Latest / Ryder Lee / The Psychological Impact of Stanley Kubrick's Films | Juan on Juan

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The Psychological Impact of Stanley Kubrick's Films | Juan on Juan · Ryder Lee

• 0:07
  Speaker 1: Welcome to the One on One Podcast with your host
• 0:12
  Speaker 1: one on y'alla, welcome back.
• 0:43
  Speaker 2: To another episode of the One on One Podcast. I'm
• 0:46
  Speaker 2: your host. As always, make sure to follow a show
• 0:48
  Speaker 2: on social media TJ www dot t J, o j
• 0:53
  Speaker 2: P dot com. At the One on One Podcast, I'm
• 0:56
  Speaker 2: pretty much all social media platform a live on Twitch
• 1:01
  Speaker 2: every Tuesday night, Twitch dot tv, Slash one to One podcast.
• 1:05
  Speaker 2: I did a Path of Exile to early access giveaway.
• 1:09
  Speaker 3: This past week.
• 1:10
  Speaker 2: I'm gonna be doing another one this week, so make
• 1:12
  Speaker 2: sure to tune into that links down in.
• 1:14
  Speaker 3: The description and what else.
• 1:16
  Speaker 2: I hope everyone had a happy Thanksgiving. We are recording
• 1:20
  Speaker 2: this post Thanksgiving, so hopefully everyone had a good one
• 1:25
  Speaker 2: and joining us once again for a little deep dive
• 1:29
  Speaker 2: on Stanley the Cube brick Man, which I have some
• 1:33
  Speaker 2: thoughts on. That is writer Lee from the Raised by
• 1:36
  Speaker 2: Giants podcast? What's up, dude?
• 1:38
  Speaker 4: What's up on get to see your Brother? Thanks for
• 1:40
  Speaker 4: having me on this One's This one's a deep one, dude.
• 1:42
  Speaker 4: I'm gonna go so deep on this.
• 1:44
  Speaker 3: You go so so deep?
• 1:47
  Speaker 2: Uh so, dude, Before we get started, where can people
• 1:50
  Speaker 2: find you? Where can people find the documentary? More than anything,
• 1:54
  Speaker 2: and where can they go to find to listen to
• 1:56
  Speaker 2: you and to watch the documentary.
• 1:59
  Speaker 4: You can find me on Raised by Giants on YouTube
• 2:02
  Speaker 4: and you all podcast platforms on rock Bane And if
• 2:06
  Speaker 4: you would like to reach out to me personally, you
• 2:08
  Speaker 4: can find me on Twitter at Raised by Giants eight
• 2:10
  Speaker 4: and on Instagram at Raised by Giants pod. And if
• 2:13
  Speaker 4: you would like to watch the movie that we're going
• 2:16
  Speaker 4: to be talking about here today, is a Clockwork Shining
• 2:20
  Speaker 4: and it is on Amazon Prime that is available in
• 2:24
  Speaker 4: the United States and in the UK, But if you
• 2:27
  Speaker 4: can't get it in your country, try Apple tv Plus.
• 2:31
  Speaker 4: It is also on there. And if you can't get
• 2:33
  Speaker 4: it on Apple tv Plus, kind of out of luck
• 2:38
  Speaker 4: until we get it a worldwide distribution, but I know
• 2:43
  Speaker 4: that you can. You'll be able to see it on
• 2:46
  Speaker 4: Amazon Prime. But as I said, if not, we'll be
• 2:50
  Speaker 4: getting it out to everyone worldwide so everyone can enjoy
• 2:54
  Speaker 4: the movie that I made.
• 2:57
  Speaker 2: Excellent documentary by the way, it was very interesting. Kubrick
• 3:00
  Speaker 2: is one of these guys right that's at the center
• 3:03
  Speaker 2: of a lot of conspiracies. Was he hiding a lot
• 3:08
  Speaker 2: of stuff in his movies? Why weren't the extended versions
• 3:12
  Speaker 2: ever released, did he film the moon Landing, et cetera,
• 3:16
  Speaker 2: et cetera. Right, But I have one question, bro, because right,
• 3:21
  Speaker 2: I'm a skeptic before anything else. But how much of
• 3:25
  Speaker 2: it do you think is attributing meaning to something that
• 3:29
  Speaker 2: maybe wasn't meant to have a meaning, Because again, in
• 3:33
  Speaker 2: this conspiracy realm, everything as a conspiracy. And in my opinion,
• 3:38
  Speaker 2: if he was truly trying to take down this cabal
• 3:43
  Speaker 2: or expose this cabal, don't they run the movies in
• 3:46
  Speaker 2: which he was producing. Therefore, they wouldn't let him put
• 3:50
  Speaker 2: it out in the first place if he actually was
• 3:53
  Speaker 2: exposing something.
• 3:54
  Speaker 3: You get what I'm saying, Like how much.
• 3:56
  Speaker 4: The speculation between the eyes wide shot? Like people think
• 4:00
  Speaker 4: that he was revealing way too much in aswad shot
• 4:03
  Speaker 4: and then they just you know often, which I wouldn't
• 4:07
  Speaker 4: have made this movie if there if I didn't think
• 4:11
  Speaker 4: that there was solid evidence to what our theory is
• 4:13
  Speaker 4: actually about in the movie. And there turns out that
• 4:17
  Speaker 4: there is a lot of evidence. Now, Kubrick love to
• 4:22
  Speaker 4: put things in his movie. If you wash until the
• 4:25
  Speaker 4: very end of the movie, when the credits are rolling.
• 4:27
  Speaker 4: At the very end, it has Qubrick talking about his movies,
• 4:32
  Speaker 4: and it's a very rare clip. There's you can't hardly
• 4:36
  Speaker 4: find any video or any audio of Qubriic doing interviews
• 4:42
  Speaker 4: because he didn't do any. He wouldn't do any because
• 4:45
  Speaker 4: he didn't want the audience to know exactly what the
• 4:49
  Speaker 4: film is about, because to him, that ruins the viewing experience.
• 4:55
  Speaker 4: The audience doesn't get to create their own theory, they
• 4:58
  Speaker 4: don't get to speculate and talk to each other about
• 5:01
  Speaker 4: what the film actually means. So he'd done that stuff
• 5:05
  Speaker 4: on purpose, and that's the deal. With a lot of
• 5:07
  Speaker 4: these continuity errors that are within The Shining, there are
• 5:12
  Speaker 4: a lot of them. It's probably one of the movies
• 5:16
  Speaker 4: that has the most continuity errors, and a lot of
• 5:20
  Speaker 4: them are just blatantly obvious, like sets will just change
• 5:25
  Speaker 4: completely different sets. Like they'll walk in someplace, it'll be
• 5:28
  Speaker 4: one set in the background, they'll walk out of the place,
• 5:31
  Speaker 4: it'll be something completely different when they just went into
• 5:33
  Speaker 4: the same area. I have a slide show that I'm
• 5:36
  Speaker 4: going to cover some of the continuity raors here a
• 5:39
  Speaker 4: little bit later on in the show, but we put
• 5:41
  Speaker 4: a few of those within The Clockwork Shining on Amazon Prime.
• 5:45
  Speaker 4: That you can watch. But if we would have covered
• 5:48
  Speaker 4: all of the continuity errors, it would have been it
• 5:51
  Speaker 4: would have taken like forever, because there's just so many
• 5:54
  Speaker 4: of them within the movie and no one has ever
• 5:56
  Speaker 4: been able to explain why are these continuity error is
• 6:00
  Speaker 4: there because Cubrick is a master filmmaker. He's a perfectionist.
• 6:04
  Speaker 4: He gets everything down to really like a lot of
• 6:08
  Speaker 4: the details. He doesn't miss a lot of stuff. But
• 6:10
  Speaker 4: the thing that we really bring up within our movie
• 6:13
  Speaker 4: at Clockwork Shining is that Kubrick is rewriting the movie
• 6:17
  Speaker 4: as the movie is being filmed. And if you're a filmmaker,
• 6:20
  Speaker 4: if you're even an editor, if you've messed around with
• 6:23
  Speaker 4: any kind of films, you know that you do not
• 6:27
  Speaker 4: start production on a film until your movie is completely written.
• 6:33
  Speaker 4: So it's that's something that you would never do. No,
• 6:36
  Speaker 4: that's a nightmare for any filmmaker to be writing the
• 6:40
  Speaker 4: script of the movie as the movie's being filmed. And
• 6:43
  Speaker 4: we show that also in a Clockwork Shining where Jack
• 6:46
  Speaker 4: Nicholson just gets so fed up with having to you know,
• 6:50
  Speaker 4: the script changing every single day, that he stopped memorizing
• 6:53
  Speaker 4: or reading any of his lines. He's like they're just
• 6:56
  Speaker 4: going to change the next day. There's no point and
• 6:58
  Speaker 4: me studying any of the lines because Cubriic is just
• 7:01
  Speaker 4: rewriting the thing the next day. So I just take
• 7:03
  Speaker 4: the ones that they hand me in the morning and
• 7:06
  Speaker 4: then we go off and we shoot the scene.
• 7:08
  Speaker 3: Yeah, I did catch that.
• 7:10
  Speaker 4: There's a lot of mysteries to Cubic and The Shining
• 7:14
  Speaker 4: is one of those films that there's so many plot
• 7:19
  Speaker 4: holes and a lot of things that just don't make sense,
• 7:22
  Speaker 4: that just doesn't add up. And there's been so many
• 7:24
  Speaker 4: theories surrounding what The Shining is really about, from you know,
• 7:28
  Speaker 4: the faking of the moon landing, Native American genocide, the Holocaust,
• 7:32
  Speaker 4: like it just goes on and on and on and on.
• 7:35
  Speaker 4: But this is something that is one new. It is
• 7:39
  Speaker 4: my theory. It is what I have put together. And
• 7:41
  Speaker 4: I directed the movie and I edited the movie, and
• 7:46
  Speaker 4: I brought all this stuff together and it's been an
• 7:49
  Speaker 4: amazing experienced. Did you like it? Did you think that
• 7:52
  Speaker 4: it was? Yeah?
• 7:55
  Speaker 2: I enjoyed it. And again being being from somebody who
• 7:58
  Speaker 2: I'll be honest, I haven't really I've seen all the
• 8:02
  Speaker 2: Space Odyssey movies. I think there's one or two of them. Uh,
• 8:05
  Speaker 2: you know, I've watched those. Those are super interesting, and
• 8:08
  Speaker 2: I think i've I've seen some of his other stuff,
• 8:10
  Speaker 2: the Clockwork Orange and The Eyes Wide Shut, all those movies.
• 8:16
  Speaker 2: And again, he's always been around this circle of conspiracy
• 8:19
  Speaker 2: because people talk about him all the time like he's
• 8:21
  Speaker 2: like this sort of mastermind. But I believe I've heard
• 8:23
  Speaker 2: one guy talk about him not being you know, not
• 8:26
  Speaker 2: hiding things in his movies and something or other. I
• 8:28
  Speaker 2: forgot who did an interview with him. It was a
• 8:30
  Speaker 2: while ago that I heard him. But I think it
• 8:33
  Speaker 2: was really well done and I enjoyed it. I mean,
• 8:35
  Speaker 2: people should really check it out. The link will be
• 8:38
  Speaker 2: down in the description for those who want to watch it.
• 8:40
  Speaker 2: But he had you want to play the trailer and
• 8:42
  Speaker 2: get into it, and yeah.
• 8:44
  Speaker 4: Let's play the trailer.
• 8:45
  Speaker 2: I'm gonna pull it up and then you make sure
• 8:46
  Speaker 2: to to play here.
• 8:50
  Speaker 5: Hall hypnosis electric shocks to the brain some of the
• 8:58
  Speaker 5: methods used in secret CIA mind control experiments.
• 9:02
  Speaker 4: There are many theories honest to what the shining is
• 9:05
  Speaker 4: really about, from the faking of the moon landing to
• 9:08
  Speaker 4: Native American genocide and the Holocaust.
• 9:10
  Speaker 6: Now, if he did fake the apollo to the landing,
• 9:13
  Speaker 6: then he probably has really deep connections into the intelligence world.
• 9:18
  Speaker 4: Why are there.
• 9:19
  Speaker 6: These gigantic continuity airs in this movie?
• 9:23
  Speaker 3: The occulted meaning has to be comprehensible.
• 9:25
  Speaker 4: It's just hidden, usually in a very systematic way, so
• 9:31
  Speaker 4: that it could be understood by someone coming along later on.
• 9:33
  Speaker 3: Who knows what the real meaning is supposed to be.
• 9:36
  Speaker 4: We believe that there's something even more sinister lurking beneath
• 9:40
  Speaker 4: the surface of this master Hoil film.
• 9:43
  Speaker 6: So Lookout Mountain Hotel look a lot like the Overlook Hotel.
• 9:48
  Speaker 7: You realize it's know some status and co.
• 9:50
  Speaker 4: Edcenten system like as Lookout Mountain studios ran by the
• 9:55
  Speaker 4: Air Force.
• 9:56
  Speaker 8: And told the story of nuclear weapons testing by the
• 9:59
  Speaker 8: United States of the.
• 10:01
  Speaker 3: Army Navian Air Force.
• 10:02
  Speaker 5: The Air Force was known to be the most excited,
• 10:06
  Speaker 5: the most turned on by mk Ultra and its prospects.
• 10:09
  Speaker 7: Reportedly, there were more films might at Lookout Mountain than
• 10:15
  Speaker 7: at all the other film studio's employment.
• 10:19
  Speaker 6: We really don't know what these famous film directors were
• 10:21
  Speaker 6: being recruited for.
• 10:22
  Speaker 4: What project or whatever was it?
• 10:25
  Speaker 2: The Green Landing.
• 10:29
  Speaker 4: The CIA's MK Ultra programs were admitted to the public
• 10:33
  Speaker 4: in nineteen seventy five, years before the release of The.
• 10:38
  Speaker 7: Shining These experiments were done without the informed consent of
• 10:42
  Speaker 7: the patients.
• 10:43
  Speaker 5: Look at some UFO cases and the things that are
• 10:47
  Speaker 5: reporting tells me that mk ultra is likely being applied.
• 10:52
  Speaker 8: My mk ultramund control experience, I was taken to various military,
• 10:58
  Speaker 8: NASA and DARPA installation for sophisticated mind control programming.
• 11:06
  Speaker 7: Woke Disney, Marilyn Monroe, James Stewart, Carry Groan, Ronald Reagan.
• 11:14
  Speaker 7: Nobody really knows what they were doing up.
• 11:16
  Speaker 4: There, as well as high ranking military and Department of
• 11:19
  Speaker 4: Defense person out.
• 11:20
  Speaker 6: But people don't realize is that many of the people
• 11:23
  Speaker 6: that worked with Kubrick also worked with Kennedy. This is
• 11:26
  Speaker 6: actually the smoking gun proving that Kubrick was working with
• 11:30
  Speaker 6: the government.
• 11:31
  Speaker 7: These were all CIA sponsored experiments.
• 11:35
  Speaker 2: I said, I'm not gonna hurt you, I'm just gonna
• 11:38
  Speaker 2: bash your.
• 11:39
  Speaker 7: Friends and putting little symbolic critic clues and Easter eggs
• 11:46
  Speaker 7: attaining to the fact they're still doing it.
• 11:48
  Speaker 4: The clues include a hidden swastika in the background of
• 11:53
  Speaker 4: the gold Room.
• 11:55
  Speaker 8: What was the set up? What it was being told
• 11:58
  Speaker 8: and realized that it was a lie all along.
• 12:02
  Speaker 7: But right there in the narrative, the dialogue, they're telling
• 12:05
  Speaker 7: me that this was a very real program coming out
• 12:09
  Speaker 7: of those nice focused let's see, here's Johnny.
• 12:35
  Speaker 3: Yeah, it's a pretty sick trailer.
• 12:37
  Speaker 2: And and by the way, a lot of those scenes
• 12:40
  Speaker 2: from that particular movie have become memes, like viral memes
• 12:43
  Speaker 2: that people use, like the one where he's frozen, the
• 12:47
  Speaker 2: one where he's got his head through the door. At
• 12:50
  Speaker 2: least those have been used. And the concept of right
• 12:54
  Speaker 2: and mc ultras I like to call it, in my opinion,
• 12:58
  Speaker 2: right the start date is nineteen fifty three and they
• 13:02
  Speaker 2: end date nineteen sixty four. Right, and the whole origin
• 13:06
  Speaker 2: story of like how they found the files, right they
• 13:09
  Speaker 2: go into this back was it like a custodial closet
• 13:14
  Speaker 2: in the back, and oh, look at all these files here.
• 13:17
  Speaker 2: In my opinion, it falls right in line with the
• 13:19
  Speaker 2: whole project paper Clip and everything, where when they came
• 13:22
  Speaker 2: over they were kind of sort of doing the same
• 13:24
  Speaker 2: thing of like human experimentation and wanting to kind of
• 13:29
  Speaker 2: sort of if if we want to believe the stuff
• 13:32
  Speaker 2: that people say about that, because you know, you can
• 13:34
  Speaker 2: go down a whole another rabbit hole of that. It's like,
• 13:37
  Speaker 2: was all that even true that they were experimenting on
• 13:40
  Speaker 2: all these people and doing all these horrific things. But
• 13:43
  Speaker 2: it falls right in line with mc ultro, where it's
• 13:47
  Speaker 2: right along that realm of things that they are trying
• 13:49
  Speaker 2: to find a sixth sense on somebody right, probably do
• 13:53
  Speaker 2: entrepidation or something in their skull and all these crazy things.
• 13:57
  Speaker 2: So I don't know, dude, why don't you lead the
• 14:01
  Speaker 2: way and I'll ask you questions along the way, because
• 14:03
  Speaker 2: then he told me how to presentation they wanted to show.
• 14:07
  Speaker 4: Yeah, so we do know that mk Ultra they were
• 14:12
  Speaker 4: trying to There was at least five mk ultra subprojects
• 14:19
  Speaker 4: out of the one hundred and forty nine that we
• 14:22
  Speaker 4: know about, but supposedly there was another two hundred subprojects
• 14:26
  Speaker 4: that the documents were destroyed on, but we only know
• 14:29
  Speaker 4: about one hundred and forty nine, and there was at
• 14:32
  Speaker 4: least five subprojects that were dedicated to unlocking psychic abilities
• 14:40
  Speaker 4: within the victim. So that is a fact and also
• 14:46
  Speaker 4: a fact that doctor Hugh and Cameron in Canada, like
• 14:52
  Speaker 4: a lot of the people that he did experimentations on,
• 14:54
  Speaker 4: which was the psychic driving. He's the one that basically
• 14:58
  Speaker 4: coined that term and started doing that type of mk
• 15:02
  Speaker 4: ultra mind control was you know, psychic driving, where he
• 15:06
  Speaker 4: would just pound a phrase or a thought or an
• 15:10
  Speaker 4: idea just repetitiously into these people's heads to control their
• 15:16
  Speaker 4: behavior or influence them in a certain way. And we
• 15:19
  Speaker 4: also get into that, you know, during the film. And
• 15:22
  Speaker 4: then you also have some of the first mk ultra
• 15:26
  Speaker 4: experiments which was done on army personnel, volunteer army personnel.
• 15:31
  Speaker 4: This is highly documented and we know the ones in
• 15:35
  Speaker 4: Canada by doctor Human Cameron was one hundred percent real
• 15:38
  Speaker 4: because a lot of those people that went through that
• 15:41
  Speaker 4: ended up suing the Canadian government for doing those experiments
• 15:44
  Speaker 4: on that. So the army had their experiments in the
• 15:49
  Speaker 4: United States and they would use this drug called b
• 15:54
  Speaker 4: Z which BZ is one hundred times more powerful than LSD,
• 15:59
  Speaker 4: and it would make the volunteers for this army program
• 16:03
  Speaker 4: basically go out of their mind for weeks at a time,
• 16:08
  Speaker 4: and they would even do like open air testing with it.
• 16:11
  Speaker 4: They would do like a war simulation where they had
• 16:17
  Speaker 4: you know, military people out in the field and then
• 16:20
  Speaker 4: they would just have this these giant containers of b
• 16:24
  Speaker 4: Z and then they would just let the BZ loose
• 16:27
  Speaker 4: and like a mist like fog thing that would hit
• 16:30
  Speaker 4: all of the soldiers all at once, and then they
• 16:32
  Speaker 4: would just completely loose function of like all their motor
• 16:35
  Speaker 4: skills and like go out of their mind. And then
• 16:37
  Speaker 4: they would go out into the field and grab them
• 16:39
  Speaker 4: and drag them back to the facility and have them
• 16:42
  Speaker 4: answer all these weird questions while they're tripping balls on
• 16:49
  Speaker 4: substances one hundred times more powerful than LSD. We know
• 16:53
  Speaker 4: for a fact that those experiments were and we also
• 16:57
  Speaker 4: know that they were sub seen in subcontracting out programs
• 17:02
  Speaker 4: to entire hospital wings of certain hospitals in Washington.
• 17:08
  Speaker 6: D C.
• 17:09
  Speaker 4: Where they would run these experiments on people. They were
• 17:12
  Speaker 4: doing them to prisoners, they were doing them to all
• 17:17
  Speaker 4: kinds of people, and we know that for a fact
• 17:23
  Speaker 4: because these people have actually been through it. There's a
• 17:26
  Speaker 4: really good show on HBO that dives into some of
• 17:30
  Speaker 4: the first, you know, drug experiments on the army personnel.
• 17:34
  Speaker 4: Now that program necessarily wasn't a mind control operation, but
• 17:41
  Speaker 4: it was a test on and these people did not
• 17:44
  Speaker 4: know that they were what they were, you know, what
• 17:47
  Speaker 4: kind of substances that they were being given. They were sold,
• 17:50
  Speaker 4: do you want to volunteer for this program? They would
• 17:53
  Speaker 4: come into the facility, they would put this mask over
• 17:55
  Speaker 4: their face and they would just put in this aerosol
• 17:58
  Speaker 4: gas into them. They didn't know what it was going
• 18:00
  Speaker 4: to do to them. They weren't briefed on what was
• 18:03
  Speaker 4: going to happen to them, and then they would just
• 18:05
  Speaker 4: be out of their mind for weeks at a time.
• 18:07
  Speaker 4: And this really screwed with these these army personnel. And
• 18:11
  Speaker 4: then they tried to gaslight them and make it seem
• 18:14
  Speaker 4: like they weren't a part of these programs. So therefore
• 18:17
  Speaker 4: they couldn't get any VA medical assistance from the Veterans
• 18:23
  Speaker 4: Hospital because they weren't providing them proof that they even
• 18:25
  Speaker 4: went through this army program. So we do know that
• 18:30
  Speaker 4: these majority of these experiments were now the people that
• 18:38
  Speaker 4: claim to have been a part of them, that's a
• 18:40
  Speaker 4: whole other story. You know. There's you got the whole
• 18:44
  Speaker 4: secret space program nonsense garbage people, and that they were
• 18:47
  Speaker 4: all mk ultrade and then they went into a time
• 18:50
  Speaker 4: travel Pegasus program and then fought aliens in space for
• 18:54
  Speaker 4: twenty years and then adrig rees back to the very
• 18:56
  Speaker 4: point that they're taking this whole garbage nonsense. But it
• 19:00
  Speaker 4: starts out with.
• 19:03
  Speaker 2: Could it could it be possible though, that they were
• 19:06
  Speaker 2: put in in a in a state of mind that
• 19:09
  Speaker 2: to them that.
• 19:10
  Speaker 4: Was hyperbolic time chamer like in Dragon ball Z.
• 19:12
  Speaker 2: No no no, I mean the memories, like the the
• 19:15
  Speaker 2: the act of Maybe perhaps they weren't actually there physically,
• 19:19
  Speaker 2: but for example, if you read.
• 19:22
  Speaker 3: The the Hell's this Guy's name?
• 19:24
  Speaker 2: The How to Create an Undetectable mind control Slave, the
• 19:28
  Speaker 2: damn I forgot the dude's name anyways, that book where
• 19:30
  Speaker 2: he talks about how even uh Walter Bozzi was talking
• 19:35
  Speaker 2: about how some of the alien abduction stuff is like
• 19:40
  Speaker 2: implanted memories. So maybe they didn't actually encounter aliens, but
• 19:45
  Speaker 2: maybe the memory or they were thought that they you know,
• 19:48
  Speaker 2: thought to believe or made believe that they encountered these
• 19:52
  Speaker 2: extraterrestrial entities that were probing them and doing all this stuff.
• 19:55
  Speaker 2: But it was actually the government, right, doing whatever they
• 19:59
  Speaker 2: do and then traumatizing them and making them like, hey,
• 20:02
  Speaker 2: if you make it as crazy as possible, no one's
• 20:06
  Speaker 2: ever going to believe you, right, And that's one of
• 20:08
  Speaker 2: the things I learned from reading man, what the hell
• 20:11
  Speaker 2: is this guy's name?
• 20:13
  Speaker 3: How to create an undetectable.
• 20:23
  Speaker 4: Yeah, I'm not familiar. I think for the spring frost
• 20:29
  Speaker 4: spring may Yeah, well, I think then it may be
• 20:32
  Speaker 4: because we know that the military uses video games. We
• 20:35
  Speaker 4: show that in our documentary, and some of that footage
• 20:37
  Speaker 4: is really old footage. So it's a high possibility that
• 20:42
  Speaker 4: that type of technology has gotten highly advanced to the
• 20:46
  Speaker 4: point that if you're drugged and then you're put into
• 20:50
  Speaker 4: this this simulation type of reality, that you would think
• 20:55
  Speaker 4: that that simulation reality was real when it wasn't. That's
• 20:59
  Speaker 4: a high possibility. And another possibility is that what these people,
• 21:05
  Speaker 4: what a few people have experienced they claim to be
• 21:07
  Speaker 4: a part of these SSP programs, is that they were
• 21:10
  Speaker 4: a part of a program, but it had nothing to
• 21:13
  Speaker 4: do with space and really nothing to do with the government.
• 21:15
  Speaker 4: It was a behavioral teen, behavioral health camp. Because thousands
• 21:22
  Speaker 4: of kids have been put through these teen schools, like
• 21:27
  Speaker 4: these behavioral health teen schools for troubled teens, thousands of
• 21:32
  Speaker 4: people and there's still a lot of them to this
• 21:34
  Speaker 4: very day, and how they get them, especially back ten
• 21:40
  Speaker 4: fifteen years ago, they would a black van would pull
• 21:44
  Speaker 4: up to their house. This all has to do with
• 21:45
  Speaker 4: their parents. So their parents think that they're a very
• 21:47
  Speaker 4: unruly kid, that they're getting into all this trouble and
• 21:52
  Speaker 4: that they're possibly maybe doing a lot of them aren't
• 21:55
  Speaker 4: they're just being regular teenagers. But their parents think that
• 21:58
  Speaker 4: they're going down the wrong path. So they call up
• 22:01
  Speaker 4: this school and people show up in a black suv.
• 22:06
  Speaker 4: They're in suits, and they abduct them in the middle
• 22:10
  Speaker 4: of the night out of their bed and handcuff them
• 22:12
  Speaker 4: and throw them into a back of an suv and
• 22:15
  Speaker 4: drive off and take them to one of these schools,
• 22:18
  Speaker 4: one of these behavioral health modification schools, where they're normally
• 22:23
  Speaker 4: there until they're eighteen years old or until they've graduated
• 22:29
  Speaker 4: the program, and then they get some sort of certificate
• 22:32
  Speaker 4: which is like supposedly a degree. But all of these
• 22:35
  Speaker 4: people that have been through a lot of these programs,
• 22:38
  Speaker 4: they found out that their degree wasn't even real. It
• 22:41
  Speaker 4: was a fake degree. It's a huge scam. It's a
• 22:45
  Speaker 4: giant scam. And then they gaslight the parents. There's a
• 22:48
  Speaker 4: really good show about this on Netflix called The Programs
• 22:55
  Speaker 4: Cults Kidnapping in what is the name of it?
• 23:00
  Speaker 2: Yeah, they know which one you're talking about. A lot
• 23:02
  Speaker 2: a lot of celebrities went to it.
• 23:04
  Speaker 4: Yeah, well that was a different one. The one that
• 23:07
  Speaker 4: the documentary is on is in upstate New York at
• 23:11
  Speaker 4: a place that's been shut down, was called Ivy Ridge.
• 23:14
  Speaker 4: But there's several of them. There's another documentary that's called
• 23:18
  Speaker 4: Hell Camp that talks about this thing. This in Utah.
• 23:21
  Speaker 4: It's like a freaking a hiking teen behavioral modification thing
• 23:27
  Speaker 4: where you go out for an entire summer for three
• 23:29
  Speaker 4: months and you just hike in the wilderness of Utah.
• 23:32
  Speaker 4: And then there's another one. It's called Provo Canyon and
• 23:35
  Speaker 4: uh pam uh what's her name? Paris Hilton. Paris Hilton
• 23:41
  Speaker 4: went through one of these programs where she was abducted
• 23:44
  Speaker 4: in the middle of the night, taken to the taken
• 23:47
  Speaker 4: to Provo Canyon Behavioral Modification School. And what's interesting is
• 23:52
  Speaker 4: in that programs, the program Colts con cons and Kidnapping
• 23:57
  Speaker 4: is the name of it. Colts cons and Kidnapping. They
• 24:01
  Speaker 4: talk about which you know, relating to Stanley Kubrick, that
• 24:05
  Speaker 4: they would be woken up every morning and this will
• 24:08
  Speaker 4: play through the system to the beginning opening of two
• 24:13
  Speaker 4: thousand and one a Space Odyssey the music to two
• 24:16
  Speaker 4: thousand and one of Space Odyssey. What, Yeah, at these
• 24:21
  Speaker 4: behavioral modification schools that these kids would.
• 24:25
  Speaker 2: Go to.
• 24:26
  Speaker 4: So that's a connection to you know, Qubic and the documentary,
• 24:32
  Speaker 4: and there's so many and it's possible that these people
• 24:37
  Speaker 4: are mistaken that they thought that this was like some
• 24:40
  Speaker 4: kind of like special school, because we do know that
• 24:43
  Speaker 4: trauma is the basis of mind control, and you have
• 24:50
  Speaker 4: to break someone's psyche in order to implant new ideas,
• 24:54
  Speaker 4: and that's exactly like what these kids were talking about
• 24:57
  Speaker 4: that was at this Ivy Ridge school, Like you would
• 24:59
  Speaker 4: be broken down and that's what this called. The program
• 25:05
  Speaker 4: is what it's called. And they would instill this program
• 25:09
  Speaker 4: all these rules and all these guidelines and all these
• 25:12
  Speaker 4: things that you have to do once they have broken
• 25:14
  Speaker 4: their mind and like fractured them and like traumatized them.
• 25:17
  Speaker 4: Like there's footage all over that movie on Netflix of
• 25:22
  Speaker 4: the staff just beating these kids senselessly and making them
• 25:27
  Speaker 4: do things that you know they otherwise would never do.
• 25:35
  Speaker 4: And this is a very traumatic thing to these kids.
• 25:38
  Speaker 4: So I think that it's a high possibility that some
• 25:41
  Speaker 4: of these people they claim to be a part of
• 25:43
  Speaker 4: this secret space program nonsense garbage have possibly maybe been
• 25:48
  Speaker 4: through one of these programs and they've just completely embellished it.
• 25:50
  Speaker 4: But I think at this point the people that are,
• 25:54
  Speaker 4: you know, claiming to be a part of this stuff,
• 25:56
  Speaker 4: they're just bandwagoners. They've listened to other people talking about
• 26:00
  Speaker 4: their their made up garbage nonsense, and then they copy,
• 26:04
  Speaker 4: and then they add a few things onto their stuff,
• 26:06
  Speaker 4: and then it just becomes this whole giant fairytale nonsense,
• 26:10
  Speaker 4: upside down world time travel nonsense, garbage story but whole portals.
• 26:15
  Speaker 3: Yeah, no, I agree with you on that.
• 26:17
  Speaker 2: I forgot what I did an episode once upon a time,
• 26:20
  Speaker 2: and there was something I forgot the name might put
• 26:23
  Speaker 2: on these wilderness camps.
• 26:25
  Speaker 3: I forgot what they called it. But yeah, there is.
• 26:28
  Speaker 2: This concept of and in my opinion, Captain America kind
• 26:33
  Speaker 2: of falls in there where it's a sort of superhuman
• 26:38
  Speaker 2: power or supernatural power through trauma. Right where if you
• 26:43
  Speaker 2: look at any origin story of pretty much all superheroes really,
• 26:48
  Speaker 2: and if you take into account like Disney's movies, and
• 26:51
  Speaker 2: how all the trauma that the characters go through, whether
• 26:54
  Speaker 2: it be their parents or whatever, it is that they
• 26:56
  Speaker 2: lose their parents, like that trauma kind of sends them
• 26:59
  Speaker 2: on the hero's journey. And I think that that rings
• 27:02
  Speaker 2: true in reality, where you're talking about them putting these
• 27:06
  Speaker 2: people through a very traumatic experience. And I remember when
• 27:11
  Speaker 2: I was in middle school and elementary, we had the Gifted, right,
• 27:15
  Speaker 2: there was a separate group of kids who were gifted,
• 27:19
  Speaker 2: and they took the more advanced classes.
• 27:22
  Speaker 3: And I'm trying, I'm.
• 27:22
  Speaker 2: Starting to think like maybe the Gifted was a program
• 27:27
  Speaker 2: to try and see who they could get their hands
• 27:30
  Speaker 2: on next, right, Like, because they're they're looking for people
• 27:34
  Speaker 2: all the time, right, And I think that some people
• 27:36
  Speaker 2: are more susceptible than others when it comes to this
• 27:39
  Speaker 2: sort of programming, if you will. And I remember Gifted
• 27:43
  Speaker 2: was one of those programs where it's like, oh, what
• 27:46
  Speaker 2: class do you have next? So I got this other
• 27:48
  Speaker 2: class that's, you know, far more advanced because I took
• 27:52
  Speaker 2: a test and I scored above a certain you know, percentile.
• 27:55
  Speaker 2: And I think maybe they take those kids and who
• 27:59
  Speaker 2: knows what they're putting in them, you know, or or
• 28:04
  Speaker 2: conditioning them for, right, because it seems like that's something
• 28:08
  Speaker 2: that they would do. And I think that make ultra
• 28:11
  Speaker 2: and all these programs have just continued under different names.
• 28:18
  Speaker 4: I've heard that before, but I haven't been able to
• 28:20
  Speaker 4: I've heard several people talk about the gifted programs within
• 28:24
  Speaker 4: public school, but I haven't been able to find any
• 28:29
  Speaker 4: like real documentation. And I'm not saying that you're that
• 28:34
  Speaker 4: that it didn't happen, but I haven't been able to
• 28:36
  Speaker 4: find any real documentation on that these types of programs
• 28:40
  Speaker 4: were an actual real thing. But I've heard several people
• 28:44
  Speaker 4: talk about it. Now. Whenever I was in school, the
• 28:49
  Speaker 4: gifted program was that you were mentally challenged. That's what
• 28:56
  Speaker 4: the gifted program meant. And no joke, that's what it
• 29:04
  Speaker 4: meant that you that you had a learning disability. So
• 29:07
  Speaker 4: therefore you were in a gifted Okay, you were in
• 29:11
  Speaker 4: a different segment.
• 29:12
  Speaker 2: Maybe my friend was retarded and I thought he was
• 29:14
  Speaker 2: smarter than I was because he was going to these
• 29:17
  Speaker 2: special classes, and it turns out that he was.
• 29:19
  Speaker 3: He was worse off than I was.
• 29:21
  Speaker 2: You know, like, I don't know, I think the earth
• 29:23
  Speaker 2: is flat. It's like, okay, put him in gifted because
• 29:26
  Speaker 2: he obviously needs it, right, so send him out of here.
• 29:29
  Speaker 2: Maybe dude, who knows. But I think that during school,
• 29:32
  Speaker 2: they one hundred percent had to be scouting for people.
• 29:35
  Speaker 2: How I think they are now And in my opinion,
• 29:38
  Speaker 2: you know, I think mcultra is more put in the
• 29:41
  Speaker 2: foods nowadays. So I think that they do mind control
• 29:45
  Speaker 2: through the stuff that you consume willingly, right, because no
• 29:49
  Speaker 2: matter how many times they talk about, you know that
• 29:53
  Speaker 2: MC chicken meal being so bad for you, We're gonna
• 29:56
  Speaker 2: always go back and get the fries because the fries
• 30:00
  Speaker 2: are good, right, So you're like sort of addicted and
• 30:02
  Speaker 2: you get this dopamine from going. And I think that
• 30:04
  Speaker 2: that is the real you know, mind control, you know,
• 30:09
  Speaker 2: your mick Ultra happy Meal or whatever it is that
• 30:12
  Speaker 2: you get on the weekend. So I think it's evolved, dude,
• 30:16
  Speaker 2: And I think that there's a certain class of people
• 30:19
  Speaker 2: who are susceptible to it. And the reason I say
• 30:21
  Speaker 2: that is because a lot of these people. For example,
• 30:24
  Speaker 2: one person that I always use is who was in
• 30:28
  Speaker 2: the limelight recently, Mike Tyson with Jake Paul, the fake
• 30:33
  Speaker 2: fight that they had, right, the money grab and the
• 30:37
  Speaker 2: humiliation ritual that he did because he showed his cheeks
• 30:39
  Speaker 2: on the full moon and blah blah, blah, all this
• 30:42
  Speaker 2: crazy stuff. And Mike Tyson for a majority of his
• 30:46
  Speaker 2: career was actually hypnotized. And you notice a change after
• 30:51
  Speaker 2: his trainer dies and passes on which he had a
• 30:55
  Speaker 2: different trainer obviously. You see his demeanor change in the
• 30:59
  Speaker 2: fight conferences that they do, you know, to hype up
• 31:02
  Speaker 2: the fight before before he you know, while he was hypnotizing,
• 31:05
  Speaker 2: in my opinion, he was much more calmon. He barely
• 31:08
  Speaker 2: said anything, bro like, he barely said anything to the
• 31:11
  Speaker 2: other guy. The other guy would be going on talking
• 31:14
  Speaker 2: smack and Tyson would just be like, all right, we'll
• 31:17
  Speaker 2: see you on the fight night, you know, X date.
• 31:19
  Speaker 2: And if you look at because I've seen all of
• 31:21
  Speaker 2: Mike Tyson's fight like I love watching old boxing videos
• 31:25
  Speaker 2: of like, you know, back in the day, and Tyson
• 31:27
  Speaker 2: was such a freaking nature bro like in his prime,
• 31:32
  Speaker 2: he was just this animal, and in my opinion, they
• 31:35
  Speaker 2: were able to extract that, you know, what I call
• 31:39
  Speaker 2: a homunculees, you know, like a hercules, this person that
• 31:42
  Speaker 2: were able to extract this other part of him that
• 31:45
  Speaker 2: made him a killing machine, that made him, you know,
• 31:49
  Speaker 2: the the the a champion at one point, and that
• 31:53
  Speaker 2: to me is a perfect example of using mind control
• 31:56
  Speaker 2: to condition somebody to do one purpose and that's killed
• 32:00
  Speaker 2: because essentially he was a killing machine in the ring.
• 32:04
  Speaker 3: And you see the shift.
• 32:05
  Speaker 2: After his original trainer passes on where he just goes
• 32:09
  Speaker 2: he spirals out and then we all know the rest
• 32:11
  Speaker 2: of the history of Mike Tyson, right the allegations he
• 32:17
  Speaker 2: went to jail for a whole bunch of other stuff
• 32:20
  Speaker 2: and ever since then, Dude, it feels like he's not
• 32:23
  Speaker 2: all there. Rights, he wasn't the gifted, probably in the
• 32:26
  Speaker 2: gifted classes probably and he is. I guess they couldn't.
• 32:30
  Speaker 2: Maybe he went through some trauma when he was a child,
• 32:34
  Speaker 2: which I can imagine growing up in the hood or
• 32:36
  Speaker 2: whatever it is, you will go through this trauma. And
• 32:38
  Speaker 2: I guess his trainer was able to take that and
• 32:42
  Speaker 2: really focus in on that and turn him into this
• 32:44
  Speaker 2: killing machine that he became, and he was for many years.
• 32:50
  Speaker 2: But after that gig was up, they flipped the switch,
• 32:54
  Speaker 2: and I guess nobody was ever able to tap back
• 32:56
  Speaker 2: into that.
• 32:56
  Speaker 3: But he was hypnotized for a majority of his career.
• 32:58
  Speaker 4: Dude, Well, you also got to remember the Tyson is
• 33:03
  Speaker 4: fifty seven years old, like he's he's he's old, bro,
• 33:10
  Speaker 4: like he only in the movie. Only in the movies,
• 33:15
  Speaker 4: can somebody that is fifty seven years old, like Sylvester
• 33:18
  Speaker 4: Saloone and like Expendables actually get out there and kick ass.
• 33:22
  Speaker 4: There ain't no way that a fifty seven year old
• 33:24
  Speaker 4: is going to be a twenty seven year old, no
• 33:27
  Speaker 4: matter how good they are. And there's I mean, I
• 33:32
  Speaker 4: don't doubt some of that stuff. But also Tyson, he
• 33:37
  Speaker 4: also almost died like a couple of months ago, like
• 33:41
  Speaker 4: he was heavily sick, like he was in the hospital.
• 33:43
  Speaker 4: That's why they had to postpone the fight. It was
• 33:45
  Speaker 4: supposed to be two months earlier than what it was,
• 33:48
  Speaker 4: and that's why the training videos were all different, and
• 33:50
  Speaker 4: people were like, oh, well, he's out there, actually, you
• 33:53
  Speaker 4: know he Why does he look so good in the
• 33:56
  Speaker 4: training videos because that was way prior to when the
• 33:59
  Speaker 4: fight was, before he was deathly sick and almost died
• 34:02
  Speaker 4: in the hospital. And then he gets out there a
• 34:04
  Speaker 4: couple of months later, he's obviously not recovered. He's obviously
• 34:07
  Speaker 4: not the same person or it's a clone either one.
• 34:11
  Speaker 7: Uh.
• 34:12
  Speaker 4: Then he gets out there and he's not that good.
• 34:16
  Speaker 4: But then people are like, oh, well, it's all it's
• 34:18
  Speaker 4: like fake and stage. I was like, he's just fifty
• 34:21
  Speaker 4: seven years old. Dude, he's old and he almost died
• 34:24
  Speaker 4: two months before he had to postpone the fight. So
• 34:28
  Speaker 4: I mean, I don't know, dude. People they they they
• 34:33
  Speaker 4: want to think that everything is fake and rigged and
• 34:36
  Speaker 4: all that. I don't. I don't doubt that like a
• 34:40
  Speaker 4: lot of I mean, boxing has been a sport that's
• 34:42
  Speaker 4: been heavily rigged in stage since the inception of boxing,
• 34:48
  Speaker 4: Like it's been it's been that way, you know, like
• 34:50
  Speaker 4: it's always been that type of sport that people have,
• 34:54
  Speaker 4: you know, always been caught cheating, you know, putting stuff
• 34:57
  Speaker 4: in their gloves, you know, making their gloves more heavy,
• 35:00
  Speaker 4: and you know, the the ref is in on it,
• 35:03
  Speaker 4: the judges are in on it. You know. It's like
• 35:05
  Speaker 4: it's always been a rig sport. Yeah.
• 35:09
  Speaker 2: So it says here is from twenty twenty that he
• 35:11
  Speaker 2: was hypnotized up to three times a day from the
• 35:14
  Speaker 2: age of twelve by I know his name is Constantine,
• 35:19
  Speaker 2: caused Diamatto seek the psychological help of the late John Helplind,
• 35:25
  Speaker 2: helping in order to for the aggressive heavyweight to control
• 35:28
  Speaker 2: his mind.
• 35:29
  Speaker 3: Is this guy involved in some sort of stuff hypnotist.
• 35:37
  Speaker 3: Here we go, let's see.
• 35:40
  Speaker 2: Anyways, Yeah, I think I know that Mike Tyson did
• 35:43
  Speaker 2: some five DM DMT and yeah the frog.
• 35:49
  Speaker 4: Yeah, and then God told him to be with Jake
• 35:55
  Speaker 4: Paul's ass. So I didn't think that he could lose dude.
• 35:59
  Speaker 4: There's no way God told him to be Jake Paul's ask.
• 36:01
  Speaker 4: No way he's gonna lose bro. But that's also within
• 36:05
  Speaker 4: The Shining as well, because in the first ten minutes
• 36:07
  Speaker 4: of The Shining, when Danny has his he gets his
• 36:12
  Speaker 4: visions while him and Wendy, while Jack is at the
• 36:16
  Speaker 4: hotel for the interview, Danny and Wendy is back and
• 36:19
  Speaker 4: Boulder at their apartment, and Danny has his psychic visions,
• 36:23
  Speaker 4: and then the doctor comes and talks to Wendy and
• 36:27
  Speaker 4: is basically like, hey, you know when did these when
• 36:31
  Speaker 4: do these abilities or did these incidents start happening? And
• 36:35
  Speaker 4: she says, while it was after the time that Jack
• 36:40
  Speaker 4: came in and injured Danny's arm, and that's a traumatic
• 36:45
  Speaker 4: event for Danny there as well, and that could unlock
• 36:49
  Speaker 4: these psychic abilities that we talk about in our movie.
• 36:52
  Speaker 4: And another strange thing that the doctor tells Wendy that
• 36:58
  Speaker 4: this is normally do to self hypnosis, that.
• 37:04
  Speaker 2: They self hypnosis, so you hypnotize yourself.
• 37:08
  Speaker 4: Yes, she utters those words that this normally comes about.
• 37:13
  Speaker 4: These types of things normally happened due to self hypnosis.
• 37:19
  Speaker 4: So that's a tie in between, you know, the hypnosis
• 37:23
  Speaker 4: that well the hypnotizing. The fact that you were talking
• 37:28
  Speaker 4: about with Mike Tyson. So he's mean, he's he's self
• 37:34
  Speaker 4: hypnotizing himself and mixed him with the traumatic event and
• 37:40
  Speaker 4: he's essentially developed these types of abilities, just like within
• 37:44
  Speaker 4: mk Ultra. That's what they were trying to do. They
• 37:47
  Speaker 4: were trying to unlock these in a lot of the subprojects,
• 37:51
  Speaker 4: these psychic abilities within the patients by traumatizing them and
• 37:55
  Speaker 4: putting making them susceptible to all these things that would
• 37:59
  Speaker 4: mind from a uh there, you know, break them down
• 38:03
  Speaker 4: psychologically so that they can somehow develop these types of abilities.
• 38:08
  Speaker 4: But one of the connuity errors, which is a connuity
• 38:12
  Speaker 4: era of dialogue, because there's so many connuity heors within
• 38:16
  Speaker 4: the Shining. There's objects that will move and then reappear,
• 38:20
  Speaker 4: disappear and then be there the next scene and be
• 38:23
  Speaker 4: there and then disappear later on. But there's also connuity
• 38:26
  Speaker 4: aras between the dialogue of the characters, and one of
• 38:28
  Speaker 4: those is when Wendy is talking to the doctor in
• 38:33
  Speaker 4: the beginning of the movie. She says that after Jack
• 38:36
  Speaker 4: comes in and injures Danny's arm because Danny had all
• 38:40
  Speaker 4: of his papers spread out all across the room and
• 38:43
  Speaker 4: he went to yank Danny up and injured his arm.
• 38:47
  Speaker 4: She says that five that after that incident, he stopped
• 38:52
  Speaker 4: drinking and that he has been sober for five months,
• 38:57
  Speaker 4: so meaning that that event happened ye five months ago.
• 39:02
  Speaker 4: He's been sober for five months. He injured Danny's arm
• 39:04
  Speaker 4: five months ago. But later on, when Jack is in
• 39:08
  Speaker 4: the Gold Room talking to Lloyd the bartender about the
• 39:12
  Speaker 4: incident and admitting that he injured Danny's arm, he said
• 39:16
  Speaker 4: that it was three years ago.
• 39:19
  Speaker 3: Do you think that perhaps.
• 39:24
  Speaker 2: I know this is stepping away from the because right, Mkultrum,
• 39:27
  Speaker 2: in my opinion, is one of these conspiracies that's very tangible.
• 39:30
  Speaker 2: It's something that can be done here in this reality,
• 39:34
  Speaker 2: in this realm, something that's controllable. Note right, how you've
• 39:38
  Speaker 2: iterated it before. This movie isn't about ghosts. It's you know,
• 39:41
  Speaker 2: he has people kind of sort of playing ghosts hallucinations in.
• 39:45
  Speaker 3: Some sort of way.
• 39:46
  Speaker 2: But could it be that maybe perhaps the changing of
• 39:49
  Speaker 2: the things in the background and him getting the timeline
• 39:53
  Speaker 2: mixed up. Do you think that this hotel, this lookout
• 39:56
  Speaker 2: mountain place is maybe perhaps a sort of like portal
• 40:00
  Speaker 2: or wormhole, and by them switching stuff in the background,
• 40:04
  Speaker 2: they're jumping from timeline to timeline, he was trying to
• 40:06
  Speaker 2: sort of insinuate that or something going on there, maybe
• 40:10
  Speaker 2: making them believe that they were warping in time or
• 40:14
  Speaker 2: something along those lines.
• 40:15
  Speaker 3: Like what are your thoughts on that?
• 40:16
  Speaker 2: Because I can't see to why this prestigious director in
• 40:22
  Speaker 2: Hollywood would.
• 40:24
  Speaker 3: Let these slip ups happen, right, because if he was.
• 40:28
  Speaker 2: So paying so much, paying attention to detail and all
• 40:31
  Speaker 2: these other things, like why would he let that happen?
• 40:34
  Speaker 2: Maybe there's something more to that. And it's like flipping
• 40:37
  Speaker 2: through timelines back and forth. It's like you see that
• 40:40
  Speaker 2: the first script says one thing, and then the second
• 40:42
  Speaker 2: time it says something else.
• 40:46
  Speaker 3: Why the discrepancies?
• 40:47
  Speaker 4: You know, Yeah, that's a really good point. I think
• 40:53
  Speaker 4: that the continuity ours are put there on purpose.
• 40:58
  Speaker 2: I just want to remind everyone make sure to check
• 41:00
  Speaker 2: out the show on Patreon, Patreon dot com, slash the
• 41:04
  Speaker 2: one on one podcast.
• 41:05
  Speaker 3: I constantly get emails. Oh only one episode a week.
• 41:09
  Speaker 2: Yeah, one episode a week for the public, but for
• 41:11
  Speaker 2: as little as five bucks a month. You can get
• 41:15
  Speaker 2: up to two, sometimes three, sometimes one episode per day
• 41:19
  Speaker 2: on the Patreon as well as on the YouTube channel
• 41:24
  Speaker 2: as a member for as little as five dollars. And
• 41:26
  Speaker 2: there's also on the Patreon over two hundred and fifty
• 41:29
  Speaker 2: episodes only found on there. There's an extensive backlog of episodes,
• 41:34
  Speaker 2: so check that out if for those interested. For those asking,
• 41:38
  Speaker 2: make sure to follow the show on YouTube Juana Juan
• 41:40
  Speaker 2: Podcast also Wanajuan Media. I am going live every Tuesday
• 41:47
  Speaker 2: on there streaming. I also go live on twitch dot
• 41:50
  Speaker 2: tv Slash one on Juan podcast, so make sure to
• 41:54
  Speaker 2: check me out on there Tuesday's six pm Eastern and
• 41:57
  Speaker 2: make sure to get your copy of the Occult this Monday.
• 42:00
  Speaker 2: Hell Monkey List Owner's manual All that Good Stuff at
• 42:03
  Speaker 2: tj ojp dot com. Can pick up your copies there
• 42:07
  Speaker 2: or go over to the coofi. I'm on Facebook, Twitch,
• 42:11
  Speaker 2: kick Rumble all that good Stuff you know where to
• 42:14
  Speaker 2: find it.
• 42:15
  Speaker 3: And enjoy this episode.
• 42:17
  Speaker 4: Because, like you said, there's no reason that a perfectionist
• 42:22
  Speaker 4: and a master filmmaker like Stanley Kubrick would let so
• 42:26
  Speaker 4: many of these slide. I mean, he has a whole
• 42:28
  Speaker 4: team working behind him. Like if it missed, if it
• 42:34
  Speaker 4: got past Stanley Kubrick, how did it also get past
• 42:37
  Speaker 4: all of these other people that are working under him.
• 42:41
  Speaker 4: And no one has ever been able to answer that.
• 42:45
  Speaker 4: And I believe that we do answer it subtly. We
• 42:49
  Speaker 4: don't come out and write out and tell you the
• 42:52
  Speaker 4: reason why there's so many connuity heres in the movie.
• 42:55
  Speaker 4: It's something that you kind of have to put two
• 42:58
  Speaker 4: and two together on your own and to your own
• 43:00
  Speaker 4: realization about it. But I'm gonna tell you here, is
• 43:06
  Speaker 4: that Kubrick is subconsciously giving He's subconsciously putting all of
• 43:16
  Speaker 4: these errors in the movie, not only between the objects
• 43:19
  Speaker 4: disappearing and reappearing and then entire sets being completely different
• 43:24
  Speaker 4: when they walk out of one place and walk into another,
• 43:26
  Speaker 4: it's a completely different background, and not only putting in
• 43:30
  Speaker 4: a lot of symbolism within the movie, like setting up
• 43:33
  Speaker 4: later on in the movie that happens in the beginning
• 43:36
  Speaker 4: of the movie and in the end, which is another thing. Supposedly,
• 43:40
  Speaker 4: if you run the Shining frontwards and backwards simultaneously and
• 43:46
  Speaker 4: you put an overlay on it, everything like lines up perfectly,
• 43:50
  Speaker 4: it's unbelievable.
• 43:51
  Speaker 2: Wait what so you take the movie, play it forward
• 43:54
  Speaker 2: on one and backwards on the other, it does what
• 43:57
  Speaker 2: it like meets up in the center and like crosses
• 43:59
  Speaker 2: over pretty much.
• 44:01
  Speaker 4: It's like, yeah, yeah, it's wild. It's almost like a
• 44:07
  Speaker 4: perfect movie. On a lot of like that would be
• 44:11
  Speaker 4: the only way that something like that would happen is
• 44:12
  Speaker 4: if you've created a perfect movie, because that's like in
• 44:16
  Speaker 4: you know, martial arts, like they tell you, especially in
• 44:19
  Speaker 4: like taekwondo, that you you haven't perfected the art until
• 44:25
  Speaker 4: you can do the kadas and the forums backwards. So
• 44:33
  Speaker 4: I don't know. But the the thing with the Shining
• 44:36
  Speaker 4: and the reason that these continuity errors are there is
• 44:40
  Speaker 4: to subconsciously plant this reality so that the audience starts
• 44:45
  Speaker 4: questioning their own reality as Jack is starting to question
• 44:53
  Speaker 4: his own reality. So as Jack is going into his delusions,
• 44:58
  Speaker 4: the ADDI is also starting to question subconsciously what's going
• 45:04
  Speaker 4: on with things disappearing and reappearing, And you can't really
• 45:08
  Speaker 4: see a lot of these in the first run through,
• 45:13
  Speaker 4: like you really got to be paying attention. So it's
• 45:15
  Speaker 4: a subconscious thing that he's hitting the audience with with
• 45:19
  Speaker 4: things just disappearing, Like in the beginning of the movie,
• 45:22
  Speaker 4: there's a pin that just bounces around Almond's desk all
• 45:24
  Speaker 4: over the place between shotsers and ashtray on Alma's desk
• 45:27
  Speaker 4: that just jumps around the desk. It's incredible, but it's
• 45:32
  Speaker 4: to give you that eeriness of what's going on here. Subconsciously,
• 45:37
  Speaker 4: there's something within the Shining that is manipulating your subconscious
• 45:44
  Speaker 4: mind into a very eerie and creepy feeling, not only
• 45:51
  Speaker 4: with the imagery of the movie, but within the soundtrack
• 45:54
  Speaker 4: as well. And we know how important sound is in
• 45:57
  Speaker 4: a movie. It can make or break a movie, and
• 46:00
  Speaker 4: it has all these creepy sounds and these creepy tones
• 46:03
  Speaker 4: mixed with the imagery. I mean, I've had several people
• 46:08
  Speaker 4: that has watched it and they've had really strange nightmares
• 46:14
  Speaker 4: the next day, even watching our film. They'll watch it
• 46:18
  Speaker 4: and then they'll they'll have weird, strange, creepy nightmares. I've
• 46:23
  Speaker 4: had five interviews that I've done so far that have
• 46:27
  Speaker 4: watched it so that they had really creepy dreams after
• 46:30
  Speaker 4: that it was over, and I was like, well, that
• 46:32
  Speaker 4: has everything to do with The Shining, because I've had
• 46:35
  Speaker 4: that exact same thing happened to me while watching The
• 46:37
  Speaker 4: Shining really late at night. I had one of the
• 46:39
  Speaker 4: most horrific, nightmarish dreams that I had ever had after
• 46:43
  Speaker 4: I'd watched The Shining late at night and went to sleep.
• 46:47
  Speaker 4: So there's something with the image dream mixed with the
• 46:52
  Speaker 4: subconscious continuity errors and the music of the film that
• 46:58
  Speaker 4: is affecting the viewer's subconscious mind. And we talk about
• 47:04
  Speaker 4: in the movie how The Shining is an experiment. Not
• 47:09
  Speaker 4: only is cubric writing a movie about an experiment, he's
• 47:15
  Speaker 4: also rewriting the movie as the movie is being made,
• 47:18
  Speaker 4: so it's like he's writing an experiment. He's also doing
• 47:21
  Speaker 4: an experiment on the actors in the way that he
• 47:24
  Speaker 4: treats Shelley Duvall within the movie, which is very reminiscent
• 47:28
  Speaker 4: of what someone would do in a form of MK ultra.
• 47:33
  Speaker 4: Then it's an experiment on the audience that is also
• 47:36
  Speaker 4: watching it. So it's a triple whammy.
• 47:39
  Speaker 2: So and that's something I haven't done since I did
• 47:42
  Speaker 2: see the documentaries rewatch the movie with you know, new
• 47:47
  Speaker 2: eyes to see if you will. Could The Shining be
• 47:52
  Speaker 2: a sort of initiatory movie. And I'm wondering how many
• 47:59
  Speaker 2: seek government programs have shown this movie to potential candidates
• 48:04
  Speaker 2: to see how what effect it has on them. And
• 48:07
  Speaker 2: I mean this makes me think of like the Netflix
• 48:09
  Speaker 2: movie with like the Obamas directing it, where it had
• 48:12
  Speaker 2: like this weird sort of I think it was like
• 48:17
  Speaker 2: a special soundtrack with like certain frequencies.
• 48:20
  Speaker 4: On it and a frequencies extremely low frequencies that and then.
• 48:26
  Speaker 2: The the subtle imagery of the shirts, you know, the
• 48:29
  Speaker 2: messages on their shirts and stuff like that, like all
• 48:31
  Speaker 2: this other stuff. It's and and you that that brings
• 48:35
  Speaker 2: up a good point where I didn't notice that where
• 48:38
  Speaker 2: everything is jumping around and it's like the movie.
• 48:41
  Speaker 3: Cattle Lake that we did the episode on where it
• 48:43
  Speaker 3: makes you.
• 48:44
  Speaker 2: Question your own self and like you're more confused and
• 48:47
  Speaker 2: disoriented by the end of it than you were at
• 48:50
  Speaker 2: the beginning, right. Directed by Shamaal Alma ding Dong, which
• 48:54
  Speaker 2: is a guy who or you know, executive producer, you
• 48:57
  Speaker 2: know that guy who is obviously deep into this sort
• 49:01
  Speaker 2: of stuff. I mean, i'd put him right along the
• 49:02
  Speaker 2: lines of like a Kubrick esque you know, in his
• 49:05
  Speaker 2: movies sort of thing where he's like in that line
• 49:07
  Speaker 2: of like s not a cult, but I'd be interested
• 49:12
  Speaker 2: to see what kind of ideologies Kubrick. How do we
• 49:15
  Speaker 2: know what sort of stuff he was into, because he
• 49:17
  Speaker 2: was obviously into some stuff Like I learned recently that
• 49:19
  Speaker 2: how is actually IBM, but the letters are shifted right,
• 49:27
  Speaker 2: So Hal is IBM, but the letters are shifted over
• 49:32
  Speaker 2: and that's Kubrick, right. Yeah, so again he's in the
• 49:38
  Speaker 2: know about something. He couldn't come out straight up and
• 49:40
  Speaker 2: say like, hey, AI is gonna take over ya Elon
• 49:43
  Speaker 2: Musk talking about making AI generated video games to make
• 49:47
  Speaker 2: video games great again, like all this sort of crazy stuff.
• 49:50
  Speaker 2: But he was deep into this sort of stuff. And
• 49:54
  Speaker 2: then the fact that he was being recommended in these
• 50:00
  Speaker 2: I'm gonna call a cult secret government circles, right because
• 50:03
  Speaker 2: that's what they were, like the cabal or whatever you
• 50:05
  Speaker 2: want to call them. Like, hey, Kubrick is very promising,
• 50:09
  Speaker 2: you know, when it comes very promising when it comes
• 50:11
  Speaker 2: to what, like what are you talking about? Like what
• 50:14
  Speaker 2: what are you guys looking for? That's the perfect candidate
• 50:18
  Speaker 2: to control people through movies. And I'm interested to see
• 50:22
  Speaker 2: how many other famous murders because right the shining is
• 50:27
  Speaker 2: allegedly you guys present the idea about creating this person
• 50:32
  Speaker 2: to like write a mind controlled murderer if you will,
• 50:36
  Speaker 2: like to murder your family. And the Catcher and the
• 50:38
  Speaker 2: Rye connection, how many other famous murderers are also connected
• 50:43
  Speaker 2: to that book And maybe that book itself holding a
• 50:47
  Speaker 2: sort of key to unlock that in these people subconscious
• 50:51
  Speaker 2: or whatever it is to trigger that said response of
• 50:56
  Speaker 2: like going out and becoming this I don't want to
• 50:59
  Speaker 2: call them like a sleeper cell, but like almost like
• 51:01
  Speaker 2: a sleeper cell like Mantaran candidate type of thing where
• 51:03
  Speaker 2: it's like I gotta go and do you know whatever,
• 51:07
  Speaker 2: Like yeah, hit him with art choke like the Monculous.
• 51:12
  Speaker 2: Like imagine how many people I've like started up with
• 51:15
  Speaker 2: like Homunculus. They're listening to the one on one podcast
• 51:17
  Speaker 2: and like Homunculous drops for the thirty third time in
• 51:20
  Speaker 2: that episode, They're just like, I gotta go out and
• 51:23
  Speaker 2: do whatever, you know season up. How many other famous
• 51:29
  Speaker 2: murders have been linked to the Catcher and the Rye
• 51:31
  Speaker 2: any like I'm thinking of.
• 51:35
  Speaker 4: Yeah, Well, Dave McGowan did an entire book called Program
• 51:39
  Speaker 4: to Kill, which we bring up in our documentary as well.
• 51:42
  Speaker 4: Jay was good friends with Dave McGowan, knew him well,
• 51:46
  Speaker 4: and he wrote an entire book on this, and he
• 51:51
  Speaker 4: pretty much lays out the facts that a majority, if
• 51:57
  Speaker 4: not all, of the these serial killers were MK ultra
• 52:05
  Speaker 4: type assassins, and that's.
• 52:08
  Speaker 2: Why they would go out and last so long, like
• 52:10
  Speaker 2: Dahmer and all these other guys, and that's why they
• 52:12
  Speaker 2: prop them up in the limelight. There's like thirty thousand
• 52:15
  Speaker 2: documentaries on Dahmer or Ted Bundy or any of these
• 52:19
  Speaker 2: other guys. That's why they went on for so long, because,
• 52:22
  Speaker 2: like you see their story, you go, how did they
• 52:25
  Speaker 2: catch that guy? Like, why didn't they they catch that
• 52:28
  Speaker 2: guy sooner? It's like, well, maybe the people in the
• 52:31
  Speaker 2: background were onto it, pulling the strings behind the scenes,
• 52:35
  Speaker 2: seeing how it would play out, watching from the shadows.
• 52:39
  Speaker 4: And they probably knew that they could get away with it.
• 52:41
  Speaker 4: Just like we talked about in our documentary, how all
• 52:43
  Speaker 4: these famous bands in the sixties all have military connections.
• 52:48
  Speaker 4: Their fathers are military admirals and generals, Jim Morrison, everyone's
• 52:53
  Speaker 4: familiar with. Jim Morrison's dad was responsible for the Gulf
• 52:57
  Speaker 4: of Talking false flag event. He was a naval command
• 53:00
  Speaker 4: which was pretty much started the Vietnam War, and what
• 53:04
  Speaker 4: did start the Vietnam War that false flag event, but
• 53:06
  Speaker 4: he was in charge of that. And that makes sense
• 53:08
  Speaker 4: because Jim Morrison was just kind of doing whatever he
• 53:11
  Speaker 4: wanted to do. He was just out, you know, getting
• 53:14
  Speaker 4: into whatever you want. As soon as he was in prison,
• 53:16
  Speaker 4: he was immediately let out, you know, and he knew
• 53:21
  Speaker 4: that he could basically do whatever he wanted to do
• 53:24
  Speaker 4: because his dad was this high up naval commander. And
• 53:29
  Speaker 4: the same with you know, sort of like with Charles
• 53:33
  Speaker 4: Manson as well. Charles Manson every time he was in
• 53:37
  Speaker 4: jail or incarlser incarcerated or in a mental hospital, he
• 53:40
  Speaker 4: was almost immediately let out too. And there's so much
• 53:44
  Speaker 4: evidence that the CIA just pretty much gave Charles Manson
• 53:50
  Speaker 4: the LSD for his group of people. And then when
• 53:55
  Speaker 4: you look at the other military connections and Sharon Tate's dad,
• 53:59
  Speaker 4: Sharon tates dad was a high ranking military officer. They're
• 54:03
  Speaker 4: literally everywhere and it's and it's like, you know, you
• 54:06
  Speaker 4: come to the realization that you know, it doesn't matter
• 54:11
  Speaker 4: how good you are at any given thing, Like you
• 54:15
  Speaker 4: can be the best freaking singer in the world, doesn't matter,
• 54:18
  Speaker 4: you can be the best guitar player in the world,
• 54:20
  Speaker 4: doesn't matter. If your dad is an electrician or if
• 54:24
  Speaker 4: he's a plumber, or if he works at a freaking
• 54:26
  Speaker 4: if he's a garbage truck driver. You're not going to
• 54:29
  Speaker 4: get anywhere because you're not a part of the club.
• 54:32
  Speaker 4: You're not a part of the crew now. And things
• 54:36
  Speaker 4: have changed a little bit now in this day and age,
• 54:39
  Speaker 4: because it's a digital type of age and anyone can
• 54:44
  Speaker 4: can you know, make a halfway decent income off of
• 54:47
  Speaker 4: doing things online. But definitely back then, you were not
• 54:52
  Speaker 4: going to be famous in any way, shape or form.
• 54:54
  Speaker 4: If your family was not a part of this crew,
• 54:57
  Speaker 4: if your family was not a part of this club
• 54:59
  Speaker 4: of people, then you weren't ever going to make it.
• 55:05
  Speaker 4: And that's a really big realization that I had when
• 55:10
  Speaker 4: I was making the movie. I was like, Holy, this
• 55:14
  Speaker 4: is the reason, this is what it is. It's just
• 55:17
  Speaker 4: a group of people, and it makes sense that they
• 55:20
  Speaker 4: would want to put their own in these positions of
• 55:24
  Speaker 4: power because they know that they're going to go along
• 55:27
  Speaker 4: with the program, right, that they're not going to go
• 55:30
  Speaker 4: so far outside of the lines. Because if you get
• 55:32
  Speaker 4: somebody that's not a part of this group, that's a
• 55:35
  Speaker 4: wild card, dude, And you don't want a wild card.
• 55:39
  Speaker 4: You want to know exactly what they're going to do,
• 55:41
  Speaker 4: how they're going to do it, and that they're going
• 55:43
  Speaker 4: to go along with whatever it is you want them
• 55:45
  Speaker 4: to do. And that's why they get the kids of
• 55:50
  Speaker 4: high ranking military people and there's somebody that's in their
• 55:55
  Speaker 4: family that is a military officer or commander. I mean,
• 55:59
  Speaker 4: Bob Marley was a British naval commander.
• 56:04
  Speaker 3: And and it's people who have these entire cultural shifts, right,
• 56:09
  Speaker 3: cultural movements, right. And I've said this before, and even
• 56:14
  Speaker 3: Fritz Springmyer talks about it in his book. He talks
• 56:16
  Speaker 3: about it, obviously in a different sort of way, but
• 56:18
  Speaker 3: that it's these people who condition even their own children,
• 56:22
  Speaker 3: and they do horrific things to their own children to
• 56:25
  Speaker 3: introduce them right to the Illuminati or whatever. And maybe
• 56:27
  Speaker 3: he's talking about all these people in these groups and
• 56:31
  Speaker 3: shrouding it, and maybe he's referring to the government or
• 56:35
  Speaker 3: to any three later agency, like you use your imagination,
• 56:40
  Speaker 3: but the concept of like offering up like your own
• 56:43
  Speaker 3: homunculus for the experimentation, Like, hey, I raised this myself. Here,
• 56:47
  Speaker 3: let's keep it in the family. We know that they
• 56:48
  Speaker 3: do that. They keep everything in the family.
• 56:50
  Speaker 2: So why don't we offer up one of our own
• 56:53
  Speaker 2: to partake in this special program? We're gonna benefit in
• 56:58
  Speaker 2: all these different ways. And who knows if that's even
• 57:02
  Speaker 2: their kids to begin with, right, Like, who knows that
• 57:04
  Speaker 2: that's even their their original children or whatever? Like this
• 57:07
  Speaker 2: is the cover story that they present to us.
• 57:09
  Speaker 4: So and we know how many people did Angelina Jolie adopted.
• 57:15
  Speaker 4: She adopted like then kids or something like that from
• 57:19
  Speaker 4: like Haiti or something. I don't even know where they're from.
• 57:22
  Speaker 4: She adopted like a lot of different kids. Yeah, right,
• 57:26
  Speaker 4: we don't even know if they're really their kids. I mean,
• 57:28
  Speaker 4: I don't think they.
• 57:31
  Speaker 2: Three.
• 57:31
  Speaker 3: They have six.
• 57:33
  Speaker 4: Okay, she's so she adopted three. I don't think that
• 57:37
  Speaker 4: the theory and speculation, I don't think that Michael Jackson's
• 57:39
  Speaker 4: kids were his kids.
• 57:40
  Speaker 2: Well, and and you know, bringing in Kubrick to this,
• 57:43
  Speaker 2: like we don't know who his dad was, right, Like
• 57:45
  Speaker 2: that's the whole thing, like, we don't know who his
• 57:47
  Speaker 2: dad was, if he had connections to.
• 57:49
  Speaker 4: Well, we don't know who Jack Nicholson's dad is.
• 57:52
  Speaker 3: Oh Jack Nicholson, Okay.
• 57:53
  Speaker 4: Yeah, we don't know who Jack Nicholson's dad is. And
• 57:57
  Speaker 4: his his mom, his mom doesn't even know who is is.
• 58:02
  Speaker 4: That is, so he was kind of just like born
• 58:05
  Speaker 4: in like limbo. And then he was a part of
• 58:09
  Speaker 4: this Laurel Canyon movie scene as well. He was in
• 58:14
  Speaker 4: you know, all of these big bands and all these
• 58:16
  Speaker 4: musicians in Hollywood is like all like lived up in
• 58:19
  Speaker 4: Laurel Canyon. Then on top of the Laurel Canyon there
• 58:22
  Speaker 4: was this hotel called Lookout Mountain Hotel, and then that
• 58:27
  Speaker 4: hotel burnt down. Then the military and the Air Force
• 58:31
  Speaker 4: came in and built a secret movie studio and Air
• 58:38
  Speaker 4: Force base on the exact spot where the Lookout Mountain
• 58:42
  Speaker 4: Hotel was. And the Lookout Mountain Hotel looked very similar
• 58:45
  Speaker 4: to uh Stanley Kubrick's Overlook Hotel. And then at the
• 58:52
  Speaker 4: end of the sequel to The Shining, which was Doctor's Sleep,
• 58:56
  Speaker 4: which is directed by Fred's spring Meyer, the Overlook burns.
• 59:02
  Speaker 2: To the ground, of course, and there's also a Beatle
• 59:07
  Speaker 2: connection in there, right, because a lot of these celebrities,
• 59:11
  Speaker 2: a lot of these musicians, they kind of sort of
• 59:14
  Speaker 2: go through this metamorphosis. And I've been listening to the
• 59:18
  Speaker 2: Beatles lately, and the Beatles after is a whole different vibe.
• 59:25
  Speaker 2: It's a whole different like dimension of music. And imagine
• 59:32
  Speaker 2: that in the time that it came out, like they
• 59:35
  Speaker 2: were so ahead of their time. But right, Jim Morrison
• 59:38
  Speaker 2: and all these other guys, right, they started experimenting with
• 59:41
  Speaker 2: and we saw how they spiral out of control and
• 59:45
  Speaker 2: didn't Jim Morrison wasn't he killed Jim Morrison.
• 59:49
  Speaker 4: Jim Morrison supposedly died of a drug overdose in the
• 59:53
  Speaker 4: bathtub and.
• 59:55
  Speaker 3: He drowned or no. Was that a ritual?
• 1:00:00
  Speaker 4: I'm not sure if the I don't think that the
• 1:00:03
  Speaker 4: drownding was the cause of death.
• 1:00:08
  Speaker 2: Found dead in the bathtub of the apartment at approximately
• 1:00:11
  Speaker 2: six a m. By Cerson, he was twenty seven years old.
• 1:00:14
  Speaker 2: The official cause of death was listed as heart failure,
• 1:00:17
  Speaker 2: although no autopsy was performed as it was not required
• 1:00:20
  Speaker 2: by French law. So he was actually born in Melbourne, Florida,
• 1:00:24
  Speaker 2: and he died in Paris, France, which.
• 1:00:26
  Speaker 4: We show a clip of him doing an interview for
• 1:00:32
  Speaker 4: a commercial for the University of Florida where he's super
• 1:00:35
  Speaker 4: cut and he's like, he has his hair all done up,
• 1:00:39
  Speaker 4: like everything's good, he's shaven, and then like a couple
• 1:00:42
  Speaker 4: of years later, he's a completely different person.
• 1:00:44
  Speaker 2: Because he was an actor. How you guys are saying
• 1:00:47
  Speaker 2: all these people are actors and they're playing their role,
• 1:00:50
  Speaker 2: So how much of it is authentic and how much
• 1:00:53
  Speaker 2: of it is is not right? And then it makes
• 1:00:55
  Speaker 2: me think about Kubrick, Like, you know, a part of
• 1:00:57
  Speaker 2: me goes, was he this crazy mastermind? Or are we
• 1:01:01
  Speaker 2: giving him more credit than credit is due. There's still
• 1:01:04
  Speaker 2: a part of me that goes and we might be
• 1:01:06
  Speaker 2: faking gay, you know, like there's a little bit of
• 1:01:08
  Speaker 2: that in there where it's like.
• 1:01:11
  Speaker 3: How you know how much of it actually checks out?
• 1:01:14
  Speaker 4: Well, I have a whole slide of things here that
• 1:01:17
  Speaker 4: I can show you that is that checks out. But
• 1:01:23
  Speaker 4: here's the Beatles connect. I don't have it up on slides,
• 1:01:27
  Speaker 4: but if you can kind of see it on my
• 1:01:31
  Speaker 4: phone there. But the top picture is the Abbey Road
• 1:01:35
  Speaker 4: the of the Beatles album, and then the bottom picture
• 1:01:38
  Speaker 4: is of the shining whenever Olmen is giving the tour
• 1:01:42
  Speaker 4: to Windy and Danny, and that's Bill Watson in behind them.
• 1:01:47
  Speaker 4: So that's a pretty much identical shot their their legs
• 1:01:52
  Speaker 4: are all lined up in the exact same way with
• 1:01:57
  Speaker 4: each of them. But yeah, let's go through the the's
• 1:02:02
  Speaker 4: these slides real quick, because uh, this is a lot.
• 1:02:05
  Speaker 4: I got a lot of stuff in here that isn't
• 1:02:07
  Speaker 4: even in the movie that I can show you real quick.
• 1:02:13
  Speaker 3: Because Whitney Houston also died in a in a bathtub,
• 1:02:16
  Speaker 3: I believe, yes, yes she did.
• 1:02:23
  Speaker 4: There you go, oh wait, I'm gonna do I not
• 1:02:30
  Speaker 4: have it? Ah there it is okay for some reason,
• 1:02:33
  Speaker 4: when I hit the share screening does that thing. But
• 1:02:36
  Speaker 4: also people might be mad at me for this one,
• 1:02:38
  Speaker 4: because I've gotten some arguments about this with people. But
• 1:02:42
  Speaker 4: Tupac he was also an actor.
• 1:02:46
  Speaker 3: I think he was gay too.
• 1:02:48
  Speaker 4: Yep. But don't say that to the wrong person or
• 1:02:51
  Speaker 4: they will freaking uh threaten you and threaten to ruin
• 1:02:54
  Speaker 4: your career. That's what happened to me.
• 1:02:56
  Speaker 3: I've been doing.
• 1:02:59
  Speaker 4: You. I mean, fine, just type it in the YouTube.
• 1:03:04
  Speaker 4: Just type in tupot gay and that's all you gotta do.
• 1:03:09
  Speaker 4: That's all you gotta do and watch the interview and
• 1:03:12
  Speaker 4: that's it. Okay. So, uh, the clockwork shining. So this
• 1:03:17
  Speaker 4: is one of the ones that I seen that's also
• 1:03:19
  Speaker 4: in the trailer. This is one that no one else
• 1:03:23
  Speaker 4: had ever seen before until I had spotted it within
• 1:03:27
  Speaker 4: the movie and real this is a screenshot. Yes, absolutely,
• 1:03:32
  Speaker 4: I was the first person to see this. And when
• 1:03:36
  Speaker 4: and if anyone told tells you that they saw it first,
• 1:03:38
  Speaker 4: they're absolutely lying. I did a show with Jay Widner
• 1:03:42
  Speaker 4: on this like two years ago, and I brought this
• 1:03:46
  Speaker 4: out to everybody then, So if they they're definitely mistaken.
• 1:03:51
  Speaker 4: So whenever johnck is sitting at the bar and uh,
• 1:03:54
  Speaker 4: Lloyd serves in the alcohol the second time that they're
• 1:03:58
  Speaker 4: in the gold room, this lady right here, she walks
• 1:04:05
  Speaker 4: in behind Jack and she's actually the lady that bumps
• 1:04:08
  Speaker 4: into Grady right here that makes him spill the alcohol
• 1:04:14
  Speaker 4: on Jack. And right here at the bottom, it looks
• 1:04:19
  Speaker 4: like she has a bloody handprint on the lower half
• 1:04:23
  Speaker 4: of her dress. And some people have argued with me
• 1:04:27
  Speaker 4: that this isn't really a handprint, that it's set up
• 1:04:31
  Speaker 4: as a part of the dress. But regardless, if it's
• 1:04:34
  Speaker 4: baked into the dress, or if it's a real handprint
• 1:04:37
  Speaker 4: that someone put on there, it still looks like a
• 1:04:40
  Speaker 4: bloody handprint. And this really resembles another movie, and another
• 1:04:46
  Speaker 4: really famous movie, which is cast Away with Tom Hanks
• 1:04:50
  Speaker 4: in two thousand. That same type of handprint is on
• 1:04:56
  Speaker 4: Wilson the volleyball. It's almost identical, well, in the same
• 1:05:02
  Speaker 4: shape as that handprint. So people were saying, oh, well,
• 1:05:06
  Speaker 4: this is not a handprint because it only has four fingers. Well,
• 1:05:10
  Speaker 4: whenever Tom Hanks cut his hand while he was trying
• 1:05:12
  Speaker 4: to start a fire and cast Away, there's a four
• 1:05:16
  Speaker 4: fingered handprint on the volleyball, so it can be four fingers. Okay.
• 1:05:20
  Speaker 2: Those paintings that look nearly similar to the that thing there.
• 1:05:27
  Speaker 4: Yep, yep. And one of the first continuity airs within
• 1:05:33
  Speaker 4: The Shining is in the establishing shot of the overlook.
• 1:05:40
  Speaker 4: There's not a hedge mes and behind the hotel, but
• 1:05:46
  Speaker 4: later on there is a hedge means And I mean,
• 1:05:52
  Speaker 4: people can argue with that all they want and say, well,
• 1:05:54
  Speaker 4: I mean, it's one factual that the establishing shots of
• 1:05:59
  Speaker 4: the overlook within Stanley Kubrick's The Shining was was filmed
• 1:06:02
  Speaker 4: that Timberline Lodge, and the Timberline Lodge doesn't have a
• 1:06:07
  Speaker 4: maze behind it. Neither does the Stanley Hotel. Neither one
• 1:06:10
  Speaker 4: of those hotels have hedgemeses behind them. But that's besides
• 1:06:15
  Speaker 4: the point. It's still a continuity er within the movie
• 1:06:19
  Speaker 4: because it's established that there's a maze in behind the hotel,
• 1:06:24
  Speaker 4: but there's not. This one is interesting. It has cool
• 1:06:29
  Speaker 4: laid on top of the refrigerator that's in the apartment
• 1:06:33
  Speaker 4: and Jack and Wendy's apartment in Boulder, which may be
• 1:06:37
  Speaker 4: symbolically referencing the Jim Jones massacre that happened during the
• 1:06:43
  Speaker 4: shooting of this movie. Them is just one hundred percent speculation.
• 1:06:47
  Speaker 4: We don't know. I mean, it could just be randomly
• 1:06:50
  Speaker 4: put kool aid in there, who knows. But Kubrick wanted
• 1:06:52
  Speaker 4: to put props and real things in the background. He
• 1:06:57
  Speaker 4: didn't want them to be like all the food, all
• 1:07:00
  Speaker 4: the stuff that's in the storage room is like all
• 1:07:02
  Speaker 4: real food. It's not like prop food, like it's all
• 1:07:06
  Speaker 4: real stuff, because he wanted everything to be super realistic.
• 1:07:10
  Speaker 4: This is one of the one of the ones that
• 1:07:13
  Speaker 4: people have pointed out for a really long time, but
• 1:07:16
  Speaker 4: it's also in our movie, just to get an establishing
• 1:07:20
  Speaker 4: idea of the connuity errors within the shining, which is
• 1:07:24
  Speaker 4: Dopey the Dwarf disappearing on Danny's door. In the first
• 1:07:28
  Speaker 4: shot when Danny is in the bathroom, there's a sticker
• 1:07:31
  Speaker 4: Dope the dwarf there, and then when the doctor comes
• 1:07:35
  Speaker 4: to visit scans over here at this bottom screenshot, a
• 1:07:40
  Speaker 4: Dopey the Dwarf of the Southern Dwarfs is missing off
• 1:07:43
  Speaker 4: the door. This one's really interesting. This one is whenever
• 1:07:49
  Speaker 4: Hollerin is giving Windy and Danny a tour of the
• 1:07:52
  Speaker 4: kitchen area. This is the entrance into the storage room.
• 1:07:59
  Speaker 4: There's a light sway up here to the left, and
• 1:08:02
  Speaker 4: then whenever Windy is carrying Jack's body into the storage
• 1:08:07
  Speaker 4: room later on in the movie, the light switch is gone.
• 1:08:11
  Speaker 4: And this is obviously the same set. If I were
• 1:08:14
  Speaker 4: to bring this image down a little bit, it would
• 1:08:17
  Speaker 4: still say a chef's office right there. You can see
• 1:08:20
  Speaker 4: a chef's office in this bottom photo and has the
• 1:08:23
  Speaker 4: ending of chefs there in office in the top photo.
• 1:08:28
  Speaker 4: Another one is light switches appearing, so whenever Jack goes
• 1:08:31
  Speaker 4: into Almonds office for the first time, for the interview.
• 1:08:35
  Speaker 4: There's no light switch underneath the painting entrance into Almen's office,
• 1:08:41
  Speaker 4: But whenever Jack goes into Almend's office later on in
• 1:08:45
  Speaker 4: the movie to destroy the radio to prevent Danny and
• 1:08:49
  Speaker 4: Wendy from calling the police to alert them to come
• 1:08:52
  Speaker 4: up to the hotel, there's a light switch that has
• 1:08:55
  Speaker 4: appeared underneath the photo. This one's really interesting. I already
• 1:09:02
  Speaker 4: previously talked about it. Whenever Wendy just a cigarette, dude,
• 1:09:07
  Speaker 4: Holy crap, the cigarette is burning for a minute.
• 1:09:12
  Speaker 6: Dog.
• 1:09:13
  Speaker 4: But in the beginning of the movie, Whndy says that
• 1:09:17
  Speaker 4: Jack has been sober for five months after he injured
• 1:09:21
  Speaker 4: Danny's arm, And then when Jack is explaining the story
• 1:09:24
  Speaker 4: to Lloyd the bartender here later on in the movie,
• 1:09:27
  Speaker 4: he says, there was three years.
• 1:09:28
  Speaker 2: Ago, isn't that maybe like hinting at that she might
• 1:09:32
  Speaker 2: have been like in a trance or something and just
• 1:09:34
  Speaker 2: let it burn right for a while before she took
• 1:09:38
  Speaker 2: a drag of it or something.
• 1:09:39
  Speaker 4: I don't know. Yeah, that was just she says that
• 1:09:43
  Speaker 4: it was one of those it's an English cigarette that
• 1:09:49
  Speaker 4: would just do that, like unless you, like Ash actually
• 1:09:54
  Speaker 4: asked it. Yeah, then it's not going to fall off
• 1:09:57
  Speaker 4: until it's like almost all the way down. This is
• 1:10:01
  Speaker 4: another famous one that people have pointed out before. The
• 1:10:05
  Speaker 4: chair behind Jack disappears when he comes to talk to
• 1:10:09
  Speaker 4: him in the main lobby of the hotel while he's
• 1:10:12
  Speaker 4: writing his novel, which it turns out he's not really
• 1:10:14
  Speaker 4: writing a novel, he's just writing the same sentence over
• 1:10:17
  Speaker 4: and over again all working no play makes Jack a
• 1:10:19
  Speaker 4: doll boy, which is a psychic driving technique. And the
• 1:10:23
  Speaker 4: chair behind him is in the first shot and then
• 1:10:26
  Speaker 4: it cuts the windy and then it's gone and the
• 1:10:29
  Speaker 4: next shot and then it cuts back to windy and
• 1:10:31
  Speaker 4: then it's reappeared.
• 1:10:33
  Speaker 2: That one's kind of obvious, like if you didn't catch
• 1:10:35
  Speaker 2: that while watching the movie back or something, That to
• 1:10:40
  Speaker 2: me proves I think this is intentional because this shot,
• 1:10:44
  Speaker 2: in particular, it's right there. The fact that it's not
• 1:10:48
  Speaker 2: there in the second you know half of it, It's like,
• 1:10:52
  Speaker 2: come on, who couldn't have missed that? This how you're saying,
• 1:10:55
  Speaker 2: this whole team of people working behind him and they
• 1:10:58
  Speaker 2: missed that. Things like a chair with the whole table
• 1:11:01
  Speaker 2: next to it, What the hell is that?
• 1:11:03
  Speaker 4: No? I know, it's so wild that one's that one's
• 1:11:06
  Speaker 4: super wild. Then this one is when in the beginning
• 1:11:11
  Speaker 4: of the movie, in the first ten minutes, Almen is
• 1:11:16
  Speaker 4: mentioning to Jack the amount of time that needs to
• 1:11:19
  Speaker 4: be that they're going to be spinning up here at
• 1:11:21
  Speaker 4: the hotel, and that their winter season runs for seven months.
• 1:11:26
  Speaker 4: But then Jack says, five months of peace is just
• 1:11:31
  Speaker 4: what I want. So that one's a wild one Connuitier
• 1:11:36
  Speaker 4: within the dialogue of the characters. This is one that
• 1:11:40
  Speaker 4: Jay Widner has pointed out previously, which is a sexual
• 1:11:44
  Speaker 4: inn window. Whenever Jack goes in to meet Almond for
• 1:11:47
  Speaker 4: the first time and they shake hands, there's a paper tray,
• 1:11:51
  Speaker 4: a black paper tray on the desk that makes it
• 1:11:53
  Speaker 4: look like Almond has an erection. And another one is
• 1:12:00
  Speaker 4: the teddy Bear in the background then has a fire
• 1:12:02
  Speaker 4: truck and the latter is sticking up out of the
• 1:12:04
  Speaker 4: teddy Bear that makes it look like the teddy Bear
• 1:12:06
  Speaker 4: also has an erection. And there's a lot of what
• 1:12:11
  Speaker 4: seems like sexual tension between Jack and Danny throughout the movie.
• 1:12:15
  Speaker 4: There's another thing that wasn't mentioned in our movie, but
• 1:12:18
  Speaker 4: that other people have pointed out that whenever Jack is
• 1:12:22
  Speaker 4: in the lobby of the hotel when Windy and Danny
• 1:12:25
  Speaker 4: show up and Bill Watson and Ollman go to meet
• 1:12:29
  Speaker 4: Jack to get his bags. He's reading a Playgirl magazine
• 1:12:36
  Speaker 4: and we know Playgirl magazine is for gay men, and
• 1:12:39
  Speaker 4: because there's nothing but dudes in there. And yeah, and
• 1:12:45
  Speaker 4: also another thing that Jay has brought up before is
• 1:12:48
  Speaker 4: that all of the luggage that they have that they
• 1:12:53
  Speaker 4: bring into the hotel isn't really possible to fit in
• 1:12:57
  Speaker 4: the back of a Vlkswagen Beetle.
• 1:13:02
  Speaker 2: And one interesting thing that I'm looking at here because
• 1:13:05
  Speaker 2: I just I just learned this because I know you
• 1:13:06
  Speaker 2: guys talk about the Stephen King connection, but the story
• 1:13:09
  Speaker 2: is actually by Stephen King, and then it was directed
• 1:13:12
  Speaker 2: by Kubrick. And what's interesting about these characters that Jack
• 1:13:16
  Speaker 2: Torrence is played by Jack Nicholson, Danny is played by
• 1:13:22
  Speaker 2: Danny Lloyd, and then obviously Shelley is Wendy. But the
• 1:13:25
  Speaker 2: fact that they're using characters with the same name as
• 1:13:30
  Speaker 2: the characters in the movie right that that to me
• 1:13:34
  Speaker 2: is kind of odd and it reminds me of the
• 1:13:36
  Speaker 2: recent movie that Nick Cage did when he played a
• 1:13:38
  Speaker 2: version of Nick Cage, but it was spelt differently, So
• 1:13:42
  Speaker 2: it wasn't Nick Cage. Nicholas Cage's the actual person, but
• 1:13:47
  Speaker 2: Nick Cage, I think it was nic k He was
• 1:13:51
  Speaker 2: playing that character in the movie. So it was like
• 1:13:53
  Speaker 2: a weird like stacking sort of thing. I don't know
• 1:13:58
  Speaker 2: what they're trying to get, you know, do with that,
• 1:14:00
  Speaker 2: but I just find that interesting.
• 1:14:02
  Speaker 4: Bro. Yeah. Another one that does that is The Office.
• 1:14:07
  Speaker 4: Pretty much all the people that are in the TV
• 1:14:09
  Speaker 4: show at the Office, their first names are really the
• 1:14:13
  Speaker 4: first names of the characters that they play. Yeah, besides,
• 1:14:16
  Speaker 4: like Steve Carell is Michael in the Office, but everybody
• 1:14:19
  Speaker 4: else's names are the same. Like Oscar, he plays a
• 1:14:24
  Speaker 4: gay character in the Office, he's actually gay in real life.
• 1:14:27
  Speaker 4: What they did is they just took these like people's
• 1:14:31
  Speaker 4: real lives and then just like exaggerated them and did
• 1:14:34
  Speaker 4: the TV show. Yeah, pretty much. But this photo is
• 1:14:38
  Speaker 4: really interesting because right beside the Teddy Bear is the
• 1:14:46
  Speaker 4: baseball bat that Wendy goes and picks up, which in
• 1:14:51
  Speaker 4: the next scene when she goes downstairs, is the baseball
• 1:14:53
  Speaker 4: bat that she strikes Jack with. And I didn't realize
• 1:14:57
  Speaker 4: that until I went and made the screenshots of these
• 1:15:03
  Speaker 4: of these photos. To give an illustration of all the
• 1:15:05
  Speaker 4: coynuity eras in the training. But right next to the
• 1:15:08
  Speaker 4: teddy bear is where Wendy grabs the baseball bat.
• 1:15:12
  Speaker 3: Yeah, like, hey, look here right yep yep.
• 1:15:20
  Speaker 4: And this one is another really interesting one that falls
• 1:15:24
  Speaker 4: in line with our analysis of the movie, which is
• 1:15:27
  Speaker 4: qbreic basically symbolizing that like subconsciously implanting a scene that
• 1:15:36
  Speaker 4: is going to happen later on from the beginning that
• 1:15:39
  Speaker 4: plays out in the very end. So in the beginning
• 1:15:41
  Speaker 4: of the movie, when doctor comes to visit Danny, he's
• 1:15:44
  Speaker 4: laying on a teddy bear. And then later on, as Windy,
• 1:15:48
  Speaker 4: as you know, basically succumbed to the trauma that has
• 1:15:52
  Speaker 4: been inflicted upon her by Jack trying to kill her
• 1:15:55
  Speaker 4: with an axe, she walks upstairs and sees this guy
• 1:16:00
  Speaker 4: and a furry bear costume, and this gentleman looks like
• 1:16:05
  Speaker 4: they're in the middle of a sexual act. And this
• 1:16:09
  Speaker 4: scene no one has ever been able to explain. But
• 1:16:12
  Speaker 4: if you watch our movie, you'll understand what this scene
• 1:16:16
  Speaker 4: actually is. But you'll have to put two and two together.
• 1:16:19
  Speaker 4: But I'll give you guys a hint and say that
• 1:16:23
  Speaker 4: these people are not ghosts. They're actors. They are LARPing
• 1:16:28
  Speaker 4: this scenario up at the overlook, and these people are
• 1:16:33
  Speaker 4: This guy in the bear costume is a part of
• 1:16:39
  Speaker 4: the larp.
• 1:16:40
  Speaker 3: Yeah, two bears, one gave right type of thing.
• 1:16:42
  Speaker 2: So the one other interesting thing about Danny is that
• 1:16:47
  Speaker 2: the imaginary friend that he has in his finger, I've
• 1:16:52
  Speaker 2: heard it called the homunculus before you ever heard that.
• 1:16:57
  Speaker 4: Well, he talks to him with his finger, but he
• 1:17:01
  Speaker 4: mentions to the doctor that his imaginary friend is in
• 1:17:05
  Speaker 4: his throat. Whoa, And the doctor says, well, can I
• 1:17:12
  Speaker 4: see him? And then Danny responds by saying, no, he's
• 1:17:16
  Speaker 4: not he's not here right now or whatever. But the
• 1:17:19
  Speaker 4: imaginary friend is supposedly in his throat from what he explains.
• 1:17:25
  Speaker 4: From what he explains, uh, you.
• 1:17:27
  Speaker 3: Know, I don't want to the doctor.
• 1:17:31
  Speaker 4: Just don't watch us super late, dude. That's all. That's
• 1:17:33
  Speaker 4: all you gotta do. Then we have Tang in the
• 1:17:37
  Speaker 4: background that other people have pointed out in before, which
• 1:17:41
  Speaker 4: Tang was a big you know, drink for astronauts in
• 1:17:45
  Speaker 4: the Apollo program that's super popular because for some reason
• 1:17:51
  Speaker 4: they couldn't drink the water, so they had to put
• 1:17:54
  Speaker 4: something like the water was super nasty or something due
• 1:17:56
  Speaker 4: to the altitude or whatever it is that they said,
• 1:17:59
  Speaker 4: and so they would bring tang on these missions to
• 1:18:03
  Speaker 4: mix with the water so they could drink the water.
• 1:18:07
  Speaker 4: This one's a really interesting one that whenever Danny first
• 1:18:13
  Speaker 4: sees room two thirty seven and he stops on his
• 1:18:17
  Speaker 4: big wheel tricycle, there's a door to the right of him,
• 1:18:21
  Speaker 4: that's a circle to right here that is closed, but
• 1:18:25
  Speaker 4: then in the next shot it's open.
• 1:18:29
  Speaker 2: The doors are perception, and I think that's the scene
• 1:18:32
  Speaker 2: right there where I've seen people connected to Toy Story,
• 1:18:35
  Speaker 2: which obviously has Tom Hanks in it. Do you ever
• 1:18:38
  Speaker 2: see that that conspiracy?
• 1:18:40
  Speaker 4: Yeah, I have that in a couple of slides, I
• 1:18:44
  Speaker 4: think in like two slides down.
• 1:18:47
  Speaker 3: Interesting.
• 1:18:50
  Speaker 4: This one is another one that a lot of people
• 1:18:52
  Speaker 4: have pointed out the karpas switching pattern. So when before
• 1:18:55
  Speaker 4: Danny stands up to go into Room two thirty seven
• 1:19:00
  Speaker 4: later on in the movie, he has the Apollo eleven
• 1:19:03
  Speaker 4: shirt on, but there's a continuity error here, and a
• 1:19:07
  Speaker 4: lot of people said that he just switched squares or
• 1:19:10
  Speaker 4: turned around in the square, but it's still an error
• 1:19:12
  Speaker 4: because in the first shot the carpet is an open
• 1:19:15
  Speaker 4: facing hexagonal pattern, and then in the next shot it's
• 1:19:20
  Speaker 4: a closed facing hexagonal pattern, and then of course the
• 1:19:27
  Speaker 4: Apollo eleven symbolism. Jay Wiener talked about this in his
• 1:19:34
  Speaker 4: previous two Kubrick's Odyssey movies, where he posturized that the
• 1:19:40
  Speaker 4: shining is Kubrick's confession to faking the moon landing. Danny
• 1:19:45
  Speaker 4: has the Apollo eleven shirt on. He stands up from
• 1:19:47
  Speaker 4: the hexagonal pattern, which looks like the the launch pad
• 1:19:53
  Speaker 4: from the Apollo eleven rocket. He goes in the room
• 1:19:57
  Speaker 4: two thirty seven. At that time, people, I thought that
• 1:20:00
  Speaker 4: the moon was two hundred and thirty seven thousand miles
• 1:20:04
  Speaker 4: away from the Earth. Here's a Toy Story connection.
• 1:20:12
  Speaker 3: Yeah, that's pretty that is pretty bizarre.
• 1:20:16
  Speaker 2: Was it the same company that released that? So you
• 1:20:19
  Speaker 2: got Warner Bros.
• 1:20:20
  Speaker 4: Who really Disney Pixar.
• 1:20:24
  Speaker 2: Pixar, Yeah, so distribute White Walt Disney Studio's motion pictures.
• 1:20:31
  Speaker 4: But the director of Toy Story was a really big
• 1:20:33
  Speaker 4: fan of Stanley Kubrik. But it just so happens that
• 1:20:40
  Speaker 4: Buzz like Year in this movie discovers that he's not
• 1:20:45
  Speaker 4: a real astronaut, that he's a fake.
• 1:20:50
  Speaker 2: I feel like a lot of these movies that they make, Bro,
• 1:20:54
  Speaker 2: they are talking to each other, right and in some
• 1:20:57
  Speaker 2: really expensive way of like hey, we're onto you. And
• 1:21:02
  Speaker 2: I feel like they send a lot of messages through
• 1:21:05
  Speaker 2: the movies that they make to other and by other
• 1:21:08
  Speaker 2: people and by they and them. I'm talking about like
• 1:21:10
  Speaker 2: these secret groups, right, these people that we always talk
• 1:21:14
  Speaker 2: about with it be lizard people or a monkeylus or whatever.
• 1:21:17
  Speaker 3: Like they're talking to each other.
• 1:21:18
  Speaker 2: And I believe that there's different factions and they all
• 1:21:21
  Speaker 2: have a different amount of power, but they.
• 1:21:22
  Speaker 3: All rule their own kind of sort of domains.
• 1:21:25
  Speaker 2: And I think that they send a lot of messages
• 1:21:29
  Speaker 2: and things through the use of these movies, and that's
• 1:21:32
  Speaker 2: why they're so important.
• 1:21:35
  Speaker 4: Yeah, I would definitely agree with that. The guy the
• 1:21:39
  Speaker 4: directed Toy Story was also the guy that financed the
• 1:21:46
  Speaker 4: the other really big Shining documentary that also had Jay
• 1:21:50
  Speaker 4: Winder in in, which was the producer of this documentary
• 1:21:53
  Speaker 4: called Room two thirty seven. So he he financed that
• 1:21:59
  Speaker 4: movie as also. He was a really big, huge fan
• 1:22:02
  Speaker 4: And it's said people have theorized that that guy actually
• 1:22:08
  Speaker 4: has the original ending to the Shining that Kubriic cut out,
• 1:22:13
  Speaker 4: but that's just been rumor and speculation. I don't think
• 1:22:16
  Speaker 4: that anybody has it because Cubic got rid and destroyed
• 1:22:21
  Speaker 4: all the outtakes, any of the extra footage that's not
• 1:22:26
  Speaker 4: a part of the movie, any of the footage that
• 1:22:27
  Speaker 4: he cut out, he just destroyed it. He got rid
• 1:22:30
  Speaker 4: of it. So I think that that's just a rumor
• 1:22:32
  Speaker 4: that this guy that made Toy Story has the original
• 1:22:37
  Speaker 4: ending to the Shining because it's one of the most
• 1:22:38
  Speaker 4: infamous pieces of lost media and history of lost media.
• 1:22:45
  Speaker 4: This one was really interesting, which I think connects to
• 1:22:48
  Speaker 4: the moon Landing as well. There's TVs within the Shining
• 1:22:51
  Speaker 4: that are shown to not be plugged into anything, which
• 1:22:56
  Speaker 4: is perfect for not only MK Ultra, but also the
• 1:23:01
  Speaker 4: faking of the moon landing in the fact that if
• 1:23:05
  Speaker 4: the moon landing was faked by Stanley Kubrick, then the
• 1:23:08
  Speaker 4: footage would have been previously made footage and it wouldn't
• 1:23:13
  Speaker 4: have been live like people were led to believe in
• 1:23:17
  Speaker 4: nineteen sixty nine. So it makes sense that he would
• 1:23:20
  Speaker 4: symbolically be representing that there's really nothing on the TV.
• 1:23:26
  Speaker 4: It's playing without anything being plugged in. That's just my
• 1:23:30
  Speaker 4: personal that's rightly adad and this one is another really
• 1:23:36
  Speaker 4: interesting one which is a continuity error between the dialogue
• 1:23:40
  Speaker 4: of the characters, which is when Almon is when Jack
• 1:23:45
  Speaker 4: is in Almand's office getting the interview for the role
• 1:23:49
  Speaker 4: that being the caretaker up at the Overlook, Almen says
• 1:23:53
  Speaker 4: that Charles Grady was the former caretaker of the hotel
• 1:24:01
  Speaker 4: and that he murdered his family up there. But when
• 1:24:05
  Speaker 4: Jack meets Grady in the bathroom at the party the
• 1:24:11
  Speaker 4: second time, he refers to himself as Delbert Grady.
• 1:24:18
  Speaker 3: So it's a completely different character.
• 1:24:23
  Speaker 4: Well, I think that, I mean that's what people have
• 1:24:26
  Speaker 4: had theories on what that is and says that they're
• 1:24:28
  Speaker 4: two different people and all that, but they all have
• 1:24:32
  Speaker 4: the same background story that they murdered their entire family,
• 1:24:36
  Speaker 4: So I in relation.
• 1:24:39
  Speaker 2: To almost like it's happened before and he's just another
• 1:24:42
  Speaker 2: test subject. And that's why I'm saying that, like this
• 1:24:45
  Speaker 2: facility that they're using, maybe perhaps it's a real facility
• 1:24:50
  Speaker 2: where they go and they test this sort of stuff
• 1:24:52
  Speaker 2: on people to see what their.
• 1:24:56
  Speaker 3: What their reactions are.
• 1:24:58
  Speaker 2: Have there ever, has there ever been a remastered version
• 1:25:03
  Speaker 2: of The Shining Do you know there is?
• 1:25:07
  Speaker 4: It's been released on Blu ray and stuff like and
• 1:25:10
  Speaker 4: you can watch it on I think well, HBO had
• 1:25:13
  Speaker 4: it on their streaming service for Halloween. I don't know
• 1:25:17
  Speaker 4: if it's still on there, but I think that you
• 1:25:19
  Speaker 4: can get it in four K on like Blu Ray
• 1:25:23
  Speaker 4: or on something like that.
• 1:25:26
  Speaker 2: I check to see if it's the same or not.
• 1:25:28
  Speaker 2: Have they changed anything up, because you know that they
• 1:25:30
  Speaker 2: do that now with like music. I remember one of
• 1:25:32
  Speaker 2: the first people that I knew that was switching up
• 1:25:34
  Speaker 2: music post releasing is like Kanye West, which Kanye West
• 1:25:40
  Speaker 2: is also tied into a lot of Mike Ultra stuff.
• 1:25:43
  Speaker 3: I mean, he's been in the limelight.
• 1:25:45
  Speaker 2: And the one clip that freaked me out from the documentary,
• 1:25:48
  Speaker 2: which I'd never seen before, was the Britney Spears one
• 1:25:50
  Speaker 2: dude where she's like kind of sort of spassing out
• 1:25:53
  Speaker 2: and like talking to herself and like he ew you know,
• 1:25:57
  Speaker 2: like I'm like whoa. That was an interview on like
• 1:26:03
  Speaker 2: a famous show.
• 1:26:05
  Speaker 4: Yeah, it was two thousand and four interview where she
• 1:26:07
  Speaker 4: just like trips.
• 1:26:08
  Speaker 3: Out, like glitch is out.
• 1:26:11
  Speaker 4: Bro.
• 1:26:11
  Speaker 2: That that was bizarre.
• 1:26:13
  Speaker 4: You know a lot of people have forgotten about that
• 1:26:15
  Speaker 4: because there's been so many of them that's happened after that,
• 1:26:18
  Speaker 4: like Katy Perry had to freak out in an interview
• 1:26:20
  Speaker 4: like that Cardi B, Cardi B. All of them have
• 1:26:24
  Speaker 4: had like, well not all of them, but several of
• 1:26:27
  Speaker 4: them after Britney Spears had her her kind of moutdown,
• 1:26:32
  Speaker 4: have had those types of things happened to them as well.
• 1:26:36
  Speaker 4: So it's kind of been overshadowed, and I think Britney
• 1:26:39
  Speaker 4: Spears is one of the first ones. And what's really interesting, dude,
• 1:26:43
  Speaker 4: is like, after this movie released, I had a girl
• 1:26:48
  Speaker 4: that I know that I've met before reach out to
• 1:26:51
  Speaker 4: me and message me and tell me that after she
• 1:26:54
  Speaker 4: had watched my movie in the Britney Spears part came up,
• 1:27:01
  Speaker 4: she was a Britney Spears body double. What she was
• 1:27:10
  Speaker 4: a Britney Spears body double for several of Britney Spears's
• 1:27:13
  Speaker 4: music videos.
• 1:27:15
  Speaker 3: I mean, I believe it that they have bodies. I've
• 1:27:17
  Speaker 3: said this before.
• 1:27:17
  Speaker 4: Yeah, And she sent me like the photos of her
• 1:27:22
  Speaker 4: being the being in Britney Spears's music video for Womanizer.
• 1:27:27
  Speaker 4: I was like, well, would you be able to like
• 1:27:30
  Speaker 4: spot and tell me where, uh like, what parts are
• 1:27:35
  Speaker 4: like you in this music video? And she was like, yeah,
• 1:27:38
  Speaker 4: I would definitely be able to tell you because I'm
• 1:27:41
  Speaker 4: I'm a little bit tinier than Britney Spears and my
• 1:27:44
  Speaker 4: neck is longer. And I'd met her several times, like
• 1:27:48
  Speaker 4: I'd met this lady several times, a couple of times actually,
• 1:27:52
  Speaker 4: and I was like, Okay, well, don't tell me which
• 1:27:56
  Speaker 4: one is you and which one isn't you. Let me
• 1:27:58
  Speaker 4: watch the woman i her video and see if I
• 1:28:01
  Speaker 4: can spot it, because I know I never even this
• 1:28:03
  Speaker 4: never even crossed my mind. I thought, you know, Britney
• 1:28:06
  Speaker 4: Spears is Britney Spears, Like she's going to be doing
• 1:28:09
  Speaker 4: all of her own stuff. But she's not. None of
• 1:28:12
  Speaker 4: these people. None of these people do all their all
• 1:28:15
  Speaker 4: their their stuff. And I was watching it and I
• 1:28:21
  Speaker 4: took those cues that she told me. She was like,
• 1:28:23
  Speaker 4: I'm smaller and I have a longer neck than Britney Spears.
• 1:28:26
  Speaker 4: And I watched it twice and then I screenshotted a
• 1:28:31
  Speaker 4: couple of screenshots which I thought was her, and then
• 1:28:33
  Speaker 4: I sent them to her and she says, yup, does me?
• 1:28:36
  Speaker 4: And then she sent me the the pictures of her.
• 1:28:40
  Speaker 4: Which was another really interesting thing that she told me
• 1:28:43
  Speaker 4: was that the music video for Womanizer was shot inside
• 1:28:48
  Speaker 4: of a Boeing hangar. What Yeah, this wasn't like a
• 1:28:54
  Speaker 4: Hollywood's that is that? A Boeing hangar?
• 1:28:58
  Speaker 2: What a weird thing to have on your resume. I
• 1:29:00
  Speaker 2: was a body double for Britney Spears, Right, wouldn't you
• 1:29:05
  Speaker 2: like lead every conversation with that?
• 1:29:07
  Speaker 4: Like That's what I said. I was like, have you
• 1:29:09
  Speaker 4: talked to anybody about this before? And she was like, yeah, yeah,
• 1:29:12
  Speaker 4: I've brought it up to a few people before on
• 1:29:14
  Speaker 4: like interviews and stuff, but they just kind of like
• 1:29:15
  Speaker 4: brush over. And I'm like, that is a huge deal.
• 1:29:18
  Speaker 4: Like I don't know who would brush over that, Like
• 1:29:21
  Speaker 4: that's that's wild. And why was a film that a
• 1:29:24
  Speaker 4: freaking Boeing hangar? Yeah? No?
• 1:29:27
  Speaker 2: And and that plays into like, right, because we always
• 1:29:29
  Speaker 2: talk about celebrities having clones or whatever. Well, if a
• 1:29:34
  Speaker 2: lot of infamous people throughout history, you know, they said
• 1:29:37
  Speaker 2: to Saddam Hussein had a body double, Hitler had a
• 1:29:40
  Speaker 2: body double.
• 1:29:41
  Speaker 3: All these people throughout you have had body doubles.
• 1:29:44
  Speaker 2: Why wouldn't these assets of Hollywood that are worth millions
• 1:29:49
  Speaker 2: and billions.
• 1:29:50
  Speaker 3: Of dollars not have a sort of body double? Right?
• 1:29:54
  Speaker 2: And maybe that's what And it makes you think of,
• 1:29:56
  Speaker 2: like why Michael Jackson would do the stuff that he did,
• 1:30:00
  Speaker 2: maybe so they wouldn't be able to emulate him, right,
• 1:30:03
  Speaker 2: Like like if you think about all the surgeries that
• 1:30:06
  Speaker 2: he had done, obviously was like from a burn, but
• 1:30:08
  Speaker 2: he kept doing more and more stuff to him. And
• 1:30:10
  Speaker 2: you see a lot of these celebrities that do these
• 1:30:13
  Speaker 2: weird modifications to their bodies of like a different chin.
• 1:30:17
  Speaker 2: It's like, what if there's like another meaning to that,
• 1:30:19
  Speaker 2: Like you can't copy me anymore. You can't put a
• 1:30:22
  Speaker 2: body double one for me whenever you want. Now, like
• 1:30:25
  Speaker 2: I'm going to control when I go when I don't go, right,
• 1:30:28
  Speaker 2: Like if we look at it from a different perspective,
• 1:30:30
  Speaker 2: that makes a lot of sense to me.
• 1:30:32
  Speaker 4: Yeah, And I asked her that question. I was like, well,
• 1:30:36
  Speaker 4: in your scenario, like why did why did Britney Spears
• 1:30:41
  Speaker 4: need body doubles? And she said, well, she needed body
• 1:30:45
  Speaker 4: doubles for these music videos because there were there's like
• 1:30:50
  Speaker 4: the shooting of these music videos are really they take
• 1:30:53
  Speaker 4: up a lot of time. Like there's sometimes they go
• 1:30:55
  Speaker 4: in for weeks and weeks and weeks and sometimes you'll
• 1:30:58
  Speaker 4: spend an entire day filming one scene. So why would
• 1:31:04
  Speaker 4: you need Britney Spears there to pick up a freaking
• 1:31:10
  Speaker 4: cherry that needs to be shot twenty times is going
• 1:31:13
  Speaker 4: to take ten hours, yeah, to do it. So they
• 1:31:17
  Speaker 4: hire these body doubles to come in. And I'm sure
• 1:31:21
  Speaker 4: that there's a lot of other more nefarious reasons why
• 1:31:26
  Speaker 4: they would do that as well, you know, showing up
• 1:31:30
  Speaker 4: for certain events. I mean, if you didn't want to go,
• 1:31:34
  Speaker 4: like send the freaking body double, they don't have to
• 1:31:36
  Speaker 4: talk to anybody to do any kind of interviews. You
• 1:31:38
  Speaker 4: show up and they look almost identical. Like she said
• 1:31:42
  Speaker 4: that there were three well including her, there was another
• 1:31:48
  Speaker 4: body double in the Womanizer video, so she wasn't the
• 1:31:50
  Speaker 4: only one. There was another one there and also Britney Spears.
• 1:31:55
  Speaker 4: So Britney Spears had two body doubles for the Womanizer
• 1:32:00
  Speaker 4: music video.
• 1:32:02
  Speaker 2: Interesting, Yeah, I thought that that was really wild.
• 1:32:06
  Speaker 4: And she said that the Boeing Hanger is like that
• 1:32:10
  Speaker 4: she was in. I think that was in two thousand
• 1:32:12
  Speaker 4: and she told me the exact date when it was filmed.
• 1:32:16
  Speaker 4: It was like in like two thousand and seven, two
• 1:32:20
  Speaker 4: thousand and six, So whenever the When I Was video
• 1:32:23
  Speaker 4: came out, she said that the Boeing Hanger like outdoes
• 1:32:29
  Speaker 4: any other Hollywood studio, And she said that she's been
• 1:32:33
  Speaker 4: all of the Hollywood studios and.
• 1:32:35
  Speaker 2: It just makes me think of Kubrick when they wouldn't
• 1:32:38
  Speaker 2: let him see the plane. Is it a B fifty
• 1:32:41
  Speaker 2: two bomber?
• 1:32:43
  Speaker 4: Yeah? The military was like absolutely not. And then his
• 1:32:47
  Speaker 4: production designer got all these magazines excuse me, and got
• 1:32:51
  Speaker 4: all these cutouts of this magazine and then redesigned the
• 1:32:55
  Speaker 4: inside of a B fifty two to the best of
• 1:32:59
  Speaker 4: their knowledge, and they got it almost perfectly correct. And
• 1:33:02
  Speaker 4: then the military shows up on set and was like
• 1:33:07
  Speaker 4: shocked by how correct they got the inside of the
• 1:33:10
  Speaker 4: B fifty two when no civilian has ever been able
• 1:33:13
  Speaker 4: to see the inside of it. And then they were like,
• 1:33:15
  Speaker 4: oh well, we gotta we got to invest how did
• 1:33:18
  Speaker 4: they get this? They thought that Kubrick had some kind
• 1:33:21
  Speaker 4: of insider that was leaking him the information.
• 1:33:24
  Speaker 2: Yeah, So it makes you wonder what other countries can
• 1:33:27
  Speaker 2: do with the same amount of information that they were exactly.
• 1:33:33
  Speaker 4: Exactly who knows? Who knows? That's that was probably the
• 1:33:38
  Speaker 4: exact point where they were like, oh well, we got
• 1:33:41
  Speaker 4: to be more involved with these productions of movies. And
• 1:33:44
  Speaker 4: we showed documents in the in the in our movie
• 1:33:47
  Speaker 4: at Clockwork Shining. That shows the intelligence involvement in movies
• 1:33:53
  Speaker 4: going back years, the Transformers movies, what was the Other One?
• 1:34:00
  Speaker 4: And Die Another Day, like a lot of these movies
• 1:34:05
  Speaker 4: all had military and intelligence support and the people that
• 1:34:12
  Speaker 4: have funded it. And Qubriak's the credits to two thousand
• 1:34:16
  Speaker 4: and one A Space Odyssey originally had all of these
• 1:34:20
  Speaker 4: big aerospace company he like Thinked Langley, Virginia Air Force Intelligence,
• 1:34:28
  Speaker 4: a lot of the government contractors, Yeah and essay, like
• 1:34:33
  Speaker 4: all these people and then he cut them out out
• 1:34:36
  Speaker 4: of the end of the movie because I'm sure that
• 1:34:38
  Speaker 4: he He probably put them in there thinking that it
• 1:34:42
  Speaker 4: was okay, and then some military personnel or high ranking
• 1:34:46
  Speaker 4: military guy saw it at the end there I was like, hey,
• 1:34:49
  Speaker 4: what are you doing?
• 1:34:50
  Speaker 2: Bro?
• 1:34:51
  Speaker 4: Control?
• 1:34:52
  Speaker 2: Bro, Like, could I'm gonna put it in here to
• 1:34:54
  Speaker 2: see if I can get away with it? Obviously it
• 1:34:56
  Speaker 2: got And that's what I'm saying, like, if he is
• 1:34:58
  Speaker 2: revealing too much and this movie is a sort of
• 1:35:01
  Speaker 2: initiation process or like a tool used to initiate somebody,
• 1:35:07
  Speaker 2: why would they even let him release it in the
• 1:35:08
  Speaker 2: first place, or you know, the the other one that.
• 1:35:11
  Speaker 4: I watched that I think that it's so well hidden
• 1:35:15
  Speaker 4: in The Shining because if this was something that was
• 1:35:20
  Speaker 4: like why has no one put this together until now?
• 1:35:23
  Speaker 7: Like?
• 1:35:24
  Speaker 4: Why am I the person that has put this together? Well,
• 1:35:27
  Speaker 4: I mean it's definitely went over the heads of a
• 1:35:31
  Speaker 4: lot of people before me.
• 1:35:33
  Speaker 2: And if you look at The Shining from the perspective
• 1:35:37
  Speaker 2: of like Stephen King, and even Stephen King is kind
• 1:35:39
  Speaker 2: of shady when it comes to a lot of things,
• 1:35:41
  Speaker 2: does he have any three later agency connections that you
• 1:35:44
  Speaker 2: know of?
• 1:35:46
  Speaker 4: I mean, what is this movie forty four years old
• 1:35:49
  Speaker 4: and no one has come up with this this theory yet,
• 1:35:53
  Speaker 4: So it's like it had to have gone over I mean,
• 1:35:58
  Speaker 4: people have watched this movie a lot of times and
• 1:36:01
  Speaker 4: they haven't come to this conclusion. Yea yeah. And one
• 1:36:05
  Speaker 4: of the first indicators of that is the Catcher in
• 1:36:09
  Speaker 4: the Rye, which when we first meet Wendy and Danny
• 1:36:13
  Speaker 4: in The Shining, Windy is reading the book by an
• 1:36:17
  Speaker 4: intelligence officer named J. D. Salinger called Catcher in the
• 1:36:20
  Speaker 4: Rye And if you want to talk about initiations, that's
• 1:36:24
  Speaker 4: what this book is really about. And Joe Ottwell really
• 1:36:29
  Speaker 4: breaks that down perfectly within our movie. He's basically an
• 1:36:34
  Speaker 4: expert on this book and what the book actually really means,
• 1:36:38
  Speaker 4: and I don't want to ruin that or spoil that,
• 1:36:40
  Speaker 4: so you'll just you'll have to watch our documentary to
• 1:36:44
  Speaker 4: get the full context of exactly what this book means.
• 1:36:47
  Speaker 4: But several people have put together that this book is
• 1:36:52
  Speaker 4: an MK ultra style mind control assassin trigger because it
• 1:36:57
  Speaker 4: was found on the scene of two major assassinations that
• 1:37:02
  Speaker 4: happened within a year of the release of The Shiny
• 1:37:07
  Speaker 4: So how did cubric know to put this book in
• 1:37:12
  Speaker 4: the movie?
• 1:37:13
  Speaker 2: You know, the Ronald Reagan guy, he has a YouTube channel.
• 1:37:16
  Speaker 2: You know, he's out right, he's out.
• 1:37:19
  Speaker 3: Yeah, the what's the dude's.
• 1:37:21
  Speaker 2: Name, Ronald Reagan, Hinkley Hinckley, Yeah, Hinckley. He's got a
• 1:37:27
  Speaker 2: a YouTube channel. Bro, he's got more subscribers than I do.
• 1:37:31
  Speaker 2: So Hinkley YouTube channel, let's to hear. Yeah, you can
• 1:37:35
  Speaker 2: find him on there, and he like plays guitar and
• 1:37:38
  Speaker 2: stuff like that.
• 1:37:41
  Speaker 4: Well, I didn't know that. I didn't know that he'd
• 1:37:43
  Speaker 4: been a lot out of prison.
• 1:37:45
  Speaker 3: John Hinckley Junior.
• 1:37:49
  Speaker 2: So he's got forty one point two thousand subscribers, and
• 1:37:54
  Speaker 2: his last video was two months ago. I guess he's
• 1:37:57
  Speaker 2: working on a new documentary, he says, John, he talks
• 1:38:00
  Speaker 2: about new documentary.
• 1:38:01
  Speaker 3: Bro, it's him.
• 1:38:05
  Speaker 4: He lives in Williamsburg.
• 1:38:07
  Speaker 3: Yeah, dude, he's out. Bro, he's out, and he's he's
• 1:38:12
  Speaker 3: doing this thing on YouTube.
• 1:38:13
  Speaker 4: Bro. That's wild. Well that adds a whole other layer. Dude,
• 1:38:22
  Speaker 4: we need to we need to get him on for
• 1:38:24
  Speaker 4: the director's cut of the clockwork training. Bro.
• 1:38:28
  Speaker 7: Uh oh.
• 1:38:29
  Speaker 3: I don't know, man, he might be one of them.
• 1:38:33
  Speaker 4: But that was found on the scene of the stinted
• 1:38:36
  Speaker 4: assassination of Ronald Reagan. It was also found on the
• 1:38:39
  Speaker 4: scene of the assassination of with Mark David Chapman and
• 1:38:44
  Speaker 4: the John John Lennon murder. After Mark David Chapman had
• 1:38:52
  Speaker 4: killed John Lennon, he sat on the curb, opened up
• 1:38:57
  Speaker 4: the book and started reading Catcher in the Right And
• 1:39:00
  Speaker 4: in the court proceeding of the prosecution of Mark David Chapman,
• 1:39:06
  Speaker 4: he stood up and asked his defense. He said, if
• 1:39:09
  Speaker 4: you want to know why I did it, all you
• 1:39:11
  Speaker 4: got to do is read the book Catcher in the Rye.
• 1:39:13
  Speaker 4: And then later on a psychiatrist went to visit Mark
• 1:39:18
  Speaker 4: David Chapman in prison a couple of years later, which
• 1:39:22
  Speaker 4: that is this quote is in this book that I
• 1:39:25
  Speaker 4: have called The one hundred Most Infamous Criminals. It said
• 1:39:33
  Speaker 4: that whenever the therapist the psychiatrist went to visit Mark
• 1:39:37
  Speaker 4: David Chapman in prison, he was still a couple of
• 1:39:40
  Speaker 4: years later, he was still reading Catcher in the Rack.
• 1:39:44
  Speaker 4: So it's been identified as a mind control Mantorian style
• 1:39:51
  Speaker 4: candidate trigger. And Jack is a writer within the movie
• 1:39:56
  Speaker 4: of the Shining and it's a high it's probably it's
• 1:40:02
  Speaker 4: his book when he's reading let Me get to the next.
• 1:40:08
  Speaker 2: So it makes you wonder what they're seeing after they've
• 1:40:13
  Speaker 2: been put through whatever process that they're put through, where
• 1:40:15
  Speaker 2: the book takes on a whole different meaning to them,
• 1:40:19
  Speaker 2: right because he says, read that book and you'll find
• 1:40:22
  Speaker 2: all the answers you'll need as to why that's wild, dude.
• 1:40:27
  Speaker 4: Super bold. And then later on Jack is doing a
• 1:40:31
  Speaker 4: psychic driving. He's basically being programmed to commit murder. Within
• 1:40:39
  Speaker 4: the movie, he's writing the same sentence over and over
• 1:40:41
  Speaker 4: and over again. And then you have sir Han, Sirhan
• 1:40:43
  Speaker 4: which killed and murdered RFK in nineteen sixty eight, and
• 1:40:49
  Speaker 4: the exact same thing was happening to Sir Hans Sir
• 1:40:52
  Speaker 4: Haan his notebook was discovered after the assassination. He was
• 1:40:58
  Speaker 4: just writing out RFK must die, RFK must die, over
• 1:41:02
  Speaker 4: and over and over again, which is a psyche driving technique.
• 1:41:05
  Speaker 4: So Jack within the Shining is doing exactly what Sir
• 1:41:10
  Speaker 4: Hans Sir Han was doing before he murdered RFK. Jack
• 1:41:16
  Speaker 4: is doing his own version of that within the Shining.
• 1:41:19
  Speaker 4: And when Wendy comes in and finds out that he's
• 1:41:22
  Speaker 4: not actually writing a novel anymore, he's just writing the
• 1:41:25
  Speaker 4: same sentence over and over again, Jack becomes triggered and
• 1:41:29
  Speaker 4: tries to kill Wendy. He wants to do violence. This
• 1:41:35
  Speaker 4: is another really interesting continuity error within the Shining, which
• 1:41:42
  Speaker 4: is when Jack is going after Windy in their apartment upstairs,
• 1:41:46
  Speaker 4: he breaks He only breaks down one panel of the door,
• 1:41:52
  Speaker 4: which is the right hand side panel of the door.
• 1:41:56
  Speaker 4: He smashes in with an axe and he put his
• 1:41:59
  Speaker 4: face through the door panel and says the famous line
• 1:42:02
  Speaker 4: here is Johnny Well Whenever Hollering pulls up in the
• 1:42:08
  Speaker 4: snowmobile after he had received the psychic telepathic communications from
• 1:42:13
  Speaker 4: Danny that something was wrong up at the overlook. He
• 1:42:15
  Speaker 4: gets in the snowmobile. He flies in from Florida, which
• 1:42:19
  Speaker 4: is another really strange thing because it's supposed to have
• 1:42:21
  Speaker 4: been a really heavy snowstorm that was coming down during
• 1:42:24
  Speaker 4: this very time, but yet when he's on the plane,
• 1:42:26
  Speaker 4: it's all sunny skies. He's somehow able to get a
• 1:42:28
  Speaker 4: flight whenever the newscaster said that all flights were canceled.
• 1:42:33
  Speaker 4: He just pour your wormhold right into Colorado, right into
• 1:42:38
  Speaker 4: the overlook. But he gets whenever Jack hears the snowmobile
• 1:42:43
  Speaker 4: the snow cat coming up the mountain to the hotel,
• 1:42:47
  Speaker 4: and Jack turns around. Both panels of the door have
• 1:42:52
  Speaker 4: been destroyed. When we only seen him knock out one panel.
• 1:42:59
  Speaker 4: This is a really obvious one that I didn't know.
• 1:43:03
  Speaker 4: I don't even know how people hasn't even really seen
• 1:43:08
  Speaker 4: this one. This one's so ridiculously obvious. So whenever Howard
• 1:43:12
  Speaker 4: is giving Windy and Dannia tour of the overlook, this
• 1:43:18
  Speaker 4: is the freezer room right here. So when he goes
• 1:43:23
  Speaker 4: to open the freezer room, look where the handle is.
• 1:43:26
  Speaker 4: The handle is on the right side of the door.
• 1:43:30
  Speaker 4: So they walk into the freezer room. And then when
• 1:43:33
  Speaker 4: they walk out of the freezer room. This is the
• 1:43:36
  Speaker 4: shot of them walking out exiting the freezer room. The
• 1:43:40
  Speaker 4: handle is on the opposite side of the door and
• 1:43:46
  Speaker 4: the background is completely different.
• 1:43:49
  Speaker 2: Yeah, I don't, I don't. I don't know about that one, dude, Like,
• 1:43:53
  Speaker 2: what can you even say like that?
• 1:43:57
  Speaker 3: That's what I'm saying.
• 1:43:58
  Speaker 2: It's got to be intentional as to what he was
• 1:44:00
  Speaker 2: trying to get at.
• 1:44:03
  Speaker 4: Intentional. I mean, this is a completely different set. It's
• 1:44:07
  Speaker 4: a completely effer set. I mean the first photo before
• 1:44:10
  Speaker 4: they go into the freezer room, it looks like they're
• 1:44:13
  Speaker 4: right outside of the kitchen. This is the kitchen area.
• 1:44:15
  Speaker 4: That's a stove right there, and this is the top
• 1:44:18
  Speaker 4: of the fan of the stove, and there's a chalkboard
• 1:44:22
  Speaker 4: in behind him. There's a table rolling table here that
• 1:44:26
  Speaker 4: has plates on it and like looks like cups and holders.
• 1:44:29
  Speaker 4: And then then when they exit, none of that's there.
• 1:44:34
  Speaker 4: It's all gone, and there's it's an exit, there's a
• 1:44:37
  Speaker 4: two double doors there, there's a fire alarm on the
• 1:44:40
  Speaker 4: right hand side door. The chalkboard is gone. It's a
• 1:44:44
  Speaker 4: completely different set, but it's all in the same scene.
• 1:44:49
  Speaker 2: That's why it's a clockwork or well you put the
• 1:44:53
  Speaker 2: clockwork shime, but the clockwork shining right. It's all about
• 1:44:57
  Speaker 2: the manipulation of time, violation of time. They're they're traveling
• 1:45:02
  Speaker 2: through time throughout this entire movie.
• 1:45:04
  Speaker 4: Bro time travel dude. This is another one that's really interesting.
• 1:45:09
  Speaker 4: So whenever Jack goes into the breakdown the once he
• 1:45:14
  Speaker 4: breaks down the first door, which is the entrance into
• 1:45:17
  Speaker 4: their apartment that they're staying at for the winner, and
• 1:45:20
  Speaker 4: he's going toward the other door to break it down
• 1:45:22
  Speaker 4: to you know, put us out there and say, here's Johnny.
• 1:45:25
  Speaker 4: When Wendy and Danny first goes into the bathroom, the
• 1:45:31
  Speaker 4: light on the table has a crooked lamp shade, and
• 1:45:35
  Speaker 4: then when Jack walks in just a few seconds later,
• 1:45:38
  Speaker 4: the lamp shade is straight.
• 1:45:41
  Speaker 2: Yeah, they fixed it. They opened the door real quick
• 1:45:43
  Speaker 2: and just fixed it and then put it back.
• 1:45:49
  Speaker 4: Oh wild, um, this one. This one's the banger. This
• 1:45:56
  Speaker 4: is a big daddy. So the first time that anything
• 1:46:00
  Speaker 4: strange happens at the Overlook, well really, anything strange happens
• 1:46:05
  Speaker 4: in the entire movie is whenever Danny sees the twins
• 1:46:08
  Speaker 4: in the game's room and in the back end corner.
• 1:46:12
  Speaker 4: There's a poster on the wall that says the word
• 1:46:16
  Speaker 4: monarch underneath and you're having enlarged here monarch, and people
• 1:46:22
  Speaker 4: have I wasn't the first person to see this poster,
• 1:46:27
  Speaker 4: but I'm the first person to get the meaning correct.
• 1:46:30
  Speaker 4: People have said that this is the posters of a
• 1:46:36
  Speaker 4: ski guy's skiing, which resembles like a minotaur, and that
• 1:46:41
  Speaker 4: Cubic has, you know, minotaur symbolism throughout all of his movies,
• 1:46:48
  Speaker 4: which kind of does make He does do that. It's
• 1:46:50
  Speaker 4: called the Cubic stare. Alex from the Clockwork Orange does
• 1:46:55
  Speaker 4: that Cubic stare. Jack does the Cubic stare whenever he's
• 1:47:00
  Speaker 4: looking out the window at Windy and Danny within the
• 1:47:02
  Speaker 4: Shining he's you can google it really quickly. It's also
• 1:47:08
  Speaker 4: in full full metal jacket. It's just when they're doing
• 1:47:11
  Speaker 4: that whenever. You know, Jack does it a couple of
• 1:47:15
  Speaker 4: times throughout the shininess where they're kind of like looking
• 1:47:18
  Speaker 4: down in their eyes or like like looking up and
• 1:47:21
  Speaker 4: then they it's dubbed as the Kubrick's there. And but
• 1:47:26
  Speaker 4: none of them have ever mentioned the word underneath the poster,
• 1:47:31
  Speaker 4: which is the most important part. Of the entire poster
• 1:47:34
  Speaker 4: which says Monarch and relates to Monarch mk Ultra. Cubert
• 1:47:40
  Speaker 4: could have put anything in the background of the shot.
• 1:47:42
  Speaker 4: It could have been whatever he wanted it to be.
• 1:47:44
  Speaker 4: But no, he's got a poster back there that says Monarch,
• 1:47:50
  Speaker 4: and no one has ever commented on that actual name.
• 1:47:53
  Speaker 4: They study the the what's in the poster and they
• 1:47:56
  Speaker 4: don't say what Monarch actually means and Monarch MK Ultra
• 1:48:01
  Speaker 4: mind Control. And we have Kathy O'Brien in our movie
• 1:48:04
  Speaker 4: which is in Monarch mk Ultra Mind Control Survivor, and
• 1:48:09
  Speaker 4: she gives her testimony in our film of the abuse
• 1:48:13
  Speaker 4: and the everything that she went through within the MK
• 1:48:17
  Speaker 4: Ultra Monarch program.
• 1:48:19
  Speaker 2: The Minotaur connection is a really interesting one because I've
• 1:48:22
  Speaker 2: talked about it. It's linked back to essentially the Labyrinth, right,
• 1:48:27
  Speaker 2: and you talked about the Labyrinth that or the maze
• 1:48:29
  Speaker 2: at the beginning that's there one second and not they're
• 1:48:33
  Speaker 2: the next. Well, the minotaur story in mythology is about
• 1:48:38
  Speaker 2: again trapping the I believe the Minotaur, and it's linked
• 1:48:42
  Speaker 2: I've talked about it before where it's linked to the
• 1:48:44
  Speaker 2: word talisman and essentially about the talismato, which are essentially
• 1:48:51
  Speaker 2: to manipulate reality. So I'm gonna go with my interpretation
• 1:48:56
  Speaker 2: of the shining and the clockwork shining that it's all
• 1:49:00
  Speaker 2: about different realities. Bro, I'm gonna go with that one.
• 1:49:04
  Speaker 2: They were traveling through space and time. Oh dude, it
• 1:49:07
  Speaker 2: can't be that, bro, because space and time speaking gate.
• 1:49:14
  Speaker 4: Space isn't even real. Dude, what are you talking about? Dude?
• 1:49:20
  Speaker 4: You gotta watch.
• 1:49:25
  Speaker 3: Is fake and ge there you go.
• 1:49:28
  Speaker 4: Hell yes, and that absolutely, dude. No one can argue
• 1:49:33
  Speaker 4: where they. Dude's one hundred infallible fake. But you should
• 1:49:38
  Speaker 4: watch from. I know the show from.
• 1:49:42
  Speaker 3: I'm gonna do it.
• 1:49:43
  Speaker 2: I talked to my friend Emily Moyer about it. She's
• 1:49:45
  Speaker 2: gonna watch it too, So I told her that we
• 1:49:47
  Speaker 2: need it. If we do an episode on that, we
• 1:49:49
  Speaker 2: have to have you on it because you're the one
• 1:49:51
  Speaker 2: that told me about From.
• 1:49:53
  Speaker 4: So they just wrapped up the third season bro, and
• 1:49:57
  Speaker 4: it's bro even want to bro. You just got to
• 1:50:02
  Speaker 4: watch it, dude. Just trust me, just just like you
• 1:50:04
  Speaker 4: trust me by watching cawdo Lake. Trust me and watch
• 1:50:09
  Speaker 4: from one Hondo, dude.
• 1:50:11
  Speaker 3: Dude, we'll watch it from. I probably got to.
• 1:50:14
  Speaker 4: Get in on the from action. We got to keep
• 1:50:17
  Speaker 4: this freaking series alive, bro, we got to keep it alive, dude. Okay,
• 1:50:22
  Speaker 4: So this one people have brought up before that it's
• 1:50:27
  Speaker 4: at the end of the movie when the picture on
• 1:50:31
  Speaker 4: the wall fades to a shot of Jack Nicholson and
• 1:50:37
  Speaker 4: at the bottom of the photo says July fourth, nineteen
• 1:50:40
  Speaker 4: twenty one. When the photo fades from the far away
• 1:50:43
  Speaker 4: shot to the close up shot, you can see right
• 1:50:47
  Speaker 4: here there's a a little tiny Hitler mustache. It's forming
• 1:50:54
  Speaker 4: on Jack's face right where my cursor is. What you
• 1:50:58
  Speaker 4: then relates to what I found. No one has ever
• 1:51:04
  Speaker 4: seen this before, and it's in our film. It's also
• 1:51:07
  Speaker 4: in the trailer, which is the Nazi swastika imprinted into
• 1:51:13
  Speaker 4: the wall in the background of the Gold Room, which
• 1:51:19
  Speaker 4: ties into you know, Project paper Clip and MK Ultra
• 1:51:25
  Speaker 4: programs and the programs first starting in Nazi Germany experiments
• 1:51:33
  Speaker 4: on twins. There's supposedly twins in the movie, though they're
• 1:51:36
  Speaker 4: not really actually twins, like it's so wild. Did the
• 1:51:40
  Speaker 4: connections to all that with Joseph Mangela and the connection
• 1:51:47
  Speaker 4: to the all the Nazi stuff. So that is the
• 1:51:52
  Speaker 4: end of the presentation. And there's a lot more that
• 1:51:57
  Speaker 4: I will probably be adding for future shows, but those
• 1:52:01
  Speaker 4: are the big main ones, and a lot of those
• 1:52:04
  Speaker 4: aren't even in the movie, so you're getting a special
• 1:52:09
  Speaker 4: special taste of.
• 1:52:12
  Speaker 3: Yeah, I love it. It's funny. One of the last.
• 1:52:16
  Speaker 2: Shout out to Johnny one of the last comments on
• 1:52:19
  Speaker 2: one of my YouTube videos is trust me Bro. You
• 1:52:22
  Speaker 2: were like, trust me dude, watch the from and trust
• 1:52:25
  Speaker 2: me Bro.
• 1:52:25
  Speaker 3: You know Cadillac and all that.
• 1:52:27
  Speaker 2: So definitely, I'll post the links down in the description.
• 1:52:31
  Speaker 2: Everyone go check out the documentary. I enjoyed it. I'm
• 1:52:34
  Speaker 2: not just saying that because because you're my friend writer.
• 1:52:36
  Speaker 2: I legitimately enjoyed the documentary. I would tell you if
• 1:52:40
  Speaker 2: it was garbage, but it was. It was really well
• 1:52:42
  Speaker 2: done and I enjoyed it. And I'm gonna watch the
• 1:52:45
  Speaker 2: movie again. I haven't seen it in years. I mean
• 1:52:50
  Speaker 2: it's been years since I last saw so.
• 1:52:51
  Speaker 3: I'm gonna watch it.
• 1:52:53
  Speaker 4: And now.
• 1:52:55
  Speaker 3: I'm sure I saw the.
• 1:52:57
  Speaker 2: Movie before I was even into like podcasting and all
• 1:53:00
  Speaker 2: this weird stuff. But I'm gonna watch it from that
• 1:53:02
  Speaker 2: perspective of like keeping an eye out for all these
• 1:53:06
  Speaker 2: different discrepancies and Easter eggs if you will that Kubick
• 1:53:11
  Speaker 2: put in there, so that and I'm gonna watch from
• 1:53:15
  Speaker 2: We're gonna do an episode on that with Emily Moyer
• 1:53:18
  Speaker 2: and yeah, dude, where can people find you? Bro?
• 1:53:21
  Speaker 3: This is great?
• 1:53:23
  Speaker 4: Thanks brother, Thanks for having me on. Really appreciate its,
• 1:53:25
  Speaker 4: love the conversation. Always fun being on a show with you.
• 1:53:28
  Speaker 4: And yeah, let's do the from Let's do the From
• 1:53:30
  Speaker 4: thing because I wanted to do it for each episode
• 1:53:35
  Speaker 4: of this new season, but nobody that has a show
• 1:53:39
  Speaker 4: like this is watching it, so I was like kind
• 1:53:42
  Speaker 4: of bummed about it. But you'll be good in twenty
• 1:53:45
  Speaker 4: twenty six, whenever the fourth season comes on, maybe we
• 1:53:49
  Speaker 4: can do a show for each new episode. But you
• 1:53:52
  Speaker 4: can find me on Raised by Giants on YouTube and
• 1:53:55
  Speaker 4: and all podcast platforms on rock Fan and if you'd
• 1:53:57
  Speaker 4: like to reach out personally, if you have any questions,
• 1:54:01
  Speaker 4: or if you just want to chat about the shining,
• 1:54:04
  Speaker 4: I'm always up for it, or any questions that you have,
• 1:54:07
  Speaker 4: you can contact me on x Twitter at Raised by
• 1:54:10
  Speaker 4: Giants eight and on Instagram at Raised by Giants pod.
• 1:54:14
  Speaker 4: And watch my documentary A Clockwork Shining on Amazon Prime.
• 1:54:19
  Speaker 4: Just type that bad Boy into the Amazon Prime Video App,
• 1:54:23
  Speaker 4: or click the link in the description because I think
• 1:54:26
  Speaker 4: we're going to have a link in there. And thank
• 1:54:29
  Speaker 4: you again, Juan really appreciated, and thanks everyone that has
• 1:54:33
  Speaker 4: been that is watched it. Listen. And also if you
• 1:54:39
  Speaker 4: watch the movie and you really like it and you've
• 1:54:42
  Speaker 4: purchased it or rented it, I highly recommend purchasing it.
• 1:54:46
  Speaker 4: It's just a few more dollars than renting it, and
• 1:54:49
  Speaker 4: it really helps us out more. But if you could
• 1:54:51
  Speaker 4: leave and if you liked it, of course, if you
• 1:54:53
  Speaker 4: could leave a rating and a review, it helps out
• 1:54:57
  Speaker 4: on the on the Amazon Prime app and puts us
• 1:55:02
  Speaker 4: more in the ranking. So thank you guys, appreciate you.
• 1:55:05
  Speaker 3: One did you see my review of it?
• 1:55:08
  Speaker 4: Yeah?
• 1:55:09
  Speaker 3: Did you see it? Did it go through it?
• 1:55:12
  Speaker 4: What did you put it under? What name did you
• 1:55:15
  Speaker 4: put it under? Because sometimes like the people don't have
• 1:55:18
  Speaker 4: the they don't use their like a tag, or they
• 1:55:23
  Speaker 4: don't put their actual name in the thing, and sometimes
• 1:55:26
  Speaker 4: Amazon doesn't let them and it says Amazon customer.
• 1:55:30
  Speaker 3: It didn't let it didn't let me. It just I
• 1:55:32
  Speaker 3: just did their review.
• 1:55:35
  Speaker 4: Which which one were you? What? What was your header?
• 1:55:40
  Speaker 2: I think it was like very fascinating deep dive into
• 1:55:46
  Speaker 2: Stanley Kubrick or something like that something earlier.
• 1:55:50
  Speaker 4: Let's see, yeah, I.
• 1:55:53
  Speaker 2: Left you, I left you a special little review there.
• 1:55:58
  Speaker 2: Let me see what's up or not? I can't even
• 1:56:00
  Speaker 2: see the reviews.
• 1:56:01
  Speaker 4: Stunningly great documentary The Dead that was deep into a
• 1:56:05
  Speaker 4: movie classic?
• 1:56:06
  Speaker 3: No read our reviews. See of minds up.
• 1:56:10
  Speaker 4: Yet, brilliant much much watch documentary.
• 1:56:14
  Speaker 3: No, it's not even up yet. That's gay.
• 1:56:19
  Speaker 4: Well sometimes it takes like a uh for people that
• 1:56:23
  Speaker 4: have submitted a review. It tells them that they gotta wait,
• 1:56:26
  Speaker 4: like like sometimes a week.
• 1:56:29
  Speaker 3: Oh well, well you'll see it to go through.
• 1:56:31
  Speaker 2: You'll know it's me, bro, You'll know it's.
• 1:56:33
  Speaker 4: Me, so okay, I'll definitely know.
• 1:56:36
  Speaker 2: Make sure to check out the show on social media
• 1:56:39
  Speaker 2: at the One on One Podcast tj www dot tj
• 1:56:44
  Speaker 2: ojp dot com, Patreon dot com, slash the One on
• 1:56:47
  Speaker 2: One Podcast.
• 1:56:48
  Speaker 3: All that good stuff.
• 1:56:49
  Speaker 2: Make sure to check out the documentary I'm gonna post
• 1:56:51
  Speaker 2: send me the link bro that you want in the
• 1:56:54
  Speaker 2: description for people.
• 1:56:55
  Speaker 3: To click directly to it.
• 1:56:57
  Speaker 2: And yeah, Twitch dot tv, Slash one one podcast live
• 1:57:00
  Speaker 2: every Tuesday night if you're into that sort of stuff,
• 1:57:04
  Speaker 2: and there's always everyone to make sure to have a
• 1:57:07
  Speaker 2: good one, stay safe, love each other, and uh keep
• 1:57:11
  Speaker 2: your bath holes tight by