Latest / 70 80 / SETTANTAxOTTANTA: 1983. Il terrore al cinema corre sul terreno K col film Zeder di Pupi Avati

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SETTANTAxOTTANTA: 1983. Il terrore al cinema corre sul terreno K col film Zeder di Pupi Avati · 70 80

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  Listen today. Benvenuti a 70x80, la rubrica di
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  7080 .it dedicata all 'approfondimento dei temi
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  trattati negli articoli del portale. Siamo con
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  il direttore Massimo Lualdi che introduce l 'argomento
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  odierno. Di cosa parliamo oggi? Di film. Impossibile
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  non rimanere turbati dalla non -horrorifica,
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  ma per questo non meno inquietante, figura di
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  Don Luigi Costa, lo spretato, non morto o non
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  vivo, di Zeder, horror cinematografico di matrice
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  italiana della prima metà degli anni Ottanta.
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  In the panorama of Italian horror cinema of the
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  80s, Zeder, from 1983, by Pupi Avati, occupies
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  a place of relief for its ability to blend supernatural
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  elements with a convincing narration and disturbing
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  atmospheres. The story follows Stefano, a young
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  Bolognese writer, interpreted by Gabriele Lavia,
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  who, thanks to an old writing machine given to
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  him by his wife Alessandra, the actress Ann Canovas,
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  discovers mysterious messages printed on the
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  tape of the instrument. The writings, Stefano
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  will discover, belong to Paolo Zeder, a scientist
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  who theorized the existence of the K -terrains,
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  areas where death loses its meaning and the deceased
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  die. can come back to life. and in which it is
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  possible for those who have buried you to return
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  from beyond. Do you understand? From beyond.
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  This may explain many things. Why he wanted to
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  be buried in these parts. Stefano's research
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  will lead him to the abyss of the mysterious
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  ex -prete, or rather, spretato, with a term that
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  would have remained imprinted in the memory of
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  the spectators, Don Luigi Costa, in a dark world
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  where occult sciences intertwine, putting at
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  risk his own existence and interrupting that
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  of the wife, until he enters it, and himself,
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  with the final anguish, in the monstrous world
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  of Zedda. The barriers of death will be finally
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  destroyed. My body, buried, will wait for the
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  hour. Zeder represents a significant example
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  of Italian cinema, distinguishing itself for
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  the refined directing of Avati and for a script
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  written with Maurizio Costanzo and Antonio Avati,
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  Giuseppe's brother. The music by Riz Ortolani
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  contributes to create an intense atmosphere suspended
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  between reality and nightmare, between normal
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  life and the world of the dead. My brother is
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  gone. He's gone. When did it happen? A month
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  ago. But it was almost a year that he went inside
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  and out of that hospital. Despite a limited distribution,
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  the film has obtained a good review of criticism,
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  appreciated for its originality and the ability
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  to evoke tension without resorting to special
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  effects. An infinity of strange things. One more
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  strange than the other, Alessandra. It's useless
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  that you call. They isolated you, right? La sceneggiatura
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  vede, come detto, la partecipazione di Maurizio
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  Costanzo, al tempo già noto giornalista e autore
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  televisivo, che ha contribuito alla profondità
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  dei dialoghi e alla costruzione dei personaggi,
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  tra cui proprio quel Don Luigi Costa, che col
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  suo ghigno ha incollato alle poltroncine del
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  cinema più di una generazione di spettatori.
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  Where are you hiding? The shooting took place
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  in several Italian locations, between the Riviera
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  Romagnola and Bologna, which with its gothic
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  atmospheres provided the ideal background for
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  the narration. In addition to the horror elements,
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  the film explores themes such as the border between
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  life and death and the ethical implications of
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  scientific research. allowing the spectator to
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  have deep reflections. Zeder remains a fascinating
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  work for fans of the genre, an example of how
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  Italian cinema has been able to innovate and
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  experiment in the field of horror, offering quality
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  products that resist the passage of time. To
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  the disturbing figure of Don Luigi Costa, played
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  by Carlo Schincaglia, a Facebook page with relative
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  community is also attributed. Thanks to the director
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  of 7080 .it Massimo Lualdi for having dealt with
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