Latest / The Lone Ranger | Old Time Radio / The Lone Ranger - "Murder in Red" (Old Time Radio, 1945)
Transcript
- 0:00Speaker 1: March 21st, 1945 brings us to The Lone Ranger, episode 1,899.
- 0:08Speaker 1: This time, the program is titled Murder in Red. Settle
- 0:12Speaker 1: in for another visit with one of radio's enduring western series.
- 0:16Speaker 1: And now, our story begins.
- 0:23Speaker 2: I'll see you later. Bye.
- 0:40Speaker 3: A fiery horse with a speed of light, a cloud
- 0:42Speaker 3: of dust, and a hearty hi-yo silver, the Lone Ranger.
- 0:58Speaker 4: THE END.
- 1:28Speaker 2: Thank you.
- 1:48Speaker 4: THE END.
- 2:09Speaker 5: With his faithful Indian companion Tonto, the masked rider of
- 2:14Speaker 5: the plains led the fight for law and order in
- 2:19Speaker 5: the early.
- 2:19Speaker 2: Western United States.
- 2:37Speaker 3: The stories of his strength and courage, his daring and
- 2:40Speaker 3: resourcefulness have come down to us through the generations. And
- 2:44Speaker 3: nowhere in the pages of history can one find a
- 2:47Speaker 3: greater champion of justice. Return with us now to those
- 2:51Speaker 3: thrilling days of yesteryear. From out of the past and
- 2:53Speaker 3: the thundering hoofbeats of the great horse Silver, the Lone
- 2:56Speaker 3: Ranger rides again.
- 2:58Speaker 2: Come on, Silver!
- 2:59Speaker 6: Let's go, big fellow! I am Silver!
- 3:02Speaker 4: Hooray!
- 3:15Speaker 3: Traveling over a hundred miles to see a doctor wasn't
- 3:18Speaker 3: Sam Kemp's idea of a good time. But his daughter, Linda,
- 3:21Speaker 3: had insisted upon it. Consequently, the rugged old cattle rancher
- 3:25Speaker 3: was slightly annoyed when Dr. Eldon avoided a direct question.
- 3:29Speaker 7: Speak up!
- 3:30Speaker 4: What's the matter?
- 3:31Speaker 7: Can't you talk? I, uh.
- 3:34Speaker 7: Excuse me, Sam. What'd you say?
- 3:36Speaker 6: Take that infernal stethoscope contraption out of your ears and
- 3:39Speaker 6: maybe you can hear.
- 3:40Speaker 7: All right. Well, button your shirt, Sam. I'm through with
- 3:45Speaker 7: the examination.
- 3:46Speaker 6: Your dad burned right, Char. Now I want to know
- 3:49Speaker 6: what this tomfoolery is all about. I've answered your questions.
- 3:53Speaker 6: Now you answer mine.
- 3:54Speaker 4: Very well.
- 3:56Speaker 7: My diagnosis indicates an acute cardiac condition. Aggravated way.
- 4:00Speaker 6: Talk plain English. Don't hide behind a lot of fancy words.
- 4:04Speaker 4: All right.
- 4:05Speaker 7: This ought to be plain enough. You've got a bad heart, Sam.
- 4:10Speaker 7: A very bad heart.
- 4:12Speaker 4: I don't believe it.
- 4:12Speaker 7: And in a man your age, that's serious.
- 4:14Speaker 8: Heart wash.
- 4:16Speaker 6: Listen, Eldon, you old sawbones. I've known you for over
- 4:20Speaker 6: 40 years, and you can't tell me that.
- 4:22Speaker 7: Then I'll tell Linda. She's outside in the waiting room,
- 4:25Speaker 7: isn't she? Sure.
- 4:26Speaker 6: Linda and Matt Fleming, my foreman, came up here with
- 4:29Speaker 6: me on this fool trip.
- 4:31Speaker 4: Good. Linda? Oh, Linda? Yes, Dr.
- 4:37Speaker 2: Eldon?
- 4:38Speaker 7: Will you come in for a moment, please?
- 4:40Speaker 8: Oh, come on.
- 4:41Speaker 6: Where's Matt? Ain't he waiting out there, too?
- 4:43Speaker 8: Matt said he had some private business to take care of.
- 4:46Speaker 8: He'll meet us back at the hotel.
- 4:47Speaker 7: Well, that's just as well. What I have to say
- 4:51Speaker 7: is a family matter and concerns no one else.
- 4:53Speaker 8: What do you mean, doctor?
- 4:54Speaker 6: Don't pay any attention to him. The old pill roller's
- 4:58Speaker 6: talking through his head.
- 4:59Speaker 7: No, I'm not. Sam's a sick man. Unless he follows
- 5:04Speaker 7: my advice, I won't be responsible for what'll happen.
- 5:07Speaker 8: What is it? I mean, what's the trouble?
- 5:10Speaker 7: A heart condition. A serious one. He won't believe me,
- 5:15Speaker 7: so I'm telling you.
- 5:16Speaker 8: Thank you, doctor. What kind of treatment is that?
- 5:20Speaker 6: Oh, don't listen to him.
- 5:21Speaker 8: Be quiet, Dad.
- 5:22Speaker 4: Huh.
- 5:23Speaker 8: Now, Dr.
- 5:24Speaker 9: Eldon.
- 5:24Speaker 7: Well, the principal thing to remember is this. No violent exercise,
- 5:29Speaker 7: no exertion, and above all, no excitement.
- 5:34Speaker 8: I understand.
- 5:35Speaker 7: If he observes those rules, he'll probably outlive all of us.
- 5:38Speaker 6: Your dad run right away.
- 5:40Speaker 4: Otherwise, he's... Excuse me, folks.
- 5:42Speaker 8: Oh, Matt, I didn't hear you come in.
- 5:44Speaker 4: I just happened to be... Well, Sam... What does this
- 5:48Speaker 4: sawbone say about you?
- 5:49Speaker 6: I'm fit as a fiddle made out of wangrel and
- 5:51Speaker 6: toe dust.
- 5:52Speaker 4: Ain't that right, Doc?
- 5:53Speaker 7: Well, I.
- 5:54Speaker 8: Dad's feeling good, Matt. The examination was very successful.
- 5:58Speaker 4: Glad to hear it. Then we'll be heading back to
- 6:00Speaker 4: the ranch today?
- 6:01Speaker 8: Well, no, not today. It might be better if we rest.
- 6:07Speaker 8: I mean, wait over here in Fall City until tomorrow morning.
- 6:10Speaker 4: That's a good idea. Oh, I just remembered an errand
- 6:13Speaker 4: I've got to do. I'll see you and your pa
- 6:15Speaker 4: at the hotel, Miss Lindy. Sure, Matt.
- 6:17Speaker 6: Don't forget to send one of them telegrams so the
- 6:20Speaker 6: boys will meet the train tomorrow afternoon at Cottonwood Junction.
- 6:23Speaker 4: I won't forget. Do it right now.
- 6:24Speaker 5: The End.
- 6:40Speaker 4: I want to send two telegrams, both to the same place.
- 6:44Speaker 4: All right. Where do they go? Cottonwood Junction. Here, I've
- 6:47Speaker 4: got them all written out. And here's the money to
- 6:50Speaker 4: pay for it. Thanks. I'll put them right on the wire.
- 6:53Speaker 10: Hey, you're Slim Kirby, aren't you?
- 7:04Speaker 9: From the Circle Dot Spread?
- 7:05Speaker 3: Yep.
- 7:06Speaker 7: Telegram you've been hanging around here waiting for. Guess this
- 7:10Speaker 7: must be it.
- 7:10Speaker 4: Just came in.
- 7:11Speaker 7: All right.
- 7:12Speaker 4: Read it to me.
- 7:13Speaker 9: It says, everything turned out like I expected. Arrived tomorrow afternoon.
- 7:20Speaker 9: You know what to do.
- 7:22Speaker 4: Signed, Matt. Thanks. Hmm.
- 7:25Speaker 9: This is kind of funny.
- 7:26Speaker 4: Can't figure it out. What do you mean?
- 7:28Speaker 9: This is the second message that's come in today. Signed
- 7:31Speaker 9: the same way. The other one was for the ranch
- 7:34Speaker 9: hands out of Sam Kemp's barquee. I figured that one
- 7:38Speaker 9: was from Matt Fleming, Sam's foreman. But he wouldn't be
- 7:41Speaker 9: telegraphing you.
- 7:42Speaker 4: So I... You know what's the matter with most brass
- 7:44Speaker 4: pounders like you? No.
- 7:46Speaker 7: What do you mean?
- 7:47Speaker 4: They figure too much. And that ain't healthy. I don't understand.
- 7:52Speaker 4: You will, Buster. Later on....
- 8:10Speaker 3: It was late the following afternoon when the Lone Ranger
- 8:12Speaker 3: and Tonto reined up their horses near the lonely railroad
- 8:15Speaker 3: station at Cottonwood Junction.
- 8:17Speaker 4: Oh, who's that? Oh, Scott.
- 8:18Speaker 2: Oh, fella.
- 8:19Speaker 7: Oh, fella.
- 8:20Speaker 4: There's a watering trough, Tonto, back to the railroad station.
- 8:24Speaker 4: Horses need a drink. Come, Scott. Come on, son. Come on, boy.
- 8:28Speaker 4: Come on. Look, Kimo Sabe. See Bull over there? In
- 8:39Speaker 4: big fella. Yes, he is. Wonder why anyone would tie
- 8:44Speaker 4: a bull to an iron stake out here in the sun.
- 8:47Speaker 4: Shaded loading pens on the other side of the station.
- 8:50Speaker 7: I mean not know.
- 8:52Speaker 4: There are two saddle horses in the shade. No sign
- 8:55Speaker 4: of the men who ride them. The station looks deserted.
- 8:59Speaker 4: I think... Let's look inside, Tullow.
- 9:02Speaker 7: All right.
- 9:10Speaker 4: What the.
- 9:11Speaker 11: Matt Noretsky. Are you the station agent here? Listen, no
- 9:15Speaker 11: owl who combusts... Whether I'm an outlaw or not has
- 9:17Speaker 11: nothing to do with crew leader animals.
- 9:19Speaker 4: What's that? There's a bull outside chained to an iron stake. Yeah?
- 9:24Speaker 4: What of it?
- 9:25Speaker 11: With the sun as hot as it is, an empty
- 9:28Speaker 11: loading pen in the shade, why can't it be moved?
- 9:31Speaker 11: That's my business. I'm making it mine. Yeah?
- 9:35Speaker 4: Listen, hard case, you and your engine part better mosey along.
- 9:39Speaker 11: You might get hurt. You understand? Yes, I think I do.
- 9:46Speaker 11: Since when do station agents carry guns? You ask for this,
- 9:50Speaker 11: owl hoot. I'm going to show you.
- 9:52Speaker 2: No, you're not. Oh, my hand. Hey, Lip. Lip, come
- 9:55Speaker 2: on here.
- 9:56Speaker 4: What the? Hello, watch out. There's another door back of you.
- 9:58Speaker 4: I'll meet you.
- 9:59Speaker 2: Drill him, Lip.
- 10:03Speaker 6: Where is it?
- 10:03Speaker 2: Come on, Lip.
- 10:05Speaker 4: Hello, you're hurt. Oh, not bad. Not bad. You go
- 10:08Speaker 4: catch Crook. Oh, they're not important. Here, let me see
- 10:10Speaker 4: where that bullet nicked you. It's all there. Let me
- 10:13Speaker 4: fix it. Here, we'll make a bandage out of this neckerchief. Now,
- 10:17Speaker 4: let me get this bound. Easy. There. That better? Yeah.
- 10:26Speaker 4: Crook come from other room. He not see him. Neither
- 10:29Speaker 4: did I until... Wait a minute.
- 10:31Speaker 11: There's a dead man lying in that back room, Tonto.
- 10:38Speaker 4: He's been clubbed over the head. You think Crook kill him?
- 10:42Speaker 4: I'm sure of it. Probably the station agent. I can't
- 10:46Speaker 4: see any reason for killing... Well, this is just a
- 10:49Speaker 4: small junction, no Wells Fargo branch or... Kimusabi. Rain come.
- 10:53Speaker 7: Yes.
- 10:54Speaker 4: Under the circumstances, we can't risk being seen. You feel better, Tano? Uh-huh.
- 10:58Speaker 4: Come on, then. We'll get the horses and wait in
- 11:00Speaker 4: that clump of cottonwoods.
- 11:03Speaker 2: Come on.
- 11:26Speaker 4: Mountainwood Junction.
- 11:28Speaker 8: Here we are, Dad. Now, be careful. Watch the steps.
- 11:31Speaker 4: Take it easy, Mr. Kemp. Easy.
- 11:34Speaker 6: Take all my arms, both of you. I'm not so
- 11:36Speaker 6: old I have to be lifted off a train.
- 11:38Speaker 2: All aboard.
- 11:41Speaker 6: Station's deserted. Now, where are the Thunderations, the buckboard that
- 11:45Speaker 6: are supposed to meet us? You send that telegram like
- 11:48Speaker 6: I told you, Matt?
- 11:49Speaker 4: Sure, sure I did. The boys will be here pretty soon.
- 11:51Speaker 6: Well, only thing we can do is wait. Linda, what's
- 11:56Speaker 6: that red contraption you're carrying? Looks like an umbrella.
- 11:59Speaker 8: It's a parasol, Dad. A present from Matt. He bought
- 12:03Speaker 8: it for me in Fall City. Isn't it pretty?
- 12:06Speaker 4: I thought Miss Linda would like something fancy to keep
- 12:09Speaker 4: the sun out of her eyes.
- 12:10Speaker 6: Yeah, I guess women folks like those bright-colored googles. I
- 12:15Speaker 6: never could see much sense in them.
- 12:16Speaker 12: Wait here.
- 12:17Speaker 4: I'll go ask the station agent whether he's seen any
- 12:19Speaker 4: of our ranch hands.
- 12:20Speaker 6: I declare a bunch of lazy, no-good cow folks ain't
- 12:24Speaker 6: got gumption enough to meet a train.
- 12:26Speaker 8: Now, Dad, remember what Dr. Eldon said about getting excited.
- 12:29Speaker 6: Who's excited?
- 12:30Speaker 10: Huh.
- 12:31Speaker 6: Now Matt's disappeared. How are we ever going to get home?
- 12:34Speaker 8: All right, Dad. You wait here with the valises. I'll
- 12:38Speaker 8: see what's happened to Matt.
- 12:56Speaker 4: That man didn't go into the station, Father. He walked
- 12:58Speaker 4: around to the other side. Ah. Now the girl with
- 13:01Speaker 4: the red parasol is going... Look, the bull. He's gotten loose.
- 13:05Speaker 4: If he sees that red parasol... Linda, watch out!
- 13:09Speaker 2: Run, Linda! Run or that varmint will get you!
- 13:12Speaker 4: Let him off, Tonto.
- 13:12Speaker 3: Sit down.
- 13:13Speaker 4: Who's your gun? I'll try to reach the girl. Get
- 13:15Speaker 4: him off the scoundrel! Come on, Silver!
- 13:17Speaker 12: Throw the parasol away!
- 13:19Speaker 4: Throw it!
- 13:20Speaker 2: Linda!
- 13:21Speaker 4: Linda! Stand still! Up you come!
- 13:24Speaker 2: Pull, Silver! Pull!
- 13:27Speaker 4: Pull!
- 13:29Speaker 8: Oh, for a minute I thought I was... Why, you're
- 13:33Speaker 8: wearing a mask, an outlaw.
- 13:34Speaker 4: That was a narrow escape. Here, I'll put you down.
- 13:37Speaker 8: Oh, oh, oh, oh, oh, oh.
- 13:37Speaker 6: Oh, oh, oh, oh, oh, oh.
- 13:38Speaker 7: Oh, oh, oh, oh, oh, oh. Oh, oh, oh, oh, oh, oh. Oh, oh, oh, oh, oh, oh.
- 13:40Speaker 4: Oh, oh, oh, oh, oh, oh. Oh, oh, oh, oh, oh, oh.
- 13:41Speaker 8: And an Indian. Where did you two come from?
- 13:44Speaker 11: We were... We were behind that grove of cottonwood. Linda,
- 13:49Speaker 11: are you all right, Miss Linda? I tried to warn
- 13:51Speaker 11: you that that... Say, who's this outlaw? I.
- 13:56Speaker 8: I don't... There he is. He's lying over there.
- 13:59Speaker 10: Oh!
- 14:01Speaker 4: Well, who are you? What's the idea that... I was
- 14:03Speaker 4: just going to ask how the bull happened to get loose.
- 14:06Speaker 4: How do I know? I don't know anything. Miss Linda!
- 14:11Speaker 3: He's dead, man.
- 14:13Speaker 7: Dead, dead.
- 14:14Speaker 4: Are you sure?
- 14:16Speaker 8: He ran, tried to help me. It must have been
- 14:19Speaker 8: too much for his heart.
- 14:22Speaker 4: I'm sure sorry, Miss Linda. Accidents like this... If it
- 14:26Speaker 4: was an accident....
- 14:28Speaker 8: What do you mean?
- 14:29Speaker 4: Seems strange that an angry bull just happened to get
- 14:31Speaker 4: loose when you were carrying a red parasol. Not any
- 14:35Speaker 4: stranger than a masked owl who'd pop up out of
- 14:37Speaker 4: thin air.
- 14:37Speaker 8: Well, thank heaven for that. If you hadn't been there.
- 14:42Speaker 4: There might have been two murders instead of one.
- 14:44Speaker 7: Murder?
- 14:46Speaker 4: Oh, you don't think... Now, listen, mister. I don't know
- 14:49Speaker 4: who you are. I don't care. But I don't like
- 14:52Speaker 4: the way you're slinging words around.
- 14:53Speaker 7: Matt, don't!
- 14:54Speaker 4: And what's more, I'm turning you and the Redskin over
- 14:56Speaker 4: to the law. Now get your hands up, both of you.
- 15:05Speaker 3: The curtain falls on the first act of our Lone
- 15:07Speaker 3: Ranger story. Before the next exciting scenes, please permit us
- 15:11Speaker 3: to pause for just a few moments.
- 15:30Speaker 4: Now to continue our story.
- 15:32Speaker 3: Ignoring Matt Fleming's command to raise their hands, the Lone
- 15:35Speaker 3: Ranger and Tonto walked calmly toward the drawn gun.
- 15:37Speaker 4: I said reach. Both of you. We heard what you said.
- 15:40Speaker 4: Then you'd better get him up fast or I'll kill you. No,
- 15:43Speaker 4: you can't. Let go of my arm, you red bugle.
- 15:45Speaker 8: Drop the gun.
- 15:46Speaker 4: Drop the gun there. Head on up, Tonto. He sneaked
- 15:49Speaker 4: up on me. Grabbed my wrist. None of us are
- 15:51Speaker 4: interested in your explanation. Dirty owl hoot. You and the
- 15:54Speaker 4: Indian gang up on one man. I'm sure you turned
- 15:57Speaker 4: that bull loose. And did it on purpose. That's a lie.
- 16:01Speaker 4: You know the two men who killed the station agent
- 16:03Speaker 4: less than an hour ago?
- 16:04Speaker 8: The station agent?
- 16:05Speaker 4: I saw them. One was a tall, slim fellow who
- 16:08Speaker 4: called the other man Lip.
- 16:10Speaker 8: Slim?
- 16:11Speaker 1: Lip?
- 16:13Speaker 8: Why, Matt, that sounds like Slim Kirby and Lip Braddock
- 16:16Speaker 8: from the Circle Dolls.
- 16:17Speaker 4: No. No, it couldn't be. If there's been any killing
- 16:20Speaker 4: around here, this is the armory who did it. You
- 16:22Speaker 4: seem pretty sure. If there wasn't two of you buzzers
- 16:25Speaker 4: against me... Tonto, hold my gun belt, will you? Now
- 16:29Speaker 4: me hold it. Now, neither of us has a gun.
- 16:34Speaker 4: The odds are even. What are you going to do
- 16:36Speaker 4: about it? Plenty. I'm waiting. Why, you... This was your idea.
- 16:40Speaker 8: Matt!
- 16:41Speaker 4: If he isn't hurt, he'll be all right.
- 16:44Speaker 8: Why did you do that?
- 16:45Speaker 4: He asked for it. Who are you? Who you are
- 16:48Speaker 4: and who's behind these murders is more important.
- 16:51Speaker 8: I'm Linda Kemp. That's Matt Fleming. He's Dad's foreman of
- 16:56Speaker 8: the barcade.
- 17:00Speaker 4: City.
- 17:02Speaker 8: He had a weak heart.
- 17:05Speaker 4: I understand. You have my deepest sympathy.
- 17:09Speaker 8: You don't talk like an outlaw.
- 17:11Speaker 4: I'm not. I want to help you.
- 17:14Speaker 8: But how?
- 17:15Speaker 11: Do you mind telling me how long you've owned that
- 17:17Speaker 11: little red parasol that caused so much trouble?
- 17:20Speaker 8: Why, Matt gave it to me as a present just
- 17:24Speaker 8: before we got on the train in Falls City. But
- 17:27Speaker 8: I'm sure he didn't know anything like this would happen.
- 17:30Speaker 4: Maybe. Who's coming? Tonto, can you see? Four, maybe five men.
- 17:36Speaker 4: Them ride hard.
- 17:38Speaker 8: It must be the boys from the ranch. They should
- 17:41Speaker 8: have been here earlier.
- 17:42Speaker 4: They'll help you take care of your father. Here, Silver. Scout.
- 17:45Speaker 8: Where are you going?
- 17:46Speaker 4: To the next town and report the station agent's murder
- 17:49Speaker 4: to the sheriff. Steady, big fella. Steady, Tonto. Be ready.
- 17:53Speaker 8: I can't figure you out.
- 17:54Speaker 6: Come on, Silver.
- 17:55Speaker 7: Get on, Scout.
- 18:03Speaker 3: On the evening of the third day after her father's
- 18:05Speaker 3: sudden death, Linda sat alone on the darkened veranda of
- 18:08Speaker 3: the Bar K ranch house. She was still shocked and
- 18:12Speaker 3: bewildered by the strange events that had taken place.
- 18:14Speaker 4: Miss Linda?
- 18:16Speaker 2: Oh, hello, Matt.
- 18:17Speaker 4: Glad I found you alone. There's some things we've got
- 18:19Speaker 4: to talk over.
- 18:20Speaker 8: Things?
- 18:21Speaker 4: Yeah, business. Now that your pa's gone, how about everything
- 18:25Speaker 4: here at the Bar K?
- 18:26Speaker 8: We'll carry on, of course. That's the way Dad would
- 18:30Speaker 8: have wanted it.
- 18:30Speaker 4: I'm glad to hear you say that, especially the we part.
- 18:34Speaker 8: What do you mean?
- 18:34Speaker 4: You'll find out about it tomorrow. A lawyer's coming out
- 18:37Speaker 4: from Fall City.
- 18:39Speaker 8: What in the world are you talking about?
- 18:41Speaker 4: Why, your pa's will. The lawyer's bringing it with him.
- 18:45Speaker 8: I didn't know Dad ever made a will.
- 18:47Speaker 4: Oh, yeah. Sam and I talked the whole thing over
- 18:49Speaker 4: about six months ago. Of course, neither of us had
- 18:52Speaker 4: any idea it would be needed so soon, but That's
- 18:55Speaker 4: the way he wanted it.
- 18:56Speaker 8: I can't believe it until I actually see the.
- 19:00Speaker 8: What are you trying to say, Matt?
- 19:02Speaker 4: Well, it's no secret. You'll hear it from the lawyer
- 19:04Speaker 4: tomorrow anyway.
- 19:06Speaker 8: Hear what?
- 19:07Speaker 4: That Sam left this whole layout to me.
- 19:09Speaker 6: What?
- 19:10Speaker 7: Yep.
- 19:11Speaker 4: Lock, stock, and barrel.
- 19:13Speaker 8: It's ridiculous. My own father leave the barque to a stranger?
- 19:19Speaker 4: I'm not exactly a stranger, Linda. I've worked for Sam
- 19:22Speaker 4: for over ten years.
- 19:23Speaker 8: This This is preposterous.
- 19:26Speaker 4: But I know how you feel, Linda. And I'm willing
- 19:30Speaker 4: to do the right thing. The right?
- 19:33Speaker 8: And what is that?
- 19:35Speaker 4: Share it with you. I think you're entitled to half
- 19:37Speaker 4: the barquet.
- 19:39Speaker 8: You're a very generous man.
- 19:41Speaker 4: We'll run the place together. After all, a man's got
- 19:44Speaker 4: to be married sometimes. Married? Well, I guess you know
- 19:48Speaker 4: I've been sweet on you, Linda.
- 19:49Speaker 8: First you tell me. me the ranch is no longer
- 19:51Speaker 8: my home, and then you offer to marry me.
- 19:54Speaker 4: Why not?
- 19:54Speaker 8: I wouldn't marry you, Matt Fleming, if you owned every
- 19:57Speaker 8: ranch in Texas.
- 19:59Speaker 4: Kind of snippy, ain't you? You'll change your tune tomorrow.
- 20:03Speaker 8: One thing that'll never change is my opinion about you.
- 20:08Speaker 8: Good night, Mr.
- 20:09Speaker 12: Fleming.
- 20:14Speaker 7: Good evening.
- 20:16Speaker 8: The outlaw? What are you doing?
- 20:18Speaker 11: I've been waiting for you. I came in the back
- 20:21Speaker 11: door and I couldn't help but overhear what your foreman
- 20:23Speaker 11: just said.
- 20:24Speaker 8: It isn't true. Dad wouldn't have made a will without.
- 20:27Speaker 11: I'm sure he wouldn't. That's as I'm sure that a
- 20:30Speaker 11: man who's responsible for two murders won't stop at forgery.
- 20:33Speaker 7: Murder?
- 20:35Speaker 8: What do you mean?
- 20:36Speaker 4: The station agent at Cottonwood Junction... and your father.
- 20:41Speaker 8: But Dad died of a heart attack when that mad
- 20:44Speaker 8: bull got loose and saw my parasol.
- 20:46Speaker 4: Which was bright red, given to you for that very purpose.
- 20:49Speaker 8: Uh, Matt Fleming.
- 20:52Speaker 4: Who else could it be?
- 20:53Speaker 8: Why, yes, I... I'm going to ride right into town
- 20:56Speaker 8: and see Sheriff McCain.
- 20:57Speaker 4: No, no.
- 20:58Speaker 11: Fleming would deny the whole thing. His lawyer would fail
- 21:01Speaker 11: to show up tomorrow. Your life would be in danger
- 21:04Speaker 11: from now on.
- 21:05Speaker 4: But I.
- 21:06Speaker 8: I've got to do something.
- 21:07Speaker 4: If you let me help... I think we can make
- 21:10Speaker 4: Matt convict himself.
- 21:12Speaker 8: But how?
- 21:13Speaker 4: Call your foreman and tell him you've changed your mind.
- 21:15Speaker 8: Changed my... I will not. I detest Matt Fleming and I.
- 21:20Speaker 4: You don't understand. Now listen carefully and I'll explain.
- 21:23Speaker 2: What I mean.
- 21:30Speaker 3: It was less than an hour later when Matt Fleming
- 21:32Speaker 3: walked away from the big ranch house for the second
- 21:34Speaker 3: time that evening.
- 21:36Speaker 4: He was in a much better mood this time. Matt. Oh, man. Oh,
- 21:42Speaker 4: it's you, Slim. Yeah. Me and Lip have been waiting
- 21:45Speaker 4: here by the corral. I've been talking to the girl.
- 21:47Speaker 12: Has she caught on yet?
- 21:48Speaker 4: When I first sprung it on her, she was boiling mad.
- 21:51Speaker 4: And a few minutes ago, she sent word out to
- 21:53Speaker 4: the bunkhouse. Said she wanted to see me. Yeah? I
- 21:56Speaker 4: guess she got the thing then over. Because now she
- 21:59Speaker 4: says maybe old man Kemp did make a will. My
- 22:02Speaker 4: lawyer gets here tomorrow. I'm glad to hear it's working out.
- 22:05Speaker 4: Me and Lip rode over for our pay off. You
- 22:07Speaker 4: promised 200 cash right after the job.
- 22:09Speaker 3: Yeah.
- 22:09Speaker 4: What job? I had to do it myself.
- 22:12Speaker 12: That wasn't our fault. That masked hombre in the red
- 22:14Speaker 12: skin ambled into the depot and cleared everything.
- 22:16Speaker 4: We'd no sooner shot the stage in Aiden than he'd...
- 22:18Speaker 4: I know all about it. Then shell out some money
- 22:21Speaker 4: and we'll be drifting back to the circle dot. I, uh.
- 22:24Speaker 12: Not gonna Welsh on the payoff for you, Matt. Oh,
- 22:27Speaker 12: I'll give it to you.
- 22:29Speaker 4: Right now. In cash. But there's 200 more in it.
- 22:33Speaker 4: If you'll handle another little job. What kind? Well... Linda
- 22:37Speaker 4: just told me that she didn't doubt my word, but
- 22:40Speaker 4: just to be on the safe side, she's going to
- 22:42Speaker 4: go through all of Kemp's papers tomorrow to make sure
- 22:45Speaker 4: he didn't write another will. Whoa.
- 22:47Speaker 12: What does that mean?
- 22:48Speaker 4: How do I know? Maybe the old kook did make
- 22:50Speaker 4: a will. I don't think so, but I've got to
- 22:53Speaker 4: be sure. What's all that got to do with Lip
- 22:55Speaker 4: and me? Now, you armies wait a little while, till
- 22:58Speaker 4: around midnight. You can get into the house easy. The
- 23:02Speaker 4: old man kept all of his papers in a big
- 23:04Speaker 4: roll-top desk. It's in the front room.
- 23:06Speaker 12: And you want us to look for the whale, is
- 23:08Speaker 12: that it?
- 23:08Speaker 4: Sure. Why don't you do it yourself? You know the
- 23:11Speaker 4: inside of the house. If there's any argument at the
- 23:13Speaker 4: showdown tomorrow, I've got to have a perfect alibi.
- 23:16Speaker 12: There's 200 more in it, whether we find anything.
- 23:19Speaker 4: Or not, huh? I've got the cash here in my pocket.
- 23:22Speaker 4: I'll wait for you right here.
- 23:24Speaker 12: What do you say, Slim?
- 23:26Speaker 4: Sure. Why not? Good. I'll meet you here just after midnight. Matt,
- 23:43Speaker 4: where the devil have you.
- 23:44Speaker 3: Quiet.
- 23:44Speaker 12: Not so loud.
- 23:46Speaker 4: Did you find anything?
- 23:47Speaker 12: Yeah. This was stuck in one of them pigeon holes
- 23:50Speaker 12: in the desk.
- 23:51Speaker 2: What?
- 23:52Speaker 4: Let me see it. It's written on the envelope. It
- 23:54Speaker 4: tells you what it is. It's too dark to see.
- 23:57Speaker 4: We can't risk a light out here. Come on into
- 23:59Speaker 4: the barn. There's a lantern in there. Ah, strike a light, Slim. Yeah. See?
- 24:15Speaker 12: It's just what Slim told you. Read what it says.
- 24:19Speaker 4: Last will and testament of Samuel Kemp. So the old
- 24:23Speaker 4: coot did right out of will.
- 24:24Speaker 12: Ain't you gonna open it?
- 24:25Speaker 4: Sure, sure. The lucky thing I thought of sending you.
- 24:30Speaker 7: What?
- 24:30Speaker 4: What's the matter? Why the... There's no paper in this envelope.
- 24:34Speaker 4: What do you mean? Nothing but an old blotter and
- 24:36Speaker 4: a soggy one at that. Look. Well, I'll be damned.
- 24:39Speaker 4: Don't go, Halfwits. Why didn't you make sure about.
- 24:41Speaker 12: How did we know what was in it? It says
- 24:42Speaker 12: right there on the front.
- 24:43Speaker 4: It's a blotter. You can see that, can't you? If
- 24:46Speaker 4: you can't see, feel. Yeah, you're right.
- 24:48Speaker 12: How about our payoff, man?
- 24:49Speaker 4: I'm not paying on a dime. Hey, this envelope proves
- 24:54Speaker 4: there is a will in there someplace. Come on. Show
- 24:58Speaker 4: me exactly where you found it. sure of that. Unless
- 25:17Speaker 4: I miss my guess, Matt Fleming will be with him.
- 25:20Speaker 4: I think we have visitors.
- 25:22Speaker 12: I don't want to fall over something. Not yet.
- 25:30Speaker 4: Where do we get to the desk?
- 25:32Speaker 12: It's right over there.
- 25:32Speaker 9: Quiet.
- 25:34Speaker 11: That's right, Matt. You never can tell. Who's that? All right. Remember,
- 25:39Speaker 11: my guns are covering all three of you.
- 25:41Speaker 12: What?
- 25:43Speaker 4: Flam! Flam, look!
- 25:44Speaker 12: It's the same masked army.
- 25:45Speaker 4: Watch out. He's grease lighting with those guns. No, you won't.
- 25:48Speaker 5: Oh, my arm.
- 25:50Speaker 4: A slug right through my arm. You're lucky I didn't
- 25:52Speaker 4: try to kill you. Put up your hands, all of you.
- 25:54Speaker 7: Mine are up here.
- 25:57Speaker 4: Good.
- 25:57Speaker 12: What's going on here?
- 25:58Speaker 8: Sheriff McCabe.
- 25:59Speaker 11: These are the men I was telling you about, Sheriff.
- 26:02Speaker 11: Matt Fleming and the two riders from the Circle Dot Ranch.
- 26:05Speaker 11: They killed the station agent at the junction. Probably because
- 26:08Speaker 11: he asked too many questions when they brought that wild
- 26:10Speaker 11: bull up there to meet the train. Yeah, I'll take
- 26:13Speaker 11: care of him.
- 26:13Speaker 4: Matt Fleming killed Linda's father. He tried to kill her.
- 26:16Speaker 4: That's a lie.
- 26:17Speaker 11: See, he knew the old man had a weak heart,
- 26:19Speaker 11: so he tried what he thought was a perfect scheme.
- 26:22Speaker 4: He was going to follow that up with a forged will.
- 26:24Speaker 12: Lies, all lies.
- 26:25Speaker 4: You can't prove a thing. And why did the three
- 26:27Speaker 4: of you break in here and search Mr. Kemp's desk?
- 26:30Speaker 4: We didn't. We were just going by. Ah, that story
- 26:33Speaker 4: won't work, Matt.
- 26:34Speaker 11: You're convicted with the same color with which you killed
- 26:37Speaker 11: the man you worked for and tried to cheat his daughter.
- 26:40Speaker 12: Color?
- 26:41Speaker 4: What do you mean?
- 26:42Speaker 11: Look at these fingers, Sheriff. They're stained with red ink.
- 26:46Speaker 11: It came from a blotter which Miss Linda soaked in
- 26:48Speaker 11: ink earlier this evening.
- 26:49Speaker 4: The other half of it is on Mr. Kemp's desk.
- 26:52Speaker 4: You're going to hang, Fleming. And so are these other two. Good. Adios,
- 26:56Speaker 4: Miss Kemp. Wait.
- 26:59Speaker 8: You can't leave now. Why, he's gone. And I still
- 27:04Speaker 8: don't know his name.
- 27:05Speaker 4: Why, that's simple, Linda. You've been talking to the Lone Ranger.
- 27:34Speaker 2: THE END THE END Oh, my God. THE END.
- 29:03Speaker 3: The story you have just heard is a copyrighted feature
- 29:05Speaker 3: of the Lone Ranger Incorporated.
- 29:13Speaker 1: Our visit with the Lone Ranger in Murder in Red
- 29:16Speaker 1: is complete. Follow the Lone Ranger for more classic western broadcasts.