Latest / The Trauma Therapist / The Courage To Move Forward with Paola di Floria
Transcript
- 0:00Speaker 1: Welcome to the Trauma Rivers podcast. My name is Guimi
- 0:03Speaker 1: Ferson and I interview incredible people who share the story
- 0:06Speaker 1: of how trauma has shaped their lives. And a big
- 0:09Speaker 1: thank you for sponsoring today's episode goes to my guest
- 0:12Speaker 1: and our sponsors. So five four, three, two and one,
- 0:25Speaker 1: our folks, welcome back to the podcast. Very excited to
- 0:28Speaker 1: have as my guest today. Paula de Florio, Paula, welcome.
- 0:31Speaker 2: Thank you so much, guy. I'm really pleased to be here.
- 0:34Speaker 2: Thanks for the oppor.
- 0:35Speaker 1: You are welcome. So. Paula is an Oscar and Emmy
- 0:38Speaker 1: nominated filmmaker and co founder of Counterpart Films with her husband,
- 0:42Speaker 1: author and filmmaker Peter Raaider. Their breakthrough documentary, Awake the
- 0:47Speaker 1: Life of Yogananda, became one of the top grossing indie
- 0:50Speaker 1: docs of twenty fourteen and twenty fifteen and set their
- 0:53Speaker 1: mission to create media that quote awakens the human spirit.
- 0:58Speaker 1: Since then, they've developed in consult are numerous projects exploring spirituality,
- 1:02Speaker 1: science and healing, including Infinite Potential and the award winning
- 1:06Speaker 1: My Father the Healer All Apollo. Just a little bit
- 1:09Speaker 1: about you before we get going, share with the listeners.
- 1:12Speaker 1: Where you're from originally and where you are currently.
- 1:17Speaker 3: I grew up in Moorestown, New Jersey from parents that
- 1:22Speaker 3: were Italian. There were doctors who had come here to
- 1:26Speaker 3: start a life in America, and I spent my life
- 1:30Speaker 3: back and forth.
- 1:31Speaker 2: I grew up very biculturally and.
- 1:35Speaker 3: Found my way into telling stories and being a storyteller
- 1:41Speaker 3: at a very young age, at like age ten.
- 1:43Speaker 1: Okay, very familiar with New Jersey and East Coast.
- 1:47Speaker 2: And exit for.
- 1:50Speaker 1: So, I mean, okay, how did first talk to us
- 1:57Speaker 1: about getting into films and then this whole focus or
- 2:02Speaker 1: interest in spirituality and even intergenerational trauma. How did all
- 2:07Speaker 1: this evolve for you?
- 2:08Speaker 2: Yeah, it's a great question.
- 2:09Speaker 3: So, you know, I got into film really working in
- 2:14Speaker 3: the news, and I was working for Italian television in
- 2:17Speaker 3: the news, and before that, prior to that, as a
- 2:21Speaker 3: child that was an actress, I got you know, my
- 2:24Speaker 3: mom had four kids, she you know, needed.
- 2:26Speaker 2: To get us out of the house.
- 2:27Speaker 3: And one day I got cast in a role that
- 2:30Speaker 3: I played for two years in Philadelphia, the role of
- 2:33Speaker 3: Helen Keller. And after that it was just one thing
- 2:37Speaker 3: after another, and it was mostly acting, acting acting.
- 2:40Speaker 2: I was definitely interested in scientists.
- 2:42Speaker 3: My parents are both scientists doctors, and I think what
- 2:47Speaker 3: happened was the story aspect of things. I found that
- 2:50Speaker 3: it was very easy for me to slip into other
- 2:52Speaker 3: people's skins. I didn't know at that time that there
- 2:55Speaker 3: was a value to that, but I understood very quickly
- 2:58Speaker 3: that it wasn't hard for me to I could feel people,
- 3:02Speaker 3: and I could kind of I had a certain level
- 3:04Speaker 3: of sensitivity that I didn't know was a gift, and
- 3:09Speaker 3: so that sort of got lauded, and that's kind of
- 3:12Speaker 3: the direction that ended up making me a storyteller, and
- 3:16Speaker 3: then went into the news. Really by accident, but I
- 3:20Speaker 3: had a wonderful experience as a child where my parents
- 3:24Speaker 3: we lived on an Indian reservation in Navajo Reservation, and yeah,
- 3:29Speaker 3: and I really it was fascinating experience. My father served
- 3:34Speaker 3: as a doctor on the reservation, and I just felt, Wow,
- 3:39Speaker 3: other cultures, other ways of living this felt and I
- 3:44Speaker 3: just could feel myself expanding through the experience.
- 3:48Speaker 1: So to.
- 3:51Speaker 3: When I graduated from college and went into the you know,
- 3:54Speaker 3: it was in the media. I did a story for
- 3:57Speaker 3: Italian television. I pitched on a story about the Columbus
- 4:00Speaker 3: Centennial happening there at the Navajo Reservation, and sort of
- 4:03Speaker 3: that got me into storytelling through the news. But it
- 4:08Speaker 3: wasn't until later that I realized, no, there's just something
- 4:11Speaker 3: much I news was kind of all in here, and
- 4:15Speaker 3: there was something very much in the heart that was
- 4:18Speaker 3: like screaming out and needing to participate in this type
- 4:21Speaker 3: of storytelling. I made my first independent feature called Speaking
- 4:27Speaker 3: in Strings, about a brilliant violinist named Naja Seilerno Sonberg.
- 4:32Speaker 3: And Naja broke every mold for a classical violinist, and
- 4:37Speaker 3: she taught me so much, and her mother was my
- 4:40Speaker 3: piano teacher growing up. So as na just career sort
- 4:43Speaker 3: of took off, there was something I was chasing in
- 4:46Speaker 3: that story, and it was her authenticity. So I realized
- 4:50Speaker 3: that authenticity and who we really are despite everything around
- 4:55Speaker 3: us is at the core of all the stories I've
- 4:59Speaker 3: ever told.
- 5:00Speaker 1: When you first of all this this violinist, it was
- 5:06Speaker 1: a she.
- 5:07Speaker 3: Yeah, what was her name, Naja Sealerno Sonnenberg.
- 5:11Speaker 1: World phenomenal, you said, she broke mold in what way?
- 5:17Speaker 3: She was herself one thousand percent herself in a classical
- 5:22Speaker 3: world that did not really invite lesbians at that time,
- 5:29Speaker 3: did not invite her radical interpretations of the classics and
- 5:37Speaker 3: her personality which was just very forceful, very powerful. She
- 5:41Speaker 3: was powerful and she didn't she didn't play around, she
- 5:45Speaker 3: didn't play games. She just went on stage as herself
- 5:48Speaker 3: and so she stood.
- 5:49Speaker 1: Out, Wow, I got to check this person.
- 5:52Speaker 2: Yeah, you got to check her out.
- 5:53Speaker 1: So you said it doing that, having that experience really
- 5:58Speaker 1: struck something in you about authenticity when you what do
- 6:04Speaker 1: you mean specifically? I mean, we all, how do you
- 6:07Speaker 1: what does that mean to you? Authenticity? And specifically about
- 6:12Speaker 1: doing this with her? What did that ignite in you?
- 6:15Speaker 3: It ignited the masks that I was wearing. I knew
- 6:20Speaker 3: I came through her story and through being at the
- 6:23Speaker 3: Navajo reservation. I was aware of at that age, very young.
- 6:28Speaker 3: I could feel. It was more like I could feel
- 6:30Speaker 3: because I had that sixth sense. I could feel that
- 6:34Speaker 3: we were walking through life with masks, with parts of
- 6:39Speaker 3: us that were you know, created to get the rewards,
- 6:46Speaker 3: get the rewards that we wanted from first our tribe,
- 6:50Speaker 3: our family, and then our school. And it just went
- 6:54Speaker 3: on like that, and I was I was very attuned
- 6:57Speaker 3: to that because what grabbed me about not was that
- 7:01Speaker 3: she went out and played baseball and had dirty hands,
- 7:04Speaker 3: and you know, her mother would scream at her, why
- 7:06Speaker 3: are you playing the violin with dirty hands? And you know,
- 7:09Speaker 3: she was playing a stratavarius for crying out loud, and
- 7:12Speaker 3: she had to go on a stage like, don't play
- 7:14Speaker 3: baseball and get your hands dirty, and she's like, that's
- 7:16Speaker 3: who I am, you know. So there was a sense
- 7:21Speaker 3: of that that in every story looking back, because I
- 7:24Speaker 3: wasn't aware of it as I was telling stories and
- 7:27Speaker 3: as a filmmaker, but looking back, I think that was
- 7:29Speaker 3: the quality that I was attracted to.
- 7:31Speaker 2: In all of the heroines.
- 7:33Speaker 3: All of the heroes and heroines in the stories that
- 7:36Speaker 3: I was telling were people that were able to tap
- 7:40Speaker 3: into that despite anything else going on around them. And
- 7:45Speaker 3: this connects to trauma, and it connects to master lee.
- 7:48Speaker 3: And that's why, you know, I'm excited to share that
- 7:52Speaker 3: with you because I think that that that's the key,
- 7:57Speaker 3: right we are, each one of us has It's a
- 8:00Speaker 3: very unique and distinct nervous system. You know, no two
- 8:03Speaker 3: of us is alike, and there's a reason for that.
- 8:08Speaker 3: And that sort of confluence of psychology and spirituality is
- 8:14Speaker 3: absolutely fascinating to me, because we wake up into who
- 8:22Speaker 3: we are. And I think that that happens in some
- 8:26Speaker 3: ways through psychology we understand like what made us or
- 8:31Speaker 3: what may have created certain pathways for us. But the
- 8:36Speaker 3: next level of understanding that on a much more expansive
- 8:41Speaker 3: level to me, is a spiritual awakening, which is when
- 8:45Speaker 3: we realize I'm not just this body, I'm not just
- 8:48Speaker 3: this brain, I'm not just this physical person walking through life.
- 8:53Speaker 3: I'm actually something so much bigger than that.
- 8:57Speaker 1: Let's get into the film about Masterly, but before we
- 9:03Speaker 1: do this topic, because you've got me going on this
- 9:06Speaker 1: topic now of authenticity. Now it's you know, one thing
- 9:12Speaker 1: to appreciate that I think authenticity and observing it in
- 9:17Speaker 1: other people and being excited about it. But for my
- 9:22Speaker 1: way of thinking, it almost is a mirror and reflects
- 9:28Speaker 1: back on ourselves, and it almost like ignites within us
- 9:35Speaker 1: this tension about you know, these questions, am I being authentic?
- 9:40Speaker 1: How can I be more authentic? Did you feel that
- 9:45Speaker 1: same way? And if so, how, Yeah?
- 9:47Speaker 3: Yes, yes, I was aware in the body of a
- 9:52Speaker 3: certain tension building up, and I think that it was
- 9:56Speaker 3: a tension that was speaking to me.
- 9:58Speaker 2: It was saying.
- 10:02Speaker 3: Something that I was suppressing, was needing to arise. I
- 10:09Speaker 3: didn't understand what it was, and being a storyteller and
- 10:14Speaker 3: being a filmmaker helped me get in touch with that.
- 10:17Speaker 3: Then I experienced a major trauma, experienced the loss of
- 10:24Speaker 3: my son, and that was I think the biggest wake
- 10:29Speaker 3: up call for me in my life to help me
- 10:32Speaker 3: understand I mean, just trying to keep him alive for
- 10:36Speaker 3: four years while he was struggling with his mental health.
- 10:39Speaker 3: Of course, that in and of itself is a trauma,
- 10:43Speaker 3: but it really put the spotlight back on me as
- 10:47Speaker 3: to what that trauma of losing my beautiful Luca did
- 10:54Speaker 3: to me was wake up all the other things that
- 10:58Speaker 3: I was suppressing, all the other things that I wasn't
- 11:01Speaker 3: actually fully living, fully in touch with. And so that
- 11:08Speaker 3: big wake up journey has been a big part of
- 11:11Speaker 3: what's been going on for me in the past well
- 11:15Speaker 3: four years of his struggle and then.
- 11:17Speaker 2: Going on three years now. Excuse me of his death
- 11:23Speaker 2: or his transition.
- 11:23Speaker 1: I like to say so sorry to hear that I'm
- 11:27Speaker 1: sorry for your loss. I mean, thank you for sharing that, Jesus.
- 11:35Speaker 3: I say that because I think these things are catalysts,
- 11:38Speaker 3: you know, I think I look at trauma this is
- 11:41Speaker 3: a trauma podcast. I look at trauma now as an opportunity.
- 11:47Speaker 3: Trauma is an opportunity for me to see, to look
- 11:52Speaker 3: fully at who I am, why I'm here, and what
- 11:57Speaker 3: my purpose is, but to book fully because if we
- 12:02Speaker 3: don't do that, the alternative is disastrous. And so it's
- 12:08Speaker 3: really it's really about having courage. It's having courage to
- 12:11Speaker 3: move toward. And I do think that all the gifts
- 12:15Speaker 3: are there in moving toward. So the stories that we
- 12:18Speaker 3: can tell that show that and share that are only
- 12:23Speaker 3: going to help others do that. But to hide whatever
- 12:27Speaker 3: it is that's maybe knocking down the house, To hide
- 12:33Speaker 3: that and to suppress that creates more pain, not just
- 12:37Speaker 3: for us right, creates more pain for everyone around us.
- 12:42Speaker 3: And that's why I'm so thrilled that you have a
- 12:46Speaker 3: podcast speaking to this, and that all the great people
- 12:50Speaker 3: you know, the Gabor Mantes and the Dick Schwartz and
- 12:53Speaker 3: the you know, the really big names out there, and
- 12:58Speaker 3: I've read their books, you know, Peter Levine, basle Vandelcork,
- 13:08Speaker 3: these are people. These are giants that really helped me
- 13:11Speaker 3: understand what was going on inside my life and then
- 13:14Speaker 3: enabled me to see it in a story like Master.
- 13:17Speaker 1: Lee's let's talk about this this film. How did this
- 13:23Speaker 1: get on your plate as it were, How did this
- 13:25Speaker 1: come on your desk? How did you get involved in?
- 13:27Speaker 3: Yeah, so this project came to a counterpoint initially, as
- 13:31Speaker 3: you know, a book that he had written and so
- 13:36Speaker 3: it was a memoir and he was they were looking
- 13:39Speaker 3: for help to get it out and to create a
- 13:44Speaker 3: brand around Master Lee. And we we started out with
- 13:49Speaker 3: a book and then we talked about a film, and
- 13:52Speaker 3: we sometimes we do have an arm that is that
- 13:54Speaker 3: is like a branding arm for projects that are squarely in.
- 13:59Speaker 2: This space, so the Awakening space.
- 14:02Speaker 3: We make independent films, we write, we produce, we we distribute,
- 14:08Speaker 3: but we have an arm that is specifically for in
- 14:10Speaker 3: this branding of of people that are working in spirituality wellness.
- 14:19Speaker 3: This kind of branding is our area of specialty and
- 14:23Speaker 3: and we have teams that we work with. So that's
- 14:25Speaker 3: the capacity with which we were working with Masterly. And
- 14:29Speaker 3: it started out that we made this film and we
- 14:32Speaker 3: were making it initially as a branding film about you know,
- 14:37Speaker 3: him being a healer. He was, you know, he's a
- 14:39Speaker 3: master healer of Chigong. And as we started to tell
- 14:44Speaker 3: this story. It was so clear that there was a
- 14:48Speaker 3: very big story that wasn't really being told, that was
- 14:52Speaker 3: knocking and shaking the walls of our studio. And at
- 15:01Speaker 3: a certain place, after really editing and re editing and
- 15:04Speaker 3: the director, Nick Canadera and Tom Pritchard, his co director,
- 15:08Speaker 3: we ended up taking a pause and going back to
- 15:14Speaker 3: the leaves and asking if we could have an honest
- 15:16Speaker 3: question about maybe something that might be missing from this story,
- 15:20Speaker 3: that we're sensing that there's something missing from the story,
- 15:23Speaker 3: or let me hear.
- 15:24Speaker 1: Refere it there. So, at what point did you realize that, whoa,
- 15:30Speaker 1: there's another story here. What was that?
- 15:34Speaker 2: Hm, that's a really good question.
- 15:40Speaker 3: So part of it was just intuition, but it was
- 15:46Speaker 3: it had to do with the story that something wasn't
- 15:50Speaker 3: adding up. Masterly was helping to heal so many people
- 15:55Speaker 3: around the world. Thousands of people were coming to him
- 15:57Speaker 3: for healings. He was very successful, and it all crumbled,
- 16:05Speaker 3: It all fell apart after a certain point and the
- 16:09Speaker 3: story just couldn't We couldn't get to the.
- 16:12Speaker 2: Real why it didn't really add up.
- 16:15Speaker 3: You know, yes, there's always some bad apples that you know,
- 16:18Speaker 3: show up for healing. They can cause a lot of problems.
- 16:22Speaker 3: If you look in the history of so many spiritually
- 16:25Speaker 3: advanced teachers, there's always stories of breakups and fallouts, and
- 16:32Speaker 3: so it's not that uncommon for something like that to happen.
- 16:35Speaker 3: But when we would scratch to try to understand what
- 16:38Speaker 3: exactly was at the bottom of this story, it just
- 16:41Speaker 3: it just felt like there was there.
- 16:43Speaker 2: Were missing pieces.
- 16:45Speaker 3: And that's what made us want to have a conversation
- 16:48Speaker 3: to say, maybe we're getting this wrong. Can we have
- 16:51Speaker 3: a conversation with you, because it's not showing up on
- 16:54Speaker 3: the screen when we talk about the timeline, it's like,
- 16:57Speaker 3: what's the screen, it's our editing.
- 17:00Speaker 2: In editing, we're not we're not.
- 17:02Speaker 3: It's not adding up, and we've tried so many different
- 17:05Speaker 3: angles and we're not getting to it. We think maybe
- 17:08Speaker 3: we missed asking the right questions. So we went back
- 17:14Speaker 3: and we asked some questions about.
- 17:18Speaker 1: So they said they agreed to that.
- 17:19Speaker 3: They agreed, and I have to say that all along,
- 17:23Speaker 3: to their credit, the LEAs have been amazing all along,
- 17:28Speaker 3: Like whenever there's been a question that some people might
- 17:31Speaker 3: recoil and just say that's it. That's all I'm telling you.
- 17:35Speaker 3: You know, that's not the case with the LEAs. They
- 17:37Speaker 3: were very curious and open, you know, they didn't understand
- 17:41Speaker 3: like filmmaking necessarily and like why we had to go
- 17:44Speaker 3: in the direction that we were going, and we did
- 17:46Speaker 3: our best to explain that. For us, the audience and
- 17:52Speaker 3: who we share the film with is that's who we're
- 17:55Speaker 3: speaking to. We want truth to be felt because if
- 18:00Speaker 3: we can feel truth when we're watching a film, then
- 18:04Speaker 3: we get to understand who we are. If we see
- 18:08Speaker 3: a facade or a mask, it actually truncates our own
- 18:11Speaker 3: development as we watch. So, you know, what we want,
- 18:16Speaker 3: what we live for, is for us to feel the honest,
- 18:20Speaker 3: our honesty when we are on a film. If we
- 18:25Speaker 3: are subject of a film or a participant our honesty,
- 18:30Speaker 3: it might feel like you're protecting something because you don't
- 18:34Speaker 3: want to be seen in a certain way, but in reality,
- 18:38Speaker 3: everyone watching a film is dying to feel understood and
- 18:42Speaker 3: to know more about themselves, and they're going to do
- 18:45Speaker 3: that through your level and depth of honesty. And that's
- 18:51Speaker 3: the irony, is that we're not protecting ourselves. We're actually
- 18:54Speaker 3: doing a really.
- 18:55Speaker 2: Sacred act of sharing.
- 18:57Speaker 3: And when we get those special people like Master Lee
- 19:01Speaker 3: who really.
- 19:03Speaker 2: Are willing to go there.
- 19:05Speaker 3: That's when real transformation happens, not just for Master Lee,
- 19:09Speaker 3: but for anyone who is actually in the audience participating
- 19:12Speaker 3: in this journey.
- 19:16Speaker 1: Wow, what you just said right now is emblematic of
- 19:23Speaker 1: what I try to do the work on my podcast.
- 19:27Speaker 1: You know, get to the core of things. Now. Initially,
- 19:32Speaker 1: before you had that discussion and went back to Master Lee,
- 19:40Speaker 1: was he as forthcoming as he wanted to be? Or
- 19:48Speaker 1: was he just waiting for the right questions or you
- 19:50Speaker 1: didn't ask me the questions and now that you are okay, yeah,
- 19:55Speaker 1: kind of like that.
- 19:56Speaker 3: You know, it's interesting he didn't give us resistance. It
- 20:01Speaker 3: was as though we hadn't answered, we hadn't asked the
- 20:04Speaker 3: right questions. He didn't know, or perhaps the questions were asked,
- 20:07Speaker 3: but he had learned to answer them in a certain way.
- 20:13Speaker 3: I mean, we learn from the outside how to be right.
- 20:18Speaker 3: So that Masterly was answering the questions. But when we said, hey,
- 20:24Speaker 3: you know what, we're more interested in this other Masterly
- 20:28Speaker 3: that you know, lived through the cultural revolution in China
- 20:34Speaker 3: and who was traumatized as a child, and who was
- 20:41Speaker 3: beaten and tortured, and who had to do so much
- 20:47Speaker 3: in order to survive, and for whom hiding under the
- 20:52Speaker 3: bed was his safe.
- 20:55Speaker 1: Place, he might not never have had that opportunity to
- 20:59Speaker 1: talk about that.
- 21:00Speaker 3: Yeah, So it was really about saying, let's go back
- 21:06Speaker 3: to China, Let's go back to where this story really
- 21:11Speaker 3: maybe needs to be more fully understood. And that's when
- 21:15Speaker 3: we decided, when he was willing to explore it further,
- 21:20Speaker 3: that's when we decided to send him back to China.
- 21:23Speaker 3: And that's when Tom Pritchard, who was our cinematographer, really
- 21:29Speaker 3: went back and became co director, you know, went back
- 21:33Speaker 3: and really captured the journey to China with his family
- 21:40Speaker 3: because don't forget, you know, his son and his wife,
- 21:42Speaker 3: there was a lot they didn't know.
- 21:45Speaker 2: About.
- 21:46Speaker 3: Masterly, he was holding the position of the confusion, the master,
- 21:51Speaker 3: the father, the you know, the strong one, and he
- 21:56Speaker 3: was doing that brilliantly until he couldn't any more. And
- 22:02Speaker 3: when his following all fell away and he went into
- 22:06Speaker 3: silence for years, didn't teach for a decade, you know,
- 22:14Speaker 3: did a lot of introspection. That was that's the part,
- 22:19Speaker 3: that's the part that we became more interested in what
- 22:24Speaker 3: was happening there, what was unraveling and then emerging, because
- 22:34Speaker 3: in our experience of these things, before something authentic or
- 22:40Speaker 3: real emerges, something else has to unravel.
- 22:46Speaker 1: Is this interest in you know, authenticity? Is this a
- 22:54Speaker 1: cultural piece? Here?
- 22:58Speaker 2: Is it a cultural piece?
- 23:00Speaker 1: Words?
- 23:00Speaker 2: Yeah, ask me that in a different way.
- 23:02Speaker 1: Yeah, in other words, his culture would would that be
- 23:10Speaker 1: something that his culture would not necessarily share. It's not
- 23:14Speaker 1: in the equation, it's not in the conversation. And here
- 23:17Speaker 1: you are coming from a different culture.
- 23:22Speaker 3: This happens a lot in our work, right, It's it's uh, you.
- 23:26Speaker 1: Know, and it's even happening in our culture too. It
- 23:29Speaker 1: is people will talk about this.
- 23:32Speaker 3: Yeah, I think it's I think that's what's Look, this
- 23:35Speaker 3: is what to me, this is the most beautiful thing
- 23:38Speaker 3: about being human, right, is that if we can really
- 23:42Speaker 3: show up as who we are.
- 23:44Speaker 1: Right.
- 23:44Speaker 3: So, I'm a curious Italian American documentary filmmaker, a person
- 23:51Speaker 3: who's gone on a journey with trauma, complex trauma. I
- 23:59Speaker 3: have been at track did even before I understood what
- 24:01Speaker 3: trauma was, was attracted to truth, some kind of thing
- 24:05Speaker 3: that I felt vibrationally was truth.
- 24:08Speaker 2: And that's what I sought in the films that I.
- 24:11Speaker 3: Did and that may not be the kind of documentary
- 24:18Speaker 3: that master Lee thought he was going to be making, right,
- 24:21Speaker 3: which was more about building stature, because he had stature.
- 24:25Speaker 3: He's an impressive, really impressive person who has healed you know,
- 24:32Speaker 3: thousands of people with all kinds of illnesses, very strong,
- 24:37Speaker 3: strong willed, strong minded, very intelligent, humble even you know,
- 24:43Speaker 3: to be able to come in contact with this questioning
- 24:51Speaker 3: of we don't know if what you're saying you are
- 24:54Speaker 3: is really everything, and we're really interested in this other
- 24:57Speaker 3: side of who you are, I mean, could have been
- 25:00Speaker 3: the end of the movie, right.
- 25:02Speaker 1: Well, and it's not just like you're not like you're
- 25:04Speaker 1: just asking him about him being a pro tennis player,
- 25:09Speaker 1: which he didn't happen to, So you're asking him about
- 25:13Speaker 1: something that's I mean, trauma is something very vulnerable for
- 25:18Speaker 1: a lot of people to share, and it shifts the
- 25:21Speaker 1: whole dynamic potentially oftentimes How in your eyes, how did
- 25:27Speaker 1: you feel or see that that impacted him his sharing
- 25:34Speaker 1: of this.
- 25:34Speaker 3: Well, I would I want to just before answering that,
- 25:37Speaker 3: I just want to say we were ignorant enough to
- 25:40Speaker 3: not we did not know that by sending him to China,
- 25:44Speaker 3: that that is actually a form of it's like, it's
- 25:49Speaker 3: it's a way to heal trauma. So I have a
- 25:52Speaker 3: family member who's an amazing trauma therapist and addiction specialist expert.
- 26:00Speaker 3: Amanda de Julia is her name, and she works in
- 26:03Speaker 3: Los Angeles. She would she's the one who made me recognize, oh,
- 26:08Speaker 3: this is actually a form of working through trauma is
- 26:13Speaker 3: going back through the experience. We didn't really know that
- 26:17Speaker 3: because we're not therapists, but we knew intuitively as storytellers
- 26:22Speaker 3: that something like that had to happen because that's where
- 26:25Speaker 3: the story was that had to be unearthed. And so
- 26:29Speaker 3: by sending him back, that's where the walls started to
- 26:35Speaker 3: come down, right, That's when he started walking through the
- 26:38Speaker 3: old streets where he had lived with his family, where
- 26:45Speaker 3: he had to break free and actually learn how to
- 26:50Speaker 3: do Chi gong because something intuitively inside him knew already
- 26:54Speaker 3: what it was, and he knew that that was his
- 26:57Speaker 3: way out. He knew that that was going to be
- 26:59Speaker 3: his way out. He was doing those things all from
- 27:04Speaker 3: a place of survival, right. So, but in the sharing
- 27:10Speaker 3: of that, he was able to get in touch with
- 27:13Speaker 3: actually a different thing that was happening, which is the
- 27:16Speaker 3: reliving of that pain and then having the vulnerability and
- 27:20Speaker 3: the courage to share that with his son and with
- 27:24Speaker 3: his wife because that we didn't know about the results
- 27:30Speaker 3: that that would produce. But what ended up happening was
- 27:33Speaker 3: that the family went on a really beautiful journey of
- 27:36Speaker 3: healing and when they came to at the.
- 27:39Speaker 1: Expense of stating an obvious metaphor, it's like the Master
- 27:42Speaker 1: Healer healing himself.
- 27:43Speaker 2: Yes, exactly exactly.
- 27:47Speaker 3: And when they came back, they said, you know, whatever
- 27:51Speaker 3: happens with the movie, you know, we've gotten so much
- 27:54Speaker 3: from this already.
- 27:57Speaker 1: Well, Jesus, just reminder, I'm speaking with Paula Deflorio. We're
- 28:03Speaker 1: talking about the book. I'm sorry, we're talking about the
- 28:06Speaker 1: film documentary My Father The Healer. She's the founder co
- 28:11Speaker 1: founder of Counterpoint Films. Paula, I'm just realizing I want
- 28:18Speaker 1: to have you back at a later date. She has
- 28:20Speaker 1: so much to talk to you about. I love talking
- 28:22Speaker 1: to you. What's next for you?
- 28:27Speaker 3: Well, I mean, I'm making a film right now that
- 28:31Speaker 3: is also in the space of its psychology and spirituality merging.
- 28:35Speaker 2: And it's a group called the Diamond Approach.
- 28:40Speaker 3: Based out of Berkeley and all over the world, and
- 28:44Speaker 3: we're making a really special film where we're working with
- 28:48Speaker 3: people from different corners of the world who are.
- 28:52Speaker 2: Living life with this teaching.
- 28:55Speaker 3: And we've been fortunate enough to work with the founders
- 28:59Speaker 3: a Meet Almas and Karen Johnson and to capture the
- 29:03Speaker 3: birth of this teaching and how it came about.
- 29:07Speaker 1: Now, for these projects, I mean, I guess it varies.
- 29:10Speaker 1: But do you go out and seek projects or vice
- 29:13Speaker 1: versa people come to you and say, can you make
- 29:15Speaker 1: a film about it?
- 29:17Speaker 2: Happens both ways.
- 29:18Speaker 3: This film came to me, you know, so many times
- 29:22Speaker 3: they come to us, and then sometimes there are films
- 29:25Speaker 3: that are really bubbling up within us and I do
- 29:29Speaker 3: have I do have a couple of those that are
- 29:31Speaker 3: burning to have me explore. So I think, you know,
- 29:36Speaker 3: perhaps after this film, I may be doing something deeply personal.
- 29:40Speaker 1: Yeah, awesome, all right, Paula. How do people learn more
- 29:44Speaker 1: about you and your films and your work? What's the
- 29:46Speaker 1: best way?
- 29:47Speaker 3: Counterpoint Films. Counterpoint Films dot Com is our website. And
- 29:53Speaker 3: to learn more about Whole Body Prayer or you know,
- 29:56Speaker 3: actually my father the Healer, the brand is h is
- 30:00Speaker 3: my Whole Body Meditation, so whole Bodymeditation dot com will
- 30:06Speaker 3: tell you everything you want to know about my father
- 30:08Speaker 3: the Healer, and UH Counterpoint Films dot com will tell
- 30:12Speaker 3: you more about about who we are and the kind
- 30:15Speaker 3: of work that we do.
- 30:17Speaker 1: Awesome, all right, we'll have that link up here at
- 30:19Speaker 1: the show notes page.
- 30:20Speaker 2: Thank you guy, Yes, of course, thank you. Thank you, No,
- 30:24Speaker 2: thank you for all you're doing.
- 30:25Speaker 3: This is so cool what you're doing and how you
- 30:28Speaker 3: are bringing together You're you're making this a like a
- 30:31Speaker 3: conversation that we can all have.
- 30:35Speaker 1: Well, I appreciate that. Yes, and I loved meeting you
- 30:38Speaker 1: and talking to you, and we'll be in touch.
- 30:40Speaker 3: Okay, take care that by