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Transcript

Gunsmoke - "Sweet and Sour" (Old Time Radio, 1956) · Gunsmoke | Old Time Radio

• 0:00
  Speaker 1: Rena Decker arrives in Dodge City, Kansas, and the attention
• 0:03
  Speaker 1: she receives from local men soon turns contentious. Marshal Matt
• 0:08
  Speaker 1: Dillon tries to help the newcomer get established, but rivalry
• 0:12
  Speaker 1: and violence gather around her. CBS broadcast Gunsmoke, episode 226,
• 0:18
  Speaker 1: Sweet and Sour, on August 5th, 1956, for Chesterfield and
• 0:24
  Speaker 1: L & M, with William Conrad as Dylan, alongside Parley Bear,
• 0:28
  Speaker 1: Georgia Ellis, Howard McNear, Lynn Allen, Lawrence Dobkin, and Harry Bartell.
• 0:35
  Speaker 1: John Meston wrote the script, and Norman MacDonald directed and produced.
• 0:41
  Speaker 1: The script later became a Gunsmoke television episode broadcast March 2nd, 1957. Now,
• 0:49
  Speaker 1: back to the golden age of radio.
• 1:02
  Speaker 2: Around Dodge City and in the Territory on West, there's
• 1:05
  Speaker 2: just one way to handle the killers and the spoilers,
• 1:08
  Speaker 2: and that's with a U.S. Marshal and the smell of
• 1:10
  Speaker 2: gun smoke. Gun smoke. Starring William Conrad. The transcribed story
• 1:35
  Speaker 2: of the violence that moved west with young America. And
• 1:38
  Speaker 2: the story of a man who moved with it.
• 1:41
  Speaker 3: I'm that man. Matt Dillon, United States Marshal. The first
• 1:46
  Speaker 3: man they look for and the last they want to meet.
• 1:49
  Speaker 3: It's a chancy job. And it makes a man watchful.
• 1:54
  Speaker 3: And a little lonely.
• 1:55
  Speaker 4: © transcript Emily Beynon.
• 2:24
  Speaker 5: I sure will be glad to get back to Dodge, Mr.
• 2:27
  Speaker 3: Dillon. Wichita's a nice town, Chester.
• 2:29
  Speaker 6: All right, you like it so much, next time you
• 2:32
  Speaker 6: can come along, I got no business here anyway.
• 2:35
  Speaker 3: It's almost over. The train leaves in about ten minutes.
• 2:38
  Speaker 5: I've been worried all morning we might miss it.
• 2:41
  Speaker 3: It's going to be a long ride. Why don't we
• 2:43
  Speaker 3: wait outside here till they yell all aboard, huh?
• 2:46
  Speaker 5: You sure do hate setting down, don't you?
• 2:49
  Speaker 3: Like fresh air, Chester. Bet you can go on if
• 2:51
  Speaker 3: you want.
• 2:52
  Speaker 5: No, no, I'll wait.
• 2:54
  Speaker 3: Well, you could be finding us a couple of seats.
• 2:56
  Speaker 7: Mr.
• 2:57
  Speaker 6: Dillon, the Santa Fe guarantees a seat to everybody who
• 3:01
  Speaker 6: buys a ticket.
• 3:02
  Speaker 3: I was only trying to give you an excuse to
• 3:04
  Speaker 3: get off your feet.
• 3:05
  Speaker 5: Well, I ain't starved all night. Hey, look what's coming.
• 3:10
  Speaker 7: What?
• 3:12
  Speaker 3: Oh. You're a pretty girl, aren't you?
• 3:15
  Speaker 5: Yes, she is now, ain't she? You suppose she's going
• 3:18
  Speaker 5: to Dodge, too?
• 3:19
  Speaker 3: Well, why don't you ask her?
• 3:21
  Speaker 5: Oh, my goodness, Mr. Dillon, I don't even know her.
• 3:25
  Speaker 3: It's not going to stop him. Who? That gentleman standing
• 3:29
  Speaker 3: by the car. He's seen her, too. Gentleman?
• 3:33
  Speaker 5: Looks more like a drunk rowdy to me.
• 3:37
  Speaker 3: Let's kind of walk over that way.
• 3:42
  Speaker 5: Say, maybe he does know her, Mr.
• 3:44
  Speaker 7: Dillon.
• 3:44
  Speaker 3: Yeah, maybe.
• 3:45
  Speaker 5: Oh, I doubt it, though. He's too mean and ugly looking.
• 3:50
  Speaker 3: I tell you now, miss, as long as we're going
• 3:52
  Speaker 3: to be traveling together, we should all at least get acquainted.
• 3:56
  Speaker 3: My name is Laster.
• 3:59
  Speaker 4: Ab.
• 3:59
  Speaker 3: Ab Laster.
• 4:01
  Speaker 8: How do you do?
• 4:03
  Speaker 3: I do. I'm meeting my partner in Dodge, Joe Garrett.
• 4:09
  Speaker 3: Have you known him?
• 4:10
  Speaker 8: I'm sorry, but I've never been in Dodge.
• 4:13
  Speaker 3: No? Well, you know what makes two of us. Well,
• 4:17
  Speaker 3: of course, at least we ain't going to be lonely,
• 4:19
  Speaker 3: are we?
• 4:21
  Speaker 7: Well, that depends.
• 4:22
  Speaker 3: Depends on what?
• 4:25
  Speaker 7: If you're a gentleman.
• 4:27
  Speaker 3: Oh, honey, sure I am. Yeah, I know. Now, I
• 4:33
  Speaker 3: got a bottle here. Why don't we get aboard and
• 4:36
  Speaker 3: we'll have us a little drink?
• 4:38
  Speaker 7: Please, Mr. Lasker.
• 4:39
  Speaker 3: Come on. No, look at that. Well, no, it's a
• 4:43
  Speaker 3: matter of you. Start out being real friendly, then you
• 4:46
  Speaker 3: freeze up. Come on, we're getting that train like that's saying,
• 4:51
  Speaker 3: I'll buy you a little drink.
• 4:52
  Speaker 8: Let me go!
• 4:54
  Speaker 3: Hey, mister. What do you want? Let the lady go.
• 5:04
  Speaker 3: You're looking for trouble, ain't you?
• 5:06
  Speaker 4: No.
• 5:06
  Speaker 7: No?
• 5:07
  Speaker 8: He tried to force me onto the train. He wanted
• 5:10
  Speaker 8: me to drink with him.
• 5:10
  Speaker 3: Now, don't you worry, miss. He won't bother you. He
• 5:12
  Speaker 3: won't mind in it, not till you bust it in.
• 5:15
  Speaker 3: Ab Laster, huh? How do you know my name? Well,
• 5:19
  Speaker 3: I heard you tell the lady. Real snoopy, ain't you? Sometimes.
• 5:25
  Speaker 3: Do you know what you're getting into, mister? No. Why
• 5:30
  Speaker 3: don't you tell me? I'll show you. You're packing a gun.
• 5:35
  Speaker 3: But I don't always use it.
• 5:40
  Speaker 8: You hit him.
• 5:42
  Speaker 3: This gun's safer with me. Here, Chester. Put his gun
• 5:47
  Speaker 3: in your belt. Yes, sir.
• 5:49
  Speaker 5: He's going to be awful mad, ain't he?
• 5:51
  Speaker 3: I'll kill him. I swear I'll kill him.
• 5:54
  Speaker 8: He's going to fight some more.
• 5:55
  Speaker 7: No, he isn't.
• 5:57
  Speaker 3: Get on the train, mister. You tricked me. Get aboard
• 6:00
  Speaker 3: while you can still walk. Mister, we get to dodge,
• 6:04
  Speaker 3: you're gonna wish you'd never seen me. I'm wishing that already.
• 6:08
  Speaker 3: Now move.
• 6:17
  Speaker 8: I'm... I'm sorry for all the trouble.
• 6:19
  Speaker 3: There's no trouble, miss.
• 6:22
  Speaker 8: I didn't mean to get you into a fight.
• 6:23
  Speaker 3: It wasn't your fault.
• 6:25
  Speaker 8: But I always feel that it is.
• 6:27
  Speaker 3: What?
• 6:29
  Speaker 7: Why.
• 6:31
  Speaker 8: Just my being a woman, I guess. You know.
• 6:35
  Speaker 3: Well, there won't be any more trouble, miss.
• 6:37
  Speaker 5: Not till we get to Dodge, anyway.
• 6:40
  Speaker 3: Come on. Let's get aboard, huh? Oh, what do you
• 7:10
  Speaker 3: think of Dodge, Rena?
• 7:11
  Speaker 8: I can't tell much from the depot, Marshal.
• 7:13
  Speaker 3: Oh, we'll show you the rest. Uh, Chester, go get
• 7:17
  Speaker 3: our baggage, will you? Well, I.
• 7:21
  Speaker 3: Yes, sir.
• 7:24
  Speaker 8: Dodge kind of frightens me, Marshal.
• 7:26
  Speaker 7: Oh, why?
• 7:27
  Speaker 3: Well, I can't tell you.
• 7:29
  Speaker 8: I'm only a woman, and I've heard so much about
• 7:32
  Speaker 8: the terrible things that go on here.
• 7:34
  Speaker 3: Now, don't you worry, Rena. Nothing will happen to you.
• 7:37
  Speaker 8: I do feel safer when you're around.
• 7:38
  Speaker 3: Marshal! Oh, uh, excuse me a minute, Rena.
• 7:44
  Speaker 8: It's that same man.
• 7:44
  Speaker 3: Yeah, what do you want, Lester? Now, tell me that
• 7:53
  Speaker 3: you're Marshal Dillon. Well... And now there's two of us, Marshal.
• 8:00
  Speaker 3: Here's my partner, Joe Garrett. Lester says you made things
• 8:05
  Speaker 3: bad for him in Wichita, Marshal. How's that, son? He
• 8:09
  Speaker 3: says you stole his gun, too. He can pick it
• 8:12
  Speaker 3: up at my office sometime. I just don't like what
• 8:15
  Speaker 3: you did, Dylan. Well, I didn't do it for you, Lester.
• 8:21
  Speaker 3: All right. I'll be taking some horses up north in
• 8:24
  Speaker 3: a few days. And then we'll be back. I'll be here.
• 8:30
  Speaker 3: I'll be here every day.
• 8:36
  Speaker 8: What did those men want, Marshal?
• 8:38
  Speaker 3: Nothing, Raina. Nothing important.
• 8:40
  Speaker 8: I'll bet there's going to be more trouble over me.
• 8:42
  Speaker 7: Isn't there?
• 8:42
  Speaker 3: Now, don't you worry about it. We'll find you a room,
• 8:45
  Speaker 3: and then I'll take you over to the Long Branch
• 8:47
  Speaker 3: and introduce you to Kitty Russell. She's half owner of
• 8:49
  Speaker 3: the place. Oh, come on. Chester's waiting.
• 8:58
  Speaker 4: Well, there he is.
• 9:16
  Speaker 3: He is.
• 9:18
  Speaker 7: Come on in, Matt.
• 9:19
  Speaker 3: It's your office.
• 9:20
  Speaker 6: Hey.
• 9:20
  Speaker 3: How have you been, Doc?
• 9:22
  Speaker 7: Oh, fine, fine.
• 9:24
  Speaker 2: Chester's been telling me about this little new girl, Rena Decker.
• 9:29
  Speaker 3: Sounds like a mighty sweet little apple. Is that what
• 9:33
  Speaker 3: Chester said?
• 9:34
  Speaker 5: No, I didn't say that at all.
• 9:35
  Speaker 7: That's what you meant, Chester.
• 9:37
  Speaker 5: But is it true, man?
• 9:38
  Speaker 3: Well, you can go see for yourself, Doc. I think
• 9:40
  Speaker 3: she'll be working at the Long Branch tonight. Oh, Kitty Hyder. Well,
• 9:45
  Speaker 3: I left them talking together about an hour ago.
• 9:47
  Speaker 1: Good.
• 9:47
  Speaker 7: I'll drop by that night if I have time.
• 9:50
  Speaker 5: Oh, you'll find time, Doc.
• 9:51
  Speaker 1: Well, I will if some idiot doesn't fall off his
• 9:53
  Speaker 1: horse and jump out of a window or something or
• 9:55
  Speaker 1: go get himself shot.
• 9:57
  Speaker 3: Leave him die. It'll be worth it. Leave him. Leave
• 10:00
  Speaker 3: him down.
• 10:02
  Speaker 7: It's a good thing nobody has to depend on a
• 10:04
  Speaker 7: sybarite like.
• 10:05
  Speaker 3: You, Chester.
• 10:07
  Speaker 5: I don't know what that means, but it sure don't
• 10:09
  Speaker 5: sound nice.
• 10:10
  Speaker 7: Then don't ever let me catch you saying it. Oh,
• 10:13
  Speaker 7: it's Kitty. Come on in, Kitty. Join the fun. I'm
• 10:16
  Speaker 7: afraid I'm going to spoil the fun, Doc.
• 10:19
  Speaker 3: Oh, what's the trouble, Kitty?
• 10:20
  Speaker 7: I thought I'd better come tell you before you hear
• 10:23
  Speaker 7: it from.
• 10:23
  Speaker 3: Her, Matt.
• 10:24
  Speaker 7: What? Rena Decker isn't going to be working at the
• 10:27
  Speaker 7: Long Branch.
• 10:29
  Speaker 3: Oh? Well, why not?
• 10:31
  Speaker 7: I didn't hire her.
• 10:32
  Speaker 5: You didn't hire her forevermore. I.
• 10:36
  Speaker 7: Oh, I... Well, I'm not saying she isn't pretty and
• 10:38
  Speaker 7: all that, Chester, but I've seen her kind too often.
• 10:42
  Speaker 7: They mean nothing but trouble.
• 10:43
  Speaker 3: Well, I don't understand, Kitty. She seems like a nice
• 10:46
  Speaker 3: little girl.
• 10:48
  Speaker 7: You men are all alike. Pretty face throws you every time.
• 10:51
  Speaker 3: Now, Kitty, I have no interest in her beyond trying
• 10:53
  Speaker 3: to help her the way I'd help anybody.
• 10:56
  Speaker 7: Who started that fight in Wichita, Matt?
• 10:59
  Speaker 3: I had Lester. He was annoying her.
• 11:02
  Speaker 7: She didn't lead him on, huh?
• 11:03
  Speaker 3: Oh, now, Kitty, you're being unfair. That girl's here all alone,
• 11:06
  Speaker 3: she doesn't know anybody, and she needs a job.
• 11:08
  Speaker 7: Sure, and when I had to leave her at the
• 11:09
  Speaker 7: bar a few minutes after you brought her in, she
• 11:11
  Speaker 7: almost got another fight started.
• 11:13
  Speaker 3: Now, why would she do that?
• 11:16
  Speaker 7: Some women like men fighting over them.
• 11:20
  Speaker 3: I see. Kitty. What really is it that you don't
• 11:27
  Speaker 3: like about her?
• 11:30
  Speaker 7: Doc hasn't seen her yet, huh?
• 11:32
  Speaker 2: No, no, no, but I'm sure interested now, Kitty.
• 11:35
  Speaker 7: You'll be just as stupid as they are.
• 11:37
  Speaker 3: Now, Kitty. All right.
• 11:39
  Speaker 7: Just to show you, I'll hire her. But don't blame
• 11:42
  Speaker 7: me when somebody gets killed, because it's bound to happen.
• 12:03
  Speaker 3: Mr.
• 12:04
  Speaker 6: Dillon?
• 12:04
  Speaker 3: Yeah, what, Joseph?
• 12:05
  Speaker 6: Looks like Miss Kitty was wrong, don't it?
• 12:08
  Speaker 3: It's been two days, but she didn't put any time
• 12:11
  Speaker 3: limit on it.
• 12:13
  Speaker 5: What do you think it is she's got against Rena, anyway?
• 12:16
  Speaker 3: Sometimes a woman takes a dislike to another woman and
• 12:18
  Speaker 3: nobody ever knows exactly why.
• 12:20
  Speaker 6: They're sure hard to track, ain't they?
• 12:24
  Speaker 3: They got their ways, I guess. But then so have we.
• 12:29
  Speaker 5: That's right.
• 12:30
  Speaker 6: We ain't always so plain and simple, are we? Where
• 12:34
  Speaker 6: are you going?
• 12:35
  Speaker 3: Those men in front of the lawn branch.
• 12:40
  Speaker 5: They're going to fight, Mr.
• 12:40
  Speaker 3: Dillon. Look at them.
• 12:41
  Speaker 5: They're about to draw.
• 12:42
  Speaker 3: Hold it, you men!
• 12:47
  Speaker 5: They're both down.
• 12:48
  Speaker 3: Go get Doc, Chester.
• 12:49
  Speaker 5: They look dead to me.
• 12:50
  Speaker 3: Get him anyway. I'll see if I can find out
• 12:52
  Speaker 3: what this is all about.
• 12:53
  Speaker 4: Yes, sir.
• 13:01
  Speaker 3: Anybody know these men? Hell, I didn't see you here, Kitty.
• 13:09
  Speaker 7: Hello, man.
• 13:10
  Speaker 3: Maybe you know these men, huh?
• 13:12
  Speaker 7: Just a couple of riders. I don't even know their names.
• 13:15
  Speaker 3: Well, what started it?
• 13:16
  Speaker 7: You wouldn't believe me if I told you.
• 13:18
  Speaker 3: What do you mean?
• 13:20
  Speaker 7: Talk to her about it.
• 13:21
  Speaker 3: Who? Oh.
• 13:25
  Speaker 7: I'll go with you.
• 13:26
  Speaker 3: All right.
• 13:33
  Speaker 7: Marshal, wasn't it terrible? I was so scared.
• 13:35
  Speaker 3: Rena, have you any idea what started this?
• 13:40
  Speaker 8: I don't know, Marshal. I was talking to them at
• 13:42
  Speaker 8: the bar and they suddenly got mad at each other
• 13:45
  Speaker 8: and they came out here.
• 13:46
  Speaker 7: That's all I know. What were you talking about, Rena? Nothing.
• 13:50
  Speaker 8: Just talking.
• 13:51
  Speaker 7: Then why'd they get mad? You know how men are. Yeah,
• 13:56
  Speaker 7: I know. I know how some of them are. See
• 13:59
  Speaker 7: you later, Matt.
• 14:00
  Speaker 3: Yeah, sure, Kitty. Marshal. What, Rena?
• 14:06
  Speaker 8: Sometimes it's It's an awful burden being a woman. You understand,
• 14:12
  Speaker 8: don't you?
• 14:13
  Speaker 3: I don't know, Rayna. I'm not sure what I think.
• 14:40
  Speaker 4: My goodness, Mr.
• 14:48
  Speaker 5: Dillon, I sure would hate to be buried that way.
• 14:50
  Speaker 5: Like them two fellas.
• 14:52
  Speaker 6: Nobody not knowing who you are. Not even a marker
• 14:56
  Speaker 6: on your grave.
• 14:58
  Speaker 5: It's a sad, poor way to end them.
• 15:01
  Speaker 1: Yeah.
• 15:02
  Speaker 5: It's been troubling you too, ain't it?
• 15:05
  Speaker 3: Some have.
• 15:07
  Speaker 5: You've been awful quiet since yesterday.
• 15:09
  Speaker 3: I've been thinking, Chester. Oh, I'm going to the Long
• 15:14
  Speaker 3: Branch here.
• 15:15
  Speaker 1: You want to come?
• 15:16
  Speaker 3: Sure I do.
• 15:24
  Speaker 5: Pretty busy, ain't they?
• 15:26
  Speaker 3: Uh-huh. Come on, Matt.
• 15:30
  Speaker 7: Chester.
• 15:30
  Speaker 5: Oh, he's giddy.
• 15:31
  Speaker 3: You weren't at the burying, kiddo.
• 15:33
  Speaker 7: No. No.
• 15:35
  Speaker 3: Uh, is Rena around?
• 15:39
  Speaker 7: Right over there at the bar, with two men, as usual.
• 15:42
  Speaker 4: Oh.
• 15:43
  Speaker 3: What's she doing?
• 15:45
  Speaker 5: Look, it's Ab Laster and that Garrett fella.
• 15:48
  Speaker 3: Yeah.
• 15:49
  Speaker 5: I didn't know they was back in town.
• 15:50
  Speaker 7: That didn't take Rena long to find out.
• 15:52
  Speaker 3: What do you mean?
• 15:54
  Speaker 7: She brought him in with her when she came to work.
• 15:56
  Speaker 7: But then, of course, she and Laster are old friends
• 16:00
  Speaker 7: by now.
• 16:01
  Speaker 3: Not kidding.
• 16:02
  Speaker 7: Why don't you go over to the bar there, Matt?
• 16:04
  Speaker 7: Have a drink on the house.
• 16:06
  Speaker 3: Why?
• 16:08
  Speaker 7: Eavesdrop a few minutes. You might learn something.
• 16:12
  Speaker 3: All right, Kitty, I will.
• 16:18
  Speaker 2: Are you really going to take me to dinner, Mr.
• 16:26
  Speaker 7: Laster?
• 16:27
  Speaker 3: Oh, why, sure. What about me? Ain't I invited?
• 16:33
  Speaker 7: Well....
• 16:36
  Speaker 8: I guess that depends on Mr.
• 16:38
  Speaker 7: Laster.
• 16:39
  Speaker 3: Yeah. Well, some other time, Garrett. This here's going to
• 16:44
  Speaker 3: be my night tonight.
• 16:46
  Speaker 8: Well, you make it sound like Mr.
• 16:49
  Speaker 7: Garrett's not wanted. Well, he ain't.
• 16:54
  Speaker 8: You don't have to treat him like he's a dog.
• 16:58
  Speaker 3: Well, I ain't treating him like he's no dog.
• 17:03
  Speaker 7: Am I, Garrett?
• 17:04
  Speaker 3: Garrett?
• 17:05
  Speaker 7: Well.
• 17:05
  Speaker 3: Of.
• 17:06
  Speaker 8: Course you are. No man's going to put up with that,
• 17:09
  Speaker 8: is he, Mr.
• 17:10
  Speaker 7: Garrett?
• 17:12
  Speaker 2: Well, no.
• 17:13
  Speaker 7: No real man is.
• 17:16
  Speaker 3: No, by golly. Now, you take it back, Lester.
• 17:19
  Speaker 7: What?
• 17:20
  Speaker 3: Oh, go on, Garrett. Go on. Leave us alone. I
• 17:23
  Speaker 3: ain't taking no more. Get your gun out, Lester. All right, Garrett.
• 17:30
  Speaker 3: That's how you want it.
• 17:38
  Speaker 8: You killed him.
• 17:39
  Speaker 7: You killed him, Ab.
• 17:40
  Speaker 3: Give me your gun, Lester.
• 17:42
  Speaker 4: No.
• 17:43
  Speaker 3: Give it to me. How do you expect to take
• 17:46
  Speaker 3: a man's gun when he's already got it in his hand, Marshal?
• 17:48
  Speaker 3: Don't be a fool.
• 17:49
  Speaker 7: He killed him, Marshal. Don't let him get away with it.
• 17:51
  Speaker 3: Shut up, Reno. Don't back away now, Marshal. You stay
• 17:54
  Speaker 3: where you are. Rena's tricked you into two fights already, Lester.
• 18:01
  Speaker 3: You gonna let her do it again? Stand still. She
• 18:04
  Speaker 3: likes men fighting over her. Don't you see that, do you?
• 18:08
  Speaker 3: Get her out of this. Now stand still. You put
• 18:13
  Speaker 3: up your gun, Lester. No.
• 18:29
  Speaker 8: Oh, Marshall, I was so worried. I thought, sure, he'd
• 18:33
  Speaker 8: kill you. Oh, I was so scared.
• 18:36
  Speaker 3: Raina, four men have died because I wouldn't believe Kitty
• 18:43
  Speaker 3: about you.
• 18:45
  Speaker 7: What?
• 18:47
  Speaker 3: Now you get out of Dodge. Now. And don't ever
• 18:52
  Speaker 3: come back.
• 18:57
  Speaker 5: What did she say?
• 19:00
  Speaker 3: Well, Kitty.
• 19:01
  Speaker 4: It's not your fault, Matt.
• 19:03
  Speaker 3: Yes, it is, Kitty.
• 19:06
  Speaker 7: And I hope you never let me forget it.
• 19:44
  Speaker 2: Gunsmoke, produced and directed by Norman McDonald, stars William Conrad
• 19:48
  Speaker 2: as Matt Dillon, U.S.
• 19:49
  Speaker 7: Marshal.
• 19:51
  Speaker 2: Our story was specially written for Gunsmoke by John Meston,
• 19:54
  Speaker 2: with music composed by Rex Corey. Sound patterns by Tom
• 19:58
  Speaker 2: Hanley and Bill James. Featured in the cast were Lynn Allen,
• 20:02
  Speaker 2: Lawrence Dobkin, and Harry Bartell. Harley Bear as Chester, Howard
• 20:06
  Speaker 2: McNair as Doc, and Georgia.
• 20:08
  Speaker 3: Ellis as Kitty.
• 20:09
  Speaker 1: Music Our time in Dodge City ends with Gunsmoke, sweet
• 20:20
  Speaker 1: and sour. Follow Gunsmoke for more classic broadcasts.