Latest / The Bootleg Kev Podcast / #435 - Lefty Gunplay

Transcript

#435 - Lefty Gunplay · The Bootleg Kev Podcast

• 0:00
  Speaker 1: Hey, man, what's the deals Boy Left the Gun play
• 0:02
  Speaker 1: Famous Game Banger.
• 0:03
  Speaker 2: Check me out on the Bootleg kV podcast.
• 0:09
  Speaker 1: Yo Bootleg CAV Podcast Special guests in here. His new album,
• 0:13
  Speaker 1: Famous Gang Banger. It just dropped the second album in
• 0:16
  Speaker 1: like what two or three months.
• 0:18
  Speaker 3: Back to back, probably like a month or two.
• 0:20
  Speaker 2: Yeah, Rookie of the Year, Famous Game Banger, Lefty Famous
• 0:24
  Speaker 2: Game Banger two's already done.
• 0:26
  Speaker 1: What's going on? Man?
• 0:27
  Speaker 2: Man? You know, Man, couldn't wait to come see you, man,
• 0:29
  Speaker 2: have another interview with you.
• 0:31
  Speaker 1: Ors brother, been working, Yeah, you've been working your ass off.
• 0:33
  Speaker 1: I saw you. You was in Texas running it up
• 0:37
  Speaker 1: out there. You've been, uh, shout us everywhere, Bro, You've
• 0:40
  Speaker 1: been everywhere. Shout us to Texas. Man, they really embraced me. Yeah.
• 0:43
  Speaker 3: I really like that state.
• 0:45
  Speaker 1: I gotta ask you something, man, because like your rise
• 0:48
  Speaker 1: to fame has been so fast and you've kind of
• 0:51
  Speaker 1: like I feel like you're maturing right in front of
• 0:53
  Speaker 1: our eyes. What is something that you've just learned from
• 0:57
  Speaker 1: the last time I saw you in terms of just
• 0:58
  Speaker 1: like just the music industry is its own beast, right,
• 1:02
  Speaker 1: So it's like you're kind of like learning how to
• 1:04
  Speaker 1: from one side of the tracks to professional side, and.
• 1:07
  Speaker 3: You're really really really fast.
• 1:09
  Speaker 2: Just one thing for an example, is just one thing
• 1:13
  Speaker 2: I learned the other day with another artist was an
• 1:16
  Speaker 2: artist like etiquette, Like just you know, when a person's
• 1:19
  Speaker 2: on stage, you don't want to everybody's on stage so wet,
• 1:22
  Speaker 2: you don't want to hop on stage. And because the
• 1:24
  Speaker 2: whole crowd's gonna be aft these now you're taking away
• 1:27
  Speaker 2: from them.
• 1:27
  Speaker 1: So when that person's performing, let and perform.
• 1:29
  Speaker 2: Just little stuff like that, just getting media trained, thinking
• 1:32
  Speaker 2: what I say before I speak, But sometimes I really
• 1:35
  Speaker 2: don't care how certain situations.
• 1:39
  Speaker 3: You gotta speak how you feel.
• 1:40
  Speaker 2: But then just let it go because then you know
• 1:43
  Speaker 2: you're giving other people entertaining that and your energy when
• 1:47
  Speaker 2: you know you're on a higher level. And I just
• 1:49
  Speaker 2: learned also the hate just comes with sitting on the
• 1:51
  Speaker 2: top and and uh, embracing you, embraces me and fucks
• 1:55
  Speaker 2: with me. Just and one thing I learned is not
• 1:57
  Speaker 2: dissing the state. And I'm saying, oh, that's his wag.
• 2:00
  Speaker 2: What state did you this?
• 2:01
  Speaker 3: In New Mexico?
• 2:02
  Speaker 2: I said that I apologize New Mexico fucks with you,
• 2:05
  Speaker 2: they fuck with me.
• 2:05
  Speaker 1: I don't mean it like that.
• 2:06
  Speaker 3: I didn't mean it like that, and I learned my
• 2:08
  Speaker 3: lesson from that, you know what I'm saying. So I
• 2:09
  Speaker 3: apologized you. I even got on the radio say something like, man,
• 2:12
  Speaker 3: it wasn't even like that.
• 2:13
  Speaker 2: But as far as me doing the show right there,
• 2:15
  Speaker 2: I have to think about it for like, you know,
• 2:18
  Speaker 2: because I would be mad at somebody Kimo risi LA's wag,
• 2:21
  Speaker 2: you know.
• 2:21
  Speaker 3: So it's about the same thing.
• 2:22
  Speaker 1: What's the thing? Like you got to understand, like your
• 2:24
  Speaker 1: goal should be like the biggest rapper period, not just
• 2:27
  Speaker 1: the biggest Mexican rapper, not just the biggest rapper in LA,
• 2:30
  Speaker 1: the biggest West Coast rapper. So you want to be
• 2:32
  Speaker 1: able to go and do shows everywhere? Yeah, I want
• 2:35
  Speaker 1: to be You want to be able to go to
• 2:36
  Speaker 1: New York. You're already been in New Mexico.
• 2:38
  Speaker 3: You're going to Miami.
• 2:39
  Speaker 1: I'm saying you won't be able to Miami.
• 2:40
  Speaker 2: Ship.
• 2:40
  Speaker 1: You want to be able to go to the Bay.
• 2:41
  Speaker 1: You know what I'm saying, Like all these places that
• 2:44
  Speaker 1: I'm going to the Bay, but I'm saying, like shot
• 2:46
  Speaker 1: us to the Bay man and everybody up north to
• 2:47
  Speaker 1: Fox with me. But that's what I mean, like you
• 2:49
  Speaker 1: got to understand, like, bro, like a lot of people
• 2:52
  Speaker 1: who are in your uh your peers, they don't have
• 2:57
  Speaker 1: the virality or the superstar qualities you have. So that's
• 3:00
  Speaker 1: a good thing for you because you have the ability
• 3:02
  Speaker 1: to translate nationwide, not just the music is hard. It'd
• 3:06
  Speaker 1: be different if you were just like the America got
• 3:08
  Speaker 1: a little viral guy and your music was whack. I
• 3:11
  Speaker 1: actually think your music, I fuck with your ship.
• 3:13
  Speaker 2: I heard you, I heard you a big boy the
• 3:15
  Speaker 2: other day, and I appreciate that, man. I appreciate that
• 3:17
  Speaker 2: you told them man, man, his music is really dope.
• 3:19
  Speaker 1: Man, and you I think you can wrap your ass off.
• 3:21
  Speaker 2: Yeah, correct, minds. One thing I gotta do more is
• 3:24
  Speaker 2: just sit there and start writing music.
• 3:26
  Speaker 1: I was gonna say, you can rap dope, but I
• 3:29
  Speaker 1: can hear when you're trying and when you're not trying.
• 3:32
  Speaker 1: Yeah you could, so I could tell when you're in
• 3:34
  Speaker 1: the studio freestyling, and but then I can also tell,
• 3:38
  Speaker 1: like when you're like putting more thought into like a verse.
• 3:41
  Speaker 2: Yeah, I want to saw, I want to saw. I
• 3:43
  Speaker 2: want to show you like one song this or two
• 3:46
  Speaker 2: songs just unreleased. I actually went the other day with
• 3:48
  Speaker 2: Ralfie the Plug and brother with the bag Chaser like
• 3:51
  Speaker 2: two days ago and shout out to them. We recorded
• 3:53
  Speaker 2: five songs together, some bad and those guys. I got
• 3:55
  Speaker 2: a song and Liveda. Leveda was the Verada's hard too.
• 3:58
  Speaker 2: He's on the US four and know me and Bravo
• 4:01
  Speaker 2: got like six songs already done. Me and ol Veda
• 4:03
  Speaker 2: got like five six songs already done. Me and Roth
• 4:05
  Speaker 2: you got like fight, like all all of us get
• 4:07
  Speaker 2: together all the time and we go recording. You've seen
• 4:09
  Speaker 2: the f you with Bravo, Me and lil Veda. That
• 4:13
  Speaker 2: one's hard hard on this.
• 4:15
  Speaker 1: I was fucking sick. He's vedas dove too. Vada's a
• 4:18
  Speaker 1: good kid man. He got that ratchet ship on lock.
• 4:20
  Speaker 2: He got them. Yeah.
• 4:20
  Speaker 3: You got the club bangers.
• 4:21
  Speaker 1: You got those club bangers going crazy.
• 4:23
  Speaker 2: Yeah, it's like all the melodies, the singer, the club bangers,
• 4:26
  Speaker 2: and I'm popping.
• 4:28
  Speaker 3: I'm bad, Hey popping? What is that? Seventeen sixty five?
• 4:34
  Speaker 3: You know it, y'all know it.
• 4:37
  Speaker 1: You know I'm playing Nah, But for sure, I think
• 4:39
  Speaker 1: to what's dope about what you're doing is like people
• 4:42
  Speaker 1: are noticing you on all like demographics, like you're not
• 4:45
  Speaker 1: just like popping on full community like type pages. You're
• 4:48
  Speaker 1: popping like period. Like I was talking to somebody.
• 4:51
  Speaker 3: I'm glad I got out of that.
• 4:52
  Speaker 1: I was talking to somebody from Atlanta and there's a
• 4:53
  Speaker 1: Steppe Stone. Yeah, but I'm saying like they no, no, no, no,
• 4:56
  Speaker 1: those are like great pages and it's a Steppe Stone
• 5:00
  Speaker 1: as a Latino artist, right, but I'm saying like you're
• 5:02
  Speaker 1: being recognized outside of the Latin.
• 5:04
  Speaker 2: Outside the box. Yeah for sure, breaking through that Chicano box.
• 5:07
  Speaker 1: And I feel like, you know, Sway did a good
• 5:09
  Speaker 1: job of doing that too before he passed, you know,
• 5:11
  Speaker 1: working with paesel Ah.
• 5:14
  Speaker 2: I don't think he does like like, well, I don't
• 5:16
  Speaker 2: think anybody did what I did. I went to community,
• 5:18
  Speaker 2: I went to back on fig, I went to a
• 5:20
  Speaker 2: boys raw, I went to all the.
• 5:21
  Speaker 3: Black platforms, the blacks that.
• 5:23
  Speaker 2: Do a lot of blacks fuck with me a lot
• 5:25
  Speaker 2: of One big thing is that I don't say the
• 5:27
  Speaker 2: INN word in any of my lyrics right, any song,
• 5:29
  Speaker 2: I will not say the N word, as far as
• 5:31
  Speaker 2: it coming out slipping out. When I went to homies,
• 5:33
  Speaker 2: everybody talks that it is what it is, that's just
• 5:37
  Speaker 2: the world now it's his new kids talk like that.
• 5:40
  Speaker 2: But as far as my lyrics, I don't talk like that.
• 5:42
  Speaker 2: When I'm kicking it, I don't talk like that, but
• 5:45
  Speaker 2: sometimes it'll slip out after kicking away. Everybody talks like that.
• 5:49
  Speaker 2: But the Blacks respect me because I don't say it
• 5:51
  Speaker 2: to each his own. You know, you got something to
• 5:53
  Speaker 2: say it, It's not for me.
• 5:55
  Speaker 1: Who's been the most random person recently, who's like the
• 5:59
  Speaker 1: post or reached out to you that you're just like, oh, ship,
• 6:01
  Speaker 1: this is Liam Nelson, Liam.
• 6:03
  Speaker 2: Neeson from Takers, Taking, Taking the Taking, Take the Yeah.
• 6:09
  Speaker 1: Liaml Liam Taking?
• 6:12
  Speaker 2: Yeah?
• 6:12
  Speaker 1: Did he hit you?
• 6:13
  Speaker 2: Yeah? Because I'm in acting classes with Richard Cabral, people
• 6:16
  Speaker 2: laugh all they want, Man, But I really got a
• 6:17
  Speaker 2: Netflix film coming about my life, a Hulu film with
• 6:20
  Speaker 2: drummer boys in it.
• 6:22
  Speaker 1: Richard Cabral is in it. Left the Gun plays in it,
• 6:25
  Speaker 1: is in it.
• 6:27
  Speaker 2: They're trying to get all the girl from Wednesdays is
• 6:29
  Speaker 2: in it, whatever show that is.
• 6:33
  Speaker 1: She plays my baby Mama in it, and you're playing yourself.
• 6:37
  Speaker 2: Yeah, I'm playing myself right, A story about my life
• 6:39
  Speaker 2: growing up so all the people can relate the mom
• 6:41
  Speaker 2: getting beat up in the story just like stuff. I'm
• 6:44
  Speaker 2: not gonna kill it for you, but it's a really good.
• 6:46
  Speaker 1: L a film about Have you already filmed some of it? Yeah?
• 6:48
  Speaker 2: Well nowhere and now we're in the acting classes right now,
• 6:51
  Speaker 2: memorizing the lyrics and really getting outside of my comfort
• 6:54
  Speaker 2: zone and learning how. I'm in acting classes every every
• 6:57
  Speaker 2: Wednesday with Richard Cabral. Solace is in the film about
• 7:00
  Speaker 2: a kid that he becomes a rapper. He's out the
• 7:02
  Speaker 2: gem becomes a rapper, bigs rapper in LA.
• 7:05
  Speaker 1: I hope you get an on scene kiss with them.
• 7:06
  Speaker 1: We're going to Sunday. Take a check Sunday Fast Sunday
• 7:09
  Speaker 1: Sundays Film Festival.
• 7:10
  Speaker 3: We got to kissing.
• 7:11
  Speaker 1: If you can get a kiss seen with Wednesday you're
• 7:12
  Speaker 1: on and I get a kissing with her on the
• 7:14
  Speaker 1: nest on again.
• 7:15
  Speaker 3: Everybody like everybody like a gangster.
• 7:17
  Speaker 2: I think I'll get it in. So I'm working with her.
• 7:20
  Speaker 2: I'm working with her. Yeah, Les and I talked to
• 7:22
  Speaker 2: him on video chat. So what did he say that
• 7:25
  Speaker 2: he fucks with me? He heard about me and he
• 7:27
  Speaker 2: looks looking forward to meeting me. Shout out to James,
• 7:30
  Speaker 2: a photographer I had from a long time ago. He's
• 7:32
  Speaker 2: when they introduced him to me and he wanted to
• 7:34
  Speaker 2: meet me. I looked at him like, you know who
• 7:35
  Speaker 2: that is? Like, yeah, you.
• 7:37
  Speaker 1: Had to watch the ship taking.
• 7:39
  Speaker 3: Yeah, yeah, that's that killer dude.
• 7:40
  Speaker 1: Yeah, he's the guy's like I have a I have
• 7:42
  Speaker 1: a very rare set of abilities.
• 7:44
  Speaker 2: Yeah, he fucks with me, big, big stage the Gemini,
• 7:48
  Speaker 2: he focks with me. Yeah. Man on stage of Geminio,
• 7:53
  Speaker 2: just ganging people like, oh giz me no, and yeah
• 7:56
  Speaker 2: we got real close. Man.
• 7:57
  Speaker 1: He's a good kid man just everybody. Now, let me
• 8:00
  Speaker 1: ask you something like when you hang out with a
• 8:01
  Speaker 1: guy like O Jiz who's kind of been I mean,
• 8:04
  Speaker 1: I know a lot of people think he's a new artist,
• 8:05
  Speaker 1: like a newer artist, but he's an og low. He's
• 8:07
  Speaker 1: been doing this.
• 8:08
  Speaker 2: I think he's I think he's one of the one
• 8:10
  Speaker 2: of the ones that's a pioneer, paved the way for
• 8:13
  Speaker 2: Mexicans to get up in there and U he's one
• 8:16
  Speaker 2: of the ones that gets away with saying like and
• 8:18
  Speaker 2: work because he does just no nonchalant and he really
• 8:21
  Speaker 2: did that and he just he stays in his lane
• 8:23
  Speaker 2: and he's true to himself.
• 8:25
  Speaker 1: Phoenix Flexen too, but yeah, I feel like you know
• 8:28
  Speaker 1: that shortline wave along with Draco, it was at the
• 8:31
  Speaker 1: right time. We'll also extremely influential on a whole generation
• 8:34
  Speaker 1: of West Coast.
• 8:34
  Speaker 2: Rake Draco, Really I got rolled Bounce on my face. Look,
• 8:37
  Speaker 2: he wrote bounce on my face, Like my name was Draco.
• 8:40
  Speaker 2: That's what I always say. I kick with RAFFI to
• 8:41
  Speaker 2: plug me and him get along real well. Ralphie's a
• 8:44
  Speaker 2: complete opposite of me. He's just real quiet but super chill. Yeah,
• 8:46
  Speaker 2: we're talking the other day. I'm like, like Draco with
• 8:49
  Speaker 2: a fuck with truthful you just the whole vibe.
• 8:52
  Speaker 3: I'm just like in my own world.
• 8:53
  Speaker 1: Like, but I'm saying that, like someone like O Jiz,
• 8:55
  Speaker 1: does he like give you any sort of advice on
• 8:56
  Speaker 1: how to move because he's been through so many major
• 8:58
  Speaker 1: label situations.
• 9:00
  Speaker 2: Kicking, Yeah, we just we make. We make, we make bangers.
• 9:03
  Speaker 2: When we're working, we're working. He works and not working.
• 9:06
  Speaker 2: He gets in his own he's different in the studio
• 9:08
  Speaker 2: and then when everybody leaves and we're chilling, we're chilling
• 9:11
  Speaker 2: and like that's just the hummy. Like he's just like
• 9:14
  Speaker 2: he's like one of the like one of me. He's
• 9:16
  Speaker 2: just kicking it. He's from He's La just we're just chilling, man.
• 9:19
  Speaker 2: I really enjoy kicking it with him. He's a good
• 9:22
  Speaker 2: time man. But when he like media trained, like when
• 9:24
  Speaker 2: the cameras are out and all that, he asks right
• 9:26
  Speaker 2: like he's been doing it. And then when it's just us,
• 9:29
  Speaker 2: that's when we just chill. But when we're in the studio,
• 9:31
  Speaker 2: me too. When I'm in the studio, I want to
• 9:33
  Speaker 2: work and get the fuck out the studio. I don't
• 9:35
  Speaker 2: like being in the studio like that. Shit's just annoying,
• 9:38
  Speaker 2: like the producer not getting me where. I want my drops.
• 9:41
  Speaker 2: I want my ship. I see the music in my
• 9:42
  Speaker 2: head a certain way. A big thing about me when
• 9:44
  Speaker 2: I'm in the studio is that a lot of people
• 9:47
  Speaker 2: don't know is I won't stop until.
• 9:49
  Speaker 3: The drops are there. The drops is like the a cappella.
• 9:51
  Speaker 2: So the beginning of all my songs have a drop
• 9:53
  Speaker 2: the acapella, and then they hit do do, And I
• 9:56
  Speaker 2: do a lot of sound effects.
• 9:57
  Speaker 1: So if I say pull up in a beam rock
• 9:59
  Speaker 1: Gold all the little pepe.
• 10:01
  Speaker 2: That's my ship. The helicopter noises. So that's what I'm
• 10:04
  Speaker 2: bringing back. I got that from the Migos.
• 10:06
  Speaker 1: But yeah, just the way I mean when you do
• 10:08
  Speaker 1: those like, will you do those ad libs?
• 10:10
  Speaker 2: It'll kill me.
• 10:10
  Speaker 1: I won't.
• 10:11
  Speaker 2: I won't. I won't complete the song until it's done with.
• 10:14
  Speaker 2: And the ones that Solace has been posting them are
• 10:16
  Speaker 2: just ones that I funk around there and freestyle. He
• 10:18
  Speaker 2: posted them on himself, like telling you, Famous Game Mayor
• 10:20
  Speaker 2: twos on my good shit. I told him let me
• 10:23
  Speaker 2: post that. She's like, nah, man, But that's the thing
• 10:25
  Speaker 2: about a label. You can't post when you want, you know, right.
• 10:28
  Speaker 1: So how I mean we just got two albums back
• 10:31
  Speaker 1: to back real quick from you. How Famous Game Banger
• 10:34
  Speaker 1: two is on the way already.
• 10:35
  Speaker 2: Yeah, Famous Game Mayor twos already on the way, man.
• 10:37
  Speaker 2: So we finished that album Sola has been I should
• 10:41
  Speaker 2: be working more, but yeah, Famous Game Mayor twos on
• 10:43
  Speaker 2: the way. Famous Game Mayor two is the one that
• 10:45
  Speaker 2: I really sat down there, Rookie of the Year. I
• 10:48
  Speaker 2: wrote R Famous Game Banger. I freestyled Famous Game Mayor two.
• 10:54
  Speaker 2: I really got him my feelings to show La like, man,
• 10:56
  Speaker 2: I'm the best rapper in La.
• 10:57
  Speaker 1: Put the pen of paper focused a little.
• 11:00
  Speaker 2: I learned I learned the what happened after freestylling Famous
• 11:05
  Speaker 2: game Manyers. So everybody heard it.
• 11:07
  Speaker 1: Like, so that whole album is off the top of
• 11:09
  Speaker 1: your head.
• 11:09
  Speaker 3: Off the top of my head, punching and punchlines.
• 11:11
  Speaker 2: Wow, bulet cav That bitch should give me head dead
• 11:17
  Speaker 2: red at the gunplay, I'm like fed fed up.
• 11:21
  Speaker 1: The soldis taught me that. You teaching me that.
• 11:23
  Speaker 2: That's kind of like the eggs for like the punching,
• 11:25
  Speaker 2: So it gives you like more time to think of
• 11:29
  Speaker 2: a freestyle. So people are freestylling, they're just a punching
• 11:32
  Speaker 2: is like chilling killing. What's the feeling? What's the feeling?
• 11:37
  Speaker 2: So you get that, and it's so easy to make
• 11:40
  Speaker 2: a song like that. Punch me in from right there,
• 11:42
  Speaker 2: punch me in from right there. So that's what I did,
• 11:44
  Speaker 2: and I really, I really just you know wing famous
• 11:47
  Speaker 2: game maner. I mean, there's some bangers in there, but
• 11:49
  Speaker 2: I feel like I didn't give it my all. And
• 11:51
  Speaker 2: now it's like I should have given them all because
• 11:53
  Speaker 2: now I'm learning as I go the way that this
• 11:55
  Speaker 2: shit goes. So the other day, I was comparing myself
• 11:57
  Speaker 2: to another artist and so told me he knew all
• 12:00
  Speaker 2: the artists. I'm not gonna say his name, but he's
• 12:02
  Speaker 2: a how many songs did that do? Bad? And I
• 12:04
  Speaker 2: looked at this shit. He had like one hundred something,
• 12:06
  Speaker 2: ninety seven something, two hundred. How many music videos do
• 12:09
  Speaker 2: you have? I'm like twenty one, twenty two. He's like, dude,
• 12:13
  Speaker 2: he's been doing this shit for years and you're already
• 12:15
  Speaker 2: about to pass them up. Quit comparing yourself, saying you
• 12:18
  Speaker 2: better than that, Quit setting yourself short. You the shit left,
• 12:21
  Speaker 2: you know what I'm saying. And I know he wouldn't,
• 12:23
  Speaker 2: So this is a sick mind. So everything I do,
• 12:25
  Speaker 2: I just listen to him. You know, I always compare
• 12:27
  Speaker 2: myself to all these other artists, and he just he
• 12:29
  Speaker 2: put in my head that I'm a superstar, you know.
• 12:31
  Speaker 2: And I started feeling it when I go to stages
• 12:34
  Speaker 2: and Power Won't Sax and all this shit and all
• 12:35
  Speaker 2: these concerts and people are just yelling my name and
• 12:38
  Speaker 2: just throwing themselves at me, like I can't go nowhere,
• 12:40
  Speaker 2: what I don't want you to picture? I like it, but
• 12:42
  Speaker 2: you know, now starting to realize myself, We're like, okay,
• 12:45
  Speaker 2: this is the moment.
• 12:46
  Speaker 3: I got to enjoy the moment. And I gotta capitalize on.
• 12:48
  Speaker 1: It and don't take advantage of it. Take out, keep it.
• 12:50
  Speaker 1: You gotta work harder, take more seriously.
• 12:52
  Speaker 2: Reason I was when I made Certific Step or Bulevard Baby,
• 12:54
  Speaker 2: start from Scratch. That's when I was hungry when I
• 12:57
  Speaker 2: rote start from Scratch, Certific.
• 12:59
  Speaker 1: Start from Scratch. But my favorite shit, that freestyle West
• 13:01
  Speaker 1: Co shit.
• 13:01
  Speaker 3: Yeah.
• 13:02
  Speaker 1: No, I was gonna say to your videos gotten crazier
• 13:05
  Speaker 1: after video you did with RJ. And the police card
• 13:07
  Speaker 1: was a whole ass production.
• 13:09
  Speaker 3: Shut up.
• 13:09
  Speaker 1: I had to get fucking cop cars chasing you.
• 13:12
  Speaker 3: And ships are there.
• 13:13
  Speaker 1: They shut down.
• 13:14
  Speaker 2: They shut down the six four shoot bridge. But that
• 13:16
  Speaker 2: ship was crazy. That's like a whole ass production.
• 13:19
  Speaker 1: Yeah, it was a four shoot bridge. Because a lot
• 13:20
  Speaker 1: of your videos are like some real rap videos. Io,
• 13:22
  Speaker 1: we got a camera, let's just shoot this outside. But
• 13:25
  Speaker 1: that ship was a movie.
• 13:26
  Speaker 2: Yeah, it's a it's the same guys just shot a
• 13:29
  Speaker 2: nip hustles, hustle and motivate fire. So those guys it's
• 13:33
  Speaker 2: Echoes World. Shot us to Echoes World. Man, they've seen
• 13:35
  Speaker 2: that film and they said, man, we want to make
• 13:37
  Speaker 2: a movie out of this and shout us to RJ.
• 13:39
  Speaker 1: Man, he's one that I really get along with and
• 13:41
  Speaker 1: I really talked to every single day. Great guy and
• 13:43
  Speaker 1: it's amazing performer too. Yeah, I talk to RJ every day.
• 13:46
  Speaker 1: Man shout us. Would you and RJ ever do like
• 13:48
  Speaker 1: a ticket shot forget little EP or something little joint project?
• 13:56
  Speaker 1: Sorry guys, got a ticket a little shot?
• 13:58
  Speaker 2: Yeah?
• 13:59
  Speaker 3: No, me and RG like he's kind of like pay
• 14:01
  Speaker 3: so like I would like to do EP project.
• 14:04
  Speaker 2: We got another song called Streets on Lock that's a
• 14:07
  Speaker 2: r J G Perico and left the gun play. We
• 14:09
  Speaker 2: gotta shoot that video. I was just with Pico in
• 14:11
  Speaker 2: the studio like two days ago. But we got that
• 14:13
  Speaker 2: song that Streets on Lock is hard. It's a it's
• 14:16
  Speaker 2: a to the Big Eagles by Doctor J beat. Yep,
• 14:19
  Speaker 2: those Big Eagles. That song is hard.
• 14:21
  Speaker 1: We haven't dropped the year. Yeah, we gotta drop that one.
• 14:23
  Speaker 1: So what thing is when you put a song out
• 14:25
  Speaker 1: like that, if it gets too big, you don't have
• 14:27
  Speaker 1: to get that cleared.
• 14:28
  Speaker 2: If it gets to we have to get it clear,
• 14:30
  Speaker 2: like honestly, would either beat Oh yeah, no, we remade
• 14:32
  Speaker 2: the beat.
• 14:33
  Speaker 1: Oh you remade it. They remade the beat because fact
• 14:36
  Speaker 1: the start from scratchh it.
• 14:37
  Speaker 3: Is is that that's that's just GP.
• 14:39
  Speaker 2: I went to the studio after a performance and now
• 14:42
  Speaker 2: the black skin, and I said, fuck the money, fuck
• 14:44
  Speaker 2: fucking everything. I'm doing this for the West Coast. I'm
• 14:46
  Speaker 2: doing it for the streets, for LA doing on YouTube
• 14:48
  Speaker 2: so much.
• 14:49
  Speaker 3: I don't care about money.
• 14:50
  Speaker 1: But it's on Spotify, is it?
• 14:52
  Speaker 2: Yeah?
• 14:53
  Speaker 3: Making the money out of it though.
• 14:54
  Speaker 1: What I'm saying, like, you're doing these freestyles. Eventually I
• 14:57
  Speaker 1: got some homies, we got some big freestyles, like five
• 14:59
  Speaker 1: six million streams.
• 15:00
  Speaker 3: Listen to this though, But they're trying to make money
• 15:02
  Speaker 3: out of it.
• 15:03
  Speaker 2: Even if I give five million to six million streams,
• 15:04
  Speaker 2: I'm not allowed of just making instrumental to the beat.
• 15:06
  Speaker 1: If I'm not making no money out of it, I'm
• 15:08
  Speaker 1: making no.
• 15:08
  Speaker 2: Money out of that. I think I am allowed to it.
• 15:10
  Speaker 2: I think that's the way it works. If it's copyright.
• 15:12
  Speaker 1: I'm not a lawyer.
• 15:13
  Speaker 2: Yeah, yeah, yeah, But the point is that when you
• 15:15
  Speaker 2: remake the beat, you remake it so that you can
• 15:17
  Speaker 2: make money off of it.
• 15:18
  Speaker 1: So you're remaking the beat. I don't give a fuck
• 15:20
  Speaker 1: about the money you think. Have you you know if
• 15:23
  Speaker 1: games heard start, yeah, he's reshot fire, he said.
• 15:26
  Speaker 3: I see you dog. He just wrote me like I
• 15:29
  Speaker 3: see you on me.
• 15:30
  Speaker 1: I got all excited about Game, but I know who
• 15:32
  Speaker 1: his managers and all that. I know.
• 15:34
  Speaker 2: I know games agangster and he could do what he wants.
• 15:36
  Speaker 2: But you know, true Core reached out to me too,
• 15:38
  Speaker 2: and I got a song with Savvy three. So I
• 15:41
  Speaker 2: got a song with Sas on the new project. You said, right, yeah,
• 15:43
  Speaker 2: S's on a new project. We were in the studio
• 15:45
  Speaker 2: the other day. It was we clear his fire.
• 15:47
  Speaker 1: He's like me, yeah, sure, I see I see the comparison. Yeah,
• 15:51
  Speaker 1: he's just like I.
• 15:52
  Speaker 3: Told him, damn. And they're like, you see how he's acting.
• 15:54
  Speaker 3: And I said what, Mom was like, that's how you are, yo.
• 15:56
  Speaker 1: What happened at the video shoot where you were shooting
• 15:59
  Speaker 1: some content and then the guy's girlfriend was in the
• 16:02
  Speaker 1: video You're about to fight the cameraman, oh.
• 16:04
  Speaker 2: Twenty verses one, and shit the girl that I liked,
• 16:06
  Speaker 2: and shit she was in the cut. Some little dude
• 16:09
  Speaker 2: was trying to talk to her when she was waiting
• 16:10
  Speaker 2: to turn. I'm like, I was dry. I'm just like,
• 16:12
  Speaker 2: I hate fool. You were fucked up right there. Yeah,
• 16:15
  Speaker 2: I made a mistake right there. A couple of mistakes.
• 16:18
  Speaker 2: It is what it is now.
• 16:19
  Speaker 1: You're living.
• 16:19
  Speaker 2: You learn, you learn this, you go.
• 16:20
  Speaker 1: But yeah, I guess that you and I didn't remember
• 16:22
  Speaker 1: till the next day, like damn, You're like, damn it,
• 16:24
  Speaker 1: I don't even remember that happening.
• 16:26
  Speaker 3: I dropped the ball. But that's my new manager right there.
• 16:29
  Speaker 2: I dropped the ball out that day.
• 16:30
  Speaker 1: They got some Do you feel like you're a hard
• 16:32
  Speaker 1: guy to manage?
• 16:33
  Speaker 2: Hell yeah, Hell yeah, God blessed whoever's managing me? Man,
• 16:39
  Speaker 2: Hell yeah, I'm two months. That's why I got to
• 16:41
  Speaker 2: be my homies from my hood, because soulis in me. Man.
• 16:44
  Speaker 1: Huh.
• 16:44
  Speaker 2: So we argue all the time, like yeah, all of
• 16:48
  Speaker 2: them vailing at me. I'm like I'm not going and
• 16:50
  Speaker 2: I'm sitting in the bed or in the room, and
• 16:52
  Speaker 2: they'll be like, left, you gotta fuck. I'm like, I
• 16:54
  Speaker 2: don't give a fuck.
• 16:55
  Speaker 1: I don't want to do it no more.
• 16:56
  Speaker 3: And I'll just be like, you know, diva, you call
• 16:58
  Speaker 3: me diva. I'm like, I don't give fuck.
• 17:00
  Speaker 2: I don't want to song with him.
• 17:01
  Speaker 3: I don't care how big he is.
• 17:02
  Speaker 2: I don't need a song with him. You know what
• 17:03
  Speaker 2: I'm saying. If I'm not doing if I'm not. I
• 17:05
  Speaker 2: hate getting rushed, but it's just my schedule so packed.
• 17:08
  Speaker 2: I'm learning that I need to put in that extra
• 17:10
  Speaker 2: more one percent. They're doing it to help me out
• 17:12
  Speaker 2: and be a superstar, but I get tired. That shit's
• 17:15
  Speaker 2: fucking draining. We're in the studio till six in the morning,
• 17:18
  Speaker 2: where I don't know drugs or nothing. We're in the
• 17:20
  Speaker 2: studio till six in the morning, working.
• 17:21
  Speaker 1: We go home.
• 17:22
  Speaker 3: I got an interview at eleven, we go home.
• 17:24
  Speaker 1: I got a concert in the daytime, need and greeting
• 17:26
  Speaker 1: in another concert at night.
• 17:28
  Speaker 2: I'm fucking whooped.
• 17:29
  Speaker 1: And then we're going to Texas the next day.
• 17:30
  Speaker 2: I'll be tired. Dog.
• 17:32
  Speaker 1: It's like heavy as the Crown, you know what.
• 17:34
  Speaker 2: I really think that rapping is one of the most
• 17:36
  Speaker 2: hardest jobs, and it's one of the most yeah, and
• 17:39
  Speaker 2: then one of the most dangerous.
• 17:41
  Speaker 3: Too at the same time.
• 17:41
  Speaker 2: And then you got to put in that smile on
• 17:43
  Speaker 2: your face and give it to your fans all day
• 17:45
  Speaker 2: because they literally want pictures. And everybody be like one more,
• 17:47
  Speaker 2: one more, one more. I said, no, no, no, no, no, everybody,
• 17:50
  Speaker 2: shut the fuck up. I'm not leaving till I get
• 17:52
  Speaker 2: a picture where everybody in here that wants no more doubles,
• 17:55
  Speaker 2: everybody wants some picture, let's get it in, you know
• 17:57
  Speaker 2: what I'm saying. And then a lot of these, a
• 17:58
  Speaker 2: lot of things, all these messages on Instagram. It's fucking ridiculous.
• 18:02
  Speaker 2: I don't even I don't even look at my Instagram because.
• 18:04
  Speaker 1: It's just like, ugh, just so much headache. You're in General,
• 18:09
  Speaker 1: so all the people that are important or they go
• 18:11
  Speaker 1: to the General folds.
• 18:12
  Speaker 2: They go to General Foldo folder, and Solis has my passwords.
• 18:15
  Speaker 2: So Solace goes through General, sees what's bullshit, what's not?
• 18:18
  Speaker 1: Any random hohares or just random struggles are.
• 18:21
  Speaker 2: On Primary and that's what I go through, and don't
• 18:23
  Speaker 2: click on it because you might see some pictures you
• 18:25
  Speaker 2: don't want to see on the gang or some girls
• 18:27
  Speaker 2: you don't want to.
• 18:27
  Speaker 1: See, Like yeah, I be like I feel violated by
• 18:30
  Speaker 1: that shit. Yeah. I mean listen, if you were a
• 18:32
  Speaker 1: dude and you were sending unsolicited dick pics to a woman,
• 18:35
  Speaker 1: people would look at you crazy. But for some reason,
• 18:38
  Speaker 1: if you're a girl and you just send pictures of
• 18:40
  Speaker 1: your pussy to a dude, it's just supposed to be
• 18:42
  Speaker 1: all right.
• 18:42
  Speaker 2: No, that's not all right.
• 18:43
  Speaker 1: But it's like, bro, I didn't ask to see this.
• 18:45
  Speaker 2: No, no, no, you know what I think. If your
• 18:47
  Speaker 2: left the gun play, you get away with it. So
• 18:48
  Speaker 2: we were actually in the talks with A I'm gonna
• 18:50
  Speaker 2: I'm gonna be honest with you. We were in the
• 18:52
  Speaker 2: talks with A with a fat wopple and uh, Lacy Jane,
• 18:57
  Speaker 2: Lacy Jane, she's a porn starter. Go check her out,
• 18:59
  Speaker 2: Lacy Jane. We actually made some content together with Kevin miraculous,
• 19:03
  Speaker 2: but we wanted to talk about it because we were
• 19:05
  Speaker 2: dabbling around with the only fans idea and everybody's like,
• 19:09
  Speaker 2: man left, he's hot right now. He should make only
• 19:10
  Speaker 2: fans like you fucking girls on there fuck one bitch
• 19:13
  Speaker 2: and Ship and ray j shit Kim Kas because everybody
• 19:16
  Speaker 2: supposed he's gonna want to watch it one time. If
• 19:19
  Speaker 2: the gunplay got a porno's gonna go viral. Everybody's gonna
• 19:22
  Speaker 2: be like the fuss is food talking about let me
• 19:24
  Speaker 2: see this lefty gun place shit. So I'm just holding
• 19:27
  Speaker 2: on to the idea.
• 19:27
  Speaker 1: And I thought about it. I guess Blue Face has
• 19:29
  Speaker 1: an only fans Black.
• 19:31
  Speaker 2: Blue face, ain't fucking on this, okay, But all these
• 19:33
  Speaker 2: fools have only fans, and they're making I seen the
• 19:35
  Speaker 2: wackies bitch forty thousand in her account a month off,
• 19:39
  Speaker 2: only fans. Forty thousand of a picture. That's pretty good. No,
• 19:42
  Speaker 2: so don't give a fuck who sees it. I'm gonna
• 19:44
  Speaker 2: charge ninety nine ninety nine for a picture. If you
• 19:46
  Speaker 2: want to pay one hundred dollars, you could.
• 19:48
  Speaker 1: See it ninety nine ninety nine times times a couple
• 19:52
  Speaker 1: hundred thousand.
• 19:52
  Speaker 2: That's straight with me. I don't care.
• 19:54
  Speaker 1: She was slang the dick pick.
• 19:55
  Speaker 2: Yeah, I was slinging dick pick. I really would if
• 19:58
  Speaker 2: it gets cleared by my people, my water. If it's right,
• 20:00
  Speaker 2: everybody's making money. We're vendits.
• 20:02
  Speaker 1: Say, are you are you afraid of the homies?
• 20:05
  Speaker 3: Yeah, well yeah, you frame up politics. Yeah, I'll have
• 20:07
  Speaker 3: to get it clear first.
• 20:08
  Speaker 2: But if there's a bag and I'm the only one
• 20:10
  Speaker 2: that probably actually has a chance to get a bag
• 20:11
  Speaker 2: out of it, I'm pretty sure it'll be straight with it.
• 20:14
  Speaker 1: Do you any of your business ventures do you have
• 20:16
  Speaker 1: to clear through the helmies.
• 20:18
  Speaker 2: I mean, I just that's why my homies with me
• 20:20
  Speaker 2: right now. But I kind of have been in jail
• 20:22
  Speaker 2: so long that I kind of know what's right and
• 20:24
  Speaker 2: what's wrong. You know what I'm saying. What situation I
• 20:26
  Speaker 2: can talk about and not talk about. And like I said,
• 20:28
  Speaker 2: I'm getting me a training as I go. Prison politics
• 20:31
  Speaker 2: is different from street politics. Street politics is different from
• 20:34
  Speaker 2: that politics, and you got to learn how to get
• 20:36
  Speaker 2: all of them and blend them. And it's so hard
• 20:38
  Speaker 2: to do that while I'm doing all this at once,
• 20:39
  Speaker 2: but I'm getting it. I know what the fuck's right,
• 20:41
  Speaker 2: what's smart. It's basically what's right, what's right, what's wrong,
• 20:44
  Speaker 2: what's wrong? Even though you're respectful. Even the homies in jail,
• 20:46
  Speaker 2: they read the Bible. The Bible's the most the.
• 20:48
  Speaker 3: Best book in the world. The Bible has some shit
• 20:50
  Speaker 3: in there. It's just the righteous book. You know what
• 20:52
  Speaker 3: I'm saying. You got to be righteous and knowing your heart,
• 20:54
  Speaker 3: what's right, what's wrong. Like the other day, I got
• 20:57
  Speaker 3: caught in my condo for throwing cigarette. It's cut the porch.
• 21:01
  Speaker 1: I knew that was wrong.
• 21:02
  Speaker 2: I'm throwing cigarettes off the loft and balcony. I got
• 21:05
  Speaker 2: a two bedroom whatever with a balcony in downtown LA.
• 21:07
  Speaker 2: They broke me at least saying, hey, man, this is
• 21:09
  Speaker 2: just throwing cigarettes at the fucking talk. So it's like,
• 21:12
  Speaker 2: what's up with that? So today I was smoking a cigarette.
• 21:15
  Speaker 2: I was about to throw it, but I know that's wrong,
• 21:18
  Speaker 2: and my body held it. Oh when I asked her
• 21:20
  Speaker 2: and let me get a cup and I put it
• 21:21
  Speaker 2: in a cup.
• 21:22
  Speaker 3: Spie.
• 21:22
  Speaker 1: Can I give you an ash tray before you leave?
• 21:24
  Speaker 3: Yeah?
• 21:26
  Speaker 2: What I need.
• 21:27
  Speaker 1: But it's just like I know what's right and what's wrong.
• 21:29
  Speaker 1: You know what I'm saying, Like, I know I know
• 21:30
  Speaker 1: what to do. I know that me dissing all these
• 21:33
  Speaker 1: dudes that I've been dishing and talking to my shit cool.
• 21:35
  Speaker 1: I got it off my chest. Now for me to
• 21:37
  Speaker 1: keep entertaining that that's wrong, you know what I'm saying.
• 21:40
  Speaker 1: Just let it be what it is.
• 21:40
  Speaker 3: What it is, you know what I'm saying.
• 21:42
  Speaker 2: Just I don't like I'll take my shirt off my
• 21:44
  Speaker 2: back to the same person talking shit about me.
• 21:46
  Speaker 1: You brought up like battling your drug use, that's your
• 21:50
  Speaker 1: demons to con have you been able to kind of
• 21:53
  Speaker 1: my demons?
• 21:54
  Speaker 3: That's my happiness?
• 21:55
  Speaker 1: Why I was it gonna say, like, obviously you're aware that,
• 21:57
  Speaker 1: but people say about you. I don't give a I
• 21:59
  Speaker 1: know you don't care, but I was gonna ask, are
• 22:01
  Speaker 1: they whipping the Maybe? No, I'm not saying that, but
• 22:03
  Speaker 1: I'm saying they got real chains on their neck, you know,
• 22:05
  Speaker 1: saying but is is how much of it is overblown
• 22:09
  Speaker 1: in terms of your drug use and how much of
• 22:11
  Speaker 1: it is you know?
• 22:13
  Speaker 2: I mean, I don't really do drugs that much anyways,
• 22:15
  Speaker 2: if you ask my homie, like he's on it sees
• 22:17
  Speaker 2: me even solely sees me when I do drugs.
• 22:19
  Speaker 3: I drink liquor.
• 22:19
  Speaker 2: Mostly.
• 22:20
  Speaker 3: The liquor is probably my.
• 22:21
  Speaker 2: Problem where I'm like, damn, I gotta cut back on
• 22:23
  Speaker 2: it because I can't get up without a bottle wing,
• 22:25
  Speaker 2: And she's like it just helps me, like you know,
• 22:28
  Speaker 2: the pain, like my cousin got killed, my best friend overdose,
• 22:31
  Speaker 2: my other best friend overdose, my hommy got smoked on
• 22:33
  Speaker 2: the corner, like mother homie died it in county jail.
• 22:36
  Speaker 2: Like she's been really fucking me up and it took
• 22:38
  Speaker 2: a toll on me. And ever since that, I haven't
• 22:40
  Speaker 2: been the same, you know, And just knowing my grandma's
• 22:43
  Speaker 2: gonna pass away soon, like she's older, My mom's struggling
• 22:46
  Speaker 2: in the hood, like you know my mom, they're still
• 22:48
  Speaker 2: in the hood.
• 22:49
  Speaker 1: I didn't move them out with me. I bought my
• 22:50
  Speaker 1: mama car, though I bought my head for a card.
• 22:53
  Speaker 2: Like my enemies went to my house the other day,
• 22:54
  Speaker 2: supposedly knocked on my door on my grandma, like just
• 22:57
  Speaker 2: shit like that really fucks with my head and really
• 22:58
  Speaker 2: wants to make me go back to my old ways.
• 23:01
  Speaker 2: And I'm really trying to change because it has to
• 23:02
  Speaker 2: be rapraprap, but just the real life of like my
• 23:06
  Speaker 2: vrio in everything in the life I chose.
• 23:09
  Speaker 3: Tastes a toll on me.
• 23:10
  Speaker 2: And I want to do this for my whole hood,
• 23:12
  Speaker 2: for all of us to eat, to inspire the world,
• 23:14
  Speaker 2: and for all my homies to be straight. Because when
• 23:16
  Speaker 2: you're making this type of money, like all my homies
• 23:18
  Speaker 2: are gonna get money out of it.
• 23:19
  Speaker 3: And I'm really making that type of money.
• 23:20
  Speaker 2: If I'm getting ten thousand, I'm Sola's gonna get his,
• 23:23
  Speaker 2: I'm gonna get mine.
• 23:24
  Speaker 3: I'm gonna kick half to my mom.
• 23:25
  Speaker 2: Every time I see my mom, she's don't want to
• 23:27
  Speaker 2: taste the most money out of me, but I just
• 23:28
  Speaker 2: give it her.
• 23:29
  Speaker 1: On get her out of the hood.
• 23:30
  Speaker 2: I see my Yeah, yeah, yeah, Okay, so that's what
• 23:32
  Speaker 2: we're doing. We're gonna get another month lease on my apartment.
• 23:34
  Speaker 2: Whatever the fuck's I got a sixteen month lease and
• 23:37
  Speaker 2: so this is like dog by the end of the year,
• 23:39
  Speaker 2: you should be living in a mansion. I could have
• 23:40
  Speaker 2: had a house. They told me for one of the house.
• 23:43
  Speaker 1: Now Hambrae in the valley.
• 23:44
  Speaker 2: Yeah no, they told me for one of the big
• 23:46
  Speaker 2: guest house now Hambrough. It was the big guest house
• 23:48
  Speaker 2: in now hambro It was the luxury apartment condominium in
• 23:51
  Speaker 2: downtown La. I love La. I'll never leave LA. I
• 23:55
  Speaker 2: live right in the middle by all the fucking by
• 23:56
  Speaker 2: the city Bank and all that. I live right there.
• 23:58
  Speaker 2: If you go on my rooftop, you could throw a rock,
• 24:00
  Speaker 2: hard food and throw a rock right there, as I did.
• 24:03
  Speaker 2: Life from the gutter right there too. I live right
• 24:05
  Speaker 2: in the middle.
• 24:05
  Speaker 3: I love LA. I live right by MacArthur Park. It's crazy, y'all.
• 24:09
  Speaker 2: You could be the brokest food and live on the
• 24:10
  Speaker 2: bottom and be the richest motherfuckering live.
• 24:12
  Speaker 1: On side and look down everybody.
• 24:13
  Speaker 2: Yeah, you need like a gang of coach to get
• 24:15
  Speaker 2: through to that fucking apartment. It's really nice dog and
• 24:20
  Speaker 2: I just love the vibe in La. I feel like
• 24:21
  Speaker 2: in the Hambra in the valley's like I gotta be
• 24:24
  Speaker 2: on my toes because you're thinking you're moving out the hood.
• 24:26
  Speaker 2: But sow's every other gangster too, every other gang shot
• 24:29
  Speaker 2: there's getting their hair cutting on Hamber too, so you
• 24:32
  Speaker 2: run into your enemies.
• 24:32
  Speaker 1: But in La, La is just like so much going
• 24:35
  Speaker 1: on there and worried about me out there, right, Like,
• 24:37
  Speaker 1: but I love La dagget your mom out, Yeah, I
• 24:39
  Speaker 1: want to get.
• 24:40
  Speaker 2: My mom out the hood, But I don't want my
• 24:41
  Speaker 2: mom to live with me either, right because I bring
• 24:43
  Speaker 2: all kinds of bitches home, and I tell her like,
• 24:45
  Speaker 2: I'll bring bitches home all the time. I'm looking for
• 24:48
  Speaker 2: a main girl. I'm not going to bring every girl
• 24:50
  Speaker 2: home and meet my mom on the first day. That's
• 24:52
  Speaker 2: how the whole plan was for me to get the
• 24:54
  Speaker 2: fuck out the house. You were trying to keep you on.
• 24:56
  Speaker 2: I got a b out of there now. I bought
• 24:57
  Speaker 2: you a car about a brand new car.
• 24:59
  Speaker 3: Twenty twenty four.
• 25:00
  Speaker 2: I bought my grandma refrigerator. I bought my grandmother stove
• 25:03
  Speaker 2: and a microwave, and then I still catch them. I
• 25:05
  Speaker 2: paid for my baby mama's titts, like you know what
• 25:08
  Speaker 2: I'm saying, Like everybody got touched on my homes.
• 25:10
  Speaker 1: Baby mama got new tittes.
• 25:11
  Speaker 3: Yeah, baby mama, And I'm not wearing she got new titt's.
• 25:14
  Speaker 3: That's what she wanted.
• 25:15
  Speaker 1: That's a nice you're a nice baby daddy. You're not
• 25:17
  Speaker 1: even with her and hooked her. Not even with her.
• 25:19
  Speaker 1: She got a TV and she wants tittes. I paid
• 25:21
  Speaker 1: for him shot a little baby. You mentioned some of
• 25:25
  Speaker 1: your friends of overdose. Have you ever been worried about
• 25:27
  Speaker 1: like that?
• 25:28
  Speaker 3: I don't for your.
• 25:28
  Speaker 2: Heels man, I don't pop pills. It's never been my thing.
• 25:32
  Speaker 2: I don't pop pills. I don't do heroin. It's never
• 25:35
  Speaker 2: been my.
• 25:35
  Speaker 1: Thing because that's kind of a that's where you get
• 25:38
  Speaker 1: fucked up, right, because that's where the ship's pressed.
• 25:40
  Speaker 3: Yeah, I don't touch that ship.
• 25:41
  Speaker 1: My hommie knows how.
• 25:42
  Speaker 3: I don't do that ship.
• 25:43
  Speaker 2: Huh.
• 25:44
  Speaker 3: He don't know.
• 25:45
  Speaker 2: That's your choice is that's my homie right there on
• 25:47
  Speaker 2: the shirt doesn't want it? Just oh d the other day,
• 25:49
  Speaker 2: ship man, I got out of jail the day he
• 25:52
  Speaker 2: odd and ship that did have a burial. You know
• 25:54
  Speaker 2: what fucked me up. He used to be in my
• 25:56
  Speaker 2: packages a couple of months ago. And he's my brother
• 25:58
  Speaker 2: I grew up with and we played football together. And
• 25:59
  Speaker 2: he used to be like when he was on the
• 26:02
  Speaker 2: when he was thugging his shit, it was all about
• 26:03
  Speaker 2: getting high. His sister just sodeed. So he's all fucked up.
• 26:06
  Speaker 2: So he'll be in my house sleeping in my bands.
• 26:08
  Speaker 2: I had the bench before the rap in the hood.
• 26:10
  Speaker 2: And he's one of those homies.
• 26:11
  Speaker 1: You let him in the room and ship like, he
• 26:13
  Speaker 1: starts taking your good clothes, your good fucking hat. Last
• 26:17
  Speaker 1: time you were shoes man.
• 26:18
  Speaker 2: Yeah, you're like man full, come on, Doug. So I
• 26:21
  Speaker 2: just remember him being like, I'm cold fool. I'm cold fool,
• 26:23
  Speaker 2: and I'll give him a blanket. And when I seen
• 26:25
  Speaker 2: him in the in the in the casket like, and
• 26:28
  Speaker 2: I touched his hand and how cold he was, I
• 26:31
  Speaker 2: just wanted to keep him warm, you know, I just
• 26:33
  Speaker 2: stayed right there. I actually met Roddy Rats for the
• 26:35
  Speaker 2: first time. Roddy Rash wanted to go pay his support
• 26:38
  Speaker 2: to him because he was in county with him, and
• 26:41
  Speaker 2: I see Rowdy and we hated each other at the time,
• 26:42
  Speaker 2: and I'm like, all right, fum like, I was just mad,
• 26:45
  Speaker 2: but he had when I seen him in the casket
• 26:47
  Speaker 2: and I seen how Cody was just fucked me up.
• 26:49
  Speaker 2: When you touch him, you see, I threw all my change.
• 26:51
  Speaker 2: I had real change at the time. I gave him
• 26:54
  Speaker 2: all my fucking change because he'll always be like, let
• 26:56
  Speaker 2: me ball change for my hummy ball chain. I took
• 26:59
  Speaker 2: all my I had real ship from chopping. I give
• 27:02
  Speaker 2: it all to him, chunky ass ship.
• 27:05
  Speaker 3: Damn igat. I sit here, God, I give him all
• 27:08
  Speaker 3: my fucking ship.
• 27:09
  Speaker 2: He buried with that ship right now.
• 27:11
  Speaker 3: But yeah, that's what happened.
• 27:13
  Speaker 1: Yeah.
• 27:13
  Speaker 2: I don't fuck with pills man, that's a no no.
• 27:15
  Speaker 2: I got too much going on. I wouldn't even play
• 27:17
  Speaker 2: with it.
• 27:17
  Speaker 3: I got, I got it. It's a bigger picture than
• 27:20
  Speaker 3: that ship. I never been a don't do that. Blue Pills. Kids,
• 27:23
  Speaker 3: that's just bad for you.
• 27:25
  Speaker 2: You're playing playing rust, relate with yourself. You might as
• 27:27
  Speaker 2: well the gun to your head and get the same herd.
• 27:29
  Speaker 2: You know what I'm saying. That ship is out. That's
• 27:31
  Speaker 2: just all lace, it's all cut. You don't know what
• 27:33
  Speaker 2: you're gonna get you know, you can tell the pills
• 27:36
  Speaker 2: or not. Let me tell the kids if they're really
• 27:38
  Speaker 2: britty about that. You put the.
• 27:40
  Speaker 3: Flashlight on your camera.
• 27:41
  Speaker 2: You put the flash on, you put the pill under
• 27:44
  Speaker 2: your flash.
• 27:44
  Speaker 3: If you could see the pill through, it's good.
• 27:47
  Speaker 1: If the pills cut, you can see it's all fucked up. Oh,
• 27:50
  Speaker 1: you can see it.
• 27:50
  Speaker 3: You can put the blue pill on the camera and
• 27:52
  Speaker 3: see if you're gonna d or not.
• 27:53
  Speaker 1: You turn it on.
• 27:54
  Speaker 3: But some kids are so crazy they want the ship
• 27:56
  Speaker 3: that makes.
• 27:56
  Speaker 1: You O D yes yo. People are used to fating
• 27:59
  Speaker 1: on them.
• 28:00
  Speaker 2: They're like, they have a county jail that ships. So no, no,
• 28:03
  Speaker 2: that'shits banned in the county. You know what I'm saying,
• 28:05
  Speaker 2: because so many people are dropping off that you're playing
• 28:07
  Speaker 2: with your life. We lost so many good people to overdoses,
• 28:10
  Speaker 2: so many good rappers like you just fucked up.
• 28:12
  Speaker 1: No fucking juice World. I mean, we're going maclamore, mc miller,
• 28:17
  Speaker 1: mc miller, maclimore still with us, Yeah, mcmillar.
• 28:20
  Speaker 2: Miller, Marrison, Peter McMillan, Yeah, a lot of people. Matt
• 28:23
  Speaker 2: Juice Row was hard.
• 28:24
  Speaker 1: He was hard.
• 28:24
  Speaker 3: I've seen that interview he did where he did a
• 28:26
  Speaker 3: freestyle fu.
• 28:29
  Speaker 1: Yeah, he freesed out on our show for like ten
• 28:31
  Speaker 1: minutes straight.
• 28:31
  Speaker 2: He was right here.
• 28:32
  Speaker 1: Uh it was a Real ninety two three. Yeah, we
• 28:34
  Speaker 1: had him on Real.
• 28:35
  Speaker 3: Ninety two three. Man, when am I going over there?
• 28:37
  Speaker 3: Went over there with Jay Cruise. I want to go
• 28:38
  Speaker 3: over there with Big Boy and you you just do?
• 28:40
  Speaker 1: I mean, look me up. I'm on in like eighty city,
• 28:42
  Speaker 1: So tonight I'll be on in l A and seventy
• 28:45
  Speaker 1: nine other markets.
• 28:46
  Speaker 3: Hey, you know what are you serious?
• 28:48
  Speaker 1: Yeah?
• 28:48
  Speaker 2: How many parts?
• 28:50
  Speaker 1: No?
• 28:50
  Speaker 2: No?
• 28:50
  Speaker 3: No shots to them? You got that p had for
• 28:52
  Speaker 3: prolem suck.
• 28:55
  Speaker 1: Now all those guys are just on one radio station.
• 28:57
  Speaker 1: Shot which is great. Shot ups is just incredible. The
• 29:00
  Speaker 1: man just shot. I got, I got everybodys Yeah.
• 29:05
  Speaker 3: Them dudes put me on though Letty brown Bag Mornings.
• 29:07
  Speaker 3: They all dude.
• 29:09
  Speaker 1: I got dropped some paraw the sat the other day.
• 29:11
  Speaker 1: It was yesterday.
• 29:12
  Speaker 2: I was sitting in the car with my mom and
• 29:13
  Speaker 2: I heard my job. I man, what's what's the deal?
• 29:16
  Speaker 2: Some boy let the gun play famous game. I'm like, man,
• 29:18
  Speaker 2: that's cool.
• 29:19
  Speaker 3: It was cool. It's different hearing it on the radio.
• 29:21
  Speaker 2: The song that plays the r J one that's the
• 29:24
  Speaker 2: RJ one and then there's some older dude there. He'd
• 29:27
  Speaker 2: be shotting me out. Soldies.
• 29:28
  Speaker 3: Was like, man, that was a big dude.
• 29:29
  Speaker 1: Thesa that guy.
• 29:32
  Speaker 2: That guy knows a lot about the fucking radio. Damon young,
• 29:35
  Speaker 2: he did what he did, but he's so that who
• 29:38
  Speaker 2: knows everything about the radio.
• 29:39
  Speaker 3: I don't even know who he is, but I know
• 29:41
  Speaker 3: who he is.
• 29:42
  Speaker 1: He used to run.
• 29:44
  Speaker 2: Yeah, he's all like, if you're not playing the Lefty
• 29:46
  Speaker 2: gun play r J song, you're playing your fucking self
• 29:50
  Speaker 2: for sure. He's all, this is for all radio sessions.
• 29:53
  Speaker 2: If you're not playing lefty r J, you're playing yourself.
• 29:55
  Speaker 2: You need to tap in with the streets. You need
• 29:57
  Speaker 2: to tap in with these young kids. And you know
• 29:59
  Speaker 2: what the fucking streets want, tapping with Lefty gun play
• 30:03
  Speaker 2: or you play that ship and that's your en viral
• 30:05
  Speaker 2: and ship. Like you know what I'm saying. So shot
• 30:07
  Speaker 2: out see him. I really want to meet him.
• 30:08
  Speaker 1: And he's out and I think he's out in the
• 30:10
  Speaker 1: eight oh five somewhere, but.
• 30:12
  Speaker 2: You know, yeah, we shot a shirt his ship, and uh,
• 30:16
  Speaker 2: I hope he gets back to where he was at.
• 30:17
  Speaker 3: Man, because he really knows a lot. He really really useful.
• 30:21
  Speaker 1: I was gonna say for you, like you're really.
• 30:23
  Speaker 2: Useful, man, You're you're my You're my gateway into ninety
• 30:27
  Speaker 2: two three, the Bulet kevischol Man.
• 30:29
  Speaker 3: They better start playing me on that motherfucker.
• 30:31
  Speaker 1: Now. I was gonna say, like for you, like I'm
• 30:34
  Speaker 1: sure when you first got out to now, like your
• 30:38
  Speaker 1: goal has got to be ever forever evolving, right like
• 30:42
  Speaker 1: like now that you see the dream is real and
• 30:44
  Speaker 1: you're getting radio play and you want to.
• 30:46
  Speaker 2: Go mainstream with this ship, I want to go.
• 30:48
  Speaker 1: I want to do something.
• 30:48
  Speaker 3: I want to do some Tupac ship.
• 30:50
  Speaker 1: Well what do you what do you think of the
• 30:51
  Speaker 1: things you need to do or change bout yourself to
• 30:54
  Speaker 1: make sure that that happens. Keep going put one percent where.
• 30:56
  Speaker 2: But I think I'm really doing I'm really inspiring a
• 30:59
  Speaker 2: lot of people, right, I'm really touching a lot of people.
• 31:01
  Speaker 2: I'm giving back to my community. I'm doing meeting greets,
• 31:03
  Speaker 2: coming up, giving back to the kids. I just feel
• 31:06
  Speaker 2: like I want to do some two part shit. I
• 31:08
  Speaker 2: want to I found my purpose And people laugh for
• 31:10
  Speaker 2: whatever the fuck you want his joke. I don't take
• 31:12
  Speaker 2: this shit as a joke. Like I'm serious about this shit,
• 31:15
  Speaker 2: and you could laugh for all you want, but we're
• 31:16
  Speaker 2: gonna be looking at this shit like this motherfucker, this
• 31:19
  Speaker 2: young ass he did that left, he did that for
• 31:21
  Speaker 2: the Mexicans, for the essays, for Latinos. And there's a
• 31:23
  Speaker 2: lot of Latin people in LA where it's Mexican, Saludaranian,
• 31:27
  Speaker 2: whatever the hell went around and whatever you are. There's
• 31:29
  Speaker 2: a lot of them in LA. There's a lot of
• 31:31
  Speaker 2: them in the world period. And if I could do
• 31:33
  Speaker 2: it them kids could do it. Follow your dreams, stay
• 31:35
  Speaker 2: in school. But if that's what you want to do,
• 31:37
  Speaker 2: if I did it, you could do it too, and
• 31:40
  Speaker 2: follow your dreams and stuff. But for a person of
• 31:42
  Speaker 2: my skin, killer and Mexicans like Latinos rasa like they
• 31:47
  Speaker 2: fucking love me, you know what I'm saying.
• 31:48
  Speaker 3: There's a lot of haters and shit to be talking with.
• 31:50
  Speaker 2: Finish shit. That's the Internet. But in the Internet there's
• 31:53
  Speaker 2: a lot of people talking good too, a lot of
• 31:55
  Speaker 2: people talking good about me. And I know the way
• 31:57
  Speaker 2: that I'm embracing in Los Angeles when I walk out
• 32:00
  Speaker 2: like this motherfucker. So I do want to inspiere the
• 32:02
  Speaker 2: world and I want to just keep going and break
• 32:04
  Speaker 2: barriers and do some legendary shit. And I feel like
• 32:06
  Speaker 2: I'm on the legendary run right now. This is just
• 32:08
  Speaker 2: the beginning, and I'm on some shit and I keep
• 32:10
  Speaker 2: going up. I'm not going down. I've been going up,
• 32:12
  Speaker 2: blah blah. It's not a one hit winder. I'm still
• 32:15
  Speaker 2: going up.
• 32:16
  Speaker 3: You know what I'm saying.
• 32:16
  Speaker 2: I'm not gonna stop. And I really think that we're
• 32:18
  Speaker 2: gonna look back at this like, yeah, I had this
• 32:20
  Speaker 2: first interview with the WOO because I'm doing some shit.
• 32:23
  Speaker 2: I'm doing it for my people. I find my purpose,
• 32:25
  Speaker 2: you know what I'm saying. I put that smile for
• 32:26
  Speaker 2: the kids. And shit, a lot of kids that are
• 32:28
  Speaker 2: in eighth grade, seventh grade, sixth grade, fifth grade, they
• 32:30
  Speaker 2: really fuck with me when they see me.
• 32:33
  Speaker 1: That feels good man, knowing that, and you gotta know,
• 32:35
  Speaker 1: like you kinda kind of know, even though you don't
• 32:37
  Speaker 1: want to be it, you kind of are, whether you
• 32:40
  Speaker 1: like it or not, a role model to some kids.
• 32:43
  Speaker 2: Yeah, a lot of people say I'm doing some two
• 32:45
  Speaker 2: part ship for the community, for the in the Mexican way.
• 32:48
  Speaker 2: People couldap all they want, all you ain't knowing I'm
• 32:51
  Speaker 2: doing to like some legendary shit for the Mexicans.
• 32:53
  Speaker 1: When have we seen a Mexican the gang bangs.
• 32:56
  Speaker 2: From my descent and was dealt my card of hands,
• 32:59
  Speaker 2: you know, living need the hood, being in prison, all
• 33:02
  Speaker 2: that ship face test and made it out of that
• 33:05
  Speaker 2: and now I got a made back.
• 33:06
  Speaker 3: Now I made it out of the hood.
• 33:07
  Speaker 2: And now I won't tell him our story, you know,
• 33:09
  Speaker 2: for everybody to see what's going on in our lifestyle.
• 33:11
  Speaker 2: Because all my lyrics, I don't say no face ship.
• 33:13
  Speaker 2: The other day they're like, say you got a two
• 33:15
  Speaker 2: two seater coop. I'm like, I never had a two
• 33:17
  Speaker 2: seater Cool? What the fuck am I gonna say I
• 33:19
  Speaker 2: got a two seater coop? That makes no sense. Why
• 33:21
  Speaker 2: the fuck am I gonna talk about being ratchet and
• 33:23
  Speaker 2: being in the club when I'm not in the club.
• 33:25
  Speaker 1: Just the straight I'm gone, I'm protessing to the strip club.
• 33:27
  Speaker 2: Yeah. Now now I can put all other strip club
• 33:30
  Speaker 2: shot us to the Satin, Bliss, Saturn and Bliss. Man.
• 33:33
  Speaker 2: That's where I really funck with the holiday to the holidays.
• 33:36
  Speaker 2: I gotta pulling us to the holiday on May fourth Holiday,
• 33:41
  Speaker 2: shot us at Priscilla Man, where's it at? Judye blue
• 33:45
  Speaker 2: Yeah Yo, yeah yo from Saturn. Hazel from Saturn. I
• 33:50
  Speaker 2: went home with her the other day.
• 33:51
  Speaker 1: Real question, how was it? It was cool? Wait the
• 33:54
  Speaker 1: fuck did you guys? What did you guys talk about?
• 33:57
  Speaker 1: We talked about said we didn't fuck you talk about that?
• 34:00
  Speaker 3: You know what when it comes to the girl, when
• 34:02
  Speaker 3: no one comes top girl, like when they played myself.
• 34:06
  Speaker 2: You know what I learned?
• 34:07
  Speaker 3: Did these strip because when I'm walking there, right, I'm
• 34:09
  Speaker 3: coming out broke right. This is this is something I learned.
• 34:12
  Speaker 3: If you're rapping, you know when you walk into these buses,
• 34:14
  Speaker 3: play your.
• 34:15
  Speaker 2: Song, when they play your song, and when they still
• 34:18
  Speaker 2: want to throw money, yes, because you're like, that's right, bitch, Yes,
• 34:21
  Speaker 2: they know exactly what the money.
• 34:23
  Speaker 1: So you go to the strip club, your song starts playing,
• 34:25
  Speaker 1: and now you're like, I'm throwing ship. It's my bitch,
• 34:28
  Speaker 1: and I throw it all.
• 34:28
  Speaker 2: But I'm not throwing fucking a thousand at everyone because
• 34:31
  Speaker 2: I'm throwing a thousand and one shot.
• 34:33
  Speaker 1: Also, another thing I learned about the strip club is
• 34:36
  Speaker 1: you gotta.
• 34:36
  Speaker 2: Throw the money.
• 34:37
  Speaker 3: Right.
• 34:37
  Speaker 1: If you look at the drummer Boy video when we're
• 34:38
  Speaker 1: on stage.
• 34:39
  Speaker 2: And what city was that?
• 34:41
  Speaker 3: You see when I threw the money and it went
• 34:42
  Speaker 3: straight down.
• 34:43
  Speaker 1: You got that was a thousand dollars. You gotta. I
• 34:46
  Speaker 1: threw a thousand dollars and it went straight down.
• 34:48
  Speaker 2: You gotta to a person's had like it was stupid.
• 34:51
  Speaker 1: Well Phoenix Place. There is a skill to throwing money.
• 34:54
  Speaker 1: You gotta go like, so this taught me. You got it.
• 34:55
  Speaker 1: You gotta because Soas be like, what's up, man, where
• 34:58
  Speaker 1: the fuck you've been at?
• 34:59
  Speaker 2: I'm like, I was home.
• 35:00
  Speaker 3: He's all bullshit.
• 35:01
  Speaker 2: Roasecreant's big cousin said he saw you after motherfucking strip
• 35:04
  Speaker 2: club and you threw like fucking.
• 35:05
  Speaker 1: Three four thousand dollars and you performed. I'm like what
• 35:08
  Speaker 1: he's lying.
• 35:09
  Speaker 2: He's like, dude, come on, man, he's a dude. Road
• 35:13
  Speaker 2: trans vic or so would be like, whether the fuck
• 35:15
  Speaker 2: were you at last night? I'm like why. He's all like, man,
• 35:18
  Speaker 2: because that's when I need a hundred for guys. He's like,
• 35:20
  Speaker 2: what the fuck you mean you need one hundred for guys?
• 35:22
  Speaker 2: You just had five six thousand yesterday. I'm like four,
• 35:24
  Speaker 2: I throw it in the club. He's like, you're stupid.
• 35:26
  Speaker 3: As I just love going to the Shrip club on
• 35:29
  Speaker 3: my birthday.
• 35:29
  Speaker 2: What I do. He's all, we're gonna go to your mom.
• 35:31
  Speaker 3: Like, nah, I'm going to the club and going to
• 35:33
  Speaker 3: the club.
• 35:33
  Speaker 1: Yesterday we went to the club.
• 35:34
  Speaker 2: He went with me.
• 35:35
  Speaker 3: I dropped the.
• 35:36
  Speaker 1: Homie off art.
• 35:36
  Speaker 3: We're going home. I told him, I'll be right back
• 35:38
  Speaker 3: for my mom's calling me.
• 35:39
  Speaker 2: I went back to the club and I went to
• 35:41
  Speaker 2: go performing at all three clubs for free and throw money.
• 35:44
  Speaker 1: And I you love strip clubs, that's your weakness.
• 35:46
  Speaker 3: I love this strip because I'm Valley Boulevard, Valley.
• 35:49
  Speaker 1: Boulevard, So you're a fucking you're you would say, would
• 35:51
  Speaker 1: you say that's your weakness? Strip clubs, strippers, the gang,
• 35:57
  Speaker 1: the gang, my family, my little niece, my my humble
• 36:00
  Speaker 1: is just like that, my mom.
• 36:02
  Speaker 2: But that's your strength. I'm talking about that's my weakness. Okay,
• 36:05
  Speaker 2: that's what fucks me up. Yeah, fucks me up and
• 36:09
  Speaker 2: fucking me up, running out my grandma and my mom,
• 36:11
  Speaker 2: my baby, my daughter crying, my niece, my homeboys, my
• 36:15
  Speaker 2: brothers that are dead. Like that's true, or that's like
• 36:18
  Speaker 2: grief and loss. They taught me that that's called grief
• 36:20
  Speaker 2: and loss. That's when you gotta sit there and go
• 36:22
  Speaker 2: back and you gotta fucking deal with the grief and
• 36:25
  Speaker 2: get over it. But I don't like to think about it,
• 36:28
  Speaker 2: like just not being in my son's life. Like I
• 36:30
  Speaker 2: don't even know my son and he lives across the
• 36:33
  Speaker 2: street from me. But that's my fall. I went away
• 36:35
  Speaker 2: for a long time. I came home. You don't know me.
• 36:36
  Speaker 2: My baby mama raised him.
• 36:37
  Speaker 1: She got a new baby daddy, Like he's just like,
• 36:40
  Speaker 1: how old is your son? He's eleven?
• 36:41
  Speaker 2: When I kid he win him is awkward and it's
• 36:43
  Speaker 2: like what the fuck like? And then he comes out
• 36:46
  Speaker 2: like what an Edgar could, Like what the fuck you doing? Bitch?
• 36:49
  Speaker 1: What you got him?
• 36:50
  Speaker 2: Like this for? That shit is out hall on now?
• 36:52
  Speaker 2: And always give her a thy and three hundred five
• 36:54
  Speaker 2: and I should be giving her more.
• 36:55
  Speaker 3: But it's just like like what the fuck? Like she
• 36:59
  Speaker 3: raised him, A man should be raising his son. And
• 37:02
  Speaker 3: that's my fault.
• 37:02
  Speaker 1: But all my homies kids, when I walk out with
• 37:05
  Speaker 1: full handy certifice, you.
• 37:08
  Speaker 3: Know, they're boys.
• 37:09
  Speaker 2: Like he's just like kind of like.
• 37:12
  Speaker 1: Mom, like, dude, you and me, He's a mama's boy
• 37:15
  Speaker 1: and his dad is life.
• 37:16
  Speaker 3: I'm trying to be in his life and she don't
• 37:17
  Speaker 3: know me.
• 37:18
  Speaker 2: You know what I'm saying.
• 37:19
  Speaker 3: I'm across the street.
• 37:19
  Speaker 1: I'm trying.
• 37:20
  Speaker 2: When I knock on the door, they be like, what's
• 37:22
  Speaker 2: he doing here? Like you know, but if I got
• 37:24
  Speaker 2: money for them, then they let me see him like dog,
• 37:26
  Speaker 2: just drop him off with me. He's not gonna overdose
• 37:27
  Speaker 2: from crying, right, I say that too.
• 37:31
  Speaker 1: That's funny. That's what I need to say. He's not
• 37:33
  Speaker 1: gonna overdose from crying.
• 37:34
  Speaker 2: I'm gonna overdose from crying. Put him in the car,
• 37:37
  Speaker 2: give a fucking through crying.
• 37:38
  Speaker 3: He's kicking it with your dad.
• 37:40
  Speaker 1: Let's go do something, man.
• 37:40
  Speaker 2: Yeah, you're not gonna o d Yeah, come.
• 37:42
  Speaker 3: Kick with your dad.
• 37:43
  Speaker 2: Come on me to come on me to buleg cam show.
• 37:45
  Speaker 1: Come sit down with him, and I'll bring him. I'll
• 37:47
  Speaker 1: be more than happy.
• 37:47
  Speaker 3: I'm bringing my homies.
• 37:49
  Speaker 2: That's my niece.
• 37:49
  Speaker 3: I'm bringing her.
• 37:50
  Speaker 2: She's chilling. He could do what.
• 37:51
  Speaker 3: She's about the same age as him. She's seventh grade.
• 37:54
  Speaker 1: He's three years. Taking me like a Laker game.
• 37:56
  Speaker 2: Take him to he's still want to go taking a bit.
• 37:59
  Speaker 2: I got I got season tickets to the Clippers, and
• 38:02
  Speaker 2: did you know that we never go? I got season
• 38:04
  Speaker 2: tickets as a Clipper in a booth tank her man,
• 38:07
  Speaker 2: you don't want to go. That's where he shouts off
• 38:08
  Speaker 2: from scratch at.
• 38:09
  Speaker 1: I saw that.
• 38:10
  Speaker 2: We shout it over there. OTR got me season tickets
• 38:13
  Speaker 2: to the Clippers game. OTR man soldies man. His wife's
• 38:16
  Speaker 2: actually the UFC fighter. We were looking at her at
• 38:19
  Speaker 2: the fights and oh ship, I didn't know check her out, man, Damn,
• 38:22
  Speaker 2: she got a wobble. She so this is I'm gonna
• 38:25
  Speaker 2: put you in a martial's class. I'm like, fuck, damn,
• 38:28
  Speaker 2: I'm strapped out here.
• 38:30
  Speaker 1: You think you you could see yourself like doing more
• 38:32
  Speaker 1: acting eventually like.
• 38:34
  Speaker 3: Yeah, I feel like this is this is the beginning
• 38:36
  Speaker 3: of a long career. Acting is cool.
• 38:40
  Speaker 2: And I shoot it and the dude shot out to
• 38:42
  Speaker 2: my coach, man Anthony Anthony Guillararti or something like that.
• 38:45
  Speaker 2: He coached the Will Smith, Richard Cabra. It's one of
• 38:48
  Speaker 2: the most It's on mail rows. I go over there
• 38:50
  Speaker 2: and I go go to his shopping ship and we
• 38:53
  Speaker 2: sit in his office and we coach every day. For
• 38:55
  Speaker 2: the first minute he see me, he wanted to know
• 38:57
  Speaker 2: all serious.
• 38:58
  Speaker 1: And then the second time you see me are like,
• 39:01
  Speaker 1: I'm soul dog.
• 39:02
  Speaker 2: This motherfucker is a fucking superstar because the acting is
• 39:06
  Speaker 2: just like natural.
• 39:08
  Speaker 3: You cannot believe you're the character. But you got to
• 39:11
  Speaker 3: turn the character to your own way.
• 39:12
  Speaker 1: You got to sit there.
• 39:13
  Speaker 2: So what they told me is a what would you
• 39:16
  Speaker 2: say to yourself as a little kid growing up if
• 39:19
  Speaker 2: you could give your self advice, You're gonna say I would.
• 39:22
  Speaker 3: Say, uh, don't say. I would say, uh, talk to yourself.
• 39:26
  Speaker 2: You're strong. You got it, man. You don't got a
• 39:30
  Speaker 2: gang bang, you don't gotta get accepted. Your mom's a
• 39:33
  Speaker 2: hard work and listening your mom. Man, you got it.
• 39:35
  Speaker 1: Man, you had some good looking dog. Don't listen to nobody.
• 39:39
  Speaker 3: You're the best.
• 39:39
  Speaker 2: You know.
• 39:40
  Speaker 1: I would tell myself that ship you know what I'm saying.
• 39:42
  Speaker 3: But that's my boy, that's my boy.
• 39:46
  Speaker 2: That's my boy.
• 39:46
  Speaker 3: There I'm fucking around edit that shit.
• 39:48
  Speaker 2: And no, no, no, but but it's like it's uncomfortable
• 39:50
  Speaker 2: dog the way, and then you gotta read the script.
• 39:53
  Speaker 2: So Richie Cabral's the director on my script. Richard Cabral
• 39:56
  Speaker 2: is a very good actor. He did and the watch
• 40:00
  Speaker 2: the Mayans Hell she came out in the film where
• 40:03
  Speaker 2: Gabrielle Union. He did ah, I forgot the American whatever.
• 40:08
  Speaker 2: So that dude, he just really gets into it and
• 40:10
  Speaker 2: he's a very good actor. Oh no, man, they're telling
• 40:14
  Speaker 2: me to put my glasses on because I'm high, and shit, No,
• 40:16
  Speaker 2: I'm fucking around, fucking around, fucking around, fucking around.
• 40:21
  Speaker 3: I'm fucking into not about Richie cabral Man. Like he
• 40:24
  Speaker 3: really he really like he.
• 40:26
  Speaker 1: Uh.
• 40:26
  Speaker 2: When I was at Homeboy Industries for a little while,
• 40:28
  Speaker 2: shout out to Homeboy Industries. I got out of there
• 40:30
  Speaker 2: because I didn't like you, dog. I didn't like Homeboy
• 40:33
  Speaker 2: Industries because there's pre season and I'm gp. But father
• 40:38
  Speaker 2: g he really chose to help people out, you know
• 40:41
  Speaker 2: what I'm saying. But I wasn't ready for that time
• 40:43
  Speaker 2: in my life to change my life yet. I was
• 40:45
  Speaker 2: still heavy into the gang banging. I remember telling my mom, like,
• 40:49
  Speaker 2: my mom comes in, how come ma, Ma's the only
• 40:51
  Speaker 2: way you're gonna come home and live at our house
• 40:53
  Speaker 2: is if you go to Homeboy Industries and you remove
• 40:55
  Speaker 2: your your face tattoos. Face tattoos to remove them are
• 40:58
  Speaker 2: expansive and painful to get them, lasers off. So she's
• 41:02
  Speaker 2: all like, So the first day I went want my mama.
• 41:04
  Speaker 3: She watched me. I'm young, first out of Pelican Bay.
• 41:07
  Speaker 2: They give you a football, they give you a squeeze,
• 41:10
  Speaker 2: you rode onto it. I squeezed on that shit till
• 41:13
  Speaker 2: I got in the car. When I got in the car,
• 41:15
  Speaker 2: I'm like, oh shit, and I then go over. It's
• 41:17
  Speaker 2: like them dropping hard candlewax on you.
• 41:20
  Speaker 3: It's like damn. So I just sat there and I
• 41:23
  Speaker 3: took it. It's worse than the tattoo. It fucking hurts.
• 41:28
  Speaker 2: I said, you got me fucked up, and not even
• 41:31
  Speaker 2: take the hood ones off. I said, take my baby
• 41:33
  Speaker 2: mama's name off, Maddy, so that I said, maddening, take
• 41:36
  Speaker 2: it off, and then my mom. I've been at Homeboys
• 41:38
  Speaker 2: for a month and I had a job there. I
• 41:40
  Speaker 2: was kidding a thousand dollars every two weeks just to
• 41:43
  Speaker 2: kick it to stay out of jail. I told Homeboys
• 41:46
  Speaker 2: when they would fight me like dog. Homeboy Industries is
• 41:50
  Speaker 2: made for people like me. Motherfuckers like needed her in
• 41:53
  Speaker 2: the hood because when Homeboys is done, I'm going back
• 41:56
  Speaker 2: to the vodio to my neighborhood and it's popping in
• 41:58
  Speaker 2: bomb Parking and sangabo old money bass like one day
• 42:02
  Speaker 2: motherfucker's be getting dropped out there, So you really got
• 42:05
  Speaker 2: to be on your ship out there. So it's like,
• 42:07
  Speaker 2: when I'm backing the hood, I gotta have a gun
• 42:09
  Speaker 2: because if I don't have a gun, I get caught
• 42:11
  Speaker 2: and I get shot. If I do have a gun,
• 42:13
  Speaker 2: I get caught by the cops. It's just like, what
• 42:16
  Speaker 2: am I gonna do if they go like this, Oh,
• 42:17
  Speaker 2: nine one one, come get me? Nah, motherfuckers get That's
• 42:20
  Speaker 2: the life. So you wanted to live, it is what
• 42:22
  Speaker 2: it is, and out there you want to the bullet cap.
• 42:25
  Speaker 2: That's what's flight to the kids, and it's sick. Fly
• 42:27
  Speaker 2: to the kids a game. You know what else is
• 42:29
  Speaker 2: sick the bitches. They'll be like, oh, my man beats
• 42:32
  Speaker 2: the shit out of me. That's out for you hit
• 42:34
  Speaker 2: a high up food and you're a man, You're a lame.
• 42:36
  Speaker 2: That's a no no, you know what I'm saying. But
• 42:39
  Speaker 2: these girls are getting so used to men hitting them
• 42:41
  Speaker 2: out there, like these relationships that's not cool, do you
• 42:44
  Speaker 2: know what I'm saying?
• 42:44
  Speaker 1: Like, that's the thing. Girls are into it.
• 42:47
  Speaker 2: Yeah, I've been around a lot of girls that'll be like,
• 42:49
  Speaker 2: oh yeah, my man will fuck me up. Like you
• 42:51
  Speaker 2: know what I'm saying to the girls are calming and
• 42:52
  Speaker 2: be like, oh no, that's not me.
• 42:54
  Speaker 1: And then as she being in the hood, a lot
• 42:56
  Speaker 1: of girls be like, oh man, my man will fuck
• 42:58
  Speaker 1: me up.
• 43:00
  Speaker 2: You don't me you don't have me on check, or
• 43:02
  Speaker 2: like you know what I'm saying, like that's just sucked
• 43:04
  Speaker 2: up my mom. My mom taught me that when the
• 43:06
  Speaker 2: girl says no, it's no. So if I'm a fucker
• 43:09
  Speaker 2: bitch and she's yelling no, stop, stop, I stop, you know,
• 43:13
  Speaker 2: like whether fuck you stop or because my mom put
• 43:15
  Speaker 2: it in my head to stop. You know what's my
• 43:17
  Speaker 2: mom put in my head driving on the freeway by
• 43:19
  Speaker 2: the wall and driving by the trucks what I tell
• 43:23
  Speaker 2: you yesterday for when I'm gone for them off the wall,
• 43:25
  Speaker 2: Because when I'm driving by the wall, my mom just
• 43:27
  Speaker 2: stuck that in my head. My mom almost have told
• 43:29
  Speaker 2: me no means no, and uh, you don't hit women.
• 43:33
  Speaker 2: And also there's a lot of weird people out there.
• 43:34
  Speaker 2: When you got to go to the restroom where your
• 43:35
  Speaker 2: kids take.
• 43:36
  Speaker 1: Them to the rest go with them. I was with
• 43:38
  Speaker 1: my mom in like first second, like what the fuck
• 43:39
  Speaker 1: I'm in the girl? Hell now there's some weird motherfuckers
• 43:41
  Speaker 1: out there, especially nowadays.
• 43:44
  Speaker 3: You told my niece the.
• 43:45
  Speaker 1: Other day to change your parents. She's eleven, twelve years old.
• 43:48
  Speaker 1: She wasn't, motherfucker. You better change them ships because there's
• 43:51
  Speaker 1: some weird motherfuckers out there.
• 43:52
  Speaker 3: Dog, it's nowadays.
• 43:54
  Speaker 1: It's really bad. Like you can't even take your kids
• 43:55
  Speaker 1: to the park, bro.
• 43:56
  Speaker 2: Like, God, there's some fucking creepy motherfuckers are living in
• 43:59
  Speaker 2: the bathroom. Yeah, but it's not. There's a shot of
• 44:04
  Speaker 2: all the kids. Man, they had to go through that.
• 44:05
  Speaker 2: There's a lot of kids that are coming to fuck
• 44:06
  Speaker 2: up because of the widows are here. But you just
• 44:08
  Speaker 2: got to be on your toes and be present in
• 44:10
  Speaker 2: your kids life. You know what I'm saying. I'm really
• 44:12
  Speaker 2: on my daughter's life. My daughter, like she cries when
• 44:15
  Speaker 2: she leaves me, Like, how's your daughter? She's one. I
• 44:18
  Speaker 2: had her with a stripper. We had sex one time
• 44:21
  Speaker 2: in the g riding and she got pregnant and now
• 44:24
  Speaker 2: she's my baby mama. I love her, I got love
• 44:26
  Speaker 2: for her. I love her, But is that who you
• 44:28
  Speaker 2: got tits for? Yeah?
• 44:29
  Speaker 3: Okay, but I'm not like in.
• 44:32
  Speaker 2: Love with her.
• 44:33
  Speaker 1: I mean, but I don't want to see her with
• 44:35
  Speaker 1: nobody else either. That's kind of selfish. Fuck, you don't
• 44:40
  Speaker 1: want to you're not in love with her. I want
• 44:42
  Speaker 1: to love her, you want to, but you're not in
• 44:44
  Speaker 1: love with her. You should let her go, you know.
• 44:46
  Speaker 3: I fucking love that pigs.
• 44:49
  Speaker 1: You can't be selfish with that because because you're out
• 44:52
  Speaker 1: here doing your thing. I gotta move her in because
• 44:54
  Speaker 1: I just she's just like, man, I don't know what
• 44:57
  Speaker 1: the fuck I want. This is the thing, right, if
• 44:59
  Speaker 1: you're the girl and you and you love her, but
• 45:01
  Speaker 1: you're not in love with her, I got I don't
• 45:03
  Speaker 1: want her to. Got loved for her, but you can't.
• 45:05
  Speaker 1: You can't waste her time.
• 45:06
  Speaker 2: I'll kill that bitch and shit like with somebody else
• 45:08
  Speaker 2: type of ship not like not like that, but like
• 45:13
  Speaker 2: not like that though. But I fucking pulled her to
• 45:15
  Speaker 2: her house all the time, like when we're going west Carolinas,
• 45:17
  Speaker 2: I get dropped off. Not only that, she lives in
• 45:21
  Speaker 2: my fucking enemy's projects, So it's yeah, housing and my
• 45:26
  Speaker 2: enemy's projects, so white the fuck you coming over here
• 45:29
  Speaker 2: and I'll and I go running there too, her house
• 45:32
  Speaker 2: and ship like playing with my life to go be
• 45:34
  Speaker 2: wearing ship because now she she ghetto whatever section, Now
• 45:38
  Speaker 2: she owns that sectionary housing. Now she got an apartment.
• 45:41
  Speaker 2: Now I don't got to worry about buying her house
• 45:42
  Speaker 2: an apartment, none of that ship. I got ghetto fabulous.
• 45:46
  Speaker 1: So would you how would you feel if she came
• 45:48
  Speaker 1: to you and was like, lefty, I got a boyfriend, Bitch,
• 45:51
  Speaker 1: it ain't going down. I got a boyfriend. He's a
• 45:53
  Speaker 1: good guy. I don't give a fuck. What if she
• 45:55
  Speaker 1: came to you and he was like an investor? What
• 45:59
  Speaker 1: if he was a real estate gin very sick. Let
• 46:00
  Speaker 1: me talk.
• 46:01
  Speaker 3: Let me talk to him real quick.
• 46:01
  Speaker 1: He wasn't in the streets.
• 46:02
  Speaker 3: Let me talk to him real quick. I want to square.
• 46:05
  Speaker 1: I want to talk to him real quick.
• 46:06
  Speaker 3: And I'm gonna go with my homies.
• 46:07
  Speaker 2: Let me talk to him. I'm not gonna do nothing,
• 46:09
  Speaker 2: and I'll go up to him. Put that ship in
• 46:11
  Speaker 2: his fucking mouth. Motherfucker, you better fall.
• 46:14
  Speaker 1: If he's a snitch, I'll killing allegedly, I'll kill it all.
• 46:21
  Speaker 3: Smoke dad, No, you wouldn't do that. You wouldn't do that.
• 46:25
  Speaker 2: No, allegedly, Just I don't think you know what My
• 46:29
  Speaker 2: baby mama is so so media training so ghetto that
• 46:32
  Speaker 2: she wouldn't get with his niche right, right.
• 46:35
  Speaker 1: But what if she like, what if she just was like, hey,
• 46:37
  Speaker 1: I met a guy. He's the postman. He works at
• 46:41
  Speaker 1: that he works at the post office. Postman might be
• 46:43
  Speaker 1: her dad. The daughter's dead. I told her the male
• 46:45
  Speaker 1: man might be my daughter's dad.
• 46:47
  Speaker 3: Chill out, I told the daughter might be my daughter.
• 46:49
  Speaker 3: My homies over here, like, shut up, you ain't gonna
• 46:51
  Speaker 3: kill this niche.
• 46:52
  Speaker 1: He's right though allegedly you gotta stay out man. We
• 46:55
  Speaker 1: gotta keep it free. We don't do we don't keep
• 46:58
  Speaker 1: you out of We don't do no stitching right here,
• 47:00
  Speaker 1: And you want to know something I could say. I
• 47:02
  Speaker 1: could say I'm one of the gangsters in LA.
• 47:04
  Speaker 2: You could believe what they told you, dog like, straight
• 47:07
  Speaker 2: up like, but protect lefty at all costs. That's my
• 47:11
  Speaker 2: hashtag and shit like everybody got the barbies all that
• 47:13
  Speaker 2: min just protect lefty at all costs. I didn't make
• 47:15
  Speaker 2: that ship. Shout out to whoever made that shit. That's
• 47:17
  Speaker 2: you went viral. The protect left like my haircut. So
• 47:21
  Speaker 2: if I step or are you gonna be going on
• 47:23
  Speaker 2: tour it all? Yeah?
• 47:23
  Speaker 3: I got a bunch of tours coming up with Drummer Boy.
• 47:25
  Speaker 2: I was actually supposed to go on tour with a
• 47:27
  Speaker 2: Oh you see the BP on my hat bomb part
• 47:30
  Speaker 2: in my city, So I gotta get back to my
• 47:31
  Speaker 2: city boyd. Yeah, I'm supposed to go on tour with
• 47:33
  Speaker 2: a Little Wirdo. But Life Nation shout out to Live Nation.
• 47:37
  Speaker 2: They're offering me more for a tour with drummer Boy,
• 47:40
  Speaker 2: and I'm the headliner of that tour.
• 47:42
  Speaker 1: But I wanted to go with Little Wirdo because that's
• 47:44
  Speaker 1: my boy.
• 47:44
  Speaker 2: Like I said to him, if you need me to
• 47:46
  Speaker 2: do a fucking concert for thirty people, I would do
• 47:49
  Speaker 2: it for you for free because I fuck with you.
• 47:52
  Speaker 1: The Weirdo, I'll do for him for free because I
• 47:54
  Speaker 1: fuck with him.
• 47:54
  Speaker 2: You know what I'm saying. People tell me, oh, my
• 47:56
  Speaker 2: daughter's a big fan. I don't give you, don't gotta
• 47:58
  Speaker 2: pay me shit because you're my Wait, that's your daughter.
• 48:01
  Speaker 2: I got you do whatever the fuck they want. However,
• 48:03
  Speaker 2: you're forever a lifetime, lifetime friend. You're my boy.
• 48:06
  Speaker 1: You're my friend. That's my boy.
• 48:08
  Speaker 2: That is my boy. Bulllet care, that's my boy. You
• 48:10
  Speaker 2: know That's how I feel about ship. But yeah, look
• 48:12
  Speaker 2: we don't want it to do it for him because
• 48:13
  Speaker 2: he's my boy.
• 48:14
  Speaker 1: Shot San Diego. Man, yeah, man, hey, you you would
• 48:19
  Speaker 1: being you went to all these labels. I saw you
• 48:21
  Speaker 1: taking pictures of all the big labels. You guys were
• 48:23
  Speaker 1: in New York City, shot.
• 48:24
  Speaker 2: A video out there, three hundred Entertainment, Capitol Records, dev Cham.
• 48:29
  Speaker 1: Everybody's trying to sign you in school. Where'd you end
• 48:32
  Speaker 1: up signing?
• 48:33
  Speaker 2: Alimo Records, Sony Entertainment, Alamo, Sony son Greto, Oh yeah,
• 48:39
  Speaker 2: I know, Alamo road Wave, road Wave. Yeahty was there,
• 48:43
  Speaker 2: left the gunplay and left the gun play six months.
• 48:46
  Speaker 3: Wow. Shout us to Jeffvaughan.
• 48:48
  Speaker 2: He's already trying to get me.
• 48:49
  Speaker 1: Congratulations, man, shout us to Jeff Vaughn.
• 48:51
  Speaker 2: And Johnny was the boy trying to give me again.
• 48:53
  Speaker 2: I could have signed for that, but like a man,
• 48:56
  Speaker 2: you want to know one thing, you know, But shout
• 48:57
  Speaker 2: us at me. He did that so that I wouldn't
• 48:59
  Speaker 2: sell much so short because he's tapped in on solders.
• 49:01
  Speaker 2: He didn't want me to throw it all the way
• 49:02
  Speaker 2: for a bag because at that time, when I was
• 49:05
  Speaker 2: in New York, people thought they all, this is some
• 49:09
  Speaker 2: one hit shit, But I'm still going all around the board.
• 49:12
  Speaker 2: I'm a superstar. I can't just make the three. I'm
• 49:16
  Speaker 2: not just a three point shooter.
• 49:17
  Speaker 3: I could just rap.
• 49:18
  Speaker 2: No, I could rap.
• 49:19
  Speaker 3: My freestyles are good. The bitches love me. I'm tied up.
• 49:24
  Speaker 3: I'm a gangster. My podcasts come out real, you know
• 49:27
  Speaker 3: what I'm saying.
• 49:27
  Speaker 2: So, not only are my songs hitting the million views,
• 49:29
  Speaker 2: I got three songs with the millionviews right now, and
• 49:31
  Speaker 2: I've been rapping for three months. All my interviews are
• 49:33
  Speaker 2: about to hit a millionviews too. They're all over one
• 49:36
  Speaker 2: hundred thousand, you know what I'm saying. So I've seen
• 49:40
  Speaker 2: somebody say a podcast or sold I'm not gonna say
• 49:43
  Speaker 2: his name that I'm deallvating my view by doing so
• 49:46
  Speaker 2: many motherfucking interviews, and all the fans were like that,
• 49:48
  Speaker 2: motherfucker need to do more in it.
• 49:49
  Speaker 1: Well, I think that's why you're so big. I think
• 49:51
  Speaker 1: because I think your personality is very infectious man. And yeah,
• 49:55
  Speaker 1: but the music bang and the music, but the thing
• 49:58
  Speaker 1: is to be different. If your shit was whack, but
• 50:01
  Speaker 1: your music.
• 50:02
  Speaker 2: Is hard, whack on.
• 50:04
  Speaker 3: He didn't say it, I said it.
• 50:05
  Speaker 1: I didn't say it. I didn't say that I say that,
• 50:09
  Speaker 1: that's how you were like.
• 50:10
  Speaker 3: We were like, that's just whack whack one honey, it
• 50:14
  Speaker 3: just goes. He's cool, he's cool.
• 50:16
  Speaker 2: Shot out to him.
• 50:16
  Speaker 3: Man, He's just like, we had a little misunderstanding.
• 50:19
  Speaker 1: But you guys be fine. I'm not gonna lie to
• 50:21
  Speaker 1: you do that.
• 50:21
  Speaker 2: Two hundred thousand came off the table because of him
• 50:24
  Speaker 2: saying that on the internet that you know, the homies
• 50:28
  Speaker 2: be tripping and there they'd be tripping on labels and
• 50:30
  Speaker 2: ship like he started all that bullshit. So when the
• 50:33
  Speaker 2: labels all had an eye on me, he's making a
• 50:35
  Speaker 2: scene to themselves. When a Chicano artists Latino is actually
• 50:39
  Speaker 2: about to go mainstream, he's gonna get on one of
• 50:41
  Speaker 2: the main platforms, No Jumper and say that we tax
• 50:45
  Speaker 2: the labels and all that. We don't tax no labels
• 50:48
  Speaker 2: and all that. That's just bullshit. I don't know why
• 50:50
  Speaker 2: the fun.
• 50:50
  Speaker 1: He's saying that cost two hundred thousand dollars. He did.
• 50:53
  Speaker 2: It did because it came up and it said that
• 50:56
  Speaker 2: they were worried that I'm a liability when it's.
• 50:58
  Speaker 1: Not the fact, and they said that they heard with
• 51:01
  Speaker 1: Wax said, you seeing what.
• 51:02
  Speaker 2: He said, really, I'm a liability. Don't give a fuck
• 51:04
  Speaker 2: he's gonna blackball me. I'm already tapped in man, I
• 51:07
  Speaker 2: read you're doing very good. I ready know who the artist.
• 51:10
  Speaker 1: I keep it real.
• 51:12
  Speaker 2: I keep it real. Sometimes I say too much, but
• 51:14
  Speaker 2: I keep it real because I'm media trained. But at
• 51:16
  Speaker 2: the same time, I don't give a fuck. I'm gonna
• 51:18
  Speaker 2: say what happened. Shout out to him, man I topped
• 51:21
  Speaker 2: him when all his artists are cool. Shot us to
• 51:22
  Speaker 2: True Card.
• 51:23
  Speaker 1: So you knew I would like to hear you work
• 51:24
  Speaker 1: with they used to be signed with.
• 51:27
  Speaker 2: I wish she didn't say that, man. I wish she
• 51:29
  Speaker 2: really didn't. And then it didn't matter because I'm gonna
• 51:31
  Speaker 2: make it regardless. If the music speaks for yourself, the
• 51:33
  Speaker 2: interview speak for yourself, You're gonna make regardless. But it's like,
• 51:37
  Speaker 2: why are you gonna hate on me like that dog?
• 51:39
  Speaker 2: Why are you be gonna say that? Because I never
• 51:40
  Speaker 2: said that about none of his artists. You know what
• 51:42
  Speaker 2: I'm saying. I never talked about him once.
• 51:45
  Speaker 1: You gonna say you should work with Have you heard
• 51:47
  Speaker 1: of his?
• 51:49
  Speaker 2: Uh?
• 51:49
  Speaker 1: He used to have h These two brothers named Coyote,
• 51:52
  Speaker 1: Coyote for Hire, Coyote Brothers, they're fire right.
• 51:55
  Speaker 3: I met him the other day on the Radar.
• 51:57
  Speaker 1: They're hard.
• 51:58
  Speaker 3: I met him on the Radar. It was a Mazi
• 52:01
  Speaker 3: X four.
• 52:02
  Speaker 2: Yeah, shot out X four, that's my boy X four
• 52:05
  Speaker 2: and uh, he just dropped that out on bail.
• 52:08
  Speaker 1: I liked it.
• 52:08
  Speaker 3: He show me that open on bail. He show me
• 52:11
  Speaker 3: that open and I took forever to write it because
• 52:14
  Speaker 3: I wanted to.
• 52:15
  Speaker 2: Give him all.
• 52:16
  Speaker 1: Them them dudes are killing it. They got They did
• 52:18
  Speaker 1: a video with Shack Mario.
• 52:20
  Speaker 2: I got a whole ep coming with X four. We
• 52:22
  Speaker 2: got a hold really yeah me next four West Coast.
• 52:25
  Speaker 1: You know what you be called the Face tab Bros.
• 52:27
  Speaker 1: Produced by That's Cool. That's pretty good, Yeah, pretty good.
• 52:32
  Speaker 1: But we got a whole ep coming produced by FB
• 52:35
  Speaker 1: go crazy. But yeah, the Coyote Brothers. I met him
• 52:37
  Speaker 1: the other day on the Radar West Coast edition.
• 52:39
  Speaker 2: It was X for the Mackler left the gun play,
• 52:41
  Speaker 2: Roddy Rax, Mazi and Coyote Brothers.
• 52:45
  Speaker 3: Came when we when we uh walked out and shipped.
• 52:49
  Speaker 1: That's another one. Did that guy what's his name?
• 52:52
  Speaker 3: The radio guy?
• 52:53
  Speaker 1: Which one Gabe No, the other decent you're talking about.
• 52:59
  Speaker 3: He sho Coyote too, So if he's saying it, they're.
• 53:03
  Speaker 1: Hard, They're super dope. What they do they wrap their
• 53:06
  Speaker 1: ass off. They really they're fucking hard them. Dude's a
• 53:10
  Speaker 1: rass fuck.
• 53:11
  Speaker 3: Shout out to them.
• 53:11
  Speaker 2: Man. When I met him, they were like gangsters with it,
• 53:13
  Speaker 2: like they were cool. But I never sat there, and.
• 53:16
  Speaker 1: You gotta check them out. They're dope. Coyote, Yeah, just
• 53:18
  Speaker 1: look up Coyote for higher. They gotta be crowded. Yeah,
• 53:21
  Speaker 1: it's like.
• 53:24
  Speaker 3: I trip out on Cheeto because his shows sell out.
• 53:28
  Speaker 2: He has a lot of fucking fans, But in LA,
• 53:32
  Speaker 2: it's like the people I know are my fans, the
• 53:36
  Speaker 2: people you know, like where these fans come from. He
• 53:39
  Speaker 2: has his own crowd and ship. So I'm pretty sure
• 53:41
  Speaker 2: that's the way that Coyote for sure is too. Like
• 53:44
  Speaker 2: he has his own crowds.
• 53:45
  Speaker 1: Yeah, they got a cool thing going, man.
• 53:46
  Speaker 3: They feel like I got a gang bang La.
• 53:48
  Speaker 2: Seeing crowd, and I want to get up out of that.
• 53:50
  Speaker 2: I want Coyote's crowd, and I want Cheeto's crowd. I
• 53:52
  Speaker 2: want fucking Alicia Keys's crowded. You know, you'll get there.
• 53:55
  Speaker 2: That's why I told you earlier. You gotta break through
• 53:57
  Speaker 2: that barrier. I try to start seeing, but motherfucker's talking.
• 54:00
  Speaker 2: Should bought my scene and even that, it's like, you
• 54:01
  Speaker 2: just gotta know, Like, bro, like it changed it up.
• 54:04
  Speaker 2: It's not even changing it up.
• 54:06
  Speaker 1: It's just like, bro, you gotta you gotta look at
• 54:10
  Speaker 1: the world and not look at l a no.
• 54:12
  Speaker 2: Because when I travel, I always tell this fool when
• 54:14
  Speaker 2: we travel, Damn, it's crazy how much is out here.
• 54:16
  Speaker 1: You're like, you go to New York City, You're like, Damn,
• 54:18
  Speaker 1: there's a whole other No.
• 54:19
  Speaker 2: Because when I got out of my fucking when I
• 54:21
  Speaker 2: got out of my mother fucking the hood and I
• 54:24
  Speaker 2: look at it, I'm like, damn, Like, tr't believe people
• 54:27
  Speaker 2: grow up here and just living here and this is
• 54:29
  Speaker 2: all they see?
• 54:30
  Speaker 1: This is it? Right?
• 54:32
  Speaker 3: I'm like, fuck for there's so much to the world,
• 54:34
  Speaker 3: but this right.
• 54:35
  Speaker 1: You get your passport yet, Yeah, I gotta know.
• 54:38
  Speaker 2: I actually lost it. We gotta drive to Houston because
• 54:40
  Speaker 2: I lost my ID and my only other idea was
• 54:43
  Speaker 2: my prison ID.
• 54:44
  Speaker 1: So you don't have an idea right now. It's coming
• 54:46
  Speaker 1: to the driver's license, you know, how. We gotta get
• 54:49
  Speaker 1: your passport you know how we got it.
• 54:52
  Speaker 2: I'm down here. I'm saying that to contest, but.
• 54:55
  Speaker 1: I'm saying, you gotta, you gotta, you gotta get your passport, bro,
• 54:59
  Speaker 1: so you can go to like fucking Miami. We gotta,
• 55:03
  Speaker 1: we gotta show, we gotta show. Hawaii. Passport used to
• 55:06
  Speaker 1: go to different countries. Passport is to go to Hawaii.
• 55:09
  Speaker 1: Hawaii is the United States. You do not need a passport.
• 55:12
  Speaker 1: The passport is to go to cant Coon public rummy.
• 55:16
  Speaker 3: But it's the US.
• 55:20
  Speaker 1: So if you want to ever go to like Barack
• 55:21
  Speaker 1: Obamas from Hawaii, ye, it's going to Amsterdam. Amsterdam. I
• 55:25
  Speaker 1: will never go there because the motherfucking Hostile. Oh that
• 55:29
  Speaker 1: movie was crazy. Bro, that movie was fucked up. They
• 55:32
  Speaker 1: want to go get some hookers or porns, Bro, the hostile.
• 55:34
  Speaker 1: Hostile is a fucked up movie. They cut that move
• 55:37
  Speaker 1: from the button. Have you seen Hostile? It's like one
• 55:40
  Speaker 1: of the craziest demented And I bet you, I bet
• 55:46
  Speaker 1: you some real ship like that be happening too.
• 55:48
  Speaker 2: I'm fed with some rich ass fools. I was in
• 55:51
  Speaker 2: Texas Shapes Massa. Oh Man, did checking home? Did you
• 55:56
  Speaker 2: hear the Kendrick Mariophoria. This record I heard, I heard
• 56:00
  Speaker 2: all Kendrick Lamar Money Trees.
• 56:02
  Speaker 1: You haven't heard that his new record that he the
• 56:05
  Speaker 1: Drake disc that dropped. He dropped the dish towards Drake. Yeah,
• 56:09
  Speaker 1: what I mest Walker six minutes and forty seconds of
• 56:13
  Speaker 1: him this and Drake shut How many views does it?
• 56:17
  Speaker 1: It's the most listened to song rap song of the
• 56:21
  Speaker 1: year in one day.
• 56:22
  Speaker 3: It was Drake Man because he wanted to.
• 56:24
  Speaker 2: I guess he wanted to.
• 56:25
  Speaker 1: He tapped in his management, tapped in with soldiers, and uh,
• 56:28
  Speaker 1: he wanted to do some shop with me. So Drake
• 56:30
  Speaker 1: wanted to do something with you.
• 56:31
  Speaker 3: Yes, So I'm not gonna dis Drake Man. Shout up
• 56:32
  Speaker 3: to that shut us Jersey.
• 56:36
  Speaker 1: Well, they were tapped into with Kendrake.
• 56:38
  Speaker 3: Then we're tapped into a mazi's management too.
• 56:39
  Speaker 2: But yeah, shout us with Jersey man.
• 56:41
  Speaker 1: I really hope that Jersey's Jersey dog.
• 56:43
  Speaker 2: But Kendrick's la shot us to Kendrick two man. Whatever
• 56:46
  Speaker 2: they got going on, all right, both of her. I'd
• 56:52
  Speaker 2: be lying if I said I don't bump Drake.
• 56:53
  Speaker 1: My name is Paul. That's between y'all man.
• 56:55
  Speaker 2: My name is John doe.
• 56:56
  Speaker 1: My name is Bennett and I'm not in it and.
• 56:58
  Speaker 3: I gotta go my guy.
• 56:59
  Speaker 1: Hey, did you guys ever talk.
• 57:01
  Speaker 3: Me and Swiftie?
• 57:02
  Speaker 2: Yeah? I actually message Swifty the other day and I
• 57:05
  Speaker 2: told him like yesterday of the day before, and I
• 57:07
  Speaker 2: told him like a fool, like it was hard for you,
• 57:11
  Speaker 2: was my boy? Dog? Like, I want to point it
• 57:12
  Speaker 2: time he was. He was a good friend of mine.
• 57:14
  Speaker 1: But I remember you said that before, like you guys
• 57:16
  Speaker 1: were homies. You know, he was a good friend of
• 57:17
  Speaker 1: mine back in the day. But he's just fucking up dog.
• 57:20
  Speaker 1: He just needs to know how to just But when
• 57:23
  Speaker 1: you guys talk like are you guys cool now, I'm not.
• 57:25
  Speaker 2: I'm not with all the screenshoting fucking messages and posting
• 57:29
  Speaker 2: ship for the internet.
• 57:30
  Speaker 3: I'm just about us keeping gang bangs.
• 57:32
  Speaker 2: I'm a gang banger. We keep it gang so we
• 57:34
  Speaker 2: keep a La County stall like you are, homie, I'm
• 57:36
  Speaker 2: a homie. Fucked the internet. Dog, Let me holl at
• 57:38
  Speaker 2: you until you put you to the side. I want
• 57:40
  Speaker 2: to pull him to the side by himself. I'm not
• 57:42
  Speaker 2: gonna say what's wrong with him and tell him like
• 57:44
  Speaker 2: what the fuck are you doing? Dog?
• 57:46
  Speaker 3: Like Yeah, he's my boy.
• 57:47
  Speaker 1: But nah, that's good though right now.
• 57:50
  Speaker 3: But he's the boy.
• 57:51
  Speaker 1: He has a chance to get back to, but he
• 57:52
  Speaker 1: just keeps going fucking up. Famous Game Bangers out right now,
• 57:57
  Speaker 1: Famous Game Rookie of the Year's out right now, and
• 58:00
  Speaker 1: famous Game banger too? Is it done?
• 58:02
  Speaker 2: The strippers are out right now?
• 58:03
  Speaker 1: Is Famous Game Bager two done?
• 58:05
  Speaker 3: Famous Game Maingyer two is done? Savvy thirds on it,
• 58:08
  Speaker 3: Savvy Three's on it?
• 58:10
  Speaker 2: Who else is on it? Savvy Three's on it? Brother,
• 58:12
  Speaker 2: the bag Chasers on it. Brobaly plugs on it. Alfie
• 58:14
  Speaker 2: motherfucking O Gz's on it. Oh Jesus on his project
• 58:18
  Speaker 2: with Bravo coming, your mails on it. Little Vada's on it,
• 58:23
  Speaker 2: Oh Ship everybody in La.
• 58:26
  Speaker 1: Everybody in La?
• 58:26
  Speaker 2: Who else is on it?
• 58:29
  Speaker 1: The Baby de Baby's on the brick Wolf packs on it. Yeah,
• 58:33
  Speaker 1: I want to exactly what's that? See this something for
• 58:35
  Speaker 1: Brick Woolf with him So April nineteenth. April nineteenth, it
• 58:38
  Speaker 1: was the last album.
• 58:39
  Speaker 3: Was my birthday.
• 58:40
  Speaker 1: I'm saying, when's the next one dropping now? I don't know,
• 58:43
  Speaker 1: but yes, you're already promoting it out by the way. Yeah, happy,
• 58:45
  Speaker 1: happy belated birthday. Happy belated.
• 58:48
  Speaker 2: Hey brick wood pack, come on, just want you to
• 58:51
  Speaker 2: see one thing before we Oh you could, you could
• 58:53
  Speaker 2: end down your This one was hard though. I wanted
• 58:55
  Speaker 2: to see this ship.
• 58:57
  Speaker 1: Is it a video?
• 58:57
  Speaker 2: It's paying from No, no, no, I just want you
• 58:59
  Speaker 2: to hear this. This painful. If it sucks, let me
• 59:02
  Speaker 2: but if it's good, let me walk out with the
• 59:04
  Speaker 2: title the Arizona Do they still got uh who?
• 59:08
  Speaker 3: They have Pat Peterson?
• 59:09
  Speaker 1: You know he's been going. He traded him. They had
• 59:11
  Speaker 1: that motherfucking white the corner back. He got rid of him. Matthew, Matthew, Yeah,
• 59:16
  Speaker 1: he's going.
• 59:17
  Speaker 3: They got rid of Chandler.
• 59:18
  Speaker 2: That's just one.
• 59:19
  Speaker 1: All we got is Kyler Murray and Buddha Baker's hard.
• 59:35
  Speaker 2: It's the famous carry.
• 59:37
  Speaker 1: Mary Well my cousin gonswear.
• 59:45
  Speaker 2: It took a part of me as like.
• 59:47
  Speaker 1: What s in the city?
• 59:51
  Speaker 2: Where are from?
• 59:51
  Speaker 1: You got the biggest side and live it up for
• 59:53
  Speaker 1: the disappear and you're what's twenty one? It's the choosing
• 59:58
  Speaker 1: the lights.
• 59:58
  Speaker 2: Let it from the.
• 1:00:05
  Speaker 1: Game fucking rocking wool with the stick with the monk
• 1:00:16
  Speaker 1: cut on. That's just hard.
• 1:00:18
  Speaker 3: He played when that's gonna play the brother for him?
• 1:00:20
  Speaker 1: The saddness. You got it. That's just hard though, Yo,
• 1:00:24
  Speaker 1: who did that be? You're lucky. I don't have my
• 1:00:26
  Speaker 1: fun with a play that produce twenty seven club Man.
• 1:00:28
  Speaker 2: He made some of the beach.
• 1:00:29
  Speaker 1: You don't have the brother one, the one play play.
• 1:00:33
  Speaker 1: It is an age.
• 1:00:34
  Speaker 2: Which one you have?
• 1:00:35
  Speaker 3: That's one?
• 1:00:36
  Speaker 1: You don't have anything. Hey, Lefty hair fired, Lefty, Happy
• 1:00:39
  Speaker 1: belated birthday, brother. I appreciate you.
• 1:00:40
  Speaker 3: It wasn't hard though.
• 1:00:41
  Speaker 1: Yeah, of course famous game banger ALU part two coming
• 1:00:44
  Speaker 1: my brother, tell me.
• 1:00:45
  Speaker 2: Let me know.
• 1:00:46
  Speaker 1: Let's get a flick real quick.