Simpsons seasons. First is also to see it in Spanish. Many times it
• 1:25:31
  was more funny than seeing it in English. It' s in better dubbing,
• 1:25:36
  because in English it' s that bad, it' s very bad.
• 1:25:44
  No problem, we have not come to cause glass You and I know
• 1:25:56
  the fear that through we do not have that well that we are more than
• 1:26:04
  the shackles that bind us or the king. He is a man and men
• 1:26:18
  may fall into faith, but a myth is indestructible. What time has come
• 1:26:30
  for all that you love, but that you do to one another and have
• 1:26:36
  no mercy. It was who among you is willing to die for it.
• 1:26:53
  What we believe in. That was our episode about Rebelmoon Shereck and, above
• 1:27:20
  all, was this episode about the primary of sank stnghder A. It'
• 1:27:27
  s a movie, two movies, that I love that we keep telling them
• 1:27:32
  a movie, not because we haven' t felt the weight of the two
• 1:27:35
  movies, but because there' s no material for two movies. That'
• 1:27:39
  s because it' s a movie. Mikaelso could have been a chapter in
• 1:27:42
  half an hour is that he has the ability to summarize Chatgipiti Puta Weon,
• 1:27:48
  son of Puta, is very he can not write. That is because if
• 1:27:51
  his versions of the director are longer than he already has, and in those
• 1:27:57
  are understood, fuck me and all hepto of the stone. Having said all
• 1:28:09
  this that we already went through Sack Nighder and that' s just as great
• 1:28:13
  a chapter he gave us because we were here. They rang chairs, beat
• 1:28:17
  palms, beat the egg whites to the point of snow, made a lot
• 1:28:24
  of luté jokes because I couldn' t make jokes about myself. Ah.
• 1:28:27
  That' s an important thing. That' s the real veranda. Juan
• 1:28:30
  Apo has abstinence. Hard, hard, hard, hard, and Juan Apo,
• 1:28:35
  I must say when he slowly got some very cool friends in Spain,
• 1:28:40
  super funny friends, drunk, funny, drunk, but good drunk, but
• 1:28:47
  good boys, as one of Juan Dapo' s friends says and they are
• 1:28:51
  very cherry. They' re very good people I liked them very well.
• 1:28:54
  Please re- receive as you did, but you have a huge flaw.
• 1:29:00
  Immenso immense, It is that they have not tasted the honeys of le Lutier
• 1:29:09
  lelut, which means that Juan de Apol has been unable to do for months.
• 1:29:15
  No worse I wish it was without being able to make months trying to
• 1:29:20
  make yes references alle Luti, who obviously fall empty rice or we would say,
• 1:29:29
  I don' t know how to reason outside the container. So,
• 1:29:32
  obviously, since I got here, he' s been just quoting Lutio.
• 1:29:36
  Then we come with recharged leuty. Today. I didn' t think we
• 1:29:42
  ' d have to do a season finale so soon Diego and I were together.
• 1:29:45
  This was amazing, this was wonderful. I know it' s not
• 1:29:49
  what they expected. I know it' s not the live YouTube live they
• 1:29:54
  were expecting. But, but I hope that the feeling of having to diego
• 1:30:03
  next door in a live episode, in the end of the season episode,
• 1:30:08
  is just as cool for listening that for me to record it or that for
• 1:30:13
  me to be here and thank you for not even doing a podcast, for
• 1:30:16
  making this possible, for making the presentation possible and thanks to all those who
• 1:30:19
  went Marica to that show we did in Spain, because we presented ourselves in
• 1:30:26
  Spain or that where it is amazing or there were people who seemed very culubo,
• 1:30:31
  people who told us like Marica. I went to see them as in
• 1:30:33
  their first live, and I can' t see them again because I moved
• 1:30:36
  here and now I' ll see them again that I' m yelling at
• 1:30:41
  that kind of thing for real. Thank you very much, thank you very
• 1:30:44
  much, but for my part, above all, thank you very much to
• 1:30:47
  those who supported the backy that fucks. Without you I could not have come
• 1:30:50
  to know Europe. I mean, I, this is the first time I
• 1:30:53
  ' ve come to meet Europe now because of you. Now I need to
• 1:30:57
  go back then because you can the money doesn' t spoil for shit,
• 1:31:00
  because you save yourself to go to Europe, because it' s the worst
• 1:31:02
  form of chas. Thank you, yes, not obvious, I mean thank
• 1:31:04
  you as shit, no, because but showing is life, so I can
• 1:31:09
  ' t access it anymore. It' s a very cool trip To me
• 1:31:12
  in general, until a little while ago I realized that traveling seriously likes me
• 1:31:17
  and, and so, having had this opportunity seriously, thank you very much.
• 1:31:21
  In fact, all that reminds you that we have a patreond eats the
• 1:31:27
  stupid ones can support us and have exclusive content these months of vacation that we
• 1:31:32
  have, that they come to us, that we deserve, because we have
• 1:31:36
  also given him hard to reed and I, Lindo, have also been to
• 1:31:42
  diego. It' s already here, Uncle, I' m already an
• 1:31:45
  ep venge, because nothing, Uncle, it' s been a really low
• 1:31:49
  experience. He' s been on the side. I hope the Spanish Embassy
• 1:31:51
  didn' t hear me do this. This important sport, because I'
• 1:31:57
  m important hears cry. When I tried spaño, he just started talking drunk.
• 1:32:00
  Then I' ll shut up they are but seriously. Thank you very
• 1:32:08
  much to all those who support us in pattern If you want to continue to
• 1:32:12
  have content to suspend there we will be there these months too and then we
• 1:32:16
  will return in season fifteen, you will return And so that there is stupid
• 1:32:21
  for longer, that there is at least season fifteen, there will be and
• 1:32:25
  always promise the next season. It' s true and I' m going
• 1:32:27
  to do something I' ve never done. But we can' t leave
• 1:32:30
  before hajá without giving the intercontinentally famous score, not stupid nerd then, don
• 1:32:41
  Juan Dappo from zero to ten, how many tapas it and I haven'
• 1:32:51
  t tried bumps. How many covers you put on Rebelmo a part one and
• 1:32:59
  Rebeldes a part two. And the fact that Sack Snyder can' t read
• 1:33:02
  the tapas on food that comes with the beers. So the lids have been
• 1:33:05
  tasted. Yeah, I mean, whatever sheath we' ve got on tops,
• 1:33:10
  because in one of the most burgers are potatoes, yeah, the rich
• 1:33:14
  potatoes the other day were tapas. Yeah, okay, yeah, tests are
• 1:33:17
  delicious. How many covers to put. Sack Knightder should be a course of
• 1:33:25
  learning to read and write at full speed to make up for the sloombo.
• 1:33:30
  Yeah. It' s a film that I visually found interesting on many occasions.
• 1:33:33
  On other occasions it seems to me that he is a child using photoshop
• 1:33:38
  like sunset with that giant planet that looked refalse. But there are cool dos
• 1:33:44
  the use of the swords of the Liht Sabers, which are not Litsaber,
• 1:33:46
  because I do not believe clearly they were going to be li Savers and that
• 1:33:51
  they would have had like this difficulty it seemed chimba until he screwed it up.
• 1:33:55
  And that' s my problem with him. I think he has good
• 1:33:57
  ideas that, as he doesn' t know how to execute them, he
• 1:33:59
  screws up. If it' s Sax Snyder it' s cool until he
• 1:34:02
  ruins himself. Yeah, yeah, and I was a torture to lose you.
• 1:34:12
  I know I haven' t been a saint saac but the machaquí,
• 1:34:17
  but I don' t really mean it doesn' t happen if I don
• 1:34:23
  ' t even have a bad time, because I, when I saw madam
• 1:34:26
  Web, I was having a bad time and I was saying this is going
• 1:34:30
  to come out a lot of hate, and here came a lot of hate.
• 1:34:30
  But I could only think of this man as a mediocre, he'
• 1:34:34
  s a mediocrel who' s giving him a lot of money and people keep
• 1:34:39
  trusting him, but he doesn' t get anywhere. And his stories have
• 1:34:42
  potential, but he' s a mediocre. And I' m going to
• 1:34:46
  put three, since you' re going through six. I' m gonna
• 1:34:49
  give him half that shit three for mediocre. Don diego tell me from zero
• 1:34:57
  to ten. How much pam tomaquette has this chapter ondo pam tomaquet pa duck
• 1:35:06
  duck make perm takes ket ushu of whore. It' s very difficult.
• 1:35:10
  How many shit is that very rich. By the way, it' s
• 1:35:14
  the sixth big scary cereal point tomato I' m very real that it'
• 1:35:26
  s a big half- breed, it' s a big half- breed,
• 1:35:30
  a big half- breed believes the mediocre. If it' s the
• 1:35:31
  maximum mediocreas, it' s like, it has a certain brilliance in the
• 1:35:35
  sense that it' s like finding the exact midpoint. If there was a
• 1:35:40
  lathe he was half- bred, he was in half, he fell in
• 1:35:42
  half, half gray and when they were going to give him the trophy,
• 1:35:47
  they gave half to the trophy. Yeah, na, not mit trofo.
• 1:35:54
  No. No, really. At that moment I have no idea what else
• 1:35:57
  to say about this, because if I start talking about sax like oy again
• 1:36:02
  and wait in part two is the director' s version of this chapter?
• 1:36:12
  What will I have said should I edit this chapter and then take out this
• 1:36:15
  chapter that lasts the dobtar that to say that the version diego, diego,
• 1:36:18
  yes, yes, I finger it, I cut things off and then I
• 1:36:21
  pull out this car. So the raw one and I say that the director
• 1:36:25
  ' s version accepted it with only one version and is that the director'
• 1:36:29
  s version is uncut, but making some parts in camera in slomo to last
• 1:36:33
  double but random, but grand or ran then, like Sacknyder. But yeah,
• 1:36:39
  this is a half- bred whore and the score I' m going
• 1:36:42
  to give her isn' t really based on what I feel, it'
• 1:36:44
  s not based on what I saw. It' s just based that,
• 1:36:45
  as I want to see the third part, then it' s going to
• 1:36:50
  put three jaa because I feel that' s how Sack Snider does things.
• 1:36:54
  I want in the third part of a thousand Lever two thousand three. Then
• 1:36:56
  I learned this new number, of course, because he' s in elementary
• 1:36:59
  school. So Sack Nyder' s gonna give you three so you understand that
• 1:37:01
  I want to see the third part of the movie Sax Sak Three. Saki?
• 1:37:05
  Saki? Saak? Saki? Saki, listen to me, Diego,
• 1:37:08
  Saki, stop eating your colbon. Sakui yes, three, three. Thank
• 1:37:13
  you, Diego. I have a revelation that just came to me. Tell
• 1:37:15
  me. You listened to the children tell stories. They' re no more
• 1:37:19
  complex. He' s not a school teacher and he does it to him.
• 1:37:23
  You ask, right now that it' s a thousand pesos more compo
• 1:37:27
  and I just want to leave that idea and a thousand times more complete.
• 1:37:29
  I just want to give this h and they have more logic, that is,
• 1:37:32
  one of the best final characters more three- dimensional. Thank you so
• 1:37:40
  much for everything that happened this year, thank you so much for everything that
• 1:37:43
  happened this season. Thank you very much for everything you have supported and thank
• 1:37:48
  you very much for coming to Acá, for recording as far as Acá,
• 1:37:55
  so, down here and such truth, for recording here then for bringing me
• 1:38:02
  the new sacks of stupid Dearth, who are ero, are beautiful, but
• 1:38:05
  above all, for following me the rope with this ever bigger stupidity and every
• 1:38:11
  time we get out of control, how to travel to Europe to present the
• 1:38:15
  podcast. Yeah, stupid nerde It' s, thank you, God.
• 1:38:18
  Stupid of nothing Honda anymore nothing. It' s stupid nert It' s
• 1:38:27
  always been this shit that gets out of hand, and getting out against it
• 1:38:30
  means things happen to us that we never thought would happen to us, and
• 1:38:33
  it keeps doing it. And then thank you for ever thinking that I speak
• 1:38:39
  a lot of shit and that I speak it well enough to invite me to
• 1:38:44
  a podcast and think that I am better than a mime and if it is
• 1:38:50
  like the goal diego give it or give bre de podcast, nothing more than
• 1:38:57
  that is not Barcelona one, but that I am sure that fun golazo.
• 1:39:01
  The thing is, I' m not, I' m making a bond.
• 1:39:04
  It was a treat. He came in, he came in and he
• 1:39:13
  touched the mesh and I don' t know a football time, of the
• 1:39:15
  two things I like to do the most in life, because the first time
• 1:39:19
  I recorded stupid nerf ah I thought I would get angry because it' s
• 1:39:20
  that I piss. But seriously, it was really cool. It was really
• 1:39:23
  cool. Thank you for having me here for everything where nothing. Seriously,
• 1:39:27
  amazing and thank you. I' m John of APO and goodbye stupid neverts