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Impact Artist · Hip-Hop Now Podcast

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Coming up on this week's episode of hip Hop Now podcast, it's the ten
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impact artists in hip hop history, and today hip hop celebrates fifty years.
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Let's do it. Welcome to hip Hop Now Podcast. If you from the
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future, you don't do show ass out of don't disrespect the leg leo hip
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hop. You say this day, let's get right into the business. What
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up, y'all? I am your host, Vegas. This it's hip Hop
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Now podcast. It podcasts specifically designed to keep you caught up on all things
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hip hop, music and culture that happened throughout the week. Fifty years of
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hip Hop fifty years of hip hop. Officially today, August eleventh, nineteen
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seventy three is universally recognized as the day that hip hop was born? Now
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it was it? Yeah, I guess so. In a lot of ways.
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Was hip hop really kind of in existence before then? Probably so,
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but not recognized as hip hop. One of the things that happened on that
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date that kind of makes it a day to commemorate is the birth of a
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technique, which is the break to get damn you know, a DJ technique,
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which not only fostered a DJ technique, but the MC they had at
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the party with them, you know, the people who would hit the flow
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and break and pop lock. So what occurred in that party at that time
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in particular, felt like the beginnings of something new, which is hip hop.
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And today some of y'all, y'all don't know. You call rap hip
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hop exclusively. You forget about the DJs, you forget about the breakers,
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you forget about the fashion it's all about. You forget about the graffiti artists,
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which still exists. To be honest, all of it is a part
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of hip hop culture, rap music in particular. It's just one element of
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what is the culture. So there's your brief lesson on what hip hop is
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and always will be. Fifty years of hip hop. Now, I'm not
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gonna hold y'all this list that we're doing today. Top ten, not top
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ten impact artists in hip hop history now, not top ten? Right,
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not top ten and not. The reason behind me doing this kind of a
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list to commemorate fifty years of hip hop has more to do with just acknowledging
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the impact of some hip hop artists. So what does that mean? That
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means there are people and artists who won't appear on this specific list that have
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had an impact on hip hop. I'm just choosing to point out these ten.
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So what I need you to do to keep the conversation going is to
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point out another ten in the comments section that's different from this ten. There
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are plenty of artists that we could think of that you won't hear. That
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you could say, well, I can't forget the impact of this group of
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this artist. It's an exercise and conversation, that's all it is. Let's
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get right into the business, though. So let me start by just going
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through the top ten one by one, and I'm gonna tell you why,
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and not why. I not only why I chose them, but what impact
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specifically they had on the game. No order ll cool J now some of
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y'all. Now, I consider l COOJ to be the goat. I think
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he is what Sugar Ray Robinson was to boxing, or is to boxing.
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The total package. Hip hop is not only underground barkings. Hip hop is
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not only radio play. It's not only for the guys. It's not only
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for the ladies. It's not only for a certain coast. It's all.
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It's about all of it. It's about your impact on it, everyone and
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everything. And unlike two short or E forty who had long careers just like
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LLL coop J. As far as releasing music, LLL COOJ was the blueprint
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for longevity combined with high profile success. Let's not forget LLL COUJ was introduced
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to the hip hop world in the mid eighties. From that point on,
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he had platinum hits through several decades of hip hop, as well as several
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errors of hip hop, right from the mid eighties to the late eighties,
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nineties, the two thousands, right, and then he eventually kind of fell
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off closer to the twenty tens. You know, his impact wasn't the same,
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but by then what he had done, especially when it comes to accolades
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and hits, had not been seen before in hip hop. He literally had
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hits and errors. He shouldn't have been as popular, right You hear people
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talk about, you know, the Golden Era, the Death Row eraor the
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Aftermath error, the bad Boy era, the Rockefeller rough Rider. Al had
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hits next to all of those new artists where his peers had already faded away.
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Now it's not only longevity. L COOLJ, as we all know,
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very successful on the radio without a doubt, but also Elo Coolja has a
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long history of battle rat L Coolja has a long history of just making hardcore
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hip hop right boom Bat, getting some of the best guys of today on
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one posse cut and in rhyman next to them. He has a history of
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that. So in a lot of ways is when you look at somebody like
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him, there wasn't anything like him in hip hop. Ever, there wasn't
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you could even go to things like, for example, I need love like
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you know, a lot of times they'd like to say yo. That was
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the point where rappers knew that they could make rap love songs and be successful.
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True that Houdini also kind of did it also, but LLL took it
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to a different level. LLL was kind of like, if he was a
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singer, he'd be like a pop sensation, right heartthrob kind of thing.
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But he was that for hip hop. But again, that wasn't the some
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of his parts. Anybody who calls himself a hip hop head and does not
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acknowledge l L's hardcore hip hop legacy is irresponsible. I'm just saying next rock
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him the odd How could you not start with somebody like a rock him.
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Also, his impact on the game is different from l Els right. He
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doesn't have the longevity that LL had. But what Rock Him has is he
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fathered a style of rhyming that is here till this day. You like Griselda,
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like the Locks, like Nas, like jay z right pun fifty.
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You could just keep going, as it relates to East Coast hip hop,
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really, you could just keep going and Rock Him is the blueprint for that.
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And why because in a lot of ways, I mean, you know
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the history he if you read his autobiography, which is great for any hip
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hop head, he paid attention to his craft in a way that I felt
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like, what's kind of ahead of its time. If you look at his
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right and style, it's like musical notes. And it's because he patterned his
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style in the same way that John Coltrane of jazz played his horn, and
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it worked right. It felt like a slow flowed back then, it felt
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like a lazy flow, but it was perfect for where hip hop needed to
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go because he also raised the bar of lyricism right at a time where,
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don't get me wrong, lyrics mattered, technique mattered, but there were few
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that could do it right. There was Cool g Rat, there was Big
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Dad Kade, It was karrass One who kind of known for that. Grandmaster
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cast Is probably also looking looked at it as like an early influence for a
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lot of those guys too. But at the end of the day, rock
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Him was without Rock Him. I don't think you have the nas that you
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would get or that you would eventually get. I don't think you do.
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But after influence of rock Cam, even on West Coast cats, I just
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don't think you had that attention to lyricism. On another level, it is
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when you fathered a style of rhyman that still exists to this day. You've
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made a major impact on hip hop music and culture. So nas, let's
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get to it. Man also elevated the skill level in a way that hadn't
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been seen at the time. Because sure you had Cougi Rap who would tell
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crime tales and stuff like that, right, but Cougi rap came more across
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like Mario Puzzo, right, like a lot of Godfather style, a lot
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of you know, some hood references, but not as Deep Eyes took street
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tales and combined them with poetry. See, his verses were more poetic and
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Couji Raps, Cougie Raps was like a lot of wordplay and a lot of
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you know, just straight up storytelling. But Naz's depiction of street life was
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so real and so vivid, and the way he laced his words right,
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it was poetic, and Illmatic is a testament to that. Illmatic is considered
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arguably the best hip hop album of all time. Now, I could think
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of plenty of albums that are just overall better produced. At the time,
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I felt like Illmatic was too short. Right, there was a couple of
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songs there, you know, that were cool, But in general, there
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are other albums that are just built from top to bottom better, right,
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not just better beats, but just better albums. But what made Aromatic special
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was naas right, regardless of the beats, regardless of how many songs NAS
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had, Na's old flow, Nas Nas had a flow that it made you
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want to rewind. He never sat on his punchlines. He just kept going.
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So sometimes you're like, damn, what do you say? Oh?
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What do you say? And then you would have to go back, you
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know what I'm saying. So Na's lyrically helped to elevate the game and influence
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his peers around him to be better because the admiration that Nas received at that
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time, especially to have some of the top producers producing all on his album
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and he's new to the game. There was no pattern of success that told
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them that their time and their beats were worth it for rookie. But it
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was his skill, his voice, all of those elements combined and also coming
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from the legendary Queen's Bridge that treated a mystique about Nas and allmatic that hasn't
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been seen to this day. Another thing I want to mention about Nas is
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more importantly, he's had that same longevity as lu Right, maybe surpassed him
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in a lot of ways when it comes to longevity, because now he is
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on an unprecedented run working with hit Boy King's Disease trilogy Magic two albums,
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even though I didn't really like the last one, but it wasn't whack.
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Wasn't It wasn't whack. Nas had never released dope albums that consistently. He
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might do two albums in a row and then have one that most people don't
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like, but five. This laid into his career knocking on the door of
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fifty. If he's if he isn't fifty, already unprecedented, His impact on
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the game cannot be questioned, Snoop Doggie dog Now. Before you get started,
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remember it's my list. Does it mean that other people weren't impactful?
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These are the people I'm choosing to highlight. Please leave your comments in a
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comment section below for others who you feel like belong on an impact list for
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hip hop history. Snoop Doggie Dog Now? What made Snoop different from the
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rest of the West Coast rappers? Right? Obviously coming out of the death
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Rol camp kind of somewhat coming out of the ruthless tree of gangster rap,
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Snoop was different than everybody else. He was different from Ice Que and an
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Empty ran, an Easy and Doctor dre right because Snoop was against the rapper
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who was also smooth. Snoop's music made gangster rap radio friendly, right because
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it was a groove, but the lyrics were like typical for gangster rap,
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right, and and it was it was that part about him. His appeal
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to not really compromise his integrity, his lyrical integrity as a quote unquote gangster
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rapper, but still have commercial success was somewhat unheard of, right, Like
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people liked n Way because they were rebellious, but n Way wasn't for everybody
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because everything was hard edged, you know, like hardcore hip hop in your
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face. You know, some people were offended by that. Some people were
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afraid, right, so people like Ice you scared them. But Snoop was
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smooth. He made you like him. I kind of like that joint.
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But they just miss all the gang signs and the cry walks and they in
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the set trip. They miss all of that because it sounds good. And
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I think Snoop was unique in that way. I think he was kind of
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a blueprint for you to do both. Hey, I'm against the rapper that
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you like, whereas back then, you know, most older folks for the
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most part, did not like gangster rap. Also, also with Snoop,
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you gotta look at his longevity, right, Snoop drop Doggie style, unquestionable
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classic and hip hop, right, and then he drops a follow up that
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it was a dud in the dog Father and then it goes to No Limit
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Records gets out of his death row, you know, contract, I guess,
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and goes to No Limit who whose music does not match what we had
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become accustomed to with Snoop, So most of us did not check for that
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first album. Then that second album had some joints on it, and I
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believe one joint or two had Doctor Dre And then his final album on No
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Limit, felt more like Snoop from the past, but also it's kind of
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like the preview of the Snoop you know now. And he went on to
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have a number of commercial hits and number of dope albums. He's had some
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duds, but he's released a ton of music and probably more important than anything,
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he is one of the most popular celebrities in the world. And this
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dude was a gangster rapper back when gangster rapping was not cool to the public
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eye. I'm just saying Snoop had the hell of an impact and continues to
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have one because he doesn't like ignore any endorsements at all, Like he had
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everything serio everything. Uh. Little Wayne. Now, there's a certain generation,
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right my generation, a little bit older, that didn't really understand the
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impact of Little Wayne. Couldn't really see it, right and and obviously you
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really wouldn't. You just hear it on the radio. You hear vers day
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year. It's talking about it, and that's kind of it. But you
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don't realize how many times Little Wayne has done major things in hip hop to
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kind of push the culture forward just by his contributions right hit his time with
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you know the Cash Money right, the Bling Bling Days, the Blackest Hot
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Days. You know, he stood out from the group. And then the
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switch in style Ryman style, beat style with the Carter series, which was
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highly successful for him. The mixtape run at a time where mixtape became less
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about you know, exclusives here and there and a bunch of different songs,
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and more about original content from artists for free on mixtapes. From the Drought
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to Everything. Then you can't leave out him bringing in Drake and Nicki Minaje
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and their impact on the industry. Whether you like him or not, a
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number of artists started to look like him, right, new artists that came
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out before that, There weren't many artists that had locks, right, They
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just weren't. There weren't many artists that had locks and dressed in a way
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that was almost like a rock star. Look now you got plenty of them,
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from Me Goes to even Future, Right, there's plenty of them that
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kind of give you that little Wayne vibe. Little Wayne did that at one
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point in hip hop, he was the guy and more Importantly, he's consistently
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elaborated with damn their everyone and in a lot of cases from what I hear
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for free right just because someone like a Nori wanted Little Wayne's album, but
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maybe l Wayne is pricy. Lwayne did it anyway and quickly, and these
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are the stories we've heard. So I feel like Little Wayne helped move the
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culture forward by his lyricism, putting lyricism first. Whether you like all the
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bars or not, there's plenty of times where he said some stuff right,
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dope beats radio hits, a style all his own. When it comes to
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his image and and how he promoted himself, you can't deny Little Wayne's impact,
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even on cats like Drake and to maybe to a lesser extent, J
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Cole, Definite League Kendrick. You just can't deny what he's done for the
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game, which really doesn't get talked about enough. If you ask me next,
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Little Kim Now, I know what you're saying. You're like, oh,
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why what Little Kim M Why? I tell you why all you whether
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you like it or not, all you have to do is look at the
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popularity of Megan the Stallion and Cardi B Nicki Minaj right. You can even
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go back a little bit the signings of people like Trina and Eve right,
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and I think Foxy gets a little bit of this credit as well. But
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I think Little Kim stands out for a number of reasons. It a little
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before a Little Kim. And there's no disrespect to the MC likes to the
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Queen our Teeth is of the world because we needed that. And the Salt
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and Pepper's right. Salt and Pepper brought a certain sexuality to hip hop,
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right. But honestly, hip hop is a misogynistic sport, if that makes
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any sense, if that's word or phrase whatever, but it is right,
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and it damn sure was, and it was balanced in one way, which
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was dudes rapped however they wanted about females and it was all good. Typically
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when females rapped about dudes before a Little Kim, intimately, it didn't really
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appeal to us dudes because most of the time it was safe. Let's talk
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about sex, you know, that's kind of like where it would go,
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right. It was almost like your mom instead of a woman and what she
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truly feels, you know, like, oh what a man? Okay,
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cool, that's all a game for me, that's for. But what Little
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Kim brought was she brought power to a woman expressing her sexuality in the most
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explicit way that matched the same way the guys did it. Kuji Rat was
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notorious for those kinds of records, right, same thing with the scarface did
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something that like a couple too short, all of that. Little Kim was
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like the female version of Too Short and guys who rated about their sexuality in
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the most explicit way. The one thing about him that made her step above
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was dudes liked it too. We would we would recite the lyrics and she
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would say the craziest things. And back then, you know, you didn't
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have to say pause because you didn't think that saying the phrase what all of
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a sudden Mickey game. That's just an insecurity that exists today and it's terrible.
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But Little Kim was hard edge, hardcore right with the lyrics. Yes,
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sure, a lot of these women have had ghost writers, but most
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of them can write their own raps, including Little Kim. And I don't
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know what she wrote versus what she didn't. I know a couple of things
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that she didn't write, But that's besides the point. It was about the
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presentation. It was about the package. She was doing something that made some
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people feel uncomfortable, made some women apply a double standard. Now you would
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think with men that would be the case, but most of the men I
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knew bought that hardcore album. But there was a double standard sometimes with some
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women who didn't like it because they felt like they were being too vulgar.
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But men had been doing it forever in hip hop, so it was okay.
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And I think Little Kim made that okay. Without Little Kim, not
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only you had these ships dressing like her, the whole Barbie thing. She
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did that already. She is are Even the Beehive existed before the bay Hive.
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Look it up. It's it's just facts. Little Kim's influence on hip
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hop music and culture and pop culture cannot be denied. What she said in
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her bars years ahead made it easy for you to walk down the street and
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hear a record like Doundtown right with our Little Kim. That ain't happening.
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It's just not so give her her props. Her impact is crazy, and
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whether you like it or not, that's cool. But at the end of
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the day, if if she didn't have an impact, you wouldn't see all
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these different variations of what she's already done, and all the way down to
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the photo shoot, I'm saying, all right, yeah, four more to
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go Kendrick Lamar. Now, it's easy to look at Kendrick or Drake or
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J Cole because they're like the trinity of artists who honestly touched numerous generations.
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But I think Kendrick Lamar is a step above Drake and J Cole in the
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sense that he hasn't released a whack subpar album yet. Now you may not
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personally like him because not everybody's gonna like him. That's cool, But he
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bridges the gap in a way that the other two just do not. They
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just don't. Right, And let me just rattle off a couple of things.
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He is the best example of bridging the gap, balancing gangster conscious,
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radio friendly and lyrical skill with fans that span multiple generations. When Good Kid,
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Mad City came out, it didn't feel like a young dude making against
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the Rap album from the nineties. Yet you got the feel of against the
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Rap album from the nineties, but you still got the feel of a new
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hip hop artist today in his delivery and how he presented it him having Snoop
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and NC eight appear on the album. When you look at an album like
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to Pimp a Butterfly, where it's not just boom bat beats or funk beats
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to represent the West Coast, it's jazz and blues and gospel and folk like
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elements spoken word, like all these elements of music mixed together. His flow
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is unconventional. One moment he gives you a sporadic flow in the vein of
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an eminem. The next moment he gives you a three stacks kind of verse.
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The next moment he's k died like you remember him from Good Kid,
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Bad City. He's unlimited at what he can do, and more importantly,
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concepts to have a concept album more than once, which is like a scavenger
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hunt when you're listening to understand what is the overall theme of this album.
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His last album, Mister Morale and the Big Steppers, the overall theme wasp
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and he didn't come up with the theme just to say, y'all got a
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concept is ill and the kind of theme it's like, no, I was
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actually going through this, so I decided to create songs around my experience.
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I'm just saying hip hop used to be like this on a regular basis,
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but for him to still have success and not need to drop as all often
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as his counterparts says a lot about what people feel about his music, and
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again from multiple generations. Because there are a couple of people I know who
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don't mess with anybody knew, but mess with Kendrick Lamar. Right, I'm
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talking about oldheads for the most part. Eminem. Now, I know what
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you're gonna say. I know some of y'all gonna say, we ain't playing
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that in the barbershop. Honestly, there's a lot that wasn't being played in
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the barbershop that should have been played in barbershop, and everybody wasn't white.
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But Eminem's on this list because prior to Eminem, of course, there was
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white dudes that rapped that we liked, right, of course, but not
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rhyming like this, not on this level of technique and word playing. Right.
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Eminem is also on this list because he is probably the most polarizing hip
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hop artist of all time. He is the example of if he were not
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white, would he be as successful as a rapidly rap rapper? Right hit
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the example I'll give you is if Pharaoh March was white like Eminem, would
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he be more popular, would he be just as popular? Of course he
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would, because it isn't a reflection of this country. Right. They are
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hip hop fans out there, but there's some hip hop fans who are only
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Eminem fans, not really hip hop. But what has Eminem done with that?
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Right? He's already rich as a result a lot of his fans,
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Like, for example, I did a excuse me, I did a podcast
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on a study of different artists where they the majority of their fans lie across
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the country, and it was like a heat matt and you know, like
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with me Gooes. Obviously Atlanta was lit up like crazy, and you can
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see something in New York and you know, a couple of dots in la
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or whatever. But Eminem was strongest in the Midwest. Okay, makes sense.
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But the audience, the white audience he tends to target, like in
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songs like a white America. Most of them live out there, and most
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of them tend to be his fan base. But that's his biggest fan base,
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is that and it, without a doubt, hip hop has been around.
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It has everything to do with the color of his skin. But he
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is consistently shown that he is about the culture of hip hop. It doesn't
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matter if it's just battling like this Mellie Man stuff or or wearing t shirts
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of albums that almost never get talked about, right you almost you might see
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some random dude on Twitter like, yo, this Paris album was my joint.
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You see people chime in, but it's never like trending a nothing crazy
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because most people never heard of Paris, never heard that album, and could
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care less than twenty twenty three. But Eminem doing that wearing a Noughty by
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Nature shirt do something to talk about Norty by Nature, you know, giving
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props to different cats. And I could go on and on, but most
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importantly his impact and I'm not saying all white folks, but his impact opened
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up a different door, probably based off of racing exposure for hip hop fans,
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because there's some people who became fans of other artists through Eminem. It's
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unfortunate that it has to happen that way, but it's real and the fact
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that he holds held the line for true hip hop and lyricism and technique being
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important in culture and flowers for artists like Red Man and Tretch and Pharaoh March
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and Nahs and Azy and then all these different people that you know he was
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a big fan of. Even if they're fans who will say, well,
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I'm just an Eminem fan, I'm pretty sure there are a number of people
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who now became fans of others. Just acts fifty cent. I'm talking about
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by affiliation, just acts fifty cent, just at slaughter House, just at
33:40
their Griselda. Their popularity grew as a result of being affiliated with Eminem.
33:47
And he did not have to have these spiders and these hardcore hip hop dudes
33:53
as a part of his roster. He could have easily went another way.
33:58
So he's had impact on the culture in so many ways that it's undeniable and
34:04
you can't really ignore it. It's not the impact. Remember my rules for
34:08
this list doesn't make him bigger than run DMC. It just means that he
34:16
is one of people on my list of ten impact for artists. All right,
34:22
two more, and then we out outcasts. Man, listen, I
34:32
didn't know outcasts would become the outcast. They became outcasts at the time they
34:38
dropped Southern Playalistic wasn't like, oh, this is so new and mind blowing.
34:45
It was dope. It was music from somewhere else from me being from
34:47
Brooklyn, New York. Right, But I figured Southern playalistic was what they
34:53
were. They were always going to drop that kind of music. Then they
34:58
dropped at Aliens. You're like, well, wait a minute, skill level
35:01
then went up and musically this is different then Stankonia, Quemini speak a box
35:13
love below like even Idawild soundtrack. And when you look at Outcasts, for
35:20
one, their music reflects their name. They don't do what everybody else does.
35:24
They do them. Also, none of the albums are the same.
35:30
None of their albums are the same. You don't feel like, well,
35:32
I heard this one, so this one sounds exactly the same. Sounds just
35:37
stick to this one. No, it's all a different vibe, but it's
35:39
still uniquely Outcast. You want to talk about influence, I mean you could
35:46
look at a number of the different hip hop you know branches. I would
35:52
say, as far as artists go from singing to the types of beats,
35:57
they choose Outcasts kind of doing that before. Everybody like that kind of variety.
36:02
And for me, back then, before I became a bigger fan,
36:07
it was a little frustrated because typically I had an expectation for each artist I
36:13
liked, and Outcasts will come out and just say, man, we got
36:17
a banjo in this joint. That's that's to be a banjo's playing and the
36:22
harmonica and I'm like, I don't want to hear this negro spiritual on the
36:29
porch? What is this? What's elevators? Like? You know what I'm
36:32
saying. But then I came to realize, like, man, but that's
36:36
what's dope about Outcasts. It's always going to be different. It's always going
36:44
to be different, but it's still going to be hip hop commercial success.
36:50
I'm just going over some of the joints, versatility in the game, skills,
36:55
style, musical variety like we talked about, and in a lot of
37:00
ways the blueprint for records like to Pimper Butterfly, and honestly, the way
37:08
Kendrick approaches rhyme and now reminds me more like of Three Stacks right, who
37:15
helped him work on to Pimper Butterfly. So again, the impact cannot be
37:22
denied for a hip hop group such as Outcasts and their long lasting influence on
37:31
artists from how they present their art, to how they dressed, to how
37:36
they carry themselves, and it's unfortunate that it stopped when it did as a
37:42
group. But I mean we got we got a decent amount of albums from
37:46
them, and there's none of them are whack. So there you have it.
37:52
And lastly, Tupac Chico. I could go on and on about Tupac.
38:02
I think, you know, I think it's easy to see why Tupac
38:10
is so revered in hip hop and it's not one of those things it's like,
38:14
oh, because he died tragically, he died young, you know,
38:17
it's it's like, you know, a fascination with that. When it comes
38:21
to pop culture, I think some some of his legend has been overblown by
38:28
over zealous fans, some fans who I feel like probably became either became fans
38:34
or became bigger fans once he died, which is kind of terrible. But
38:38
as a person that was a Tupac fan cautiously in the beginning because I didn't
38:44
like everything, but then much bigger once Me against the World came out and
38:49
all eyes on me. There was a certain level of appreciation for Tupac,
38:57
but his impact and why people still love him to this day has a lot
39:04
more to do with his messaging. Now, I'm not talking about thug life.
39:08
You know people like that too. I liked it too. I'm not
39:12
talking about thug life, POC and Ride on My Enemies and Hennessy and whatever,
39:17
right, or that Nah's introduced to man. I don't believe that,
39:22
but you know what I mean. Like, his impact is so much greater
39:28
in the conscious music that he released because it sound intimate, It sound personal,
39:39
right, it was relatable whether you were going through what he was expressing
39:45
on you knew someone who was Tupac always sounds like he's talking to you when
39:52
he made those conscious records. Just to you know, go over my notes
39:55
real quick. His mark on hip hop is unquestioned, and it's less about
40:02
the whole death Row Doug Life thing, but more about making impact records that
40:10
speak directly to the heartbeat of the black community. Just for example, just
40:19
quick examples songs like Dear Mama, songs like Brenda's Got a Baby, and
40:25
songs like I Ain't Manage You, tales that anybody could relate to, but
40:32
are specifically grounded in the lives of the black community, in particular in the
40:42
ghetto right, and a song like keep your Head Up is inspiring you recognize
40:47
what's happening. Rappers didn't make songs like that. Rappers didn't make songs like
40:54
Brenda's Got a Baby, but Tupac did. And I think in the same
41:00
ways that l L opened the door for rappers to feel like it's cool to
41:06
make a rap love song, especially because it hits the radio and we can
41:09
get success. I think Tupac made rappers think about their lyrics. Now,
41:17
was he the first to ever have a message? Now? The message,
41:22
you know, kind of did that. But his influences, being affiliated with
41:28
the Black Panther Party, being raised around them, and just being really good
41:34
at speaking to what's real is what people hold on to about his legacy and
41:40
his music. It's when you sit back and say Tupac is one of the
41:45
greatest rappers of all time, especially for that reason. That's my list top
41:53
ten or we said we're not we're not doing top ten hip hop artists who
42:00
have had an impact on this music and this culture throughout its fifty years.
42:07
I just want to give a shout out to all the hip hop heads,
42:09
all the artists, DJ's breakers, graphers, from across the world, those
42:16
who create hip hop films, videos and keep the music going, whether it's
42:22
old or new, underground, commercial radio, whatever you want to call it.
42:27
It's all a part of what we do and what we love. Especially
42:32
myself as a content creator. I do not get a dime, you know
42:37
what I'm saying. I mean, it's really just based off of a passion
42:42
I've had for this music since I was a little guy, and I love
42:45
to talk about it. So if you have a top ten less or ten
42:51
impact artists that I didn't name that you would like to discuss, put it
42:57
in the comments section on the video side. Rate this podcast on Apple Podcasts,
43:02
but most importantly, share it with people you know enjoy this kind of
43:07
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couple of things I've purchased with your support, including microphones and cameras, and
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to become a producer of this podcast and that way until next time, y'all.
43:49
I am not a critic, I'm a fan. Happy Birthday, hip Hop Pace