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[PATREON UNLOCK] Triangle Agency (ft. Caleb Zane Huett & Taylor Moore) · My First Dungeon

• 0:01
  [SPEAKER_02]: Hello everyone, this is Brian and today we are unlocking a recent episode from our Patreon to give you just a little glimpse into all the great stuff you can find over in the dice pool.
• 0:12
  [SPEAKER_02]: That's what we call our Patreon.
• 0:14
  [SPEAKER_02]: Anyway, recently we have been inviting some very cool designers on to run us through their own games.
• 0:21
  [SPEAKER_02]: So recently we've had Felix Isaacs, GM the Wild Sea, and it Davis ran us through his latest adventure for Scurry, and most notably for today, we had Caleb Zane Hewitt run us through Triangle Agency.
• 0:35
  [SPEAKER_02]: So if you like what you hear head on over to patreon.com slash many-sided media and become a member of the dice pool, there you will get over 60 hours of bonus actual plays and a ton more cool stuff plus you will help us continue to make this show.
• 0:52
  [SPEAKER_02]: But for now, enjoy part one of our three part series of Triangle Agency.
• 1:02
  [SPEAKER_02]: Hello and welcome, what an all to the dice pool.
• 1:06
  [SPEAKER_01]: Splash!
• 1:06
  [SPEAKER_01]: Splash!
• 1:07
  [SPEAKER_02]: Splash!
• 1:07
  [SPEAKER_02]: We got a lot of, we got some guests here today that I forgot to prep.
• 1:10
  [SPEAKER_02]: Every time we say the dice pool, everyone says Splash.
• 1:13
  [SPEAKER_02]: So when I say the dice pool, you say Splash!
• 1:15
  [SPEAKER_02]: Splash!
• 1:16
  [SPEAKER_02]: I was a little off.
• 1:20
  [SPEAKER_03]: No, that is the right thing.
• 1:21
  [SPEAKER_03]: Go as quick as possible.
• 1:22
  [SPEAKER_03]: Yeah, you really need to try to beat everybody else.
• 1:24
  [SPEAKER_06]: You want to be first.
• 1:25
  [SPEAKER_06]: First to jump in the pool.
• 1:28
  [SPEAKER_02]: Well, we are here to play another game, and this month, we are playing Triangle Agency Flash and joining us are, we've got the normal crew here of me, Brian Fire, do we've got Shenukh to Sarah?
• 1:47
  [SPEAKER_02]: Hey, yeah, it's me.
• 1:48
  [SPEAKER_02]: We've got Ellie Davis.
• 1:50
  [SPEAKER_02]: Hey, yeah, it's me and we've got to have a yellow app where hey, yeah, uh, does me and we're also joined by another player none of Then tailor more.
• 1:58
  [SPEAKER_02]: Aloha, hello kind and also to run this game none other than the creator of trying to lay to see themselves Caleb's ain't here it now.
• 2:08
  [SPEAKER_02]: That's what I call splash We're just watching right up here can a rowdy game of Marco Polo going
• 2:20
  [SPEAKER_02]: Caleb, we are not understanding it that we've been looking forward to playing this game for a very long time and have been following it eagerly since the crowd funder and now having them our hands and we are very excited to play it today.
• 2:30
  [SPEAKER_02]: Thank you, I'm very excited too.
• 2:33
  [SPEAKER_02]: So let me turn it over to you as our game master to start to open us up into this game.
• 2:38
  [SPEAKER_02]: Yeah, awesome.
• 2:39
  [SPEAKER_04]: So who is someone who knew who was assigned to the alien was?
• 2:44
  [SPEAKER_03]: Okay, great.
• 2:44
  [SPEAKER_03]: I really wanted to learn about your character first.
• 2:48
  [SPEAKER_03]: Fun one to start with.
• 2:48
  [SPEAKER_03]: I'm jangles the jester.
• 2:51
  [SPEAKER_03]: You so much.
• 2:53
  [SPEAKER_01]: I'm going to punch you with a jerk with a real low key character.
• 2:58
  [SPEAKER_01]: Oh, I'm getting a little worse.
• 3:00
  [SPEAKER_06]: Take it back.
• 3:01
  [SPEAKER_03]: five slamming doors as we all have five splashes right here oh everyone's climb out of the pool it's a mess uh jangles is a court jester from medieval times uh oh god sucked into modern day Taylor happy with that
• 3:20
  [SPEAKER_03]: And I find that Dark Age is repulsive, okay?
• 3:24
  [SPEAKER_03]: Cortester from a different time.
• 3:25
  [SPEAKER_06]: Oh, from Regency Era.
• 3:28
  [SPEAKER_03]: Um, yeah, Regency England, Cortester, whatever time period is.
• 3:33
  [SPEAKER_03]: I want the 19 Taylor Moore, Cortester, which board.
• 3:37
  [SPEAKER_03]: Which one?
• 3:38
  [SPEAKER_03]: Which one?
• 3:38
  [SPEAKER_03]: Which one?
• 3:38
  [SPEAKER_03]: Which one?
• 3:38
  [SPEAKER_03]: Which one?
• 3:38
  [SPEAKER_03]: Which one?
• 3:39
  [SPEAKER_03]: Which one?
• 3:39
  [SPEAKER_03]: Which one?
• 3:39
  [SPEAKER_03]: Which one?
• 3:40
  [SPEAKER_03]: Which one?
• 3:40
  [SPEAKER_03]: Which one?
• 3:41
  [SPEAKER_03]: Which one?
• 3:42
  [SPEAKER_03]: Which one?
• 3:42
  [SPEAKER_03]: Which one?
• 3:43
  [SPEAKER_03]: Which one?
• 3:43
  [SPEAKER_03]: Which one?
• 3:43
  [SPEAKER_03]: Which one?
• 3:43
  [SPEAKER_03]: Which one?
• 3:44
  [SPEAKER_03]: Which one?
• 3:44
  [SPEAKER_03]: Which one?
• 3:45
  [SPEAKER_03]: Which one?
• 3:46
  [SPEAKER_03]: Which one?
• 3:46
  [SPEAKER_03]: Which one?
• 3:46
  [SPEAKER_03]: Which one?
• 3:47
  [SPEAKER_03]: Which one?
• 3:47
  [SPEAKER_03]: Which one?
• 3:47
  [SPEAKER_03]: Which one?
• 3:48
  [SPEAKER_03]: Which one?
• 3:48
  [SPEAKER_03]: Which one?
• 4:08
  [SPEAKER_04]: Well, that's a great description for Jingles.
• 4:09
  [SPEAKER_04]: What relationship are you making do you think?
• 4:13
  [SPEAKER_03]: I think I was going to do who loves to take advantage of your naivete.
• 4:16
  [SPEAKER_03]: Okay.
• 4:17
  [SPEAKER_03]: Nice.
• 4:18
  [SPEAKER_03]: And it's going to be played by Abby.
• 4:19
  [SPEAKER_03]: Nice.
• 4:23
  [SPEAKER_04]: Are we in like a city?
• 4:24
  [SPEAKER_04]: Is that the idea?
• 4:24
  [SPEAKER_04]: Yes.
• 4:25
  [SPEAKER_04]: Yeah.
• 4:25
  [SPEAKER_04]: We're going to be in turning in city.
• 4:26
  [SPEAKER_04]: A modern American city of medium-large size.
• 4:31
  [SPEAKER_03]: I think Abby is the roommate who is making me pay rent for a closet.
• 4:35
  [SPEAKER_06]: Yes.
• 4:36
  [SPEAKER_06]: Yes, I am.
• 4:38
  [SPEAKER_06]: Um, and I missed the pre-promoting.
• 4:40
  [SPEAKER_06]: So can we super quickly explain what we're talking about?
• 4:43
  [SPEAKER_04]: Yes.
• 4:44
  [SPEAKER_04]: So these, uh, you will have a relationship for your character who is like one of, typically you have three of these three people who are the closest people in your life when the game starts.
• 4:55
  [SPEAKER_04]: Um, we're just doing one because only one is going to have time to really show up on this.
• 4:58
  [SPEAKER_03]: Okay.
• 4:58
  [SPEAKER_04]: But basically our very first scenes today are going to be
• 5:03
  [SPEAKER_04]: Spending time with this person and you'll be playing this character for that player.
• 5:07
  [SPEAKER_04]: I'll give you like a basic idea of what's happening and then the two of you will play together.
• 5:11
  [SPEAKER_06]: And and I'm outside the agency as the roommate.
• 5:15
  [SPEAKER_04]: Yes, yeah.
• 5:16
  [SPEAKER_04]: These relationships are mundane people who most like we don't even know.
• 5:20
  [SPEAKER_04]: Hello, what the agency is amazing.
• 5:23
  [SPEAKER_04]: Yeah, I think your name is Derek.
• 5:25
  [SPEAKER_06]: Amazing.
• 5:26
  [SPEAKER_04]: OK, a roommate named Derek.
• 5:28
  [SPEAKER_04]: Is there anything we want to know about Derek ahead of time or are we just, are you?
• 5:31
  [SPEAKER_03]: I think Derek has convinced me that he's got a, like he gave me a really good deal.
• 5:35
  [SPEAKER_03]: And like, like I should be, I should be stoked.
• 5:38
  [SPEAKER_03]: Yeah, cool.
• 5:39
  [SPEAKER_04]: And you're as a gester.
• 5:40
  [SPEAKER_04]: You're used to people having a really imbalance of how big their houses are, so that's easy.
• 5:45
  [SPEAKER_03]: Yeah, this, I honestly saw the closet and I was like, oh, this is you.
• 5:49
  [SPEAKER_04]: I think if it 12, 13 of us in here.
• 5:55
  [SPEAKER_04]: I've been to a different kind of clown maybe, is that what just missed it?
• 5:59
  [SPEAKER_04]: So that's great.
• 5:59
  [SPEAKER_04]: I think that's plenty.
• 6:00
  [SPEAKER_04]: Who do we have next who knows?
• 6:03
  [SPEAKER_04]: I can go next.
• 6:04
  [SPEAKER_04]: Yeah, great.
• 6:05
  [SPEAKER_04]: Let's do that.
• 6:05
  [SPEAKER_02]: I'm playing Harry, Harry D, and he is.
• 6:15
  [SPEAKER_02]: You know what's funny?
• 6:16
  [SPEAKER_02]: I came up with that as an abbreviation of the word Harryd as in like frenetic or frenzied.
• 6:23
  [SPEAKER_02]: And then after I finished typing and I was like, oh, well, oh well.
• 6:29
  [SPEAKER_02]: No, he is his reality that he's overbooked, he is a divorced single dad who is just trying to take every job possible to get by and Denise from the 10th agency sent him to triangle agency at some point and he became a barista there.
• 6:45
  [SPEAKER_02]: and through all of his mad dashing around of trying to make time for his daughter and also do the 15 to 20 jobs he's doing at any one time.
• 6:54
  [SPEAKER_02]: The anomaly that he's encountered is the timepiece.
• 6:57
  [SPEAKER_02]: Perfect.
• 6:58
  [SPEAKER_02]: That's my favorite illustration in the book is the timepiece.
• 7:01
  [SPEAKER_04]: Yeah, the anomaly.
• 7:02
  [SPEAKER_04]: It's so cool.
• 7:04
  [SPEAKER_04]: Oh, it's so cool.
• 7:05
  [SPEAKER_04]: It's amazing.
• 7:05
  [SPEAKER_04]: Can I share my aunt to those illustrations?
• 7:07
  [SPEAKER_04]: She's amazing.
• 7:08
  [SPEAKER_02]: Um, and then Shenuk you can pick I've got three relationships.
• 7:12
  [SPEAKER_02]: I love all of them.
• 7:13
  [SPEAKER_02]: Do you want to play Denise from the temp agency?
• 7:15
  [SPEAKER_02]: Who's giving me other jobs?
• 7:17
  [SPEAKER_02]: Uh, Georgie my eight-year-old daughter or Jan my loving ex mother-in-law.
• 7:20
  [SPEAKER_07]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
• 7:33
  [SPEAKER_01]: Georgey sounds so fun, but I've played a child before.
• 7:37
  [SPEAKER_01]: Oh, I'll do, I'll do Jan, your ex mother-in-law.
• 7:44
  [SPEAKER_02]: Excellent.
• 7:45
  [SPEAKER_02]: Jan, my ex mother mom.
• 7:46
  [SPEAKER_02]: She's the person who cares most about my health.
• 7:49
  [SPEAKER_01]: Great.
• 7:50
  [SPEAKER_02]: That's awesome.
• 7:51
  [SPEAKER_04]: And then Shenik, do you want to talk about your character?
• 7:55
  [SPEAKER_01]: Yeah.
• 7:56
  [SPEAKER_01]: I made a less silly one.
• 7:59
  [SPEAKER_01]: I think than those two bosos.
• 8:01
  [SPEAKER_01]: My character is top Elliott.
• 8:04
  [SPEAKER_01]: My character's name is Kusuni, they she.
• 8:08
  [SPEAKER_01]: They are a adopted member of a crime family, the Smiths.
• 8:13
  [SPEAKER_01]: When their father died, they became the leader of that crime family.
• 8:17
  [SPEAKER_01]: So now they kind of run that whole Shabang and do it quite well.
• 8:23
  [SPEAKER_01]: They're like, tatted up, like, like, full-on sleeves of tattoos.
• 8:29
  [SPEAKER_01]: Look pretty badass, quite intimidating, but at the agency, they're a little intern wearing nice little intern clothes.
• 8:38
  [SPEAKER_01]: I don't know what to do.
• 8:41
  [SPEAKER_01]: I don't know what to do.
• 8:43
  [SPEAKER_04]: The opposite of a cool tattoo is what interns wear.
• 8:45
  [SPEAKER_04]: Exactly.
• 8:45
  [SPEAKER_01]: A fucking tweed.
• 8:50
  [SPEAKER_01]: And then they, their, their anomaly is the whisper, they have crafting their own story.
• 8:56
  [SPEAKER_01]: And their relationship, I think I chose this one, is my successor to the crime family, is my older shitty brother, Gerard, play by Elliot.
• 9:05
  [SPEAKER_01]: Elliot Gerard.
• 9:06
  [SPEAKER_02]: So was that crime family the Smiths like Jimmy Smith or the Smiths like the band?
• 9:11
  [SPEAKER_02]: The band, the band.
• 9:13
  [SPEAKER_02]: Okay, got it.
• 9:14
  [SPEAKER_04]: Yeah.
• 9:14
  [SPEAKER_04]: Where does it Elliot so Abby, would you like to talk about your character?
• 9:17
  [SPEAKER_06]: Yes, um, I miss.
• 9:22
  [SPEAKER_06]: I'm a 30 something woman who, you know, she she felt like her life wasn't really all that fulfilling.
• 9:29
  [SPEAKER_06]: So she started shoplifting to just feel a rush.
• 9:33
  [SPEAKER_06]: And then, you know, it just got bigger and bigger and bigger.
• 9:36
  [SPEAKER_06]: And now she's wanted because she stole thousands of dollars worth of things.
• 9:45
  [SPEAKER_06]: So her reality is pursued, you know, by the powers that be who, you know, she got away with it, but only kind of.
• 9:56
  [SPEAKER_06]: And in doing this, the anomaly that she has become connected with is absence.
• 10:02
  [SPEAKER_06]: so she can disappear into the wind.
• 10:05
  [SPEAKER_06]: But she is sometimes found that as a woman, she couldn't sort of just, you know, hide and play in sight, which is why at the agency she works in reception.
• 10:15
  [SPEAKER_06]: She's the first thing that you see and so she could take action immediately to decide how she wants this to go.
• 10:21
  [SPEAKER_06]: Yeah.
• 10:23
  [SPEAKER_02]: Abby, I felt the agree that we weren't going to talk about your legal troubles on Mike.
• 10:26
  [SPEAKER_06]: I felt it was, again, hiding in plain sight just probably the best if I talk about my thefts here.
• 10:31
  [SPEAKER_06]: I'm sorry.
• 10:33
  [SPEAKER_05]: And you lawyer will tell you, hide and claim it's out of your mind.
• 10:37
  [SPEAKER_06]: Where is she going to talk about all on their stolen?
• 10:40
  [SPEAKER_06]: Yeah.
• 10:46
  [SPEAKER_06]: And I am deciding on relationship, and I think the second one, which is knows about pursuers, and Taylor, it's you and I would love some help of figuring out who you are in relation to me and why you know about my crimes and who is after me.
• 11:05
  [SPEAKER_05]: Yeah, I'm the in-house detective for Barney's.
• 11:09
  [SPEAKER_06]: Exactly.
• 11:11
  [SPEAKER_05]: Wow, Barney.
• 11:13
  [SPEAKER_06]: So this is very much a like Columbus where we both know I've done the crime.
• 11:18
  [SPEAKER_06]: You just haven't figured out how to pin it on the end.
• 11:21
  [SPEAKER_05]: You're the one that got away so far.
• 11:25
  [SPEAKER_06]: You're never catch me.
• 11:27
  [SPEAKER_06]: I burned my finger prints off.
• 11:30
  [SPEAKER_05]: But Abby, I'm the one, I know about the pursuer.
• 11:34
  [SPEAKER_05]: So maybe, hmm, interesting.
• 11:37
  [SPEAKER_05]: I'm not your pursuer.
• 11:38
  [SPEAKER_05]: I am a friend who knows about the pursuer.
• 11:40
  [SPEAKER_06]: Maybe you also work at that you know the detective who's after me and again kind of know all the details but you're letting them take point because you know they've had a rough year.
• 11:51
  [SPEAKER_06]: They need to double you.
• 11:54
  [SPEAKER_04]: Either that work or the pursuer is this big like firm or company and you have not turned miss and those are both options.
• 12:03
  [SPEAKER_04]: I love the idea of being an detective so I'm happy to make that happen either way.
• 12:08
  [SPEAKER_05]: I was fired.
• 12:10
  [SPEAKER_05]: I was fired.
• 12:11
  [SPEAKER_05]: I was fired for violence.
• 12:13
  [SPEAKER_05]: I was fired for unnecessary roughness.
• 12:17
  [SPEAKER_05]: As a detective.
• 12:19
  [SPEAKER_05]: Yes, using the day.
• 12:21
  [SPEAKER_05]: I threw two teenagers down and up and asked escalator.
• 12:25
  [SPEAKER_05]: I'm one of them lost a hand in the part of the escalator that we're all scared of taking our hands away.
• 12:32
  [SPEAKER_05]: And so I was fired, but I know I can't turn you in because I'm not a law enforcement.
• 12:39
  [SPEAKER_05]: I'm running a book about this character.
• 12:43
  [SPEAKER_05]: But you're still the one that got away, but I can't, I can't actually catch you.
• 12:47
  [SPEAKER_06]: And your name is detective.
• 12:55
  [SPEAKER_02]: The storage detective Jones.
• 12:57
  [SPEAKER_06]: Star Detective Jones.
• 12:59
  [SPEAKER_02]: Beautiful.
• 13:00
  [SPEAKER_02]: Star Detective Jones.
• 13:02
  [SPEAKER_06]: Oh, I also miss will also go by or miss will also go by miss or ma'am.
• 13:08
  [SPEAKER_04]: Got it.
• 13:10
  [SPEAKER_06]: Or excuse me.
• 13:14
  [SPEAKER_06]: She'll accept all the above.
• 13:15
  [SPEAKER_02]: That's actually really convenient for me because the barista's prime directive is every time I say someone's name correctly, I lose one the merit.
• 13:21
  [SPEAKER_06]: Oh, now but now it's the quandary of our all of my names correct or all of them wrong.
• 13:28
  [SPEAKER_02]: That's fair.
• 13:29
  [SPEAKER_06]: Philosophical trebles.
• 13:31
  [SPEAKER_04]: Okay, happy mother.
• 13:33
  [SPEAKER_04]: I just wanted to do more chances to say it, I'm sure there'll be plenty of opportunities to tell us about your character Taylor.
• 13:40
  [SPEAKER_05]: My character is named Happy Mother.
• 13:42
  [SPEAKER_05]: Although he will be the first to tell you that you can simply as everyone else certainly does, call him Mother.
• 13:50
  [SPEAKER_05]: Uh, have mother is uh, a CEO, he is a supervisor at the Triangle Agency, partially because he doesn't have much of a mundane life because he is not a human being, he was created by a powerful catalog anomaly.
• 14:09
  [SPEAKER_05]: in the late 60s, and now he has made a life for himself among humans working at the Triangle Agency, and is himself bonded, of course, with the catalog anomaly.
• 14:22
  [SPEAKER_06]: Beautiful.
• 14:22
  [SPEAKER_04]: I have so many questions about that, but one is, have you aged?
• 14:26
  [SPEAKER_04]: Have you aged during this time, or are you like a fixed person?
• 14:31
  [SPEAKER_05]: Fixed?
• 14:32
  [SPEAKER_05]: Do we do physical descriptions?
• 14:34
  [SPEAKER_04]: We haven't yet, we'll go, okay, okay, yeah, that'll be where we start in a second.
• 14:38
  [SPEAKER_04]: But who is your relationship?
• 14:40
  [SPEAKER_05]: My relationship is the comedian and golden globes host, Nicky Glazer.
• 14:47
  [SPEAKER_07]: Go log Brian.
• 14:54
  [SPEAKER_05]: She taught me how to hide among humans, but because she herself was also created by analog.
• 15:03
  [SPEAKER_02]: I gotta just look up and make it laser jokes.
• 15:07
  [SPEAKER_05]: No, you don't.
• 15:09
  [UNKNOWN]: No, you don't.
• 15:10
  [SPEAKER_01]: That's really funny.
• 15:12
  [SPEAKER_05]: And who will be playing my relationship you asked?
• 15:16
  [SPEAKER_05]: It's the question on the lips of America.
• 15:23
  [SPEAKER_04]: It appears to be Brian.
• 15:27
  [SPEAKER_02]: Yeah, you're nailing it.
• 15:32
  [SPEAKER_02]: Star of train wreck, and I feel pretty.
• 15:36
  [SPEAKER_06]: And the host of F boy island.
• 15:38
  [SPEAKER_02]: And the host of F boy island on Bravo.
• 15:40
  [SPEAKER_04]: Okay, well, that's actually what we're going to hold on to.
• 15:43
  [SPEAKER_04]: We're going to keep that one.
• 15:44
  [SPEAKER_04]: Okay.
• 15:45
  [SPEAKER_04]: Not one in mind.
• 15:46
  [SPEAKER_05]: Oh, Brian, just so you know, before she was turned into a human comedian, she was a goose.
• 15:53
  [SPEAKER_06]: That helps you if you're from our industry.
• 15:55
  [SPEAKER_05]: Yes, he doesn't have to on its name.
• 15:57
  [SPEAKER_06]: She was a goose.
• 15:59
  [SPEAKER_06]: If you find that information useful, it's there.
• 16:02
  [SPEAKER_02]: I like the idea that she became a comedian because she can't laugh because her honk would give her away.
• 16:08
  [SPEAKER_04]: All right.
• 16:08
  [SPEAKER_04]: So in this part of the game, I will be basically pointing the camera at a particular character.
• 16:13
  [SPEAKER_04]: You'll be given a chance to talk about who you are.
• 16:15
  [SPEAKER_04]: We'll do a little scene of your time before you are called into work or on your way to work.
• 16:21
  [SPEAKER_04]: And then once those are complete, we'll get started with the mission.
• 16:25
  [SPEAKER_04]: That's the normal structure of the game.
• 16:27
  [SPEAKER_04]: This part is called morning meetings.
• 16:29
  [SPEAKER_04]: So let me do a little, um, seeing setting, I guess.
• 16:32
  [SPEAKER_04]: Turning in city, a bright gleaming city in the middle of America somewhere, the middle of course including a coast and a mountain and several nearby suburbs, right smack to have in the middle of America, it is a large size place with a
• 16:50
  [SPEAKER_04]: Thurrow public transit system, they've got one thing right here at things to be, and there are millions of citizens going about their normal everyday lives without noticing that in the middle of the city, the dead center, which is to say right at the point, there is a very, very tall building, stretching higher than all the other skyscrapers in the skyline and capped off with a bright red triangle.
• 17:20
  [SPEAKER_04]: But we are not going to start in the headquarters, we are going to start in its shadow.
• 17:25
  [SPEAKER_04]: We are going to go to a small apartment deep in the city itself where waking up with eyes as bright as he would like to have his jingles, the jester.
• 17:38
  [SPEAKER_04]: I'm in you.
• 17:42
  [SPEAKER_04]: What I understand is a closet.
• 17:43
  [SPEAKER_04]: Will you describe jingles and your wake-up situation?
• 17:47
  [SPEAKER_03]: Yeah, jangles is kind of folded in on himself in order to sleep on the floor of the closet, like arms at awkward angles.
• 17:56
  [SPEAKER_03]: And as he comes out of it, you hear many bones crack into place.
• 17:59
  [SPEAKER_03]: He's getting a little up there in years and just thing a long time.
• 18:03
  [SPEAKER_03]: And he is wearing
• 18:05
  [SPEAKER_03]: a sort of dull, classic medieval gestures outfit that has seen better days.
• 18:14
  [SPEAKER_03]: It clearly, he maybe once had copies of this suit, but now it is the only one.
• 18:19
  [SPEAKER_03]: And he doesn't know about laundry.
• 18:27
  [SPEAKER_04]: uh... well as your bones crack and you stand there is a knock on your closet um... derrick your roommate is here uh... derrick who is played by abbey and abbey derrick is uh... about to go on a short trip a job you are not allowed to talk about uh... and you have forgotten until just now that you have laid no ground rules with jangles about what to do and that's why you're not
• 18:54
  [SPEAKER_04]: So this is your opportunity to make sure that Jankles knows everything he has to know about keeping this as an order
• 19:00
  [SPEAKER_06]: Who is it?
• 19:02
  [SPEAKER_06]: Uh, it's me, man.
• 19:04
  [SPEAKER_03]: Uh, generic hello.
• 19:06
  [SPEAKER_03]: Hello.
• 19:07
  [SPEAKER_06]: Yeah, you're like such a morning person, man, it's hard to get easy.
• 19:10
  [SPEAKER_06]: Yes, I am.
• 19:11
  [SPEAKER_06]: Totally, uh, you feel like you're also an evening person, and an afternoon person.
• 19:15
  [SPEAKER_06]: It's all hours, all hours.
• 19:17
  [SPEAKER_06]: Totally, uh, dude, I like to totally forget about this, but I gotta, like, I have a work trip I'm leaving for, okay.
• 19:24
  [SPEAKER_06]: And I just want to like run over some stuff real quick, because like, you know,
• 19:31
  [SPEAKER_03]: How many prizes would you like when you come home?
• 19:33
  [SPEAKER_06]: Oh, like exactly zero Okay, would be the ideal number So yeah, if you could just like there's you know all the upper cabinets All of it's man, but like have fun with the lower ones whatever's in the lower cabinets totally up to you But upper ones yeah, don't touch that's like, you know
• 19:52
  [SPEAKER_03]: Just don't touch him.
• 19:53
  [SPEAKER_03]: Okay, man.
• 19:54
  [SPEAKER_03]: Have fun with lower cabinets.
• 19:56
  [SPEAKER_03]: Got it.
• 19:56
  [SPEAKER_06]: Yeah, yeah, lower cabinets are good, you know, the laundry room still exists.
• 20:01
  [SPEAKER_06]: If you want to take advantage of that, I would really haven't like gone to see it.
• 20:05
  [SPEAKER_06]: Yeah, pull it down there.
• 20:07
  [SPEAKER_06]: I don't know what you mean.
• 20:09
  [SPEAKER_03]: Huh?
• 20:10
  [SPEAKER_03]: The white room?
• 20:11
  [SPEAKER_03]: What?
• 20:21
  [SPEAKER_04]: Dick, what is the most expensive item in the house?
• 20:25
  [SPEAKER_06]: Oh, I have my record collection and my record player and they're just like, if you're gonna, like you don't really see like a music guy so if you're gonna, like, I'm just kind of really rather you not.
• 20:36
  [SPEAKER_03]: No, I don't have any of my instruments.
• 20:38
  [SPEAKER_03]: So, I... Cool.
• 20:40
  [SPEAKER_03]: You haven't liked me?
• 20:40
  [SPEAKER_06]: Looks like a play?
• 20:41
  [SPEAKER_06]: Uh, no instruments, and also, maybe just like, don't touch the record player, that man.
• 20:46
  [SPEAKER_06]: Okay.
• 20:47
  [SPEAKER_03]: Sure, I won't touch the record player.
• 20:49
  [SPEAKER_06]: Everything's like, we're gonna have super careful.
• 20:53
  [SPEAKER_04]: Okay, jangles a small horn plays after learning that you don't know how to use phones quite yet, and they assume stress you out.
• 21:05
  [SPEAKER_04]: The agency has provided you with a small atomaton brass man who twits a little horn and comes out of a clock in your room to announce that it is time for you to come into the office.
• 21:22
  [SPEAKER_04]: He's got a little red triangle of penance.
• 21:25
  [SPEAKER_06]: She goes, if you could like, like, I know we said you couldn't really put that out in the living room, but like the noise is also kind of a lot.
• 21:34
  [SPEAKER_03]: I have no control over where the young squire goes, but I bet you all.
• 21:41
  [SPEAKER_06]: Right, maybe we'll talk about that like when I get back.
• 21:44
  [SPEAKER_06]: Sure.
• 21:45
  [SPEAKER_03]: Yeah.
• 21:48
  [SPEAKER_05]: Can I just say, he sounds like a great roommate.
• 21:50
  [SPEAKER_04]: I'm not going to think about that.
• 21:56
  [SPEAKER_04]: And jangles, you make your way to the agency.
• 21:59
  [SPEAKER_04]: What is your preferred transportation method to get through this app following?
• 22:07
  [SPEAKER_04]: as you, as you baby's day out your way through city, prep falling from place to place.
• 22:15
  [SPEAKER_04]: You eventually come to the base of the agency headquarters and with one final tumble through the door, the edges of your vision blur and you blackout.
• 22:28
  [SPEAKER_04]: A short way away from there is Cassini, could you tell me where you have your meetings?
• 22:37
  [SPEAKER_04]: When you are like doing crime family business?
• 22:40
  [SPEAKER_01]: Where do you host?
• 22:42
  [SPEAKER_01]: Uh, it's in the basement of the Jamba Juice.
• 22:46
  [SPEAKER_01]: The one, the one Jamba Juice.
• 22:50
  [SPEAKER_01]: Yeah.
• 22:50
  [SPEAKER_01]: The original.
• 22:52
  [SPEAKER_02]: You brought it to the studio.
• 22:55
  [SPEAKER_02]: Yeah.
• 22:55
  [SPEAKER_02]: Jumping through some classic.
• 22:56
  [SPEAKER_02]: Yeah.
• 22:58
  [SPEAKER_04]: That's what it's called.
• 23:00
  [SPEAKER_04]: So describe for me your room, the room in which you accept visitors, and your appearance here under the damages.
• 23:09
  [SPEAKER_01]: Oh, like the, okay, cool.
• 23:11
  [SPEAKER_01]: Like the room we have our crime stuff happening.
• 23:14
  [SPEAKER_04]: Yeah, absolutely.
• 23:14
  [SPEAKER_04]: Like if you, I'm imagining that you have like a Godfather office.
• 23:17
  [SPEAKER_04]: That's what I'm thinking.
• 23:18
  [SPEAKER_01]: Oh, totally, totally, totally, totally, totally.
• 23:20
  [SPEAKER_04]: Yeah.
• 23:20
  [SPEAKER_04]: Yeah.
• 23:20
  [SPEAKER_04]: It's like also in the at jump.
• 23:22
  [SPEAKER_01]: It's at the, it's in the basement of the jump juice.
• 23:24
  [SPEAKER_01]: So you just kind of like have to go through the back, like into like where the, the juice is get blended.
• 23:28
  [SPEAKER_01]: And then there's just like, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh, uh
• 23:34
  [SPEAKER_04]: What?
• 23:35
  [SPEAKER_04]: Do they not get blended in front of you mostly?
• 23:37
  [SPEAKER_01]: No, not plastic, not plastic.
• 23:39
  [SPEAKER_01]: Not plastic.
• 23:40
  [SPEAKER_01]: Not plastic.
• 23:41
  [SPEAKER_01]: Not plastic.
• 23:42
  [SPEAKER_01]: Not plastic.
• 23:42
  [SPEAKER_01]: Not plastic.
• 23:43
  [SPEAKER_01]: Not plastic.
• 23:44
  [SPEAKER_01]: Not plastic.
• 23:44
  [SPEAKER_06]: Not plastic.
• 23:45
  [SPEAKER_01]: Not plastic.
• 23:46
  [SPEAKER_06]: Not plastic.
• 23:47
  [SPEAKER_01]: Not plastic.
• 23:50
  [SPEAKER_04]: I've never thought about the, the front facing juicing being about trust, but it really is.
• 23:55
  [SPEAKER_01]: Yeah, you figured that out classic.
• 23:57
  [SPEAKER_01]: Yeah, so then there's like a, like a door looks like a fridge that would have supplies.
• 24:03
  [SPEAKER_01]: You open that fridge.
• 24:04
  [SPEAKER_01]: There are supplies in there, but then further back in that fridge is another door, the lazy to the basement, which is just like a
• 24:13
  [SPEAKER_01]: like a brothel almost but there's no sex happening.
• 24:16
  [SPEAKER_01]: It's it's pretty chill.
• 24:18
  [SPEAKER_01]: All cool stuff nothing in what way does it look like a brothel?
• 24:21
  [SPEAKER_01]: It just like has the lighting you know the lighting in the furniture.
• 24:24
  [SPEAKER_07]: It's because it's much naked lady.
• 24:26
  [SPEAKER_01]: Yeah.
• 24:26
  [SPEAKER_01]: And there's the naked there's nobody naked calm down Abigail.
• 24:30
  [SPEAKER_01]: You horny fuck.
• 24:33
  [SPEAKER_04]: Anyways, and I'm sorry for going backwards in this flow, but are they doing something weird with juice?
• 24:39
  [SPEAKER_01]: No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
• 24:53
  [SPEAKER_01]: And it's a normal office, you know, like any, any mafia, like a big desk, a little, like, you know, figurines and knickknacks, and then two chairs, and then like a gun.
• 25:02
  [SPEAKER_04]: Normal brothel, no sex, normal office, tons of sex in there, tons of, that's where the sex happens.
• 25:08
  [SPEAKER_01]: That's where the orgies are happening in my office.
• 25:11
  [SPEAKER_01]: Tell me about your gun.
• 25:11
  [SPEAKER_01]: Yeah, it's just a little pistol hanging mounted on the back.
• 25:16
  [SPEAKER_04]: How often do you have to use it?
• 25:19
  [SPEAKER_01]: I haven't shot it once.
• 25:21
  [SPEAKER_01]: Hmm.
• 25:22
  [SPEAKER_02]: Okay, uh, you're- The tail is dying.
• 25:28
  [SPEAKER_05]: I think it's very funny that a very small pistol is hanging on the wall.
• 25:31
  [SPEAKER_05]: Yeah.
• 25:33
  [SPEAKER_05]: It's just a damn hard.
• 25:35
  [SPEAKER_02]: You're in beautiful layers.
• 25:36
  [SPEAKER_02]: It's just a pretty massive frame.
• 25:38
  [SPEAKER_02]: Perfect.
• 25:39
  [SPEAKER_02]: because it's like the frame that normally we use to show off a rifle.
• 25:43
  [SPEAKER_02]: Yeah, it's very small.
• 25:45
  [SPEAKER_04]: Yeah.
• 25:47
  [SPEAKER_04]: Once there was a rifle there, your older brother, Gerard, is here to meet with you about some of your
• 25:57
  [SPEAKER_04]: crime family dealings a Gerard of course played by Elliot Elliot when you are the older brother Yeah, and you're coming into this room.
• 26:07
  [SPEAKER_03]: Well, you please describe for me your much cooler gun Oh, yeah I think Gerard's got to like matching desert eagles that he keeps like very obviously strapped at all times two desert eagles
• 26:21
  [SPEAKER_03]: Yeah.
• 26:21
  [SPEAKER_03]: Nice.
• 26:22
  [SPEAKER_00]: That's so much firepower.
• 26:24
  [SPEAKER_03]: Yeah, yeah.
• 26:25
  [SPEAKER_03]: And I think he's sitting in your chair when you get there and then scrambles out of it.
• 26:32
  [SPEAKER_02]: I can't imagine shooting a desert eagle 50 caliber gun with my offhand.
• 26:38
  [SPEAKER_03]: Brian, I'm sorry, are we gonna, are we gonna nickel and dime this fantasy world?
• 26:42
  [SPEAKER_04]: Oh, I think it's good, what's good about this is I don't know what a desert eagle is, so I don't like it, so I don't like it, so I don't like it, so this is actually a really, for everybody, I think.
• 26:50
  [SPEAKER_03]: Which is a big fuck off pistol.
• 26:52
  [SPEAKER_04]: Yeah, because I'm learning about it.
• 26:54
  [SPEAKER_03]: So there, it's also a pistol.
• 26:56
  [SPEAKER_04]: Okay.
• 26:56
  [SPEAKER_04]: Yeah, but it's big and, and, and sexy.
• 26:59
  [SPEAKER_04]: Yeah.
• 27:01
  [SPEAKER_04]: You are sitting in the chair and you get there.
• 27:03
  [SPEAKER_04]: Here's a question,
• 27:07
  [SPEAKER_01]: Oh, uh, in our will, our father said, Gerard's a fucking moron, so don't let a man do anything.
• 27:13
  [SPEAKER_01]: That's a tough one.
• 27:15
  [SPEAKER_01]: That's a tough one.
• 27:15
  [SPEAKER_01]: So you were a second choice.
• 27:17
  [SPEAKER_01]: Yeah.
• 27:18
  [SPEAKER_04]: Gerard, I can help if you need.
• 27:21
  [SPEAKER_04]: But I'm thinking maybe you have a, you have found a piece of evidence that suggests you should be in charge.
• 27:29
  [SPEAKER_04]: Mmm, and today is your opportunity to bring that up.
• 27:33
  [SPEAKER_04]: Maybe in a safe way, maybe not.
• 27:35
  [SPEAKER_04]: But I'm curious, if you need help, if we need to think about it as a group we can, but that's my thought.
• 27:38
  [SPEAKER_04]: What's happening today?
• 27:40
  [SPEAKER_03]: I think Constany let a let someone go that like had reached the, we take them out level of like fucking up in our organization.
• 27:50
  [SPEAKER_02]: Oh, like just fire them instead of killing them?
• 27:52
  [SPEAKER_01]: Yeah, fire them.
• 27:53
  [SPEAKER_01]: Oh, like we should have killed them, but I was like, we're not, we're not going to go.
• 27:56
  [SPEAKER_03]: Yeah, like you've stopped somebody from like actually pulling the trigger on them and said like get out of here, and I found out because I saw him Or somebody delivered me pictures of him.
• 28:06
  [SPEAKER_01]: Okay.
• 28:06
  [SPEAKER_01]: Yeah.
• 28:06
  [SPEAKER_01]: Yeah.
• 28:07
  [SPEAKER_01]: Yeah.
• 28:07
  [SPEAKER_01]: Yeah.
• 28:08
  [SPEAKER_04]: Okay.
• 28:08
  [SPEAKER_04]: So what's your move?
• 28:09
  [SPEAKER_04]: You're coming.
• 28:09
  [SPEAKER_04]: You're here.
• 28:10
  [SPEAKER_04]: You're sitting in this chair.
• 28:11
  [SPEAKER_04]: Cossony arrives.
• 28:14
  [SPEAKER_03]: I actually think in that case, I don't get out of the chair.
• 28:18
  [SPEAKER_01]: Yeah.
• 28:18
  [SPEAKER_01]: Yeah.
• 28:19
  [SPEAKER_01]: Hey.
• 28:21
  [SPEAKER_01]: Hey.
• 28:22
  [SPEAKER_01]: Get out of my chair.
• 28:23
  [SPEAKER_03]: Yeah, one thing first.
• 28:25
  [SPEAKER_01]: No, no.
• 28:25
  [SPEAKER_01]: Get out of my chair.
• 28:26
  [SPEAKER_03]: Yeah, no one thing.
• 28:27
  [SPEAKER_01]: No, but get out of my chair.
• 28:28
  [SPEAKER_01]: No.
• 28:29
  [SPEAKER_03]: Yeah, but one thing first.
• 28:30
  [SPEAKER_01]: Okay.
• 28:31
  [SPEAKER_01]: Yeah, do the thing, do the thing, do the thing.
• 28:32
  [SPEAKER_01]: Go ahead.
• 28:33
  [SPEAKER_03]: All right.
• 28:34
  [SPEAKER_03]: Flip some of them in all the standard.
• 28:36
  [SPEAKER_01]: I'll just stand over you.
• 28:37
  [SPEAKER_03]: Flip some of them in all the folder.
• 28:38
  [SPEAKER_01]: Mm-hmm.
• 28:40
  [SPEAKER_03]: It's up with this.
• 28:41
  [SPEAKER_03]: You see pictures of Doug, the guy that you let survive.
• 28:44
  [SPEAKER_01]: Yeah, that's Doug.
• 28:45
  [SPEAKER_01]: Why is he still alive?
• 28:47
  [SPEAKER_01]: I said, let him live.
• 28:49
  [SPEAKER_01]: And I think I'm the boss so I can decide who lives and does.
• 28:53
  [SPEAKER_01]: That's not that, that's not a dad, what have done it.
• 28:55
  [SPEAKER_01]: All right, well, that's dead, and I'm the boss.
• 28:58
  [SPEAKER_01]: Is there a problem here?
• 28:59
  [SPEAKER_01]: Yeah, loose ends, sink ships.
• 29:01
  [SPEAKER_01]: Should I take my gun off the wall?
• 29:04
  [SPEAKER_03]: Oh, no, I hate for you to do that.
• 29:06
  [SPEAKER_03]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
• 29:23
  [SPEAKER_01]: No, that doesn't make you in charge.
• 29:25
  [SPEAKER_03]: Wow.
• 29:28
  [SPEAKER_01]: Listen, be sure.
• 29:29
  [SPEAKER_01]: Yes, you would have to kill me to put to get to be in charge.
• 29:33
  [SPEAKER_01]: I have to die for you to be in charge.
• 29:34
  [SPEAKER_04]: That's so interesting.
• 29:36
  [SPEAKER_04]: Gerard, you would have to kill Cassidy to be in charge.
• 29:40
  [SPEAKER_04]: And Cassidy's never even shot that gun, and it's all the way over there at the wall.
• 29:43
  [SPEAKER_07]: Huh.
• 29:44
  [SPEAKER_04]: How do you feel about that?
• 29:45
  [SPEAKER_01]: Yes, you'd have to kill me right now.
• 29:47
  [SPEAKER_03]: Oh, well, it's a lot to think about.
• 29:49
  [SPEAKER_03]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
• 30:04
  [SPEAKER_01]: And so I think he's just like, oh wait, do I, where did you kill him upstairs?
• 30:11
  [SPEAKER_01]: You didn't see in the job of Jews?
• 30:13
  [SPEAKER_03]: Yeah, in the back of the... Are these the blood, did anyone hear?
• 30:17
  [SPEAKER_03]: Is, no, the all the blenders were going, it was fine.
• 30:20
  [SPEAKER_01]: All right, you did the blender protocol, good.
• 30:24
  [SPEAKER_04]: Oh, Jesus, directly into the freezer.
• 30:27
  [SPEAKER_04]: It was very thick.
• 30:28
  [SPEAKER_01]: All right, good.
• 30:29
  [SPEAKER_01]: The body's on the freezer, then I'm assuming.
• 30:31
  [SPEAKER_03]: Yeah, you sure I'm not in charge because of this cuz fucking Tony told me that that's how this would work If I took care of the loose end I became the boss.
• 30:39
  [SPEAKER_03]: You sure.
• 30:39
  [SPEAKER_01]: Oh, and I pull out an envelope And I pull out a picture of Tony dead.
• 30:44
  [SPEAKER_01]: I just killed Tony
• 30:47
  [SPEAKER_03]: Well, now that is, that is a predicament.
• 30:49
  [SPEAKER_01]: Yeah.
• 30:50
  [SPEAKER_03]: And why don't you here?
• 30:51
  [SPEAKER_03]: Why don't you take your seat?
• 30:52
  [SPEAKER_03]: I got, I got something to think about this for a little bit.
• 30:54
  [SPEAKER_01]: Why don't you?
• 30:55
  [SPEAKER_01]: You know, the rules are kind of confusing now in this group.
• 30:58
  [SPEAKER_01]: Why don't you ask, uh, oh, Sal, he might have a good update for us.
• 31:03
  [SPEAKER_01]: Unless if Sal says it's cool and you're, you're the boss.
• 31:06
  [SPEAKER_01]: All right, fine, you could be the boss.
• 31:07
  [SPEAKER_01]: I don't, I don't mind.
• 31:08
  [SPEAKER_03]: All right, I'll go talk to, I'll go talk to Sal.
• 31:11
  [SPEAKER_01]: Yeah, talk to Sal.
• 31:13
  [SPEAKER_04]: Alright, this conversation, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you, love you
• 31:36
  [SPEAKER_01]: Custonies like fully like in their like mafia like blazer like Like full arm sleeves like showing off the tattoos.
• 31:44
  [SPEAKER_01]: It's it's a short sleeve blazer.
• 31:46
  [SPEAKER_01]: Those are this they do It's not rolled up.
• 31:48
  [SPEAKER_04]: It's a short sleeve.
• 31:49
  [SPEAKER_01]: It's a short sleeve.
• 31:50
  [SPEAKER_01]: It's not rolled up.
• 31:52
  [SPEAKER_01]: And I like
• 31:54
  [SPEAKER_01]: Oh yeah, yeah, yeah, and then like goes and like changes like is wearing like a suit and tie like fully covered up like had like a Like a nose a nose ring took it out Looks very like corporate now and Takes takes uh, opens up their drawer had there's another gun in there puts it in their waistband Is it the same kind of gun?
• 32:22
  [SPEAKER_01]: Yeah, it's the same kind of gun, and then heads out the door.
• 32:27
  [SPEAKER_04]: Is the one on the wall fake?
• 32:28
  [SPEAKER_04]: Is that the review?
• 32:29
  [SPEAKER_01]: Yeah, yeah, yeah.
• 32:30
  [SPEAKER_04]: Yeah, that's a lot of good.
• 32:32
  [SPEAKER_02]: I was really imagining that each gun on the wall is like a one-time use thing, so you use it.
• 32:37
  [SPEAKER_02]: It only has a little bit of good.
• 32:38
  [SPEAKER_02]: I'm like, yes, that was never been shot.
• 32:44
  [SPEAKER_04]: And I'm assuming you're driven to the agency, is that true?
• 32:48
  [SPEAKER_04]: No, I walk.
• 32:49
  [SPEAKER_04]: Oh, okay.
• 32:50
  [SPEAKER_04]: All in your own.
• 32:51
  [SPEAKER_04]: All in my own.
• 32:52
  [SPEAKER_04]: Then when you arrive and push open the doors, the receptionist waves at you with a smile and with a sudden darkening in your vision, you black out.
• 33:04
  [SPEAKER_04]: Next up, we are going to a casting room.
• 33:08
  [SPEAKER_04]: There is an office building in Midtown,
• 33:17
  [SPEAKER_04]: a long line outside of it of very buff and tall and beautiful men who are all lined up in with varying amounts of shirt on their way into a building.
• 33:30
  [SPEAKER_04]: And as we go through the window of that building into this like large owl.
• 33:38
  [SPEAKER_04]: We've become littered with clerks of glass, and we see a ton of your rant for a second and telling you to shush, Nicky Glazer sitting at a table next to Happy Mother.
• 33:57
  [SPEAKER_04]: Taylor rejects the scribe, Happy Mother for me.
• 33:59
  [SPEAKER_05]: Happy Mother is seven feet tall and four feet wide.
• 34:03
  [SPEAKER_05]: He's an enormous, older man with beautiful, like, Mark Twain.
• 34:11
  [SPEAKER_05]: He's one of those old guys that you look at their hair.
• 34:13
  [SPEAKER_05]: Wait, how did you keep that much hair?
• 34:15
  [SPEAKER_05]: No one's got that much hair.
• 34:17
  [SPEAKER_05]: When there is old as you this beautiful Mark Twain asked like bright white nimbus hair He's got sort of a a runny reddish complexion like he had a somber and a week or two ago and now it's becoming a bit of a tan And he's got a huge
• 34:33
  [SPEAKER_05]: Huge white mustache at his chopping on a giant cigar.
• 34:37
  [SPEAKER_05]: Orange embers glowing at the tip.
• 34:41
  [SPEAKER_05]: He's wearing a beautiful, like crimsonish maroon.
• 34:46
  [SPEAKER_05]: It's impossible to place the color, velvet suit jacket, and a very nice silk shirt, and a bright orange, paisley Crovot.
• 34:55
  [SPEAKER_05]: This is someone who looks fantastic.
• 34:58
  [SPEAKER_05]: But I don't have to tell you because I already told you.
• 35:00
  [SPEAKER_05]: with description, which is like narrative audio's version of a showing not telling.
• 35:08
  [SPEAKER_05]: But here everything is telling, if you think about it.
• 35:12
  [SPEAKER_06]: Welcome to podcast.
• 35:16
  [SPEAKER_05]: Hi, takes us a guy out of his mouth.
• 35:19
  [SPEAKER_05]: Nikki, I love your honey, but we've been here for four hours.
• 35:22
  [SPEAKER_05]: We've got to choose one of these
• 35:26
  [SPEAKER_02]: I mean, listen, if I'm going to have a new host for my new show or a new like sidekick for my show, it's got to be the buffest, the hottest, the coolest and the funniest.
• 35:35
  [SPEAKER_02]: And so far, I'm getting two of the three at max and you know, I just, I want to be perfect.
• 35:39
  [SPEAKER_02]: I've tried shows on HBO, I've tried shows on TBS, I've tried shows on, I'm gonna say ABC.
• 35:53
  [SPEAKER_02]: But you know, I, I feel like this is the one, you know, this is going to be the one I'm really trying I'm doing my own Netflix show and finally I think I'm going to be making it the big time.
• 36:03
  [SPEAKER_05]: And what's the name of this one again?
• 36:04
  [SPEAKER_05]: God, I can't remember.
• 36:06
  [SPEAKER_02]: It's F boy Submarine.
• 36:07
  [SPEAKER_05]: Ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah, ah,
• 36:31
  [SPEAKER_02]: I know, and you know, I, I think my own transformation was difficult enough.
• 36:35
  [SPEAKER_02]: I think I got it, you know, pass on my knowledge and stuff, because I honk, sorry, sorry, I'm just, I'm so nervous and when I get this nervous, see, I can't be this nervous when I'm on a submarine, because let me tell you something, geese do not fare well on submarine.
• 36:54
  [SPEAKER_02]: Okay, so I need some marine.
• 36:56
  [SPEAKER_02]: No, you were my first choice, but then they showed me the dimensions of the submarine, and so the problem with some of these buff guys is they're too buff that they won't fit with the doors But the ones that aren't buff enough excuse me, can I can I stop flexing now?
• 37:08
  [SPEAKER_02]: No, and we need at least another two minutes flexing to know if you can handle the job You got it Yeah, Nick is Nick is needs to see your ahoi
• 37:17
  [SPEAKER_02]: You got it.
• 37:18
  [SPEAKER_02]: That's true, forget it.
• 37:20
  [SPEAKER_02]: I need everything to be as hard as possible.
• 37:22
  [SPEAKER_02]: And can you just keep turning as well?
• 37:24
  [SPEAKER_04]: Just keep turning it.
• 37:25
  [SPEAKER_04]: How tall is the submarine?
• 37:26
  [SPEAKER_04]: Because I'm like six, four.
• 37:28
  [SPEAKER_04]: And if I have to crouch all the time, I get these little belly rolls, and it looks a little different.
• 37:34
  [SPEAKER_02]: Can you show me what a belly roll would look like?
• 37:36
  [SPEAKER_02]: What we're not taping this, this will just be between you and me.
• 37:39
  [SPEAKER_04]: Oh, sure, sure, sure, sure, and this guy sort of like crashes over a little, and his description of a belly roll is a vast over exaggeration of this.
• 37:49
  [SPEAKER_02]: All right, well, you know, thank you so much for, it doesn't look like it's going to work out this time, but I'll grab you, maybe for the next one, maybe for the next one, maybe for the next one.
• 37:56
  [SPEAKER_05]: Thank you so much for your time.
• 37:57
  [SPEAKER_05]: We appreciate it.
• 37:58
  [SPEAKER_05]: The door closes.
• 37:59
  [SPEAKER_05]: I turned Mickey.
• 38:02
  [SPEAKER_05]: You, that was the most beautiful barrel I've ever seen.
• 38:05
  [SPEAKER_05]: The amount of shirt that boy had on my body was my card is down on his whole body.
• 38:10
  [SPEAKER_05]: How can that not be the one?
• 38:12
  [SPEAKER_05]: Some's going on with you.
• 38:13
  [SPEAKER_05]: Dish.
• 38:15
  [SPEAKER_02]: Okay, can I be honest with you?
• 38:17
  [SPEAKER_02]: Can I be really, really?
• 38:18
  [SPEAKER_05]: That'll be after all we've been through together.
• 38:20
  [SPEAKER_05]: You better be honest with me.
• 38:21
  [SPEAKER_02]: I keep looking at all these fine men and I keep seeing they're just they're hard and they're chiseled and they're firm.
• 38:28
  [SPEAKER_02]: And I keep looking not at their bodies, not at their faces.
• 38:32
  [SPEAKER_02]: I keep looking at their feet.
• 38:34
  [SPEAKER_02]: I just I keep wanting some web toes and I'm not seeing them.
• 38:38
  [SPEAKER_02]: Like that's what would make me comfortable as a performer.
• 38:40
  [SPEAKER_02]: It's seeing someone else with web toes and I just I can't find it.
• 38:44
  [SPEAKER_02]: They're too perfect.
• 38:46
  [SPEAKER_05]: Niki, I believe at long last the student has become the teacher, as you got in me for so many years without first became a human being.
• 38:57
  [SPEAKER_05]: Let me guide you now.
• 38:58
  [SPEAKER_05]: Okay.
• 39:00
  [SPEAKER_05]: You're acting in the Goose Manor.
• 39:04
  [SPEAKER_05]: Humans do not desire to see web feet.
• 39:06
  [SPEAKER_05]: That's your own self-a-talking.
• 39:08
  [SPEAKER_05]: You need to be producing it.
• 39:10
  [SPEAKER_05]: Yeah, you're exactly on this thing.
• 39:13
  [SPEAKER_05]: Think about your responsibilities.
• 39:14
  [SPEAKER_05]: And I don't mean to put me pressure on you.
• 39:16
  [SPEAKER_05]: Because I don't think there's any pressure at all.
• 39:18
  [SPEAKER_05]: I think you could sail right through this.
• 39:20
  [SPEAKER_05]: If you're just embrace who you are now and not who you were in the past.
• 39:23
  [SPEAKER_05]: Can you do that Nicky?
• 39:28
  [SPEAKER_02]: You know when you put it so simply it makes so much sense but when I'm in my own head Yes, yes, I can do it.
• 39:35
  [SPEAKER_02]: Let's let's look at numbers 22 463 and 87 again and I think between those three we're gonna find our one That a girl all right standing the three of we allowed to live
• 39:49
  [SPEAKER_04]: The boys walk in and knowing exactly what they need to do take off their shirts turn around and written on each of their backs is the phrase mother you are needed at the triangle agents.
• 40:03
  [SPEAKER_04]: Interesting.
• 40:03
  [SPEAKER_05]: Interesting choice.
• 40:04
  [SPEAKER_05]: Yeah, that's weird.
• 40:05
  [SPEAKER_05]: You weren't needed.
• 40:06
  [SPEAKER_05]: Completely unrelated Nikki.
• 40:08
  [SPEAKER_05]: I have got to go.
• 40:12
  [SPEAKER_02]: You know what, I'll also, I'm going to make a couple more decisions here, but I'll see you back here, maybe later tonight.
• 40:19
  [SPEAKER_05]: making decisions on your own in a human manner.
• 40:22
  [SPEAKER_05]: Now, that's an executive producer if I have a soul.
• 40:24
  [SPEAKER_02]: No, no, thank you.
• 40:26
  [SPEAKER_02]: I've got a run, but you stay here to run the dang show.
• 40:29
  [SPEAKER_02]: I will.
• 40:30
  [SPEAKER_02]: I will.
• 40:31
  [SPEAKER_02]: Mother, can you turn around?
• 40:33
  [SPEAKER_02]: You are needed at.
• 40:34
  [SPEAKER_02]: You can go and try and go latency.
• 40:37
  [SPEAKER_02]: Can you flex a little bit harder for me?
• 40:38
  [SPEAKER_02]: I just want to see what's going on there.
• 40:40
  [SPEAKER_05]: Okay, I can't tell you why, but I got to leave through the window and the fast gate.
• 40:43
  [SPEAKER_05]: Luckily, it's already broken.
• 40:43
  [SPEAKER_04]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
• 40:56
  [SPEAKER_05]: I go to the fire scape and I simply throw myself off it and I land in a dumpster that is of course a bunch of wet mattresses that we're throwing out was a there five minutes ago, but suddenly it is there now.
• 41:10
  [SPEAKER_05]: Oh and what's this a bus?
• 41:15
  [SPEAKER_05]: That's not a bus stop here.
• 41:16
  [SPEAKER_05]: The bus traffic was confused.
• 41:18
  [SPEAKER_04]: Yep.
• 41:18
  [SPEAKER_04]: I see you right there.
• 41:19
  [SPEAKER_04]: You ride the bus to the agency.
• 41:21
  [SPEAKER_04]: The doors to the agency swing open and the second your head crosses that barrier.
• 41:26
  [SPEAKER_04]: You feel the edges of your vision starting to fade.
• 41:29
  [SPEAKER_04]: But you mother have a moment before you black out.
• 41:32
  [SPEAKER_05]: What's the last thing you do?
• 41:33
  [SPEAKER_05]: The last thing I do is I stick my head back out the front door and I look up at the sky.
• 41:43
  [SPEAKER_04]: for you see, but for he was a human being, mother was a son's set, and in purples, reds, pinks and oranges, the edges of your vision swirl in, and that son's set turns to night.
• 42:03
  [SPEAKER_04]: Next up, we have Harry.
• 42:05
  [SPEAKER_04]: Yep, hey, how's it going?
• 42:08
  [SPEAKER_04]: What is a great example of the way your health has been harmed by your behavior and your choices?
• 42:17
  [SPEAKER_02]: Yeah, so you know, I'm just always kind of running around and I've got so many jobs and Denise at 10th age, she keeps me, you know, really busy.
• 42:25
  [SPEAKER_02]: Thank God because I need every little bit, every hour of OT I can get.
• 42:28
  [SPEAKER_02]: I'm taking.
• 42:28
  [SPEAKER_02]: So really, I'm just really utilizing caffeine and an unsafe manner and not hydrating enough.
• 42:35
  [SPEAKER_02]: So in the words of my Brian's real life wife, my blood feels a little weird.
• 42:42
  [SPEAKER_02]: And that's just kind of a thing that you just live with the whole day.
• 42:46
  [SPEAKER_02]: It doesn't come and go.
• 42:48
  [SPEAKER_02]: So he's always kind of looking a little bit sickly, a little bit pale, very over-caffeinated.
• 42:52
  [SPEAKER_02]: His eyes are wide and bloodshot.
• 42:54
  [SPEAKER_02]: His smile is plastered on in the very like customer service way.
• 42:59
  [SPEAKER_02]: And all of his clothing is like he has like 10 of the same okay suits from like banana
• 43:08
  [SPEAKER_04]: Yeah.
• 43:09
  [SPEAKER_04]: Well, Harry, then, as you stumble into coffee shop to get your, your minith coffee of today, um, you find standing there already waiting for you, your ex mother-in-law, Shenuk, you are playing as Jan, and you're by yourself, but it's time for an intervention.
• 43:32
  [SPEAKER_00]: Harry, where, hey.
• 43:34
  [SPEAKER_00]: Jan, did I miss, is it book club day?
• 43:37
  [SPEAKER_00]: Did I, no, forget?
• 43:38
  [SPEAKER_00]: No, Harry, yes, it's time we talk about you problem.
• 43:44
  [SPEAKER_00]: You know, I think I want you know, which one?
• 43:47
  [SPEAKER_00]: The cuff, the coffee, that, well, all of them really, but you gotta, you gotta decay yourself.
• 43:53
  [SPEAKER_00]: You gotta stop, you gotta stop.
• 43:55
  [SPEAKER_00]: You gotta stop.
• 43:57
  [SPEAKER_00]: all of it.
• 43:58
  [SPEAKER_02]: Wouldn't know, see, listen, it's fine because I come here.
• 44:01
  [SPEAKER_02]: I get a triple espresso with five things of sugar because I need it.
• 44:05
  [SPEAKER_02]: I need it fast and I need it sweet and then I get a pound cake and so when you're adding in the calories, it negates the bad effects of the coffee and then you can kind of go, go, go, go, go, go, go, go, go.
• 44:15
  [SPEAKER_00]: Listen, my daughter, Jess, she divorced you because of this shit.
• 44:23
  [SPEAKER_00]: And listen, I love you.
• 44:24
  [SPEAKER_00]: I love you a lot.
• 44:26
  [SPEAKER_00]: I would like, I would like you to continue loving my daughter, you know, maybe give me a grand baby, but that's for another day.
• 44:35
  [SPEAKER_00]: You need to stop this so you can go fuck my daughter as well.
• 44:37
  [SPEAKER_00]: I'm trying to say.
• 44:41
  [SPEAKER_02]: Listen, Jan, I have always loved your straight shooter, your my favorite ex mother-in-law.
• 44:46
  [SPEAKER_00]: Yeah, sure.
• 44:47
  [SPEAKER_02]: And wait, are there others?
• 44:50
  [SPEAKER_02]: You know what, we don't need to read into it.
• 44:54
  [SPEAKER_02]: You're my favorite ex mother-in-law.
• 44:55
  [SPEAKER_02]: I care about you.
• 44:56
  [SPEAKER_02]: And I see that you are trying to care for me.
• 44:59
  [SPEAKER_02]: I see that you are looking at me and seeing something bad.
• 45:02
  [SPEAKER_02]: But I got to tell you, you're just seeing me.
• 45:04
  [SPEAKER_02]: You're seeing one part of me.
• 45:05
  [SPEAKER_02]: You're just seeing this one face of me really deep down.
• 45:09
  [SPEAKER_02]: Everything's good to go.
• 45:10
  [SPEAKER_02]: Okay, and totally fine.
• 45:12
  [SPEAKER_02]: I'm just trying to take as many jobs as possible so that I can, you know, support the daughter that I do have.
• 45:17
  [SPEAKER_02]: And, and also, like, you know, hang out with you and be able to, maybe, maybe patch things up with Jess.
• 45:22
  [SPEAKER_02]: That would be nice.
• 45:23
  [SPEAKER_02]: I'd love to.
• 45:24
  [SPEAKER_02]: If she was talk, I'm available.
• 45:27
  [SPEAKER_02]: Well, like maybe like one hour on Tuesday, I have some free time and then maybe if we want to do a short coffee on Wednesday morning I can make time for that, but then otherwise No, otherwise I'm kind of hooked up caught like a Cortado
• 45:43
  [SPEAKER_05]: They can only do a short coffee.
• 45:45
  [SPEAKER_05]: I would hang up.
• 45:51
  [SPEAKER_00]: Listen, Harry, you're really going back this all wrong.
• 45:53
  [SPEAKER_00]: Now look, I got, I got your doctors reports from your doctor.
• 45:59
  [SPEAKER_02]: Oh, nice of you.
• 46:00
  [SPEAKER_02]: I was never going to have time to pick those up.
• 46:02
  [SPEAKER_00]: No, I was just going to assume everything's fine.
• 46:04
  [SPEAKER_00]: It just says bad.
• 46:05
  [SPEAKER_00]: It just says bad on it.
• 46:06
  [SPEAKER_00]: Everything's bad.
• 46:08
  [SPEAKER_00]: Are we sure that's not an acronym for something?
• 46:10
  [SPEAKER_00]: No, it look, look, look at this.
• 46:12
  [SPEAKER_00]: It just reads, vitals, bed, STIs, bed, face, bed, what?
• 46:21
  [SPEAKER_00]: It's, it's just bed.
• 46:22
  [SPEAKER_01]: At least you only have to feel like it's just a judge.
• 46:24
  [SPEAKER_01]: Yeah, I'm holding up the paper.
• 46:26
  [SPEAKER_04]: Uh, as your finger is going down, it glances past after face bad.
• 46:31
  [SPEAKER_04]: There's a line that says, Brian, you need to report into the triangle.
• 46:35
  [SPEAKER_04]: It didn't see office bad.
• 46:36
  [SPEAKER_04]: I'm pretty sure is that no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no,
• 46:47
  [SPEAKER_02]: Uh, you know what, Jan, you know, now that you show me this, I actually see something in here that I should address immediately.
• 46:53
  [SPEAKER_02]: So I will take your advice.
• 46:54
  [SPEAKER_02]: This is okay.
• 46:55
  [SPEAKER_02]: This has gotten through me.
• 46:56
  [SPEAKER_02]: I want you to know that that you right now have gotten through me.
• 46:58
  [SPEAKER_00]: Okay.
• 46:59
  [SPEAKER_00]: I'm going to take some access.
• 47:00
  [SPEAKER_00]: Great.
• 47:01
  [SPEAKER_00]: We'll do another wedding on Thursday.
• 47:02
  [SPEAKER_00]: Good.
• 47:03
  [SPEAKER_02]: Oh no, Thursday's not good for me.
• 47:04
  [SPEAKER_00]: Maybe again, Wednesday morning, but it has to be a really short.
• 47:06
  [SPEAKER_01]: She's on the phone.
• 47:08
  [SPEAKER_00]: Jess, you never going to believe what happened.
• 47:09
  [SPEAKER_00]: I picked it.
• 47:12
  [SPEAKER_02]: You know what, Jan.
• 47:13
  [SPEAKER_02]: I'm so sorry to have to do this.
• 47:15
  [SPEAKER_02]: I've actually got a run because I'm already late for my next appointment I'm just going to take this shot of espresso real quick
• 47:25
  [SPEAKER_02]: Okay, I got it.
• 47:26
  [SPEAKER_01]: I'm going to disturbing you.
• 47:28
  [SPEAKER_07]: What do you want to do now?
• 47:30
  [SPEAKER_01]: What do you, what do you, what do you, you who make up?
• 47:34
  [SPEAKER_06]: He's very shangles too much.
• 47:36
  [SPEAKER_04]: Speaking of the sound, actually, Harry, could you describe the shot for me?
• 47:42
  [SPEAKER_04]: Which details you'd like?
• 47:44
  [SPEAKER_02]: Harry hates coffee.
• 47:46
  [SPEAKER_02]: He hates the taste of coffee, but he needs it as strong as possible, and in a small amount is possible.
• 47:52
  [SPEAKER_02]: So it's as sweet as possible.
• 47:54
  [SPEAKER_02]: So he has a triple shot of espresso that is at least a third full of just sugar in the raw.
• 48:00
  [SPEAKER_02]: So not even, it's not even like fully dissolving.
• 48:03
  [SPEAKER_02]: It's also throwing a little bit of milk on there, and it's like fully plugging his nose and shooting it back.
• 48:10
  [SPEAKER_02]: Even with all of that, you're still thugging your nose.
• 48:12
  [SPEAKER_02]: Yeah, absolutely hates it, but sees it as the medicine he knows it is.
• 48:17
  [SPEAKER_04]: For a moment, despite all of the blocking and the sugar coating and the deliciousness that you have added, it cuts through the bitterness and you feel a sharp pain of disgust at the shot that you're taking.
• 48:32
  [SPEAKER_04]: Yeah.
• 48:34
  [SPEAKER_04]: And then how do you make your way to the agency?
• 48:39
  [SPEAKER_04]: Run.
• 48:39
  [SPEAKER_04]: Yeah.
• 48:40
  [SPEAKER_02]: I run.
• 48:41
  [SPEAKER_02]: Or you know what?
• 48:42
  [SPEAKER_02]: You know what?
• 48:42
  [SPEAKER_02]: I have got a once or like a, I've got a fixie bike that has, one of those giant padlocks on it that I ride all around town.
• 48:51
  [SPEAKER_02]: So the first thing I have to do is like, you know, roll my sock over the one pant leg and throw on a helmet and book it out here.
• 48:58
  [SPEAKER_02]: Also on the back of this bike has a little child's car seat thing.
• 49:04
  [SPEAKER_04]: And nobody's on it right now.
• 49:05
  [SPEAKER_02]: Nobody's on it right now now.
• 49:07
  [SPEAKER_04]: You bike to the agency and there the bike racks that they allow you to set up your bike at or actually inside the lobby, you're supposed to take it in.
• 49:15
  [SPEAKER_04]: Do you have a habit of doing what you're supposed to do, which is like stepping off and walking it in, or do you bike straight in?
• 49:21
  [SPEAKER_02]: Uh, I am late, so I'm biking straight into it.
• 49:24
  [SPEAKER_02]: Okay.
• 49:27
  [SPEAKER_02]: My, my kind of approach to jobs in general is I'm going to do it how I'm going to do it.
• 49:31
  [SPEAKER_02]: I've got enough churn that'll be okay.
• 49:36
  [SPEAKER_04]: So you are riding your bike straight through the doors and the second, like, like, hitting a wall.
• 49:42
  [SPEAKER_04]: Your vision blanks out into.
• 49:45
  [SPEAKER_04]: like this.
• 49:45
  [SPEAKER_04]: And now that means we have one person left and miss you are an interesting case because you are already working.
• 49:53
  [SPEAKER_04]: You are inside of the agency lobby.
• 49:57
  [SPEAKER_04]: Excellent.
• 49:58
  [SPEAKER_04]: And having sust out your workplace and come to talk to you directly is none other than the former
• 50:08
  [SPEAKER_04]: Was it berries in house detective jarnies barny, yes, okay No, it was berries Is a nice detective Jones Jones you can have this one Excuse me, miss oh hello it's me again.
• 50:34
  [SPEAKER_05]: Hello detective
• 50:36
  [SPEAKER_05]: Brought to you some coffee.
• 50:38
  [SPEAKER_06]: Oh, thank you.
• 50:38
  [SPEAKER_06]: I go drink it right away and just like you try to throw is it over her shoulder Yeah, that was delicious Yeah, I see you cut on to my roots.
• 50:49
  [SPEAKER_05]: Yeah.
• 50:53
  [SPEAKER_05]: Well, this is What 22 23 24 times It's funny that we keep running into each other like this.
• 50:59
  [SPEAKER_05]: Oh my wife doesn't think it's funny at all She wants me to get a real job again
• 51:03
  [SPEAKER_06]: Oh, that's right.
• 51:04
  [SPEAKER_06]: You were let go.
• 51:05
  [SPEAKER_06]: Yeah, I was let go.
• 51:07
  [SPEAKER_06]: Unable to figure it out.
• 51:08
  [SPEAKER_05]: Well, was it the violence?
• 51:10
  [SPEAKER_05]: I clashed a teenager her hand.
• 51:13
  [SPEAKER_05]: That's right.
• 51:14
  [SPEAKER_05]: Ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha
• 51:33
  [SPEAKER_05]: No, I just wanted to come by like, you know, I still got my little peepers on you.
• 51:38
  [SPEAKER_05]: And here is your real coffee.
• 51:40
  [SPEAKER_05]: This was got coffee that don't throw it.
• 51:41
  [SPEAKER_05]: It's the way you like it.
• 51:42
  [SPEAKER_05]: A Davie.
• 51:44
  [SPEAKER_06]: Excellent.
• 51:44
  [SPEAKER_06]: Thank you.
• 51:45
  [SPEAKER_06]: And she throws that one over her shoulders.
• 51:47
  [SPEAKER_05]: Oh, I'm still surprised that for all these years.
• 51:52
  [SPEAKER_06]: I'm always one step ahead detective.
• 51:54
  [SPEAKER_06]: Don't you forget it.
• 51:56
  [SPEAKER_05]: Well, I found this place and let me tell you, it was a douchey to find.
• 51:59
  [SPEAKER_05]: Not easy.
• 52:00
  [SPEAKER_05]: What place are you talking about?
• 52:02
  [SPEAKER_05]: This place.
• 52:03
  [SPEAKER_05]: What exactly do you do here?
• 52:04
  [SPEAKER_05]: I couldn't find any records.
• 52:06
  [SPEAKER_05]: A place?
• 52:08
  [SPEAKER_05]: Here it is.
• 52:09
  [SPEAKER_04]: Where is this place?
• 52:14
  [SPEAKER_04]: Chicken Jones, do you have any weapons?
• 52:17
  [SPEAKER_04]: Do you hold, do you arm yourself in any way?
• 52:20
  [SPEAKER_04]: And it's still...
• 52:21
  [SPEAKER_04]: or do you have a taser you never gave back?
• 52:25
  [SPEAKER_05]: Ha ha ha.
• 52:27
  [SPEAKER_05]: Sometimes he will put, I will sometimes former store detective Jones will put his hand in his pocket and put his keys between his knuckles.
• 52:38
  [SPEAKER_05]: In case it comes to what he calls fisk keycuffs.
• 52:44
  [SPEAKER_04]: God damn it, you're hit with a wave to take
• 52:50
  [SPEAKER_04]: The feel, the strong feeling that a one round of Fisky cuffs could resolve this for you forever.
• 52:58
  [SPEAKER_05]: How do you handle that feeling?
• 53:02
  [SPEAKER_05]: Listen, I got to tell you, I'm at the end of my rope here.
• 53:06
  [SPEAKER_05]: detective you're you're getting very red in the face yeah i'm getting a lot of things i'm getting heat from the wife back home you know finding you this time it took the longest it's ever taken it's not like the water park it's not like the summer camp it's not like when you were a museum dosen't
• 53:26
  [SPEAKER_06]: You found me real quick that time.
• 53:28
  [SPEAKER_05]: Yeah, well, you know, museum public records.
• 53:30
  [SPEAKER_06]: That was a mistake.
• 53:31
  [SPEAKER_05]: Look, I can't keep doing this.
• 53:33
  [SPEAKER_05]: I got to get a job.
• 53:34
  [SPEAKER_05]: You know, I got, I got the planter.
• 53:36
  [SPEAKER_05]: I shot this.
• 53:36
  [SPEAKER_05]: I need health insurance.
• 53:38
  [SPEAKER_05]: I can't spend all my time hunting you down.
• 53:40
  [SPEAKER_05]: This is over.
• 53:40
  [SPEAKER_05]: This is it.
• 53:41
  [SPEAKER_05]: We could give him back.
• 53:42
  [SPEAKER_06]: Find some shoes.
• 53:43
  [SPEAKER_06]: If you.
• 53:44
  [SPEAKER_05]: I don't want to find some shoes.
• 53:45
  [SPEAKER_05]: I want to find the two shoemases.
• 53:47
  [SPEAKER_05]: You stole from Barry's department store in 1998.
• 53:52
  [SPEAKER_06]: But where are we talking about?
• 53:53
  [SPEAKER_05]: Yes, you fucking do.
• 53:55
  [SPEAKER_05]: And I bring out my fisty cuffs.
• 53:57
  [SPEAKER_04]: And in that moment, you black out.
• 54:01
  [SPEAKER_05]: Both of us, I'm just one of us.
• 54:03
  [SPEAKER_04]: Miss, you black out.
• 54:04
  [SPEAKER_04]: You hear a jingle-jankle sound, and a swash.
• 54:08
  [SPEAKER_04]: And your vision clouds and you vanish.
• 54:12
  [SPEAKER_04]: And that is the end of our morning meetings.
• 54:15
  [SPEAKER_04]: Is it okay if we take a quick break?
• 54:17
  [SPEAKER_04]: That's how you want it.
• 54:17
  [SPEAKER_04]: No.
• 54:18
  [SPEAKER_04]: Okay.
• 54:20
  [SPEAKER_02]: And that is it for this Patreon preview.
• 54:22
  [SPEAKER_02]: If you want to hear the other two episodes in this series, as well as like 60 plus hours of bonus actual plays, just head on over to patreon.com slash many sided media and become a member of the dice pool.
• 54:35
  [SPEAKER_02]: We'll see you there.