Latest / Blerd’s Eyeview / Slayin' Monsters & Making Moves: The animation of Joshua Bullock

Transcript

Slayin' Monsters & Making Moves: The animation of Joshua Bullock · Blerd’s Eyeview

• 0:00
  Sam.
• 0:32
  Sa.
• 1:30
  The catalog destined for the shadow realm y' all should never act who you kidding with me about to turn this to fury road since animated I'm the one who congratulated winners like it's laminated Damn, I made this 16
• 2:05
  like a guillotine it's fascinating if you think that you're ahead you'll be decapitated all that aside, I ain't nearly here to rap nerds I'm here to tell you who representing for the black nerds and to remind you neither
• 2:16
  one of these are bad words biggest living mirrors they just choose to see it bad words who be the leaders of discussion when the topic trans dissections got the culture under microscopic man who got the type that you
• 2:28
  can miss it from your spider man make you feel like an expert on this subject by the.
• 2:32
  Time.
• 2:34
  Viewership is mad nice all these other shows don't seem to cut it that's a bad off off the books with unscripted jos?
• 2:41
  You can't write no vampires but these interviews yeah, this is the best part rhymes on Mandalorian independence made a best score starting a war with these stars you won't get this is the way you play a game of
• 2:55
  life a death star so far removed from the drama we don't know this but won't hesitate to shed a light like a patron sh when Mr.
• 3:03
  Manage troubles at a disadvantage must be something in the dip your toe because you know it's warm where can you find another show with such a fine cast?
• 3:11
  And if you try to box a minute playing Minecraft basically to sum it up like you find out this crew's the best and it figures like a line graph a mary man like the words I do I know
• 3:23
  you don't have to have absurd IQs they know you can relate because they're nerds like you like see the world from a blur you are now tuned in and without further ado.
• 3:57
  Hey, everybody.
• 3:58
  Welcome back.
• 3:58
  Another episode of Birds.
• 3:59
  I view I'm your man on the wall host and captain of the ship, Chris Fury.
• 4:03
  Thank you for tuning in.
• 4:04
  We are live Tuesdays and Thursdays, 8pm Eastern.
• 4:07
  YouTube and Twitch.
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  You can also catch us wherever you listen to your podcast.
• 4:11
  And you can also catch past episodes on always press record television.
• 4:15
  That's APRTV on your Roku and Amazon fire devices.
• 4:20
  Let's get this party started.
• 4:21
  My man, my guy.
• 4:24
  Navy Montel's in the building.
• 4:26
  What's going on, my man?
• 4:28
  How you doing, dude?
• 4:29
  All right.
• 4:29
  I'm trying to get this rattle out my throat, out my chest, you know, getting over that head cold.
• 4:35
  Every.
• 4:35
  Everybody, I think everybody's going through in some way, shape or form.
• 4:37
  When you wake up sounding like Barry White, you end up sounding like, what was his name?
• 4:41
  Robert Williams.
• 4:44
  It's wild.
• 4:44
  I'm like, I turned around.
• 4:45
  I'm like, everybody, the job got sick.
• 4:48
  Everybody at the house is sick.
• 4:50
  Everybody, my son's house got sick.
• 4:52
  I'm like, yo, it's.
• 4:54
  I heard a girl today.
• 4:55
  I was.
• 4:56
  When you said Barry White, I'm looking at her today, and I'm like, it's called a hot toddy.
• 5:01
  You might want to take one because you sound like me right now.
• 5:06
  So I got a couple things I got to show you.
• 5:09
  One of the things that people know about me is one of my favorite games that I played, I until I stopped because they changed the system, was Hero Clicks.
• 5:17
  Well, one of my guys knew I had the power battery, and he wanted to do a trade, and I said, what do you have?
• 5:27
  He gave me a rare Jon Stewart, bro.
• 5:31
  Oh, boy, that thing, man, I gotta.
• 5:33
  I'm about to pull him back out again.
• 5:34
  I'm about to pull out the Justice Society and the Justice League and Legion superheroes and all of them.
• 5:40
  So that was a flex.
• 5:41
  But that is a Flex, man.
• 5:44
  I was like, Annie's.
• 5:46
  Oh, okay, let me stop.
• 5:47
  Let me stop, because I'll go on all day about Hero Clicks.
• 5:50
  It was one of the few things that got me through life.
• 5:52
  Now, for you, good sir, I had to show you this because I knew you and Spark would appreciate this.
• 6:02
  For those that's that's listening later on the show, I'm raising my hands in victory.
• 6:09
  Number 63.
• 6:11
  That's what's up.
• 6:13
  It was that, Is that part of the, the, the guys that he didn't know he had.
• 6:18
  No, this is from another one, bro.
• 6:23
  I, I and, and, and for you, you would understand.
• 6:27
  Hey, Lindy, you would understand this.
• 6:32
  Yep.
• 6:33
  Y' all remember.
• 6:34
  Yeah.
• 6:34
  If you know anything about Shazam.
• 6:35
  We used.
• 6:36
  That was Saturday morning requirement right there.
• 6:39
  All of us watched Shazam.
• 6:41
  Because we all screamed it in the living room.
• 6:42
  And this is Shazam.
• 6:44
  Number 28.
• 6:46
  Look, I, I see, he says, here he goes.
• 6:52
  Placed at the top of the segment.
• 6:54
  Lizzy, don't start with me, okay?
• 6:57
  Today, what I had, damn.
• 6:58
  I, I, trust me, I get to flex with my friends because I don't really flex.
• 7:02
  And I know Spartans in there somewhere.
• 7:04
  Going, are you kidding me?
• 7:08
  Somewhere.
• 7:09
  Just like, damn it.
• 7:12
  I can hear him going, are you kidding me?
• 7:15
  I'm Sorry, sir.
• 7:15
  Sorry.
• 7:16
  I wish you were here.
• 7:19
  Thank you.
• 7:19
  Malika, how are you, man?
• 7:21
  How are you doing?
• 7:23
  I'm good.
• 7:25
  Oh, I'm doing good.
• 7:26
  The interwebs is being weird again.
• 7:32
  Okay, that should be doing it should be fine now.
• 7:34
  Okay, so as I said before, how are you doing, my friend?
• 7:38
  I'm doing good.
• 7:39
  I'm actually quite well this past weekend.
• 7:43
  You know what?
• 7:44
  Let me get Whoopi in.
• 7:45
  Hold on.
• 7:45
  Let me get Whoopi in.
• 7:46
  Let's.
• 7:46
  Let's get in my.
• 7:47
  My favorite nail technique, yo.
• 7:49
  And she be rocking with the hairdo.
• 7:51
  Let's go.
• 7:52
  Before I go on, Whoopi been doing her thing with the nails for spooky nails.
• 7:56
  On.
• 7:57
  On Press fresh press by Z on Tick tock.
• 7:59
  So you need to be checking those out.
• 8:02
  Goosebumps.
• 8:03
  That's all I got is.
• 8:06
  This past weekend in Columbus.
• 8:09
  First off, I need you to unmute yourself.
• 8:11
  We need that melodious voice to come across the airwaves, my dear.
• 8:14
  First off, this past weekend, all of Blur Station has been on the grind.
• 8:21
  Let's start there.
• 8:24
  We had the Unmuted series on IG Live with Cedric Williams, and our very own lady Mandalore was hosting the second part of that.
• 8:34
  We had Urban action showcase where CJ of 3 Black Geeks was out and he was doing his elbow rubbing.
• 8:43
  I said elbow rubbing, you dirty bastards.
• 8:50
  There's probably dirty bastards that will find a way to make that bad.
• 8:54
  And then I was at the Blood and Bourbon event down in Columbus, Ohio, where they premiered the concept trailer for the Blur Station original series, Blood Dealers.
• 9:07
  So we've been busy this past weekend.
• 9:10
  Like, we've been locked in working.
• 9:16
  Let me tell you, the grind is real on the creative level.
• 9:20
  And all of us have had our moments where we just don't want to sit in front of a camera or a microphone or.
• 9:25
  Or pick up a pen or anything like that, and it's okay.
• 9:29
  Take that break.
• 9:31
  Trust it is not required for you to create something every day, every week, because you're going to burn yourself out quick.
• 9:39
  So step back if you need to.
• 9:41
  Take it from me.
• 9:42
  I had to step back for a little bit.
• 9:43
  That's why I'm getting back to my YouTube, because my baby, I.
• 9:47
  I've been neglecting my baby, and I'm sorry.
• 9:49
  And I hope she'll forgive me.
• 9:51
  I hope so.
• 9:53
  Look, I watched welcome to Dairy, and all he got to say is, bro, bro.
• 10:01
  I ain't even watched it.
• 10:02
  I haven't watched it.
• 10:05
  I haven't even seen it yet.
• 10:07
  Already.
• 10:08
  You.
• 10:09
  There's something wrong with you.
• 10:13
  Is it that good?
• 10:13
  I literally just watched.
• 10:15
  I, you know, I'm, I'm, I'm, I'm a bit eccentric.
• 10:19
  I just watched the season.
• 10:20
  I, I watched the season finale of Only Nerds in the Building.
• 10:23
  And yes, we're getting the season six for those who watch it.
• 10:26
  Oh, wow.
• 10:27
  So I'm, I'm ecstatic.
• 10:29
  I'm ecstatic.
• 10:29
  I was like, I'm at work and I'm like, yes.
• 10:33
  I need to know is welcome to dairy that good?
• 10:36
  Yes, that's what I need to do.
• 10:37
  The first episode is directed by Andrew Machete, who is the director who did the first and second of the reboot of it, the one that was the two part movies.
• 10:47
  Tim Curry.
• 10:49
  Yeah, she gave, she gave him Curry the new one.
• 10:54
  Okay, okay.
• 10:57
  So he did.
• 11:01
  Just watch it.
• 11:02
  Just watch it.
• 11:03
  Damn it.
• 11:04
  I'm a Stephen King aficionado.
• 11:06
  Out of all my shelves of books, three of them are dedicated to Stephen King books.
• 11:10
  So.
• 11:11
  Okay, watch this.
• 11:14
  I, I, it's on my, it's on my list.
• 11:17
  I'm not disappointed.
• 11:18
  It is on my list.
• 11:19
  It's just, I'm like, been busy all weekend.
• 11:23
  We have a special guest in the house.
• 11:28
  This man has worked with numerous outlets, including ESPN and, and many others.
• 11:35
  His animation in art, in bridging and bridging.
• 11:41
  The gap between that in education is something to be admired.
• 11:46
  And his animation will also be seen over on Blur Station.
• 11:51
  I am talking about Joshua Bullock of Playwatch.
• 11:56
  What's up, homie?
• 11:58
  What's going on, man?
• 11:59
  What's going on, Josh?
• 12:01
  What's good?
• 12:03
  You guys can hear me, right?
• 12:04
  Yes, Perfect.
• 12:05
  Okay.
• 12:06
  Okay.
• 12:06
  Perfect.
• 12:06
  Perfect.
• 12:07
  Good to see you again, sir.
• 12:09
  Good to see you again, man.
• 12:10
  Yeah.
• 12:10
  Good to see you again.
• 12:12
  What's happening?
• 12:14
  So, yeah, it's Josh, my guy.
• 12:17
  I do want to do one correction, though.
• 12:19
  I wish I did something with espn.
• 12:22
  Okay.
• 12:25
  It was NFL, so we did something with the, yeah, it was a, it was a commercial spot thing with the NFL and Netflix for one piece when that came out.
• 12:36
  Yes.
• 12:36
  Are you doing something for the new season.
• 12:46
  Man?
• 12:46
  That's all right.
• 12:47
  We got you now we're Blur Station.
• 12:48
  It's fine.
• 12:52
  So go ahead, Navy.
• 12:54
  I said, can I say, it is so amazing to see one of my Naptown fam doing the damn thing.
• 13:00
  Okay.
• 13:00
  Because when we had him on roof of the Blur, that's when I found out that, yo, we're from the same city and our high schools are not too far from each other.
• 13:09
  So that was a.
• 13:10
  Yep.
• 13:11
  That Connects everything.
• 13:12
  Yes, sir.
• 13:12
  Oh, oh, hold on.
• 13:14
  I got something for you.
• 13:14
  I got something for you.
• 13:15
  Look at this.
• 13:15
  So this is.
• 13:16
  This is from my new.
• 13:17
  My.
• 13:17
  My daughter is a monster slayer.
• 13:19
  If.
• 13:19
  If y' all have read it, it's on webtoons right now.
• 13:24
  Here, hold on.
• 13:25
  Let me turn this.
• 13:26
  Let me see if I can see this.
• 13:31
  Let's go.
• 13:33
  It takes place in Indianapolis, baby.
• 13:36
  Yo, nap town in the place.
• 13:37
  Let's go, man.
• 13:40
  I was gonna build up to my a monster slayer, but this is how you got on my personal radar was I'm like, I seen this, and I'm like, I don't know what this is, but I'm already on board.
• 13:51
  I.
• 13:53
  All I seen is a black father, his daughter, and his daughter holding a sword.
• 13:58
  Yeah, that's all you need to know.
• 14:01
  That's it.
• 14:01
  That was all I needed.
• 14:02
  That's all I need.
• 14:03
  So my.
• 14:04
  My daughter is a monster slayer.
• 14:06
  What is the premise of.
• 14:07
  This is.
• 14:08
  Of this webtoon in soon to be.
• 14:10
  Animation, so just to give, like, just a quick blurb and not really dive into it because I don't want to, you know, spoil the surprises that are coming.
• 14:20
  But it follows Ty, his daughter Naya, and basically, yeah, they fight monsters.
• 14:26
  He finds out that his daughter can fight monsters.
• 14:29
  So his baby daughter, she's 1 years old, basically mirroring what I'm going through right now.
• 14:34
  So I got a one year old.
• 14:39
  And yeah, just she.
• 14:41
  She out here fighting monsters.
• 14:42
  And then there's some other wacky stuff going on, but you're gonna have to read it to find out what's.
• 14:46
  What's going on.
• 14:47
  I don't want to give away too much.
• 14:48
  Now.
• 14:48
  I've seen.
• 14:49
  I've seen some.
• 14:50
  I seen some other pictures today.
• 14:52
  Earlier today when I was at work.
• 14:53
  Yes, I do this while I'm at work.
• 14:56
  There's no shame.
• 14:58
  And I noticed her protag.
• 15:01
  The protagonist also has a kid who seems to be in the same field, but not ex, but obviously the bad guy.
• 15:12
  Is that.
• 15:13
  That's what it looks like.
• 15:15
  Wait, which.
• 15:15
  Which one was that?
• 15:16
  I think it was a father and his son.
• 15:19
  Oh, oh, oh.
• 15:20
  Hero.
• 15:20
  Hero man and hero boy.
• 15:22
  Okay.
• 15:24
  No, no, They're.
• 15:25
  They're.
• 15:26
  They're.
• 15:26
  They're.
• 15:26
  They're good guys.
• 15:27
  But yeah, like.
• 15:29
  Like I said, I don't want to give away because I.
• 15:30
  There's.
• 15:31
  There's a.
• 15:32
  There's a bunch of parents, essentially.
• 15:34
  So it's a community of parents and their kids.
• 15:37
  So wait.
• 15:38
  This is classic.
• 15:39
  I love this.
• 15:41
  I know.
• 15:42
  I love this because the fact that you have parents that have a bunch of toddlers.
• 15:50
  Yep.
• 15:51
  That can wreck havoc right now.
• 15:53
  Is anything any parent could like, oh, yes, I know.
• 15:57
  Dislike.
• 16:02
  First of all, anyone know you give anything to a one year old, you already know they're just full of destruction.
• 16:06
  So you.
• 16:07
  The premise itself is just pure genius.
• 16:10
  It's so simple.
• 16:12
  What made you decide to come up with that particular concept?
• 16:15
  I'm curious about this.
• 16:18
  So.
• 16:19
  So last year, my daughter Corey was born.
• 16:23
  And it was funny because it, it was literally, my wife and I, we were kind of just.
• 16:30
  We're changing her diaper one day.
• 16:31
  You know, babies stare at fans, right?
• 16:33
  They just, they just.
• 16:35
  There's a whole bunch of stuff out there about baby staring at fans.
• 16:38
  And so, you know, my crazy ass.
• 16:40
  Was like, what if, what if there's.
• 16:42
  A demon up there.
• 16:45
  And she's staring.
• 16:46
  At this thing like, I'm gonna whoop its ass when you're not looking.
• 16:51
  And that's where it, that's where it.
• 16:53
  It spiraled from.
• 16:57
  When you say that.
• 16:58
  And I think about like this thing when people say, especially in black families, they say when a baby is smiling and they're not looking at you, they're looking like over your shoulder or something.
• 17:10
  They're like, they see angels or something like that, you know, or they see the answers.
• 17:15
  Here he is, he says, oh, no, they see fans, they see demons.
• 17:22
  It's a different thing.
• 17:24
  You know, concepts like that.
• 17:26
  Or seeing Jack.
• 17:28
  Jack from the Incredibles.
• 17:30
  Yeah.
• 17:30
  Dealing with the raccoon.
• 17:33
  And I'm like, look, I.
• 17:34
  I will watch this.
• 17:35
  You know, this is interesting.
• 17:38
  So we already.
• 17:40
  You've already told us the concept of how you did it and the premise behind of the web T.
• 17:46
  But let's talk about Play Watch.
• 17:49
  Yeah, yeah.
• 17:54
  Let'S go into that.
• 17:56
  Okay.
• 17:57
  Where.
• 17:57
  It's a long story.
• 17:58
  Where do you want me to begin?
• 18:00
  We got time.
• 18:01
  Start at the beginning.
• 18:07
  What's the concept to Play Watch?
• 18:08
  Because there's a lot of.
• 18:10
  I see there's a lot of characters that you have like monarchs and everything.
• 18:14
  And yeah, also the black history fact stuff, which we need more of.
• 18:20
  Thank you.
• 18:21
  Let's talk about the concept and the premise of Play Watch.
• 18:24
  And what's.
• 18:25
  What was that?
• 18:25
  Like, where did that come from?
• 18:28
  So my business partner and I, Matt White, we.
• 18:33
  So we started an animation studio around the beginning of the pandemic.
• 18:38
  So around like 2020, we, you know, we.
• 18:42
  We both have been doing separate things and then we were like, you know, what if we just started.
• 18:46
  He's been Badgering me.
• 18:47
  He's actually my former professor.
• 18:48
  I went to the University of St.
• 18:50
  Francis.
• 18:51
  And so he's been badgering me for a while.
• 18:54
  Hey, you know, start your own studio.
• 18:56
  And I never did it.
• 18:57
  And then finally he was just like, you know what, you know, with the pandemic and everything happening, let's just start this.
• 19:04
  So that's pretty much where it came from at first.
• 19:07
  What it was is we kind of wanted to bridge a gap between.
• 19:09
  We saw like this, this gap when it came to creator.
• 19:14
  Creators of color not being able to get their stuff out there.
• 19:18
  Pretty much what you guys are doing right now.
• 19:21
  We were like, we want to try to bridge the gap with animation, like just cartoons.
• 19:26
  And so when we first started, we brought in a couple other business partners and we actually, you know, got, you know, got a, got friends and family to kind of put money in as, as kind of like a
• 19:40
  first round investment.
• 19:43
  And, and yeah, we just went, we, we went all around everywhere we could find really cool artwork and animation.
• 19:51
  And we were just like, hey, do you want to, Would you join something like this?
• 19:56
  And so then we realized, we realized that was very, very difficult to kind of put all that together, especially in the kids space, because a lot of people, it's hard to get people to invest in the kids space,
• 20:10
  especially when it comes to, you know, black and brown children.
• 20:15
  So then one of my other professors from the same school, he came to me and he was just like.
• 20:23
  Because we, we met with him and we were kind of trying to give business advice because, you know, he's a business guru.
• 20:28
  He was like, what did you think about education?
• 20:30
  Like, did you think about like diving into education and animation?
• 20:33
  We were like, no, we never, we didn't think about that.
• 20:35
  We just went in pure entertainment.
• 20:38
  So that's where we went in.
• 20:39
  We went to the education side and ever since then, that's what we've been doing.
• 20:43
  We've been just creating all the, all of this educational entertainment for children.
• 20:49
  And you know, we joined up with a group called Jason Learning.
• 20:53
  They have like over 30 years of educational experience with teachers all over the nation.
• 21:01
  And so we've really been catering our content, the stuff that we create.
• 21:04
  So like with Gabby galactic counting and stuff like that, we cater that to the teachers, like the teachers who we talk to.
• 21:12
  And we're like, hey, guide us through how you would teach the class and we'll do that with our animations.
• 21:18
  And then one of the things that we're really getting into right now is we are getting into doing Doing more local animation, local based animation.
• 21:28
  So, you know, for people here in Indianapolis, for instance, you know, we're really trying to work with people here about, you know, getting the Pacers involved or getting the Colts involved or getting, like, you know, the Children's Museum
• 21:40
  involved, where, you know.
• 21:43
  But then we also have one of our business partners is in Texas, so being able to do, you know, stuff with Houston or doing, you know, just doing different things with different areas and catering the animation.
• 21:54
  So Gabby might talk about the Children's Museum or the Colts here, and then she'll talk about, you know, the Washington Commanders or something, you know, in another.
• 22:03
  In another place.
• 22:04
  But it's the same lesson, just changing stuff for those kids.
• 22:09
  So that's really what we've been working on and trying to make that work.
• 22:14
  But at this point in time, yeah, we.
• 22:15
  We have.
• 22:16
  I mean, we have Gabby Galactic, we have Black History beats, we have Kim Bae, we have 12th street, which we just have a sizzle trailer for that.
• 22:26
  But that's one of our other shows.
• 22:30
  You know, we worked with a guy, Terrence, with my friend T, and he does a lot of really, really cool songs.
• 22:37
  If you go to the YouTube, our YouTube platform, you can kind of see some of the stuff that he does.
• 22:43
  Healthy hip hop.
• 22:43
  So, like, we've teamed up with a whole bunch of really, really talented people to kind of create this.
• 22:47
  This educational space for kids.
• 22:50
  Let's see, now that you've done all that and now you're working with Blurred Station.
• 22:56
  Yes, we will have these things at Blur Station as well.
• 23:00
  So if you want your children to watch something that's educational and fun.
• 23:06
  Yeah, yeah.
• 23:07
  And I want to show one of the.
• 23:08
  One of the pieces that we have is.
• 23:11
  Is this one's about Bessie Coleman.
• 23:13
  And if you don't know who Bessie Coleman is, you will.
• 23:17
  Now.
• 23:47
  I could really use a wish right now.
• 23:58
  I could really use a wish right now.
• 24:03
  I just want to fly over the ocean Like I'm Betsy Coleman, the first African American woman to fly a plane.
• 24:08
  The first woman to make a difference.
• 24:10
  And it made a change.
• 24:11
  It's never hard for all of us to go and do the same.
• 24:14
  Yes, she came from poverty, but she just kept fighting.
• 24:17
  The first one of her kind.
• 24:18
  They get some polylights and I know I can do the same if I just keep fighting.
• 24:22
  And I just want to fly high because I'm not frightened yet.
• 24:28
  She flew through the clouds we fly high so ain't no way that they just bringing her down.
• 24:32
  She glide high and did stunts in front of the crowd when you're in the plane, you don't need lanes Just get off the ground.
• 24:37
  She had brothers and sisters just like any other.
• 24:40
  If you got brothers and sisters, tell them that you love them.
• 24:43
  She even stayed in France.
• 24:44
  She even learned how to speak French and even made some friends.
• 24:47
  It doesn't matter what you color is all God's plan yeah, we all can fly together help each other land M.
• 24:53
  Coleman gave a speech to help us all win.
• 24:55
  If I could make a wish, it'll be more friends.
• 24:58
  I just want to fly over the ocean Like I'm Betsy Coleman, the first African American woman to fly a plane.
• 25:03
  The first woman to make a difference and it made a change.
• 25:06
  It's never hard for all of us to go and do the same.
• 25:09
  Yes, she came from poverty, but she just kept fighting.
• 25:12
  The first one of her kind to get some.
• 25:15
  And I know I can do the same if I just keep fighting.
• 25:17
  And I just want to fly high because I'm not frightened.
• 25:20
  Yeah, they didn't name the queen best because she really did a bit.
• 25:24
  They even put her to a test.
• 25:26
  She flew high and did a bit.
• 25:27
  In seven months, she achieved all her goals and didn't you and I can do the same we all equal in the flesh if I can have one wish then I wish to be the best Like Betsy Coleman over
• 25:36
  the ocean flying fast like a chair her brothers told her to fly she tried she didn't regret now we all can do it next yeah, we all can be the best Life be hard but don't forget don't give
• 25:45
  up and never quit yeah, we all can be a one I'm Betsy Coleman Took a risk Close your eyes and make a wish Chase your dreams and never quit and it all makes sense I just want to fly
• 25:54
  over the ocean Like I'm Betsy Coleman the first African American woman to fly a plane the first woman to make a difference and it made a change.
• 26:01
  It's never hard for all of us to go and do the same yes, she came from poverty, but she just kept fighting.
• 26:07
  The first one of her kind to get some pilot license.
• 26:10
  And I know I can do the same if I just keep fighting.
• 26:12
  And I just want to fly high because I'm not frightened.
• 26:22
  God bless America.
• 26:24
  My goodness.
• 26:32
  Wow, wow, wow, wow, wow.
• 26:37
  Can I just say Schoolhouse Rock that vibe.
• 26:43
  That's the vibe right there.
• 26:45
  I ain't gonna lie.
• 26:45
  I started tearing up the minute it came on.
• 26:48
  And you see her go to the window, open it up and I'm feeling it now you See her go the plane go across the moon and she cracks his big old smile My man.
• 27:00
  My man.
• 27:03
  Yeah.
• 27:04
  Yeah.
• 27:07
  God inspired the next generation, man.
• 27:09
  That's what black history beats is.
• 27:11
  It's, it's taken, you know, it's taking something from my childhood and trying to pass that on.
• 27:16
  You know, I, I mean, that's actually the concept of it was Schoolhouse Rock match with hip hop and black history beat or black history.
• 27:26
  You know, I, I grew up watching Saturday morning cartoons.
• 27:30
  I was watching that abc, you know, one Saturday morning, and every, between every single episode of whatever I was watching, they would play Schoolhouse Rock.
• 27:40
  Yo.
• 27:43
  I like that.
• 27:45
  That was.
• 27:46
  Navy hit the nail on the head when he said Schoolhouse Rock.
• 27:48
  And I was just like, Exactly.
• 27:53
  The fact that you can still see Schoolhouse Rock videos, people are posting up the stuff that's going on right now.
• 28:01
  We have ways to fix this, but telling our history, because, let's face it, they keep trying to wipe it out, they keep trying to erase it, they keep trying to disregard it.
• 28:12
  This is good.
• 28:14
  We need more of this.
• 28:17
  Think how's it working with the people that you're working with and building these?
• 28:21
  Because we need a lot of that.
• 28:22
  Whoopi, you got a question?
• 28:26
  I've always got a question.
• 28:30
  That is true.
• 28:30
  I'm just curious what it's gonna be, because her questions slap.
• 28:33
  They always slap me.
• 28:34
  My question is, I like to ask people what they would talk, what they would say to their younger selves about the space that they're occupying.
• 28:44
  Now.
• 28:44
  If you could look back and speak to, to a younger Josh, a much younger Josh, and be like, hey, this is what's going to happen.
• 28:50
  Here's some advice I want to impart to you to get to where you need to go.
• 28:54
  What would you say to your younger self?
• 28:57
  Don't do it.
• 28:58
  No.
• 29:05
  No, to my, to my younger self, I would just say, you know, one of the things I would say to my younger self is, look, you know, keep drawing, keep, keep dreaming, because one day you're going to be
• 29:18
  able, you know, you're going to be able to create an entire universe of cartoons for the next generation of kids.
• 29:28
  So don't stop drawing.
• 29:30
  Do your homework.
• 29:32
  Do your homework and study for your test.
• 29:33
  Don't just draw all day, because that's, you know.
• 29:38
  But definitely, yeah.
• 29:41
  Yes.
• 29:41
  I, I, I was blessed enough that it, it's, it's working out.
• 29:45
  It's working out pretty well.
• 29:49
  I.
• 29:51
  When did you decide that this is what you wanted?
• 29:54
  This was the steps you wanted to do.
• 29:55
  This was the thing you wanted to do.
• 29:58
  Oh, it's, it's literally been since I was a kid.
• 30:02
  I mean, I've.
• 30:03
  So what really got me, what really got me into knowing that I could do this was being able to see black characters on, on black cartoon characters on tv.
• 30:16
  So being able to see, like, you know, Static Shock was one of my favorite shows when I was a kid.
• 30:21
  Being able to see that, Being able to see.
• 30:25
  My parents had us watching Bebe's Kids when I was a kid, not Love Baby's Kids.
• 30:32
  Kind of hard for everybody not to like that movie.
• 30:37
  But, I mean, it opened up.
• 30:39
  What it did is it opened up, it opened up a world to me that I didn't know.
• 30:42
  Like, I, I didn't know that I could do that.
• 30:46
  I, you know, I wanted to.
• 30:48
  You know, my parents wanted me to be an architect.
• 30:50
  That's what they wanted me to go to school for.
• 30:53
  That's kind of where my path was up into middle school.
• 30:58
  And then I realized I suck at math.
• 31:00
  So I was like, I can't keep doing this.
• 31:05
  At least he's honest about it.
• 31:07
  Most people wouldn't even admit that unless.
• 31:09
  It'S involved with money.
• 31:10
  You are not alone, brother.
• 31:12
  Yeah.
• 31:16
  Of the triangulation.
• 31:17
  I might have lost me.
• 31:18
  They lost me.
• 31:20
  I'm sorry, we did what?
• 31:21
  Excuse me.
• 31:26
  Here's a question to retort.
• 31:27
  Will this put money in my pocket?
• 31:30
  Let's think about the hypotenuse, the cause and the effect.
• 31:33
  Yeah, yeah, yeah, yeah.
• 31:36
  That was that.
• 31:37
  And that was that.
• 31:37
  That was that good old Belzer Middle School.
• 31:39
  I, I realized that, yeah, I can't, I can't do this.
• 31:45
  So, you know, I, I, for a little bit, even throughout all high school, you know, I was just kind of going through the motions.
• 31:51
  And then it really wasn't until, you know, I started looking for a college, you know, because I wanted to go to animation.
• 31:57
  I knew I wanted to do that, but I just didn't know, like, what I could do with it.
• 32:02
  I was on the track of, I want to go to Disney, you know, and I want to do the Disney thing or I want to do the Pixar thing.
• 32:11
  And so then I get to college, and then I get into Maya and realize I suck at math.
• 32:16
  And, you know, and I was like.
• 32:18
  Well, can't do this either.
• 32:23
  So.
• 32:24
  But no, I, I, I just, I realized, like, there's more to just, you know, chasing the dream of Disney, to chasing that dream of, of Pixar and DreamWorks and everything that everybody wants to go towards, you know, I,
• 32:37
  I turned my career towards YouTube.
• 32:40
  At the time when I graduated, YouTube animation was really coming up and becoming a big thing.
• 32:46
  And that's where, that's where I went.
• 32:47
  So.
• 32:48
  And then from there, it's just, this has been what I've been doing.
• 32:52
  You mentioned you wanting, wanting to go the Disney route in Pixar out.
• 32:57
  And it's funny you say that, because I was the same thing with art.
• 33:01
  And, you know, I remember my mother saying, what do you want to do?
• 33:04
  I said, I want to draw at Marvel.
• 33:05
  And then realizing that years later, like, that's not it, you know, that that wouldn't either.
• 33:12
  That's not my path.
• 33:15
  But however, realizing later I can build my own and, and we're seeing that now, we're seeing a lot more of our own.
• 33:26
  Build that.
• 33:27
  Lady Mandalore's in the building.
• 33:28
  Hi.
• 33:29
  Sorry.
• 33:29
  It's all right.
• 33:30
  You're here.
• 33:31
  Oh, my gosh.
• 33:32
  Hi.
• 33:35
  No, but realizing that and we're seeing more of us build our own and not taking that, that well known or, well, scene spot, you don't, you don't have to go to Disney, you don't have to go to Marvel,
• 33:50
  you don't have to go to dc.
• 33:52
  Those are great.
• 33:53
  But what happens if you build it yourself?
• 33:57
  Yep.
• 33:58
  You know, you, you kind of stay out of the way of the BS because you know, when you, once, once you're in the field, you start seeing things behind the curtain.
• 34:09
  Yeah, yeah.
• 34:10
  You start seeing me behind the curtain, you're just like, oh, no.
• 34:14
  I, I saw something very real from.
• 34:17
  There's a guy I follow, Eric Calderon.
• 34:20
  I follow.
• 34:21
  He, he was a producer for Afro Samurai Resurrection and he was on Beavis and Butthead and some, some of the Transformer movies.
• 34:30
  But anyways, he, he has a YouTube channel.
• 34:33
  And basically what he does is he kind of guides animators.
• 34:36
  Like he tells animators, hey, this is how you get a job.
• 34:38
  This how you pitch.
• 34:40
  This is how you, you know, make your portfolio acceptable for studio to pick you up.
• 34:45
  And he recently put out a video and it was, it was disheartening.
• 34:49
  And I could even tell he was very, like, hesitant to post it, but he was just like, essentially, the animation industry is cooked.
• 34:59
  He's like, there's guys that I've been, that have basically my resume or a resume, you know, close to what I have, they can't find a job.
• 35:10
  They can't find a job.
• 35:12
  Studios aren't pitch, aren't taking pitches.
• 35:15
  Luckily for me, I was able to pitch something last week.
• 35:20
  But like, he's like, pitching probably won't be a thing for creators in the future at these bigger studios because they're all locking in.
• 35:29
  And this.
• 35:29
  This is all I've been hearing.
• 35:31
  They're all locking in on IP they already own.
• 35:33
  Yep.
• 35:34
  They want to.
• 35:34
  They want to take that IP and push it as far as they can, and they don't want to invest in anything new right now.
• 35:41
  You're right.
• 35:42
  No, you're right.
• 35:43
  Between that and AI being a major factor in a lot of things.
• 35:50
  Yeah.
• 35:51
  Yeah.
• 35:51
  This is why, you see.
• 35:52
  And we mentioned Disney.
• 35:53
  This is why, you see.
• 35:55
  Well, why are they doing this for this product?
• 35:59
  Why are we getting another.
• 36:01
  Literally, what was it?
• 36:02
  D23 Brazil.
• 36:04
  I think it was earlier this year.
• 36:06
  And they say.
• 36:07
  They made their announcements and they say Toy Story 5.
• 36:10
  And people were just.
• 36:11
  There were people that were.
• 36:12
  Some were excited, but other people were like, why are we getting another Toy Story?
• 36:17
  Yeah, I.
• 36:18
  I get the Incredibles, but why are we getting another Toy Story?
• 36:21
  I thought we were done with that whole thing.
• 36:24
  You know, kids don't even play with toys anymore, which.
• 36:30
  Which is crazy.
• 36:31
  That's the premise of the movie.
• 36:33
  Ted is in my room for a reason.
• 36:35
  This is a reminder of what I grew up with.
• 36:37
  Okay, well, no interwebs.
• 36:40
  None of that.
• 36:41
  We had sticks and rocks.
• 36:42
  We made it work.
• 36:43
  Okay.
• 36:45
  Doggone it.
• 36:46
  However, when you have.
• 36:48
  When you have platforms like Blur Station, which they see a lot of black animators with a lot of original ideas and a lot of potential.
• 36:58
  Black history beats monarchs.
• 37:00
  My daughter's a monster slayer.
• 37:03
  When you see Creative Theory World, when you see rock bottom studios, when you see all these people and they have these amazing.
• 37:10
  Captain Zero.
• 37:11
  When you see all these amazing projects that have nothing to do with, like, mainstream stuff.
• 37:18
  And don't get me wrong, it's fun to watch mainstream stuff, but how many times do you see that story?
• 37:23
  And it's the same rehash.
• 37:24
  It's the same rehash.
• 37:25
  It's the same rehash.
• 37:26
  And then you turn around and you get something original, fresh, new.
• 37:30
  And then you're just like, I like this.
• 37:32
  I need more.
• 37:35
  Where can I find it?
• 37:38
  Or where can I support it, for that matter?
• 37:42
  Yeah, 100.
• 37:44
  I.
• 37:46
  I want to know.
• 37:47
  Josh.
• 37:47
  Hi.
• 37:50
  Hello again.
• 37:51
  Yes, hello again.
• 37:52
  I'm sorry.
• 37:53
  Oh, I just.
• 37:53
  Your.
• 37:54
  Your screen just popped up.
• 37:55
  There you are.
• 38:00
  Glad to have you back.
• 38:00
  Glad you're here.
• 38:01
  Thank you.
• 38:02
  But deep question.
• 38:05
  What makes you want to stay in this realm of independence?
• 38:09
  Like, what make.
• 38:10
  What keeps you from, like, let's say Disney does Send you a check tomorrow or send you an offer tomorrow.
• 38:17
  Like, is there, what is your Sophie's Choice?
• 38:20
  Like what, what would keep you with indie versus going to somebody like Disney?
• 38:28
  I think the biggest thing for me about independent is being independent is just the freedom being, the freedom of not only just owning your property, but also the freedom of also being able to kind of tell the story
• 38:44
  that you want to tell it.
• 38:46
  One thing that I've been told, and again, like I said, I've been pitching to major studios, you know, the stuff that I have and the one thing I'm always told is like, you know, yeah, you can pitch that
• 38:58
  thing.
• 38:59
  The first thing that I was told was I had to go through a whole script writing boot camp with the, the guy, my agent, the guy I'm working with, he was just like, you need to learn how to
• 39:08
  write scripts.
• 39:09
  Because if you can't write a script, they're going to tell the story how they want to tell it.
• 39:12
  So you need to write, learn how to write a script.
• 39:14
  You need to learn how to write, you know, a pitch bible or a bible for your show, all that stuff.
• 39:20
  And that's, you know, and I mean you still need that stuff when you're independent.
• 39:24
  But again, that's just the studio trying to control your narrative and control the story that you're trying to tell.
• 39:31
  And a lot of I, I see a lot of artists struggle with that.
• 39:34
  I've seen a lot of people who've had major shows, you know, go at odds.
• 39:38
  I mean, famously I'm spacing on her name right now.
• 39:43
  But the creator of Our House, I mean, she had it out for Disney, you know, an all out brawl and even to this day still has an all out brawl with Disney.
• 39:54
  So it's just these studios, you know, they have what they, they have what they think people want and they push it out there.
• 40:02
  And if they got to change your whole story around, they'll do it.
• 40:05
  But the biggest thing that I love about being independent is the fans love what you're putting out there.
• 40:10
  They appreciate it and they want to see what you have to offer.
• 40:15
  You know, what your, what, what story that you're trying to tell.
• 40:20
  I can't tell you how long over the years people have said you have a property of any, a famous property and then the studios get their hands on it and they just.
• 40:38
  Cannibalize it.
• 40:39
  Yeah, I've seen it time and time again and there and being in this industry that we're doing, doing this platform and we, you know, being exposed to Things behind the scenes, we get to see what actually happened.
• 40:55
  You know, people are so quick to say it was the writer's fault, it was the director's fault.
• 41:03
  Someone said Boondocks, yeah, perfect example.
• 41:08
  Yeah.
• 41:10
  He fought.
• 41:11
  I mean, pretty soon he was just like, this is, this is too much.
• 41:16
  Yeah, Dave Chappelle, famously Dave Chappelle.
• 41:21
  Yeah.
• 41:22
  This is his baby.
• 41:23
  And he had a team of creators, but county central want to do what they wanted to do.
• 41:30
  And he said, I'll walk.
• 41:31
  Which is why that third season, while funny, wasn't nearly as funny, you know, and he'll say it.
• 41:40
  He's like, don't watch the show till his money again.
• 41:44
  And whether he does something with it or not later in the future, we don't know.
• 41:47
  But we know, but we see it.
• 41:49
  We've seen it.
• 41:52
  I, I've seen.
• 41:53
  First of all, Play Watch is beautiful.
• 41:57
  Anyone who watches this gets the vibe of back what it was to sit in front of the TV and I'm gonna date myself, I don't even care.
• 42:06
  1978, sit in front of my grandmother's big old Magnavox.
• 42:10
  Color not moving.
• 42:13
  The minute that Schoolhouse Rock segment came on, nothing else in the world mattered.
• 42:18
  Because at that moment, you had music, you had, you were educated, and it was memorable.
• 42:25
  We fast forward to Play Watch.
• 42:27
  That's the vibe that I get from this.
• 42:30
  When you created Playwatch, was that the vibe you were going for back from the Schoolhouse Rock days, where at that moment, being a kid was a lot more than just watching cartoons because you were learning something.
• 42:47
  I mean, 100.
• 42:49
  That was the, that was the vibe I wanted that Saturday morning cartoon feel where you were just excited because, you know, I mean, because even today, like, kids got access to cartoons 247 now.
• 43:00
  I mean, they can watch their cartoon.
• 43:02
  You know, my kids, they watch cartoons all day over and over again, you know, and, and growing up and, you know, the new cartoon show, even though we had cartoons all week, the newest episodes were on Saturdays.
• 43:16
  So those, that was the vibe that I was like, I want to bring that back with Playwatch with, you know, black history beats.
• 43:23
  I wanted to have, to have that same feeling that I had where you're learning something, but that at the same time, you know, you're enjoying and, and, and rocking out to whatever you're listening to.
• 43:34
  And it's, it sticks in here because, you know, that's the biggest thing that, you know, I, I, I mean, it's not something I've learned, I've known, but I'm still, I'm Relearning it with.
• 43:43
  With my.
• 43:44
  My one year old.
• 43:45
  I mean, she.
• 43:46
  She got Ms.
• 43:47
  Rachel songs down like this.
• 43:49
  I mean, like this.
• 43:50
  Now she don't.
• 43:52
  She don't know the words.
• 43:53
  I mean, she can say some of the words, but she hums most of it.
• 43:57
  But.
• 43:58
  But I mean, it sticks.
• 44:00
  It works.
• 44:02
  I mean, and that's.
• 44:03
  You know, I'm glad I'm even mentioned Schoolhouse Right, because a lot of people don't mention Zach of all trades.
• 44:11
  Wow.
• 44:12
  That was Luther Vandross doing that voice.
• 44:14
  Yeah, I remember Zack of All Trade.
• 44:18
  Oh, my goodness.
• 44:19
  Like.
• 44:20
  And they will show you serve the same one throughout the Saturday it was on abc.
• 44:25
  They would show you that same one in between the commercial breaks or between episodes.
• 44:33
  And you will get Zach all Dre talking about, you don't have to lay on the heel.
• 44:38
  Jack and Jill.
• 44:39
  You can go ahead and learn to do some.
• 44:41
  A new skill.
• 44:42
  Literally.
• 44:42
  That's how he said it.
• 44:44
  Like, yeah, baby, look up Zach.
• 44:46
  All trades.
• 44:47
  It's.
• 44:47
  They got them on.
• 44:48
  They got think like three or four.
• 44:50
  And.
• 44:51
  And it helps that it's Luther Vandross.
• 44:53
  So it really goes over smooth.
• 44:55
  So.
• 44:56
  So, like, I like the way this sounds.
• 45:00
  Mama's entertained, the kids is entertained.
• 45:03
  Everybody's happy.
• 45:04
  So.
• 45:06
  But seeing those types of shows is something that is necessarily needed now.
• 45:13
  And I'm glad we're saying that and, and seeing that and talking about it and putting it out there, because you don't get too much of that.
• 45:20
  No, you don't get too much.
• 45:22
  And it's fine to watch, you know, stuff to dumb it down and whatever.
• 45:25
  That's cool.
• 45:26
  We did too.
• 45:27
  But, you know, this was.
• 45:29
  This was another way of learning, you know, because especially if it's catchy and the human brain catches on to stuff like that get repeated.
• 45:41
  They repeated.
• 45:42
  It's in their head.
• 45:42
  Just like you said.
• 45:43
  Your daughter may not know words, but she knows that's Ms.
• 45:46
  Rachel.
• 45:47
  You know, it's like.
• 45:48
  And it's teaching her something.
• 45:49
  So now imagine.
• 45:52
  Imagine something that's geared towards us too and teaching it like the Bessie Coleman like.
• 45:59
  And you're learning that and you're learning.
• 46:00
  You slip.
• 46:01
  Wow.
• 46:01
  Bestie Coleman.
• 46:02
  I didn't know that existed, you know?
• 46:05
  Yeah.
• 46:06
  Yeah.
• 46:06
  Well, I mean, and it goes.
• 46:09
  It goes deeper because the one thing, the one vehicle that black history beats has that can really make it stand out with everything else is the fact that, like, not only are we teaching black history through, you know,
• 46:21
  the visuals, so you're.
• 46:22
  We're, you know, you're Hearing the lyrics, you're hearing, you know, what these, these people went through.
• 46:27
  You're learning about figures that you never really, you know, never really known about.
• 46:32
  Like one, one of the ones we, we're trying to work on and get out is one on Ida B.
• 46:39
  Wells.
• 46:41
  And, and then after that, you know, of course, Muhammad Ali is one that, you know, we, everybody, a lot of people know who Muhammad Ali's Ali is.
• 46:50
  And then doing one on like black Wall street and a lot of, you know, I, I talked with somebody where they were like, well, what would you do on black Wall Street?
• 46:58
  And I'm like, well, I would have a joyful song about how successful black Wall street was.
• 47:04
  We don't have to talk about what happened to it.
• 47:07
  I mean, we can, but the conversation needs to start at not the, not the tragedy.
• 47:13
  Yeah, destroy the kids already.
• 47:17
  But that's all we in our media.
• 47:20
  I mean, we've had the Watchmen do it.
• 47:22
  We've had Lovecraft country do it where it's the tragedy, it's the tragedy of it.
• 47:28
  And it's never the success and the beauty of what black people were able to create in a country that didn't want us to create that fast.
• 47:38
  Right, right.
• 47:41
  Someone is trying to get in contact with somebody.
• 47:43
  Yeah, Someone calling me.
• 47:48
  I know we're not being hailed.
• 47:50
  However, tell them you put your setting on NDA Negro don't ask, you know, straight up.
• 47:58
  But, but even with, but even going as far as like introducing, you know, the, the, the music that black, that black people, you know, having the idea for Ida B.
• 48:07
  Wells was like introducing like a flowetry esque song or sound to it because she's a journalist and having the words weaving through, through the whole animation.
• 48:20
  Her words, you know, I had to be Wells words weaving through the animation as you go through her history.
• 48:25
  Like that's the kind of stuff where it's like, you know, we're reaching sinners levels of getting deep where we're listening to I don't know how many different musical genres along with the blues, you.
• 48:38
  Know, again, guess where it was starting.
• 48:42
  Bama says, I feel like black people do.
• 48:45
  If black people didn't exist in this country, they wouldn't stand for very long.
• 48:48
  No, this is true.
• 48:50
  Yeah, I count at least about 80 to 90 of things that have been created.
• 48:55
  This is just the stuff that's been created.
• 48:57
  Correct.
• 48:59
  Tell it, sir, tell it.
• 49:00
  Your ass being one of them.
• 49:04
  Shout out Spartan like, look, we take.
• 49:08
  Away the soap and deodorant.
• 49:10
  That alone.
• 49:12
  Oh no.
• 49:13
  They would have to walk up steps and have warm food to be stored away.
• 49:17
  Come on.
• 49:17
  Walk away with penicillin and the Internet.
• 49:20
  Oh, guess what?
• 49:25
  It was like, you're gonna have the Black Plague all over again.
• 49:30
  Oh, man.
• 49:31
  So, Josh, so was there a particular topic when you started doing playwatch, Especially the Black History beach, which is genius.
• 49:40
  Was there a particular topic that you wanted to do or to animate or to speak on or a particular personality?
• 49:51
  When I started it.
• 49:52
  When I started it, I wanted to do one.
• 49:57
  Oh.
• 49:58
  Oh, there we go.
• 49:59
  And that's.
• 50:00
  That was actually the first episode.
• 50:01
  The first episode was on Martin Luther King Jr.
• 50:04
  The First.
• 50:04
  We.
• 50:05
  And funny enough, so we did that episode.
• 50:08
  We had college kids help us.
• 50:11
  So we kind of did, like, an internship thing.
• 50:13
  I was.
• 50:13
  I was out of school at that point, but some of the students from my.
• 50:17
  From St.
• 50:18
  Francis helped me create that episode, along with Matt helping and guiding it.
• 50:26
  And we were able to get that thing on in the telly Awards, and it won three telly awards for music and animation and children's media.
• 50:37
  That was back in 2019.
• 50:40
  And we, like, were on the highlight.
• 50:41
  Highlight reel for it and everything.
• 50:43
  That was awesome.
• 50:44
  But he just.
• 50:45
  I love how you just breathe.
• 50:47
  Yeah.
• 50:52
  You did not learn all this newer stuff about you tonight, sir.
• 50:58
  Did we not have a conversation about all of this before?
• 51:01
  You're hiding from us.
• 51:02
  Okay, sir, Sir, I got.
• 51:04
  I gotta build the story.
• 51:05
  Build the story up.
• 51:10
  I'm still buying you White Castle when I come home.
• 51:12
  Okay?
• 51:13
  Just be up front, bro.
• 51:15
  Just be up front, man.
• 51:19
  Give it all up front.
• 51:20
  And then you ain't got enough.
• 51:21
  No meat left, but.
• 51:24
  Exactly.
• 51:24
  But it gets better.
• 51:25
  Because then my former or my business partner Matt, he put it on PBS because he had connections at PBS.
• 51:33
  Put it on PBS.
• 51:34
  So it aired nationally on Martin Luther King Jr.
• 51:37
  Day for a couple years with.
• 51:40
  With PBS.
• 51:41
  I'm mad at you.
• 51:44
  She is not happy with you.
• 51:51
  We were talking about Playwatch.
• 51:53
  We were talking about Mon.
• 51:55
  To be fair, we were talking about Monarch.
• 51:57
  And, yeah, he wasn't gonna tell us everything.
• 52:00
  And I.
• 52:00
  I had to stand.
• 52:03
  That's that New York and him.
• 52:04
  I.
• 52:05
  I can't.
• 52:05
  I can't, y'.
• 52:06
  All.
• 52:07
  I can't.
• 52:08
  This moment's been brought.
• 52:13
  On multiple platforms here.
• 52:16
  I'm just saying, if you want it, we got it for you.
• 52:23
  Josh.
• 52:24
  Now you made her.
• 52:25
  You made a man.
• 52:25
  Now I say I gotta deal with her now, so you get to go home.
• 52:29
  Oh, I.
• 52:30
  I apologize.
• 52:32
  I'm very sorry.
• 52:34
  I.
• 52:35
  I'm just mad because we can't praise you multi a multitude of times for all of your things.
• 52:40
  That's all you can be.
• 52:43
  You can be because this is a three time Tilly award winner, PBS maybe going strong nationally.
• 52:51
  It's out there.
• 52:53
  And when you have the, the concept and when you have the ideas actually fleshed out, what does that even feel like?
• 53:00
  To know that something you work so hard and so diligently on and, and toiled night and day and then finally, you know, all the ups and downs and then finally to not only walk away with a telly award,
• 53:14
  but to have something shown across the country knowing that that's going to improve somebody's livelihood.
• 53:23
  I mean, it's, it's, it's a little surreal.
• 53:25
  I actually got a, I got a photo the other day from somebody in New Zealand who said, I found a monarch's book in a school library and they took a picture of it.
• 53:41
  They're like, this is in New Zealand.
• 53:42
  Auckland, New Zealand.
• 53:43
  And I'm just like.
• 53:47
  It felt like it's.
• 53:49
  And I mean, I've sent books out.
• 53:50
  I've sent books because I've had, you know, I've had people in Africa, people in, in Europe and you know, order books.
• 53:57
  So I, I mean, I, it's not, it's nothing.
• 54:00
  Like, it didn't really surprise me, but at the same time I was still surprised because I'm like, it's, it's in a school in New Zealand.
• 54:09
  So I mean, it's, it's surreal.
• 54:11
  It's really like young Josh would just, Young Josh would be proud, I'll put it that way.
• 54:17
  And I'm like, at least it paid off.
• 54:19
  All the getting in trouble in school for drawing and not doing your homework and not paying attention.
• 54:23
  And.
• 54:26
  He said, he says, he goes back in the time machine and says, no, go ahead and do that because we're gonna need that later.
• 54:35
  Other thing a little bit less and focus on this a little bit more.
• 54:37
  Yeah, yeah.
• 54:39
  Like, no, I need you to put the firecracker in the toilet if this doesn't happen.
• 54:46
  It's a nexus of things like, I need you to do this.
• 54:49
  So you get political punishment.
• 54:51
  So you figure out three, then you figure out, okay, there you go.
• 54:57
  So all.
• 54:58
  To have all those things involved and, and built up and to be praised in those ways.
• 55:04
  And like you said, to have somebody from New Zealand and take a picture and say, hey, look what I got.
• 55:08
  This is in the school over in New Zealand.
• 55:10
  New Zealand, you know?
• 55:12
  Yeah, that's.
• 55:13
  So you are literally worldwide now, sir.
• 55:16
  You are Literally and literally.
• 55:19
  Literature, Lily Worldwide.
• 55:22
  How does that strike you?
• 55:24
  Whoop.
• 55:24
  These eyes got big just now.
• 55:26
  I mean.
• 55:29
  Is it.
• 55:29
  It's exciting.
• 55:30
  It's scary, too.
• 55:31
  It's.
• 55:31
  It's very.
• 55:32
  It's a little.
• 55:33
  It's a little scary in a good way.
• 55:35
  I don't want to say it's scary in a very good way.
• 55:37
  Right.
• 55:38
  That's good.
• 55:40
  You know what?
• 55:41
  You've heard enough.
• 55:42
  More voice.
• 55:42
  Ladies, do you have anything that you wanted to talk to?
• 55:45
  Talk?
• 55:45
  Yeah, shut up.
• 55:47
  I'm tired of hearing me talk.
• 55:49
  I wanted to say in the Bessie Coleman short.
• 55:53
  I just love looking at all the colory textures of the hair of each little brown.
• 55:59
  Brown and black girl and boy.
• 56:01
  It was just.
• 56:01
  It just made me smile.
• 56:05
  And Lady Mandalore's tearing up slightly.
• 56:09
  Oh, no.
• 56:10
  I'm focused on typing.
• 56:11
  I'm trying to type.
• 56:14
  I'm listening to her.
• 56:15
  But also.
• 56:16
  Yeah, no hair.
• 56:21
  The follicular wave is on effect, ladies and gentlemen.
• 56:23
  The follicular wave.
• 56:25
  Lady.
• 56:25
  I think that's something.
• 56:26
  And I'm glad, you know, I'm glad both you said that, because that is something you don't get to see enough of.
• 56:32
  But also, just like having them be.
• 56:35
  Okay, this is not necessarily true, because monsters.
• 56:40
  But they're a normal family.
• 56:43
  Like, they're.
• 56:43
  They're normal.
• 56:44
  They do normal things.
• 56:45
  Like, it's not.
• 56:48
  It's not a struggle to survive normaly.
• 56:52
  It's a struggle to.
• 56:53
  At least with the.
• 56:53
  With.
• 56:54
  Demon slayer.
• 56:55
  Demon slayer.
• 56:56
  Monster slayer.
• 56:56
  Jesus Christ.
• 56:58
  Oh, no, it's okay.
• 57:02
  It's.
• 57:02
  It's nice to have that sense of normalcy as.
• 57:07
  As a family for them.
• 57:10
  Yeah.
• 57:11
  Yeah.
• 57:11
  I didn't want a story where he's, you know, he's chasing the girl and all that kind of stuff.
• 57:16
  And, you know, I.
• 57:17
  I wanted to show first and foremost, like, no, they're a regular, normal, everyday black family, because that's what we are.
• 57:25
  We're not, you know, all these stereotypes.
• 57:28
  Like, they.
• 57:30
  They want to play video games.
• 57:31
  That's what they want to do.
• 57:33
  Because that's what we all want to do at the end of the day.
• 57:35
  We just want to play some video games or read a nice book or.
• 57:40
  Or, you know, whatever people want to do.
• 57:42
  And I just.
• 57:43
  I wanted something normal, especially where the setting is being in Indianapolis, Indiana, where it's like, you know, normally everything is set in New York or set in a black, up, black space.
• 57:54
  And it's like.
• 57:55
  No, it's in.
• 57:56
  It's in Indianapolis, Indiana, around some cornfields.
• 58:00
  Because we out here too.
• 58:03
  I Escaped.
• 58:04
  So that says something about it.
• 58:05
  So, yeah, I mean, that's fine.
• 58:12
  I should have been in New York.
• 58:15
  Nah, we can't have everything happening out of New York.
• 58:17
  There's other states, cities and states.
• 58:21
  Look, I'm sitting.
• 58:22
  I'm sitting in Ohio.
• 58:23
  Every time I turn around somebody in the DMV in New York, and I'm like, really?
• 58:27
  Really?
• 58:27
  Yeah.
• 58:30
  We get sparks.
• 58:31
  And it was like, just like James Gunn, Superman.
• 58:34
  Hey.
• 58:35
  And this is Brooklyn.
• 58:37
  Yeah, right.
• 58:40
  I was just happy.
• 58:40
  Stranger things.
• 58:41
  I was happy.
• 58:42
  Stranger things took place in Indiana.
• 58:47
  I was like, at least we got that.
• 58:51
  Where's Indiana?
• 58:52
  I don't know.
• 58:52
  Somewhere around Idaho, I guess.
• 58:55
  Someplace flat.
• 58:57
  Yeah.
• 59:00
  No hills.
• 59:01
  You go from Ohio to Illinois, you will not hit us.
• 59:06
  That's how I was going to see my son when he was stationed in Colorado, passing through Kansas.
• 59:11
  I'm like, I'm seeing this flat, man.
• 59:14
  Get plenty of sky.
• 59:18
  I can go to sleep and wake up and still be on the straightaway.
• 59:26
  Oh, my gosh.
• 59:27
  No.
• 59:28
  But seeing these types of projects is definitely necessary.
• 59:31
  First off, let me thank you for, you know, checking us out over at Blurry Station and joining up.
• 59:36
  And secondly, thank you for inviting me.
• 59:40
  Having so many projects that not only enhance but will teach more children, black or white, you know, about so many more things.
• 59:53
  And so that's absolutely necessary to see now at this point in the game that we're living.
• 59:58
  We got to tell this next generation, hey, listen up.
• 1:00:00
  But just.
• 1:00:02
  Well, we got.
• 1:00:03
  We gotta work on the re.
• 1:00:04
  We're working on the reading side of things, because in the Indiana and a lot of other states, the reading is.
• 1:00:09
  We're hearing the readings really bad.
• 1:00:11
  So.
• 1:00:12
  Yeah.
• 1:00:13
  Yeah, we gotta fix that.
• 1:00:15
  Like, we're like, hey, we gotta learn y' all a few things.
• 1:00:17
  Hold on now.
• 1:00:19
  Yeah.
• 1:00:19
  Like, here, sit down and read this.
• 1:00:24
  Yeah.
• 1:00:24
  As a survivor of the Indianapolis public school system.
• 1:00:27
  Yeah.
• 1:00:28
  Where we went by school numbers and not by names.
• 1:00:31
  Yeah.
• 1:00:32
  It definitely, definitely sounds like prison.
• 1:00:36
  Yo.
• 1:00:37
  You didn't.
• 1:00:37
  There were no names.
• 1:00:38
  You're like, okay, we go.
• 1:00:39
  I go to school.
• 1:00:40
  I go to 56.
• 1:00:41
  Oh.
• 1:00:41
  I go to 78.
• 1:00:42
  Word.
• 1:00:42
  Okay.
• 1:00:43
  I went to 41.
• 1:00:44
  44.
• 1:00:45
  And that's what it was until you got to high school.
• 1:00:49
  Yep.
• 1:00:49
  You got the high school.
• 1:00:50
  And then.
• 1:00:50
  Yeah, that's when you can name school.
• 1:00:55
  I would be.
• 1:00:56
  So what school do you go to?
• 1:00:59
  79.
• 1:01:00
  Yeah.
• 1:01:00
  78.
• 1:01:01
  I don't know.
• 1:01:05
  I still remember all of mine.
• 1:01:07
  Huh.
• 1:01:09
  I had.
• 1:01:10
  What did we have?
• 1:01:10
  We had PS.
• 1:01:13
  PS 116, 234 we had is 8.
• 1:01:18
  80 is 8.
• 1:01:19
  There was a whole numbers.
• 1:01:22
  Sounds like code names.
• 1:01:23
  What the crazy thing was Indianapolis.
• 1:01:26
  You never said ips you just said the number because it was all ips.
• 1:01:31
  There was.
• 1:01:32
  And.
• 1:01:32
  And then you.
• 1:01:33
  I think the only school that was part of IPS but wasn't was Bray Buff.
• 1:01:39
  That was the.
• 1:01:40
  That was the prep school.
• 1:01:41
  My.
• 1:01:42
  My wife went to Bruff.
• 1:01:43
  I.
• 1:01:44
  I got accepted.
• 1:01:45
  And then, you know, life started lifeing.
• 1:01:47
  So I couldn't go.
• 1:01:49
  Yeah, all right.
• 1:01:51
  I went to a.
• 1:01:52
  I wish I.
• 1:01:57
  Thank God for book.
• 1:01:58
  To book the live 1040 baby grits for life, right?
• 1:02:05
  So.
• 1:02:05
  Because the teachers we had there, they were not only.
• 1:02:08
  They was like, oh.
• 1:02:12
  I.
• 1:02:12
  I love my teachers, man.
• 1:02:13
  Let me tell you.
• 1:02:14
  One introduced me to cosplay.
• 1:02:15
  The other introduced me to journalism.
• 1:02:17
  I mean, I got that introduction.
• 1:02:19
  Even one introduced me to Dungeons and Dragons.
• 1:02:21
  So, you know, there was that.
• 1:02:27
  What's the matter you.
• 1:02:32
  If, you know.
• 1:02:33
  You know, she had the letterman sweater and everything.
• 1:02:39
  Oh, God.
• 1:02:42
  So what's next for Playwatch?
• 1:02:47
  So the one.
• 1:02:48
  The next thing for us is we're just trying to raise that next round of funds.
• 1:02:52
  That's.
• 1:02:53
  That's our number one priority right now is raising those funds so we can start animating some more stuff.
• 1:02:59
  We have Black History Beats books, actually, that we are getting ready to put out.
• 1:03:06
  So we got a shop.
• 1:03:07
  We're getting ready to have these put out.
• 1:03:10
  Oh, let's go, Jackie Robinson.
• 1:03:14
  And then you got mlk put you up there and you got Bessie.
• 1:03:20
  That's dope.
• 1:03:26
  So we're trying to.
• 1:03:27
  We're trying to fix the reading problem.
• 1:03:30
  That's the next thing.
• 1:03:31
  Every sentence.
• 1:03:34
  Yes, yes.
• 1:03:35
  But yeah, so we're doing that, and then we are actually working on a platform for Playwatch.
• 1:03:42
  So it's called Jason Playwatch.
• 1:03:44
  It'll be a learning platform, kind of like an ABC mouse or a.
• 1:03:49
  What's it, K through K through 12, I think the other one.
• 1:03:53
  So something like that where it'll have, you know, entertainment.
• 1:03:56
  We'll have our.
• 1:03:57
  Our Play Watch, you know, entertainment videos on there.
• 1:03:59
  But then we'll also have a ton of learning videos for pre K.
• 1:04:05
  So early education.
• 1:04:08
  That's what's up.
• 1:04:09
  So we're getting them early.
• 1:04:10
  Get.
• 1:04:10
  Get them in there early.
• 1:04:12
  That's what's up.
• 1:04:14
  Brooklyn Tech.
• 1:04:18
  So we're gonna go and we're gonna take a quick break.
• 1:04:21
  When we come back, we got a little news and we got some horror pop quiz and fun facts to drop a little bit.
• 1:04:27
  Oh, can Josh hang out with us.
• 1:04:28
  That's what I was gonna ask him.
• 1:04:32
  I cannot.
• 1:04:33
  Okay, that's fine.
• 1:04:34
  The man got some animation in re.
• 1:04:36
  In writing to do like I got.
• 1:04:38
  I gotta get this next web tune out.
• 1:04:40
  I gotta get this next.
• 1:04:41
  The next episode up.
• 1:04:44
  Lady Mandalore.
• 1:04:45
  Go ahead.
• 1:04:45
  Can we.
• 1:04:46
  Can we talk about.
• 1:04:46
  Can we talk about welcome to dairy?
• 1:04:48
  Are we talking about welcome to dairy?
• 1:04:50
  Oh, my God.
• 1:04:54
  I want to talk about it really, really, really, really, really bad.
• 1:04:56
  I know you do, but we haven't seen it yet.
• 1:04:58
  I don't care.
• 1:04:59
  I don't care.
• 1:05:02
  This is a New York school system.
• 1:05:06
  Will I be watching it?
• 1:05:07
  Despite what Lady Mandalore says, yes, I will will be watching it.
• 1:05:10
  It's no such thing as spoiling for me unless I tell you not.
• 1:05:13
  I'm not even a horror person.
• 1:05:14
  But I want to watch it.
• 1:05:15
  I won't.
• 1:05:16
  I won't spoil it.
• 1:05:16
  If you let me talk about it.
• 1:05:17
  If you.
• 1:05:17
  If you don't let me talk about it.
• 1:05:19
  Wait.
• 1:05:19
  Stop.
• 1:05:21
  Spoil it.
• 1:05:22
  If I didn't talk about.
• 1:05:24
  Okay, Josh, where can they find you?
• 1:05:29
  So if you want to find my m.
• 1:05:31
  My daughter is a monster slayer.
• 1:05:33
  Monarchs clutch, you can go to at Monarchscomic on Instagram on Tick tock threads.
• 1:05:42
  If you want the play watch stuff, just play watch kids on Instagram and.
• 1:05:48
  Yeah, and then playwatchkids.com if you want to go on there and see what we have to offer.
• 1:05:54
  Josh, you.
• 1:05:55
  One, thank you for joining up with Blur Station.
• 1:05:58
  Two, thank you for the content that you're providing.
• 1:06:00
  And three, y' all go follow this man platforms and show not only just watch it, but show your support because we need to see some more of this type of stuff.
• 1:06:13
  We need black entertainment.
• 1:06:15
  Yes.
• 1:06:16
  Black edutainment.
• 1:06:18
  And as Mal said earlier.
• 1:06:22
  School.
• 1:06:23
  School.
• 1:06:23
  Hip house rock.
• 1:06:28
  That's what it is.
• 1:06:28
  Schoolhouse Hip Hop.
• 1:06:29
  That's what we call it.
• 1:06:30
  We gonna be.
• 1:06:31
  We're gonna be right back.
• 1:06:33
  Queen Ramonda lives.
• 1:06:36
  Let's find out.
• 1:06:37
  Thanks again, Josh, for coming through.
• 1:06:40
  Appreciate it.
• 1:06:41
  Take a break.
• 1:06:43
  Thank you, Sam.
• 1:07:17
  Go now.
• 1:07:40
  Let's reach out with that's great job.
• 1:07:53
  Blurd's Eye View is a proud affiliate of Otaku Noir.
• 1:07:56
  Use the code Blurd's eye view for 10 off on all items with a different nerd themed box filled with items made by talented blurds across the country.
• 1:08:05
  You surely will not be disappointed.
• 1:08:07
  Go to Attack on Attacking Noir, the number one blurred mystery box company.
• 1:08:14
  I don't know about your weekend, but our weekend's been busy.
• 1:08:18
  And while that weekend has been busy, we've been getting here with a little bit of something that we did not expect to see.
• 1:08:36
  So IG had the nerve to drop on our timelines the Queen Angela Bassett dressed as Queen Ramonda from Black Panther.
• 1:08:49
  And all I can think of is did I was there behind us.
• 1:08:52
  Are they showing this behind the scenes stuff that I didn't see on my Blu ray or.
• 1:08:56
  So I had no clue what the frack was going on.
• 1:09:01
  But she looked amazing, as she always does.
• 1:09:08
  She always does the first episode.
• 1:09:15
  But yeah, it turns out Vogue had a whole modeling thing going on.
• 1:09:22
  I think Vogue.
• 1:09:23
  How would.
• 1:09:24
  If I'm not mistaken, it was.
• 1:09:28
  I will look it up, but I.
• 1:09:29
  Believe it was like Vogue Hollywood or something like that.
• 1:09:32
  You know, it looked like they were one of the backlogs and they.
• 1:09:34
  They dressed it up and everybody just.
• 1:09:38
  Vogue World Hollywood.
• 1:09:44
  Yeah, Hollywood.
• 1:09:46
  And we.
• 1:09:47
  And, and, and while, you know, Kira's a big fashionista, you know, and I.
• 1:09:55
  And I'm learning.
• 1:09:56
  And I'm learning fashion, you know, seeing.
• 1:10:00
  Seeing the first thing that we seen wasn't even the first thing that they did.
• 1:10:05
  That was so much later in the show.
• 1:10:09
  So much later in the show that it threw us off.
• 1:10:13
  So to show you what we're talking about, you seen part of the cast, but this is what we see.
• 1:10:20
  Did not get gear back dressed as General magazine.
• 1:10:29
  Here we go.
• 1:10:29
  Little, little, little, little slide show.
• 1:10:33
  Tiana Taylor was right by her side as one of the.
• 1:10:37
  One of the Dora.
• 1:10:40
  Yeah, Stuck.
• 1:10:47
  Damn it.
• 1:10:48
  Stuck.
• 1:10:48
  And there's the Queen.
• 1:10:49
  Now that.
• 1:10:50
  Look, let me pause this right here.
• 1:10:55
  That looked good.
• 1:10:57
  Hold on, hold on.
• 1:10:58
  I don't think it's showing up on.
• 1:11:01
  I'm getting paused faces.
• 1:11:03
  Yeah, it's not going.
• 1:11:05
  I'm getting.
• 1:11:06
  I'm getting games.
• 1:11:07
  Those scowls from the Dora Milaje.
• 1:11:10
  There she is now she's up.
• 1:11:11
  Yeah.
• 1:11:12
  Oh, wow.
• 1:11:14
  And then.
• 1:11:15
  And then this.
• 1:11:17
  It doesn't help to have Dams and Eatrus by her side walking down.
• 1:11:25
  The.
• 1:11:25
  The lot with her fueling more freaking rumors that he being in Black Panther 3.
• 1:11:37
  I mean, I guess it's fine.
• 1:11:40
  Really.
• 1:11:40
  Really?
• 1:11:42
  I guess.
• 1:11:43
  I mean, I don't.
• 1:11:45
  I don't.
• 1:11:45
  Okay, never mind that.
• 1:11:46
  That's not what we're here for anyway.
• 1:11:50
  We're here for the Queen.
• 1:11:51
  Stopped you before.
• 1:11:52
  I'm just saying we're here for the Queen.
• 1:11:54
  That's.
• 1:11:54
  That's what we're here for.
• 1:11:56
  Look at Okoye.
• 1:11:57
  Look at that.
• 1:11:58
  And this is all the stuff that.
• 1:12:04
  Oh, she's gonna kill me.
• 1:12:07
  The.
• 1:12:07
  The.
• 1:12:07
  The.
• 1:12:08
  The designer For Carter.
• 1:12:10
  Ruth Carter.
• 1:12:11
  Good God.
• 1:12:12
  Ruth.
• 1:12:13
  Carter was there.
• 1:12:13
  She was there.
• 1:12:15
  No, this is her.
• 1:12:16
  No, these are the costumes.
• 1:12:19
  Like, they made.
• 1:12:20
  Never seen this look.
• 1:12:24
  Oh, she does not let everything.
• 1:12:25
  She keeps some things close to the chest.
• 1:12:27
  She don't let everything.
• 1:12:28
  And is it me?
• 1:12:29
  But was some of the design in this dress giving?
• 1:12:32
  And I'm talking on this one.
• 1:12:34
  Was it giving a little storm to you?
• 1:12:37
  No, just not.
• 1:12:39
  Not the overall look.
• 1:12:41
  But there was a certain aesthetic in the dress.
• 1:12:45
  I mean, very, very.
• 1:12:47
  If you want to squint a little bit.
• 1:12:49
  Yes, because it was.
• 1:12:51
  It was a certain design look, and it would.
• 1:12:53
  It reminded me of one of the storms look looks.
• 1:12:56
  Honestly, if you paint that green and give her a little bit more poof on the shoulders.
• 1:13:02
  That's what she had when she went to go see Doom.
• 1:13:05
  That.
• 1:13:08
  But those looks.
• 1:13:11
  I mean, the purple, the color.
• 1:13:12
  Just the color, like, you can't find.
• 1:13:15
  Where do you find that and decide that that's the color that you want?
• 1:13:18
  You got to get that custom dyed, baby.
• 1:13:21
  You can't just be like, oh, I found it on a.
• 1:13:23
  On a.
• 1:13:24
  On a.
• 1:13:26
  You know, it.
• 1:13:27
  It.
• 1:13:30
  Yeah, has hair.
• 1:13:32
  I found it at Joanne.
• 1:13:33
  Fabric.
• 1:13:36
  Is.
• 1:13:36
  Is looking just as fierce and beautiful as ever.
• 1:13:39
  And.
• 1:13:39
  And let's face it, Tiana Taylor was.
• 1:13:41
  Was auditioning.
• 1:13:43
  Oh, yeah, baby.
• 1:13:45
  Tiana.
• 1:13:46
  If they don't put Tiana in something Black Panther, it's.
• 1:13:49
  It would be a crime.
• 1:13:50
  That woman can act left, right, titty off, gone.
• 1:14:00
  She.
• 1:14:00
  If you go to her IG page, she's literally like, I want these moves down.
• 1:14:07
  She gets into it.
• 1:14:10
  Anything that she does, she.
• 1:14:11
  She.
• 1:14:12
  It wants to master it.
• 1:14:13
  She don't want to be cool about it.
• 1:14:15
  She don't want to be.
• 1:14:16
  I.
• 1:14:16
  She don't want to just pass and then, you know, take off the whole thing and decompress.
• 1:14:20
  No, she wants to know it.
• 1:14:24
  Put her in it.
• 1:14:25
  Put her in coach, right?
• 1:14:29
  I wish I could show the video, but we get flagged.
• 1:14:32
  I.
• 1:14:34
  The look alone, and then she's walking that.
• 1:14:38
  I'm like, you know what?
• 1:14:39
  Just give her the roll, dude.
• 1:14:40
  Come on, Cooler.
• 1:14:41
  Give the woman a call and just bring her.
• 1:14:44
  She's obviously dedicated.
• 1:14:47
  Yeah.
• 1:14:47
  And she's been.
• 1:14:48
  She's been.
• 1:14:49
  This has been a big, big year for her.
• 1:14:52
  She's been in a.
• 1:14:53
  Every time I turned around, whether it was a streaming, a movie on streaming, or a movie being released, she's in it.
• 1:15:01
  And she's timeless.
• 1:15:03
  This woman is absolutely timeless.
• 1:15:07
  She's like Cicely Tyson.
• 1:15:09
  You know, she's getting older you just can't see it.
• 1:15:13
  Deny was looking.
• 1:15:16
  That's another one.
• 1:15:19
  How you could guess how old she is.
• 1:15:21
  But you'll be wrong.
• 1:15:25
  That's a fact.
• 1:15:26
  You would be wrong.
• 1:15:27
  There's no reason Rick knew what he was doing when he was out there in Atlanta fighting them zombies.
• 1:15:36
  He's like, oh.
• 1:15:37
  He's like, obviously him and Pearl have a thing for chocolate.
• 1:15:40
  So that's.
• 1:15:42
  I don't know if.
• 1:15:43
  If it's small enough so you can't see it.
• 1:15:46
  There you go.
• 1:15:46
  There you go.
• 1:15:47
  Yeah.
• 1:15:47
  That's the first thing we seen.
• 1:15:49
  The posture, the regal was her walking in.
• 1:15:52
  That was the first video that dropped with her walking in.
• 1:15:55
  I didn't know what we were looking.
• 1:15:56
  At.
• 1:15:59
  But the way she walked in.
• 1:16:03
  Listen to the crowd.
• 1:16:05
  How about a second?
• 1:16:05
  If there was no noise for that entrance.
• 1:16:08
  Oh, no.
• 1:16:10
  Oh, no.
• 1:16:10
  They.
• 1:16:10
  They, they.
• 1:16:12
  They were one step away from being on their feet.
• 1:16:16
  They were one step away from being on their feet.
• 1:16:18
  They were.
• 1:16:19
  That applause she received.
• 1:16:21
  And.
• 1:16:22
  And I'm like, she really is a queen.
• 1:16:27
  Like, we don't just say that.
• 1:16:28
  She's.
• 1:16:29
  She's really a queen.
• 1:16:30
  That.
• 1:16:30
  That whole walk and that wave, and I'm like, that's.
• 1:16:35
  That's the queen.
• 1:16:36
  You do.
• 1:16:37
  Really.
• 1:16:37
  That's the queen right there.
• 1:16:38
  Facts, Malika, facts.
• 1:16:41
  Like, we.
• 1:16:43
  She is an absolute example of immortal, timeless beauty, grace, poise, and just a beautiful brilliance that is an amazing example to a lot of our young, young princesses in waiting as they're becoming queens.
• 1:17:02
  Courtney B V fans probably heart skips a beat every time she walk in the room.
• 1:17:11
  That man gets up, has a cup of coffee and just watches her move.
• 1:17:13
  It's like just during the.
• 1:17:16
  During the.
• 1:17:17
  The post homies sliding of the Oscar win.
• 1:17:22
  But prior to that, every event she was.
• 1:17:24
  Was going to, he was her biggest cheerleader, as he should.
• 1:17:29
  The photo.
• 1:17:30
  He was taking photos and was being perfect about it.
• 1:17:34
  Get out the way.
• 1:17:37
  Over there.
• 1:17:39
  Over there, out of the way.
• 1:17:40
  Your mother's in the picture.
• 1:17:41
  Move.
• 1:17:43
  Oh, don't say anything.
• 1:17:44
  Just in the.
• 1:17:44
  Get the camera right up and you just give that look and then you put the camera right back.
• 1:17:50
  They show her.
• 1:17:51
  They show her walk down the ramp and come down and just.
• 1:17:59
  Black tear happy.
• 1:18:05
  We could have that.
• 1:18:07
  That's all it is.
• 1:18:09
  No, but it was.
• 1:18:09
  It was definitely.
• 1:18:10
  I.
• 1:18:10
  I went ahead and checked out the entire event and I, you know, I see.
• 1:18:14
  Yes, there was some great looks.
• 1:18:18
  They did that whole Wakanda walk through.
• 1:18:21
  I'm like, yeah, well, this one's got everybody be I.
• 1:18:27
  Why didn't any number.
• 1:18:28
  Several.
• 1:18:29
  Several balls have been dropped in my personal opinion.
• 1:18:32
  Why was not the black delegation of Twitter, Instagram, Blue Sky, Tick tock.
• 1:18:40
  Why were we not informed?
• 1:18:42
  How did.
• 1:18:42
  How did this.
• 1:18:43
  How did they get.
• 1:18:44
  Exactly.
• 1:18:44
  Now you see what I'm saying?
• 1:18:46
  Seeing that video drop on ig, and I'm like, what is this behind the scenes?
• 1:18:50
  What is.
• 1:18:50
  And I was someplace where I couldn't hear it, so I'm like, is this behind the scene?
• 1:18:56
  I'm like, did I miss something?
• 1:18:59
  Why have I never seen this dress?
• 1:19:01
  No.
• 1:19:01
  Like.
• 1:19:04
  It'S.
• 1:19:04
  It's.
• 1:19:05
  It's maddening.
• 1:19:06
  Yeah.
• 1:19:07
  So shameful.
• 1:19:08
  That's the word for is one way.
• 1:19:11
  So, Lady Mandalore, you watched welcome to Dairy.
• 1:19:14
  I think you've seen the first.
• 1:19:15
  He did.
• 1:19:16
  Yes, we did.
• 1:19:17
  Yes, we did.
• 1:19:18
  Yes, we did.
• 1:19:20
  So without.
• 1:19:20
  Without spoiling for those who haven't watched it.
• 1:19:24
  I don't care.
• 1:19:27
  I'm just gonna do.
• 1:19:28
  I'll do like, it was one.
• 1:19:29
  I'm watching it during the day.
• 1:19:30
  I don't do that stuff.
• 1:19:34
  I got a brain that doesn't shut off.
• 1:19:36
  Okay.
• 1:19:37
  I'm gonna.
• 1:19:37
  What are your thoughts?
• 1:19:38
  Okay.
• 1:19:40
  Whoopty.
• 1:19:40
  I'm gonna.
• 1:19:41
  I'm gonna bounce off of you.
• 1:19:42
  Okay.
• 1:19:43
  I'm.
• 1:19:44
  I'm just.
• 1:19:45
  I'm gonna be like.
• 1:19:45
  We step out the room.
• 1:19:48
  Okay.
• 1:19:48
  I just.
• 1:19:49
  I didn't know if we needed to.
• 1:19:50
  Leave the bridge because I'm still gonna watch it.
• 1:19:52
  I'm gonna see some key words and you react.
• 1:19:57
  Okay, I can do this.
• 1:19:58
  Okay.
• 1:19:59
  The car.
• 1:20:01
  Ridiculousness.
• 1:20:03
  Okay.
• 1:20:04
  Ridiculousness.
• 1:20:05
  Okay.
• 1:20:06
  Okay.
• 1:20:10
  I got one for you.
• 1:20:12
  Yes.
• 1:20:14
  O U T.
• 1:20:16
  Baby, now.
• 1:20:18
  Okay, Are we doing.
• 1:20:19
  Are we.
• 1:20:19
  We could go live a line.
• 1:20:20
  We could go live a life.
• 1:20:22
  But, sir, I.
• 1:20:25
  I don't understand why nobody was getting punched in the back of the head.
• 1:20:27
  Why was no one getting punched in.
• 1:20:29
  The back of the head?
• 1:20:30
  What?
• 1:20:31
  What?
• 1:20:31
  I'm loving this.
• 1:20:32
  I'm about to open my short breath.
• 1:20:33
  This reminded me of that episode of Jimmy Kimmel.
• 1:20:36
  I'm opening my.
• 1:20:39
  Episode of Fallon when it was.
• 1:20:48
  And I never thought that Riverman could be creepy.
• 1:20:53
  It was one of those movies my sister and I had for a joke growing up.
• 1:20:57
  I have never heard of it.
• 1:20:58
  Oh, wait, that's.
• 1:20:59
  That was the one playing at the.
• 1:21:00
  That was the name of the movie.
• 1:21:01
  Yes.
• 1:21:03
  I didn't think it was a real movie.
• 1:21:05
  It's a real movie.
• 1:21:06
  I never thought it was.
• 1:21:08
  I never thought of that as creepy, but now I do.
• 1:21:11
  Ew.
• 1:21:11
  What's the name of the movie?
• 1:21:14
  Riverman.
• 1:21:14
  I think It's Riverman.
• 1:21:15
  River Town.
• 1:21:17
  I think it's River Town.
• 1:21:18
  I think it's Rivertown.
• 1:21:19
  It's an old 1960s musical.
• 1:21:25
  It's got that song, Trouble right down in the city.
• 1:21:29
  Yeah, that song.
• 1:21:30
  Yeah.
• 1:21:35
  Music Man.
• 1:21:35
  The Music Man.
• 1:21:36
  That's the name of it.
• 1:21:36
  Oh, the Music Man.
• 1:21:39
  Oh, wow.
• 1:21:40
  Yeah.
• 1:21:41
  Music man is real.
• 1:21:42
  Yeah.
• 1:21:43
  The only thing I know about is that one of the characters.
• 1:21:48
  I cannot remember actor's name, but he plays the younger version of Scatman Cor's role from the Shiny.
• 1:21:54
  That's all I know.
• 1:21:56
  Yes, that's all I know.
• 1:21:58
  And he said that himself at.
• 1:22:00
  At San Diego.
• 1:22:02
  I think he was at.
• 1:22:03
  He.
• 1:22:03
  I think that he was not in this episode.
• 1:22:06
  I don't think he's going to show up for a few episodes if I'm.
• 1:22:09
  I'm going to be quite frank.
• 1:22:10
  I mean, he was there, but he didn't say nothing.
• 1:22:13
  Was he.
• 1:22:14
  Did I miss him?
• 1:22:14
  Yeah, he was driving the.
• 1:22:16
  The.
• 1:22:16
  The.
• 1:22:19
  Yeah, he was driving the other guys around at the very beginning.
• 1:22:23
  I didn't notice.
• 1:22:24
  Okay, wait.
• 1:22:27
  Bathroom pipes.
• 1:22:31
  Listen, listen.
• 1:22:33
  Why are people so casual about this?
• 1:22:37
  I have no idea what I'm calling you.
• 1:22:41
  I'm enjoying this exchange, and I'm just taking notes right now.
• 1:22:44
  There's nothing else I can.
• 1:22:46
  You know, he wrote a story about just the drains that had nothing to do with dairy.
• 1:22:52
  About fingers coming up through the drains that had nothing to do with dairy.
• 1:23:00
  Can't do it.
• 1:23:02
  Can't do it.
• 1:23:03
  You ain't got to find it.
• 1:23:04
  I promise.
• 1:23:05
  I promise you, I don't never need to know the name of that book.
• 1:23:09
  I do.
• 1:23:10
  I do have a question for Wolfie, because she's read a lot of Stephen King.
• 1:23:17
  Is it related to any of the creatures from the Dark Tower?
• 1:23:23
  Yes.
• 1:23:24
  Yeah.
• 1:23:24
  So it's true?
• 1:23:25
  Okay.
• 1:23:25
  Absolutely.
• 1:23:26
  Yeah.
• 1:23:26
  Yeah.
• 1:23:27
  Okay.
• 1:23:30
  It's like a younger sister or something.
• 1:23:31
  It's something.
• 1:23:32
  It's a family.
• 1:23:34
  Yes.
• 1:23:36
  The turtle.
• 1:23:37
  Everything's on his back.
• 1:23:38
  He helps supports the beams.
• 1:23:42
  It entity, along with the Crimson King and Randall Flagg and all these consistent characters in Stephen King books that are trying to break the beams that hold the towers up.
• 1:23:53
  So they're agents of chaos.
• 1:23:55
  Right.
• 1:23:57
  John Gan and.
• 1:24:00
  How do you say, Murin the Turtle and like Roland the Gunslinger.
• 1:24:05
  They're all people that are trying to hold the towers up to keep them supported.
• 1:24:10
  They're the agents of order.
• 1:24:13
  So it is definitely on the side of the Crimson King and Randall Flag, and he's an agent of chaos.
• 1:24:18
  Right, Right.
• 1:24:19
  Because I was hearing Flags and they told him.
• 1:24:21
  Okay, I know Flag.
• 1:24:22
  I know the Crimson King.
• 1:24:25
  I know all that.
• 1:24:26
  You know.
• 1:24:27
  Was wondering if there was any correlation with it.
• 1:24:31
  That's why I needed to.
• 1:24:32
  Absolutely.
• 1:24:33
  Wow.
• 1:24:33
  Oh, yeah.
• 1:24:34
  It comes from time outside, which is where the Crimson King gone and all those other characters come from.
• 1:24:41
  But he came through that time in space.
• 1:24:43
  What they call todash.
• 1:24:44
  Space to Earth.
• 1:24:48
  Yeah.
• 1:24:49
  Yeah.
• 1:24:50
  Exactly.
• 1:24:50
  Yeah.
• 1:24:50
  It's all connected.
• 1:24:51
  It's all connected.
• 1:24:52
  Yes.
• 1:24:53
  Yeah, buddy.
• 1:24:54
  We're trying to figure out.
• 1:24:55
  Yeah, I remember.
• 1:24:56
  Let me see the mist.
• 1:25:01
  Christine.
• 1:25:03
  And there's another film.
• 1:25:05
  But the portal that's in the mist.
• 1:25:08
  The whole military project that's taking place there is part of the same.
• 1:25:13
  That's it.
• 1:25:14
  It's a part of a.
• 1:25:15
  It's another little project that takes place.
• 1:25:17
  Fire Starter.
• 1:25:18
  That was the other part.
• 1:25:19
  That was the other project is Fire Starter.
• 1:25:22
  Firestar is enough.
• 1:25:23
  So that's the shop.
• 1:25:25
  Yeah.
• 1:25:26
  So everything's like, wow there.
• 1:25:29
  Oh, it's all connected.
• 1:25:30
  It's all connected.
• 1:25:31
  I.
• 1:25:31
  I started with Salem's Lot as a child and I'm still here.
• 1:25:37
  Would it say that almost every story he's written is connected to each other?
• 1:25:45
  Not all of them, no.
• 1:25:47
  Okay.
• 1:25:48
  I was just curious.
• 1:25:52
  Like if the name's Derry Haven.
• 1:25:54
  Castle Rock.
• 1:25:55
  Yes.
• 1:25:55
  Yeah.
• 1:25:56
  Anything that's a location has a connection.
• 1:25:58
  Certain locations.
• 1:25:59
  Yes.
• 1:26:00
  Yeah, certain locations.
• 1:26:01
  Not all of them.
• 1:26:02
  Okay.
• 1:26:03
  The Overlook Hotel.
• 1:26:05
  That's in Colorado.
• 1:26:07
  Yeah.
• 1:26:12
  It's only connected.
• 1:26:13
  I forgot what the books are.
• 1:26:15
  Because it's in the same universe.
• 1:26:19
  Okay.
• 1:26:19
  Yeah, it's in the same universe.
• 1:26:20
  It's not.
• 1:26:23
  Interesting.
• 1:26:24
  Interesting.
• 1:26:25
  He's.
• 1:26:26
  But he's making the connection by using.
• 1:26:29
  Yeah, right.
• 1:26:31
  That's gonna be cute.
• 1:26:33
  In the book, he lives.
• 1:26:34
  Yeah.
• 1:26:35
  Spoiler alert for the show.
• 1:26:36
  I mean, if you had time.
• 1:26:46
  Decades, people, so.
• 1:26:49
  Oh, two.
• 1:26:51
  Two more.
• 1:26:51
  Two more.
• 1:26:52
  Yeah.
• 1:26:52
  Okay.
• 1:26:52
  Okay.
• 1:26:53
  I'm locked in.
• 1:26:54
  I'm locked in.
• 1:26:54
  Don't pick your nose.
• 1:26:55
  Don't do it.
• 1:26:56
  I'm sorry.
• 1:26:59
  But all the kids.
• 1:27:01
  All of them.
• 1:27:01
  But all of them all?
• 1:27:03
  No, not all, girl.
• 1:27:09
  I mean in it.
• 1:27:10
  I got a better word than that, I don't think.
• 1:27:15
  You know how they say he seasons his food with the fear of the children?
• 1:27:20
  He eating good.
• 1:27:22
  Damn it sound like my ex mother in law.
• 1:27:24
  Wow.
• 1:27:28
  There was one more.
• 1:27:29
  There's one more thing.
• 1:27:30
  There's.
• 1:27:30
  Oh, now, girl.
• 1:27:33
  That movie theater.
• 1:27:34
  That movie theater before all the go down.
• 1:27:41
  That was perfect.
• 1:27:44
  I mean, but still.
• 1:27:45
  But the movie theater.
• 1:27:48
  I know you're lying though, right?
• 1:27:54
  Proud, but also, how are you still allowed to keep this place.
• 1:28:02
  Okay, that's it.
• 1:28:03
  That's all.
• 1:28:06
  This has been.
• 1:28:07
  Welcome to dairy.
• 1:28:10
  It kept getting worse.
• 1:28:11
  I was like, all right, let's see what HBO got.
• 1:28:15
  HBO ain't been with the shits for decades.
• 1:28:18
  They ain't gonna do.
• 1:28:19
  Oh, my God, I'm wrong, right?
• 1:28:23
  That's like the remake of Salem's Ladder.
• 1:28:25
  Watching.
• 1:28:26
  I'm like, has established that what you're gonna get in the movie is not what you're gonna get on these smaller screens.
• 1:28:33
  And what you're getting is what you're getting.
• 1:28:36
  Oh, it's like.
• 1:28:37
  It is.
• 1:28:39
  It is that ending.
• 1:28:43
  Like, I don't know about anybody else, but when I saw the Departed, the ending for me was, what the F?
• 1:28:51
  What the f.
• 1:28:52
  What the F.
• 1:28:53
  And that's how I felt last night.
• 1:28:54
  Yeah.
• 1:28:55
  This is its own thing.
• 1:28:56
  Like, there's no going back.
• 1:28:57
  Like, they.
• 1:28:58
  I don't know how you push the box.
• 1:29:01
  This is Episode.
• 1:29:02
  I'm going to cuss a lot.
• 1:29:03
  1.
• 1:29:03
  This is episode.
• 1:29:05
  You're going to cuss a lot.
• 1:29:08
  I'm sit.
• 1:29:09
  I'm sit.
• 1:29:09
  I'm sitting there like this.
• 1:29:12
  What?
• 1:29:12
  What do you mean?
• 1:29:13
  What do you mean?
• 1:29:14
  What do you mean you're gonna keep going?
• 1:29:16
  Why is there more?
• 1:29:17
  There's more.
• 1:29:18
  How are you gonna do more?
• 1:29:20
  There's no way.
• 1:29:21
  There's no way you're gonna do.
• 1:29:23
  Oh, right, right, right, right, right.
• 1:29:27
  Exactly.
• 1:29:28
  Yes.
• 1:29:28
  I've seen more WTFs in the past 24 hours, man.
• 1:29:33
  What dealing with this.
• 1:29:35
  They won't even say is whether it's Facebook, whether it's IG, somebody, like, the.
• 1:29:40
  Whole reaction from the first 10 minutes.
• 1:29:44
  You will start with the what the?
• 1:29:46
  And you will end with the what the?
• 1:29:48
  I.
• 1:29:49
  I need.
• 1:29:49
  I need you to understand that, y'.
• 1:29:51
  All.
• 1:29:51
  I don't think.
• 1:29:51
  Nobody understands.
• 1:29:53
  Nobody understands.
• 1:29:53
  Picking up the microphone, Chris.
• 1:29:55
  She's picking up the microphone.
• 1:29:57
  She never.
• 1:29:58
  I'm giving by Barker right now.
• 1:30:00
  I need y' all to understand.
• 1:30:02
  I need y' all to understand this.
• 1:30:05
  This is not a.
• 1:30:05
  This is not a game.
• 1:30:08
  Not a game.
• 1:30:09
  They did.
• 1:30:10
  They broke they foot off in this first episode.
• 1:30:12
  I don't.
• 1:30:12
  I don't know what's gonna happen in episode two.
• 1:30:14
  I don't want to know.
• 1:30:16
  I'm not gonna hold you.
• 1:30:18
  I'm actually afraid.
• 1:30:19
  I'm a little nervous for what's gonna go on.
• 1:30:22
  I don't know if I'm.
• 1:30:24
  I'm definitely.
• 1:30:24
  I'm blowing out my mic.
• 1:30:25
  Okay.
• 1:30:29
  Take a walk.
• 1:30:31
  Go back and press play again.
• 1:30:33
  Yes.
• 1:30:34
  I was like, I.
• 1:30:35
  I'm Alone.
• 1:30:36
  I'm alone in the house.
• 1:30:37
  There's nobody else here.
• 1:30:38
  I was by myself.
• 1:30:39
  There was no.
• 1:30:40
  It was me and my old.
• 1:30:42
  I.
• 1:30:42
  I.
• 1:30:43
  It was.
• 1:30:43
  It was.
• 1:30:44
  I dry watched it.
• 1:30:46
  There was no prep.
• 1:30:52
  Let me just watch.
• 1:30:52
  Welcome to dinner.
• 1:30:54
  So in other words.
• 1:30:57
  So in other words, Lady Mandalore said she's gonna have her glass of red ready for the next one.
• 1:31:09
  Just water.
• 1:31:10
  I'm not.
• 1:31:10
  Nope, nope.
• 1:31:12
  Nothing red.
• 1:31:13
  To be quite honest, nothing red.
• 1:31:16
  Oh, my God.
• 1:31:17
  It was a great start, and I just hope it goes up from here.
• 1:31:20
  I don't know how you.
• 1:31:21
  Where do you go?
• 1:31:22
  Where you go from where?
• 1:31:23
  What do you mean, where do we go from here tonight?
• 1:31:28
  Where do we go from here?
• 1:31:29
  In this timeline, we don't get rid of Pennywise until when 90s?
• 1:31:37
  We're gonna die.
• 1:31:38
  We're gonna die.
• 1:31:40
  It's coming for all of us.
• 1:31:43
  I'm sorry.
• 1:31:44
  Okay, that was.
• 1:31:46
  That was our welcome to Dairy Review.
• 1:31:54
  Let me just say one thing.
• 1:31:55
  Those kids.
• 1:31:57
  Give them the Emmys now.
• 1:31:58
  Give them.
• 1:31:59
  Give them.
• 1:31:59
  Give them.
• 1:31:59
  Give them.
• 1:32:02
  I'm not gonna do it.
• 1:32:03
  I'm not gonna do it.
• 1:32:03
  You'll know why.
• 1:32:04
  We got seven more episodes.
• 1:32:05
  We got seven more episodes, and we still got the.
• 1:32:07
  It's all.
• 1:32:09
  You know, what happened.
• 1:32:14
  Just like the kids did in it, Part one.
• 1:32:17
  The kids in this one are doing just as good of a job.
• 1:32:22
  Impeccable.
• 1:32:23
  Oh, Chris, you're back.
• 1:32:24
  Wow, it was wonderful to see you again, sir.
• 1:32:27
  Man, thank you so much for coming back.
• 1:32:30
  Left me here by myself.
• 1:32:31
  Wait, no, wait.
• 1:32:32
  I really.
• 1:32:33
  You didn't want to leave the room?
• 1:32:36
  I need everybody to.
• 1:32:36
  I need everybody to watch this show.
• 1:32:38
  I need you to watch this so I'm not alone.
• 1:32:40
  Okay?
• 1:32:41
  I need everybody.
• 1:32:42
  I'm not talking.
• 1:32:43
  I'm not talking to them too.
• 1:32:44
  I need you.
• 1:32:46
  You watch the show.
• 1:32:47
  Oh, so she don't want us to watch the show.
• 1:32:48
  She ain't talking to us.
• 1:32:49
  We.
• 1:32:49
  She don't want us to watch shows.
• 1:32:57
  We're literally on the bridge, and she's like, no ship on autopilot.
• 1:33:00
  Come watch this right now.
• 1:33:04
  Get over here.
• 1:33:07
  Okay, so that was the.
• 1:33:08
  The.
• 1:33:08
  Welcome to their reaction.
• 1:33:10
  Okay, wait.
• 1:33:10
  No, seriously.
• 1:33:11
  No, no, no.
• 1:33:12
  Okay, wait.
• 1:33:12
  No.
• 1:33:12
  The next episode is coming.
• 1:33:14
  I don't need anybody to miss it.
• 1:33:15
  I just want you to see it on Halloween.
• 1:33:16
  That's when it comes out.
• 1:33:17
  That's the next one that comes out.
• 1:33:18
  Otherwise, it comes out on Sundays at 9pm I hope to see y' all there.
• 1:33:20
  Okay, bye.
• 1:33:21
  They do an early episode number two.
• 1:33:23
  Oh, so you're gonna be, oh, I know what you're doing Sunday.
• 1:33:25
  And you're just like, it's 8:50.
• 1:33:27
  We need to wrap.
• 1:33:30
  Maybe I'm not gonna hold you.
• 1:33:31
  I tried, I tried.
• 1:33:32
  I was trying to pull up at nine.
• 1:33:36
  I was like, oh, wait, but I gotta.
• 1:33:41
  You gotta go.
• 1:33:42
  So I was hoping, I was hoping, I was hoping we would have our griot of horror in the night.
• 1:33:50
  But you know, family stuff and life is.
• 1:33:53
  Is taking this toll on folks.
• 1:33:56
  But just a small little pop quiz on horror on some of our horror characters, some of our favorite horror villains.
• 1:34:05
  I'm not very good at this.
• 1:34:06
  Well, I'll try.
• 1:34:07
  I'm not saying no teams because I know how Karen can get.
• 1:34:10
  She's like, look, if you don't get this right, say Ricky, when I find you.
• 1:34:15
  When I find you, Ricky.
• 1:34:20
  What do you mean?
• 1:34:22
  So what is the name of Jaws?
• 1:34:26
  It's not Jaws the shark.
• 1:34:28
  But what is the name of Jaws?
• 1:34:32
  What?
• 1:34:34
  Yes.
• 1:34:36
  You mean the puppet or the.
• 1:34:38
  The shark?
• 1:34:40
  Shark, the shark, the puppet.
• 1:34:41
  Whatever.
• 1:34:42
  The animatronic, whatever you want to call them.
• 1:34:44
  What is the name of the shark?
• 1:34:47
  Two legs.
• 1:34:48
  No, Peter.
• 1:34:50
  Are you kidding?
• 1:34:52
  No, it's named after Spielberg's lawyer.
• 1:34:54
  His name is Bruce.
• 1:34:57
  They called that Bruce.
• 1:35:00
  Makes sense.
• 1:35:03
  That makes sense.
• 1:35:04
  That tries.
• 1:35:05
  Okay.
• 1:35:08
  Question two.
• 1:35:09
  Popcorn two.
• 1:35:12
  We know that, Freddie.
• 1:35:13
  I'm sorry.
• 1:35:14
  We know that Jason Voorhees was not the killer in the first Friday the 13th movie.
• 1:35:19
  We knew that was his mother.
• 1:35:22
  But when did Jason actually show up in a hockey mask?
• 1:35:30
  It's number two.
• 1:35:31
  It was.
• 1:35:31
  It was.
• 1:35:32
  It was two.
• 1:35:34
  No, it's number three.
• 1:35:36
  Number three was number two.
• 1:35:38
  He said he had a.
• 1:35:39
  He had a sack on his head.
• 1:35:40
  Yeah, yeah.
• 1:35:41
  He had a burlap sack over his head.
• 1:35:43
  Number three is when he adapted the mask.
• 1:35:45
  Yeah, it was number three.
• 1:35:49
  I'm a little smart.
• 1:35:50
  Yay.
• 1:35:52
  You got it, bro.
• 1:35:55
  Halloween 2, season of the Witch.
• 1:35:58
  Where was Michael Myers?
• 1:36:02
  Where was Michael Myers?
• 1:36:03
  Yeah, he wasn't in that movie.
• 1:36:06
  There it is.
• 1:36:08
  And I hated it.
• 1:36:10
  Halloween 2 season of the Witch made me not want to go trick or treating.
• 1:36:14
  Them bastards.
• 1:36:16
  They called it Halloween tune Season of the Witch, and it had nothing to do with Michael Myers.
• 1:36:22
  That movie scared the living crap out of me.
• 1:36:25
  Nothing to do with Michael Myers.
• 1:36:27
  I'm.
• 1:36:28
  I'm for sure gonna keep it a nice smoke move.
• 1:36:30
  Zero on my scoreboard tonight.
• 1:36:34
  Trust me.
• 1:36:35
  The concept was insane.
• 1:36:37
  And it's out of me.
• 1:36:40
  They went so far left in that movie.
• 1:36:41
  I was like, this has nothing to do with nothing.
• 1:36:45
  Absolutely nothing.
• 1:36:48
  Let me see.
• 1:36:51
  Ah, since we're talking about Michael Myers.
• 1:36:55
  Michael Myers mask is made from.
• 1:36:58
  From what?
• 1:37:00
  The blood of his enemies.
• 1:37:06
  What you say?
• 1:37:08
  Tears and sorrows.
• 1:37:09
  Tears and sorrows.
• 1:37:13
  Oh my gosh.
• 1:37:15
  Yes.
• 1:37:15
  Isn't it.
• 1:37:15
  Isn't it like animal taxidermy type or something like that?
• 1:37:21
  It's actually the latex mask of William Shatner that they widened the holes and brush the hair wild.
• 1:37:28
  Okay, you gotta be more specific with these questions.
• 1:37:32
  See, now got it.
• 1:37:33
  He said that.
• 1:37:34
  You mean that mask for Michael Myers was a William Shatner mask?
• 1:37:38
  Yep.
• 1:37:40
  Who did someone get fired for making that?
• 1:37:43
  They had ten dollars.
• 1:37:44
  A ten dollar budget.
• 1:37:46
  Well, it was a sixties and it.
• 1:37:48
  Was three dollars over budget.
• 1:37:53
  Okay, I know this is gonna throw everybody.
• 1:37:58
  What the was Chucky saying?
• 1:38:05
  Sir?
• 1:38:05
  I'm.
• 1:38:06
  I'm gonna need.
• 1:38:07
  I.
• 1:38:07
  I think you wouldn't know.
• 1:38:09
  What was he saying in that damn Haitian spell?
• 1:38:14
  Oh, it was, but.
• 1:38:16
  Oh God, I actually do know this.
• 1:38:18
  I'm trying to remember.
• 1:38:19
  Mashed potatoes, jams.
• 1:38:21
  You wouldn't say.
• 1:38:22
  No, no, like something let the.
• 1:38:26
  Let the.
• 1:38:27
  The something about the.
• 1:38:29
  The blood of the young soul enter me and some.
• 1:38:33
  Something of that effect.
• 1:38:34
  I can't remember exactly what he says.
• 1:38:37
  For a little extra kick.
• 1:38:38
  Can you actually say it?
• 1:38:40
  No.
• 1:38:40
  If you give me the words.
• 1:38:41
  Yeah, hold on.
• 1:38:46
  No, they said no.
• 1:38:49
  No, French is not.
• 1:38:51
  It's not for me.
• 1:38:52
  My mouth and me don't like.
• 1:38:54
  I've been to France.
• 1:38:55
  It's not for me either.
• 1:38:56
  No, it's poly Vufron.
• 1:39:03
  No.
• 1:39:04
  Okay.
• 1:39:05
  Oh, there's a longer spell though.
• 1:39:07
  Hold on.
• 1:39:09
  Should I say no, thank you.
• 1:39:26
  Throw some of that over this way too.
• 1:39:28
  Throw somebody over here.
• 1:39:32
  Sacrilegious ass heads.
• 1:39:34
  There you go.
• 1:39:35
  Yeah, all that.
• 1:39:36
  That room goes dark right now.
• 1:39:38
  Calling 911.
• 1:39:39
  Well, it only works if there's a child in his presence.
• 1:39:42
  And she doesn't have.
• 1:39:44
  Don't you.
• 1:39:45
  I hate you.
• 1:39:47
  I hate you so much.
• 1:39:49
  Don't give me the uno laugh either.
• 1:39:53
  She said reverse.
• 1:39:55
  She gonna give the uno laugh.
• 1:39:57
  I can hear it right now.
• 1:40:00
  For.
• 1:40:05
  Seems like she just possessed her cat.
• 1:40:08
  That's why you don't see him anywhere around right now.
• 1:40:14
  Jesus.
• 1:40:17
  Wait, wait.
• 1:40:18
  Can I find it?
• 1:40:18
  Wait.
• 1:40:19
  Oh, is this a good one?
• 1:40:20
  Oh my gosh.
• 1:40:21
  Oh, no.
• 1:40:21
  It's not gonna do it right?
• 1:40:23
  No, I was about to say hockey horn.
• 1:40:25
  No, no, no, it's not doing it.
• 1:40:29
  Whoopi, you're running out of holy water.
• 1:40:30
  Stop.
• 1:40:31
  Oh my God.
• 1:40:46
  My brother did that for weeks.
• 1:40:48
  When?
• 1:40:48
  Pissed my mom off.
• 1:40:55
  Today.
• 1:40:56
  Today.
• 1:40:59
  What do you Call a parent from California.
• 1:41:01
  Kalima.
• 1:41:05
  Okay.
• 1:41:06
  You might know this one because it's tied to Stephen King, but it's also tied to Ash Williams.
• 1:41:18
  Do you know what character Ash William was inspired by?
• 1:41:29
  I'm like, I'm doing a mental catalog of them.
• 1:41:34
  Should I give you the Stephen King project?
• 1:41:38
  Yeah, go ahead.
• 1:41:39
  The Stand.
• 1:41:43
  I never saw it.
• 1:41:44
  Is it Larry or Stuff Stu.
• 1:41:47
  Deadwood.
• 1:41:47
  Which one is Deadwood?
• 1:41:57
  Larry Underwood.
• 1:41:59
  It's Larry Underwood.
• 1:42:00
  It's too Redmond.
• 1:42:01
  Okay.
• 1:42:03
  That's right.
• 1:42:04
  That's right.
• 1:42:06
  I was like, if I give it a project, it might be a little easier.
• 1:42:11
  Let me see.
• 1:42:11
  See?
• 1:42:12
  At least I got one.
• 1:42:13
  Yay.
• 1:42:15
  This is not so much a pop quiz, but more of.
• 1:42:18
  Did you know that Eileen Ripley was supposed to be a man?
• 1:42:22
  Yes.
• 1:42:23
  Yes.
• 1:42:24
  That I knew that it wasn't sure.
• 1:42:27
  And that the chest burster scene was not planned by the director as far as letting them know, but it was.
• 1:42:36
  They wanted.
• 1:42:36
  He wanted complete surprise from them.
• 1:42:38
  Oh, yeah.
• 1:42:38
  So it was really impromptu.
• 1:42:40
  Yeah.
• 1:42:41
  That's why everybody was stuck all stupid with that.
• 1:42:45
  The.
• 1:42:47
  Keep the camera on them.
• 1:42:49
  Yeah.
• 1:42:49
  But they're.
• 1:42:49
  They're.
• 1:42:50
  They're traumatized.
• 1:42:51
  Keep the camera on them.
• 1:42:52
  I don't even care.
• 1:42:53
  This is good.
• 1:42:53
  Is that good right there?
• 1:42:55
  Look at.
• 1:42:55
  He passed out.
• 1:42:56
  Look at.
• 1:42:57
  Surprised.
• 1:42:58
  How many directors had some really off brand tactics for their horror movies.
• 1:43:04
  Movies.
• 1:43:04
  Oh, Alfred Hitchcock used live birds to.
• 1:43:07
  Scare his kneecaps with my own bare hands.
• 1:43:12
  He did that.
• 1:43:13
  The cast had no idea real skeletons were being used in the Poltergeist.
• 1:43:18
  Pardon The.
• 1:43:21
  That I did know the first half.
• 1:43:23
  I would have never guessed.
• 1:43:26
  I'm like real skeleton.
• 1:43:27
  I said, this is why that whole series is currently Nurse.
• 1:43:31
  That is why the old.
• 1:43:33
  That is why everybody's dead.
• 1:43:35
  Right.
• 1:43:35
  That's why all except for Coach.
• 1:43:40
  He's the only one.
• 1:43:41
  He was like, you know what?
• 1:43:41
  I'm not outside the house for 90 of it.
• 1:43:44
  Yeah.
• 1:43:47
  The little boy actually got choked by the clown.
• 1:43:51
  And Steven Spielberg had to pull him free.
• 1:43:54
  I'm sorry, what?
• 1:43:55
  Yeah, the clown in Poltergeist, you know how he's attacking his son and his.
• 1:43:59
  His arm like it's.
• 1:44:01
  However they had that rigged, it was actually starting to choke him.
• 1:44:04
  Yeah.
• 1:44:06
  Malfunctioned.
• 1:44:07
  And it wouldn't release it.
• 1:44:09
  Do you understand that my name.
• 1:44:11
  His name would no longer be Steve Spielberg because I said he.
• 1:44:14
  He said that took him out of horror genres all together.
• 1:44:17
  Yeah.
• 1:44:18
  You think?
• 1:44:19
  Yeah.
• 1:44:20
  This is where you realize you cannot use realism with everything.
• 1:44:24
  You cannot use authentic with everything.
• 1:44:27
  Sometimes you now Imagination.
• 1:44:29
  Twilight Zone movie.
• 1:44:31
  The scene where the helicopter.
• 1:44:32
  Yes.
• 1:44:34
  All three of those actors die.
• 1:44:36
  Yes.
• 1:44:37
  Oh, so there's a scene.
• 1:44:39
  So there's a scene in Twilight Zone, the movie, and a helicopter crashes into, like, the river.
• 1:44:44
  Well, it was supposed to crack, but it wasn't supposed to.
• 1:44:46
  It malfunctioned.
• 1:44:47
  It's fun.
• 1:44:48
  Out of control.
• 1:44:50
  And when it hit the rotors, it crashed and the rotors broke and killed all three of the actors.
• 1:44:55
  All three actors.
• 1:44:57
  It was a man and two children.
• 1:45:00
  Mm.
• 1:45:03
  You'd be surprised.
• 1:45:06
  Rosemary's baby?
• 1:45:08
  No, thank you.
• 1:45:10
  She was actually eating raw chicken liver.
• 1:45:13
  Like I said.
• 1:45:15
  That scene makes sense, right?
• 1:45:17
  I was about.
• 1:45:17
  That makes sense.
• 1:45:19
  Oh, they're cute.
• 1:45:20
  Oh, that was.
• 1:45:22
  That was Vic Morrow, the actor was.
• 1:45:24
  That was his name.
• 1:45:25
  Because the way it ended, I said he was on that train and said, it's me.
• 1:45:29
  It's me.
• 1:45:31
  And I said, that's kind of lame.
• 1:45:33
  And when I heard about that in the news, I said, oh, that explains a lot.
• 1:45:37
  Yeah.
• 1:45:38
  Yeah.
• 1:45:39
  All they.
• 1:45:41
  There's.
• 1:45:41
  There's several directors who have used Shelley Duvall in the Shining that they tortured that woman so bad he wanted her to break.
• 1:45:56
  Yeah.
• 1:45:57
  Kubrick was a dick.
• 1:45:59
  Yeah.
• 1:46:04
  The only movie he did that was worth a damn was A Clockwork Orange.
• 1:46:07
  And even then I said.
• 1:46:07
  And even then that makes you question it now.
• 1:46:09
  Yeah.
• 1:46:11
  Eyes Wide Shut was.
• 1:46:12
  I still don't understand what's going on to this day.
• 1:46:14
  He don't.
• 1:46:15
  He.
• 1:46:15
  Look, listen, look, I can talk to you about white men and their disdain for women, but, you know, we don't got time.
• 1:46:25
  Truly.
• 1:46:26
  You would.
• 1:46:26
  It's.
• 1:46:26
  What is it shiny?
• 1:46:29
  I think it's Last House on the Left.
• 1:46:34
  That actress.
• 1:46:36
  I don't even want to say it.
• 1:46:37
  I won't even say it.
• 1:46:38
  It's.
• 1:46:39
  If you've seen the movie.
• 1:46:42
  Huh?
• 1:46:43
  Is that a comic?
• 1:46:45
  No, no, no, no, no.
• 1:46:46
  What's that?
• 1:46:48
  Last House on the Left?
• 1:46:49
  No, that was.
• 1:46:50
  That was a movie.
• 1:46:51
  Yeah.
• 1:46:52
  And just the stuff that happens in that movie, it turns.
• 1:46:56
  It's.
• 1:46:56
  It turns into a revenge film later on.
• 1:46:59
  Yeah.
• 1:46:59
  But the stuff that woman went through in the movie, and then you find out.
• 1:47:07
  Yeah.
• 1:47:07
  That was pushed to the limit.
• 1:47:09
  Like.
• 1:47:10
  It was.
• 1:47:11
  Yeah.
• 1:47:11
  No.
• 1:47:13
  Yeah.
• 1:47:13
  I'm all for method, but this is ridiculous.
• 1:47:15
  Oh, you would be absolutely surprised exactly what.
• 1:47:19
  What certain directors have gotten caught up in or have done for the sake of making that, for making any film.
• 1:47:29
  It's.
• 1:47:29
  It's insane.
• 1:47:32
  There's a reason why they have.
• 1:47:35
  What is it?
• 1:47:37
  Intimacy coaches now on set.
• 1:47:42
  Because it's been A.
• 1:47:44
  A long stand.
• 1:47:46
  That's a hard.
• 1:47:46
  I've seen.
• 1:47:47
  I've seen the original and I seen the remake.
• 1:47:51
  I.
• 1:47:51
  That's a hard.
• 1:47:52
  Those two movies are hard for me.
• 1:47:54
  I've watched them once and never watched them again.
• 1:47:57
  They are hard to watch.
• 1:47:59
  No, not.
• 1:48:00
  I don't care.
• 1:48:00
  I don't care if she gets.
• 1:48:01
  She.
• 1:48:01
  The woman gets her.
• 1:48:02
  Come up.
• 1:48:03
  It's.
• 1:48:03
  In the end.
• 1:48:03
  It's too much starting it out.
• 1:48:06
  It's too much starting it up.
• 1:48:08
  No, I'm.
• 1:48:09
  I'm.
• 1:48:10
  I'm good.
• 1:48:11
  It's.
• 1:48:13
  But, yeah, but there's definitely some.
• 1:48:16
  But, yeah.
• 1:48:17
  Pop quiz.
• 1:48:21
  I can't think of Freddy Krueger's direct.
• 1:48:23
  West.
• 1:48:23
  Craven.
• 1:48:24
  West Craven.
• 1:48:24
  Wes Craven chose the look of Freddy Krueger's sweater because he said he wanted something that would stand out.
• 1:48:33
  Red and green.
• 1:48:35
  Pop.
• 1:48:36
  It would always think it, you know, stand out in your mind.
• 1:48:38
  You can't see someone in a red and green now and not think that if it's striped, you can't.
• 1:48:45
  It's.
• 1:48:45
  It's impossible.
• 1:48:47
  I mean.
• 1:48:47
  But also it's ugly.
• 1:48:49
  It's very ugly so far.
• 1:48:50
  I just took it out of my mouth.
• 1:48:52
  I was about to say I spit on your grave.
• 1:48:53
  I saw that.
• 1:48:54
  Yeah.
• 1:48:55
  Yeah.
• 1:48:55
  Oh, my gosh.
• 1:48:57
  That movie was nuts.
• 1:49:02
  Like, I actually turned it off.
• 1:49:03
  Like, I'm not.
• 1:49:03
  I can't watch this.
• 1:49:04
  The original one.
• 1:49:05
  Not.
• 1:49:06
  Not the remake.
• 1:49:07
  The remake was.
• 1:49:08
  Was insane.
• 1:49:08
  But the original one.
• 1:49:10
  The original.
• 1:49:10
  Because it was the seventies and it was.
• 1:49:13
  What was it?
• 1:49:14
  Is it body horror?
• 1:49:15
  Because if it is, I'm not watching it.
• 1:49:19
  In a lot of these opening scenes for these movies.
• 1:49:24
  Yeah.
• 1:49:25
  Not given.
• 1:49:25
  I will.
• 1:49:26
  That's where.
• 1:49:27
  That's what I'll.
• 1:49:28
  Yeah, it was.
• 1:49:28
  It was a vengeance movie.
• 1:49:29
  More so.
• 1:49:30
  And she did not play.
• 1:49:33
  She did not play good.
• 1:49:35
  Like, the second half of the movie.
• 1:49:37
  You're loving it, that first half.
• 1:49:41
  No, that's why it's.
• 1:49:44
  I swear, it's hard to watch.
• 1:49:46
  That's what it is.
• 1:49:48
  But yeah, there's definitely a lot of pop quiz type or little moments like Predator's blood was made out of neon glow sticks and corn syrup.
• 1:50:04
  And I'm like, oh, just.
• 1:50:06
  Y' all just.
• 1:50:07
  It's got glow stick blood just all over.
• 1:50:09
  Just really.
• 1:50:10
  Just.
• 1:50:11
  That stuff's toxic.
• 1:50:12
  What do you mean?
• 1:50:15
  So, yeah, it's.
• 1:50:16
  It's.
• 1:50:17
  Oh, Chris may remember this one, but I don't know if whoopty might.
• 1:50:21
  Do you remember Food of the Gods?
• 1:50:24
  Is that more the rats?
• 1:50:25
  Yeah.
• 1:50:26
  Okay.
• 1:50:27
  Okay.
• 1:50:27
  The.
• 1:50:27
  The giant animals.
• 1:50:28
  Good grief.
• 1:50:31
  That Was insane.
• 1:50:32
  Wait, is that the same one where the kid, the little kid got big and he was like.
• 1:50:37
  It was messing with everybody's brains.
• 1:50:40
  And he was like, get out of my room.
• 1:50:42
  Get out of my room.
• 1:50:47
  Say what?
• 1:50:48
  That sounds like a Twilight Zone episode.
• 1:50:50
  No, it's an actual movie.
• 1:50:53
  Like the dude came in there.
• 1:50:54
  He was like some kind of investigator or something.
• 1:50:56
  He came in because, you know, this kid had an abnormal growth.
• 1:51:01
  He had to been like eight.
• 1:51:02
  Oh, no, no, that was a different movie.
• 1:51:04
  That.
• 1:51:04
  Okay, okay, yeah, I can't remember the name of that one.
• 1:51:07
  But he came in there and this kid was supposed to be like 8 years old, but he stood like 8ft tall.
• 1:51:16
  His whole brain structure.
• 1:51:18
  Was it because of whatever happened to him?
• 1:51:22
  It made him very aggravated and so he was just like, well, I just want to talk to you.
• 1:51:28
  Get out of here.
• 1:51:29
  Get out of here.
• 1:51:33
  Little drunk people, 8 year olds.
• 1:51:35
  Little drunk people.
• 1:51:37
  Be the drunk people.
• 1:51:38
  And so are toddlers.
• 1:51:43
  Oh my God.
• 1:51:44
  We close this one out on drunk 8 year olds.
• 1:51:50
  Lady Mandalor.
• 1:51:51
  Talk to the people.
• 1:51:52
  School house, rock.
• 1:51:53
  Oh, steak and cocaine.
• 1:51:57
  Oh, the days.
• 1:51:58
  What a wonderful phrase.
• 1:52:01
  Hi everybody.
• 1:52:02
  You can find my lovely mug.
• 1:52:05
  Jesus Christ on.
• 1:52:09
  I actually might do it.
• 1:52:10
  With this Friday streaming on Fridays at 8:00pm Eastern Standard Time, I will be playing a video game.
• 1:52:17
  What game will it be?
• 1:52:18
  I don't know, but join me and find out.
• 1:52:21
  We'll all find out together.
• 1:52:22
  See how I feel.
• 1:52:23
  Saturdays at 10am I am on another little podcast called New Blurred Order Brother.
• 1:52:31
  And then on Sundays I am with this person over here on my lovely little podcast called Room Full of Blurs where we will be talking and discussing independent comics with a special guest from Ray's Ray Comics.
• 1:52:52
  I'm gonna make sure.
• 1:52:53
  I'm tj.
• 1:52:54
  I'm gonna find you gonna be coming on and we're gonna be talking about his company as well as the new comics that he has coming out.
• 1:53:04
  He is the person that helped bring together New Game plus, if you're not familiar, as well as Joystick Angels.
• 1:53:12
  And I can't think of the other ones right now because of the other.
• 1:53:15
  Those are my favorites at the moment.
• 1:53:16
  So yeah, Sunday, 7:00pm Eastern Standard Time.
• 1:53:21
  Two hours before.
• 1:53:22
  Welcome to Gary.
• 1:53:23
  Yeah, so.
• 1:53:24
  So be there.
• 1:53:25
  And trust is going to end at like 8:50.
• 1:53:27
  It's gonna be going to have to end early.
• 1:53:31
  It's going to end exactly.
• 1:53:33
  Okay.
• 1:53:33
  Yes.
• 1:53:35
  Whoopy freaking dude.
• 1:53:36
  Talk to the people.
• 1:53:38
  Hi everybody.
• 1:53:39
  You can find me on Tik Tok and Instagram right here at Whoopy freaking do.
• 1:53:43
  And for the month of October, I got what, Wednesday, Thursday, Friday, Saturday.
• 1:53:49
  Four more days left and last few days are going to be some of our best stuff on Fresh Press by Z where I do nerdy type nails and things.
• 1:54:01
  She's doing a lot of them too.
• 1:54:03
  You don't know.
• 1:54:04
  You never know what you're gonna get, my brother.
• 1:54:07
  Navy Montale.
• 1:54:10
  Ladies and gentlemen, boys and girls, Blurs of all ages, good evening, good morning, good afternoon.
• 1:54:13
  It is I, Navy Montel, your frosty bit of blood record.
• 1:54:16
  Here I am busy, busy, busy.
• 1:54:19
  I will be as as well as being part of Room Full of Blurs with this dynamically incredible host here and captain of that particular vessel right there.
• 1:54:28
  I'm with this crew every Tuesday and Thursday also.
• 1:54:31
  Yes.
• 1:54:32
  Oh, oh, you got the better roofs.
• 1:54:33
  Let's go.
• 1:54:35
  See you didn't do it in the middle of my instance.
• 1:54:36
  Like, oh, let's go.
• 1:54:39
  I listen, I will be getting back to my streaming schedule right after Room Full of Blurs on Sundays.
• 1:54:46
  I can't give a time because once the show is over at 30 minutes, get myself together, we jump right into it.
• 1:54:51
  But this Sunday at 5pm I will be interviewing one of the teams from the Midnight Comics internship program.
• 1:55:00
  And then the following Sunday on the 9th at noon, I'll be doing it with the second team.
• 1:55:06
  So if you want to see what these amazing, incredible projects are all about and who Midnight Comics is putting up there to the forefront and all these talented people, please come join me.
• 1:55:15
  Please come join me.
• 1:55:16
  I'm gonna put make sure to put it across all social media so that way everyone knows.
• 1:55:20
  And I'm also going to be at Packs Unplugged later in November.
• 1:55:24
  So I'm going to be interviewing tabletop gamers, developers, creators and everything else and getting back on my YouTube and getting back on my stream and trying to uplift, encourage and motivate others to be the best nerdy blurry selves.
• 1:55:36
  I got no words because it's already been said tonight.
• 1:55:41
  And I am your captain of the ship.
• 1:55:43
  Man on the wall, man with a voice.
• 1:55:46
  I feel like I'm missing something, but it doesn't matter.
• 1:55:48
  You can listen to this voice anywhere.
• 1:55:51
  You listen to your podcast and voices.
• 1:55:54
  That's an accompany me.
• 1:55:55
  You can also check me out on any of the audio dramas through Talk story to me on Spotify.
• 1:56:00
  So you can check that out.
• 1:56:01
  So you never know.
• 1:56:02
  Between myself, Navy and in Lady Mandalore, you can always hear one of our voices, if not all three of our voices on an episode of something through stock talk story to me because we played several characters.
• 1:56:16
  There's more to come.
• 1:56:18
  Oh yes, there is more to come.
• 1:56:20
  God willing.
• 1:56:21
  I got a whole story.
• 1:56:22
  I got a whole story coming.
• 1:56:23
  I'm very excited.
• 1:56:24
  I.
• 1:56:25
  I actually sent in my.
• 1:56:26
  I actually just finished the whole story.
• 1:56:28
  I may be doing the reread, but I finished the whole story myself.
• 1:56:32
  I am the lead of an audio drama that's coming.
• 1:56:38
  Go.
• 1:56:39
  I love it.
• 1:56:40
  You can also check us out on Blurred Station.
• 1:56:43
  We are all over the place now.
• 1:56:45
  We just had the Blood and Bourbon event down in Columbus, Ohio.
• 1:56:48
  We had the Unmute series that just started with Lady Manilor.
• 1:56:52
  She's been hosting that.
• 1:56:54
  We have more coming up I think next month and you never know who the guest is.
• 1:56:59
  But one of Blur Station press team will be doing interviews for that.
• 1:57:02
  You also have some of us out at Urban Action Showcase this past weekend.
• 1:57:07
  So the press team has been moving.
• 1:57:09
  We've been busy.
• 1:57:10
  And as you see, Josh Bullock, thank you for coming on.
• 1:57:13
  He's also one of the partners for BL Station, so you'll see a lot of his animations there as well.
• 1:57:18
  So be sure to sign up when you can if you can get better because when I say that window is tight now.
• 1:57:26
  Tight.
• 1:57:27
  It's.
• 1:57:27
  It's getting tight.
• 1:57:28
  I may not be able to pull you in.
• 1:57:30
  Let's put like that.
• 1:57:33
  Check us out Tuesdays, Thursdays, 8pm Eastern.
• 1:57:35
  YouTube, Twitch and past episodes.
• 1:57:37
  And always press record as APRTV on you on your Roku and Amazon Fire devices.
• 1:57:43
  Thank you to Trey Lawson.
• 1:57:45
  You can listen to us wherever you listen to podcasts, Spotify, I Hearts, Google.
• 1:57:50
  No, Google doesn't exist anymore.
• 1:57:51
  Apple, Apple podcast.
• 1:57:53
  So that's the only thing.
• 1:57:54
  So go have fun.
• 1:57:55
  Listen to us.
• 1:57:56
  Go play it back.
• 1:57:57
  Hit those likes and subscribe notification bells on the YouTube channel on the Twitch channel.
• 1:58:01
  Be sure to leave a nice little review.
• 1:58:06
  We will see you guys Thursday.
• 1:58:08
  I'm going to wrap this one up because I feel like I got something else to watch and it's not welcome to dairy.
• 1:58:17
  I feel.
• 1:58:17
  How dare you.
• 1:58:18
  Not at night.
• 1:58:20
  I gotta go to sleep.
• 1:58:26
  That's one more creature.
• 1:58:26
  I do not need to learn how to fight in my sleep.
• 1:58:29
  I'm just me.
• 1:58:31
  I can.
• 1:58:31
  Let me get the zombie thing down and then we can talk.
• 1:58:34
  Oh my gosh.
• 1:58:36
  You know, confuse me with all these different types of zombies.
• 1:58:40
  11 lumbers, one can sprint like an olympically Olympian athlete.
• 1:58:45
  Bastards.
• 1:58:50
  We'll see you guys Thursday.
• 1:58:51
  Tune in.
• 1:58:52
  We will be back.
• 1:58:53
  We have Carla Medrano coming through talking about Luna and.
• 1:58:57
  And everything else.
• 1:58:58
  And the Webby.
• 1:58:59
  The Zelda Awards is going to be as well, so check us out.
• 1:59:06
  I'm gonna go watch some tomorrow.
• 1:59:10
  Until then, we will see you guys Thursday.
• 1:59:12
  Thank you for tuning in.
• 1:59:13
  Thank you to our guest, Josh Bullock.
• 1:59:15
  We will see you guys soon.
• 1:59:16
  We are out of here.
• 1:59:24
  Snake, are you okay?
• 1:59:26
  Snake?
• 1:59:27
  Snake.
• 1:59:41
  Sa.