Latest / Great Detectives of Old Time Radio Volume 2|Mystery Audio Dramas / A Life in Your Hands: Murder in the Eye Doctor’s Office (EP0874)
Transcript
- 0:28Welcome to the Great Detectives of Old Time Radio from Boise, Idaho. This
- 0:34is your host, Adam Graham. If you have a comment, email it
- 0:38to me Box thirteen at Great Detectives dot net, Follow us on Twitter at
- 0:43Radio Detectives, and become one of our friends on Facebook, Facebook dot com
- 0:49slash Radio Detectives. Well. Today's episode is brought to you by the financial
- 0:54support of our listeners. Thanks so much for your support. And today's episode
- 0:59of A Wife in Your Hands is Murder in the Odd Doctor's Office. Partially
- 1:03transcribed the National Broadcasting Company presents Earl Stanley Gardner's A Life in Your Hand?
- 1:14What was she wearing? Was the door open? Where was the weapon?
- 1:22Listen while we place A Life in your Hands. You never know when you
- 1:30step from the safety of your home when you may witness a violent death and
- 1:34be called upon to testify as to what you saw and heard. Murder is
- 1:42a dark enigma that strikes fear into the heart of man. Strange, baffling,
- 1:49mysterious, but the darkest crime. One man can invent, another man
- 1:53can unravel. Such a man is Jonathan Kegg, created by Earl Stanley Gardner,
- 1:57the world's most popular writer of mysteries, creator of Perrymason, and many
- 2:02other outstanding characters. Here's your keymest keg Room one out two. Thanks,
- 2:10Jim. I can always count on you to remember my room number. I
- 2:14guess so. It's not often we have famous people stay at this hotel.
- 2:17How come you stay in a little town like this when you could go to
- 2:21someplace important. Well, when I'm on a vacation, Jim, I'll like
- 2:23to take it easy by in the sun, swim, eat good meals,
- 2:27and relax. Most of all, I like to avoid crowds. And I
- 2:30bet you'd like to get away from crime too, don't you, Yes,
- 2:31Jim. But I've found, much to my dismay, that no matter where
- 2:35you go, crime is not far away. You'll ever know when or where
- 2:38violence will strike, or when you'll suddenly become a witness to a crime,
- 2:43be called upon to testify as to what you saw and heard. Even now,
- 2:46somewhere nearby there may be a crime. Doctor Matthew's office, No,
- 3:02the doctor's out. May I help you? Yes, we have office hours
- 3:07tonight. Oh you'd like your eyes examined? Yes, we can take you
- 3:13at seven. Your name please, missus Salinger. Thank you for calling missus
- 3:19Salinger. We'll see you tonight. Bye. What are you doing here?
- 3:24Doctor Matthews isn't in I know that's why I came. Why don't you leave
- 3:28me alone? How many times have I told you I don't want you around
- 3:30my dear miss O'Connor think the owner of this building gives me every right to
- 3:35be here. Don't you dare come near me you want to talk to you,
- 3:39I wouldn't think of touching a hair of your innocent head. Don't forget
- 3:44I know all about your pretty pass. Pick your hands off me, toy
- 3:47act on me. You let me go, bite me. I teach you
- 3:54ray and get away from her. Well, Sir Galla, have the Deathist
- 3:59to the rescue. We're just having a little fun. This is the first
- 4:01time she's objected. You ought to be killed. Those are harsh words,
- 4:05lizy aren Yes, Paul, please get him out of here. Crane you
- 4:09get out, Lamper temper, Your fair damsel isn't hurt, and she's not
- 4:15so fair. Get out. It's hardly the way to talk to a man.
- 4:17You owe fifteen thousand, You get your mine? You sure I will.
- 4:23The next payment is due Tuesday. Either you pay or outgoes your precious
- 4:27equipment. I don't know why beggars can't be choosers. I haven't had so
- 4:32much fun in years. Ah, the illustrious doctor Matthews. What do you
- 4:38want here, Crane? Maybe your rent? I paid it yesterday, David.
- 4:43He's been bothering Liz. I have to get back to my office.
- 4:46I like a patient on a chair. Are you one of your mind?
- 4:50Crane? I'm just a bit taken with your assistant to get out of here.
- 4:55Look, I'm the one who does the evicting around here. Now,
- 4:58don't take a lot of guff from tenants. What did you come here for?
- 5:00Does to bother Miss O'Connor. This is a professional call. I want
- 5:04my eyes examined. Why don't you go to someone else, because you're the
- 5:08best. I'll be here at seven. We have an appointment for seven.
- 5:12You'll take me first. You will always consider me first, all right?
- 5:17Come at seven? Alfa drops in your eyes. By the time they take
- 5:20effect, maybe the other examination will be finished. Count the minutes, miss
- 5:25O'Connor, until you see me again. How long has he been bothering you?
- 5:33Mom? I haven't said anything. He could ruin me he knows all
- 5:38about Paul and me. It got back to Paul's wife, he'd lose his
- 5:42practice. It's none of my business. But you're playing with fire. No,
- 5:46it's none of your business. No, I'm sorry, Doctor, Matthew's
- 5:49on edge. I guess. Oh, none of your earrings is on the
- 5:51floor. Oh okay, mid Heaven's Liz. Was he so rough that he
- 5:57knocked ineering off? No? I always take one off when I answered the
- 5:59phone, dangle kind getting my way? What are we going to do?
- 6:02Doctor? I mean about Crane. I don't know, but something has to
- 6:08be done. I am home, Helen, only an hour late for dinner.
- 6:31Who's the girl this time? Does my being late always have to involve
- 6:34a woman being you? It always does. Your dinner is cold, and
- 6:39so are you, my dear, a walking refrigerator. If you divorce me,
- 6:43Henry, you wouldn't have to put up with it for the hundredth time.
- 6:46You obviously detested. My other dislike for you is surpassed only by my
- 6:50other delight in tormenting you once it for all. No, I can't take
- 6:56much more of you on the board. At the end of my rope.
- 6:58I'll give you a little more. Maybe you'll hang yourself. You're a most
- 7:01despicable man either. But you married for your money. Now you're paying for
- 7:05it. It all comes out, Helen. You always have to pay for
- 7:11what you've guessed. Someday you're going to get something you haven't count it on.
- 7:14Look, I'm going up to doctor Matthews at seven o'clock. There my
- 7:15eyes examined. It shouldn't take longer than an hour. I'll expect you to
- 7:19pick me up. Why can't you drive? He's going to but drop some
- 7:24my eyes. I won't be able to see in that case. No,
- 7:29you'll be there as long as I have money. You'll do what I say.
- 7:50Good evening, Missus Salinger, A good evening, and the doctor'll be
- 7:54right with you. Or isn't he here yet? Oh he's in the treatment
- 7:56room. I've never had an examination before. He won't put anything in my
- 8:01eyes, Willie, Yes? Will it hurt? Will I be able to
- 8:03see? Oh? There's nothing to become alarmed about. The drops are milly
- 8:07to dilate your pupils so the doctor can better test your eyes. Or your
- 8:11sight may be hazy for a while. But you don't have anything, Missus
- 8:13Salinger. Will you committa, Thank you doctor. Now, if you'll sit
- 8:20in this chair, I'll lean back. Please look up at the ceiling,
- 8:26Missus Salinger. That's it there, O cold, isn't it? Yes?
- 8:33Now look up there? All finished? Just close your eyes. It'll only
- 8:39be a few minutes. I'll be back. Thank you, doctor. I
- 8:43want to be right across the fall if you need me. I'm not telling
- 8:46what that fool Crane might try. He won't try anything tonight. I know.
- 8:50How can you be so sure he wouldn't dare while I'm in the office,
- 8:52you have another patient. It means you'll be in the other room most
- 8:56of the time. Don't worry. I'm putting drops in his eyes. He's
- 8:58so far sighted he be practically blind. He won't even be able to find
- 9:01Liz. Oh, as long as I'm over here, could I borrow a
- 9:05hypo of sodium pentethal. I've got a wisdom extraction coming in tonight. Certainly
- 9:09I'll get it for you. Thanks. Here you are, Paul, Thanks
- 9:13David, Liz. As soon as I get the drops and Crane's eyes,
- 9:16you can go home. Yes, doctor Matthew, good evening. I hope
- 9:22I haven't kept you waiting I'll be across the hall, liz Ah. I
- 9:26see you're here to protect your interests. You try one more trek like this
- 9:31afternoon, and I'll beat you to apply your want because I dispossess you of
- 9:35your equipment and your office space so fast you'd be selling pencils in the street.
- 9:41I'm not afraid of you, doctor more, because I have you right
- 9:43where I want you under my thumb. You got up blazes the age old
- 9:50battle of love versus career. Shall we proceed, doctor Matthews. I'm ashamed
- 9:56to even treat you cat. Your ethics are showing I think should never show.
- 10:01Isn't that right, miss O'Connor. I don't know what you're talking about.
- 10:05You've never let them color your lives. I don't protest, please,
- 10:09I've followed your career, or rather your past, very revealing. I'm sure
- 10:16missus Paul Moore would find it fascinating. Either you shut up and let me
- 10:20start the examination, or what doctor, If someone doesn't kill you someday,
- 10:26it will be a miracle. Oh the other way, please, you must
- 10:28have had onions for dinner. Come on, crane into the side room.
- 10:35Sit here now look up, Oh the other eye look up. Hey,
- 10:43that's cold, said hittol. I get back. That's a salanter. Here
- 10:50we open your eyes. Just lean your head back and my head rest there.
- 10:54Let me take a look. I want to be sure the drops have
- 10:56taken effect. Just said here a while longer and look into those lenses.
- 11:01It's a refractor. I want you to get used to it now. Please
- 11:05excuse me. Oh of course, doctor Les. You can go home,
- 11:11though. Where are you going down to buy some gun? I have enough
- 11:16change. I'm ready to leave. I don't forget to turn the sterilizer off.
- 11:18I won't. Good night, good night, see you in the morning.
- 11:20Thanks for staying down. That's yours, that's yours. How long do
- 11:46I have to sit here with my eyes closed? Matthews? Answer me?
- 11:50What's that bubbling noise? Matthew swear? Are you? I know? What's
- 11:54you? Answer me? Where is everyone? Don't imagine Henry? Oh there
- 12:22you are, Henry House. When you be finished, I've got to go
- 12:26over to Henry. Oh helly list? What what is it? What's list?
- 12:35Oh? Missus Craig Henry, he's been stead well. May I have
- 13:00my key please? Jim? Oh, mister Keg Sorry I was reading about
- 13:03the murder. Yes, it was a terrible thing, mister Keg. I
- 13:07know doctor Matthews didn't do it. I know what makes you so sure,
- 13:11Jim, I go to him for glasses. He's been swelled to me.
- 13:13Never charge me the full prize because he knows I can't afford it. Mister
- 13:16Keg, he couldn't have killed Henry Crane. Seems like an open and shut
- 13:20case. Doctor Matthews had the motive, the opportunity of the weapon, and
- 13:24the flimsy excuse. Practically everybody in town at a motive for killing Crane.
- 13:28Nobody liked him. Oh, mister Keg, here's are good at being a
- 13:31lawyer. But I don't mean exactly a lawyer. I make his cury.
- 13:37I yeah, what does it mean? Well, Amka's curry I literally translated
- 13:41means friend of the court, Lemka's curi. I works neither for the prosecution
- 13:46or the defense, only in search of the truth. I cross examine witnesses.
- 13:50Why aren't there more like you? Well, you see you don't get
- 13:54paid for it, Jim. I'm fortunate enough that I can do this kind
- 13:58of work gratis for free. Don't get paid for your work, And I
- 14:01can't very well ask you. Then, my work is done purely in the
- 14:05interest of justice. Tell you what. I'll review the facts of the case
- 14:09and see what can be done for your doctor friend. Quiet, quiet,
- 14:24please, your honor. There are certain weaknesses in the evidence against doctor Matthews
- 14:31view of his fine reputation as a doctor. I should like to enter the
- 14:35case as amcas curii. Your reputation is an experton Crost's examination is well known.
- 14:41With the keg you are fortunate to have you with us. You may
- 14:43proceed. I should like to recall Missus Henry Crane to the stand. Missus
- 14:52Crane, will you tell the court again precisely what occurred when you went to
- 14:54doctor Matthew's office on the night of the murder. Well. I came in
- 14:58the front door of the office. Is there more than one entrance to doctor
- 15:01Matthews's office. I don't know what. Most doctor's offices have a rare entrance,
- 15:05don't they. It depends on the layout of the building. I went
- 15:09into the waiting room. I called to see if there was anyone in the
- 15:15office. No answer. I went through the little reception room and into the
- 15:18hallway that leads to well to the treatment room. There was Henry sitting in
- 15:24a chair with his eyes closed. Did you notice whether the door to the
- 15:26other treatment room was closed? I didn't notice that. Oh, yes,
- 15:31yes it was open, Yes it was, but it was very dark inside.
- 15:35Well, Henry had his eyes closed. As I was saying I,
- 15:39I started to talk to him, and then I saw the blood on his
- 15:41shirt front. I screamed, he's been stabbed, and doctor Matthews and doctor
- 15:46More came running in. How did you know your husband had been stabbed?
- 15:48Why? Because it was bleeding down the front of his shirt. Couldn't the
- 15:50blood have come from another type of wound? Anyone knows the difference between a
- 15:54knife wound and a wound which makes a large hole at the point of entrance.
- 15:56You're a registered nurse, arn't a missus cram? Before I was married,
- 16:00I was a trainer And you know how to administer a hypodermic? Yeah?
- 16:03Did you know that your husband had been given a hypodermic of sodium pentathal
- 16:07before he was stabbed with a scalpel? I heard the car in his report.
- 16:10What do you know about sodium pentathal? Missus crane. It's an anesthetic
- 16:12that acts very quickly. You and your husband weren't getting along, were you.
- 16:18I don't see how my personal life it's any bearing on this case against
- 16:21doctor Matthew. It may have a bearing, missus Crane. Look at it
- 16:23this way. You entered the office and found no one there but your husband
- 16:26with drops in his eyes, practically blind. You're a trained nurse, so
- 16:30you go back to the treatment room, villa hypo with sodium pentothal, take
- 16:33a scalpel, inject the anesthetic, stab your husband, wipe the scalpel and
- 16:37hypos orenge clean, put them in the sterilizer, and scream that your husband
- 16:40has been killed. That's ridiculous. I didn't kill Henry. I may have
- 16:42hated him, but I didn't kill it. I'm not saying you did,
- 16:45missus Crane. I'm just saying you could he and I'm showing you that your
- 16:49personal life could have quite a bearing in such a case. That will be
- 16:52all, thank you. Now, wait just a minute, I'm not trying
- 16:55to sit here. Is there something more you would like to tell us.
- 16:57I didn't have time to kill you did enter your mind, didn't say that
- 17:00Henry was dead when I got there. Thank you. That will be all
- 17:03doctor Paul Moore. Please, doctor Moore, you have testified that Henry Crane
- 17:11threatened to dispossess you of your expensive equipment in your office face. That's right.
- 17:15Everyone had some reason to dislike Crane. He made it his business.
- 17:18Do you keep office hours every night only when needed? Your office is right
- 17:23across the hall from doctor Matthews. Yes. Did you hear anything unusual at
- 17:27the time of the murder? No? No, I can't say I did.
- 17:30I heard doctor Matthews and live miss O'Connor leave, and then a little
- 17:34while later I heard Missus Crane screams. Did they leave together? Liz left
- 17:38by the elevator, and then right after doctor Matthews went down the stairs.
- 17:41How do you know I was watching, sort of peeking out your door.
- 17:47Well, when you knew that the two had left, you knew Crane was
- 17:49alone. I knew Missus Sellinger was in the treatment room. I'd been over
- 17:53earlier to borrow something. Anyone who knew Missus Salinger was there and planned to
- 17:57kill Crane would have made or it was a soundless murder. Probably. Do
- 18:02you have an assistant when you work at night? I work alone. That
- 18:04rather limits you to fillings and cleanings as such, doesn't it? Yes?
- 18:07I don't usually do it. Yeah. Miss O'Connor testified earlier that you had
- 18:11borrowed a hypodermic of sodium pentothal from doctor Matthews for an extraction that night.
- 18:15I meant it for the morning. When't you have borrowed it in the morning?
- 18:18I suppose so. But as long as I was there, I just
- 18:19stated that you went to doctor matthews office to borrow something. Wasn't it something?
- 18:23The anesthetic? I didn't mean what did you mean? I don't know.
- 18:27It will be all for now, Doctor Moore, I would like to
- 18:30recall miss O'Connor to the stand. In your earlier testimony, Miss O'Connor,
- 18:38you stated that Henry Crane had made advances. He was unbearable. He seemed
- 18:42to enjoy frightening me. I see where did you go when you left the
- 18:47office home? I was quite tired. I'd had a hectic day. Do
- 18:51you live alone? Yes? I live in an apartment. Did anyone see
- 18:55you come home? I doubt it. I went right up and went to
- 18:56bed. No one saw you. I'll think doctor Matthews saw me leave.
- 19:03In anyway, Why should there have to be anyone's word beside mine. When
- 19:06I leave the office every day, I don't think of establishing an alibi for
- 19:10somebody. True, mister Connor, how long have you worked for doctor Matthews?
- 19:14For years? Do you get along as employer an employee? Doctor Matthews
- 19:18is one of the finest men I've ever known. He hated Crane, we
- 19:22all did. But I feel sure he didn't kill him. Mister o Connor,
- 19:25do you realize that if doctor Matthews didn't kill Crane, the murderer made
- 19:29every attempt to make it look like he did. That's true, but but
- 19:32that'll be all. Thank you well, doctor Matthews. Please take the stamp.
- 19:40Doctor Matthews, you state that you left the office to buy chewing gum.
- 19:44Yes, I had onions for dinner and didn't want to offend my patients.
- 19:49Is it customary to leave a patient in the treatment room after administering drops.
- 19:52I had my patients sit with their eyes closed for a while that night.
- 19:57Neither of the patient's pupils had dilated enough, so I left them for
- 20:00a while longer in the dark room. I see, where did you go
- 20:03for the chewing gum? There's a little old man who runs a candy stand
- 20:07on the floor below. Did the man recognize you? Wasn't there? I
- 20:11waited a few minutes. Then I heard missus Crane scream and ran back upstairs.
- 20:15Did anyone see you? I'm afraid not, Doctor Matthews. Why didn't
- 20:19you kill Crane? Well? I thought of it, but I knew I
- 20:23couldn't. I couldn't jeopardize my family, my profession. I never dreamed the
- 20:29insignificant act of fine chewing gum could be so important. Thank you, Doctor
- 20:33Matthews, your honor. There are many obvious aspects of this case. I
- 20:37have found in my experience that with every murder there is a sound pattern,
- 20:41a sequence of sounds or absence of sounds, that, when placed in proper
- 20:45order, must spell the truth. I asked the court to adjourn until tomorrow,
- 20:49at which time I shall recall a completely disinterested witness. The mission is
- 20:53granted. Carter's adjourn until tomorrow morning. At ten o'clock. Jonathan Kegg is
- 21:00about to call another witness. It could be you. If it were,
- 21:06could you remember what you have heard? It would be vital that you do,
- 21:10for you would hold a life in your hands to build our strength against
- 21:29possible aggression. We must equip our armed forces with the weapons of war,
- 21:33and at the same time, in order to defeat inflation, we must produce
- 21:37adequate supplies of civilian goods. There's only one way to meet this double challenge,
- 21:41and that's by turning out more goods and services for every hour we work.
- 21:47Remember, the better we produce, the stronger we grow. Missus Sellinger,
- 22:03who was in the other treatment room when Henry Crane was murdered, has
- 22:06been recalled. Court has convened. Jonathan Kegg commences his cross examinations. Missus
- 22:12Sellinger, I understand from a review of the record that you have already been
- 22:15called in this case. Yes, mister Kegg, but I couldn't be of
- 22:19any help. What makes you so sure? Well, as you know that
- 22:22the pupils of my eyes had been dilated and I was in a dark room
- 22:26sitting behind a big machine, I couldn't possibly see anything. Well, Frankly,
- 22:30missus Sellinger, I'm not interested in anything you could or could not have
- 22:33seen. Now, will you please tell the court exactly what you heard when
- 22:37Henry Crane died. Well, I heard talking out in the reception room.
- 22:42Whom did you hear oh, miss O'Connor and doctor Matthews and doctor Moore.
- 22:48They were talking about Crane. I couldn't hear much. And then Crane came
- 22:52in. Did you know mister Crane? By then i'd heard about him.
- 22:56Go on, please? I heard doctor Moore threatened to beat up on and
- 23:00doctor Matthew said, real loud, if someone doesn't kill you, it'll be
- 23:04a miracle. Then what happened? Then? Doctor Matthews took Crane back to
- 23:12the other treatment room and put drops in his eyes. Yes, and then
- 23:17well, then he the doctor came into the side room and put a big
- 23:22kind of machine up to my eyes, Your honor, I have brought an
- 23:25actual refractor into court with your permission, I would like to exhibit it.
- 23:27You may for see. Well, you will roll it over here. Please.
- 23:33Is this what you mean by a machine? Yes, that's it.
- 23:37It's a sellinger. What did you hear next? Well, the doctor excused
- 23:40himself, and I heard coins jingling in his hand. How did you know
- 23:44they were coins? Well? Why I heard them, but you couldn't see
- 23:47them? Well, no, I couldn't, but I know they were I
- 23:52heard doctor Matthews tell Mitt O'Connor, who's going to buy some chewing gum,
- 23:55and then well mitt O'Connor said she was ready to leave. I heard her
- 23:59high heels clicking it. It was real quiet, and then I heard a
- 24:03bubbling sound. Crane called out to ask what the noise was. I started
- 24:08to tell him that the doctor was out, but then I heard the jingling
- 24:11of coins. So I guess the doctor must have come back. Did you
- 24:15hear footsteps and no? None. Had you heard doctor Matthews footsteps before?
- 24:18No, he was wearing rubber soled shoes. What did you hear after that?
- 24:22Well? I heard this jingling some more and the bubbling, and then
- 24:29a nettle click. The jingle was real faint. Then I see was this
- 24:34jingling sound constant? It was in spurts, like the coins were in his
- 24:40pocket when he walked. Then the sound pattern went like this, a bubbling
- 24:44sound in the background, a sporadic jingle, loud and faint, then loud
- 24:48and faint, then a metallic click, and then the jingle became louder than
- 24:52faded. There was silence except for bubbling. Yes, yes, that's right,
- 24:57your honor. I would like to place the refract re up to missus
- 25:00Sellinger's eyes. I have asked each of the people involved to wear exactly what
- 25:03they wore on that night, your permission, I would like each to walk
- 25:07by, missus Sellinger. Also, I have brought a sterilizer which is now
- 25:10boiling. Now, missus Sellinger, I will bring the refractor up to your
- 25:15eyes. There. At first, I would like you to come forward.
- 25:22Would you please remove your shoes and walk past the witness. This is ridiculo.
- 25:33Thank you. You may sit down and now you please quiet, please,
- 25:40there must be absolute quiet. My five beta kamper key hitting my keychain.
- 25:48Is that the sounds you heard, missus Sellinger, No, it wasn't.
- 25:55That will be all doctor Moore. Here please, here are some change
- 25:59where you put it in your Please. Now I'll just walk past as a
- 26:02sealinger. Now think carefully, miss a sealinger. Was that the sounds you
- 26:11heard? I'd like to hear it again, of course, but first I'd
- 26:17like another person to walk by. Will you will please take off your shoes?
- 26:19Yes, mister Katy, before you start, what were you wearing on
- 26:23the night of the murder? I had on this file suit, I heels,
- 26:26I always wear heels and jewelry. Of course, I don't see what
- 26:30difference in my appearance make. I ask you to wear it exactly what you
- 26:33wore that night. I am jewelry too well. I didn't think you met
- 26:37down to the exact jewelry that night. Were you wearing the earrings I saw
- 26:41you take off just now? I believe you put them in your purse.
- 26:45Oh? Yes, they were hurting my ears. Will you put them on
- 26:48please? Now I must ask for a complete silence in the courtroom. All
- 26:52right, you will be first and you will follow. That's it. That
- 27:07that last one. I'm sure the coin, yes, the coin. At
- 27:10last sound you heard was the jingling of miss O'Connor's dangling earrings. After appearing
- 27:15to take the elevator downstairs, you, Liz O'Connor, went back into the
- 27:18office, passed Craine and missus Llinger, build the hypodermic, took a scalpel,
- 27:22gave Praine an injection, and stabbed Hi. You then wiped the instruments
- 27:25and put them in a sterilizer, hence the metallic click of the lid heard
- 27:27by missus Sellinger. You then left by the back door. Thanks to missus
- 27:32Llinger's testimony to her keen perception, we now know it was you who came
- 27:36back to the office at night, and you all along. I couldn't get
- 27:38away with it. But I'm not sorry. It's your case. I'm not
- 27:42sorry. Yeah, I'm a keg. You were wonderful. How how'd you
- 28:03get on the track of Lizza carn Jim? If Matthews weren't guilty, then
- 28:07the jingling sound must have come from some wearing apparel. Miss O'Connor's choice of
- 28:11clothing is quite extreme. I imagined her jewelry was just as extreme. The
- 28:15testimony of missus Stellinger, the innocent bystander, again proved that with such cooperation
- 28:21the truth will out. Yeah. I guess you'll be checking out now,
- 28:23huh. And I hate to see you go. Yes, your vacation is
- 28:26kind of ruine like a Jim, but my stay wasn't ruined. Well,
- 28:30I hope I see you again soon. Goodbye, Jim, by mister Kegg
- 28:34and thanks. A Life in Your Hands is created by Earl Stanley Gardner,
- 28:49with script by Marty Everards, directed by John Collin. Jonathan Kegg is played
- 28:55by Carton Caddell, with musical effects by Adele Scott, conducted by Whitey Burkwist
- 28:59Engineer by Bill Knight. This has been a partially transcribed Bell production. And
- 29:03this is George Stone extending a cordial invitation for each of you to be with
- 29:07us again next week. This is NBC, the National Broadcasting Company, Welcome
- 29:14back. You know, if I were a suspicious, superstitious sort, I
- 29:18would probably suggest that Jonathan Kag stop saying that thing about somewhere in you know,
- 29:26who knows a crime could just be about to happen. You're Jensen the
- 29:30whole vacation. I'm not superstitious. I don't need to let you know that
- 29:37we are nearing the end of the series. We have only three episodes of
- 29:41A Life in Your Hands left, and so coming in four weeks is the
- 29:47Cases of Mister Ace, starring Hollywood legend George Raft. We'll have that show
- 29:53for only two weeks, and then The Adventures of Frank Race will shift to
- 29:59Tuesday. As part of some changes we're making. Two are schedule to accommodate
- 30:03the five part Yours truly Johnny Doller episodes. All right, well, listener
- 30:07comments and feedback. This one actually comes from the Facebook reviews for one of
- 30:15the first shows we did, from Donald pat Novak is old time radio at
- 30:22its best, harder than hard boiled, the language as quick as a machine
- 30:26gun, and just as coldhearted. Yet somehow Pat seems like a good guy,
- 30:30despite the lack of evidence he leaves behind on the lonely and centecal streets
- 30:36of San Francisco. The host, Adam Graham, has a homey, knowledgeable
- 30:40style. His enthusiasm is contagious. He's a fan, not a pro.
- 30:45He's all about informative and interesting. Three cheers for Adam, Three cheers for
- 30:51Pat Novak. Well, thanks so much, Donald. I'm glad you enjoyed
- 30:53Pat Novak, and I hope you listen to some of our other shows.
- 30:59You can check out any of the programs we've done by going to archives dot
- 31:03Great Detectives dot net, and we have most of them as separate feeds in
- 31:07the iTunes store because I know we only keep two hundred episodes going back.
- 31:12All right, Well, join us tomorrow for let George Do It, and
- 31:15Tuesday it'll be another episode of A Life in Your Hands. In the meanwhile,
- 31:21Sandra comments Tobax thirteen at Great Detectives dot net, follow us on Twitter
- 31:25at Radio Detectives, and be sure and fill out our listeners, Survey Survey,
- 31:29dot great Detectives dot net from Boise, Idaho. This is your host,
- 31:33Adam Grahamson and off.