Latest / I Am All In with Scott Patterson / I'm glad your dad's doing good. (S7 E13 "I'd Rather Be in Philadelphia")
Transcript
- 0:00Speaker 1: I am all in.
- 0:04Speaker 2: Oh, that's just you. I am all in with Scott
- 0:18Speaker 2: Patterson an iHeartRadio podcast.
- 0:20Speaker 1: Hey everybody, Scott Patterson, I am all in podcast one
- 0:23Speaker 1: of Love Productions. iHeart Media, iHeart Radio. iHeart Podcast. Joining
- 0:28Speaker 1: with my Intrepid crew Daniel Rome with Terror, Suzanne French,
- 0:31Speaker 1: Jamie Sugarman. This is season seven, episode thirteen. I'd rather
- 0:36Speaker 1: be in Philadelphia, my hometown, ladies. What did you think?
- 0:44Speaker 3: Good episode?
- 0:46Speaker 2: It's so good. It's not just season seven good, it's
- 0:50Speaker 2: gilmore good. And I'm concerned about Suzanne's face.
- 0:54Speaker 4: You know, I didn't dislike it. I just thought it
- 0:57Speaker 4: was kind of a nothing burger for me, Like it
- 1:00Speaker 4: just really it didn't really move the story along, like
- 1:04Speaker 4: you could pull that episode out and not even miss it,
- 1:07Speaker 4: like it was fine. I just I don't know.
- 1:10Speaker 5: I just said it was a callback to when Richard
- 1:12Speaker 5: went to the hospital last time.
- 1:14Speaker 3: I thought it was more agree Yeah with Amy, I disagree.
- 1:18Speaker 3: I feel like it was more this.
- 1:20Speaker 2: I thought Kelly Bishop was phenomenal.
- 1:23Speaker 1: She was great.
- 1:24Speaker 2: Yeah.
- 1:25Speaker 4: Emily and Babet were highlights for me in this episode.
- 1:29Speaker 3: Guys.
- 1:29Speaker 4: Zukrie, oh on, I thought it was too perfect.
- 1:35Speaker 3: But I feel like it was a moment that you
- 1:38Speaker 3: needed him to be perfect and he delivered.
- 1:40Speaker 2: Because it's just showing the juxtaposition with Christopher.
- 1:44Speaker 3: Yeah exactly, yea, but.
- 1:47Speaker 4: Luke showing us the juxtaposition with Christopher, Like we didn't
- 1:50Speaker 4: correct both of them. I don't know.
- 1:51Speaker 2: I think we did.
- 1:53Speaker 5: The fact that a kid that just graduated college made
- 1:56Speaker 5: it a priority and a grown man. I thought it
- 2:01Speaker 5: was powerful.
- 2:03Speaker 1: I liked that.
- 2:03Speaker 4: Yeah, I agree with that. I just didn't I guess
- 2:06Speaker 4: I didn't really care for the writing. I thought there
- 2:09Speaker 4: were too many monologues, like just so drawn out. It
- 2:14Speaker 4: reminded me of those early episodes of season seven where
- 2:17Speaker 4: it was just all everybody felt weird and they were
- 2:20Speaker 4: just all talking so much without saying anything. That was
- 2:22Speaker 4: kind of what it felt like for me. So I
- 2:25Speaker 4: don't know. I like the logan thing. Yeah, I liked
- 2:28Speaker 4: that he was there, but just the dialogue I was
- 2:31Speaker 4: a little bit bored with. And when he says he
- 2:34Speaker 4: said something like there's nowhere I'd rather be than here
- 2:37Speaker 4: with you, I was like, oh, that's nice, But I
- 2:40Speaker 4: thought I said cheese ball, like it just was so
- 2:44Speaker 4: it was too perfect.
- 2:45Speaker 2: I respectfully disagree. She was needed it. She needed it,
- 2:51Speaker 2: someone steady, she needed she kept worrying about his work,
- 2:55Speaker 2: his work, and so he's saying to her, this is
- 2:58Speaker 2: where I need to be right now.
- 2:59Speaker 1: Do about that?
- 3:00Speaker 2: Yeah, I get that.
- 3:01Speaker 4: I'm just and also I think that goes but this
- 3:05Speaker 4: was kind of blaw for me, Like I didn't dislike it,
- 3:07Speaker 4: but I didn't love it.
- 3:08Speaker 3: I think that goes back to what we said about
- 3:10Speaker 3: the comparison between Logan and Christopher, because that's when Rory says,
- 3:16Speaker 3: thank you so much for being here, and he's like,
- 3:19Speaker 3: I wouldn't be that. I think I think it was
- 3:21Speaker 3: more of a I get why you think, Yeah, I
- 3:25Speaker 3: get why you think it's cheesy, but I felt like
- 3:26Speaker 3: it was needed.
- 3:28Speaker 2: Yeah, I agree.
- 3:29Speaker 4: The specific one I was thinking was when they were
- 3:32Speaker 4: in the hospital, like they were sitting in the waiting
- 3:34Speaker 4: room and he says something something.
- 3:37Speaker 5: Him yeah, work keeps calling him oh oh oh.
- 3:41Speaker 2: Thought thoughts, I want to hear what you think.
- 3:46Speaker 1: I'm kind of with Suzanne and Amy. I liked it.
- 3:51Speaker 1: I enjoyed it. I got some laughs. I could ease
- 3:54Speaker 1: into it, but I I think what we've done here
- 3:57Speaker 1: in season seven is is the show has painted itself
- 4:00Speaker 1: into a corner that it's can't get out of, and
- 4:03Speaker 1: no matter what they do, it still feels awkward. Like
- 4:06Speaker 1: you know, the book the Boomerang is coming around to
- 4:09Speaker 1: Luke and Laureli, but it's so deeply buried in the
- 4:12Speaker 1: episode that it's really kind of seems inconsequential, as you know,
- 4:18Speaker 1: like a D storyline or an F storyline, when really
- 4:22Speaker 1: all they're focused on is is Richard's health and you
- 4:26Speaker 1: know Emily's reaction. I mean, this was basically Emily's episode
- 4:32Speaker 1: from top to bottom, and she was fantastic, but it
- 4:34Speaker 1: was I don't think the weight distribution for the main
- 4:40Speaker 1: characters was properly distributed.
- 4:43Speaker 2: Let's see where you're what you're saying. I think that
- 4:46Speaker 2: the episode goes to Laurelai and Emily because we really
- 4:50Speaker 2: saw something in their relationship in my opinion in this episode.
- 4:55Speaker 2: I don't know, as we go see by scene, I'm
- 4:57Speaker 2: interested what you guys think, but I thought, oh, we're
- 5:00Speaker 2: really we're seeing some progress. Dare I say, like, because
- 5:07Speaker 2: she was so frustrated with Emily doing all the business
- 5:12Speaker 2: of you know, Richard's life and the fish and the
- 5:16Speaker 2: this and the that, and then you have that scene
- 5:18Speaker 2: in the hospital, like drug store, I don't know what
- 5:21Speaker 2: it is, hospital, convenience store, whatever, that whatever, that little
- 5:25Speaker 2: gift shop, and I thought, oh, that really came to
- 5:28Speaker 2: a moment. I don't know. I really liked this episode.
- 5:34Speaker 1: And I think, sorry, go ahead, susan Oh.
- 5:37Speaker 4: I was just gonna say, I think they did a
- 5:38Speaker 4: good job of showing how everyone reacted to the trauma differently.
- 5:42Speaker 4: Like Emily was very transactional, laurl I kind of checked
- 5:46Speaker 4: out a little bit, like she was just kind of flat,
- 5:48Speaker 4: and Rory was like, let me run around and pretend
- 5:52Speaker 4: I'm helping by grabbing every object that he owns. Like
- 5:55Speaker 4: it was just I liked the kind of the contrast
- 5:58Speaker 4: with how they all handled it differently.
- 6:00Speaker 1: Well, it's just true that's how people read. Everybody reacts
- 6:03Speaker 1: differently in a crisis.
- 6:05Speaker 2: Only reacted how I expected her to react. That's exactly
- 6:09Speaker 2: what I would expect of her, and Laura Lai sort
- 6:11Speaker 2: of pushing on it but yet not opening up. And
- 6:15Speaker 2: then finally they have that moment and I think Roy's
- 6:18Speaker 2: traumatized by what happened and just so hopeful he's going
- 6:21Speaker 2: to be okay, and she has that moment where She's like,
- 6:23Speaker 2: he's a really good teacher. Oh wait, he's not going
- 6:25Speaker 2: to be there next week, Like she's really to me,
- 6:28Speaker 2: reacting exactly how a college aged person would sort of react.
- 6:33Speaker 2: I thought Logan really stepped up. I thought Christopher's complete dumbass,
- 6:39Speaker 2: Like f you, Christopher, you tool bag?
- 6:42Speaker 3: Right?
- 6:42Speaker 2: I mean, and I, as we know, I like him,
- 6:45Speaker 2: But that's that's an s H I T T y
- 6:48Speaker 2: thing to do, Like what is where the hell was he?
- 6:53Speaker 5: I don't care if you said two days before you
- 6:56Speaker 5: were getting divorced, you still show up?
- 6:58Speaker 1: Like what this is for the course. This is deeply
- 7:02Speaker 1: embedded in Christopher's adult DNA where he doesn't show up.
- 7:07Speaker 1: He doesn't come through look with parents, it's it's one
- 7:11Speaker 1: of two options. You either show up or you don't.
- 7:13Speaker 1: Doesn't matter's divorced or separate. Whatever you show up. He doesn't.
- 7:17Speaker 1: He consistently does not, So this was not a surprise.
- 7:20Speaker 1: I could see this coming from ten miles away.
- 7:23Speaker 3: And showed up. He just bothered me. So he was
- 7:26Speaker 3: So he's like I wish he just never showed up.
- 7:29Speaker 1: And then and then he and then he has and
- 7:31Speaker 1: then he has the nerve to say to.
- 7:32Speaker 2: Luke shouldn't be here, Yeah, such a he gives him
- 7:37Speaker 2: that look.
- 7:38Speaker 4: I love that part, right.
- 7:41Speaker 5: I also kind of love like the first time that
- 7:43Speaker 5: Luke shows up, Laura I said, oh, well, you know,
- 7:46Speaker 5: like Christopher is going to be here soon, and he
- 7:48Speaker 5: knew he wasn't there and showed up again, you know,
- 7:52Speaker 5: like I just like I kind of I liked that
- 7:55Speaker 5: character decision for Luke because he totally you know, like
- 7:59Speaker 5: he knew he wasn't there, so he was going to
- 8:01Speaker 5: show up again.
- 8:02Speaker 2: Also, I love that Luke immediately went and sort of says,
- 8:07Speaker 2: I just immediately came and then goes and runs all
- 8:10Speaker 2: the errands for Emily and he's happy to do it. Like,
- 8:14Speaker 2: we have to remember this guy's heartbroken too. He's heartbroken
- 8:18Speaker 2: by her she broke up with him and married someone else,
- 8:25Speaker 2: but he doesn't care because he puts her first always,
- 8:30Speaker 2: and Christopher put himself first. And I am mad about it.
- 8:35Speaker 1: You know. It was also a stretch for me to
- 8:40Speaker 1: watch laurle I not understand why her mother was being
- 8:45Speaker 1: so transactional in this moment, because laurele I sort of
- 8:52Speaker 1: portrays a wisdom in human interaction a lot of times,
- 8:58Speaker 1: so for her to be so out of touch with
- 9:01Speaker 1: what her own mother is going through and can't empathize
- 9:04Speaker 1: with that in any way, to the point where it
- 9:07Speaker 1: makes her angry and openly like she just walked away
- 9:11Speaker 1: from her mother, left her at the table in an
- 9:13Speaker 1: hour of her hour of need. So I thought that
- 9:17Speaker 1: was inconsistent in the writing as well.
- 9:19Speaker 2: It's the fair point. I really like the scene. I
- 9:21Speaker 2: know we'll go through it where they're eating.
- 9:22Speaker 1: Right, but I like the scene because, you know, Emily
- 9:25Speaker 1: got to say, hey, you've been married for four minutes.
- 9:28Speaker 1: I've been married for forty years. Yeah, and then this
- 9:31Speaker 1: is what we did, and here's the history of it,
- 9:33Speaker 1: and this is why I'm doing it, like as if
- 9:35Speaker 1: she was owed, as if Laurel I was owed an explanation.
- 9:38Speaker 2: I mean, it's just I like the come around to
- 9:42Speaker 2: the milk dead scene because it's like they really made
- 9:47Speaker 2: some progress, you know.
- 9:48Speaker 1: So I don't know, Susan, you know, honestly, if Emily,
- 9:53Speaker 1: all I could think of is how many caps is
- 9:56Speaker 1: Emily going to lose in this scene because she's eating
- 9:59Speaker 1: milk DUTs, because they're all going to just yank them
- 10:02Speaker 1: off their posts.
- 10:03Speaker 2: Scott, I love you so much because I literally was like,
- 10:10Speaker 2: this is so bad for their teeth, This is so
- 10:12Speaker 2: bad for their teeth. I would not eat a milk
- 10:15Speaker 2: dud because it just gets so stuck, and I thought.
- 10:19Speaker 5: For acting, you know what I mean, because it's like.
- 10:23Speaker 1: Would by the end of that scene, I.
- 10:25Speaker 4: I loved that she even wanted a milk dud like
- 10:30Speaker 4: it was so un Emily. It was so fun to
- 10:32Speaker 4: see her being like a normal person that eats candy.
- 10:35Speaker 3: I also loved her in a track suit.
- 10:38Speaker 1: I don't know what he did. That was That was
- 10:45Speaker 1: That was Emily at uh you know up to past
- 10:49Speaker 1: volume ten, that was eleven. You know, she was just
- 10:52Speaker 1: all long. This was so her episode.
- 10:55Speaker 2: It wasn't really and she sure was good.
- 11:01Speaker 1: Who's going to send off Size Romo?
- 11:03Speaker 5: This is season seven, episode thirteen, I'd Rather Be in
- 11:06Speaker 5: Philadelphia Air date February six, two thousand and seven. While Lorlai, Rory,
- 11:11Speaker 5: and Emily wait at the hospital for news of Richard's condition,
- 11:15Speaker 5: Logan borrows a helicopter so that he can be there
- 11:18Speaker 5: with Rory, and Luke arrives to help out and ends
- 11:21Speaker 5: up running errands for Emily, but dun dundune Chris is
- 11:25Speaker 5: nowhere to be found.
- 11:27Speaker 2: Tool bag.
- 11:28Speaker 4: They keep calling it a chopper chopper, like that's a
- 11:33Speaker 4: corrige thing to say.
- 11:34Speaker 2: One chopper maybe, but like five at some point.
- 11:40Speaker 1: You're gonna chopped in from mon Talk. I'd love to
- 11:44Speaker 1: say that just chopped talk, by the way, which is
- 11:50Speaker 1: a very beautiful part of the country.
- 11:53Speaker 2: All right, Susan hit it, all right.
- 11:55Speaker 4: I do have to say Rory's hair looked really good
- 11:58Speaker 4: in this.
- 11:58Speaker 3: Oh my gosh, I have that too. It looks really good.
- 12:01Speaker 4: I like that, like pulled back from the bangs.
- 12:04Speaker 3: I thought that was so early two thousands with the.
- 12:08Speaker 4: It was like curled at the end. It was really cute.
- 12:10Speaker 1: Yeah. Great.
- 12:12Speaker 4: So Babet is taking one of laurel I's plants out
- 12:16Speaker 4: of her house. And Babet was another highlight in this
- 12:20Speaker 4: episode for me, like every every scene with she had
- 12:22Speaker 4: the dog on the porch.
- 12:23Speaker 2: She was when she goes to Luke, I really like that.
- 12:26Speaker 4: We'll get to Yeah, she was great. And she hears
- 12:28Speaker 4: Lorelei's phone ringing and asks if it's her pants alarm
- 12:33Speaker 4: and then so eventually laurel I answers the phone and
- 12:38Speaker 4: she says, oh my gosh, I'll be right there and
- 12:41Speaker 4: runs away, leaving Babbett standing there with the plant.
- 12:46Speaker 2: Somehow bab knew what happened, so maybe.
- 12:49Speaker 4: She must have found out I guess maybe or something. Yeah, somehow,
- 12:55Speaker 4: somehow she heard. But Babet's making a jungle in the bedroom.
- 12:59Speaker 4: I don't know that I want to go any further
- 13:01Speaker 4: than that.
- 13:01Speaker 1: Is there anybody better that you've ever seen on television
- 13:05Speaker 1: in terms of comedic acting? That?
- 13:07Speaker 2: She's great?
- 13:09Speaker 1: She's completely overwhelmed with some kind of physical task.
- 13:13Speaker 2: She's really great.
- 13:13Speaker 1: It's like the tightrope and is she going to fall
- 13:16Speaker 1: off it? I mean, it's just amazing tension she creates
- 13:19Speaker 1: with her work.
- 13:20Speaker 4: She's she's awesome.
- 13:22Speaker 1: Can't take your eyes off her.
- 13:23Speaker 4: I know, funny, this is going to be.
- 13:26Speaker 3: Same.
- 13:27Speaker 2: I was just about to say this. This may be
- 13:28Speaker 2: a totally controversial statement, but for me at this time,
- 13:34Speaker 2: Sally is funnier with the physical things than Melissa. Now,
- 13:38Speaker 2: I understand Melissa McCarthy is iconic and owned her craft
- 13:42Speaker 2: or whatever one says, but Sally really nails it every time.
- 13:48Speaker 2: So I'm just.
- 13:49Speaker 1: Well, I think they're both on a very very very
- 13:52Speaker 1: high level. Yeah, for sure, and wouldn't and wouldn't to
- 13:55Speaker 1: show between those two be something to behold, right, you
- 13:58Speaker 1: imagine that mother do what if they were the Gilmore
- 14:02Speaker 1: Girls part? Do you know?
- 14:07Speaker 4: And I think if the show went on, they didn't
- 14:09Speaker 4: give Melissa as many opportunities as they did in the beginning.
- 14:12Speaker 4: Like in the first season, Suki was very flat sy
- 14:16Speaker 4: and she was always falling down and like there was
- 14:18Speaker 4: just more opportunities for that physical comedy, and it seemed
- 14:21Speaker 4: like they kind of took that away from her as
- 14:23Speaker 4: the show went on. All Right, So Rory sitting in
- 14:30Speaker 4: the hospital, her cell phone's ringing Laura I doesn't know
- 14:34Speaker 4: where to find her.
- 14:35Speaker 2: And she's out of it, which is very I thought
- 14:37Speaker 2: that played well. The woman kind of behind her, yeah,
- 14:42Speaker 2: how you feel, just sort of totally in shock and
- 14:44Speaker 2: like right, and so.
- 14:47Speaker 4: She's trying to explain to Lurlai what happened. Like you
- 14:50Speaker 4: can tell Rory had been paying attention. She knows the words,
- 14:53Speaker 4: she knows the acronyms. Yeah, but they still just they
- 14:58Speaker 4: don't have a lot of information because Richard still have
- 15:00Speaker 4: tests done. Lorelai is trying to get a hold of Christopher.
- 15:05Speaker 4: But then why is to Rory and says, oh, you know,
- 15:07Speaker 4: he's on his way, he's coming. She doesn't want to
- 15:10Speaker 4: admit yet that she can't find him.
- 15:13Speaker 2: Can I double down on the d wordness of Christopher? Like, yeah,
- 15:18Speaker 2: he's you're he's her dad? Like are you kidding me?
- 15:22Speaker 1: Dude?
- 15:23Speaker 2: Like go even if you're mad at Loralai, go because
- 15:26Speaker 2: your daughter.
- 15:27Speaker 3: Needs you, right and you kidding me?
- 15:31Speaker 2: And he's got such a close relationship with Richard, it
- 15:33Speaker 2: just doesn't track for me.
- 15:35Speaker 1: As Amy. I have a question for you about Christopher.
- 15:39Speaker 1: Why are you surprised?
- 15:41Speaker 6: I don't know, no one's surprised.
- 15:46Speaker 1: Why Why the outrage when we know how this is
- 15:51Speaker 1: going to play out? This is the character's purpose in.
- 15:55Speaker 2: You make a great point, because I just keep always
- 15:58Speaker 2: wanting to see the best in him.
- 16:00Speaker 1: But isn't it great even though we know he's gonna
- 16:03Speaker 1: do this stuff, we still get angry. Yeah, you can't
- 16:07Speaker 1: avoid it. You can't so let.
- 16:08Speaker 2: Down by him in this. I think it's because of
- 16:11Speaker 2: his relationship with Richard, like like, rise above, dude.
- 16:16Speaker 4: I don't know.
- 16:16Speaker 3: I don't think I expect anything from him, but I
- 16:18Speaker 3: was just more annoyed for Rory and Lorlai. I'm like,
- 16:22Speaker 3: just like, that's the thing is like just show up
- 16:24Speaker 3: for them. It's not even like expecting much from him.
- 16:26Speaker 3: It's like more for the girls.
- 16:29Speaker 2: Right where was he?
- 16:31Speaker 4: And you? Like Na even mentions it in one of
- 16:33Speaker 4: the phone calls, She's like, everyone has been reaching out
- 16:36Speaker 4: to me.
- 16:36Speaker 2: When she finally lost it at the end, like where
- 16:39Speaker 2: the heck are you?
- 16:40Speaker 4: Like, the one person that's supposed to be there for
- 16:41Speaker 4: you is your husband, and even if you're fighting, that's
- 16:45Speaker 4: like when something's going on with the family, you're there.
- 16:48Speaker 1: He's probably looking at it with his new yacht agent
- 16:53Speaker 1: looking at yacht.
- 16:54Speaker 2: I don't know where he was. All right, well I'll
- 16:58Speaker 2: take you.
- 16:59Speaker 4: All right, so are right. So Laurelai shows up and
- 17:02Speaker 4: then eventually Emily comes in in her track suit and
- 17:05Speaker 4: typical you know, standard Emily that we've come to know
- 17:08Speaker 4: and love. She demands to see her husband right now, and.
- 17:13Speaker 2: I loved it.
- 17:13Speaker 4: Has a funny little interaction with the nurse who was like,
- 17:16Speaker 4: who the heck are you? And then I liked it
- 17:18Speaker 4: after after Emily walked away and Laurelai was like mouthing
- 17:21Speaker 4: to the nurse, I'm sorry, that was cute, And then
- 17:26Speaker 4: Logan arrives, So now everybody's there except Christopher, and Emila
- 17:30Speaker 4: even asks where is he? Like she's noticed that. Okay,
- 17:33Speaker 4: the whole clan has gathered here, even Logan's here on
- 17:37Speaker 4: his chopper, but Christopher is not.
- 17:39Speaker 5: Here accepting the tea from Logan.
- 17:43Speaker 2: Yeah, is right. When she calls out, that's a that's
- 17:48Speaker 2: a good boy. Like however she said it, and later
- 17:51Speaker 2: you see Lorli acknowledge it, and I'm glad Lorlai acknowledged
- 17:55Speaker 2: it because you know what, whatever if he was too
- 17:58Speaker 2: syrupy sweet, he showed up and didn't falter, I'll go
- 18:03Speaker 2: to the house. We got this, like I genuinely know
- 18:08Speaker 2: how much he cares about Rory, which.
- 18:11Speaker 4: Right, right. So then the doctor comes back in and says, okay,
- 18:17Speaker 4: we do need to do open heart surgery. So then Emily,
- 18:21Speaker 4: going through her mental checklist, she wants to know about
- 18:23Speaker 4: his education.
- 18:24Speaker 3: And oh my god, I love.
- 18:28Speaker 2: Legit.
- 18:28Speaker 4: I would do that, yeah, and then she cites all
- 18:33Speaker 4: of it back to Richard. She's like, okay, the surgeon
- 18:36Speaker 4: was Yale undergrad and Harvard Medical School, and Richard's like just.
- 18:40Speaker 3: I like he was like, i'no the.
- 18:44Speaker 2: Because that's her job. You guys, like that's her job
- 18:48Speaker 2: and she is so good at her job. And yes,
- 18:52Speaker 2: it might seem dated now, but meaning you know, a
- 19:01Speaker 2: I don't know how to say it, like we all
- 19:02Speaker 2: have careers, right.
- 19:03Speaker 5: But like her female taking care of her husband is
- 19:06Speaker 5: the job, that's what you're saying.
- 19:08Speaker 2: Job and she loves that job. And that's why that
- 19:11Speaker 2: scene for me in the gift shop is so like
- 19:16Speaker 2: I get it, Like I get it.
- 19:18Speaker 4: Yeah. And then this is when Richard gives us the
- 19:23Speaker 4: quote I'd rather be in Philadelphia, which obviously is the
- 19:26Speaker 4: title of the episode, which was a W. C. Fields quote.
- 19:31Speaker 4: I did not know that until, I mean till the
- 19:33Speaker 4: first time I watched the episode. And then Emily and
- 19:36Speaker 4: Laurel I are bickering over a pillowcase, and then Richard
- 19:39Speaker 4: says he'd rather be in Tucson. And then I'm I'm
- 19:44Speaker 4: going to give my favorite line here because I cracked
- 19:47Speaker 4: up when Emily was talking about the fashion in Tucson
- 19:49Speaker 4: and she goes men and sandals spare me.
- 19:54Speaker 2: I also like, have had a rough time in Tucson,
- 19:57Speaker 2: so I was like, I don't want to ban in Tucson.
- 20:00Speaker 2: I don't I might be going out of order, forgive me,
- 20:02Speaker 2: but Also when Laura tells Luke he looked small, and
- 20:06Speaker 2: then later in the episode he looked tall, and I thought, God,
- 20:10Speaker 2: and Luke says, yet, I think, is that when Luke
- 20:13Speaker 2: says he's a big man.
- 20:15Speaker 4: Yeah, she said in the message to Christopher, she said
- 20:18Speaker 4: he looked small. Okay, okay, But then when Luke came
- 20:21Speaker 4: to the hospital, she said to Luke that he was tall.
- 20:23Speaker 2: So it was the surgery and she knew he was
- 20:26Speaker 2: okay at that point. Yeah. I really liked the way
- 20:29Speaker 2: they wrote that. I think, look for me, and again,
- 20:34Speaker 2: this episode does not have many flaws for me, It's
- 20:38Speaker 2: really good. So anyway, keep going.
- 20:41Speaker 4: So then we go to Luke's diner and we see
- 20:44Speaker 4: Zach Is filling in for Lane because she's presumably now
- 20:49Speaker 4: too pregnant to work. We don't actually see Lane in
- 20:51Speaker 4: this episode. Yes, no training whatsoever. He's just jumping out.
- 20:56Speaker 4: I mean, it's a small diner. How much training do
- 20:58Speaker 4: you need?
- 20:59Speaker 2: Scott hiring the husband makes no sense.
- 21:02Speaker 1: What's the man? You know? It helps to have connections.
- 21:06Speaker 4: And Zach is thrilled to be on the inside. He's
- 21:09Speaker 4: got all the inside knowledge and.
- 21:11Speaker 3: The backstage pats.
- 21:14Speaker 2: He said, what we're all thinking I could do anything
- 21:18Speaker 2: to these people's they would never know. He's like, not
- 21:23Speaker 2: that I would, but I could. And literally I think
- 21:27Speaker 2: about that.
- 21:28Speaker 3: All the time, all the time.
- 21:31Speaker 1: Did you see the extras turn around and give those
- 21:33Speaker 1: horrified faces?
- 21:36Speaker 2: Okay, but I'm not going to say, but there was
- 21:38Speaker 2: a time in the not so distant past when Danielle
- 21:43Speaker 2: and I were at a restaurant and they brought us
- 21:46Speaker 2: the wrong meal and they put it down and then
- 21:51Speaker 2: realized it was for a different table. And the fact
- 21:53Speaker 2: that they picked it up and took it over to
- 21:55Speaker 2: the other table after I'd leaned in and breathed on
- 21:59Speaker 2: it to me out. So restaurant, I mean, I think
- 22:04Speaker 2: you're gonna take.
- 22:05Speaker 3: Your usually they can't, right, Like, they have.
- 22:08Speaker 2: To know it's dropped.
- 22:09Speaker 5: They shouldn't.
- 22:10Speaker 4: They should remake it a restaurant.
- 22:15Speaker 2: Yeah. Now, we were all in the same group, so
- 22:18Speaker 2: maybe they considered it like I just put it in
- 22:19Speaker 2: front of the wrong place, but it still wagged me out.
- 22:22Speaker 2: And then I won't say, but Danielle did notice the
- 22:24Speaker 2: tie went into the sauces. It was so bad.
- 22:31Speaker 5: The poor guy does that on his white, crisp clean shirt.
- 22:38Speaker 2: So yeah, restaurants stressed me out. They really do.
- 22:41Speaker 3: Scott.
- 22:41Speaker 4: When you mentioned the extras in the background, it made
- 22:44Speaker 4: me think of something I wanted to mention. In that
- 22:46Speaker 4: hospital scene. I don't know if you guys noticed, but
- 22:48Speaker 4: there was an extra in the background of that first
- 22:50Speaker 4: hospital scene that kept looking at the camera and it
- 22:54Speaker 4: was it was.
- 22:55Speaker 6: Really sitting behind Rory No the Wales see where Emily
- 23:02Speaker 6: was there, and they had all the food in front
- 23:03Speaker 6: of them on the table because they couldn't like decide
- 23:06Speaker 6: what to It was like from a different angle where.
- 23:08Speaker 4: That woman was sitting, there was a man with big
- 23:11Speaker 4: eyebrows and he had a magazine but he kept like
- 23:15Speaker 4: looking like I guess he was like watching the action
- 23:17Speaker 4: or something, but he was looking like right at the camera.
- 23:20Speaker 4: It was really distracting.
- 23:22Speaker 2: Oh my god, I love a background actor.
- 23:24Speaker 4: So all right, so we're at Luke's diner, Zach's having
- 23:30Speaker 4: the time of his life. Babet comes in and this
- 23:33Speaker 4: is when she tells Luke that Laura's dad had the
- 23:36Speaker 4: heart attack. She thought he would want to know, and yeah, exactly,
- 23:42Speaker 4: I know. It was good for her to do that,
- 23:45Speaker 4: and so then of course then Luke's wheels are turning
- 23:47Speaker 4: and he's gonna he's gonna get together or get the
- 23:52Speaker 4: I guess that wasn't when he got the food together,
- 23:54Speaker 4: but he's gonna go see Laurel I. So then we
- 23:56Speaker 4: go back to the hospital where Lorelai is leaving the
- 23:59Speaker 4: second phone message for Christopher. This is when Suki calls,
- 24:05Speaker 4: and so she's talking to Suki, and the whole Michelle
- 24:09Speaker 4: says blah blah blah, tell Michelle, blah blah blah. Oh,
- 24:11Speaker 4: Laurel I says blah. Like the whole conversation going between
- 24:15Speaker 4: Michelle Tsuki to Laurel I to Suki to Michelle. I
- 24:19Speaker 4: could have done without that whole thing was annoying.
- 24:24Speaker 1: I agree that was unusual. That was an unusual scene.
- 24:27Speaker 4: I mean, Michelle has worked at that end for how
- 24:30Speaker 4: many years? He can't figure out where to get a
- 24:32Speaker 4: roll away from, Like I don't know, I just.
- 24:35Speaker 2: Have really like she's in a crisis, and you're like,
- 24:38Speaker 2: I don't know, it's weird, which is at this wasn't
- 24:42Speaker 2: funny or clever. That was probably the only scene that
- 24:44Speaker 2: I was.
- 24:44Speaker 3: Like, Yeah, I liked her calling Suki, but I just
- 24:50Speaker 3: didn't need the Michelle part of it.
- 24:52Speaker 4: Right, exactly, yeah, exactly, and Suki was cute. She's like, oh,
- 24:56Speaker 4: I want to send so and so over with whatever
- 24:59Speaker 4: it was. I forget what it was, cookies or something.
- 25:02Speaker 4: So we see like Laurelis getting all this support from
- 25:05Speaker 4: everyone except her husband.
- 25:08Speaker 2: And may briefly interject with one thing that just came
- 25:11Speaker 2: to my mind. So sorry, you know how the muffin
- 25:15Speaker 2: tops were in last week. Thank you to the person
- 25:17Speaker 2: who wrote us about the Seinfeld episode. Fill More Girls
- 25:22Speaker 2: did not invent muffin tops. Seinfeld did it earlier. I
- 25:27Speaker 2: apologized for the interruption, but felt that it was important too.
- 25:39Speaker 4: So Emily's on the phone canceling something or other. This
- 25:45Speaker 4: is the part where Logan made that comment about I
- 25:49Speaker 4: wrote in my notes, I wrote two perfect because this
- 25:51Speaker 4: is when Logan said something like because he wasn't answering
- 25:54Speaker 4: his phone, and Rory was like, shouldn't you answer that?
- 25:56Speaker 4: He's like I have something like there's nothing more important
- 25:59Speaker 4: than me here with you.
- 26:00Speaker 2: I'm like, right, it's so rude. If he was her
- 26:04Speaker 2: grandpa's in a hospital bed, what's he gonna.
- 26:06Speaker 4: Be like, I gotta take a call?
- 26:08Speaker 5: Like that's kind of a yeah. It's also it's the
- 26:11Speaker 5: it's not even charming. It's the thing you should do. Yeah,
- 26:14Speaker 5: your significantther is going through something like that.
- 26:16Speaker 2: I would seem low again.
- 26:19Speaker 4: Yeah, I maybe I'm not getting my point across. I'm
- 26:22Speaker 4: not having a problem with what he was doing. I
- 26:25Speaker 4: just thought that the dialogue was cheesy. I just maybe
- 26:29Speaker 4: you think he's a little chmarmie.
- 26:32Speaker 2: Yeah.
- 26:32Speaker 4: I think it was impacting for a twenty three, twenty
- 26:35Speaker 4: four year old.
- 26:36Speaker 5: However, I did not want him to change. I'm really
- 26:39Speaker 5: nervous you will. I am fully nervous.
- 26:42Speaker 1: I think you can be a real gentleman. It's went.
- 26:45Speaker 2: Yeah, And I think he was raised right. He's got
- 26:48Speaker 2: tough parents. But I do think manners doing the right thing,
- 26:52Speaker 2: even though he rebelled against it. I do think he
- 26:55Speaker 2: was taught like, yeah, there's a family crisis, you step
- 26:59Speaker 2: up up and he considers them family.
- 27:02Speaker 4: I don't know.
- 27:02Speaker 2: I think he don't. I'm I'm team Logan, but the
- 27:06Speaker 2: movies are coming way. The movies are coming.
- 27:08Speaker 4: Way too fast for me that I'm like, Uh, I'm
- 27:12Speaker 4: not disagreeing that he would be that he would should
- 27:16Speaker 4: be like that, or that he was like that. That's
- 27:18Speaker 4: not what I'm disagreeing.
- 27:18Speaker 2: With anyone dreading the movies. Sorry to interrupt, I just
- 27:23Speaker 2: so many things are happening now that they're getting me
- 27:26Speaker 2: so close to the movies that I'm just like, I'll
- 27:30Speaker 2: shut it.
- 27:31Speaker 1: I'm actually looking I'm actually looking forward to them.
- 27:33Speaker 2: I like the movies.
- 27:34Speaker 4: I will say those to everybody that before we talk
- 27:38Speaker 4: about them, you should watch each one at least twice.
- 27:42Speaker 2: Oh okay, that's a great note, really great because the first.
- 27:45Speaker 4: Time it's because it's different, like remember night Yeah, fell
- 27:50Speaker 4: off rhythm. So watch it once and sit there and
- 27:53Speaker 4: be like, what the hell was that? And then watch
- 27:55Speaker 4: it a second time and then it would make more sense.
- 27:57Speaker 2: That's a great note. Okay, that's an excellent note for everybody.
- 28:00Speaker 2: Continue anyways, So have a lot of homework.
- 28:05Speaker 4: It is a lot of home I know.
- 28:06Speaker 3: And their longer episodes, yeah, they're an hour or.
- 28:08Speaker 2: Two hours, go fast like they might we might have
- 28:13Speaker 2: to split him into two parts each. So we watch
- 28:16Speaker 2: half twice, half twice, half tway.
- 28:18Speaker 4: Yeah, because I think we're gonna have a lot to say.
- 28:21Speaker 2: Yeah, I do too, I do too, So I thenk
- 28:23Speaker 2: it's gonna be well listening. Thanks for listening to our
- 28:25Speaker 2: production meeting.
- 28:26Speaker 3: Okay.
- 28:31Speaker 4: So then Luke shows up and he says, Laurla kind
- 28:37Speaker 4: of gave him the brush off because she was trying
- 28:41Speaker 4: to imply that Christopher was about to show up.
- 28:45Speaker 2: Did not love that.
- 28:47Speaker 4: Then Emily gives him an assignment. He has to go
- 28:49Speaker 4: pick up the car. And then she said, you do
- 28:52Speaker 4: know how to drive a European car, don't you like?
- 28:56Speaker 4: They drive differently than non European cars.
- 28:58Speaker 3: Also, I like when she was like, check the faculty
- 29:01Speaker 3: lot and any other lot, and I'm like.
- 29:03Speaker 2: Nts there are.
- 29:05Speaker 5: Checked the whole camp.
- 29:07Speaker 2: There's like Yale, thousands of cars.
- 29:11Speaker 4: Yeah, so go get the car, Go shovel the path,
- 29:15Speaker 4: go meet the fish man. And then Logan and Rory
- 29:19Speaker 4: end up taking Laurelized car to go get the fish
- 29:22Speaker 4: because Logan arrived in helicopter chopper a chopper and yes,
- 29:31Speaker 4: such a talk, as we find out as they're walking away,
- 29:34Speaker 4: they have that little conversation and then Laurel I looks.
- 29:37Speaker 2: At her phone.
- 29:38Speaker 4: Still no voicemail, no calls, you know, we just are
- 29:43Speaker 4: aculle aware that Christopher is not around. Then, so this
- 29:47Speaker 4: next scene I liked. This is when Babat was trying
- 29:50Speaker 4: to walk Paul Anka and he didn't want to go
- 29:52Speaker 4: down the porch steps. I thought the dog did a
- 29:54Speaker 4: great acting job in this scene.
- 29:56Speaker 1: That Grat should have been nominated for a doggie or
- 30:01Speaker 1: something that a board for sure.
- 30:04Speaker 4: Yeah, he was on point.
- 30:06Speaker 3: I also liked that they finally brought back like the
- 30:09Speaker 3: quirks that paul Anka has. It's been a minute since
- 30:12Speaker 3: we've seen that. We haven't seen it the season at all.
- 30:14Speaker 2: That's true.
- 30:15Speaker 4: That's a good point because when she first got him
- 30:17Speaker 4: and he was like afraid of.
- 30:18Speaker 3: It's like, oh, you have to like turn around seven
- 30:20Speaker 3: times or you know the things.
- 30:22Speaker 4: Yeah, so I thought I thought that was a good scene.
- 30:25Speaker 4: And then bad BET's trying to support Laureal I. She's like,
- 30:27Speaker 4: you know, it's gonna be fine and talking about Richard's
- 30:30Speaker 4: chi and all that.
- 30:31Speaker 2: How sexy he is. Yeah, hearing it. But I loved
- 30:35Speaker 2: it because I kind of agree, like Richard's a stud.
- 30:41Speaker 4: Then we go to Logan and Rory are at Emily
- 30:44Speaker 4: and Richards. My note on the scene, I wrote too
- 30:47Speaker 4: much blah blah blah.
- 30:51Speaker 2: Yeah, but I didn't mind it.
- 30:52Speaker 3: The one line I really or the one part I
- 30:54Speaker 3: really liked, and this is when Rory's kind of going
- 30:57Speaker 3: off about like what Richard's going to teach in class
- 31:01Speaker 3: next week. And I like that Logan didn't say like,
- 31:05Speaker 3: well you don't know, yeah, yeah, let her just go
- 31:09Speaker 3: and then she realized it and then he followed her lead.
- 31:13Speaker 3: I just like that he let her vent.
- 31:15Speaker 4: Yeah, yeah, I agreed that. I thought that was good.
- 31:20Speaker 4: Then we use the word chopper at least three more times.
- 31:23Speaker 2: Too many, too too many.
- 31:25Speaker 4: And then he so we find out this is an
- 31:27Speaker 4: interesting point to make note of. We find out that
- 31:30Speaker 4: Logan is looking at buying another company that is important
- 31:34Speaker 4: so this yeah, and he needs an investor. He's going
- 31:38Speaker 4: to buy it for five million. He's going to use
- 31:40Speaker 4: three million from his trust fund. We find out that
- 31:42Speaker 4: he approached his dad about it, but Mitcham said no,
- 31:48Speaker 4: and so then they do their little business speak lingle.
- 31:52Speaker 4: That was kind of cute when he was like, are
- 31:54Speaker 4: you talking business talk? That was I thought that was cute.
- 31:57Speaker 4: But just overall, like the little the honologus and where
- 32:01Speaker 4: she's narrating every single item of clothing and every all
- 32:05Speaker 4: the details of all the records she's going to bring,
- 32:08Speaker 4: it just was too much for me and just wied
- 32:11Speaker 4: too much stuff to take.
- 32:12Speaker 2: I feel like too much stuff to take. I agree,
- 32:15Speaker 2: but also like it is what a college kid would do, Like, Okay,
- 32:18Speaker 2: I gotta go get my grandma's outfit, but I want
- 32:21Speaker 2: to look in her underwear drawer, you know. Like that
- 32:23Speaker 2: was all kind of funny, and I think she loves
- 32:26Speaker 2: her grandpa. She loves him. She's going to bring all
- 32:29Speaker 2: his books and all those records that tracks with Rory,
- 32:32Speaker 2: like she remember when she would do things young, you know, earlier,
- 32:35Speaker 2: she would bring like forty books like.
- 32:37Speaker 4: Yeah, with the character all of them. I just thought
- 32:41Speaker 4: it was like that scene could have been cut in
- 32:43Speaker 4: half time wise, and it would have gotten the point across.
- 32:46Speaker 4: Just fine.
- 32:47Speaker 2: I just I wasn't irritated, but respect Scott. How are
- 32:50Speaker 2: you feeling about the dogs? Everything happening?
- 32:54Speaker 1: It's all just so wonderful.
- 32:59Speaker 2: Yeah, do you like this episode? Sorry to interject, but
- 33:01Speaker 2: I'm curious.
- 33:02Speaker 1: I actually did enjoy it. I'm I'm I've learned how
- 33:06Speaker 1: to ignore flaws. Yeah, and just just bring it. Just
- 33:11Speaker 1: let me enjoy it, let me laugh. I had a
- 33:13Speaker 1: lot of laughs. I enjoyed the ride. You know, I
- 33:18Speaker 1: hit my head, so I'm you know, I don't. I
- 33:22Speaker 1: don't judge it anymore. I'm not so critical anymore.
- 33:27Speaker 2: Yeah, it is more fun to watch it when you're
- 33:30Speaker 2: not trying to nitpick it. I'm just saying too. Yeah,
- 33:33Speaker 2: I had a little some issues at the beginning of
- 33:35Speaker 2: the season, and it's almost like it's just it's just kind.
- 33:38Speaker 1: Of too easy. It's too easy to NITPICKTI, you know,
- 33:41Speaker 1: and I think we we we got very nitpicky.
- 33:44Speaker 2: THEA in seven has found its way, and there is
- 33:47Speaker 2: the chance that those writers needed a minute for the
- 33:52Speaker 2: new team, right, and it's now found its way.
- 33:56Speaker 1: So I mean, if you were ever you know, I don't.
- 34:01Speaker 1: I can't imagine another writing staff in the history of
- 34:03Speaker 1: television under more pressure to come in after six seasons
- 34:06Speaker 1: of this show, which is turning out to be some
- 34:09Speaker 1: kind of you know, iconic historical television series woven into
- 34:15Speaker 1: the fabric of the American consciousness and culture. And hey,
- 34:20Speaker 1: I just pick up where Amy and Dan left off.
- 34:22Speaker 2: You know, probly Amy probably wrote three times the words
- 34:26Speaker 2: in a normal script, and these guys are probably writing
- 34:28Speaker 2: double So it's like they're not doing twenty two episodes,
- 34:31Speaker 2: they're doing forty four episode, you know what I mean?
- 34:33Speaker 2: Like it's a lot. So yeah, I'll give them some grace.
- 34:36Speaker 1: Yeah, me too.
- 34:38Speaker 4: Yeah, anyway, Well you're just a bigger person than I am.
- 34:40Speaker 4: I guess.
- 34:41Speaker 2: Anyways, I have had my moments a lot.
- 34:47Speaker 4: I feel like I need you to spend myself. I'd
- 34:48Speaker 4: like I said at the beginning, I don't dislike it. It
- 34:51Speaker 4: just wasn't great for me, Like.
- 34:53Speaker 2: It just was, Eh, I'm here to support you because
- 34:58Speaker 2: there have been episodes where I felt that way and
- 35:00Speaker 2: I got daggered not by you guys, but by the fans.
- 35:04Speaker 2: And so it's like I'm also going to say in
- 35:06Speaker 2: this one for me, I love this episode. So I'm
- 35:10Speaker 2: sure there's people that feel both ways.
- 35:11Speaker 1: So but I think, but I think it was regarding
- 35:15Speaker 1: what you're saying, Suzanne, It's like I've lowered my expectations,
- 35:19Speaker 1: so I'm not I don't let it bother me.
- 35:21Speaker 4: Anymore, right, right, right, Because it's not.
- 35:24Speaker 1: Fair to the show. It's not fair to the current writers,
- 35:28Speaker 1: you know, season seven, it's not fair to ask them
- 35:30Speaker 1: to step into those shoes and do exactly what Amy
- 35:32Speaker 1: and Dan did.
- 35:33Speaker 3: It's not fair, I thought. I mean, I was very
- 35:35Speaker 3: close to give I was just.
- 35:36Speaker 1: Trying to give them the props because I think they're
- 35:39Speaker 1: doing a really good job at this point.
- 35:40Speaker 2: You know, yeah, mindful. Oh sorry, go ahead, Susanne.
- 35:44Speaker 4: Oh, I was just going to say, as I was
- 35:45Speaker 4: watching this last night, because I I typically will watch
- 35:48Speaker 4: my husband will watch it with me, and then we'll
- 35:50Speaker 4: like comment on it. And he kind of felt the
- 35:52Speaker 4: same way I did. He's like, I'm glad that you
- 35:53Speaker 4: said that, because I was you didn't want to say
- 35:55Speaker 4: it to me, but when I said it, then he's like, yeah,
- 35:57Speaker 4: I thought the same thing. And I even looked to
- 35:59Speaker 4: see who the writer was and if they had written
- 36:02Speaker 4: other episodes, and it was credited to Rebecca rand Kirshner,
- 36:06Speaker 4: and apparently she wrote ten episodes, some of which I
- 36:09Speaker 4: completely loved. So it's not like I don't like her writing,
- 36:14Speaker 4: because I do. She wrote this the Sanda's Secret Stuff
- 36:17Speaker 4: episode that we just watched that I totally loved. So
- 36:20Speaker 4: I don't know. I guess there's it's just something about
- 36:22Speaker 4: this episode that is.
- 36:24Speaker 2: Very mindful of my own mind state? Is that the
- 36:29Speaker 2: word mindset? When I watched this episode, because I was
- 36:32Speaker 2: a little nervous about watching this episode just because of
- 36:35Speaker 2: my own like I don't want to bring in my
- 36:37Speaker 2: own junk into it, and I think I had done
- 36:40Speaker 2: that a couple of weeks ago. So I went to
- 36:43Speaker 2: watch it on I think Sunday night, and then I
- 36:47Speaker 2: said I'm going to wait, and I watched it when
- 36:49Speaker 2: I was like really ready for it because it's a
- 36:52Speaker 2: tough episode a little bit. And I think that also
- 36:56Speaker 2: benefited me because I really I was super just in
- 37:00Speaker 2: with the episode, like I wanted to feel this whole thing.
- 37:03Speaker 1: Did you I mean, did you watch this episode before
- 37:05Speaker 1: Chance Jackson or after post.
- 37:07Speaker 2: George Janet Jackson, before Janet Jackson Fall, which I can
- 37:13Speaker 2: tell everybody about if they care.
- 37:15Speaker 3: Wait, Susanne, how many times has your husband seen Gilmore? Girls?
- 37:18Speaker 3: Like this is first or second?
- 37:21Speaker 1: No?
- 37:21Speaker 4: He So when I watched it the very very first time,
- 37:25Speaker 4: and I was like, oh my god, you need to
- 37:27Speaker 4: watch this show. So I made him watch the whole
- 37:29Speaker 4: thing from start to finish years ago, and but then
- 37:34Speaker 4: it's like a lot of times, especially when it was
- 37:36Speaker 4: on up TV, it was just always on in the background,
- 37:38Speaker 4: and so he's like seen the whole He may not
- 37:41Speaker 4: have watched it straight through again, but he's seen all
- 37:44Speaker 4: the episodes of various He can quote some of the
- 37:47Speaker 4: lines better than I can.
- 37:49Speaker 1: Garry.
- 37:51Speaker 4: Yeah, okay, So we're in the cafeteria and this is
- 37:58Speaker 4: where Laurel gets upset at Emily for calling them getting
- 38:04Speaker 4: the will.
- 38:05Speaker 2: Also was concerned about that old man.
- 38:08Speaker 3: Oh and they.
- 38:09Speaker 2: Also all concerns about him and really noticed him multiple
- 38:15Speaker 2: times and was like, I wonder about he has what's
- 38:18Speaker 2: going on? And then when she said it, I was like,
- 38:21Speaker 2: oh my god, I am a person.
- 38:24Speaker 4: She had a good point. So as somebody who has
- 38:26Speaker 4: worked in hospitals for twenty eight years now, she's right, Like,
- 38:30Speaker 4: patients are not supposed to be eating in the cafeteria
- 38:33Speaker 4: the diet prescribed by the doctor. They eat what they
- 38:38Speaker 4: bring to the patient's room. Like generally patients are not
- 38:42Speaker 4: taking their ivy pull down to the caffe.
- 38:44Speaker 2: Do you have a baby, because can't you bring in
- 38:46Speaker 2: any restaurant food? Like I know people that when they
- 38:48Speaker 2: have a baby they get like mastros delivered or whatever.
- 38:51Speaker 4: I mean, yeah, you you can, depending once you deliver, right,
- 38:56Speaker 4: depending on the medical situation, but you have to have permission,
- 39:01Speaker 4: you know, from from the doctor, and they'll ride an
- 39:03Speaker 4: order that says, you know that the patient can have
- 39:05Speaker 4: their own.
- 39:05Speaker 1: I thought I was their food.
- 39:08Speaker 2: I didn't do that, just uberneats on an ivy. I
- 39:13Speaker 2: thought maybe he just had a hip replacement or something.
- 39:17Speaker 2: I had a whole story in my mind.
- 39:19Speaker 3: I totally noticed the red drink. Do you remember in
- 39:21Speaker 3: like like in schools and all those like nineties show
- 39:24Speaker 3: there's always that red juice. He had it in front
- 39:28Speaker 3: of it.
- 39:29Speaker 2: But I just kind of like high Sea or something
- 39:31Speaker 2: like a little plastic bottle, just.
- 39:33Speaker 5: Like those were fire Those are good.
- 39:48Speaker 4: Okay. So Emily's on the phone with the lawyer getting
- 39:51Speaker 4: the will and this bothers Laurel.
- 39:53Speaker 3: I I kind of agree with Emily. I understand where
- 39:59Speaker 3: Laurele's headed is. But I think Emily's being realistic because
- 40:04Speaker 3: current like currently, my my grandma's getting older and my
- 40:09Speaker 3: dad is helping figure out her will between like him
- 40:13Speaker 3: and his brothers, and it's like he's like, I don't
- 40:16Speaker 3: want to think about it, like if and well, when
- 40:19Speaker 3: the time comes, and so if I would say, yeah,
- 40:24Speaker 3: but you know, when the time comes. And so I
- 40:26Speaker 3: didn't blame her because she's probably thinking we didn't do
- 40:29Speaker 3: this sooner.
- 40:31Speaker 2: At it because the last time and this is his
- 40:34Speaker 2: wishes and her job. Again, Yeah, I also understand because
- 40:39Speaker 2: there is the business of.
- 40:41Speaker 5: It too, and the hospital's going to have to handle
- 40:45Speaker 5: the business. Somebody has to handle.
- 40:47Speaker 3: I want to do it.
- 40:47Speaker 4: Yeah, the hospital is going to ask what the DNR
- 40:51Speaker 4: status is because they don't want to call a code
- 40:54Speaker 4: blue on somebody that doesn't want to be resuscitated, so
- 40:57Speaker 4: they they will ask for that. But the actual will,
- 41:01Speaker 4: like the dn R is part of the living will, right,
- 41:04Speaker 4: the actual will. They held me back in the hospital
- 41:06Speaker 4: because it was helping his stuff in the hospital.
- 41:10Speaker 2: It was helping her busy, it was keeping her focused. Also,
- 41:14Speaker 2: ordering the fish is mentally her saying he's going to
- 41:19Speaker 2: be fine, and when he gets home, I'm going to
- 41:21Speaker 2: have fish and I'm not going to lose my reservation
- 41:25Speaker 2: with this. Made he d because he's going to be
- 41:28Speaker 2: fine and we're going to go back there. So I
- 41:30Speaker 2: really we're going.
- 41:31Speaker 5: To get better by eating fish exactly.
- 41:33Speaker 2: So I understood what she was doing. And also it's
- 41:36Speaker 2: very Emily. That's how she copes. And she did have
- 41:38Speaker 2: her meltdown. We knew it would come, but she was
- 41:42Speaker 2: doing what she needed to do.
- 41:45Speaker 3: And this is how many years, well, let's say like
- 41:47Speaker 3: what roughly like eight years since since the other heart attack.
- 41:52Speaker 2: Because there's only season seven, so the first season one.
- 41:57Speaker 3: Because at that point she had nothing prepared. Now he's
- 42:00Speaker 3: kind of yeah, she kind of knows what to do
- 42:03Speaker 3: or what to expect.
- 42:05Speaker 4: Right, Yeah, And she says like they had, she just
- 42:09Speaker 4: is executing the you know this the plan that they
- 42:14Speaker 4: had created after the last time.
- 42:15Speaker 3: Yeah.
- 42:16Speaker 4: Gorlai does not react well to that. Yeah, I guess
- 42:21Speaker 4: it just seems like a little morbid, like Emily's already
- 42:24Speaker 4: assuming he's going to pass away, which she's not, but
- 42:28Speaker 4: just the two of them are not understanding where the
- 42:31Speaker 4: other one is coming from.
- 42:32Speaker 2: So not to be a total like because please don't
- 42:35Speaker 2: write Alis makes it about her, but like my dad,
- 42:39Speaker 2: his job is to be the lawyer that she's calling,
- 42:42Speaker 2: and like, so there is an element of it where
- 42:47Speaker 2: you a B C D E. You get those things
- 42:51Speaker 2: in order and then then you don't worry about that,
- 42:55Speaker 2: do you know what I mean? So she's I get
- 42:58Speaker 2: what she's doing, and I'm not mad. I get I
- 43:01Speaker 2: also understand my lore livees frustrated by it. That I
- 43:05Speaker 2: have full respect for how everybody is sort of grieving
- 43:08Speaker 2: here and dealing every single person.
- 43:12Speaker 4: So right, that's why I'm kind of on the fence
- 43:13Speaker 4: about it, because it's the ultimate just doing the best.
- 43:17Speaker 2: They can, you do, you boo, because when you're dealing
- 43:20Speaker 2: with that stuff, you cannot be told how to deal
- 43:23Speaker 2: with it. Yeah, So that's just where I'm at on it,
- 43:26Speaker 2: and everybody.
- 43:27Speaker 1: Everybody react differently every Yeah, and.
- 43:29Speaker 2: It's kind of what Scott said earlier, like everybody try
- 43:33Speaker 2: to support everybody in the way they're dealing with it too,
- 43:37Speaker 2: So which I do. I love the scene that's coming,
- 43:40Speaker 2: so I'll shut my trap.
- 43:43Speaker 4: Then we go back to Emily and Richard's and we
- 43:46Speaker 4: have another scene that was way too long. I don't
- 43:50Speaker 4: know why we needed this scene twice. This is where
- 43:53Speaker 4: we talk about the records and the clothes for a
- 43:56Speaker 4: really long time, and then the fish and the fish
- 43:59Speaker 4: all has to go in the right refrigerator. And this
- 44:01Speaker 4: is where Rory thanks Logan for being there with her.
- 44:03Speaker 4: That was a nice That was a nice moment. But
- 44:07Speaker 4: I'd like they couldn't put that with the other scene.
- 44:10Speaker 4: I don't know. Then we go then, okay, so this
- 44:14Speaker 4: is the scene in the gift shop. This was I
- 44:17Speaker 4: this was a good scene.
- 44:17Speaker 2: This was.
- 44:21Speaker 4: Kelly Bishop was brilliant in this scene, and Loura is
- 44:26Speaker 4: still upset about the way Emily's acting, and Emily says, this,
- 44:30Speaker 4: this is the plan, like this is I have to
- 44:34Speaker 4: do this.
- 44:36Speaker 3: Thoughts on this scene, I this is where I kind
- 44:41Speaker 3: of I felt for Laura, but I did side with
- 44:45Speaker 3: Emily when she's like, I've you've been married for what
- 44:49Speaker 3: she say, like forty days and I've been married for
- 44:52Speaker 3: over forty years and yeah, it's so true, and it
- 44:54Speaker 3: kind of it kind of made Laura, I think, realize
- 44:57Speaker 3: like she doesn't know how marriage works, like not like
- 45:01Speaker 3: we ever believe she did. But I think Laurai is like,
- 45:05Speaker 3: I know what I'm doing a lot of the times,
- 45:07Speaker 3: and in this moment, she's probably like, my mom's right, yeah,
- 45:12Speaker 3: I don't know what I'm doing.
- 45:15Speaker 2: So sorry that I just Danielle, I'm so sorry, but
- 45:18Speaker 2: I just do think it's important. So you can take
- 45:19Speaker 2: your headphones off, but I'm not going to run anything.
- 45:21Speaker 2: It's just making me think about the movies. It's making
- 45:23Speaker 2: me think about the movies so much. I can't help it.
- 45:26Speaker 2: And I do think we're analyzing the show from a
- 45:29Speaker 2: bird's eye view. It should be mentioned, but I also
- 45:34Speaker 2: I see both their perspectives, but I get it. Emily
- 45:38Speaker 2: is just I just thought she was so brilliant Kelly
- 45:44Speaker 2: playing Emily, and also I just understood and I think
- 45:47Speaker 2: finally she conveyed it to Laura, and that's why we
- 45:49Speaker 2: get the milk dead scene because she finally expressed what
- 45:52Speaker 2: she's feeling.
- 45:53Speaker 1: I think what is so good in the writing in
- 45:56Speaker 1: this episode is that there's a generation gap between mother
- 46:00Speaker 1: and daughter that can't be You're right, and that experience
- 46:06Speaker 1: and age. With experience and age comes wisdom, and Laurel
- 46:10Speaker 1: I lacked that experience and wisdom in this situation, and
- 46:14Speaker 1: she didn't know how to handle it. She's freaking out
- 46:16Speaker 1: and she was overacting because she didn't get it because
- 46:19Speaker 1: she hadn't been there, you know what I'm saying. And
- 46:22Speaker 1: it's amazing. As I get older, I find myself in
- 46:25Speaker 1: more and more of these situations with younger people, you know,
- 46:29Speaker 1: and me having to explain to them exactly what Emily said.
- 46:35Speaker 1: You know, I've been around the block and you haven't,
- 46:37Speaker 1: and you don't know what's coming and you don't know
- 46:40Speaker 1: how to do.
- 46:41Speaker 2: York by saying that, like with age is wisdom and
- 46:44Speaker 2: like we would be well served to listen to people
- 46:50Speaker 2: that know do you know what I mean? And like
- 46:53Speaker 2: and also putting ourselves because Laura I was behaving how
- 46:58Speaker 2: Lorlai felt instead of taking a deep breath and saying,
- 47:03Speaker 2: what is my mom actually experiencing here? And I felt,
- 47:10Speaker 2: for some reason in this episode my heart was with
- 47:14Speaker 2: Emily because I was like, oh my god, she is
- 47:17Speaker 2: in excruciating pain, worry, stress.
- 47:23Speaker 4: Over this, and we've seen that to a lesser extent.
- 47:30Speaker 4: It kind of reminded me of that episode where I
- 47:34Speaker 4: don't even remember what season it was three or four
- 47:37Speaker 4: maybe four, with where they were planning that event with
- 47:41Speaker 4: Jason's styles and he canceled it, and so Emily was
- 47:46Speaker 4: feeling obsolete and useless, and Laurel I really defended her,
- 47:51Speaker 4: like she went to Jason and was like, Dude, my
- 47:55Speaker 4: mother lives for this stuff and you just pulled the
- 47:58Speaker 4: rug out from under her.
- 48:00Speaker 1: So I.
- 48:02Speaker 4: Think, I think Laura I can get it.
- 48:07Speaker 2: She gets it in she.
- 48:09Speaker 4: Was kind of bogged down by her own thoughts.
- 48:12Speaker 2: She gets it in the gift shop. You know what
- 48:14Speaker 2: it makes me think of and for me and I
- 48:17Speaker 2: know I said it at the time. One of the
- 48:19Speaker 2: most important scenes I ever saw in Gilmour Girls is
- 48:22Speaker 2: when Richard and Emily are separated and Emily goes on
- 48:25Speaker 2: the date and comes home and shuts the door and cries.
- 48:29Speaker 2: And I don't know, I'm realizing as the series goes on,
- 48:34Speaker 2: how much Emily is so important even with her shortcomings,
- 48:39Speaker 2: And it's like they are the couple, even with their
- 48:46Speaker 2: ups and down.
- 48:47Speaker 5: So I hate to say it, but like, in my opinion,
- 48:50Speaker 5: Emily is the Gilmore girl, Like she is that to me,
- 48:54Speaker 5: Like obviously, I know a lot of people would say
- 48:57Speaker 5: argue that that's Rory or lauraa I, but to me,
- 49:00Speaker 5: she is the show.
- 49:02Speaker 1: You know. Another another aspect of this in that dynamic
- 49:06Speaker 1: where Laurel is not understanding where where her mother's coming from,
- 49:10Speaker 1: could be, you know, either subconsciously or not, Laurel I
- 49:14Speaker 1: re reacting to this reality she's living where Christopher's not
- 49:22Speaker 1: responding to her text, he's not coming by. You know,
- 49:26Speaker 1: she's just kind of out of her depth in this situation.
- 49:29Speaker 1: She's going to lose her maybe going to lose her dad,
- 49:31Speaker 1: so of course she's going to overreact. So it's funny
- 49:36Speaker 1: to interject that.
- 49:38Speaker 2: Yeah, all right, So on the milk duds.
- 49:46Speaker 1: In other words, I don't I don't think she was.
- 49:48Speaker 1: I don't think I don't think she was so angry
- 49:50Speaker 1: at her mother. I think she was angry at her situation.
- 49:53Speaker 2: I agree with you, Yeah, I agree with you. She
- 49:55Speaker 2: was just she was totally like it couldn't make sense
- 50:00Speaker 2: of it because she was she was in her state
- 50:04Speaker 2: instead of putting herself into her mom's situation.
- 50:08Speaker 1: Right, right, And how would she react if, maybe if
- 50:12Speaker 1: Christopher were about to have surgery or Luke was about
- 50:15Speaker 1: to have surgery? You know, yeah, who did she want
- 50:18Speaker 1: to be in a situation with who was having surgery?
- 50:23Speaker 4: That's an interesting point, surgery quiz. When you mentioned Christopher
- 50:32Speaker 4: or Luke having surgery, it made me think it might
- 50:34Speaker 4: also be a little bit of a difference because it's
- 50:37Speaker 4: different when it's your parent versus your husband. You know, like,
- 50:42Speaker 4: as an adult child, you know that your parents are
- 50:45Speaker 4: going to die at some point, but you don't necessarily
- 50:51Speaker 4: expect your spouse to pas, you know what I mean. So,
- 50:55Speaker 4: like Emily's experience is going to be different than loralized
- 50:59Speaker 4: and vice versa, just because they both have a different
- 51:02Speaker 4: relationship with Richard.
- 51:04Speaker 3: Yeah, because like Emily, I mean, Emily can think like, oh,
- 51:07Speaker 3: maybe she'll pass before Richard. But as as a child,
- 51:11Speaker 3: you know that you'll see both your parents pass in
- 51:14Speaker 3: your lifetime, right.
- 51:15Speaker 2: Right, like you you know that you're.
- 51:17Speaker 3: You know it's coming.
- 51:20Speaker 2: It's so awful. It's just awful that.
- 51:22Speaker 1: You can't you can't know. My cousin called me he'd
- 51:27Speaker 1: lost his mother, my aunt, and when my mother was
- 51:30Speaker 1: near the end, he called me and said, Scott, it's
- 51:33Speaker 1: going to hit you like a train. It's it's it's
- 51:36Speaker 1: the most impactful thing you will ever go through. And
- 51:40Speaker 1: he wasn't wrong.
- 51:45Speaker 4: I did just to put a put the button on
- 51:47Speaker 4: that scene. I did like the shoplifting of the Kleenex.
- 51:49Speaker 4: That was cute and we'll worry about this later.
- 51:57Speaker 1: Did you just take that?
- 52:03Speaker 4: Didn't even think twice. She just takes it off the
- 52:05Speaker 4: shelf and starts handing out Queenex, almost like she choplifted before. Anyway,
- 52:19Speaker 4: So this is the the duds scene. Emily is like
- 52:23Speaker 4: really into the milk duds, and she she said something
- 52:27Speaker 4: like why why are they called duds? It's counterintuitive for
- 52:31Speaker 4: a candy or I can't remember the exact line, but
- 52:33Speaker 4: I thought that was funny, so I had I googled
- 52:35Speaker 4: it because I'm like, why why do they call it
- 52:37Speaker 4: milk duds? And apparently the inventor.
- 52:41Speaker 1: Maybe they're trying to describe the episodes in season seven.
- 52:47Speaker 4: I guess the inventor couldn't get them completely round and
- 52:51Speaker 4: so he called.
- 52:51Speaker 3: Them they were duds. Oh yeah, because they're all different shapes.
- 52:54Speaker 4: Yeah, exactly, good one. But anyway, so they're passing them
- 52:58Speaker 4: back and forth, and I'm like, I wonder how many
- 53:00Speaker 4: takes that took, because they're passing these like fifteen milk
- 53:04Speaker 4: does a handful.
- 53:06Speaker 2: When the doctor comes to I totally was like and
- 53:08Speaker 2: then she's like hands and it's hands.
- 53:10Speaker 1: They're probably they wanted her to scrub up before it's
- 53:13Speaker 1: going to see the Richard.
- 53:15Speaker 2: I know, they're all kind of cavalier being around a
- 53:17Speaker 2: dude who just had a triple bypass or whatever.
- 53:20Speaker 1: He have chocolate hands.
- 53:22Speaker 4: Right, So the doctor comes in and says, you know,
- 53:26Speaker 4: just one visitor, and so Emily goes to see him
- 53:30Speaker 4: in the hospital room. Now, I don't know, I've been
- 53:34Speaker 4: I worked in the ICU for a good twenty years.
- 53:38Speaker 4: I've seen a lot of open heart patients come out.
- 53:41Speaker 4: They do not come out just with their little nasal canyon.
- 53:45Speaker 4: I'm sorry. They have like eight different IVY pumps. Half
- 53:48Speaker 4: the time they're intubated. They're not they're not wearing their
- 53:52Speaker 4: hospital gown because they have to get to the dressings.
- 53:55Speaker 4: Like that was silly, but.
- 53:57Speaker 5: They should have, you know, didn't think about it.
- 54:00Speaker 4: Someone that's ever been inside and I see you before,
- 54:02Speaker 4: but I'll let them have that one. And they had
- 54:07Speaker 4: like these weird supplies in there, like it's they had
- 54:09Speaker 4: a trait cart and that he didn't even have a
- 54:12Speaker 4: trait like why would that be in there? Whatever, But
- 54:16Speaker 4: just this, I know everything.
- 54:21Speaker 2: I got a stop.
- 54:21Speaker 4: I can't watch the medical shows because I get mad.
- 54:25Speaker 2: But he was in good spirits.
- 54:27Speaker 4: He you know things, the surgery went fine, and he
- 54:31Speaker 4: was Emily's like bombarding him with all the all of
- 54:34Speaker 4: her checklist items and.
- 54:35Speaker 2: He's like, that's what she would totally want to do.
- 54:38Speaker 2: I've got the fish. Yeah, it was just a nice
- 54:41Speaker 2: She's like, we're gonna have so much fish like that
- 54:44Speaker 2: was her way of saying, like I'm so happy.
- 54:47Speaker 4: Yeah, exactly, like she's just you could see the relief. Yeah,
- 54:52Speaker 4: but that the surgery went well because she's just like
- 54:55Speaker 4: pouring everything out, like I got all this fish and
- 54:59Speaker 4: so that was a nice scene.
- 55:00Speaker 1: I liked that.
- 55:03Speaker 4: And then uh oh they don't come okay. Then we
- 55:08Speaker 4: go back outside the hospital where Lurlai is leaving. I
- 55:10Speaker 4: think this was message number three. I was trying to
- 55:12Speaker 4: count and I think that was the third message that
- 55:14Speaker 4: she was leaving for Christopher. And this is when she
- 55:16Speaker 4: basically tells him like this is not okay, and she
- 55:20Speaker 4: hangs up, so she's like done trying to give him
- 55:22Speaker 4: the benefit of the doubt.
- 55:25Speaker 1: That was a scene.
- 55:26Speaker 4: That was a good scene.
- 55:27Speaker 1: Excellent scene. Yeah, just her is just just Laurla on
- 55:31Speaker 1: the phone right, terrific, terrific stuff.
- 55:35Speaker 4: Very good. And then back in the hospital room, they've
- 55:41Speaker 4: got the record player. Rory's playing some of his music and.
- 55:46Speaker 3: Which I was like, who's bringing a record player and
- 55:49Speaker 3: plugging it into the.
- 55:51Speaker 1: I know, I know.
- 55:57Speaker 4: That was another thing that was a little unrealistic. The
- 55:59Speaker 4: nurses would have been like, take all that junk back
- 56:01Speaker 4: to the car and that does not need to be
- 56:03Speaker 4: in here.
- 56:04Speaker 3: And turn it down.
- 56:06Speaker 1: Actually, guys, we did that for my mom.
- 56:10Speaker 3: Really.
- 56:10Speaker 1: Yeah. We brought in a turntable and Sinatra records.
- 56:14Speaker 4: Yeah, they they do. Like if it's an end of
- 56:17Speaker 4: life situation.
- 56:18Speaker 1: Was it was hospous care, it wasn't.
- 56:21Speaker 4: They will bend the rules in a situation like that.
- 56:23Speaker 4: But somebody who is you know, two hours out of
- 56:26Speaker 4: open heart surgery, there's not.
- 56:31Speaker 1: Going to be a station in there, Dak Can I
- 56:33Speaker 1: make it on? How about it? How about a record?
- 56:36Speaker 1: We'll yeah there, Vaughan for you.
- 56:38Speaker 3: I didn't think it was sweet though, like yeah, yeah, she.
- 56:43Speaker 4: Was trying to bring the things she knew would bring
- 56:46Speaker 4: him comfort in happiness.
- 56:48Speaker 1: Yeah. Yeah, this episode messed me up a little bit.
- 56:51Speaker 2: Yeah, I get it. No, I get it. It's heavy stuff,
- 56:57Speaker 2: all of it.
- 57:00Speaker 4: And then this is This is where Laurela makes the
- 57:02Speaker 4: comment about Logan that she's glad to see that Rory
- 57:07Speaker 4: and Logan are getting along and he says he's almost okay.
- 57:12Speaker 4: I thought that was good. And then one more hospital
- 57:18Speaker 4: scene was this is when Luke came with the food.
- 57:24Speaker 4: They had a nice little conversation, Like Laurela, I wasn't
- 57:26Speaker 4: trying to brush him off this time like she did
- 57:28Speaker 4: the first time.
- 57:32Speaker 1: Can I ask you guys something, did you what do
- 57:36Speaker 1: you think Luke was really trying to get out of
- 57:39Speaker 1: there unnoticed or was he trying to get caught.
- 57:46Speaker 2: I don't think he was intentionally trying.
- 57:48Speaker 3: Yeah, I don't think.
- 57:48Speaker 1: I think he just wanted to deliver the guy and
- 57:52Speaker 1: just get out of it. He wasn't trying to another meeting,
- 57:57Speaker 1: another connection with Inger to long. Really, he's just dropping off.
- 58:02Speaker 2: The food.
- 58:06Speaker 3: Was in the bags, Yes, blaming it.
- 58:09Speaker 5: He wanted to see her and make.
- 58:11Speaker 2: Sure she's obviously, But but I'm not mad. I don't
- 58:13Speaker 2: think he was intentionally trying to be like, I'm gonna
- 58:16Speaker 2: linger around so Christopher sees me and I can not Christopher.
- 58:19Speaker 5: But lorla yeah, maybe see her.
- 58:24Speaker 1: Yeah, needed that scene in his truck where he's clutching
- 58:26Speaker 1: onto the bags before he goes in the hospital. He's
- 58:28Speaker 1: debviously scheming.
- 58:32Speaker 3: No, I feel like it's just a very Luke characteristic too,
- 58:35Speaker 3: Like I just think, you know, he were coming off
- 58:38Speaker 3: the episode where Lorlai wrote the letter for Luke, and
- 58:41Speaker 3: I think he just still yeah, oh yeah.
- 58:45Speaker 4: Right right, and he he knows like he kind of
- 58:49Speaker 4: feels like he needs to do something for her because
- 58:52Speaker 4: she did that thing for He just saw that opportunity.
- 58:55Speaker 1: To the extra mile go there exactly.
- 58:59Speaker 4: So then Christopher shows up and immediately is on the offensive,
- 59:05Speaker 4: telling Luke that he needs to leave. And I loved
- 59:09Speaker 4: that little visual exchange between Luke and Christopher where Luke
- 59:14Speaker 4: just gives him a look and then Christopher like immediately
- 59:17Speaker 4: looks down like he was totally in this subordinate position there.
- 59:23Speaker 4: I thought that was that was good.
- 59:25Speaker 2: Yeah, and then.
- 59:29Speaker 1: Thank you by the way. I worked on that for
- 59:31Speaker 1: hours coming up with that brief pause.
- 59:34Speaker 2: It was very good.
- 59:36Speaker 4: And then Chris is like defensive with Laurel I and.
- 59:41Speaker 3: I just thought it wasn't the time, Like you, you
- 59:43Speaker 3: weren't there all day and before anything happened, you were
- 59:48Speaker 3: going to talk about Luke being there, Like we could
- 59:51Speaker 3: have had that conversation in a day. Yeah, not thirty
- 59:55Speaker 3: seconds after you walk into the hospital, after everyone's been
- 59:58Speaker 3: or Laura, I's been calling you five time.
- 1:00:00Speaker 4: Times right right, like he immediately makes it about himself.
- 1:00:04Speaker 3: Yeah, but like like Scott said, are we surprised, No,
- 1:00:09Speaker 3: you just.
- 1:00:11Speaker 1: You know he's delivering the goods. Christopher always, he never
- 1:00:15Speaker 1: lets you down in that department. Here's a big bag
- 1:00:19Speaker 1: of d bag, here you go, my name on it.
- 1:00:26Speaker 4: I also like the very very end where Emily is
- 1:00:29Speaker 4: like picking up that you know, probably all is not
- 1:00:32Speaker 4: well there and she's trying to comfort Lorelei in her
- 1:00:35Speaker 4: own way.
- 1:00:36Speaker 2: I really love that too.
- 1:00:38Speaker 4: Yeah, that was That was a great moment. And then
- 1:00:40Speaker 4: that was that was the episode.
- 1:00:42Speaker 1: All right, So what are we giving it?
- 1:00:47Speaker 2: Jokes from the Fishman and.
- 1:00:52Speaker 1: I really like ten jokes from the Fishman and just
- 1:00:58Speaker 1: jumped right in.
- 1:01:00Speaker 7: I also response like, I was like, what co d like?
- 1:01:03Speaker 7: As he said it, I was like, oh wait, what
- 1:01:10Speaker 7: are you giving it?
- 1:01:11Speaker 3: I give this nine point seven choppers.
- 1:01:19Speaker 8: Choppers Danielle well I had choppers, but I will improvise
- 1:01:25Speaker 8: on the spot and say nine point two five cups
- 1:01:29Speaker 8: of tea.
- 1:01:31Speaker 3: Mm hmm.
- 1:01:33Speaker 4: I'm gonna say seven milk duds, lot amount of DUTs,
- 1:01:41Speaker 4: but melted milk DUTs, dirty hand for being handed back and.
- 1:01:52Speaker 1: Forth, four caps in them.
- 1:01:55Speaker 2: Duds are covered in germs. They went from hand to hand,
- 1:01:58Speaker 2: back to hand, hospital no less, just so many germs.
- 1:02:05Speaker 1: I'm gonna give it. Gosh, the critical side is it
- 1:02:12Speaker 1: war with the forgiving signs?
- 1:02:16Speaker 4: Uh, what's the difference?
- 1:02:18Speaker 1: Seven five? Let's give it a seven point seven seven
- 1:02:21Speaker 1: stolen Kleenex tissues and that's gonna rap. Oh are we
- 1:02:28Speaker 1: gonna well, No, we're not anyway, that's gonna be a
- 1:02:31Speaker 1: wrap on season seven, episode thirteen. I'd rather be in Philadelphia.
- 1:02:37Speaker 1: Thank you, ladies, Daniel Roma, Terra, suit Amy, Sugarman. Choose
- 1:02:41Speaker 1: in French. We will see you next time. What's the
- 1:02:44Speaker 1: name of the next episode? Do we care? I can't carry?
- 1:02:49Speaker 5: Does Paul Inca die?
- 1:02:52Speaker 4: We can't tell you.
- 1:02:53Speaker 1: We can't tell you, and I don't know either. I
- 1:02:55Speaker 1: couldn't tell you. If I don't know, I don't know.
- 1:02:58Speaker 1: It'll be season seven, episod fourteenth. Farewell, my pet best
- 1:03:03Speaker 1: fans on the planet. Thanks for all the downloads. Everybody,
- 1:03:06Speaker 1: keep those cards and letters coming. Remember we I A'm
- 1:03:09Speaker 1: all in. Stay safe, Hey, everybody tells again. Follow us
- 1:03:41Speaker 1: on Instagram at I Am all In podcast and email
- 1:03:45Speaker 1: us at Gilmore at iHeartRadio dot com.