Latest / Beyond The Blood: A Horror Movie Commentary Podcast / After Hours - March 2025

Transcript

After Hours - March 2025 · Beyond The Blood: A Horror Movie Commentary Podcast

• 0:03
  Speaker 1: Woo.
• 0:03
  Speaker 2: It is raining cats and dogs out here. Hold on
• 0:06
  Speaker 2: one second, let me put my rain jacket down. Ah
• 0:09
  Speaker 2: all right, Welcome everyone to a brand new episode of
• 0:12
  Speaker 2: Beyond the Blood Podcast. I am your host, Chris Higgins.
• 0:16
  Speaker 2: I somebody going to go buy the on the internet
• 0:18
  Speaker 2: as Bearded film Guy. This is a very, very very
• 0:22
  Speaker 2: special episode for us. Not only is this the first
• 0:26
  Speaker 2: episode of After Hours, which is our new series where
• 0:29
  Speaker 2: we sit down and kind of discuss some physical media stuff.
• 0:32
  Speaker 2: We discussed movies that we watched in the previous month
• 0:35
  Speaker 2: on physical media, mostly genre films, but it'll be a
• 0:38
  Speaker 2: little bit of a variety. But also we've added a
• 0:42
  Speaker 2: new host, and if you were a fan of the show,
• 0:45
  Speaker 2: you've seen him before. My buddy Steve from After Hours
• 0:49
  Speaker 2: Video is now officially a host on Beyond the Blood
• 0:52
  Speaker 2: Podcast and this is the first episode of him full
• 0:56
  Speaker 2: time on the show. He was incredible before he came
• 0:59
  Speaker 2: on My buddy Valentine episode. We loved every second of it.
• 1:03
  Speaker 2: We were seeking out a third person to join the
• 1:06
  Speaker 2: ranks and we couldn't think of a better person. So
• 1:10
  Speaker 2: moving forward, you're gonna hear him. But this is the
• 1:12
  Speaker 2: honorary kickoff episode for him on the show. But on
• 1:18
  Speaker 2: this show, each of us are gonna be talking about
• 1:20
  Speaker 2: three physical media releases that we watched in the previous month.
• 1:24
  Speaker 2: This is the March episode, so we're very excited to
• 1:27
  Speaker 2: dive into it. Kind of bring a little bit more
• 1:30
  Speaker 2: of a relaxed kind of hangout show. It's a little
• 1:32
  Speaker 2: bit shorter than our traditional episodes. But listen, it's raining
• 1:37
  Speaker 2: bad out here. That thunder isn't letting up. I need
• 1:40
  Speaker 2: you to get some snacks. I need you to get
• 1:42
  Speaker 2: a couple of drinks, hunkered down. Enjoy this episode and
• 1:46
  Speaker 2: I'll see you guys on the next one. Welcome to
• 1:49
  Speaker 2: Beyond the Blood after Hours, Steve, Welcome to your first
• 2:01
  Speaker 2: episode officially on the show. I hope it feels good, man.
• 2:05
  Speaker 2: I hope you feel at home and welcome.
• 2:08
  Speaker 1: Thanks. Man. I'm super stoked to be here and be
• 2:11
  Speaker 1: a part of this and I'm excited to talk all
• 2:14
  Speaker 1: things movies and physical media with you guys.
• 2:18
  Speaker 2: Yeah. We I remember hitting up Chuck about the idea
• 2:21
  Speaker 2: of bringing you on, and I was like, I can't
• 2:25
  Speaker 2: think of a better way to kind of like bring
• 2:31
  Speaker 2: the show forward, like to another level. And after the
• 2:36
  Speaker 2: my blode Valentine episode. I was like, damn. I was like,
• 2:39
  Speaker 2: I think Steve would be really good on here full time.
• 2:42
  Speaker 2: And it was actually the same with Brian from Last
• 2:44
  Speaker 2: Movie Standing. And then I was like, as much as
• 2:47
  Speaker 2: I love Brian, I was like, if I have Brian
• 2:48
  Speaker 2: on every single episode, I was like, every episode's gonna
• 2:50
  Speaker 2: be five and a half hours a long. So yeah,
• 2:55
  Speaker 2: that was fun. But no, seriously, man, I appreciate you
• 2:58
  Speaker 2: being a part of this. Thanks for saying yes. I
• 3:01
  Speaker 2: was a little scared because you have a lot going
• 3:03
  Speaker 2: on as far as like growing your Instagram page and
• 3:06
  Speaker 2: your YouTube channel and all that stuff. So I was
• 3:08
  Speaker 2: hoping I wasn't interfering with any of that by asking
• 3:13
  Speaker 2: you to get involved in something else full time.
• 3:16
  Speaker 1: You know, no, not at all. I know when you
• 3:19
  Speaker 1: initially had reached out to me about it, I was
• 3:21
  Speaker 1: like super excited to, you know, be a part of this.
• 3:23
  Speaker 1: And I remember seeing these slate of movies that you
• 3:26
  Speaker 1: guys were discussing in the near future after that my
• 3:28
  Speaker 1: Bloody Valentine episode, and I'm not gonna lie, I was like,
• 3:32
  Speaker 1: low key kind of like jealous because I wanted to
• 3:35
  Speaker 1: chime in on each one of those movies you guys
• 3:37
  Speaker 1: were talking about. So pretty excited to be able to
• 3:40
  Speaker 1: be a part of that going forward with you guys.
• 3:42
  Speaker 2: Hell yeah, dude, we're stoked. Chuck. How are you, man?
• 3:45
  Speaker 2: How's things treating you lately?
• 3:48
  Speaker 1: Good?
• 3:48
  Speaker 3: I've been pretty good recently. I have no complaints. But yes, Steve,
• 3:53
  Speaker 3: welcome to the show. It's awesome to have you on here.
• 3:55
  Speaker 1: Man. Thank you.
• 3:56
  Speaker 3: It was a no brainer when Chris asked me if
• 3:59
  Speaker 3: it was all right for you to join the show.
• 4:00
  Speaker 3: It's just like, yep, immediately, yes, it didn't even hesitating.
• 4:05
  Speaker 1: Well, I appreciate it, guys.
• 4:06
  Speaker 2: And do you want to tell everybody about your City
• 4:09
  Speaker 2: of Living Dead experience recently?
• 4:13
  Speaker 3: Yes, I watched I was doing a rewatch the City
• 4:16
  Speaker 3: that the Living Dead last night and fell asleep like
• 4:18
  Speaker 3: maybe thirty minutes in.
• 4:21
  Speaker 1: I can only imagine the dreams and or nightmares that
• 4:25
  Speaker 1: you had as a result of that. Dude.
• 4:28
  Speaker 3: My dreams are wild in general, Like, even if I'm
• 4:30
  Speaker 3: not watching a horror movie before I go to sleep,
• 4:32
  Speaker 3: I have some weird dreams. I feel you will say
• 4:37
  Speaker 3: last last night was weird.
• 4:40
  Speaker 2: I feel like though we're part of that generation of
• 4:42
  Speaker 2: the fall asleep with the DVD menu on, or like
• 4:45
  Speaker 2: fall asleep with the TV channel on that turned into
• 4:49
  Speaker 2: Girls Going Wild at two am. So I feel like
• 4:51
  Speaker 2: we're built a little differently to what we can.
• 4:54
  Speaker 3: Falling asleep with the like you know, watching Cartoon Network
• 4:56
  Speaker 3: and next you know, it's like two o'clock in the morning.
• 4:58
  Speaker 3: It's like Girls Gone Mild Themes song I'm playing, and
• 5:00
  Speaker 3: you're like, what the hell.
• 5:02
  Speaker 1: Dude, Like I think I think.
• 5:04
  Speaker 2: The worst was like falling asleep with DVDs and then
• 5:07
  Speaker 2: just having to.
• 5:08
  Speaker 3: Hear the forty five seconds and then your view was yeah,
• 5:12
  Speaker 3: and then you're just too tired and lazy to get
• 5:13
  Speaker 3: up and turn it off. You're just like whatever, Well that's.
• 5:17
  Speaker 2: When you lose the remote every single time.
• 5:19
  Speaker 1: Yeah, right, Oh my god, dude.
• 5:25
  Speaker 2: Well, welcome back to be on the Blood Blood. As
• 5:31
  Speaker 2: we explained the intro, this is a cool one. This
• 5:34
  Speaker 2: this little segment we're doing, it's called after Hours, and
• 5:36
  Speaker 2: this is just us hanging out. We're planning on doing
• 5:39
  Speaker 2: this every month, and what we're basically going to be
• 5:43
  Speaker 2: doing is just talking about three titles each that we've
• 5:46
  Speaker 2: picked up in the previous month. So we're talking about
• 5:49
  Speaker 2: we picked up I'm sorry that we watched in the
• 5:51
  Speaker 2: previous month on physical media. So, as I explained in
• 5:54
  Speaker 2: the intro, we are giant physical media fans. This is
• 5:59
  Speaker 2: what we do, this is what we support this. This
• 6:02
  Speaker 2: podcast was born out of audio commentaries that are ninety
• 6:07
  Speaker 2: nine percent on physical media. So every month we're buying,
• 6:12
  Speaker 2: we're watching this endless cycle. We were actually just talking
• 6:15
  Speaker 2: about how much money we spent on physical media before
• 6:17
  Speaker 2: we went live. But you know, I wanted to do
• 6:21
  Speaker 2: something where at least once a month we could hang
• 6:24
  Speaker 2: out without having to discuss a podcast and have this
• 6:27
  Speaker 2: extremely structured show. That way, people who you know are
• 6:32
  Speaker 2: listening to the show and don't follow us on Instagram
• 6:35
  Speaker 2: or don't know whis personally can kind of get an
• 6:37
  Speaker 2: idea of who we are and why we support this
• 6:39
  Speaker 2: so much, and still get to talk about movies and
• 6:42
  Speaker 2: bullshit and hang out do exactly what we're doing now.
• 6:45
  Speaker 2: So I thought this would be you know, a fun,
• 6:48
  Speaker 2: a fun, little extra every month. I mean, what do
• 6:51
  Speaker 2: you guys think?
• 6:54
  Speaker 1: Yeah?
• 6:54
  Speaker 2: Like that.
• 6:54
  Speaker 1: It gives us. I like that, it gives us a
• 6:56
  Speaker 1: chance to talk about like more of the physical media
• 6:59
  Speaker 1: side of things are just home video in general, you know,
• 7:03
  Speaker 1: obviously the discussion is always the most important part of it.
• 7:06
  Speaker 1: But being able to, you know, talk about like some
• 7:09
  Speaker 1: of the more recent releases or maybe titles we've been
• 7:12
  Speaker 1: wanting to pick up for some time. I think that
• 7:14
  Speaker 1: that's like another fun side of it.
• 7:16
  Speaker 3: Yeah, and it's also like a good way to talk
• 7:19
  Speaker 3: about movies that we may not get around to cover
• 7:22
  Speaker 3: in a full episode as well.
• 7:25
  Speaker 2: Yeah, I mean we watched so much. Like I was
• 7:28
  Speaker 2: just looking at my letterbox today and I watched, let's
• 7:32
  Speaker 2: see this year, I've logged one hundred and thirteen titles.
• 7:39
  Speaker 1: For this year.
• 7:40
  Speaker 2: Yeah.
• 7:41
  Speaker 1: Oh man, I told you I'm going to hit three
• 7:43
  Speaker 1: sixty five by the end of the year.
• 7:46
  Speaker 2: Well, I think we're ninety five days in the new year,
• 7:49
  Speaker 2: so it's something like that. It's like ninety It was
• 7:52
  Speaker 2: like ninety six or nine. I remember. I remember thinking
• 7:54
  Speaker 2: today that I had more movie watches than we had
• 7:57
  Speaker 2: days in the year so far. But I will say
• 8:01
  Speaker 2: I do stay up pretty late usually watching a movie.
• 8:07
  Speaker 2: Also on my days off, I typically can fit in
• 8:10
  Speaker 2: like three or four because I'll put stuff on, like
• 8:14
  Speaker 2: and it's not new. Everything I log is not new.
• 8:16
  Speaker 2: It could be something I've seen a million times, so
• 8:19
  Speaker 2: that probably contributes, you know, like watching a couple's retreat
• 8:23
  Speaker 2: for the tenth time in a year or something like
• 8:26
  Speaker 2: those background watches that you just put on. Yeah, so
• 8:30
  Speaker 2: we watch a lot like today alone, I watched Primal
• 8:33
  Speaker 2: Rage from the movie It's great, and then I watched
• 8:37
  Speaker 2: Doctor Strange in a Multiverse of Madness.
• 8:40
  Speaker 1: So that's quite the double feature, you know.
• 8:44
  Speaker 2: All right, So everything in my collection, I use clz
• 8:48
  Speaker 2: to log the collection, right, and everything I put into collection,
• 8:52
  Speaker 2: I add is not seen. And then when I don't
• 8:56
  Speaker 2: have anything in particular that I want to watch, I
• 8:58
  Speaker 2: come into the movie room and I do this sh
• 9:00
  Speaker 2: shake thing, so it'll just pick a random title and
• 9:04
  Speaker 2: then I'll watch usually whatever that is.
• 9:06
  Speaker 1: Oh man, that's fun.
• 9:08
  Speaker 2: So that was that was literally today. I woke up,
• 9:11
  Speaker 2: I like, you know, was ready for the day. I
• 9:13
  Speaker 2: was like, yeah, let me chill out watching my Primal
• 9:14
  Speaker 2: Rage came up. I'm like cool, and then it was
• 9:16
  Speaker 2: Doctor Doctor Strange and Multiverse Madness and I had never
• 9:20
  Speaker 2: seen it. I owned it, yeah, but I had never
• 9:23
  Speaker 2: seen it. So I was like, oh fuck. I was like,
• 9:24
  Speaker 2: let me watch that. And uh had a pretty good
• 9:26
  Speaker 2: time with it.
• 9:27
  Speaker 1: Little Sam Rai reaction.
• 9:29
  Speaker 2: I mean, I mean, dude, he is his style was
• 9:34
  Speaker 2: on full display. I just wish we could see the
• 9:39
  Speaker 2: non Kevin Figee cut because you can be unhinged. Yeah, yeah,
• 9:45
  Speaker 2: like we need to we need to pull Zack Snyder
• 9:47
  Speaker 2: Justice League on that thing. But yeah, yeah, yeah, the
• 9:53
  Speaker 2: three hour cut of Doctor Strange and the Multiverse of Madness.
• 9:56
  Speaker 2: Oh my god, but yeah, I have my I three
• 10:00
  Speaker 2: picked out one of you guys. How about how about Steve?
• 10:04
  Speaker 2: Since you this is your first full hosting appearance, do
• 10:09
  Speaker 2: you want to talk about your first title.
• 10:11
  Speaker 1: That you have? Yeah? So the first movie I wanted
• 10:16
  Speaker 1: to discuss was Cruising William Freakin's Cruising with al Pacino.
• 10:22
  Speaker 1: This was such an awesome watch, especially with it being
• 10:29
  Speaker 1: in four K, and the last time I watched it,
• 10:31
  Speaker 1: it was it did not look this this nice, but
• 10:35
  Speaker 1: it gave me a whole new appreciation for just how
• 10:39
  Speaker 1: well done this film was. Have you guys, either of
• 10:42
  Speaker 1: you guys watched it or I have not?
• 10:48
  Speaker 2: I so, for full transparency, we actually recorded one of
• 10:53
  Speaker 2: these episodes a couple a couple of nights ago, and
• 10:56
  Speaker 2: it was way too long, so we slimmed it down
• 10:59
  Speaker 2: and I was watching a documentary that brought up Cruising,
• 11:05
  Speaker 2: and it showed a lot and talked a lot about
• 11:07
  Speaker 2: the movie, so I only know it from that perspective.
• 11:10
  Speaker 2: I've never seen it in full.
• 11:13
  Speaker 1: Well, it's I think, as far as William Freakin's movies,
• 11:17
  Speaker 1: Go to Live and Die in la is probably my
• 11:21
  Speaker 1: favorite film that he directed, but I would put Cruising
• 11:24
  Speaker 1: as a close second. I know that a lot of
• 11:28
  Speaker 1: his praise comes from like The French Connection or The Exorcist,
• 11:32
  Speaker 1: and don't get me wrong, I love those movies, but
• 11:35
  Speaker 1: there's just something about like the fringe, giallo slasher element
• 11:40
  Speaker 1: to Cruising that I really gravitate towards. I have to say,
• 11:45
  Speaker 1: for the subject matter for this movie, it's pretty heavy,
• 11:49
  Speaker 1: especially at the during the time that this was filmed
• 11:53
  Speaker 1: and released. But yeah, I mean it's I know, it
• 11:57
  Speaker 1: was like super controversial when it was being filmed and
• 12:00
  Speaker 1: there was a lot of pushback on the movie. So
• 12:04
  Speaker 1: but Aero Video did a phenomenal job with the transfer,
• 12:08
  Speaker 1: and it's just I'm super stoked to have that in
• 12:11
  Speaker 1: my collection now.
• 12:13
  Speaker 2: Yeah that you know, For as much as I love Shallow's,
• 12:16
  Speaker 2: I also love the shallow adjacent kind of categories, which
• 12:21
  Speaker 2: there was a lot of, especially in American cinema at
• 12:25
  Speaker 2: that time, because Jallo, I don't think had fully come
• 12:28
  Speaker 2: to the US yet, so a lot of a lot
• 12:31
  Speaker 2: of directors were bringing some of that influence, especially I
• 12:34
  Speaker 2: think Freedkiem of Cruising Brian de Palma is probably the most,
• 12:38
  Speaker 2: you know, the biggest example that you could point out
• 12:40
  Speaker 2: at that time, and Cruising I never really knew and
• 12:46
  Speaker 2: I really still don't know how to categorize it in
• 12:49
  Speaker 2: a genre, and I don't think everything needs to be categorized,
• 12:52
  Speaker 2: but I definitely think of it as in the same
• 12:56
  Speaker 2: aspect of kind of like Maniac that ced underbelly, like
• 13:03
  Speaker 2: fifty second Street underside of New York that nobody ever
• 13:06
  Speaker 2: saw or people forget kind of existed.
• 13:08
  Speaker 1: It's really gritty, like it's just a very grimy field
• 13:12
  Speaker 1: to New York City that you don't see in more
• 13:15
  Speaker 1: recent movies. But yeah, I agree, it's it's very much
• 13:19
  Speaker 1: in the vein of Maniac or the New York Ripper
• 13:23
  Speaker 1: with that aesthetic.
• 13:25
  Speaker 2: I once saw somebody it might have been Letterbox, it
• 13:29
  Speaker 2: might have been some other platform, but somebody once explained
• 13:32
  Speaker 2: Maniac as you constantly feel like there's a syringe like
• 13:38
  Speaker 2: like it feels like any moment a stter ridge could
• 13:40
  Speaker 2: pierce your skin. And I was like, I was like,
• 13:43
  Speaker 2: that sounds a little crazy. Then I remember rewatching Maniac
• 13:45
  Speaker 2: and I was like, yeah, this feels pretty authentic. Yeah, like,
• 13:48
  Speaker 2: you know, it just feels like that.
• 13:50
  Speaker 1: It's an interesting way to describe it. But I don't
• 13:52
  Speaker 1: think it's too far off though.
• 13:54
  Speaker 2: I think it was one of those, you know, the
• 13:55
  Speaker 2: letterbox that try to get the most liked review com
• 14:00
  Speaker 2: It was like one of those reaches kind of like
• 14:02
  Speaker 2: the Twitter retweet or the X retweet, like you know,
• 14:08
  Speaker 2: quotes that people put up where they try to make
• 14:11
  Speaker 2: it as like all, look how unique this is, and
• 14:13
  Speaker 2: people react to it, you know what I mean. Yeah,
• 14:17
  Speaker 2: but I have that action. Yeah, yeah, yeah, I have
• 14:20
  Speaker 2: that release. I'm very excited to check it out. I
• 14:22
  Speaker 2: do appreciate the leather style slip cover of the box,
• 14:26
  Speaker 2: the slip box to the box.
• 14:28
  Speaker 1: They Aero's been knocking it out with that. And I
• 14:32
  Speaker 1: know we were talking about Deep Blue Sea not that
• 14:36
  Speaker 1: long ago, but that's another one where they're very very
• 14:39
  Speaker 1: unique looking on the shelf and I got to appreciate,
• 14:43
  Speaker 1: you know, whoever's in charge of making those choices.
• 14:46
  Speaker 2: It's two opposite sides of the coin there, Like Cruising
• 14:48
  Speaker 2: is so minimal, I think it's perfect, and then Deep
• 14:51
  Speaker 2: Blue cy is like outrageous. All this color the art
• 14:54
  Speaker 2: is crazy too, totally different, and both of them are great.
• 14:58
  Speaker 2: I love both.
• 14:59
  Speaker 1: I will tell you you that. For Deep Blue c
• 15:02
  Speaker 1: when I come down and I look at like my shelves,
• 15:05
  Speaker 1: that instantly is like one of the first titles that
• 15:07
  Speaker 1: I notice. Easy.
• 15:08
  Speaker 2: I can see it right behind you right now. Actually
• 15:14
  Speaker 2: another one that stands out too, just looking at your shelf.
• 15:16
  Speaker 2: I know people can't see. But is the blue arrow
• 15:19
  Speaker 2: shallow Essentials? That one pokes out real heavy.
• 15:23
  Speaker 1: Yeah, it's a unique color scheme.
• 15:26
  Speaker 2: Yeah, yeah, but great, great choice, man, I need to
• 15:30
  Speaker 2: get on that. I think it's on my list to
• 15:35
  Speaker 2: watch to talk about next month, Like I think it's
• 15:37
  Speaker 2: on I think I'm gonna watch it this month finally,
• 15:40
  Speaker 2: But Chuck, what do you got for us? Man? What's
• 15:41
  Speaker 2: your what's your first pick?
• 15:43
  Speaker 1: Yeah?
• 15:43
  Speaker 3: So for the first movie I'm going to talk about,
• 15:45
  Speaker 3: we're gonna be talking about nineteen eighty six.
• 15:48
  Speaker 1: Is Trick or Treat?
• 15:50
  Speaker 3: Oh dude, Rocket that was released by Red Shot, Red Shirt,
• 15:54
  Speaker 3: Oh my God, red Shirt home video and syneps. Nice
• 15:57
  Speaker 3: little four K got some no really good art on
• 16:02
  Speaker 3: the front.
• 16:04
  Speaker 2: But yeah, would think of the movie itself.
• 16:07
  Speaker 1: I had a blast with it.
• 16:08
  Speaker 3: This was my first time watching it and it was
• 16:11
  Speaker 3: just no fun, fun ride from start to end, especially
• 16:16
  Speaker 3: being a fan of heavy metal music.
• 16:20
  Speaker 2: Yeah, that movie rules really hard. Man. We on the
• 16:25
  Speaker 2: first time we recorded, I talked about how much I
• 16:28
  Speaker 2: really appreciated that that four K transfer. I think that
• 16:31
  Speaker 2: transfer is definitively I no longer think one of the
• 16:36
  Speaker 2: best I've ever seen, especially for an eighties movie, And
• 16:40
  Speaker 2: I think Steve would pretty would back me pretty good
• 16:43
  Speaker 2: on that.
• 16:44
  Speaker 1: That was It's up there as far as like, especially
• 16:48
  Speaker 1: for one of the releases last year, because I felt
• 16:51
  Speaker 1: like we had been waiting so long for this to
• 16:53
  Speaker 1: get released and I wasn't quite sure if it would
• 16:57
  Speaker 1: meet my expectations, especially for like how long we were
• 17:00
  Speaker 1: waiting on it. But man, that that transfer was out
• 17:04
  Speaker 1: of this world. Yeah, we definitely put it up there
• 17:06
  Speaker 1: for sure.
• 17:08
  Speaker 2: Yeah. Yeah, Chuck, what did you think of of Ozzy
• 17:13
  Speaker 2: Osbourne and Gene Simmons in that one?
• 17:16
  Speaker 3: Surprisingly we talked about this before I was very surprised
• 17:20
  Speaker 3: with Gene Simmons's opped in in that movie. I did
• 17:24
  Speaker 3: not expect him to be as good as he was. Yeah,
• 17:28
  Speaker 3: And just seeing Ozzie play like you know this, you
• 17:32
  Speaker 3: know church goer that was talking down on metal was
• 17:34
  Speaker 3: a pretty fun sight to see, especially everything that was
• 17:38
  Speaker 3: going on with the whole Satanic panic thing back in
• 17:40
  Speaker 3: the eighties.
• 17:42
  Speaker 2: See Ozzy is super cool, but that feels like a
• 17:45
  Speaker 2: special guest appearance, Like yeah, it feels like Gene Simmons
• 17:49
  Speaker 2: just fits right in.
• 17:51
  Speaker 1: Like yeah.
• 17:52
  Speaker 2: My wife was like questioning whether or not she was like,
• 17:54
  Speaker 2: oh my god, that's Gen Simmons. I'm like, yeah, he's good.
• 17:56
  Speaker 2: He's he's actually really good.
• 17:58
  Speaker 3: Yeah, because I saw that he was in the film,
• 18:01
  Speaker 3: and when the disc jockey first popped up, I was like,
• 18:04
  Speaker 3: he kind of looks like Gene Simmons, but the way
• 18:05
  Speaker 3: he's acting, I don't think that's him. And then a
• 18:08
  Speaker 3: couple of seconds later I was like, Nope, it's Gene Simmons.
• 18:10
  Speaker 3: He's doing pretty damn good.
• 18:13
  Speaker 1: Yeah. Shocked to say the least.
• 18:16
  Speaker 2: There there's a lot about that movie that I like,
• 18:18
  Speaker 2: and surprisingly that movies really team it was. It was
• 18:22
  Speaker 2: much more team than I was expecting. It kind of
• 18:24
  Speaker 2: felt like, I don't know, you know, at that time,
• 18:28
  Speaker 2: the ratings things were all off, but it like it
• 18:30
  Speaker 2: could almost passes like a PG movie, Like it was
• 18:35
  Speaker 2: very much more team than I was expecting. My favorite
• 18:39
  Speaker 2: scene was the scene in the car mm hm, and
• 18:42
  Speaker 2: not because of the nudity, just because.
• 18:44
  Speaker 1: Of how cool okay I was about I was about
• 18:47
  Speaker 1: to ask.
• 18:49
  Speaker 2: I mean, no, no, no, I don't think. I don't
• 18:52
  Speaker 2: think it's that, man. I think it's the I think
• 18:54
  Speaker 2: it's the way it's shot. It's the you know, the
• 18:58
  Speaker 2: crazy and crazy demon, the really gross effect when she
• 19:02
  Speaker 2: pulls the headphone off or when he pulls the headphones
• 19:04
  Speaker 2: off of her, and the year kind of comes with it.
• 19:07
  Speaker 1: Yeah, that was really gnarly. Yeah.
• 19:10
  Speaker 2: Yeah, it was cool though. And I mean, of all
• 19:13
  Speaker 2: the movies that came out during like the rock and
• 19:16
  Speaker 2: roll Satanic Panic Era, I do think that's probably my favorite.
• 19:23
  Speaker 2: And I think it's the best representation. Like I think
• 19:26
  Speaker 2: if anybody was like, hey, what was going on at
• 19:29
  Speaker 2: this time? I don't understand it, I'd be like, oh,
• 19:31
  Speaker 2: watch this movie.
• 19:32
  Speaker 1: Can we appreciate though? That as Red Shirt Pictures first release,
• 19:39
  Speaker 1: I like it's a grand slam just across the board,
• 19:42
  Speaker 1: the presentation, the transfer. I mean, the last time that
• 19:46
  Speaker 1: I saw that movie was on VHS, so to see
• 19:49
  Speaker 1: it in such a prestige format was like a night
• 19:52
  Speaker 1: and day difference.
• 19:54
  Speaker 2: Yeah, and that release a great booklet with three incredible
• 19:59
  Speaker 2: like two great right ups, and then right up from
• 20:01
  Speaker 2: the owner of Red Shirt himself, Mike great right up
• 20:05
  Speaker 2: about kind of his history with the movie and the
• 20:07
  Speaker 2: journey to making it a reality. Fantastic making of documentary.
• 20:13
  Speaker 2: And I'd be remissed to mention that they just announced
• 20:17
  Speaker 2: prom Night, the prom Night sequels, and they announced nine
• 20:23
  Speaker 2: seven six, Evil Too and Fright Night and Fright Night Too. Yeah,
• 20:27
  Speaker 2: you're right. I knew there was one more I was missing.
• 20:30
  Speaker 2: So if if it's half the quality that we got
• 20:35
  Speaker 2: with this, they're gonna be blowing it out of the
• 20:37
  Speaker 2: park with those. And I'm sure that these are more
• 20:39
  Speaker 2: team ups with with Synapps.
• 20:42
  Speaker 1: I just know that any of those movies are in
• 20:44
  Speaker 1: good hands. And I believe another one that they have
• 20:47
  Speaker 1: in the work. Yeah, I believe another one that they
• 20:49
  Speaker 1: have in the works is Hunter's Blood. So like any
• 20:52
  Speaker 1: of those, like, I'm super stoked about that.
• 20:56
  Speaker 2: Yeah. Yeah, I'm very excited man, and I'm happy for
• 21:00
  Speaker 2: Mike over at Red Shirt and proud to have, you know,
• 21:04
  Speaker 2: gotten one of the limited editions from him. You know,
• 21:08
  Speaker 2: now for people listening, the limited editions are sold out,
• 21:11
  Speaker 2: but the standard edition is out and it has a
• 21:13
  Speaker 2: beautiful slipcover. I think the slipcover on those are great,
• 21:17
  Speaker 2: so good, A good watch, a great, great soundtrack in
• 21:22
  Speaker 2: that movie as well. Oh yeah, absolutely so I'm gonna
• 21:26
  Speaker 2: kick off talking about a little movie from nineteen eighty
• 21:30
  Speaker 2: five called House. You guys know about this one.
• 21:34
  Speaker 1: I just recently watched that, so it's good timing.
• 21:37
  Speaker 2: Yeah, this was a Steve Minor movie. This was a
• 21:41
  Speaker 2: story by Fred Decker. As we know, this is kind
• 21:47
  Speaker 2: of the perfect I kind of consider it a perfect
• 21:50
  Speaker 2: horror comedy in a way. What's so fascinating to me
• 21:54
  Speaker 2: is that you have Steve Minor, who directed Friday thirteen,
• 21:57
  Speaker 2: two and three. Sean Cunningham produced his House, So Sean
• 22:01
  Speaker 2: Cunningham is the reason this movie even happened. And then
• 22:04
  Speaker 2: you have Harry Manfordini doing the music. So the score
• 22:06
  Speaker 2: to this is very Friday the thirteenth, But how much
• 22:12
  Speaker 2: fun this movie is From beginning to end. It's got
• 22:16
  Speaker 2: an incredible practical effects that aren't afraid to be silly.
• 22:21
  Speaker 2: It has some genuinely deep and dark topics it takes on,
• 22:27
  Speaker 2: especially conservating the Vietnam War, which is wild to me.
• 22:32
  Speaker 2: The whole sublot about Vietnam. I was, I remember the
• 22:35
  Speaker 2: first time being amazed even brought that up.
• 22:37
  Speaker 1: Well, because I feel like you have to strike such
• 22:39
  Speaker 1: a balance, especially with dealing with something that's, like, you know,
• 22:43
  Speaker 1: it's pretty heavy subject matter. So yeah, I feel like
• 22:46
  Speaker 1: if you hadn't of given it the proper care, it
• 22:49
  Speaker 1: could have really thrown off the movie. Yeah, that movie
• 22:53
  Speaker 1: is so rich in atmosphere, like it's crazy.
• 22:56
  Speaker 2: Yeah, it is in everything from there's a great making
• 23:00
  Speaker 2: of documentary on the error release that I have for
• 23:02
  Speaker 2: this movie that that delved into a lot that I
• 23:06
  Speaker 2: was kind of wondering about. One being the incredible production
• 23:10
  Speaker 2: design of the house. So clearly there was an external
• 23:13
  Speaker 2: a real house, but then the inside the house was
• 23:15
  Speaker 2: built on a set and it feels so cohesive. From
• 23:19
  Speaker 2: what you see, it's like an older Victorian, larger house,
• 23:24
  Speaker 2: but the inside looks incredible. The monsters look great. There's
• 23:29
  Speaker 2: a variety of like these big headed, clearly like rubber
• 23:32
  Speaker 2: suit monsters at show up and then to kind of
• 23:38
  Speaker 2: end it with the big bad being Big Ben, a
• 23:40
  Speaker 2: six foot six tall, corroded pow as of living in
• 23:46
  Speaker 2: another world as a villain is awesome and I always
• 23:51
  Speaker 2: just have a ton of fun with this movie. George
• 23:54
  Speaker 2: Went as Harold the Neighbor is fantastic. He's great comedic relief.
• 24:00
  Speaker 2: And this movie never feels like it's trying to be funny.
• 24:05
  Speaker 2: It's it's not like adding in humor just to add
• 24:08
  Speaker 2: in humor. It just flows so well. I always have
• 24:13
  Speaker 2: such a great time with it.
• 24:17
  Speaker 1: Can you say the same thing about the sequels?
• 24:20
  Speaker 2: I can't I do it, man, dude. I got like
• 24:24
  Speaker 2: five minutes in the House too, and I was like,
• 24:26
  Speaker 2: I cannot do this, man, I'm done.
• 24:29
  Speaker 1: It's just I don't think it. Yeah, I don't think
• 24:33
  Speaker 1: it quite captured that same magic from the first one.
• 24:37
  Speaker 2: You I mean, I don't know how you can even
• 24:42
  Speaker 2: try to without having you know, Steve Minor obviously a
• 24:47
  Speaker 2: very well respected capable director, Sean Cunningham as a producer,
• 24:51
  Speaker 2: and I think Sean Cunningham might have produced House too.
• 24:54
  Speaker 2: I can't remember, uh perfectly offhand, but yeah, it just
• 24:57
  Speaker 2: doesn't feel the same. Man. It's almost like for how
• 25:00
  Speaker 2: To the magic's kind of gone. It just doesn't feel
• 25:03
  Speaker 2: And then there's three and four, which I've never even
• 25:04
  Speaker 2: attempted to see before.
• 25:05
  Speaker 1: So I think you're right about Sean Cunningham.
• 25:14
  Speaker 2: Yeah, but at what point the term producer is either
• 25:20
  Speaker 2: like hands on impacting the end result of the film,
• 25:25
  Speaker 2: or it's like you signed your name under producer and
• 25:28
  Speaker 2: then you had nothing to do with it ever.
• 25:29
  Speaker 1: Again, Well, and they're saying the story is by Fred Decker,
• 25:33
  Speaker 1: So it just makes me wonder like how much involvement
• 25:37
  Speaker 1: they actually had in it, because I'll be honest, it
• 25:41
  Speaker 1: didn't really feel like the same tone, Like I felt
• 25:43
  Speaker 1: like it got really like leaned more on the comedy
• 25:47
  Speaker 1: side of things. I mean, it's it's fine for what
• 25:52
  Speaker 1: it is, but I feel like the first one's kind
• 25:55
  Speaker 1: of in its own tier. Yeah.
• 25:58
  Speaker 2: Yeah, I'm waiting on this to get a four K.
• 26:01
  Speaker 2: I think this Blu ray looks great and it's available
• 26:03
  Speaker 2: in the US. Got the House two Stories, which is
• 26:07
  Speaker 2: a clever name collection, and then overseas there's like the
• 26:11
  Speaker 2: House Collection from Arrow, which is all four I do
• 26:14
  Speaker 2: think this movie would look great in four K. And
• 26:18
  Speaker 2: also like my copy of it bothers me because it's
• 26:21
  Speaker 2: an Arrow released with a blue case instead of beer. Yeah,
• 26:29
  Speaker 2: and these Blu Ray these Arrow cases are like, I
• 26:33
  Speaker 2: feel like they're thicker than regular Blu Ray cases, like
• 26:36
  Speaker 2: they're more squared off. So I haven't been able to
• 26:38
  Speaker 2: find a replacement for Did.
• 26:39
  Speaker 1: You get that as a standalone?
• 26:42
  Speaker 2: Yeah? I think I bought this on Amazon some years ago.
• 26:46
  Speaker 1: Yeah.
• 26:46
  Speaker 2: So, but yeah, that's House from nineteen eighty five. Great
• 26:50
  Speaker 2: making up documentary. Good Blu Ray from Arrow, Steve, you
• 26:55
  Speaker 2: got something else for us?
• 26:57
  Speaker 1: So the next one I wanted to talk about was
• 27:00
  Speaker 1: Sweet Alice.
• 27:01
  Speaker 2: Nice.
• 27:02
  Speaker 1: So this film came out in nineteen seventy six. It's
• 27:06
  Speaker 1: considered I would say, more of like a slasher, but
• 27:11
  Speaker 1: I would I think revisiting it, you could also consider
• 27:16
  Speaker 1: it more of like an American Giallo. So I know
• 27:19
  Speaker 1: we were talking about Cruising earlier and it felt like
• 27:22
  Speaker 1: this would also be in the same conversation. But it was.
• 27:28
  Speaker 3: Not.
• 27:28
  Speaker 1: Only was the transfer incredible from Aero, the movie itself
• 27:33
  Speaker 1: has just had me on the edge of my seat
• 27:35
  Speaker 1: the entire time. It's really well done, lots of twists
• 27:39
  Speaker 1: and turns throughout the movie you think you know who
• 27:42
  Speaker 1: the killer is and has you second guessing the entire time,
• 27:46
  Speaker 1: all the way up until the very end of the film.
• 27:48
  Speaker 1: But that's another one. That and Cruising are two films
• 27:51
  Speaker 1: that recently Arrow has knocked out of the park, and
• 27:55
  Speaker 1: I can't recommend them enough anyone who maybe hasn't seen them.
• 28:01
  Speaker 2: You have the Arrow exclusive slip.
• 28:04
  Speaker 1: Cover, right, Yeah, so I had to. I had to
• 28:08
  Speaker 1: jump on that one just because I feel like that
• 28:10
  Speaker 1: that that cover art is so iconic. Yeah, with the
• 28:16
  Speaker 1: knife and the dow.
• 28:18
  Speaker 2: Yeah. I mean, I like the yellow of the traditional
• 28:21
  Speaker 2: poster art that we've come to know, but that's so
• 28:25
  Speaker 2: much better, man. Yeah, there it is.
• 28:27
  Speaker 1: Yeah.
• 28:29
  Speaker 2: Yeah again another Yallo adjacent.
• 28:33
  Speaker 1: Yeah, there's a little bit of a theme going. Yeah,
• 28:36
  Speaker 1: oh yes, there is.
• 28:40
  Speaker 2: They if I remember correctly, the director and we brought
• 28:45
  Speaker 2: this up last time and I haven't looked at it anymore.
• 28:47
  Speaker 2: But I think he had some issues with what was
• 28:52
  Speaker 2: the original.
• 28:53
  Speaker 1: Title that movie, Community Union.
• 28:57
  Speaker 2: I think he had some issues with a religion he
• 28:59
  Speaker 2: was a part of something about how he got kicked
• 29:01
  Speaker 2: out or there was something having to do with some
• 29:05
  Speaker 2: religious differences. He had and that's what kind of inspired
• 29:10
  Speaker 2: that movie.
• 29:11
  Speaker 1: So it's interesting because just reading a little bit into it,
• 29:15
  Speaker 1: I guess they're I mean, and I can see it
• 29:17
  Speaker 1: after revisiting the movie. But there's a lot of Hitchcock
• 29:20
  Speaker 1: influence to it, and they drew influence from Don't Look Now,
• 29:25
  Speaker 1: which is another I would consider that like a Giallow
• 29:28
  Speaker 1: adjacent film, which I highly recommend if anyone out there
• 29:32
  Speaker 1: hasn't seen it. But yeah, just across the board, this
• 29:36
  Speaker 1: is just such a very, very interesting movie and like
• 29:42
  Speaker 1: I said, it keeps you on the edge of your
• 29:43
  Speaker 1: seat the entire time.
• 29:45
  Speaker 2: And features are really early Brooke Shields right correct.
• 29:49
  Speaker 1: Yep. They definitely lean pretty heavy into advertising her in
• 29:53
  Speaker 1: the movie, and she is not in it that much.
• 29:57
  Speaker 2: Yeah, I mean unfortunately as as things went.
• 30:02
  Speaker 1: Back then, Yeah, exactly.
• 30:05
  Speaker 2: Speaking of Shallow Adjacent, I think, Chuck, you have a
• 30:09
  Speaker 2: you have a pick for us.
• 30:10
  Speaker 1: It's pretty the perfect segue. Yes.
• 30:14
  Speaker 3: So for my next movie we're gonna be talking about
• 30:17
  Speaker 3: is going to be the third and the final film
• 30:19
  Speaker 3: in Ti West ex trilogy, Maxine, Yeah, which, yeah, Jallow Adjacent.
• 30:28
  Speaker 3: Like you said, it was again another first time watching
• 30:32
  Speaker 3: all there all three films, I'm talking about were first
• 30:33
  Speaker 3: time watch this for me. I remember talking to you
• 30:36
  Speaker 3: Chris after watching these films, and yeah, I loved it.
• 30:42
  Speaker 3: I love Maxine. I know a lot like you said,
• 30:44
  Speaker 3: people didn't like the ending. They thought it wasn't like
• 30:47
  Speaker 3: a great ending for Maxine herself. They kind of wrote
• 30:51
  Speaker 3: this movie off in a way. But I loved it.
• 30:55
  Speaker 2: It's it's hard with trilogies, man, Like I don't don't think.
• 31:01
  Speaker 2: I don't really consider that trilogy like in the same
• 31:06
  Speaker 2: vein as I would consider like, I don't know, it's
• 31:11
  Speaker 2: like a traditional trilogy.
• 31:14
  Speaker 1: Yeah.
• 31:14
  Speaker 2: Yeah, For some reason, my brain went the fifty shades
• 31:16
  Speaker 2: of gray. Oh boyfty shades free fifty shades. I don't
• 31:20
  Speaker 2: know why my brain went.
• 31:21
  Speaker 1: To that, which I have very different definitions of trilogies.
• 31:26
  Speaker 2: I think. I think with Tywey, I interpret what he
• 31:28
  Speaker 2: was going for as like, we can create this through line.
• 31:32
  Speaker 2: But it's a pretty good excuse to capture three totally
• 31:37
  Speaker 2: unique different eras of film obviously, like seventies Grindhouse with X, thirties,
• 31:44
  Speaker 2: forties fifties Technicolor with Pearl, and then seventies eighties Yellow
• 31:50
  Speaker 2: with Maxine. And I think Maxine like knocks it out
• 31:54
  Speaker 2: of the park. It doesn't. It doesn't feel movies today
• 31:59
  Speaker 2: feel like they're trying to look and feel like the
• 32:04
  Speaker 2: movies they're they're inspiring from. Maxine feels like it's from
• 32:09
  Speaker 2: that era. It doesn't feel like it's trying. It's just
• 32:11
  Speaker 2: so naturally that all the way through. I love it
• 32:16
  Speaker 2: so much.
• 32:18
  Speaker 3: Yeah, and it was great and be A Got's performance
• 32:20
  Speaker 3: and it's just so good in all three films. She
• 32:23
  Speaker 3: does an amazing job.
• 32:26
  Speaker 1: I felt like there was a little bit of Brian
• 32:27
  Speaker 1: to Palma influence on it, not leaning too heavily on it,
• 32:32
  Speaker 1: but it felt like there was some scenes in there
• 32:35
  Speaker 1: that I felt like, you know, paid a nice homage
• 32:39
  Speaker 1: to some of his works.
• 32:41
  Speaker 2: Well, you can kind of look at it as like
• 32:44
  Speaker 2: I guess you can say, and spoiler alert, this movie's
• 32:48
  Speaker 2: been out for a year now, so fast forward a
• 32:51
  Speaker 2: couple of seconds if you don't want to hear it.
• 32:53
  Speaker 2: But the death scene in the video store, it's like,
• 32:57
  Speaker 2: you can say that was very Gentofolgie, or you could
• 33:01
  Speaker 2: say it was very dressed to kill yeah, Brian Obama,
• 33:04
  Speaker 2: you know, but Brian DePalma was was copying, not copying
• 33:08
  Speaker 2: but sending homage to Jello with that, So then now
• 33:12
  Speaker 2: we have an homage being homaged in Maxine, you know
• 33:17
  Speaker 2: what I mean. But there's so much about that movie.
• 33:21
  Speaker 2: I love one being like the title card on the
• 33:24
  Speaker 2: license plate, believe it or not, as much as I
• 33:31
  Speaker 2: love me a Goth, And I think her performance is good.
• 33:35
  Speaker 2: Maxine is my least favorite portrayal of that character of
• 33:40
  Speaker 2: the third Yeah, so in X, she's still like what's
• 33:48
  Speaker 2: the word I'm looking for, Like, she's confident when she's
• 33:52
  Speaker 2: on coke.
• 33:54
  Speaker 1: Yeah, confident, I feel like most people are.
• 33:59
  Speaker 2: But there's like a little bit of restraint to her character.
• 34:04
  Speaker 2: And then in Perl, obviously she's playing a different character,
• 34:07
  Speaker 2: but her performance is incredible in that Maxine, she's like
• 34:11
  Speaker 2: so confident, you know what I mean? She is, And
• 34:14
  Speaker 2: I get that she a lot has changed since the
• 34:17
  Speaker 2: events of X, but like when she walks out of
• 34:20
  Speaker 2: the out of the audition in the beginning and she's like,
• 34:23
  Speaker 2: I fucking nailed that, like like y'all better just go home.
• 34:28
  Speaker 2: I'm like, man, you are confident. But her performance is
• 34:32
  Speaker 2: great in doing that.
• 34:33
  Speaker 1: You know, where would you guys rank Maxine compared to
• 34:39
  Speaker 1: the rest of the trilogy.
• 34:42
  Speaker 3: For me personally, I would say number two, right behind X.
• 34:47
  Speaker 2: I would agree, Yeah, that's probably what I would I
• 34:51
  Speaker 2: think last time I might have said it was my favorite,
• 34:53
  Speaker 2: but in the times since I rewatched, I would probably
• 34:56
  Speaker 2: say X is still my favorite.
• 35:00
  Speaker 1: Respectively. For each one of the entries, I feel like
• 35:04
  Speaker 1: they're you can you can watch them either on their
• 35:06
  Speaker 1: own or if you watch them in order. But either way,
• 35:10
  Speaker 1: I mean, they all they all have their own identity.
• 35:13
  Speaker 1: That's why I like most about that trilogy. It's very unconventional,
• 35:16
  Speaker 1: and I think I I personally, I feel like I
• 35:19
  Speaker 1: lean a little bit more towards X because it kind
• 35:21
  Speaker 1: of captures it, like you were talking about Chris, like
• 35:24
  Speaker 1: grind House, Slash or aesthetic that to me is a
• 35:27
  Speaker 1: little bit more rewatchable in the same being as like
• 35:30
  Speaker 1: something like Texas Chainsaw or like Friday the Thirteenth. But
• 35:34
  Speaker 1: Maxine is you know, it's a pretty tall task to
• 35:38
  Speaker 1: to stick the landing, you know, to end a trilogy,
• 35:40
  Speaker 1: and I thought that film did a really nice job.
• 35:44
  Speaker 2: X also has a better set of like supporting characters
• 35:52
  Speaker 2: as well. You know, Maxine, outside of her her friend
• 35:57
  Speaker 2: that works at the video store, you barely get to
• 35:59
  Speaker 2: know like Halsey's character or the other character, you barely
• 36:03
  Speaker 2: get to know them. In X, you have like almost
• 36:05
  Speaker 2: like this ensemble with Kid Cutty, Britney Snow, Jenna Ortega.
• 36:10
  Speaker 2: You know, there's a lot of side characters that you
• 36:12
  Speaker 2: get into, so I feel like there's a little bit
• 36:13
  Speaker 2: of a different investment with them kind of surrounding me
• 36:17
  Speaker 2: a goth and then of course Pearl and her husband
• 36:20
  Speaker 2: living in a house. Like there's a lot to kind
• 36:22
  Speaker 2: of get into with that movie and enjoy. And also
• 36:26
  Speaker 2: X is funny, Like it's a very funny movie to me,
• 36:30
  Speaker 2: Like it's just the humor is really good and it's
• 36:34
  Speaker 2: so ridiculous, you know what I mean.
• 36:37
  Speaker 1: Actually, it has easily one of my favorite soundtracks out
• 36:40
  Speaker 1: of all three of the movies, with Chelsea Wolf and
• 36:45
  Speaker 1: Tyler Bates on it. That's one that I come back
• 36:48
  Speaker 1: to every now and again to listen listen to.
• 36:51
  Speaker 2: On the side, there's a moment in X where my
• 36:56
  Speaker 2: wife pointed out to me when we saw this in theaters, which,
• 37:00
  Speaker 2: by the way, we saw this in theaters and not
• 37:02
  Speaker 2: even seeing like a trailer or anything, so we had
• 37:05
  Speaker 2: no idea what we were going in for But there's
• 37:07
  Speaker 2: a scene where Kid cut he opens the door and
• 37:11
  Speaker 2: he's literally dick swinging because they make comments the whole
• 37:14
  Speaker 2: time about how big he is, how big his packages,
• 37:18
  Speaker 2: and yeah, there's like a shot of him backlit, so
• 37:22
  Speaker 2: it's just a silhouette and Erica was.
• 37:24
  Speaker 1: Like, do you do you see that?
• 37:30
  Speaker 2: So I just had to add that for the humor
• 37:32
  Speaker 2: of art. I thought that was pretty funny, just saying so,
• 37:36
  Speaker 2: speaking of swinging, let's swing over and talk about my
• 37:40
  Speaker 2: second pick. Let's talk about that's about David Lynch's nineteen
• 37:49
  Speaker 2: eighty classic The Elephant Man. Sorry, I couldn't hold that
• 38:01
  Speaker 2: one together as much as much as I tried. Yes,
• 38:05
  Speaker 2: that was my second pick. Thank you, thank you, thank
• 38:09
  Speaker 2: you for my second pick. Yes, nineteen eighties The Elephant Man.
• 38:14
  Speaker 2: We watched this on the Criterion Blu ray release. This
• 38:20
  Speaker 2: was first of all, I just want to set the
• 38:22
  Speaker 2: vibe of why we picked to watch this. It was
• 38:26
  Speaker 2: like a seventy degree day here in Jersey, sunset had
• 38:30
  Speaker 2: just happened, it was raining, and I was just really
• 38:33
  Speaker 2: in the mood for something little like gothic, but I
• 38:39
  Speaker 2: didn't feel like going into the universal monsters and I
• 38:42
  Speaker 2: hadn't seen The Elephant Man in a long time, so
• 38:46
  Speaker 2: I had picked up the Criterion Blu ray And there's
• 38:49
  Speaker 2: a couple of things about this movie. I just want
• 38:52
  Speaker 2: to say, I think, beginning to end, this is a
• 38:53
  Speaker 2: perfect movie. There's nothing wrong with it. Five stars, bona
• 38:58
  Speaker 2: fide classic in my opinion. The look of this movie
• 39:06
  Speaker 2: shot in black and white, the look of this movie
• 39:08
  Speaker 2: is perfect. This is again it feels like it belongs
• 39:12
  Speaker 2: in the thirties. It just has this perfect black and
• 39:17
  Speaker 2: white toned to it. But also I found out from
• 39:22
  Speaker 2: reading the booklet Criteria included that the reason this movie
• 39:26
  Speaker 2: exists in the way that it does is because of
• 39:28
  Speaker 2: Melt Brooks. And this was the first movie under Brooks
• 39:30
  Speaker 2: Films where he pretty much like let David Lynch do
• 39:34
  Speaker 2: his thing. There wasn't a lot of interference, if any
• 39:37
  Speaker 2: at all. And this was his first major studio film
• 39:41
  Speaker 2: because he shot Eraserhead over four years, which I didn't
• 39:45
  Speaker 2: know either.
• 39:48
  Speaker 1: No, I didn't either, Yeah, over four.
• 39:50
  Speaker 2: Years he shot Eraserhead and obviously that was what it was.
• 39:54
  Speaker 2: So for imagine your studio debut being The Elephant Man.
• 40:01
  Speaker 2: That's crazy, crazy to have you guys seen this one.
• 40:08
  Speaker 3: I watched it a long time ago with my grandfather,
• 40:11
  Speaker 3: but I haven't watched it since something. I have to
• 40:14
  Speaker 3: revisit sometime soon.
• 40:17
  Speaker 1: It's been a minute since I've seen it, but I
• 40:19
  Speaker 1: know when we were talking before this episode, you brought
• 40:22
  Speaker 1: that movie up. I was like, man, it's been a
• 40:24
  Speaker 1: while since I've seen that. It's definitely one I need
• 40:26
  Speaker 1: to rewatch for sure.
• 40:28
  Speaker 2: Yeah, dude, it's incredible. Anthony Hopkins is fantastic. John Hurt
• 40:33
  Speaker 2: plays John Merrick, who is a titular elephant man. Incredible
• 40:38
  Speaker 2: performances in here. The ending is absolutely heartbreaking. Of course,
• 40:44
  Speaker 2: you have the iconic moment in the train station where
• 40:48
  Speaker 2: when he gets chased by a crowd and he yells,
• 40:51
  Speaker 2: I am a human being, I'm not a monster. Like
• 40:55
  Speaker 2: this movie beginning to end is a roller coaster ride
• 40:59
  Speaker 2: of you feeling good for people who don't know. This
• 41:03
  Speaker 2: is a story of John Merrick, who is a severely
• 41:07
  Speaker 2: disfigured man who was part of a like a circus,
• 41:11
  Speaker 2: a side show of like a freak show circus performance.
• 41:15
  Speaker 2: He sort of gets saved by Anthony Hopkins character, who
• 41:18
  Speaker 2: is a doctor Treeves. He sort of gets saved by
• 41:21
  Speaker 2: him and begins, he treats him like a human being,
• 41:24
  Speaker 2: and you find out that he's actually really intelligent in
• 41:27
  Speaker 2: his ability to speak and all this stuff, and he
• 41:29
  Speaker 2: kind of begins to build a life of his own.
• 41:31
  Speaker 2: And there's these ups and downs along the way, but
• 41:35
  Speaker 2: just an incredible performance, Incredible performances all around. This movie
• 41:39
  Speaker 2: is technically brilliant. David Lynch incredible direction, and at the
• 41:45
  Speaker 2: end of the day, it's very powerful. And I think
• 41:47
  Speaker 2: if anybody's looking to explore cinema and like, if you
• 41:53
  Speaker 2: want to approach things in that way, which is like
• 41:55
  Speaker 2: I'm going to learn about the history of film and
• 41:57
  Speaker 2: I really want to become like film scholar academic, I
• 42:00
  Speaker 2: think The Elephant Man is a must watch just because
• 42:04
  Speaker 2: of the brilliance of Lynch's approach. He never treats him
• 42:08
  Speaker 2: like a monster. He never wants does he treat this
• 42:13
  Speaker 2: character like a monster, and he is more human than
• 42:18
  Speaker 2: most of the other humans portrayed in a movie. From
• 42:20
  Speaker 2: beginning to end, you like this guy more than anybody else.
• 42:26
  Speaker 1: I feel like that film is like a standout in
• 42:29
  Speaker 1: Lynch's filmography, just because it's so like it's like a
• 42:34
  Speaker 1: gut punch of a movie. Yes, Whereas I feel like
• 42:38
  Speaker 1: his other films, while I appreciate them on so many levels,
• 42:43
  Speaker 1: they don't carry that same type of emotional weight. I mean,
• 42:46
  Speaker 1: maybe fire Walk with Me in a different way, But
• 42:49
  Speaker 1: The Elephant Man is definitely It's a it's pre in
• 42:53
  Speaker 1: depth character study.
• 42:55
  Speaker 2: It is, and I think you can see a lot
• 42:58
  Speaker 2: of the early influence of where he would go later
• 43:02
  Speaker 2: in his career. Like David Lynch with like Twin Peaks
• 43:06
  Speaker 2: and stuff, you still have like a little bit of
• 43:09
  Speaker 2: that wild imagery with some of the nightmares that we
• 43:11
  Speaker 2: see of his, especially the beginning of the movie and
• 43:13
  Speaker 2: the end of the movie, so you kind of see
• 43:15
  Speaker 2: a little bit of that. But I think this is
• 43:18
  Speaker 2: a really interesting kind of moment in his filmography that
• 43:24
  Speaker 2: I actually end up liking. Like I'm a Lynch fan,
• 43:28
  Speaker 2: but I feel like this is one now that he's passed,
• 43:33
  Speaker 2: that I will continue to come back to, you know
• 43:35
  Speaker 2: what I mean. So my second pick was The Elephant Man,
• 43:40
  Speaker 2: put out by Criterion, which does have a great booklet.
• 43:43
  Speaker 2: You will hear me always talk about how good booklets are.
• 43:46
  Speaker 2: A great write up. It is an excerpt, I think
• 43:48
  Speaker 2: from a book written about David cron or David Cronberg. Oh,
• 43:53
  Speaker 2: my god, David Lynch, my apologies. Speaking of apologies, I
• 43:58
  Speaker 2: think Steve you got you got one more to talk
• 44:00
  Speaker 2: about with us.
• 44:01
  Speaker 1: If anything, I'm unapologetic for my last choice, and that
• 44:06
  Speaker 1: is City of the Living Dead. I've been waiting this
• 44:09
  Speaker 1: entire episode to talk about this movie.
• 44:10
  Speaker 3: You know, by the way you got to put Chuck
• 44:13
  Speaker 3: to sleep, I was gonna say I didn't fall asleep
• 44:16
  Speaker 3: because I was bored. I'm just gonna put that out
• 44:18
  Speaker 3: there just in case anybody wants to get mad at me.
• 44:21
  Speaker 2: But you are apologetic about falling asleep thirty minutes in.
• 44:25
  Speaker 1: Yeah, okay, Well accept that apology.
• 44:28
  Speaker 2: Then go on, Steve, talk your heart out about this one.
• 44:34
  Speaker 1: Okay. So the release that I watched recently, it's uh
• 44:40
  Speaker 1: Cauldron was the one who released this. So this was
• 44:42
  Speaker 1: a long time coming but definitely worth the wait. So
• 44:47
  Speaker 1: for those of you guys that don't know, I'm a
• 44:49
  Speaker 1: big fan of Luccio Faulci and the Gates of Hell
• 44:52
  Speaker 1: trilogy is probably my favorite trilogy of all time. But
• 44:55
  Speaker 1: this film is just absolute nightmare fuel. If you guys
• 45:01
  Speaker 1: ever want to get me going about talking about film,
• 45:05
  Speaker 1: diving into Italian horror Giallo, any of that stuff. I
• 45:09
  Speaker 1: am big fan through and through, so it was fun
• 45:12
  Speaker 1: to revisit this. I haven't watched it since I initially
• 45:16
  Speaker 1: picked this up, but man, i'll tell you what, the
• 45:19
  Speaker 1: transfer looks incredible. The presentation of like the just like
• 45:23
  Speaker 1: the packaging as a whole cauldron, put a lot of
• 45:26
  Speaker 1: love into it, and I just have so much appreciation
• 45:29
  Speaker 1: for that, you know, especially because it's one of my
• 45:30
  Speaker 1: favorite movies.
• 45:32
  Speaker 2: Yeah, the movie's awesome. Man. I think in the Gates
• 45:37
  Speaker 2: of Hell trilogy, I think it has the most disturbing
• 45:44
  Speaker 2: sequence of any of them, which is the throwing up
• 45:46
  Speaker 2: of all of your insides in a car scene. Yeah,
• 45:50
  Speaker 2: that was gnarley, dude, It's so gross. And then like
• 45:54
  Speaker 2: it keeps cutting, it keeps cutting back and forth because
• 45:57
  Speaker 2: one thing I love about Luciofolgi is that he's never
• 46:00
  Speaker 2: afraid to show like the the like the dummy, Like
• 46:05
  Speaker 2: you can always tell it's a dummy during a practical
• 46:07
  Speaker 2: EF factor if it's not a dummy, And they cut
• 46:11
  Speaker 2: between this medium shot of her and you could just
• 46:14
  Speaker 2: tell that she's pushing things out of her mouth, and
• 46:17
  Speaker 2: then it cuts to these like close ups of a matted,
• 46:20
  Speaker 2: you know, mouth, and it's just like the works coming out,
• 46:23
  Speaker 2: and it keeps cutting between those and what is like
• 46:27
  Speaker 2: her liver she like cops up her whole entire liver
• 46:30
  Speaker 2: after puking up all of her intestines on all of
• 46:33
  Speaker 2: her other insides. It's it's such a great scene, man.
• 46:37
  Speaker 3: And then immediately crushes the back of her boyfriend's skull afterwards.
• 46:40
  Speaker 2: Yep, yep. Yeah, And you got so many scenes. What
• 46:44
  Speaker 2: is it? Is it? Uh? What's the scene with the
• 46:49
  Speaker 2: My god, It's been so long since I've watched any livingit.
• 46:51
  Speaker 2: Is it flies or is it locust? What is it
• 46:53
  Speaker 2: that comes into the house?
• 46:56
  Speaker 1: Oh, I I'm totally drawing a blank. I was about
• 46:59
  Speaker 1: to bring up the drills scene, which is another one.
• 47:02
  Speaker 1: It's just it's completely out of left field. And I
• 47:05
  Speaker 1: don't even know like how justified it was for why
• 47:08
  Speaker 1: it happened, but it definitely happened. And it lingers on
• 47:12
  Speaker 1: that shot for like the longest time. There's just so
• 47:16
  Speaker 1: many there's just so many moments in that movie that
• 47:20
  Speaker 1: just I remember the first time I watch it just
• 47:22
  Speaker 1: keeps you up at night, like it's just so creepy.
• 47:25
  Speaker 3: Yeah, especially that self inflating a blow up.
• 47:28
  Speaker 2: Duh, oh stop it. I'm trying to find the I'm
• 47:38
  Speaker 2: trying to find the the the bugs scene right now,
• 47:41
  Speaker 2: and I just can't remember what type of bugs it
• 47:45
  Speaker 2: is and I feel terrible not remembering that.
• 47:48
  Speaker 1: But well it it seemed like the perfect time to
• 47:51
  Speaker 1: revisit some of his movies, especially with Grindhouse getting well.
• 47:56
  Speaker 1: At the time of this recording, it's already been released,
• 47:59
  Speaker 1: but leading up to this, I was watching all his
• 48:02
  Speaker 1: other films before The Beyond came out, So that's another
• 48:05
  Speaker 1: personal favorite of mine.
• 48:07
  Speaker 2: Yeah, that beautiful four K.
• 48:10
  Speaker 1: I can't wait to dive into it.
• 48:12
  Speaker 2: Dude. That Cauldron Film's release is so good. And for
• 48:14
  Speaker 2: those who don't know, Cauldron Films is Diabolic DVD, so
• 48:20
  Speaker 2: the owner of Diabolic Cauldron is his label, and City
• 48:24
  Speaker 2: Living Dead came out a couple of years ago. I
• 48:26
  Speaker 2: have the Gates of Hell version of it, which is
• 48:29
  Speaker 2: just like an alternate slip cover basically. But props to
• 48:33
  Speaker 2: them for really like leaning into the Italian horror sub genre,
• 48:39
  Speaker 2: especially in the TV works, because this past year they
• 48:41
  Speaker 2: put out the the House of Horrors box set, Houses
• 48:45
  Speaker 2: of Doom or House of Doom. I'm sorry. Yeah, the
• 48:48
  Speaker 2: House of Doom box set, which is incredible. You have
• 48:50
  Speaker 2: two films in there from Lucio Fulci and two from
• 48:54
  Speaker 2: I think Berto Lenzi. Right, incredible set. And then they
• 48:58
  Speaker 2: have I know a box set coming out just got
• 49:02
  Speaker 2: delayed but another couple of months Bear Yeah, and again
• 49:07
  Speaker 2: four movies that were made for TV.
• 49:10
  Speaker 1: I will go on record and say the Houses of
• 49:13
  Speaker 1: Doom box set was one of my favorite releases from
• 49:17
  Speaker 1: last year.
• 49:19
  Speaker 2: Damn, I'll take that.
• 49:21
  Speaker 1: Yeah, high praise.
• 49:23
  Speaker 2: Yeah, No, that's a it's a fantastic box set, man.
• 49:27
  Speaker 2: And then now they've released them all separately, so if
• 49:29
  Speaker 2: anybody's listening, all fill all four of those films are
• 49:33
  Speaker 2: available on Cauldron or on Diabolic DVD on its own,
• 49:37
  Speaker 2: all four of all four. There's only one that I'm
• 49:40
  Speaker 2: not a big fan of, and that's Lucy's Sweet House
• 49:44
  Speaker 2: of Horrors. I don't think that one is very good,
• 49:46
  Speaker 2: but uh, you know, uh, the House of Clocks is
• 49:51
  Speaker 2: my my favorite of the Yeah, I was very surprised
• 49:55
  Speaker 2: by that. I started this set with the House of
• 49:57
  Speaker 2: Clocks and I was like, oh, this is gonna be awesome,
• 49:59
  Speaker 2: and then Sweet House of Horrors and I was like.
• 50:01
  Speaker 1: Oh no, I would say varying degree of quality for
• 50:09
  Speaker 1: each movie, but I'm happy to have that in the collection.
• 50:12
  Speaker 1: And that's what makes me so excited because I saw
• 50:15
  Speaker 1: the level of care that went into like first and
• 50:18
  Speaker 1: foremost City of the Living Dead, then with that box
• 50:21
  Speaker 1: set for the Houses of Doom, and with the Limberto
• 50:24
  Speaker 1: Baba box set coming up, it's like, if you guys
• 50:28
  Speaker 1: need to take your time putting that together by all means,
• 50:31
  Speaker 1: because I would rather that be like a finished product
• 50:34
  Speaker 1: and actually reflect like what you guys want to put
• 50:37
  Speaker 1: out than something that's like undercooked and you know it
• 50:40
  Speaker 1: doesn't stick the landing.
• 50:42
  Speaker 2: Well, just so the listeners know. It wasn't delayed for
• 50:46
  Speaker 2: any other like any negative reasons. It was delayed because
• 50:49
  Speaker 2: they actually added Italian audio to all four and they're
• 50:55
  Speaker 2: doing a full color booklet now as well.
• 50:58
  Speaker 1: It's gonna be worth the way, yep, yep.
• 51:00
  Speaker 2: So it was pushed back a month. But it was
• 51:02
  Speaker 2: one of those ones where when I read why it
• 51:04
  Speaker 2: was delayed, I was like, Okay, I'm good, like I'm fine,
• 51:07
  Speaker 2: fine with that.
• 51:08
  Speaker 1: And the just on the side note, I know, was
• 51:12
  Speaker 1: it Arrow who released City of the Living Dead? And
• 51:14
  Speaker 1: House House by the Cemetery as well that they did
• 51:17
  Speaker 1: like a separate box set. Yep, yeah, those in their
• 51:22
  Speaker 1: own right, very nice releases. But I'm definitely happy with
• 51:27
  Speaker 1: the Cauldron release and Blue Underground for a House by
• 51:30
  Speaker 1: the Cemetery, Yeah yeah, Arrow did.
• 51:33
  Speaker 2: I believe they did City the Living Dead back when
• 51:35
  Speaker 2: they were doing like the Window Box the UK exclusives
• 51:39
  Speaker 2: way way back when, and then they just did the
• 51:42
  Speaker 2: limited edition set last year along with a House by
• 51:45
  Speaker 2: the Cemetery. I don't. I don't own I have a
• 51:47
  Speaker 2: House by the Cemetery in their four K limited edition set.
• 51:51
  Speaker 2: I don't have the City of Living Dead. I was
• 51:52
  Speaker 2: perfectly fine with my like Cauldron release. So speaking of
• 52:00
  Speaker 2: dead and dying though, Chuck, what's your third.
• 52:03
  Speaker 1: Oh my god, someone to do a wellness chalk or
• 52:09
  Speaker 1: wellness check on chalk.
• 52:10
  Speaker 2: No, no, no wellness check on all of us. It's ten
• 52:13
  Speaker 2: o'clock at night and we're we're fading.
• 52:17
  Speaker 3: I wanted to bring this full circle because the reason
• 52:21
  Speaker 3: I even picked up this film in the first place
• 52:23
  Speaker 3: was because we were initially going to do this as
• 52:25
  Speaker 3: a bonus episode with Steve after we did My Bloody
• 52:29
  Speaker 3: Valentine and that is Sergio Martinos or so.
• 52:34
  Speaker 2: See Dead and Dying makes sense in my you know.
• 52:40
  Speaker 1: Chuck, it's never too late to do that deep dive episode.
• 52:42
  Speaker 1: I'm still I'm still always available for that.
• 52:44
  Speaker 2: It will happen, just so the audience knows. But but
• 52:49
  Speaker 2: what did you think it's towards?
• 52:52
  Speaker 1: It was wild? Was it what you were expecting?
• 52:57
  Speaker 3: Not at all? Especially that opening. I wasn't expecting to
• 53:02
  Speaker 3: be greeted by, you know, just a casual threesome going
• 53:05
  Speaker 3: on and photos being taken in stuff you got a man.
• 53:08
  Speaker 2: It is beautifully shot though, Like that opening scene is
• 53:12
  Speaker 2: incredibly respectful, very well shot, Chuck. I imagine you were like,
• 53:20
  Speaker 2: what is the most mean spirited Jalla movie I could find?
• 53:23
  Speaker 2: And then you just went right for Torso.
• 53:26
  Speaker 3: Yeah, based off the recommendation from you guys, which unfortunately
• 53:32
  Speaker 3: this is a second copy that I have because I
• 53:34
  Speaker 3: didn't realize it was in one of the Gallo Essentials.
• 53:37
  Speaker 1: That I got.
• 53:38
  Speaker 3: But hey, but this four K transfer looks beautiful.
• 53:42
  Speaker 1: Yeah. I think the four K makes up for it,
• 53:44
  Speaker 1: to be honest, Like, I don't I don't mind double
• 53:46
  Speaker 1: dipping just because I like that movie that much.
• 53:49
  Speaker 2: Yeah, Yeah, there's some stuff about Torso that I really love.
• 53:54
  Speaker 2: One being there's like this weird fantastical element to it.
• 54:00
  Speaker 2: Every kill kind of feels like you're transferred into like
• 54:04
  Speaker 2: a little bit of a different world, Like especially in
• 54:06
  Speaker 2: the woods after the girl gets high yep, and you
• 54:10
  Speaker 2: kind of entered like it looks like the swamp from
• 54:14
  Speaker 2: from Never Ending Story. Yeah, Like all of a sudden,
• 54:17
  Speaker 2: you're like, what the hell am I watched? It's beautifully shot,
• 54:20
  Speaker 2: like beautifully shot. Second, everybody, every female that you see
• 54:28
  Speaker 2: in this movie is naked at one point or another,
• 54:31
  Speaker 2: which is insane, absolutely insane.
• 54:36
  Speaker 3: I want to be the milkman, Yes, Yeah, I'm gonna
• 54:43
  Speaker 3: deliver the milk and bread every morning for them.
• 54:48
  Speaker 2: Yeah. And Third, the final like twenty five minutes of
• 54:55
  Speaker 2: this movie turns into a really tense, almost like a
• 54:58
  Speaker 2: thriller that takes place exclusively in a house, And I
• 55:03
  Speaker 2: love it because the movie changes its pace so quickly
• 55:10
  Speaker 2: and it's so memorable. How So basically like at the
• 55:15
  Speaker 2: end of the movie, they get, uh, the killer gets
• 55:18
  Speaker 2: to the house where our main girl we've been following
• 55:20
  Speaker 2: and all her friends are living, and suddenly it turns
• 55:23
  Speaker 2: into like a survival movie. And I love it so much.
• 55:30
  Speaker 1: Is really layered.
• 55:32
  Speaker 3: It is definitely Yeah, yeah, talk about anxiety and doucing
• 55:36
  Speaker 3: at that point in the movie as well.
• 55:40
  Speaker 2: Yeah, it is man and it's it's very like, I
• 55:44
  Speaker 2: don't know, I mean, I feel like trying to think
• 55:48
  Speaker 2: of what else I I feel like the only other
• 55:54
  Speaker 2: scene that I go back to and think about is
• 55:57
  Speaker 2: kind of like the scene in the apartment in Opera
• 56:03
  Speaker 2: m okay, where it's sort of like this tense you
• 56:07
  Speaker 2: don't know who's in the room, and the camera's swinging
• 56:09
  Speaker 2: around and moving a whole lot, And that's kind of
• 56:12
  Speaker 2: what's happening in Torso when she wakes up and slowly
• 56:14
  Speaker 2: we're revealing kind of what's happened while she was out,
• 56:19
  Speaker 2: and it just turns into and she's in. She's hurt.
• 56:22
  Speaker 2: She has a broken foot or something.
• 56:25
  Speaker 3: Yeah, she strained her ankle or something like that.
• 56:28
  Speaker 2: Yeah, she has some injuries. So now we're following the
• 56:30
  Speaker 2: main character who's trying to survive, who's injured. All her
• 56:34
  Speaker 2: friends are dead, and then there's like this brief thing
• 56:36
  Speaker 2: where the killer almost like skins one of them, or
• 56:39
  Speaker 2: like it's gonna cut off all the limbs, and it
• 56:41
  Speaker 2: gets really really wild in the third act, and it's
• 56:45
  Speaker 2: it's a lot of fun. I have a whole lot
• 56:47
  Speaker 2: of fun with.
• 56:47
  Speaker 1: It, oh yeah, and I've probably much enjoyed it. I
• 56:52
  Speaker 1: feel like that's like one of the early examples of
• 56:56
  Speaker 1: kind of bridging the gap between Giallo and like a
• 56:59
  Speaker 1: early slash. Sure, yeah, you know, just there's like elements
• 57:04
  Speaker 1: of both throughout the movie. But it's just like such
• 57:07
  Speaker 1: a well made movie. And Sergio Martino, like his track
• 57:11
  Speaker 1: record even lean up to that movie is just like
• 57:13
  Speaker 1: it's crazy. Yeah, it's got so many hits.
• 57:17
  Speaker 2: Yeah yeah, Well, speaking of hits, and let's talk about
• 57:21
  Speaker 2: him one more time for my third pick, because my
• 57:25
  Speaker 2: third I'm going with Lucio Fulci and The Psychic, which
• 57:30
  Speaker 2: so good. Oh dude. I watched this on the Seven
• 57:34
  Speaker 2: Films four K that they put out a couple of
• 57:37
  Speaker 2: years ago. Of this, it was interesting because I had
• 57:42
  Speaker 2: seen The Psychic before, obviously, never this good. Like I
• 57:45
  Speaker 2: do feel like this is one of those examples of
• 57:48
  Speaker 2: a four K transfer elevating the movie to another level
• 57:51
  Speaker 2: and me learning like finding that appreciation for it because
• 57:54
  Speaker 2: of this transfer. And what's really cool is that this
• 57:57
  Speaker 2: comes at an interesting time for Folgi because ful Chinese
• 58:01
  Speaker 2: filmography is huge, Like he did sex, comedies, comedies, all
• 58:07
  Speaker 2: kinds of stuff leading up to most of his post
• 58:11
  Speaker 2: zombie career, where he did a lot more horror. But
• 58:16
  Speaker 2: Psychic comes after a lizard in a woman's skin and
• 58:20
  Speaker 2: don't torture a duckling. So the Psychic, I mean, And
• 58:24
  Speaker 2: before this he did White Fang, Challenged a White Fang,
• 58:27
  Speaker 2: he did Dracula into Provinces, He did all these weird
• 58:30
  Speaker 2: little movies, and then The Psychic comes out in nineteen
• 58:32
  Speaker 2: seventy seven, and to me, I don't I can't immediately
• 58:40
  Speaker 2: think of Fulgi movies that are as unique as The Psychic,
• 58:46
  Speaker 2: because this is a movie that's incredibly tamed and restrained.
• 58:54
  Speaker 2: You're not getting over the top vicious violence like you
• 58:58
  Speaker 2: are in pretty much everything from nineteen seventy nine on
• 59:03
  Speaker 2: from him. This is much more of a sort of
• 59:07
  Speaker 2: a mystery movie, more kind of how it would play
• 59:11
  Speaker 2: it so to kind of explain to plot to people,
• 59:15
  Speaker 2: It's about a woman who gets visions, and she sees
• 59:19
  Speaker 2: the visions, these visions and like these flashes, and they
• 59:22
  Speaker 2: begin to start kind of start coming to life, and
• 59:24
  Speaker 2: we find out that they're actually premonitions and we're trying
• 59:27
  Speaker 2: we have kind of like some suspects of who committed
• 59:30
  Speaker 2: this crime. When this body is found and she gets
• 59:33
  Speaker 2: interwoven into all that and she teams up with her
• 59:39
  Speaker 2: psychiatrist to kind of start investigating and all this stuff.
• 59:44
  Speaker 2: And there is no violence in this movie except the
• 59:47
  Speaker 2: very beginning, a brief glimpse of it, and then a
• 59:53
  Speaker 2: tiny bit towards the end. That's it for Lucio Fulci movie.
• 59:57
  Speaker 2: That's that's all of it.
• 59:58
  Speaker 1: It's pretty subdued here to like I know, we were
• 1:00:01
  Speaker 1: talking about the Games of Hell trilogy or Zombie or
• 1:00:03
  Speaker 1: New York Ripper. It's it's very tame and it's more
• 1:00:08
  Speaker 1: of like I felt like watching the movie, it feels
• 1:00:10
  Speaker 1: like you're piecing together like puzzle pieces to try and
• 1:00:12
  Speaker 1: figure out like what exactly is going on throughout the movie,
• 1:00:16
  Speaker 1: and it's like, I think it's it's more I would
• 1:00:21
  Speaker 1: argue it's like almost like more cohesive narratively compared to
• 1:00:25
  Speaker 1: like some of his other films where it just feels like,
• 1:00:28
  Speaker 1: you know, like we're just being gory for the sake
• 1:00:30
  Speaker 1: of being gory, yeah, or just you know, there's kind
• 1:00:33
  Speaker 1: of like dream esque sequences that are going on and
• 1:00:37
  Speaker 1: some of its more horror films. But man, it's like
• 1:00:41
  Speaker 1: it's so good.
• 1:00:43
  Speaker 2: Yeah, and it's actually like very involving. Like I had
• 1:00:51
  Speaker 2: a ton of fun trying to kind of piece this
• 1:00:53
  Speaker 2: together in my head, because as the visions begin to
• 1:00:56
  Speaker 2: come to life and we start putting that together, we're
• 1:00:59
  Speaker 2: just as lost and as confused as our character is.
• 1:01:03
  Speaker 2: And it does a really good job at flipping everything
• 1:01:08
  Speaker 2: you think, everything that you suspect on its head. And
• 1:01:12
  Speaker 2: at the end of the movie, I was genuinely shocked
• 1:01:14
  Speaker 2: by where we went the direction because there's some things
• 1:01:17
  Speaker 2: that are brought up. One of the things they see
• 1:01:20
  Speaker 2: in Division is that the killer has a limp, and
• 1:01:23
  Speaker 2: they introduce some red herrings that have limps, and then
• 1:01:26
  Speaker 2: when we see the killer who it is at the
• 1:01:28
  Speaker 2: end and the reason they have a limp, it just
• 1:01:30
  Speaker 2: like completely took me. I was like, WHOA, I would
• 1:01:34
  Speaker 2: be a terrible detective because I never would have figured
• 1:01:36
  Speaker 2: this out at all. It's so smart, you know what
• 1:01:40
  Speaker 2: I mean? It's so smart and Fulci's direction is incredibly
• 1:01:44
  Speaker 2: confident all of the characters. There's even like a little
• 1:01:48
  Speaker 2: bit of humor in it with the I forget his name,
• 1:01:52
  Speaker 2: the guy that helps, like the partner to the main
• 1:01:54
  Speaker 2: detective who's just kind of like walking around neandering the
• 1:01:59
  Speaker 2: whole movie. He's like, I don't know what he's doing,
• 1:02:03
  Speaker 2: but he's just kind of next to a detective the
• 1:02:05
  Speaker 2: whole entire time and never helps at all. He's like
• 1:02:08
  Speaker 2: at one point he like bumps into a doorway when
• 1:02:11
  Speaker 2: he's leaving, and like, I don't know, it's just like
• 1:02:14
  Speaker 2: and sometimes when the character comes around, you get a
• 1:02:15
  Speaker 2: little bit of that like kookie music. But it's fun,
• 1:02:19
  Speaker 2: you know. And I genuinely like at the end of it,
• 1:02:23
  Speaker 2: I was like, I'm gonna keep coming back to this
• 1:02:25
  Speaker 2: movie over and over again.
• 1:02:27
  Speaker 1: What did you think of the transfer? I mean, did
• 1:02:29
  Speaker 1: you feel like that elevated it? Because I'm not gonna lie.
• 1:02:32
  Speaker 1: I felt like Severn did a phenomenal job with now
• 1:02:35
  Speaker 1: it just like the presentation. I mean, the box says
• 1:02:38
  Speaker 1: a whole very very nice yet but I don't know,
• 1:02:43
  Speaker 1: I thought I was really impressed with with how it
• 1:02:45
  Speaker 1: turned out.
• 1:02:46
  Speaker 2: No, it looks beautiful, man, Like I said, I think
• 1:02:48
  Speaker 2: that genuinely this transfer helped me. This watch helped me
• 1:02:53
  Speaker 2: really kind of figure out where it fits for me
• 1:02:57
  Speaker 2: in the whole Folchy puzzle. And it really helped me
• 1:03:00
  Speaker 2: because last time I saw it, I think I saw
• 1:03:01
  Speaker 2: it on like it might have been like a two
• 1:03:04
  Speaker 2: b rip.
• 1:03:05
  Speaker 1: It looked I've seen it on there and it's it's
• 1:03:08
  Speaker 1: something to behold.
• 1:03:10
  Speaker 2: Yeah, dude, it's it's bad. It's not awful, so.
• 1:03:12
  Speaker 1: To and God bless to be like like two be
• 1:03:16
  Speaker 1: is the gift that keeps on giving. But you gotta
• 1:03:18
  Speaker 1: be careful. There's sometimes those transfers are are a little rough,
• 1:03:21
  Speaker 1: but beggars can't be choosers, right.
• 1:03:23
  Speaker 2: That's right, Yeah, that's right. And the four K looks incredible.
• 1:03:27
  Speaker 2: There's a scene in a art it's like a not
• 1:03:31
  Speaker 2: a museum, it's like an art house that's mostly in
• 1:03:35
  Speaker 2: the dark, and it looks fantastic. I do want to
• 1:03:38
  Speaker 2: say for those who get the limited edition, there's a
• 1:03:41
  Speaker 2: booklet in here that is a massive write up from
• 1:03:47
  Speaker 2: Stephen Thrower, who is an author and he wrote a
• 1:03:52
  Speaker 2: fantastic book about kind of the history of exploitation in
• 1:03:55
  Speaker 2: America called Nightmare USA. He also wrote Beyond Terror the
• 1:03:58
  Speaker 2: Films of Lucio Folchies, So he's a bit of a
• 1:04:00
  Speaker 2: fulgy expert, which is crazy to me because I don't.
• 1:04:06
  Speaker 2: I feel like my my fulcy knowledge is like one
• 1:04:08
  Speaker 2: percent of everything he's ever done.
• 1:04:11
  Speaker 1: So that's why I strive to become a Luccio faulty expert.
• 1:04:15
  Speaker 2: That's it, bro, That's all I know is fully goals. Yeah,
• 1:04:18
  Speaker 2: I don't know anything else.
• 1:04:19
  Speaker 1: All I know is full You're well known the way Steve,
• 1:04:25
  Speaker 1: one movie at a time.
• 1:04:26
  Speaker 2: Yeah. Yeah, I'll be near to these labels to start
• 1:04:29
  Speaker 2: pumping out you know, his his old comedy stuff and
• 1:04:32
  Speaker 2: you'll be you'll be good man.
• 1:04:34
  Speaker 1: There's so many films. Obviously, his more notable stuff has
• 1:04:38
  Speaker 1: gotten a four K transfer, but I would love to
• 1:04:40
  Speaker 1: see some of his like lesser known stuff get some
• 1:04:43
  Speaker 1: love and and I feel like the Houses of doom
• 1:04:45
  Speaker 1: Box that was like, it's a cool way to be
• 1:04:48
  Speaker 1: able to highlight some of these lesser known films he's directed.
• 1:04:52
  Speaker 1: So Murder Rock's coming up. I'm hopeful that that will
• 1:04:55
  Speaker 1: be another one that more people appreciate it.
• 1:04:58
  Speaker 2: Yeah, Murder Rock. And then also like Cauldron put out Contraband,
• 1:05:02
  Speaker 2: which is one of his action movies. They did that
• 1:05:05
  Speaker 2: which Contraband is really good. That was put out like
• 1:05:08
  Speaker 2: Cauldron Films around the same time that they did City
• 1:05:11
  Speaker 2: Living Dead. So you know, there's a lot of fun
• 1:05:14
  Speaker 2: stuff out there. And I think what's really hard about
• 1:05:16
  Speaker 2: Italian filmmakers is that a lot of them shot under
• 1:05:19
  Speaker 2: various names, and like, sometimes sometimes I'll watch a movie,
• 1:05:24
  Speaker 2: especially when you get into guys like Joe Tomatto who
• 1:05:27
  Speaker 2: shot dude, He's like, those.
• 1:05:29
  Speaker 1: Are like, those are deep cut Italian horror directors. It's
• 1:05:32
  Speaker 1: not that's not like surface level. Hey, I'm just I'm
• 1:05:35
  Speaker 1: just getting into it, yeah.
• 1:05:36
  Speaker 2: Joe Tomato or like just like I love Jess Franco.
• 1:05:40
  Speaker 2: Just Franco is technically a Spanish filmmaker, but it kind
• 1:05:44
  Speaker 2: of falls under both. But like, they shot under so
• 1:05:47
  Speaker 2: many different names depending on what they were working on.
• 1:05:50
  Speaker 2: There's times where I'm like watching a movie and I'll
• 1:05:53
  Speaker 2: finish up a movie and then I'll do a little
• 1:05:55
  Speaker 2: bit of research. I'm like, oh, that was Joe Dematto
• 1:05:57
  Speaker 2: or that oh that was Jess Franco, you know, because
• 1:05:59
  Speaker 2: they for whatever reason.
• 1:06:01
  Speaker 1: And it's crazy though, because I'm sure, like as you've seen,
• 1:06:05
  Speaker 1: there's a lot of crossover with the actors and actresses
• 1:06:08
  Speaker 1: that did either Giallo movies or Italian horror and I'm like, oh,
• 1:06:12
  Speaker 1: I recognize you know so and so from you know this,
• 1:06:15
  Speaker 1: this Italian horror flick. It's it's crazy like that community
• 1:06:20
  Speaker 1: of actors and actresses seems like it's very like it's
• 1:06:22
  Speaker 1: a it's a small group.
• 1:06:24
  Speaker 2: Yeah, yeah, no, absolutely, Yeah. So those are all of
• 1:06:28
  Speaker 2: our picks. So we talked about nine movies for our
• 1:06:33
  Speaker 2: first episode of After Hours. I thought this was a
• 1:06:36
  Speaker 2: ton of fun. Man, I'm looking forward to keep doing these.
• 1:06:40
  Speaker 1: Can I just say it's hard to narrow it down
• 1:06:42
  Speaker 1: to three? Yeah?
• 1:06:45
  Speaker 2: Man, it's it's hard.
• 1:06:48
  Speaker 3: You guys have everybody how we initially were going for
• 1:06:51
  Speaker 3: a ten pis each.
• 1:06:53
  Speaker 1: Five bought in, five watched.
• 1:06:56
  Speaker 2: I'm actually looking at the previous recording and it was
• 1:06:59
  Speaker 2: two hours twenty five minutes long.
• 1:07:02
  Speaker 1: Yeah, so you.
• 1:07:03
  Speaker 2: Can see how that went.
• 1:07:05
  Speaker 1: Did you guys have a favorite out of the films
• 1:07:08
  Speaker 1: you watched?
• 1:07:12
  Speaker 2: I actually think I think I did the Psychic last
• 1:07:17
  Speaker 2: because that was what I walked out of the month
• 1:07:19
  Speaker 2: most happy to ever rediscovered, you know. Okay, so for
• 1:07:24
  Speaker 2: me that's probably what I'm with.
• 1:07:27
  Speaker 3: Yeah, and for my pick, so it was definitely Torso
• 1:07:30
  Speaker 3: I love that. Maybe I'm gonna be rewatching it again
• 1:07:32
  Speaker 3: very soon.
• 1:07:33
  Speaker 1: Hell yeah, what about you, Steve. I would have to
• 1:07:36
  Speaker 1: go with Cruising, just because I've seen obviously, I've seen
• 1:07:40
  Speaker 1: City of the Living Dead elsewe Alice was awesome, but
• 1:07:44
  Speaker 1: I felt like Cruising. I just I don't know why.
• 1:07:48
  Speaker 1: I was like super invested in watching it this time around,
• 1:07:52
  Speaker 1: because I felt like the last time I watched it,
• 1:07:54
  Speaker 1: this was like such an elevated way to view it.
• 1:07:57
  Speaker 1: And I started reading a little bit more into it afterwards,
• 1:08:01
  Speaker 1: and I'm like, it's kind of crazy al Pacino. He's
• 1:08:04
  Speaker 1: coming off of Godfather at that point. I mean, this
• 1:08:07
  Speaker 1: film could have gone kind of like just because of
• 1:08:10
  Speaker 1: the subject matter, could have gone so wrong, and really
• 1:08:14
  Speaker 1: I feel like potentially could have put his career in
• 1:08:17
  Speaker 1: jeopardy as well as like William Freekin. I mean, he's
• 1:08:20
  Speaker 1: tackling such a like a heavy subject matter. And again,
• 1:08:26
  Speaker 1: I know that there was a lot of pushback with it,
• 1:08:28
  Speaker 1: but it's just crazy to see, like, I don't know it,
• 1:08:32
  Speaker 1: it's crazy to just see that this movie came to fruition.
• 1:08:36
  Speaker 2: Yeah, yeah, I know that that movie was under a
• 1:08:39
  Speaker 2: lot of scrutiny, yes, and watching it watching it now,
• 1:08:46
  Speaker 2: I can imagine is a totally different experience considering the
• 1:08:50
  Speaker 2: world that we live in now and how much more
• 1:08:52
  Speaker 2: accepting it is. And at the time, like I said,
• 1:08:55
  Speaker 2: I haven't seen the movie in full, but at the time,
• 1:09:00
  Speaker 2: you know, the gay community was not happy about it,
• 1:09:03
  Speaker 2: like they were not trying to be outed like that.
• 1:09:06
  Speaker 1: No, and considering the subject matter that, like you have
• 1:09:09
  Speaker 1: a killer that's targeting, you know, those in that community,
• 1:09:13
  Speaker 1: and you know al Pacino is like going under cover
• 1:09:18
  Speaker 1: within that community, and he starts at a certain point
• 1:09:21
  Speaker 1: starts questioning things just within his own life, which is
• 1:09:27
  Speaker 1: kind of crazy. It's like, you know, it's quite the
• 1:09:28
  Speaker 1: role to take on, especially like if anyone's going to
• 1:09:31
  Speaker 1: take it on al Pacino, I feel because of that caliber.
• 1:09:34
  Speaker 1: But overall, man, like I said, Aro has been doing
• 1:09:38
  Speaker 1: a phenomenal job with these transfers, So keep them coming.
• 1:09:41
  Speaker 2: Yes, yeah, yeah, So looking forward at the show we
• 1:09:48
  Speaker 2: have in a couple of weeks here, we're going to
• 1:09:50
  Speaker 2: be recording our episode for pet Cemetery too from Mary Lambert,
• 1:09:55
  Speaker 2: which I'm so excited for. I was just telling Chuck,
• 1:09:58
  Speaker 2: I think I just had like my second, my second,
• 1:10:00
  Speaker 2: my third watch to prepare for this love that movie.
• 1:10:05
  Speaker 2: If you're listening to this and you want to keep up.
• 1:10:08
  Speaker 2: Pet Cemetery two was put out by Screen Factory on
• 1:10:10
  Speaker 2: Blu Ray. Looks great, it's a cheap pickup. Make sure
• 1:10:14
  Speaker 2: you also stay tuned because we're actually gonna be giving
• 1:10:16
  Speaker 2: away a copy. You'll find out soon in that episode
• 1:10:19
  Speaker 2: how to get that. But coming up with that, we're
• 1:10:23
  Speaker 2: gonna have the average reviews on as a guest, which
• 1:10:25
  Speaker 2: I'm very very excited for. And then we're actually heading
• 1:10:29
  Speaker 2: into June. So pet Cemetery two is the May episode
• 1:10:33
  Speaker 2: June with our season finale, which is crazy to think
• 1:10:39
  Speaker 2: already to a point, we're ending season one and we're
• 1:10:42
  Speaker 2: gonna have my buddy Mark on Tales from the Shelf
• 1:10:46
  Speaker 2: he's known for, and we're gonna be covering the burning,
• 1:10:49
  Speaker 2: which in my opinion is the quintessential campground slasher.
• 1:10:55
  Speaker 1: I would agree, Yeah, yeah, So.
• 1:10:56
  Speaker 2: We're gonna be breaking that down. And then we kind
• 1:10:59
  Speaker 2: of have some ideas that we're still working out for summer.
• 1:11:02
  Speaker 2: I know we had talked about on Instagram Arts Christmas.
• 1:11:06
  Speaker 2: In July, I'm sort of thinking of maybe kind of
• 1:11:10
  Speaker 2: rearranging how we do that, because alone, I think we
• 1:11:13
  Speaker 2: can talk about Terrifier two for about four hours.
• 1:11:16
  Speaker 1: Yeah, that'll be like a two episode.
• 1:11:19
  Speaker 2: Yeah, yeah, so we might be doing some dividing. But
• 1:11:22
  Speaker 2: in July we'll definitely be coming back, obviously to do
• 1:11:26
  Speaker 2: an after hours episode, but to be kind of doing
• 1:11:28
  Speaker 2: our wrap up episode for season one, kind of looking
• 1:11:31
  Speaker 2: back at the season and what we've done and all
• 1:11:34
  Speaker 2: the changes. I mean, this is a show that every
• 1:11:37
  Speaker 2: episode has, in my opinion, gotten better and better. Like
• 1:11:41
  Speaker 2: we're we're slowly finding that groove and we're trying to
• 1:11:45
  Speaker 2: improve over and over and over again. And that's you know,
• 1:11:48
  Speaker 2: what the goal is here. The goal is not to
• 1:11:50
  Speaker 2: come off the bat perfect, but to gain momentum and
• 1:11:53
  Speaker 2: gain traction. Especially with learning how to do this. This
• 1:11:57
  Speaker 2: is a whole new thing, I think for all of us.
• 1:12:00
  Speaker 2: So absolutely learning, Yeah, learning how to podcast is tough.
• 1:12:04
  Speaker 2: But I'm super proud of the few times that I
• 1:12:10
  Speaker 2: do check our statistics. I'm very proud of them. I'm
• 1:12:14
  Speaker 2: always shocked when more than one person listens, let alone
• 1:12:17
  Speaker 2: twenty or thirty or forty. You know, that's pretty mind
• 1:12:20
  Speaker 2: blowing to me. So but that's, you know, thanks everybody listening.
• 1:12:26
  Speaker 2: Thanks to you guys. You know, it's incredible. I really
• 1:12:30
  Speaker 2: don't know how to, like how to talk about this
• 1:12:33
  Speaker 2: without kind of getting speechless because it's crazy to me. So,
• 1:12:40
  Speaker 2: but yeah, that's coming up, Steve. Where can people find
• 1:12:43
  Speaker 2: you on social media?
• 1:12:45
  Speaker 1: You guys can find me. My handle for basically everything
• 1:12:49
  Speaker 1: is after Hours video. I'm on Instagram, TikTok, YouTube, you name.
• 1:12:55
  Speaker 2: It, and Shock what about you?
• 1:12:58
  Speaker 1: Man?
• 1:12:59
  Speaker 3: Yeah, So for me, I mainly just use Instagram and
• 1:13:01
  Speaker 3: you can follow me on there at Chuck Underscore Savage,
• 1:13:05
  Speaker 3: where I occasionally post Paul's Yeah, people need.
• 1:13:10
  Speaker 2: To go follow you and then demand more content there
• 1:13:17
  Speaker 2: already is. There's been demand. Man. You just need to
• 1:13:21
  Speaker 2: you just need to get get get posted. Man, I
• 1:13:23
  Speaker 2: think I've sent you. I think I've sent you a couple.
• 1:13:27
  Speaker 2: I've sent a couple, a couple of followers.
• 1:13:29
  Speaker 3: You have more than a couple.
• 1:13:31
  Speaker 1: Thank you.
• 1:13:34
  Speaker 2: Uh And then of course you can you guys can
• 1:13:36
  Speaker 2: find me on Instagram under Bearded film Guy. Also on YouTube.
• 1:13:41
  Speaker 2: I haven't posted in like six months on there.
• 1:13:44
  Speaker 1: But Chris, we're waiting for the second coming.
• 1:13:50
  Speaker 2: Being being edited. Man, it's pretty cool. I'm pretty I'm
• 1:13:53
  Speaker 2: pretty proud that is coming back. But I just don't
• 1:13:57
  Speaker 2: know and what what way yet, We'll figure that out.
• 1:14:00
  Speaker 2: But I post every day, sometimes twice a day, sometimes
• 1:14:03
  Speaker 2: three times a day over on Instagram. I'm very active
• 1:14:05
  Speaker 2: on there, and like I said, that is bearded film guy.
• 1:14:10
  Speaker 3: And there's rules you make perfect man.
• 1:14:14
  Speaker 1: The Chef's kiss bro.
• 1:14:16
  Speaker 2: I'm trying, dude, I'm trying, man hard. Listen, man, I don't.
• 1:14:26
  Speaker 2: I like to me, the curse of being a creative
• 1:14:29
  Speaker 2: is that nothing is ever good that you put out that.
• 1:14:33
  Speaker 2: That's been a curse that has followed me since I
• 1:14:36
  Speaker 2: started doing photography when I was fifteen. It's something that
• 1:14:39
  Speaker 2: follows me into the show. It's something that follows me
• 1:14:41
  Speaker 2: on Instagram. It even follows me at work. Like you know,
• 1:14:44
  Speaker 2: I'm always the person who like nothing's ever good enough.
• 1:14:48
  Speaker 2: And I feel like I feel like I'm super proud
• 1:14:52
  Speaker 2: of of of the reels and stuff like that.
• 1:14:55
  Speaker 1: So thank you, thank Yeah you should thank own it man.
• 1:14:59
  Speaker 2: Yeah yeah, but uh but yeah, that's it from us today.
• 1:15:05
  Speaker 2: We'll we'll see you guys on a at at the
• 1:15:08
  Speaker 2: pet Cemetery.
• 1:15:10
  Speaker 1: Do you guys, do you guys on that one