Latest / HEAVY Music Interviews / The Depths Of Oblivion With TOMMY CREEPER From THE WRATH

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The Depths Of Oblivion With TOMMY CREEPER From THE WRATH · HEAVY Music Interviews

• 0:17
  Speaker 1: My name's Tommy Creeper. I've seen in a band called
• 0:19
  Speaker 1: The Rat and we've just released our third album called
• 0:24
  Speaker 1: Into the Arms of Oblivion.
• 0:26
  Speaker 2: Fantastic mate, thanks for joining us today.
• 0:29
  Speaker 3: Thank you my pleasure.
• 0:31
  Speaker 4: So, as you say, The Rath released your third album,
• 0:33
  Speaker 4: Into the Albums of Oblivion last week. I made it
• 0:36
  Speaker 4: thirty it's made like I know, it hasn't been that long.
• 0:38
  Speaker 4: But how's the only reception been?
• 0:40
  Speaker 3: Oh, it's been good. It's a whole new world navigating the.
• 0:44
  Speaker 1: Internet and Spotify and things like this, So yeah, it's
• 0:49
  Speaker 1: been going great so far. And all the listeners and
• 0:53
  Speaker 1: all the views and all this stuffing been sort of
• 0:56
  Speaker 1: it's been going good.
• 0:57
  Speaker 3: Yeah, Yeah, it's been nice.
• 1:00
  Speaker 4: That Can you dive into it a bit deeper musically
• 1:02
  Speaker 4: for us and tell us what you're going forward this one?
• 1:05
  Speaker 1: I think with all with this one too. I think
• 1:08
  Speaker 1: all the previous albums and if you have listened to
• 1:10
  Speaker 1: all our stuff, they're all very different. So I really
• 1:12
  Speaker 1: try and when I want to write a new album,
• 1:16
  Speaker 1: I really put effort into doing something different. So really
• 1:21
  Speaker 1: in this one, we sort of just leaned into trying
• 1:23
  Speaker 1: to keep it simple, you know, and challenge ourselves to
• 1:26
  Speaker 1: write it around melody, write it around being catchy and
• 1:30
  Speaker 1: keeping keeping it simple. But that's simple is probably.
• 1:34
  Speaker 3: Not the right word.
• 1:35
  Speaker 1: It's still pretty hard to write something that's you know,
• 1:38
  Speaker 1: maybe technically not so crazy, but still have all the
• 1:42
  Speaker 1: parts and still have it sound like us. So that's
• 1:44
  Speaker 1: where we leaned into in this one, you know, the
• 1:47
  Speaker 1: back up the melodies and keeping it catching simple, you know,
• 1:52
  Speaker 1: so that was that was the aim.
• 1:53
  Speaker 4: Yeah, And you say you'd like to go different, change
• 1:56
  Speaker 4: things up on every album, so you sit out as
• 1:58
  Speaker 4: a band before you start the album and decide how
• 2:01
  Speaker 4: you wanted to be different or does that sort of
• 2:03
  Speaker 4: more come doing the creative process.
• 2:06
  Speaker 1: I think when I first kick off, I have that
• 2:10
  Speaker 1: in my head. I don't want to do something I've
• 2:11
  Speaker 1: already done, and it's kind of a challenge, and I
• 2:14
  Speaker 1: think everybody else in the band is on board, you know,
• 2:17
  Speaker 1: like we do.
• 2:18
  Speaker 3: It's interesting.
• 2:19
  Speaker 1: I don't feel like it's interesting for us to keep
• 2:22
  Speaker 1: bidding out the same stuff or you know, especially having
• 2:24
  Speaker 1: a double bass in the band, sticking to that what's
• 2:28
  Speaker 1: expected to come off something like that, you know, which
• 2:30
  Speaker 1: would be really you know, Yeah, it's just not interesting
• 2:33
  Speaker 1: to us so we try and see what we can do,
• 2:35
  Speaker 1: you know, and.
• 2:38
  Speaker 4: You've released a couple of singles from me you had
• 2:39
  Speaker 4: Nothings Forever and now that you're gone, So just say
• 2:42
  Speaker 4: that's all someone's heard of the album. Is that a
• 2:44
  Speaker 4: good good example of what to expect or is that
• 2:47
  Speaker 4: just scratching the surface.
• 2:48
  Speaker 1: That's just scratching the surface. I think we've I think
• 2:51
  Speaker 1: each song is pretty different. And that was a conscious
• 2:55
  Speaker 1: effort too, you know, But those were the two songs
• 2:58
  Speaker 1: we sort of sat down and thought, well, these are
• 3:00
  Speaker 1: these might grab people, you know, as singles, you know,
• 3:03
  Speaker 1: to come and have a listen to the album, but
• 3:05
  Speaker 1: certainly not an indicative of the whole album.
• 3:07
  Speaker 3: There's some different songs on there for sure.
• 3:11
  Speaker 4: Yeah.
• 3:12
  Speaker 2: As the music video for Nothing's Forever Finishes Sorry features
• 3:15
  Speaker 2: live footage from your Halloween residency. A movie world made
• 3:18
  Speaker 2: like that looks like a lot of fun. Looked like
• 3:20
  Speaker 2: a lot of fun.
• 3:21
  Speaker 1: Yeah, it's a different type of gig. We've done it
• 3:24
  Speaker 1: a few times now, and we're not a band that's
• 3:27
  Speaker 1: played in the corporate world, you know, and it's not
• 3:29
  Speaker 1: something that we are set out to do or whatever.
• 3:31
  Speaker 1: We got an opportunity and I thought it was a
• 3:33
  Speaker 1: bit of it.
• 3:34
  Speaker 3: At the time. I thought someone having a.
• 3:36
  Speaker 1: End on me, you know, you know, when we get
• 3:39
  Speaker 1: you know, it was like all right, okay, but they
• 3:42
  Speaker 1: just they give us total freedom. There's no like, you know,
• 3:45
  Speaker 1: they just want the band. It's not like they approached
• 3:47
  Speaker 1: us and said, hey, can you dress up or can
• 3:49
  Speaker 1: you can you play some coookie songs or something though,
• 3:51
  Speaker 1: and we wouldn't do it if that was the case,
• 3:54
  Speaker 1: you know. So it's total freedom on us to be ourselves.
• 3:57
  Speaker 1: If we play original stuff, we're just being ourselves. So
• 4:01
  Speaker 1: that's kind of rare for a band like us in
• 4:03
  Speaker 1: the corporate space, you know. So you know, is that a.
• 4:06
  Speaker 4: Long standard thing now, like you're doing that every year
• 4:08
  Speaker 4: or it?
• 4:10
  Speaker 1: Uh, well, we I think they have asked this again
• 4:14
  Speaker 1: this year, so we're gonna work it out. But you know,
• 4:18
  Speaker 1: I kind of feel like it was just a it
• 4:20
  Speaker 1: was just a you know, this thing's not gonna last forever,
• 4:22
  Speaker 1: you know, it's just an opportunity. But because of the
• 4:26
  Speaker 1: I think we stand out in that thing because we
• 4:28
  Speaker 1: are a real band. We're not like some sort of
• 4:30
  Speaker 1: you know, dance going on or whatever. So the response
• 4:33
  Speaker 1: that we get from sticking us in front of crowds
• 4:37
  Speaker 1: is something that they're just like, oh, well, we got
• 4:40
  Speaker 1: to have your back. You're kind of like part of
• 4:41
  Speaker 1: the fabric of this event now, you know. So it's
• 4:43
  Speaker 1: just we're in that stage now where we're kind of
• 4:46
  Speaker 1: we have a good relationship with them. But because of
• 4:48
  Speaker 1: that response, you know, there's a lot of people there
• 4:50
  Speaker 1: that aren't going there to see us, and maybe for
• 4:53
  Speaker 1: some people under at or a lot of people that
• 4:56
  Speaker 1: they've not experienced a band like us before, you know,
• 4:58
  Speaker 1: like and a real band. You know.
• 5:00
  Speaker 3: Like, so we do get it.
• 5:01
  Speaker 1: We get a lot of good feedback because people are
• 5:04
  Speaker 1: just like what the fucking this? You know, like you know,
• 5:08
  Speaker 1: they're not people that usually buy tickets to our shows,
• 5:10
  Speaker 1: but you know, we win them over because we are
• 5:12
  Speaker 1: an authentic What you see is what you get.
• 5:15
  Speaker 3: You know, it's not a show. This is what we do,
• 5:17
  Speaker 3: you know.
• 5:18
  Speaker 1: So the relationship continues, but who knows how long that
• 5:22
  Speaker 1: will last anyway, So it's it's very different to a
• 5:25
  Speaker 1: gig and a pub you know, yeah, but it's still
• 5:30
  Speaker 1: fun all the way.
• 5:30
  Speaker 3: And this is this.
• 5:31
  Speaker 1: Is another reason why the band's been going for so long.
• 5:34
  Speaker 1: You know, we have these experiences and they are experiences
• 5:37
  Speaker 1: of life experiences, you know, through music and stuff.
• 5:40
  Speaker 3: And it's so we take it, you know what I mean?
• 5:43
  Speaker 2: Why should this year?
• 5:45
  Speaker 4: And I come down and do a review of it
• 5:47
  Speaker 4: this year, And if you get something in print, they
• 5:48
  Speaker 4: might keep you got a bit longer.
• 5:51
  Speaker 1: Yeah, yeah, we'll see we go. So yeah, if you've
• 5:54
  Speaker 1: not been before, it's pretty wild, you know, like to
• 5:56
  Speaker 1: be a part of something with that much money involved
• 5:59
  Speaker 1: and you know, goes all out. There's no way we
• 6:01
  Speaker 1: could afford all those fire fire and fireworks and all
• 6:06
  Speaker 1: that sort of stuff that's out of our budget. That's
• 6:08
  Speaker 1: so cool to even play with that sort of production,
• 6:11
  Speaker 1: you know, like that. It's not many people I get
• 6:13
  Speaker 1: a chance to do that too, you.
• 6:14
  Speaker 4: Know, shouldn't They go back back to the album so
• 6:18
  Speaker 4: dramatically into the arms of oblivion. It covers areas like
• 6:21
  Speaker 4: grief and loss, like it's a pretty did depth album
• 6:24
  Speaker 4: for you in some respects. So so overall it's an
• 6:26
  Speaker 4: album of despair or an album of hope.
• 6:30
  Speaker 1: I think there's elements of both. I think there's definitely
• 6:32
  Speaker 1: elements of most. When I was writing it, I was
• 6:35
  Speaker 1: definitely going through despair and all those things, but actually
• 6:39
  Speaker 1: having a space to you know, having the band and
• 6:42
  Speaker 1: having this to put it somewhere, gave an opening for
• 6:47
  Speaker 1: new things and for rising up out of it, you know,
• 6:50
  Speaker 1: and that's that's definitely what happened, you know.
• 6:53
  Speaker 3: I think there's a bit of both in there.
• 6:56
  Speaker 4: And you also do a cover of a Brisbane band
• 6:59
  Speaker 4: called band the Fun Made like that bield.
• 7:03
  Speaker 3: Yeah.
• 7:05
  Speaker 1: I thought it was a good idea to just go
• 7:07
  Speaker 1: on and give a bit of a tip of the
• 7:09
  Speaker 1: hat to where we come from, you know, like there's
• 7:12
  Speaker 1: so many songs and I love that band, you know,
• 7:15
  Speaker 1: like when we first started playing in bands, when you know,
• 7:17
  Speaker 1: like you're underage or you just turn eighteen and you
• 7:20
  Speaker 1: and you're finding all these cool local bands. Well that
• 7:22
  Speaker 1: was one of them, you know, and I was like, yeah,
• 7:25
  Speaker 1: we'd chase those guys around and became friends with them.
• 7:27
  Speaker 1: But really loved that band, and I still think some
• 7:29
  Speaker 1: of the songs they wrote were a still you know,
• 7:32
  Speaker 1: they still carry over today, you know. So that was
• 7:34
  Speaker 1: like we put it in the steplist a little. I
• 7:37
  Speaker 1: think we did a tour somewhere and I thought this
• 7:38
  Speaker 1: would be fun. Let's end with this one, you know,
• 7:40
  Speaker 1: and then it sort.
• 7:40
  Speaker 3: Of just it never left.
• 7:42
  Speaker 1: So when we went to this and I think, I
• 7:44
  Speaker 1: think we yeah, this this album was like I think
• 7:47
  Speaker 1: that's kind of cool to maybe expose people to, you know, fans,
• 7:52
  Speaker 1: local bands that that was before their time or you
• 7:54
  Speaker 1: know that not heard of and gives a little insight
• 7:57
  Speaker 1: to what we were listening to, you know, and you know,
• 8:00
  Speaker 1: so that's that was the reason behind.
• 8:01
  Speaker 3: I think it's kind of cool. You know, it is
• 8:03
  Speaker 3: cool indeed, and it's a crack of tile it is.
• 8:06
  Speaker 5: It is.
• 8:07
  Speaker 2: They're a good band. I run remember listening to it myself.
• 8:09
  Speaker 2: They are fucking fellas great coman.
• 8:11
  Speaker 3: Yeah, yeah, so yeah, that's why. That's why I got
• 8:14
  Speaker 3: in there.
• 8:14
  Speaker 4: You know, for those who aren't too familiar with your
• 8:17
  Speaker 4: work mate, like give music mixes a ton of genres.
• 8:20
  Speaker 4: You've got there's rock, there's park, there's rockabilly, there's metal,
• 8:24
  Speaker 4: you've got gothic undertones.
• 8:25
  Speaker 2: There's so much going on there.
• 8:26
  Speaker 4: But how difficult is it to get the balance of
• 8:29
  Speaker 4: those genres right in the creative process?
• 8:31
  Speaker 2: Like how do you know when you're going too far
• 8:32
  Speaker 2: one way and not far another?
• 8:35
  Speaker 1: I think it's something with like it's not it's not
• 8:38
  Speaker 1: a problem for us because we just do our thing.
• 8:40
  Speaker 1: But I think it becomes a problem when people try
• 8:42
  Speaker 1: and explain or write or describe who what we sound like.
• 8:46
  Speaker 1: So we don't write that stuff. We don't write hater
• 8:50
  Speaker 1: there's a rockabilly band or there, like, you know, we don't.
• 8:53
  Speaker 3: We don't.
• 8:53
  Speaker 1: We don't put a label on ourselves. But I guess
• 8:56
  Speaker 1: we know what our influencers are and they come out,
• 8:58
  Speaker 1: you know, like but just for it, you know, as
• 9:02
  Speaker 1: sitting down and saying all right, we're gonna you know,
• 9:04
  Speaker 1: be industrial on this one, or we're going to be
• 9:06
  Speaker 1: you know, like.
• 9:07
  Speaker 3: It's just not something. Yeah, it's actually been.
• 9:09
  Speaker 1: It's been a battle actually to just like I mean,
• 9:12
  Speaker 1: I think it kind of annoys you when you're a
• 9:14
  Speaker 1: bit younger because you're just like, ah, you know what
• 9:16
  Speaker 1: you know. But now I just I don't give a ship.
• 9:18
  Speaker 1: You know, people are going to describe it however they
• 9:21
  Speaker 1: do it. But for me, I think it's all just
• 9:23
  Speaker 1: rock and roll. You know, we're just a rock and
• 9:25
  Speaker 1: band and then and you know, our likes and our
• 9:29
  Speaker 1: influences will pop out and if you can hear them,
• 9:31
  Speaker 1: you can hear them, you know. But it's definitely not
• 9:33
  Speaker 1: something that we sit down and sort of go all right,
• 9:36
  Speaker 1: well let's be such and such band or whatever. And
• 9:39
  Speaker 1: we're a bit of a mixing hot tess a lot
• 9:41
  Speaker 1: going on, you know. Like yeah, and I think we
• 9:44
  Speaker 1: get labeled with that rockabilly thing just because.
• 9:47
  Speaker 3: Of the double bass. I don't actually think we use
• 9:50
  Speaker 3: it like a like.
• 9:51
  Speaker 1: A traditional rockabilly band at all, you know, even though
• 9:55
  Speaker 1: we love that music, and you know, we played with
• 9:57
  Speaker 1: each the psychobilly bands and rockabilly bands with mate, those
• 10:01
  Speaker 1: people don't like us because we don't sound.
• 10:02
  Speaker 3: Rockabille at all.
• 10:07
  Speaker 1: We're ruined it for them, you know. So yeah, I
• 10:09
  Speaker 1: think the label get put on us.
• 10:11
  Speaker 3: We don't do it. We don't put them on ourselves.
• 10:15
  Speaker 2: About the way you like to change things up on
• 10:17
  Speaker 2: every album.
• 10:17
  Speaker 4: So from your perspectives as someone in the band, like,
• 10:21
  Speaker 4: how would you say your music has changed and developed
• 10:24
  Speaker 4: from your twenty twelve debut Tales of Deadly Nightshade into
• 10:28
  Speaker 4: the Arms of Obivion.
• 10:31
  Speaker 1: I think back then we were playing with a lot
• 10:33
  Speaker 1: of hardcore bands. We didn't have a double base in
• 10:36
  Speaker 1: the band as yet, So there's things you can and
• 10:39
  Speaker 1: can't do with those two different instruments. But I think
• 10:41
  Speaker 1: at that time we just we were just going riff
• 10:45
  Speaker 1: for riff, like a song couldn't have enough risks in it,
• 10:48
  Speaker 1: you know, like I think, you know, like we could.
• 10:51
  Speaker 1: I listened, if I listened back to that, now, I reckon.
• 10:53
  Speaker 3: I could probably pull three songs.
• 10:55
  Speaker 1: Out or one, you know, like there was just we
• 10:57
  Speaker 1: just couldn't get enough riff, you know, like every.
• 10:59
  Speaker 3: Song was we need more parts.
• 11:01
  Speaker 1: Whereas this now, it's like I think we're understanding songwriting
• 11:05
  Speaker 1: a little bit better and understanding melodies and you know,
• 11:09
  Speaker 1: what goes into and I think that's where we lean
• 11:12
  Speaker 1: into that.
• 11:13
  Speaker 3: That's what we're good at.
• 11:14
  Speaker 1: We're actually we're not good at being pan terror, you know,
• 11:18
  Speaker 1: like we're not good at that's not our that's not
• 11:20
  Speaker 1: our lane, you know. No, And I think we were
• 11:22
  Speaker 1: we were trying to do that a lot when we
• 11:24
  Speaker 1: were younger, just.
• 11:25
  Speaker 3: Rifts and risks and that's cool.
• 11:27
  Speaker 1: We were young, you know, like you change, and but yeah,
• 11:31
  Speaker 1: I think for me as well, I think less risk. Now,
• 11:34
  Speaker 1: I think less risk And how is this going to flow?
• 11:37
  Speaker 1: And how are we going to make people move? And
• 11:39
  Speaker 1: how are we going to you know, make people sing
• 11:42
  Speaker 1: to it? And stuff like that, whereas before I was yeah,
• 11:45
  Speaker 1: I was more just like riff, okay, another riff. Yeah,
• 11:47
  Speaker 1: we need more rift, Okay, let's get yeah.
• 11:49
  Speaker 3: Yeah.
• 11:49
  Speaker 2: You know, like, so have you got any shows coming
• 11:52
  Speaker 2: up other than Halloween? Which is a fairweale.
• 11:56
  Speaker 1: We're in the midst now of just booking a bunch
• 11:58
  Speaker 1: of stuff, so we will be out and a up
• 12:00
  Speaker 1: to log this one off, but we're just all locking
• 12:03
  Speaker 1: it down at the moment.
• 12:05
  Speaker 3: But all those all.
• 12:07
  Speaker 1: Those press releases will go out and we'll be letting
• 12:09
  Speaker 1: people know when it happens that. Yeah, even even like
• 12:14
  Speaker 1: navigating booking shows, now you know so many venues that
• 12:17
  Speaker 1: are just not there anymore. And you know, like from
• 12:20
  Speaker 1: from the last sort of extensive tour we've done it,
• 12:23
  Speaker 1: it's actually been pretty crazy for me to actually, you
• 12:26
  Speaker 1: reach out to all the people I know and all
• 12:28
  Speaker 1: these great venues that no longer exist anymore.
• 12:33
  Speaker 3: Very crazy.
• 12:35
  Speaker 4: And now before I you go, Bra, We've got a
• 12:37
  Speaker 4: new segment that was started just last time I spoke
• 12:39
  Speaker 4: to you called photo Bomb. So basically, I've traveled through
• 12:44
  Speaker 4: your social media before we got a change, and I've
• 12:46
  Speaker 4: come up with a couple of photos I want.
• 12:47
  Speaker 2: To know a bit more about so every got I
• 12:50
  Speaker 2: know this one, like you know, sort of beer change
• 12:53
  Speaker 2: or something.
• 12:53
  Speaker 3: This one, okay, I can tell you what this show was.
• 12:58
  Speaker 3: This is This was our first show.
• 13:02
  Speaker 1: Back up through Japan tour and we played with Dark
• 13:05
  Speaker 1: Self at a place in Surface called Elsewhere, which is
• 13:09
  Speaker 1: really not a rock and roll venue. It's more like
• 13:11
  Speaker 1: a fucking you know, it's a nightclub. And it was
• 13:15
  Speaker 1: like they were adamant that we had to be out
• 13:18
  Speaker 1: of there by eleven because all the people that want
• 13:20
  Speaker 1: to get on the on the disco bickies and stuff,
• 13:23
  Speaker 1: you know, it had to stop being the rock and
• 13:25
  Speaker 1: roll golf club.
• 13:26
  Speaker 3: Right on eleven.
• 13:27
  Speaker 1: We were just smucking around just to you know, kind
• 13:30
  Speaker 1: of piss them off because we didn't want to go
• 13:32
  Speaker 1: at eleven.
• 13:34
  Speaker 3: So that was that was that one.
• 13:39
  Speaker 2: This one looks like a bit of a.
• 13:41
  Speaker 1: World say, so this is Dead of Winter, one of
• 13:48
  Speaker 1: the Dead Winters that we played.
• 13:50
  Speaker 3: And if you've.
• 13:51
  Speaker 1: Seen us play, I think you'll you'll know that Dino
• 13:55
  Speaker 1: likes to hang off stuff.
• 13:57
  Speaker 3: So he this is one off.
• 14:00
  Speaker 1: Usually when we play or you know what, when we
• 14:04
  Speaker 1: when we play at a venue or somewhere and you know,
• 14:06
  Speaker 1: we're all sound checking and setting up and stuff, and
• 14:09
  Speaker 1: we're playing around with gear and that Dino is usually
• 14:11
  Speaker 1: walking around the room and.
• 14:12
  Speaker 3: Testing out what he can hang on. That's what. That's what,
• 14:16
  Speaker 3: that's what.
• 14:17
  Speaker 1: His soundcheck kind of usually looks like he's he scanning
• 14:20
  Speaker 1: the room for like, OK, I can jump up there,
• 14:22
  Speaker 1: I can jump up here. And yeah, I don't know
• 14:26
  Speaker 1: how he fuss at his knees and I don't know.
• 14:29
  Speaker 1: It's not unusual for him to do suba shit like that.
• 14:33
  Speaker 2: Panshake. Does he have like lost strips.
• 14:36
  Speaker 3: I think he's.
• 14:37
  Speaker 1: Kind of I definitely think he's probably you know who
• 14:40
  Speaker 1: his ankle will needs. But like in you know, thinking
• 14:43
  Speaker 1: about it, he's been pretty lucky actually, and he's just
• 14:47
  Speaker 1: done some pretty big jumps or some dumb stuff. And yeah,
• 14:50
  Speaker 1: I don't know how he I don't know how he
• 14:52
  Speaker 1: does it. You know, he jumped off the top of
• 14:54
  Speaker 1: the stack at the Tivoli.
• 14:56
  Speaker 3: He jumped off the stack.
• 14:57
  Speaker 1: Can you remember the arena there? It was high and
• 14:59
  Speaker 1: he jump off them and if you know what I'm
• 15:02
  Speaker 1: looking now, I'm like, this is not gonna end well,
• 15:05
  Speaker 1: you know, like yeah, any and he pops up and
• 15:09
  Speaker 1: not you go, but Yeah, that's that's a pretty usual
• 15:12
  Speaker 1: for me. Bro.
• 15:14
  Speaker 2: All right, Well, thanks for your time with the pleasure
• 15:15
  Speaker 2: as usual.
• 15:16
  Speaker 4: The album Into the Arms of Oblivion is out now
• 15:19
  Speaker 4: and it's another typical album from the rat It's solid,
• 15:22
  Speaker 4: it's tough as fucking it's a great album.
• 15:24
  Speaker 2: So best of luck, Rudder.
• 15:26
  Speaker 3: Oh, thanks so much.
• 15:27
  Speaker 1: I really appreciate your time and plugging out on new music.
• 15:29
  Speaker 1: I appreciate it a lot.
• 15:51
  Speaker 2: This is my one.
• 15:55
  Speaker 6: We all know.
• 15:58
  Speaker 2: What us figure.
• 16:00
  Speaker 6: Oh when you want to be it's a good.
• 16:05
  Speaker 5: Sometimes I can't try to work outside. Why did you
• 16:44
  Speaker 5: kill a little too much?
• 16:46
  Speaker 1: Nothing was ever alive?
• 16:48
  Speaker 2: Drilling in your muskery a killing?
• 16:51
  Speaker 6: But inside do you want to be a not going brown?
• 16:58
  Speaker 6: You know what? You gotta trying to work? So sis.
• 18:21
  Speaker 3: S S
• 18:45
  Speaker 6: S S