Latest / Booked On Rock with Eric Senich / Nirvana's Rise From Independent Artists To Global Icons [Episode 244]
Transcript
- 0:00Speaker 1: We're totally boomed rock and roll. I mean, I'll leave you.
- 0:05Speaker 1: You're reading. Little Hans says it's time to rock and roll.
- 0:08Speaker 2: Roll up, I totally booked. Welcome back to book don Rock,
- 0:17Speaker 2: the podcast for those about to read and rock online
- 0:20Speaker 2: at booked on rock dot com. You can find every
- 0:22Speaker 2: episode there in both audio and video. Exclusive video highlights
- 0:25Speaker 2: from episodes. You got a blog there, the latest rock
- 0:27Speaker 2: book releases, and you can check out the Booked on
- 0:30Speaker 2: rockstore at booked on rock dot com. Author Robert Boyd
- 0:34Speaker 2: is this episode's guest. He's the author of Before the Storm,
- 0:37Speaker 2: The formative years of America's last great band. Before the
- 0:41Speaker 2: Storm chronicles the birth of Nirvana in Aberdeen, Washington and
- 0:44Speaker 2: their early years as independent artists to worldwide superstars. The
- 0:49Speaker 2: outcome is known, but the infancy of the band and
- 0:51Speaker 2: its rise is a compelling lesson in tenacity, unity, the
- 0:55Speaker 2: love of music, and sadly tragedy. Find a playlist of
- 1:00Speaker 2: Nirvana in this episode. Show notes Robert, Welcome to the podcast,
- 1:06Speaker 2: So great to have you here.
- 1:07Speaker 1: Thanks for having me on.
- 1:08Speaker 2: We got to thank our friend Celeste. She's a mutual
- 1:11Speaker 2: friend who will upset this interview.
- 1:12Speaker 1: Up you we love Celeste.
- 1:14Speaker 2: Let's start with the prologue, the perfect setup to this story.
- 1:17Speaker 2: It gets into the history of Aberdeen, Washington and how
- 1:20Speaker 2: it's so important to the story of Kirk Cobain and Nirvana.
- 1:23Speaker 2: In two thousand and six, the journalist Everett True wrote, quote,
- 1:26Speaker 2: Aberdeen feels lethargic, the products in the antique shops, some
- 1:30Speaker 2: the place up overused, dirty, and neglected. Talk about how
- 1:34Speaker 2: Aberdeen helped to, as you write, cultivate the last great
- 1:37Speaker 2: American rock band of the twentieth century, Nirvana.
- 1:41Speaker 1: Aberdeen is like the Old West, in my readings, is
- 1:44Speaker 1: so far and away what you would expect an American
- 1:47Speaker 1: town to be, and it was somewhat like the Old
- 1:50Speaker 1: West even into the nineteen fifties. There was a As
- 1:55Speaker 1: I noted in the book, prostitution was big up until
- 1:58Speaker 1: the nineteen fifties and Aberdeen. But it became a lawless
- 2:03Speaker 1: environment in the late eighteen hundreds when timber and the
- 2:09Speaker 1: fishing industries were prominent, and that brought in laborers, gambling, prostitution,
- 2:17Speaker 1: and it was a ripple effect throughout the into the
- 2:19Speaker 1: next century. And as that calmed down and families began
- 2:24Speaker 1: to matriculate into the town. Unfortunately, there was little left
- 2:30Speaker 1: at that point, and that's where Kirk Cobain and his
- 2:33Speaker 1: family fall into place. They were there at the end
- 2:36Speaker 1: of this Great Boom.
- 2:38Speaker 2: Chapter one gets into Kirk's childhood. There he's quoted as
- 2:41Speaker 2: saying he had a happy childhood until he was eight,
- 2:44Speaker 2: always smiling, loved to draw, showed his creativity at an
- 2:47Speaker 2: early age. What caused the shift with Kurt after the
- 2:50Speaker 2: age of eight.
- 2:50Speaker 1: It's a pretty well known story with Kirk Cobain and Nirvana,
- 2:55Speaker 1: his parents' divorce, his early childhood, as it was displayed
- 3:00Speaker 1: in a documentary that came out several years ago. Montajer
- 3:05Speaker 1: peck just a happy, normal child. In every video that
- 3:09Speaker 1: I've seen, pretty nine years old, eight years old, he's smiling,
- 3:13Speaker 1: having a blast, and then his parents divorced when he
- 3:18Speaker 1: was nine, and it pulled the rug out from underneath him.
- 3:22Speaker 1: From the research that I did, he just wanted a normal,
- 3:25Speaker 1: simple family. He craved it, and when that ended, the
- 3:30Speaker 1: happy child ended too, and angst followed.
- 3:34Speaker 2: There was a period when Kurt was said to be
- 3:37Speaker 2: homeless as a teenager. How much of that was true,
- 3:39Speaker 2: because there's a myth well I.
- 3:41Speaker 1: Think he was homeless as far as not having a
- 3:44Speaker 1: stable home. There's the great story of him sleeping under
- 3:47Speaker 1: the bridge. From everything that I've read, that was not
- 3:51Speaker 1: the case. He may have spent some time underneath the bridge,
- 3:54Speaker 1: but as far as living there, that most likely was
- 3:57Speaker 1: not the case. But after his parents worst, he did
- 4:01Speaker 1: go from home to home. He lived with his mother
- 4:05Speaker 1: and father multiple times. Obviously after they had separated, he
- 4:10Speaker 1: lived with other family members, friends, even a teacher, But
- 4:15Speaker 1: there were also times when he had few options, and
- 4:18Speaker 1: as I noted in the book, he slept in the
- 4:20Speaker 1: hallways of apartments so he could stay warm. So yeah,
- 4:25Speaker 1: he was homeless for lack of a better term, just
- 4:29Speaker 1: not having a consistent place to rest his head.
- 4:32Speaker 2: Another interesting stories regarding the very first concert he attended.
- 4:36Speaker 2: He would later say it was a black flag concert,
- 4:39Speaker 2: but that wasn't true. It wasn't black flag. And I
- 4:43Speaker 2: like this story because I am a fan of Van Halen,
- 4:45Speaker 2: so there's a little connection here. What was the first
- 4:48Speaker 2: concert he ever went to?
- 4:50Speaker 1: Aberdeen? Being the isolated town that it was, there was
- 4:54Speaker 1: a little opportunity for Kurt or any team to really
- 4:58Speaker 1: gain a vast musical experience. So his first concert was
- 5:03Speaker 1: Sammy Hagar. Years later he would try to modify history
- 5:08Speaker 1: a bit and claim that Black Flag was his first concert,
- 5:11Speaker 1: but he and some friends had traveled to Seattle I
- 5:15Speaker 1: believe it was eighty three and saw Sammy Hagar and
- 5:19Speaker 1: even sported a T shirt from what I understand after
- 5:21Speaker 1: the fact, to school.
- 5:22Speaker 2: The red rocker. Kurt had a fascination with all things
- 5:26Speaker 2: having to do with the human body. So his first
- 5:28Speaker 2: band name is really no surprise talk about his very
- 5:32Speaker 2: first band. Some of the other bands he was in
- 5:35Speaker 2: before forming Nirvana, there was a very short lived Creden's
- 5:38Speaker 2: Clearwater Revival tribute band.
- 5:40Speaker 1: Yeah, I was surprised in researching the history because there
- 5:45Speaker 1: were a few occasions where creedence does come up. So
- 5:48Speaker 1: he had a very short lived band called the Sellouts
- 5:51Speaker 1: that was with Kris Novselich and another local who drunk
- 5:55Speaker 1: briefly for them, but it was short lived. But his
- 6:00Speaker 1: first experience into just aggressive music was a band that
- 6:05Speaker 1: he had started with Dale Krover from the Melvins called
- 6:10Speaker 1: Deecal Matter, and he made a demo at his aunt's
- 6:16Speaker 1: home with Dale Grover, and he was do it yourself
- 6:20Speaker 1: from day one. His aunt offered to allow him to
- 6:24Speaker 1: use her electric drum kit, and he was against that.
- 6:28Speaker 1: He ended up using a empty suitcase for the percussion
- 6:32Speaker 1: parts of that particular demo, and there was.
- 6:34Speaker 2: A place called the Shack where he wrote music. This
- 6:37Speaker 2: is also when his addiction to drugs begin. Talk about
- 6:41Speaker 2: the Shack and how early did drugs take hold of
- 6:45Speaker 2: Kurt again.
- 6:47Speaker 1: During his period of homelessness, he had few options, but
- 6:51Speaker 1: eventually as he grew and kind of developed a social scene,
- 6:56Speaker 1: he was able to take advantage of living in home
- 7:00Speaker 1: which was basically crumbling and it was called by Kurt
- 7:03Speaker 1: and some of his friends the Shack, and it was
- 7:07Speaker 1: in the Shack that he spent a lot of time
- 7:10Speaker 1: playing the guitar. But unfortunately, also he began to delve
- 7:14Speaker 1: in substance use. In high school, he was always into
- 7:19Speaker 1: marijuana alcohol, cutting class to acquire both, but once school
- 7:26Speaker 1: ended and living in Aberdeen with few outlets, most of
- 7:29Speaker 1: his time was spent under the influence.
- 7:32Speaker 2: I thought it was interesting because it was a friend
- 7:34Speaker 2: of his that was doing heroin and he was telling
- 7:36Speaker 2: his friend, you can't do that stuff. It's going to
- 7:38Speaker 2: kill you. And then he ended up himself doing Heroin.
- 7:42Speaker 1: That was a surprising story, and from what I understand
- 7:45Speaker 1: it was he was against Heroin for the simple fact
- 7:49Speaker 1: that he was fearful of needles. But over time, the interest,
- 7:55Speaker 1: and I think too his mental health played a big
- 7:57Speaker 1: role in throwing caution to the wind and eventually experimenting
- 8:01Speaker 1: and becoming addicted to Heroin.
- 8:03Speaker 2: Yeah, the self medication. You hear that often too, their
- 8:06Speaker 2: fear of needles, but eventually the addiction gets so strong
- 8:09Speaker 2: that they're willing to do anything to get that high.
- 8:12Speaker 2: And that's that's what happened. We'll talk about the names
- 8:15Speaker 2: that Kurt and Chris went through before choosing Nirvana. One
- 8:17Speaker 2: of them was skid Row.
- 8:19Speaker 1: Skid Row, I'm drawing a blank pen.
- 8:21Speaker 2: It'sil something.
- 8:22Speaker 1: But there were yet several names, and even.
- 8:27Speaker 2: Hencil Sharpener was that one of them. I got the
- 8:31Speaker 2: book here, we'll check. There was quite a few, from
- 8:33Speaker 2: what I re call that they went through before they've
- 8:35Speaker 2: settled on their own.
- 8:36Speaker 1: Yeah, and even their first demo in January of eighty eight,
- 8:40Speaker 1: they went to Reciprocal Recording. Not being Nirvana, they were
- 8:46Speaker 1: one of the other names that they eventually threw out
- 8:50Speaker 1: in favor of Nirvana and I think it was in
- 8:53Speaker 1: maybe April of eighty eight that they settled on Nirvana.
- 8:57Speaker 2: Yeah, it is Throat Oyster, pen Cap Chew, that was
- 9:01Speaker 2: the one. Yes Window Pane ted ed, Fred Bliss skid
- 9:07Speaker 2: Row and then Nirvana. Yeah. He had an interest in Buddhism.
- 9:12Speaker 2: So that's that's where Nirvana likely came from.
- 9:15Speaker 1: Right, so they say read I've read that numerous books
- 9:19Speaker 1: about his even though it doesn't come up later on
- 9:22Speaker 1: in his life much. But at that point there was
- 9:26Speaker 1: an interest in Buddhism, which led to that title for
- 9:30Speaker 1: the band that remained in place for the rest of
- 9:33Speaker 1: their career.
- 9:34Speaker 2: Yeah. As defined by Websters, Nirvana is the extinction of desire, passion, illusion,
- 9:40Speaker 2: and the improical self entertainment of rest, truth and unchanging being.
- 9:45Speaker 2: So the band's first single was love Buzz. I always
- 9:48Speaker 2: thought that was an original. I had no idea that
- 9:50Speaker 2: that was a cover and I listened to the original.
- 9:53Speaker 2: It's a band called Shocking Blue.
- 9:56Speaker 1: Yeah, Shocking Blue from the late sixties. It was sa
- 10:00Speaker 1: discovered accidentally by Chris NOVASOJE and Aberdeen and Aberdeen pawn
- 10:05Speaker 1: Shop or a dollar bin, and he brought it to Kurt.
- 10:08Speaker 1: They modified it a bit, and it ultimately became their
- 10:12Speaker 1: first single, He's.
- 10:13Speaker 2: Got that great bassline too that it's a great song.
- 10:17Speaker 2: This was for sub Pop Records, which was an independent
- 10:20Speaker 2: label gained fame for signing Seattle bands, with Nirvana being
- 10:25Speaker 2: at the top of that list. They released Nirvana's Bleach album,
- 10:29Speaker 2: which has Blue, about a Girl, Love, Buzz, negative creep.
- 10:35Speaker 2: Those are really considered classics now in the Nirvana catalog,
- 10:38Speaker 2: and About a Girl is interesting. I believe this is
- 10:40Speaker 2: the song that there was a Beatles connection, right. This
- 10:43Speaker 2: is interesting when you get into Kurt's songwriting, it seemed
- 10:47Speaker 2: like he had this internal battle going on where he
- 10:49Speaker 2: detested pop culture, yet he couldn't help it embrace the
- 10:52Speaker 2: elements of great pop that he got from listening to
- 10:56Speaker 2: the Beatles. And I think you hear it in About
- 10:57Speaker 2: a Girl.
- 10:58Speaker 1: That's the song, right absolutely. His aunt Mary kind of
- 11:01Speaker 1: introduced him to Beatles. There's a quote in the book
- 11:04Speaker 1: that Kurt felt that he was destined to just listen
- 11:08Speaker 1: to the Carpenters and seventies oriented bands such as that
- 11:13Speaker 1: throughout the remainder of his life. If it wasn't for
- 11:15Speaker 1: his aunt Mary. She exposed him to the Beatles, and
- 11:19Speaker 1: from there it was a ripple effect. So when he
- 11:23Speaker 1: was writing for the Bleach album, every song on the
- 11:27Speaker 1: album is rough sludge influenced by the Melvins, but About
- 11:32Speaker 1: a Girl is a simple pop melody, and from my research,
- 11:36Speaker 1: he essentially just listened to the Beatles NonStop and came
- 11:42Speaker 1: up with the tone of the song, and it was
- 11:45Speaker 1: ultimately the name of the song. Title of the song
- 11:48Speaker 1: came from Chad Channing. He said, well, why didn't you
- 11:51Speaker 1: just call it about a Girl? And Kerk Coping said, yeah, why.
- 11:55Speaker 2: Not Chad Channing the original drummer, one of them or
- 11:59Speaker 2: one of them because it was one from mud Honey that.
- 12:02Speaker 1: There were overall seven drummers, seven when throughout, including Dave Grohl.
- 12:08Speaker 1: They went through a series of drummers up until the
- 12:11Speaker 1: recording of Bleach, including Dan Peters of mud.
- 12:15Speaker 2: Honey Summer of nineteen ninety. Dan Peters, right, he was
- 12:19Speaker 2: in there briefly.
- 12:20Speaker 1: Kirk Cobain. Largely Kirk Cobain was he had become tired
- 12:24Speaker 1: of Chad Channing. He wanted a harder drummer, someone who
- 12:27Speaker 1: hit harder. They were great friends and from what I understand,
- 12:31Speaker 1: remained great friends. Chris and Kirk, with Chad channing throughout
- 12:36Speaker 1: the remainder of the band, but they just wanted a
- 12:39Speaker 1: drummer that hit hard. So in the spring of nineteen ninety,
- 12:42Speaker 1: Chad I was asked to leave the band and it
- 12:45Speaker 1: was at a pivotal time because they had some major
- 12:49Speaker 1: label interest. Bleach was selling well. They had just finished
- 12:53Speaker 1: a European tour in the North American tour, so Chad
- 12:56Speaker 1: left the band and they they had few options, so
- 13:00Speaker 1: both Tail Kroger and Dan Peters stepped in to help out,
- 13:05Speaker 1: and Dan Peters of mud Honey, even though mud Honey
- 13:08Speaker 1: was on hiatus at the time, assumed that he was
- 13:11Speaker 1: gonna get the role. He was going to be Nirvana's
- 13:14Speaker 1: new full time drummer. But completely coincidentally, Kurt Cobain and
- 13:19Speaker 1: Chris Nosouj attended a Scream show in California. Dave Grohl
- 13:27Speaker 1: was the drummer Scream, a punk band out of Washington,
- 13:31Speaker 1: d C. And soon after that particular show, Scream disbanded,
- 13:36Speaker 1: so Dave Grole, needing a new position, was pointed in
- 13:42Speaker 1: the direction of Nirvana and the rest is history Book.
- 13:47Speaker 2: On Rock podcast will be back after this. They alllook
- 13:50Speaker 2: his roles in the future Bride do the live show
- 13:56Speaker 2: in June of eighty nine at Seattle's More Theater that
- 13:59Speaker 2: really put Nirvana on map in Seattle among the music community.
- 14:02Speaker 2: Can you talk about that show?
- 14:04Speaker 1: In December and January of eighty eight and eighty nine,
- 14:08Speaker 1: Nirvana completed recording of Bleach Subpop. Had some financial issues
- 14:13Speaker 1: and they weren't able to distribute the album as fast
- 14:16Speaker 1: as they would have liked, and a June release was
- 14:19Speaker 1: planned at that time as well, a June show was
- 14:22Speaker 1: planned at the More Theater in Seattle along with Tad
- 14:26Speaker 1: and mud Honey. Nirvana opened that particular show, and at
- 14:30Speaker 1: the time they were known, but not to the extent
- 14:32Speaker 1: of Tad or mud Honey for that matter as well.
- 14:36Speaker 1: But they, from what I understand, put on an unbelievable performance,
- 14:41Speaker 1: trash their gear, and then proceeded to begin the North
- 14:45Speaker 1: American legatatur into June and July of eighty nine.
- 14:49Speaker 2: Steve Turner was on this podcast. He put out a
- 14:53Speaker 2: great book, and I remember him saying, the speed at
- 14:56Speaker 2: which Nirvana developed into this amazing band, it was almost overnight.
- 15:01Speaker 2: It was amazing. They knew this was this band actually
- 15:05Speaker 2: he said he was offered a job as a second guitarist,
- 15:09Speaker 2: and he said no because he felt they'd be better
- 15:11Speaker 2: off as a as a three piece. Did you know that?
- 15:14Speaker 1: I didn't. But one of the things that I noted
- 15:17Speaker 1: in the book that was very surprising to me when
- 15:19Speaker 1: I read it was after Jason Everman left the band
- 15:24Speaker 1: and he was briefly a touring guitarist. Ben Sheppard soau
- 15:28Speaker 1: Garden's bass player, eventual bass player. He was a roady
- 15:31Speaker 1: and he was considered as a second guitarist. He wasn't
- 15:37Speaker 1: offered the position, but it was just it was an
- 15:41Speaker 1: odd story that I had never heard much about before.
- 15:44Speaker 2: Yeah, And I want to revisit the Everman story because
- 15:46Speaker 2: he's fascinating too. We'll get to that, yeah. Author Robert Boyd.
- 15:50Speaker 2: He's the author of Before the Storm, The Formative Years
- 15:52Speaker 2: of America's Last Great Band Bleach, released in nineteen eighty nine.
- 15:56Speaker 2: It's received with critical acclaim, but it's not the commercial
- 16:00Speaker 2: hit that would come with the next album. As we know,
- 16:03Speaker 2: we're still at the height of the hairband era. Band
- 16:05Speaker 2: like Nirvana, they've got a following, but they're not getting radio,
- 16:09Speaker 2: airplay and MTV anything like that. But two years later,
- 16:12Speaker 2: all of those hair bands gone thanks to never Mind
- 16:16Speaker 2: released under a major label, and Nirvana becomes the biggest
- 16:21Speaker 2: band in the world. They signed with Geffen, and before
- 16:25Speaker 2: I want to ask you how they end up signing
- 16:26Speaker 2: with Geffen, But anybody listening to this or watching this,
- 16:28Speaker 2: it's old enough to recall I never have seen anything
- 16:32Speaker 2: like it before or since, an album blow up like that.
- 16:37Speaker 2: And I think you're around the same age as me.
- 16:40Speaker 2: I was in college. This is nineteen fall of ninety one,
- 16:45Speaker 2: and I remember my roommate had never Mind. The single
- 16:51Speaker 2: Smells Like Teen Spirit had just come out. He was
- 16:54Speaker 2: really into, like a lot of the alternative bands. He
- 16:56Speaker 2: was a big Jans Addiction fan, so he was been
- 17:00Speaker 2: more in the know on it. So I remember looking
- 17:01Speaker 2: at it, I was like, who is this? You know, you
- 17:05Speaker 2: got to hear it, and you know, really it was
- 17:08Speaker 2: like within a month or two they were huge. When
- 17:12Speaker 2: did you first hear Smells Like Teen Spirit? And I mean,
- 17:15Speaker 2: did you experience the same thing, because that was just
- 17:17Speaker 2: mind blowing.
- 17:18Speaker 1: I'm actually younger I was. I was only in my
- 17:22Speaker 1: early teens at the time. In ninety two, after the
- 17:25Speaker 1: album was released, is when I really experienced the pull
- 17:30Speaker 1: of never Mind.
- 17:32Speaker 2: So they were big by the time you first heard,
- 17:36Speaker 2: but you must have heard then, Oh your friends at school,
- 17:38Speaker 2: you got to listen to them, Yeah.
- 17:39Speaker 1: Right, yeah, And I was pulled in immediately. When I
- 17:43Speaker 1: wrote this book and picked the title of the book,
- 17:47Speaker 1: I tried to put it out word out through social media,
- 17:50Speaker 1: and people were like, the last great band like people
- 17:55Speaker 1: like questioned that, and I understand that. I completely understand that.
- 18:00Speaker 1: It's based on the impact culturally that you don't see
- 18:07Speaker 1: anywhere since the nineties. There has been no band that
- 18:10Speaker 1: I know of that has had such an impact in
- 18:14Speaker 1: so many ways, clothing, culturally, in so many factors as Nirvana.
- 18:20Speaker 1: That is why I picked that particular title. The music,
- 18:24Speaker 1: of course, is incredible, but the impact that hasn't been
- 18:28Speaker 1: seen since.
- 18:29Speaker 2: There's a great story September. I just looked it up.
- 18:32Speaker 2: September twenty sixth, nineteen ninety one. Nirvana is still unknown.
- 18:37Speaker 2: At that time. I think they just released Smell nineteen spirit.
- 18:40Speaker 2: I was going to college at Southern Connecticut State University
- 18:43Speaker 2: in New Haven and they played at the Moon at
- 18:47Speaker 2: the Moon and it's on YouTube. There's like fifty people
- 18:51Speaker 2: there maybe one hundred. It was right down the road
- 18:55Speaker 2: from where I was the dorm I was in. This
- 18:58Speaker 2: is pre internet, had no idea, so maybe it was
- 19:01Speaker 2: there was an ad in the paper or whatever. But
- 19:04Speaker 2: that place is now a bank, I think, and it's
- 19:07Speaker 2: on Dixwell Ab in New Haven. It's mind blowing to
- 19:10Speaker 2: watch that because you're you're seeing a band playing in
- 19:14Speaker 2: this little tiny club, I mean barely, like Chris's head
- 19:18Speaker 2: is almost hitting the ceiling. It's so small. Month later,
- 19:22Speaker 2: two months later, they're the entire It's amazing.
- 19:26Speaker 1: Yeah, throughout that entire tour in September, late September and
- 19:31Speaker 1: early October, their video was number one on MTV. They're
- 19:35Speaker 1: selling hundreds of thousands of albums and they're playing in
- 19:39Speaker 1: clubs the size of the basement, and they're in October
- 19:43Speaker 1: and the stories in the book and in multiple books.
- 19:47Speaker 1: October they played in Texas and the club is just
- 19:52Speaker 1: jam packed. I mean you couldn't fit another body in.
- 19:56Speaker 1: It was a that particular show that curticides to CrowdSurf
- 20:01Speaker 1: and he's he gets into an altercation with a bouncer.
- 20:06Speaker 1: It's a pretty well known clip, but that was how
- 20:09Speaker 1: that tour was. It was just just a sweaty mess
- 20:13Speaker 1: of bodies at every stop.
- 20:16Speaker 2: And Geffen didn't even think it was going to be
- 20:18Speaker 2: I don't I think that what was it? They had
- 20:20Speaker 2: an estimated sales number, so they could not keep enough
- 20:26Speaker 2: of these CDs in the record stores. They I think
- 20:29Speaker 2: there was a what was that? They said they maybe
- 20:31Speaker 2: expected like fifty thousand copies or something like that.
- 20:35Speaker 1: There were about one hundred thousand copies printed both between
- 20:40Speaker 1: the UK and US. So there was a period of
- 20:43Speaker 1: time after Nevermind was released and smells like teen Spirit
- 20:48Speaker 1: the video was playing every you know, fifteen minutes practically
- 20:54Speaker 1: on MTV that Geffen suspended pressings on albums except never Mind.
- 21:00Speaker 1: They had to catch up, and in the UK there
- 21:03Speaker 1: were so few copies available if any, people were just
- 21:07Speaker 1: making tapes, trading tapes amongst themselves until the album became
- 21:13Speaker 1: available once again.
- 21:14Speaker 2: In the absolute switch there you had bands that were
- 21:16Speaker 2: playing in arenas, selling out arenas, now playing in tiny
- 21:21Speaker 2: little clubs that Nirvana started out playing, and then Nirvana
- 21:24Speaker 2: is now playing in the huge arenas. How did they
- 21:27Speaker 2: sign with Geffen?
- 21:28Speaker 1: So Subpop wanted them for a second album, and they
- 21:33Speaker 1: had presented the band with a much lengthier contract than
- 21:37Speaker 1: their first. Their first contract was one page fill in
- 21:40Speaker 1: the blanks, and they presented a new contract thirty pages long.
- 21:45Speaker 1: But they wanted to particularly Kurk Coban wanted a major label.
- 21:50Speaker 1: He wanted to be a rock star despite all the stories.
- 21:53Speaker 1: He wanted that adulation, and there were several major labels
- 22:00Speaker 1: that recording Nirvana. And actually, after I had released this book,
- 22:05Speaker 1: I had corresponded with a former employee of MCA who
- 22:10Speaker 1: tried to sign Nirvana to MCA, and he was very close,
- 22:15Speaker 1: but ultimately Geffen won out and the dollar amount that
- 22:21Speaker 1: Nirvana signed for was not substantial. But one caveat within
- 22:25Speaker 1: the contract was if they sold more than half a
- 22:29Speaker 1: million copies, they would earn millions. They must have been
- 22:34Speaker 1: clairvoyant or something, because they sold twenty times that over time.
- 22:40Speaker 2: Let's go back to Jason Evererman. I love this story.
- 22:43Speaker 2: So he was in the band as the second guitarist
- 22:46Speaker 2: at one point. Didn't last long, apparently Kirk thought he
- 22:50Speaker 2: was too much of a showman. He eventually goes on
- 22:53Speaker 2: to a career in the military. So what happened? How
- 22:57Speaker 2: long was he in the band? And that's the I
- 22:59Speaker 2: believe that in your book to he was too much
- 23:01Speaker 2: of a showman.
- 23:01Speaker 1: Right, Yeah, So he he financed Bleach Bleach cost a
- 23:06Speaker 1: little over six hundred dollars multiple days at reciprocal recording,
- 23:09Speaker 1: and he financed that after he had kind of entered
- 23:13Speaker 1: Nirvana's universe. Kerk thought well, we could use a guitarist
- 23:17Speaker 1: for touring, and he hit the bill. They didn't really
- 23:21Speaker 1: know him well. Chad Channing did know him because they
- 23:24Speaker 1: both were from Bainbridge Island, but Chris and Kurt did
- 23:27Speaker 1: not know him. They quickly learned that their personalities did
- 23:31Speaker 1: not mesh once the tour began in the summer of
- 23:34Speaker 1: eighty nine. So they played throughout June and July made
- 23:39Speaker 1: it to New York and Kurt and Chris had actually
- 23:43Speaker 1: had the plan to just leave him there, that they
- 23:46Speaker 1: didn't want him in the band. They just that they
- 23:49Speaker 1: they wanted to just flee play in the night, and
- 23:53Speaker 1: they thought better of it, but they canceled the remainder
- 23:56Speaker 1: of the tour. They just could not deal with Jason
- 23:59Speaker 1: never anymore. And I've seen some of the footage from
- 24:03Speaker 1: shows from that summer and he is very animated on stage.
- 24:08Speaker 2: Really is that on YouTube.
- 24:10Speaker 1: Yeah, a lot of headbanging. I guess you know he's
- 24:13Speaker 1: a metal guy. There's a few shows from that particular tour.
- 24:17Speaker 1: There's one show where he actually dives off the stage.
- 24:22Speaker 1: It might have been in New Jersey and he assaults
- 24:26Speaker 1: someone in the crowd. So it was those type of
- 24:28Speaker 1: things that they didn't fit with the Nirvana that everyone
- 24:32Speaker 1: knows and would eventually know.
- 24:34Speaker 2: And he's on so one track was he on one
- 24:37Speaker 2: of the live albums.
- 24:38Speaker 1: They added a track to a Kiss compilation and he
- 24:42Speaker 1: played on that particular song that was on that compilation
- 24:46Speaker 1: like a benefit for Kiss when that was released in
- 24:50Speaker 1: eighty nine. So Everman, soon after he left Nirvana, landed
- 24:55Speaker 1: in Soundgarden. They're bassist quit suddenly. I believe it was
- 24:59Speaker 1: mid tour or right before a tour. So they took
- 25:03Speaker 1: Jason Neverman on and he had the same trouble with
- 25:08Speaker 1: Sound Garden that he had with Tirvana, just personalities did
- 25:11Speaker 1: not mesh. He lasted just a few months. He was
- 25:15Speaker 1: out of seven Garden and had very few options. He
- 25:20Speaker 1: eventually made his way to New York and picked up
- 25:22Speaker 1: some various jobs. I believe you work in a factory.
- 25:26Speaker 1: He was a byte messenger, but he eventually signed enlisted
- 25:30Speaker 1: in the military and he joined Special Forces, did a
- 25:35Speaker 1: tour in Iraq, tour in Afghanistan, and was honorably discharged.
- 25:40Speaker 1: So he had an incredible has had an incredible life,
- 25:45Speaker 1: and in recent years has done sailing for benefits around
- 25:50Speaker 1: the world, at least on the throughout the Pacific Ocean,
- 25:54Speaker 1: so he has done a lot.
- 25:56Speaker 2: It's a great story. But always do you Love Me?
- 25:58Speaker 2: That was the kiss song they covered yes book on
- 26:01Speaker 2: rock podcasts. We'll be back after this.
- 26:04Speaker 1: We're gonna take a break, He'll be back.
- 26:08Speaker 2: Never Mind release September of ninety one. Smells like teen
- 26:11Speaker 2: Spirit released ahead of the album August of ninety one.
- 26:14Speaker 2: By the fall, the album's picking up serious steam, and
- 26:17Speaker 2: it's interesting to read about how Kurt's relationship with Courtney
- 26:19Speaker 2: Love was advancing at a rapid pace right at the
- 26:22Speaker 2: same time, and Nevermind is doing the same. How did
- 26:25Speaker 2: Curt and Courtney meet and was it instinct chemistry?
- 26:28Speaker 1: I think Courtney thought it was. She was beginning her
- 26:31Speaker 1: own band, Hole began playing some of the same shows
- 26:34Speaker 1: as Nirvana, and Courtney quickly gravitated towards Kirk. Between the
- 26:40Speaker 1: release of never mind, and the end of the year
- 26:44Speaker 1: they became inseparable. It was within that time period that
- 26:47Speaker 1: she became pregnant, and by February of ninety two they
- 26:50Speaker 1: were married. She had been in Nirvana's world for some time,
- 26:55Speaker 1: but it was in the summer of ninety one fall
- 26:58Speaker 1: of ninety one that she really made her presence known
- 27:02Speaker 1: and things happened quickly.
- 27:05Speaker 2: She moved around the country quite a bit, so at
- 27:07Speaker 2: that time she was living in Seattle when she met him.
- 27:10Speaker 1: I believe she was living in California, but she had
- 27:12Speaker 1: been all over the map at that point in her life.
- 27:16Speaker 1: Their lives were very similar. They had a toxic relationship,
- 27:20Speaker 1: but they were very similar people in that they came
- 27:23Speaker 1: from broken homes. They struggled with addiction, antisocial personalities. But
- 27:29Speaker 1: where Courtney was very animated, Kurt was far from that,
- 27:35Speaker 1: and I think that's what eventually created some strain in
- 27:40Speaker 1: their relationship in Nirvana as a whole.
- 27:43Speaker 2: She lived in the UK for a while and her father.
- 27:46Speaker 2: This is a while so her father was a roadie
- 27:48Speaker 2: for the Grateful Debt. You can see her on the
- 27:51Speaker 2: back of one of Grateful Dead's albums. There's a picture
- 27:54Speaker 2: of all of the family of Gravel Dead members and
- 27:58Speaker 2: Courtney loves their little baby. Do you know about that? Yeah,
- 28:01Speaker 2: I'm sure right.
- 28:02Speaker 1: Yeah, in the late nineties, there was a documentary that
- 28:04Speaker 1: was a release called Kurt and Courtney. It was controversial
- 28:08Speaker 1: and her father's interviewed in the documentary.
- 28:11Speaker 2: And yeah, they did not get along.
- 28:14Speaker 1: No, no, not at all, And I don't think they
- 28:17Speaker 1: ever mended their relationship.
- 28:19Speaker 2: He just passed away like a year or two ago, right, Yeah, Yeah,
- 28:23Speaker 2: it's the album. God, I always try try pronouncing this
- 28:27Speaker 2: one a oxo mack soa. That's the Grateful Dead album.
- 28:31Speaker 2: And I think it's on the inside sleeve or on
- 28:32Speaker 2: the back is where you could see Courtney love it's
- 28:37Speaker 2: a little kid. What was the recording process like for Nevermind?
- 28:39Speaker 2: Because you read about a couple of interesting things in
- 28:41Speaker 2: the book. They always had to have a jam session
- 28:45Speaker 2: before recording, and Kurt this is fascinating didn't come up
- 28:49Speaker 2: with lyrics till a lot of the songs until the
- 28:51Speaker 2: last minute. But it starts to talk without the jam session,
- 28:54Speaker 2: right they had. That was a thing that there was
- 28:56Speaker 2: a routine for them.
- 28:57Speaker 1: Yeah, they really thrived during jam sessions. They typically would
- 29:03Speaker 1: begin sessions or practices in general jamming and a lot
- 29:07Speaker 1: of songs. The infancy of songs began during those jams.
- 29:12Speaker 1: The album was recorded in California in Los Angeles, and
- 29:16Speaker 1: they spent less than a month recording the album, and
- 29:20Speaker 1: typically would spend an entire afternoon recording, jamming, recording, and
- 29:25Speaker 1: then leaving the studio and heading down to event's beech.
- 29:29Speaker 1: Kristovasalich later said that, you know, it was some of
- 29:33Speaker 1: the best times of his life because things obviously got
- 29:37Speaker 1: pretty crazy soon after.
- 29:39Speaker 2: You talk about a great movie, idea, that would be
- 29:41Speaker 2: a great movie, that period of time before they blow up.
- 29:45Speaker 2: What that was like for the guys, because yeah, I
- 29:48Speaker 2: remember Chris talking about that. Just it was like a
- 29:52Speaker 2: time of innocence. They still had aspirations. Obviously, Kurt, like
- 29:56Speaker 2: you said, he wanted to break into the big time,
- 29:59Speaker 2: but certainly didn't expect it to be as as huge
- 30:02Speaker 2: as it became, and really too much for him to handle,
- 30:06Speaker 2: too much for anybody to handle, really, that kind of fame,
- 30:09Speaker 2: it really was. But that that short period of time
- 30:13Speaker 2: there where it was just them and the music. I
- 30:16Speaker 2: would love to see a movie on that and his
- 30:18Speaker 2: popular Popular's never Mind is the story of the follow
- 30:22Speaker 2: up and sadly last Nirvana studio album in Utero from
- 30:25Speaker 2: ninety three. That may be even more interesting because here
- 30:29Speaker 2: now Kurt's trying to get rid of all these fans
- 30:33Speaker 2: that like he used to say, like he'd be looking
- 30:35Speaker 2: out in the audience and he'd see the guy who
- 30:38Speaker 2: was the quarterback of the football team wearing his letter jackets,
- 30:40Speaker 2: like this is the guy that would beat the shit
- 30:41Speaker 2: out of me in high school. Now he's my fan.
- 30:44Speaker 2: Now he's my number one fan. It's bizarre. So he
- 30:47Speaker 2: wanted to distance himself from that. It still didn't work, though,
- 30:50Speaker 2: because people ended up buying that that album droves, you know.
- 30:54Speaker 1: Oh absolutely. Christovslich described it as a litmus test for
- 30:58Speaker 1: their fans. They wanted the pure Nirvana fan, they wanted
- 31:03Speaker 1: within Utero. They they wanted to distance themselves from the
- 31:08Speaker 1: fake listener. I think Intero is their masterpiece. It hits
- 31:13Speaker 1: all all the areas for me, all the buttons. It's
- 31:16Speaker 1: just amazing. And to think that they made that album
- 31:19Speaker 1: in such a time of turmoil, it's amazing.
- 31:24Speaker 2: What's that lyric in the opening track, serve of the
- 31:26Speaker 2: servants or teenage.
- 31:27Speaker 1: Angst teenage anks is paid off well now on board
- 31:30Speaker 1: and old.
- 31:31Speaker 2: Wow. I mean that's the first I think the literally
- 31:35Speaker 2: the first line.
- 31:36Speaker 1: In the entire first line in the album.
- 31:39Speaker 2: Yeah, talk about where it was recorded because it was
- 31:41Speaker 2: chosen specifically to keep the press away, and also the producer,
- 31:45Speaker 2: who sadly just passed away, Steve Albini, took a flat fee, so.
- 31:50Speaker 1: Again they wanted to distance there themselves from the fake fan.
- 31:54Speaker 1: They picked Steve Albini as the producer because he could
- 31:59Speaker 1: get that hard sound while sounding pure at the same time.
- 32:05Speaker 1: He took a flat fee. He was definitely a man
- 32:07Speaker 1: of principle, even though it's a sizable sum. I believe
- 32:11Speaker 1: he took one hundred thousand dollars. It might have been more,
- 32:15Speaker 1: but he lost millions and royalties. They picked PAKADRM Studios
- 32:21Speaker 1: in now you're really testing my memory. I forget the town,
- 32:27Speaker 1: but packader was in the middle of nowhere again here
- 32:30Speaker 1: we go.
- 32:31Speaker 2: Yeah, Minnesota can fall Minnesota.
- 32:34Speaker 1: Yeah, so it was February in Minnesota, snow everywhere. Packaderam
- 32:40Speaker 1: was a studio, but it was also it had living quarters,
- 32:43Speaker 1: so they spent two weeks together with Albini and another
- 32:49Speaker 1: engineer Courtney eventually showed up as well. They they picked
- 32:54Speaker 1: this isolated area for a number of reasons, to distance
- 32:57Speaker 1: themselves from the press, but also, unfortunately, to limit Kurt's
- 33:02Speaker 1: risk of relapse. He was at a time where his
- 33:06Speaker 1: addiction was really out of control. I don't know if
- 33:09Speaker 1: they were successful in limiting his use in that environment,
- 33:13Speaker 1: but everything that I've read about those two weeks approximate
- 33:17Speaker 1: two weeks in at Paty Durham it was a great time.
- 33:22Speaker 1: I would love to see some footage. There's very little.
- 33:25Speaker 1: There's some photos, but every photo there smile and having
- 33:29Speaker 1: a blast. It's really crazy again to think of the
- 33:33Speaker 1: turmoil going on with them in their private lives as
- 33:37Speaker 1: a band, but during those two weeks, they just pulled
- 33:41Speaker 1: it all together and made a epic masterpiece.
- 33:44Speaker 2: Yeah, in the middle of nowhere. So now I'm thinking
- 33:46Speaker 2: of speaking of photos, there's that photo of Kurt where
- 33:49Speaker 2: he's wearing what he's wearing a hat. It's like somebody
- 33:51Speaker 2: out of the movie Fargo. It's like it's a winter hat.
- 33:56Speaker 1: Is that?
- 33:57Speaker 2: What is? Because he was in Minnesota? Was he wearing
- 33:59Speaker 2: it there? You know what I'm talking about? Okay, I
- 34:03Speaker 2: gotta maybe I'll send it to you by by email
- 34:05Speaker 2: so you can. But I don't even know what you
- 34:07Speaker 2: call it. But you know, like like the movie Fargo,
- 34:10Speaker 2: where like the flaps come down and cover the ears
- 34:12Speaker 2: and it's like a big wool you know, big wool
- 34:15Speaker 2: thing on top of it almost looks like a raccoon. Yeah, yeah,
- 34:20Speaker 2: I wonder if that's what you know, that's where it
- 34:23Speaker 2: came from. Uh oh. The other thing is funny is
- 34:25Speaker 2: the name that Steve Albani had the nickname for Courtney.
- 34:28Speaker 1: Love Psycho hooseby Psycho.
- 34:32Speaker 2: Now why did he collar that?
- 34:34Speaker 1: Well? Those are two very strong personalities Albini and Corney Love.
- 34:40Speaker 1: It was completely expected that they would but he wanted
- 34:44Speaker 1: an environment of stability to make a good band. Again.
- 34:47Speaker 1: He was a man of principle and he did not
- 34:51Speaker 1: want the drama. And that's all Courtney Pratt was drama.
- 34:55Speaker 2: I'd love to get some film footage of that going down,
- 34:58Speaker 2: Steve alban Oh, yeah, out of here. Yeah. April eighth,
- 35:02Speaker 2: nineteen ninety four, the news that kurtkle Baine was dead.
- 35:04Speaker 2: I remember where I was. Where were you when you
- 35:07Speaker 2: heard the news of his suicide and it went through
- 35:09Speaker 2: your mind when you.
- 35:10Speaker 1: Heard it again. I was still a teenager at the time,
- 35:13Speaker 1: but it was hugely impactful. That was my band, like
- 35:18Speaker 1: the Beatles to others, and how Leon's John Lennon's death
- 35:23Speaker 1: was impactful. Freddie Mercury's death was impactful for Queen fans.
- 35:28Speaker 1: I was a Nirvana fan. I was hugely impacted. The
- 35:33Speaker 1: music industry changed, it was never the same, and there
- 35:38Speaker 1: were bands that came along obviously influenced by Nirvana, Silverchair Bush,
- 35:44Speaker 1: you know, all those nineties alternative post grunge bands. But
- 35:50Speaker 1: the uniqueness of Nirvana it was rare. It became rare,
- 35:57Speaker 1: scarce and hasn't been seen sense.
- 36:00Speaker 2: Yeah, it was just genuine and I never heard anything
- 36:03Speaker 2: with a mix of raw, just a sound overall production
- 36:07Speaker 2: of it, raw, the sound of the guitars, raw, but
- 36:11Speaker 2: yet undeniably catchy, I guess, for lack of a better word,
- 36:16Speaker 2: but it just it's something you go back to again
- 36:19Speaker 2: and again and again. It's like I was just telling
- 36:20Speaker 2: you before we started recording, I was listening to a
- 36:23Speaker 2: bunch of Nirvana this morning on my way to work,
- 36:26Speaker 2: bunch of Nirvana on my way home from work, and
- 36:29Speaker 2: just all of these songs that I know instantly. I
- 36:32Speaker 2: know the lyrics and the riffs. I think Kurtz underrated
- 36:36Speaker 2: as a guitarist. I know those were fans of the
- 36:39Speaker 2: eighties guitar and I'm a Van Halen fan, so I'm
- 36:42Speaker 2: a fan of those guitarists that technically, you know, technically proficient.
- 36:47Speaker 2: But the riffs that he came up with, the melodies,
- 36:50Speaker 2: the way he constructed a song, there's like nothing I
- 36:54Speaker 2: ever heard before since.
- 36:55Speaker 1: I've heard Nirvana described as basically a mix of Black
- 36:59Speaker 1: Satabeth and the Beatles, and I think that that's pretty accurate.
- 37:03Speaker 1: That is just a perfect combination of pop, metal, sludge
- 37:10Speaker 1: at everything.
- 37:11Speaker 2: If you're of a certain age, like I was nineteen twenty,
- 37:15Speaker 2: you were a teenager at the time, you got that
- 37:16Speaker 2: angst in you, that that the frustration of being a
- 37:20Speaker 2: teenager and late teens, early twenties, it was like that.
- 37:23Speaker 2: Just the sound of it too, because there was the
- 37:26Speaker 2: funny things like what is he saying? Like smells like
- 37:28Speaker 2: teen spirit they had My brother had the cassette single
- 37:31Speaker 2: and it had the lyrics on it, so then you
- 37:32Speaker 2: could actually read it because nobody knew what the hell
- 37:34Speaker 2: he was saying. But you didn't even need to know
- 37:38Speaker 2: what he was saying, really just to feel what was
- 37:40Speaker 2: coming out of him. Like you could connect with that
- 37:43Speaker 2: frustration and the angst that that he was feeling a
- 37:46Speaker 2: lot of people felt, and a lot of people that
- 37:50Speaker 2: I was wonder them. You're not the most popular kid,
- 37:52Speaker 2: you know. Kirk Kurt was that guy like you could
- 37:54Speaker 2: relate to that. He just kind of championed that whole movement.
- 38:00Speaker 2: He would be fifty eight. I mean, that's what's crazy.
- 38:03Speaker 2: This February. He'd be fifty eight. And you give some
- 38:05Speaker 2: statistics in the book that showed just how popular they
- 38:09Speaker 2: still are, thirty million listeners per month on Spotify. Four
- 38:13Speaker 2: of the top ten songs played on mainstream rock radio
- 38:16Speaker 2: are from Nirvana, Smells Like Teen Spirit, Come as You
- 38:19Speaker 2: Are in Bloom, and Withium all from Nevermind. Seventy five
- 38:23Speaker 2: million albums sold worldwide. And you know what was another
- 38:25Speaker 2: cool thing like with smells Like Teen Spirit, So he
- 38:28Speaker 2: was he was taking from the music that was like that,
- 38:31Speaker 2: the Smells Like Teen Spirit riff. He even said, it's
- 38:34Speaker 2: more than a feeling from Boston. So he's taking these
- 38:37Speaker 2: riffs and creating something completely unique. It sounds nothing like
- 38:44Speaker 2: anything that came before now there was I mean, punk
- 38:47Speaker 2: rock had already been there and all. I get that,
- 38:49Speaker 2: but it was just this combination again like that, that's
- 38:52Speaker 2: perfect Black Sabbath and the Beatles. What do you think
- 38:55Speaker 2: he'd be doing today if he was still with us?
- 38:59Speaker 2: Would he have has gone solo come back to Nirvana?
- 39:02Speaker 2: Because I think about this all the time. It was
- 39:04Speaker 2: just it's like Hendrix, he just was not around long enough.
- 39:08Speaker 2: Twenty seven years old.
- 39:10Speaker 1: I think Nirvana was on the way on their way
- 39:12Speaker 1: out in the spring of ninety four. In hindsight, there
- 39:17Speaker 1: was just so much turmoil, largely because of his addiction.
- 39:20Speaker 1: The last time he and Kris Novasalach ever saw each
- 39:24Speaker 1: other was in the Seattle Airport. Christ was driving making
- 39:29Speaker 1: an attempt to bring him to get him into rehab,
- 39:32Speaker 1: and they had a vicious argument, and that was the
- 39:34Speaker 1: last time he saw him. I think that just speaks
- 39:37Speaker 1: to just again the turmoil, the craziness in the Nirvana universe.
- 39:44Speaker 1: And I think Kurt made it pretty clear in a
- 39:46Speaker 1: number of ways that he wanted to try new things.
- 39:48Speaker 1: He had gotten very close with Michael Stipe in ninety four,
- 39:52Speaker 1: and there was some discussion about the two of them
- 39:55Speaker 1: recording together. So I think he would have gravitated towards
- 39:59Speaker 1: like a folk acoustic solo career, but we'll never know.
- 40:04Speaker 2: I think that too. But I also wonder enough time
- 40:07Speaker 2: past would he have gotten back with the guys and
- 40:11Speaker 2: did another run with Nirvana, because I think he would have,
- 40:15Speaker 2: you know, if he had enough time away from all
- 40:17Speaker 2: that craziness. You know, give another like ten years and
- 40:20Speaker 2: you know, two thousand and four we get, you get
- 40:23Speaker 2: the Nirvana reunion.
- 40:24Speaker 1: I mean, and Kris Novasalitch had a genuine brotherhood, Like, yeah,
- 40:31Speaker 1: all the footage I've seen, they they had something special.
- 40:36Speaker 1: Dave was a perfect addition Nirvana and was one of
- 40:42Speaker 1: the guys, but it was Chris and Kurt's band. When
- 40:47Speaker 1: I watch interviews with Chris nova Salitch overtime since her past, like,
- 40:53Speaker 1: he's not the same like he It had such an
- 40:56Speaker 1: impact on him. He's a different person.
- 41:00Speaker 2: He left music entirely. He got into politics, didn't.
- 41:03Speaker 1: He He's a huge into politics. Yeah, he tried some
- 41:08Speaker 1: musical ventures, but obviously nothing would compete with where he
- 41:12Speaker 1: had been.
- 41:13Speaker 2: Thankfully, there's four studio albums right because there's Bleach in Sesticide.
- 41:18Speaker 1: Inceesticide was a population album. Yeah, that was from eighty
- 41:24Speaker 1: seven to ninety two. That was every studio session rarities
- 41:29Speaker 1: B sides that was put together in December of ninety
- 41:34Speaker 1: two to basically capitalize on their capitalized keep the audience
- 41:39Speaker 1: at Bay until a proper studio album could come out,
- 41:42Speaker 1: which was eventually in utero.
- 41:45Speaker 2: Booked on rock podcast We'll be back after.
- 41:48Speaker 1: This, come out, Come out wherever you.
- 41:50Speaker 2: Are before the store on the formative years of America's
- 41:55Speaker 2: last great band. It's out now. You can find it
- 41:57Speaker 2: wherever books are sold, and where can people find you online?
- 42:01Speaker 1: Robert Well, I do have an Instagram page dedicated to
- 42:04Speaker 1: this book, but also just as a basically a celebration
- 42:08Speaker 1: of the band. I use the account to get the
- 42:11Speaker 1: book out there, but I also use it to just
- 42:14Speaker 1: kind of celebrate the impact Nirvana had. It's Nirvana Underscore
- 42:18Speaker 1: before Underscore, the Underscore Storm put a.
- 42:21Speaker 2: Link in the show notes if there was one song
- 42:24Speaker 2: that you would choose to introduce somebody to Nirvana that
- 42:28Speaker 2: never listened to them before, that would be like the
- 42:29Speaker 2: perfect gateway song. What would it be?
- 42:31Speaker 1: I've always been a sucker for dive. It's on its
- 42:35Speaker 1: side yes, and it just it's perfect. It's just I
- 42:40Speaker 1: never get tired of it. Lithium as well, but everyone
- 42:44Speaker 1: knows lithium, but dive to me is just it just
- 42:48Speaker 1: picks me up every time I hear it.
- 42:50Speaker 2: Robert Boyd, thanks man.
- 42:51Speaker 1: Thank you very much. That's it. It's in the books.