Latest / Wicked and Grim: A True Crime Podcast / Halloween Week: The Lady of Raynham Hall
Transcript
- 0:29Speaker 1: Ah, day three. How delightful. You know, there is something
- 0:35Speaker 1: rather peculiar about Halloween. As the days grow shorter and
- 0:41Speaker 1: the nights become longer, the world begins to feel a
- 0:46Speaker 1: little less familiar. The shadows seem to stretch just a
- 0:51Speaker 1: little farther, and the wind whispers things we cannot quite understand.
- 0:58Speaker 1: And sometimes, sometimes you get the feeling something's watching you
- 1:05Speaker 1: from the darkness. But you know what I find the
- 1:09Speaker 1: most fascinating about you mortals? Your peculiar fascination with fear.
- 1:15Speaker 1: You spend your entire lives trying to avoid it. You
- 1:20Speaker 1: lock your doors at night. You look both ways before
- 1:24Speaker 1: crossing the street. And you do everything in your power
- 1:28Speaker 1: to keep danger at a comfortable distance. And yet, you
- 1:34Speaker 1: gather around campfires to tell stories of monsters. You watch
- 1:39Speaker 1: films that make you hide behind your hands. And you
- 1:44Speaker 1: listen to tales of murder. Madness. And things that go
- 1:51Speaker 1: bump in the night. All for your own amusement. Oh,
- 1:58Speaker 1: what wonderfully strange creatures you are. But perhaps that is
- 2:05Speaker 1: the beauty of Halloween, my friends. For one glorious evening.
- 2:12Speaker 1: You don't have to run from the things you're frightened of.
- 2:15Speaker 2: Instead.
- 2:17Speaker 1: you get to invite them in. Ladies, gentlemen, theys and thems,
- 2:24Speaker 1: my name is Jacko, your ever so charming master of ceremonies,
- 2:30Speaker 1: and I welcome you back to day three of Wicked
- 2:33Speaker 1: and Grim's Halloween week. You've already enjoyed two deliciously dreadful tales,
- 2:41Speaker 1: and I assure you, the wickedness is far from over.
- 2:47Speaker 1: So settle in, dim those lights, and perhaps take one
- 2:53Speaker 1: last look over your shoulder. You never know what might
- 2:57Speaker 1: be lurking just out of sight. Now, my dear friends,
- 3:03Speaker 1: it is my absolute pleasure to welcome you back to
- 3:07Speaker 1: the two souls responsible for all this magnificent madness. Your
- 3:13Speaker 1: hosts of Wicked and Grim, the Delightfully Wicked, Ben and Nicole.
- 3:22Speaker 3: Day three.
- 3:23Speaker 2: It's day three. Already day three. I can't believe we're
- 3:27Speaker 2: already here.
- 3:27Speaker 3: And if you'd like to live vicariously through us, it's snowing.
- 3:30Speaker 2: It is.
- 3:31Speaker 3: So it actually feels more like, dare I say.
- 3:34Speaker 2: Don't, don't, don't say it. Don't say it.
- 3:36Speaker 3: Rather than Halloween.
- 3:37Speaker 2: No, it feels... Look outside. It's like the slightest drift of...
- 3:42Speaker 2: It's like dandruff coming down. It's barely snow.
- 3:45Speaker 3: That's a terrible way of describing that.
- 3:47Speaker 2: That's exactly why I use that term because it's like
- 3:50Speaker 2: creepy and gross outside, you know?
- 3:52Speaker 1: Yeah.
- 3:52Speaker 2: It's gloomy. It's not snow. It looks dreadful. So I
- 3:56Speaker 2: think it's very Halloween.
- 3:57Speaker 3: Okay. Well, Halloween in... A northern community.
- 4:02Speaker 2: In our community, yes. That's absolutely for sure.
- 4:05Speaker 3: Because I think other communities would be like, the what
- 4:08Speaker 3: is happening?
- 4:09Speaker 2: Yes. No, this time of year is not so much
- 4:12Speaker 2: expected for many people. But even still for us, it's
- 4:14Speaker 2: not going to stick around. Even if it accumulates on
- 4:17Speaker 2: the ground, it'll be gone within a day.
- 4:20Speaker 3: Oh, yeah.
- 4:20Speaker 2: We'll have our Halloween.
- 4:22Speaker 3: I'm sure we've talked about this many times. But yeah,
- 4:25Speaker 3: being a kid growing up here wasn't always the best
- 4:27Speaker 3: because you're like, this awesome princess or something, but then
- 4:30Speaker 3: you put like your snowsuit underneath it or a winter jacket.
- 4:34Speaker 1: Right.
- 4:34Speaker 3: So it just kind of like, it was different. It's different.
- 4:38Speaker 2: It wrecked the vibe.
- 4:39Speaker 1: Yeah.
- 4:39Speaker 2: Like I remember being a pirate one year and I'm like,
- 4:42Speaker 2: pirates don't wear snowsuits. Like why is a pirate wearing
- 4:45Speaker 2: a jacket over his cut up striped shirt and sword?
- 4:48Speaker 3: So you don't freeze to death.
- 4:50Speaker 1: Yeah. Yeah.
- 4:52Speaker 3: It's kind of funny though. It's just, yeah, it's just funny. Wow.
- 4:55Speaker 2: Anyways, I'm going to stop reminiscing about the time when
- 4:57Speaker 2: I was a child and had to go knocking on
- 4:59Speaker 2: doors for a candy. And now I'm going to think
- 5:01Speaker 2: about the times being an adult and I can just
- 5:02Speaker 2: go buy it myself.
- 5:04Speaker 1: Yeah.
- 5:04Speaker 2: Because it's much better that way.
- 5:05Speaker 3: You just have a bowl full of sitting right beside you.
- 5:08Speaker 1: Yeah.
- 5:08Speaker 2: And if I run out, I can just go get
- 5:09Speaker 2: more instead of having to go door to door.
- 5:12Speaker 3: Oh, my gosh.
- 5:13Speaker 2: We do want to say one thing today, though. Thank
- 5:15Speaker 2: you for our Patreons who signed up this week. But
- 5:17Speaker 2: with Halloween week being as hectic as it is, we're
- 5:20Speaker 2: not going to do shout outs this week being today, Tuesday.
- 5:23Speaker 2: So next Tuesday is when you're going to get your
- 5:26Speaker 2: shout out. So just a heads up on that. We're
- 5:28Speaker 2: going to keep rolling through and keep doing Halloween week
- 5:30Speaker 2: for now.
- 5:31Speaker 3: We haven't forgotten. It's coming.
- 5:33Speaker 2: It is coming. But I think we need to get
- 5:35Speaker 2: into this story today because I have a very interesting
- 5:38Speaker 2: tale for you. A ghost tale. One that involves a
- 5:42Speaker 2: very famous photograph.
- 5:43Speaker 3: Ooh, I'm intrigued.
- 5:45Speaker 2: I figured since you're Miss Photographer and everything, that might
- 5:48Speaker 2: pique your attention.
- 5:50Speaker 3: Miss Photographer. You are.
- 5:51Speaker 2: You're Miss Photographer.
- 5:52Speaker 3: Okay.
- 5:53Speaker 2: So the tale today is the tale of the Lady
- 5:57Speaker 2: of Rainham Hall.
- 5:58Speaker 3: Ooh, okay. Let's get into this.
- 6:01Speaker 2: Let's do it. In the English countryside of Norfolk, roughly
- 6:05Speaker 2: 100 miles northeast of London, stands Rainham Hall, a sprawling
- 6:10Speaker 2: country estate that has been home to the influential Townsend
- 6:14Speaker 2: family for more than four centuries. The property covers approximately 7,000
- 6:21Speaker 2: acres of farmland, woodland, and countryside, with the River Wensum
- 6:26Speaker 2: passing through portions of the estate. And for much of
- 6:29Speaker 2: its history, Rainham Hall was associated with some of the
- 6:33Speaker 2: wealthiest and most powerful political families in England. In fact,
- 6:39Speaker 2: the estate's origin dates back to 1619, when Sir Roger Townshend,
- 6:44Speaker 2: an English landowner and politician, began planning a grand residence
- 6:49Speaker 2: for his family. Construction was restarted on a different site
- 6:54Speaker 2: in 1622, and by the time Roger died in 1637,
- 6:57Speaker 2: the main structure had been completed. The imposing red brick
- 7:02Speaker 2: mansion was unusually modern for its time, incorporating architectural ideas
- 7:07Speaker 2: influenced by European country houses rather than traditional English manor
- 7:12Speaker 2: houses that had become very prominent before it. And over
- 7:17Speaker 2: the following century, Rainham Hall continued to grow into something
- 7:22Speaker 2: that was much more larger, both in size and importance.
- 7:26Speaker 2: Its owners accumulated considerable political influence, while the building itself
- 7:31Speaker 2: became known for its impressive interiors, valuable artworks, and elaborate furnishings.
- 7:37Speaker 2: And among the family's associates with Rainham Hall were the Walpoles,
- 7:43Speaker 2: another prominent Norfolk family whose political connections extended into the
- 7:47Speaker 2: highest levels of British government. On her family estates at
- 7:52Speaker 2: Hewton in Norfolk, Dorothy Walpole was born in 1686, one
- 7:58Speaker 2: of the many children of Colonel Robert Walpole and his wife,
- 8:02Speaker 2: Mary Burwell. Her father was a landowner and politician who
- 8:07Speaker 2: represented Castle Rising in Parliament, while her older brother, Robert Walpole,
- 8:12Speaker 2: would eventually become one of the most influential political figures
- 8:15Speaker 2: in British history. Now, Dorothy grew up surrounded by considerable
- 8:20Speaker 2: wealth and privilege here, receiving the kind of upbringing expected
- 8:24Speaker 2: of a young woman from a very aristocratic family. Later
- 8:28Speaker 2: descriptions portray her as beautiful, charming, sociable, and particularly fond
- 8:34Speaker 2: of very fashionable clothing. She reportedly enjoyed expensive fabrics and
- 8:39Speaker 2: and fine dresses alike, something that would eventually be reflected
- 8:42Speaker 2: in the family's surviving financial records. As a young woman,
- 8:47Speaker 2: Dorothy became acquainted with Charles Townshend, 2nd Viscount Townshend, a
- 8:52Speaker 2: powerful political individual born in 1674. Charles had inherited his
- 8:59Speaker 2: family's position and wealth at a very young age, and
- 9:02Speaker 2: his political career eventually brought him into close contact with
- 9:06Speaker 2: Dorothy's brother. Reportedly, Dorothy and Charles developed romantic feelings for
- 9:11Speaker 2: one another, although Dorothy's father initially opposed their eventual marriage.
- 9:16Speaker 2: And as Charles' guardian, he reportedly feared that allowing a
- 9:19Speaker 2: relationship would appear improper given his responsibility for the young
- 9:24Speaker 2: nobleman's affairs. So Charles instead married Lady Elizabeth Pelham, with
- 9:30Speaker 2: whom he had several children. And Elizabeth died in 1711,
- 9:33Speaker 2: leaving Charles a widower. Then, on July 6th, 1713, Charles
- 9:39Speaker 2: married Dorothy, making her his second wife and the new
- 9:43Speaker 2: Viscountess Townsend. Their marriage brought together two politically influential Norfolk families,
- 9:51Speaker 2: but their personal relationship was reportedly far more complicated. Charles
- 9:56Speaker 2: was known for his formidable temper and could be very
- 9:59Speaker 2: difficultly to live with. He was also intensely proud of
- 10:03Speaker 2: Rainham Hall, regarding the estate as a reflection of the
- 10:07Speaker 2: family's standings. According to an observation attributed to Lord Hervey,
- 10:12Speaker 2: Charles even resented the growing splendor of the Walpole's family
- 10:17Speaker 2: neighboring estates at Hewton Hall, viewing its improvements as diminishing
- 10:21Speaker 2: Rainham's importance. Dorothy, meanwhile, was said to enjoy an expensive lifestyle,
- 10:28Speaker 2: but another issue reportedly complicated their marriage. You see, before
- 10:32Speaker 2: marrying Charles, Dorothy was rumored to have been romantically involved
- 10:37Speaker 2: with Lord Worlton, a politically connected aristocrat notorious for his
- 10:42Speaker 2: relationships with women. Exactly what happened between Dorothy and him
- 10:46Speaker 2: remains uncertain, but according to the legends, Charles eventually learned
- 10:51Speaker 2: of that alleged relationship and became furious. So the story goes,
- 10:56Speaker 2: Charles responded by restricting Dorothy's movements within Ringham Hall, eventually
- 11:01Speaker 2: confining her to rooms and preventing her from even seeing
- 11:04Speaker 2: her children. Their upbringing was reportedly then entrusted to their grandmother,
- 11:09Speaker 2: leaving Dorothy separate from the family that she was said
- 11:12Speaker 2: to have loved very deeply.
- 11:14Speaker 3: What the heck? Because she wasn't allowed to have a
- 11:17Speaker 3: relationship with... while he was married to someone else and
- 11:21Speaker 3: having kids and stuff?
- 11:22Speaker 2: Exactly. But the problem is, I don't know if she
- 11:27Speaker 2: was seeing him only before their marriage or if their
- 11:31Speaker 2: relationship continued on into the marriage that Dorothy had with Charles.
- 11:36Speaker 3: Okay. Then that would be a problem. Yes.
- 11:38Speaker 2: That would be a problem. But I mean, it's so
- 11:40Speaker 2: muddled and a lot of this- It's very personal affair stuff,
- 11:45Speaker 2: so it's not documented. So there's not a whole lot
- 11:47Speaker 2: of actual history regarding it. So it's a lot of
- 11:50Speaker 2: hearsay and legend and as the story goes sort of situation.
- 11:53Speaker 1: Right.
- 11:54Speaker 3: Okay.
- 11:54Speaker 2: But allegedly, they had a relationship prior to, you know,
- 11:58Speaker 2: Dorothy and Charles getting married. And then Charles found out
- 12:00Speaker 2: about that once they were married and was furious. That's
- 12:04Speaker 2: all I know.
- 12:05Speaker 3: Okay. Interesting.
- 12:07Speaker 2: Now, Dorothy's life ended relatively young. And in 1726, at
- 12:10Speaker 2: approximately 39 years old, Dorothy died at Rainham Hall. The
- 12:16Speaker 2: recorded cause of her death was smallpox, a highly contagious
- 12:19Speaker 2: and frequently fatal disease that caused fever, severe illness, and
- 12:24Speaker 2: distinctive blistering rashes. She was buried, and Charles continued his
- 12:29Speaker 2: political career and his life at Rainham Hall. Then over
- 12:33Speaker 2: the decades following her death, Rainham Hall remained in the
- 12:36Speaker 2: possession of the Townshend family. Charles Townshend continued living at
- 12:40Speaker 2: the estates until his own death in 1738. and ownership
- 12:44Speaker 2: eventually passed through subsequent generations of the family. As the
- 12:48Speaker 2: years went by, however, stories began circulating about strange encounters
- 12:53Speaker 2: within the mansion, particularly involving a mysterious woman who supposedly
- 12:58Speaker 2: wandered its corridors and bedrooms. One of the earliest stories
- 13:03Speaker 2: involves a member of the British royal family. According to
- 13:08Speaker 2: an account that later became part of Ringham Hall's Folklore, George,
- 13:12Speaker 2: Prince Regent, the future King George IV, supposedly visited the
- 13:17Speaker 2: estate sometime around 1815, and during his stay he was
- 13:21Speaker 2: reportedly awakened in the middle of the night by the
- 13:25Speaker 2: presence of a woman standing beside his bed. The woman
- 13:29Speaker 2: was dressed in old-fashioned brown clothing, with disheveled hair and
- 13:33Speaker 2: an unsettling appearance. Some versions described her leaning over the
- 13:37Speaker 2: bed close enough even for George to see her face.
- 13:41Speaker 2: And the encounter supposedly frightened him so badly that he
- 13:44Speaker 2: immediately abandoned his visit, declaring that he would never return.
- 13:48Speaker 3: Well, yeah, I'm pretty sure that he probably also shit himself.
- 13:51Speaker 2: There's a high possibility of that. Then at Christmas, the
- 13:55Speaker 2: estate's owner, Lord Charles Townsend, hosted a gathering of family
- 13:59Speaker 2: members and guests. And among those staying at the mansion
- 14:03Speaker 2: were a military officer identified in various accounts as Major
- 14:06Speaker 2: or Colonel Loftus and another visitor. named Hawkins. One evening
- 14:13Speaker 2: after the festivities had concluded, Loftus and Hawkins were making
- 14:17Speaker 2: their way towards their bedrooms when they encountered a woman
- 14:20Speaker 2: in one of the upstairs passageways. The woman wore a
- 14:23Speaker 2: brown silk dress, noticeably old-fashioned compared to the clothing that
- 14:27Speaker 2: was fashionable during the 1830s. Initially, there was little reason
- 14:31Speaker 2: to believe that she was anything other than another member
- 14:34Speaker 2: of the household, perhaps someone returning to their room after
- 14:37Speaker 2: the gathering. But when Loftus reportedly called out to her,
- 14:41Speaker 2: the woman simply vanished. Both men claimed to have witnessed
- 14:44Speaker 2: this unusual figure, and Loftus was sufficiently interested in the
- 14:48Speaker 2: experience that he decided to investigate further. So he deliberately
- 14:52Speaker 2: positioned himself along a corridor where anyone passing through would
- 14:56Speaker 2: have difficulty escaping without being noticed. He wanted another opportunity
- 15:00Speaker 2: to examine this mysterious woman and establish whether someone was
- 15:04Speaker 2: playing a trick on the guests. The following night, Loftus
- 15:08Speaker 2: reportedly encountered her again. This time he was close enough
- 15:12Speaker 2: to make out considerably more detail. The woman appeared very
- 15:16Speaker 2: attractive and was dressed in the same brown clothing, but
- 15:20Speaker 2: there was something profoundly disturbing about her face. Her complexion
- 15:25Speaker 2: seemed unusually pale, almost luminous, while the place where her
- 15:30Speaker 2: eyes should have been only appeared as two dark, empty sockets.
- 15:36Speaker 2: It seemed that rather than possessing ordinary eyes, the figure
- 15:39Speaker 2: seemed to have nothing more than hollow darkness beneath her brow.
- 15:44Speaker 2: Loftus reportedly watched the apparition before it disappeared once again.
- 15:49Speaker 2: The encounter left such an impression on him that he
- 15:51Speaker 2: allegedly produced a sketch of the woman, which he showed
- 15:55Speaker 2: to the other guests and members of the household at
- 15:57Speaker 2: breakfast the following morning. News of the sightings quickly spread
- 16:01Speaker 2: amongst the servants of the home. And according to the
- 16:04Speaker 2: family's later accounts, several staff members became so frightened by
- 16:07Speaker 2: this possibility of a supernatural presence that they resigned their
- 16:12Speaker 2: positions then and there. The reports also prompted other members
- 16:16Speaker 2: of the Townshend family to discuss experiences they supposedly kept
- 16:20Speaker 2: to themselves as well. Lord Charles Townshend reportedly admitted that
- 16:25Speaker 2: he had encountered a similarly dressed woman several times in
- 16:28Speaker 2: his own bedroom. He also claimed that children in the
- 16:31Speaker 2: household were had occasionally mentioned seeing a strange lady in
- 16:34Speaker 2: brown entering their rooms too. These stories suggested that the apparition,
- 16:40Speaker 2: whatever it might have been, was not necessarily a new
- 16:44Speaker 2: occurrence within the walls of this place. And as the
- 16:48Speaker 2: reports accumulated, the household began referring to the mysterious figure
- 16:52Speaker 2: as the Brown Lady, a name inspired by the distinctive
- 16:55Speaker 2: brown dress described by witnesses. The incidents eventually became associated
- 17:01Speaker 2: with with Dorothy Walpole, whose portrait reportedly hung inside the mansion,
- 17:06Speaker 2: and guests who knew the portrait claimed the apparition resembled
- 17:10Speaker 2: the woman depicted in it. But Lord Charles was apparently
- 17:15Speaker 2: unwilling to accept that the family was being haunted. Instead,
- 17:18Speaker 2: he suspected that someone might be deliberately frightening the household,
- 17:22Speaker 2: perhaps as part of an elaborate practical joke directed against
- 17:25Speaker 2: the Townshend family. Reportedly, he even arranged for detectives to
- 17:30Speaker 2: stay at Rainham Hall, and investigate this mysterious appearances. The
- 17:35Speaker 2: investigators reportedly remained on the property for several months, searching
- 17:39Speaker 2: for evidence of an intruder, a disguised servant, or someone
- 17:42Speaker 2: deliberately creating an illusion of a ghost. But despite their efforts,
- 17:48Speaker 2: they supposedly uncovered nothing that identified a culprit or explained
- 17:53Speaker 2: the sightings on hand. Then in 1836, a year after
- 17:58Speaker 2: the frightening Christmas encounter at Rainham Hall, Another visitor arrived
- 18:02Speaker 2: at the estate with the intention of getting to the
- 18:05Speaker 2: bottom of the supernatural reputation. His name was Captain Frederick Marriott,
- 18:12Speaker 2: a former Royal Navy officer, successful novelist, and friend of
- 18:16Speaker 2: Charles Dickens. Marriott was familiar with the Townshend family and
- 18:22Speaker 2: had heard the story surrounding the mysterious woman in brown,
- 18:24Speaker 2: although he wasn't particularly convinced that the mansion itself was haunted.
- 18:29Speaker 2: He suspected that local smugglers might be responsible for strange appearances,
- 18:33Speaker 2: deliberately spreading ghost stories to discourage people from investigating their activities.
- 18:40Speaker 2: He requested permission to sleep in the room most closely
- 18:43Speaker 2: associated with the apparition, hoping to uncover a more reasonable explanation.
- 18:48Speaker 2: Mariette settled into the room that contained a portrait of
- 18:52Speaker 2: Dorothy Walpole, with a loaded revolver sitting beneath his pillow.
- 18:56Speaker 2: He was prepared for the possibility of confronting whoever might
- 19:00Speaker 2: be responsible. For the first two nights, nothing happened. But
- 19:05Speaker 2: on the third evening, however, two young men from the
- 19:09Speaker 2: Townshend family, described as nephews of the Baronet, knocked on
- 19:14Speaker 2: Mariette's bedroom door. They had recently acquired a firearm from London,
- 19:19Speaker 2: and they wanted the experienced naval officer's opinion of the piece.
- 19:24Speaker 2: Mariette was already preparing for bed, wearing only his shirt
- 19:27Speaker 2: and trousers, but agreed to accompany them to their room
- 19:31Speaker 2: at the opposite end of the corridor. Before leaving, though,
- 19:34Speaker 2: he collected his own revolver, joking that they might encounter
- 19:37Speaker 2: the brown lady. After examining this new gun, the three
- 19:41Speaker 2: men then began making their way back through the mansion.
- 19:45Speaker 2: The household had already retired for the night. The lamps
- 19:48Speaker 2: illuminating the long, upstairs corridor had already been extinguished. And
- 19:53Speaker 2: as they approached the middle of the passageway, that's when
- 19:57Speaker 2: they noticed a light approaching from the opposite end. The
- 20:01Speaker 2: light appeared to be coming from a lamp that was
- 20:03Speaker 2: being carried by someone walking towards them. The young townshend
- 20:07Speaker 2: men assumed it was one of the women of the
- 20:10Speaker 2: house visiting the children's nursery. Mariette was embarrassed about being
- 20:16Speaker 2: seen in his currently dressed state, so he decided to
- 20:20Speaker 2: step out of sight until she passed. The bedrooms lining
- 20:24Speaker 2: the corridor had an unusual arrangement, with an outer door
- 20:28Speaker 2: and an inner door separated by a small entrance space.
- 20:32Speaker 2: So Mariette slipped behind one of those outer doors, followed
- 20:34Speaker 2: by his two companions. and they watched the approaching woman
- 20:38Speaker 2: through the narrow opening. As she drew closer, Mariette began
- 20:43Speaker 2: distinguishing the details of her clothing. According to the account
- 20:47Speaker 2: published by his daughter, Florence Mariette, in 1891, the woman
- 20:52Speaker 2: appeared identical to the portrait of the brown lady hanging
- 20:56Speaker 2: in his bedroom. Mariette kept his revolver ready, intending to
- 21:00Speaker 2: confront the figure and demand an explanation for their presence.
- 21:04Speaker 2: But before he could speak... the woman stopped directly outside
- 21:08Speaker 2: the door where the three men were hiding. She raised
- 21:12Speaker 2: the lit lamp towards her face, illuminating her features, and
- 21:16Speaker 2: looked directly at Mariette. Then the apparition gave him a
- 21:21Speaker 2: deeply unsettling grin, which was described as malicious and diabolical.
- 21:28Speaker 2: Mariette immediately emerged from behind the door and discharged his
- 21:31Speaker 2: revolver directly towards the woman's face, but she vanished. The
- 21:36Speaker 2: bullet reportedly passed through the space where she had been standing,
- 21:39Speaker 2: struck the outer door of the bedroom opposite, and lodged
- 21:42Speaker 2: itself in the panel of its inner door. No wounded
- 21:46Speaker 2: intruder was discovered, and there was apparently no physical trace
- 21:50Speaker 2: of the woman herself. Florence maintained that all three men
- 21:55Speaker 2: had watched the apparition approach, and according to her, Mariette
- 21:59Speaker 2: never again attempted to interfere with the brown lady. Frederick
- 22:04Speaker 2: Mariette died on In 1848. And his extraordinary experience remained
- 22:09Speaker 2: largely preserved through his family's recollections until Florence published it
- 22:13Speaker 2: in 1891, more than 50 years after the supposed encounter.
- 22:19Speaker 3: You know, this, though terrifying, like Dorothy isn't doing anything wrong.
- 22:25Speaker 2: No, she's not.
- 22:26Speaker 3: Like, I mean, her presence is maybe not exactly welcomed
- 22:28Speaker 3: and it's frightening, but like him, for example, firing a gun.
- 22:34Speaker 3: In a house is a hell of a lot more
- 22:36Speaker 3: dangerous than anything this lady is doing.
- 22:40Speaker 2: Oh, for sure. But you have to think on the
- 22:41Speaker 2: situation for Frederick Marriott. He believed that there was no ghost.
- 22:47Speaker 2: He believed that it was smugglers and a cover-up story.
- 22:51Speaker 2: So he's thinking this is an intruder in the home.
- 22:55Speaker 2: This is someone who's not supposed to be here. This
- 22:57Speaker 2: is a robber. This is a burglar. This is a
- 23:00Speaker 2: person with malicious intent.
- 23:01Speaker 3: Someone traumatizing the family, I think you said, or something. Yeah.
- 23:05Speaker 2: So he's like, okay, if I shoot this person, I
- 23:07Speaker 2: can stop them. I can end this. Yeah. But in
- 23:10Speaker 2: pulling the trigger, there was no one there.
- 23:13Speaker 3: Nothing happened.
- 23:15Speaker 2: And then that's the realization of, oh shit, this isn't
- 23:18Speaker 2: what I thought it was.
- 23:20Speaker 3: Because he didn't really believe.
- 23:21Speaker 2: Exactly.
- 23:22Speaker 3: And now he believes.
- 23:24Speaker 2: Exactly.
- 23:24Speaker 3: Okay.
- 23:25Speaker 2: So it's a weird situation. But you are definitely right.
- 23:29Speaker 2: There is no ill intent from this brown lady.
- 23:34Speaker 3: No.
- 23:35Speaker 2: As far as we can find, other than- Startling as heck.
- 23:39Speaker 2: Startling as heck because, I mean, having an appearance being
- 23:42Speaker 2: of absolute beauty and then just no eyes with just
- 23:45Speaker 2: blackness and a malicious grin, that would scare the shit
- 23:50Speaker 2: out of me too.
- 23:51Speaker 3: Well, yeah, especially the one where they were in bed.
- 23:55Speaker 3: And she's like leaning over the bed. That one would
- 23:58Speaker 3: get me pretty good.
- 23:59Speaker 2: Yeah. I think each and every one of these situations
- 24:01Speaker 2: would get me pretty good.
- 24:02Speaker 3: But she also, like, I'm just saying she's not, you know, being.
- 24:07Speaker 2: There's no harm.
- 24:07Speaker 1: Yeah.
- 24:08Speaker 3: She's not harming anyone, I suppose.
- 24:10Speaker 2: Maybe she's actually just smiling friendly, but because she has
- 24:13Speaker 2: no eyes, it just looks bad.
- 24:15Speaker 3: It comes across a little bit like a resting or
- 24:19Speaker 3: not even resting bitch face.
- 24:20Speaker 2: Resting ghost face.
- 24:21Speaker 3: Yeah.
- 24:22Speaker 2: Jesus. Yeah. Anyways, meanwhile, the Townshend family's circumstances had actually
- 24:29Speaker 2: changed considerably by this time. By the late 19th century,
- 24:33Speaker 2: Rainham Hall was experiencing serious financial difficulties. An agricultural depression
- 24:38Speaker 2: had reduced the income generated by the family's land, while
- 24:41Speaker 2: expensive lifestyles and substantial costs of maintaining the estate placed
- 24:45Speaker 2: additional pressures on the owners. In 1899, John Townshend, 6
- 24:51Speaker 2: Marquet Townshend, inherited a heavily debted estate. Valued pieces from
- 24:59Speaker 2: the family's art collection were sold, and portions of the
- 25:01Speaker 2: property were rented out as the family struggled financially. In
- 25:05Speaker 2: August of 1905, John married Gwelaide Southersts, the daughter of
- 25:10Speaker 2: a successful lawyer. Gwelaide took a considerable interest in the
- 25:14Speaker 2: family's history and the preservation of Rainham Hall, although the
- 25:18Speaker 2: financial problems surrounding the property remained substantial. Following John's death
- 25:22Speaker 2: in 1921, Gwiledes, now Dowager Marioness Townshend, became increasingly involved
- 25:29Speaker 2: in restoring the ancestral home. Her interest extended beyond its
- 25:35Speaker 2: architecture and furnishings to many unusual stories associated with the building, too.
- 25:40Speaker 2: Then in 1926, another encounter was reported. According to Gwiledes,
- 25:47Speaker 2: her son George Townshend and a friend were inside Rainham
- 25:50Speaker 2: Hall when they encountered an unfamiliar woman on the main staircase.
- 25:56Speaker 2: The figure reportedly resembled the woman depicted in Dorothy Walpole's portrait,
- 26:01Speaker 2: but there was something particularly disturbing about her appearance. Although
- 26:05Speaker 2: she had the recognizable form of a woman, her body
- 26:07Speaker 2: appeared transparent enough that the two witnesses could see the
- 26:11Speaker 2: staircase right through her. George and his companion were frightened
- 26:15Speaker 2: by this encounter, and the appearance was subsequently identified with
- 26:19Speaker 2: the brown lady, who had supposedly been wandering the mansion
- 26:22Speaker 2: now for generations. By 1936, Rainham Hall had been associated
- 26:28Speaker 2: with ghostly encounters for more than a century, and Gulady's
- 26:32Speaker 2: townshend had developed a particular fascination with the estate's supernatural reputation.
- 26:37Speaker 2: That year, she published a book titled True Ghost Stories,
- 26:42Speaker 2: a collection of 32 accounts involving supposedly haunted properties all
- 26:47Speaker 2: throughout Britain. The opening chapter was dedicated to Rainham Hall
- 26:52Speaker 2: and the mysterious woman who had allegedly appeared for generations
- 26:57Speaker 2: of visitors. Her book detailed the experiences of earlier encounters
- 27:01Speaker 2: with Rainham Hall's supernatural history and was becoming increasingly more well-known.
- 27:06Speaker 2: But an incident later that year would bring the haunting
- 27:10Speaker 2: to an international level. On September 19, 1936, two photographers
- 27:17Speaker 2: working for the British magazine Country Life arrived at Rainham Hall,
- 27:22Speaker 2: to photograph the estate for an upcoming feature. The photographer
- 27:27Speaker 2: was Captain Hubert C. Prevond, an experienced London-based professional, accompanied
- 27:32Speaker 2: by his assistant, Indri Sheera. Their assignment involved documenting the
- 27:38Speaker 2: mansion's architecture and interiors, including the elaborate rooms and architecture
- 27:43Speaker 2: features that made the building an important example of an
- 27:46Speaker 2: English country house. Among the areas selected for photography was
- 27:51Speaker 2: the mansion's grand staircase. The men were working with a
- 27:55Speaker 2: large camera that required Prevand to position his head beneath
- 28:00Speaker 2: a dark focusing cloth while preparing the exposure. Shira assisted
- 28:05Speaker 2: with the lighting, holding a device commonly called the flashlight pistol,
- 28:10Speaker 2: which triggered off the flash. The photographers had already taken
- 28:13Speaker 2: one photograph of the staircase and were preparing themselves for another.
- 28:18Speaker 2: Prevand was concentrating on the camera with his head buried
- 28:21Speaker 2: underneath his focusing cloth, while Shira stood nearby, looking towards
- 28:26Speaker 2: the staircase, the direction where they were taking the photo.
- 28:30Speaker 2: According to Shira's subsequent statement, that's when something suddenly caught
- 28:34Speaker 2: his attention. He described seeing a faint, mist-like shape appearing
- 28:40Speaker 2: on the staircase, and as he watched, the shape seemed
- 28:43Speaker 2: to develop into the outline of a woman, partially transparent
- 28:49Speaker 2: and covered in flowing material, and this figure appeared to
- 28:53Speaker 2: be moving slowly down the staircase, right towards them. Shira
- 28:58Speaker 2: became excited and shouted for Pravan to take the photograph now,
- 29:01Speaker 2: take it immediately. So Pravan removed the lens cap and
- 29:05Speaker 2: Shira activated the flash. The exposure was completed within seconds.
- 29:11Speaker 2: Pravan had not personally witnessed the apparition. As his attention
- 29:15Speaker 2: was directed towards the camera, his head was buried underneath
- 29:17Speaker 2: that cloth, but after completing the exposure... He reportedly turned
- 29:21Speaker 2: to his assistant and asked, what's going on? And Shira
- 29:25Speaker 2: explained what had just happened. When the photo's negative was
- 29:30Speaker 2: subsequently developed, an unusual image appeared on the staircase. There
- 29:36Speaker 2: in the center of the photograph was a pale, translucent image.
- 29:40Speaker 2: figure resembling a woman descending the steps. Her upper body
- 29:44Speaker 2: appeared partially concealed beneath a veil or maybe a hood,
- 29:49Speaker 2: while flowing material surrounded the lower body. Portions of the
- 29:54Speaker 2: staircase remained visible throughout the figure, creating the appearance of
- 29:58Speaker 2: someone who is simultaneously present and transparent. On December 26, 1936,
- 30:07Speaker 2: Country Life published the photograph alongside an account of the
- 30:11Speaker 2: photographer's experience. Readers were presented with an image that appeared
- 30:15Speaker 2: to capture something extraordinary inside a house already famous for
- 30:20Speaker 2: its supernatural history. The photo quickly attracted attention, and on
- 30:25Speaker 2: January 4, 1937, the American magazine Life produced the image,
- 30:30Speaker 2: bringing the story to a much wider audience. Among those
- 30:35Speaker 2: interested in examining the photograph was Harry Price, a prominent
- 30:39Speaker 2: British paranormal investigator known for studying hauntings, mediums, and alleged
- 30:44Speaker 2: supernatural phenomena. Price had considerable experience investigating photographic depictions of
- 30:51Speaker 2: ghosts and was particularly interested in determining whether supposed paranormal
- 30:56Speaker 2: things had been manipulated. After the photograph became public, Price
- 31:01Speaker 2: interviewed both Pravand and Shira about the circumstances surrounding its
- 31:05Speaker 2: creation or capture. According to Price, their explanations were very
- 31:11Speaker 2: straightforward and very consistent. Shira maintained that he had witnessed
- 31:16Speaker 2: the apparition descending the staircase, while Pravand confirmed that he
- 31:19Speaker 2: had been operating the camera when Shira called out. Price
- 31:23Speaker 2: also examined the photographic negative, looking for indications that the
- 31:26Speaker 2: mysterious figure had been added through manipulation. But he reportedly
- 31:32Speaker 2: found no obvious evidence that the negative had been altered.
- 31:36Speaker 2: Price acknowledged that a deliberate deception involving cooperation between the
- 31:40Speaker 2: two photographers was possible, but he found their testimony convincing
- 31:45Speaker 2: and stated that he had no grounds to accuse them
- 31:47Speaker 2: of dishonesty. However, not everyone examining the photograph reached that
- 31:52Speaker 2: same conclusion. During 1937, researchers associated with the Society for
- 31:58Speaker 2: Physical Research, an organization devoted to studying unusual experiences for
- 32:02Speaker 2: alleged paranormal phenomena, conducted a separate investigation into the image.
- 32:08Speaker 2: Their examination considered conventional photographic explanations, including the possibility that
- 32:13Speaker 2: light had accidentally entered the camera or that movement during
- 32:17Speaker 2: an exposure lasting approximately six seconds had produced the unusual effect.
- 32:22Speaker 2: Rather than concluding that the photo demonstrated the existence of
- 32:25Speaker 2: a ghost, the investigators considered that an ordinary explanation was
- 32:29Speaker 2: instead highly likely. The findings of that investigation, however, well,
- 32:34Speaker 2: they were not widely published at the time. As a result,
- 32:37Speaker 2: the photo continued circulating with Harry Price's more favorable assessment,
- 32:42Speaker 2: receiving considerable more attention. And for many people encountering the image,
- 32:46Speaker 2: the pale woman descending Rainham Hall staircase remained one of
- 32:49Speaker 2: the most extraordinary photos ever associated with a reported haunting. Now,
- 32:56Speaker 2: in the years following the publication of the Brown Lady's photograph,
- 32:59Speaker 2: the image became one of the most widely recognized examples
- 33:02Speaker 2: of supposed paranormal evidence. For believers, it appeared to provide
- 33:07Speaker 2: photo confirmation of the encounters reported at Rainham Hall for
- 33:11Speaker 2: more than a century. But for others, the photo raised
- 33:14Speaker 2: questions about how the mysterious figure had appeared on the negative,
- 33:18Speaker 2: particularly the when there were several ways to produce a
- 33:21Speaker 2: similar effect without anything supernatural taking place at all. One
- 33:26Speaker 2: explanation involved double exposure, a photographic technique in which two
- 33:31Speaker 2: separate images are recorded onto the same photographic surface. If
- 33:35Speaker 2: a person were photographed against one background and the same
- 33:38Speaker 2: negative or plate were exposed again on, say, this staircase,
- 33:43Speaker 2: the resulting photograph could show a translucent figure seemingly occupying
- 33:47Speaker 2: both of these scenes. Other critics suggest that the figure
- 33:51Speaker 2: might have been created during a single lengthy exposure. If
- 33:55Speaker 2: someone stood in the staircase for part of the exposure,
- 33:58Speaker 2: then moved away while the camera was still recording the scene,
- 34:03Speaker 2: then it could, you know, have both their body and
- 34:06Speaker 2: the staircase behind them, making them appear partially transparent. There
- 34:11Speaker 2: were also suggestions that grease or another substance had been
- 34:14Speaker 2: applied to the camera lens, creating a blurred, human-like shaped pattern.
- 34:18Speaker 2: patch of light. Alternatively, an accidental light leak might have
- 34:23Speaker 2: produced an unusual shape that viewers subsequently interpreted as a woman, maybe.
- 34:30Speaker 2: Among the photo's critics was Joe Nickel, an American skeptical
- 34:34Speaker 2: investigator who argued that the image showed evidence consistent with
- 34:37Speaker 2: double exposure. Writers John Fairley and Simon Welfare also identified
- 34:43Speaker 2: irregularities in the photograph. They pointed to faint lines appearing
- 34:47Speaker 2: above the individual stair treads, suggesting that the staircase itself
- 34:51Speaker 2: had been recorded more than once, meaning a double exposure.
- 34:55Speaker 2: They also noted that a patch of reflected light near
- 34:58Speaker 2: the upper portion of the right-hand banister appeared twice. Now,
- 35:02Speaker 2: if those observations were correct, the photo contained indications of
- 35:06Speaker 2: overlapping images rather than simply an unexplained figure. Another interpretation
- 35:12Speaker 2: focused on the appearance of the woman herself. Some critics
- 35:16Speaker 2: noticed that the figure resembles traditional statues of the Virgin Mary,
- 35:21Speaker 2: particularly those depicting her wearing a long veil and flowing
- 35:24Speaker 2: robes with her hands held together in prayer. They suggested
- 35:28Speaker 2: that a photograph of such a statue could have been
- 35:31Speaker 2: superimposed over the empty staircase. Then a pale triangle shape
- 35:36Speaker 2: near the lower portion of the apparition was compared with
- 35:39Speaker 2: a draped cloth commonly depicted in these statues. while a
- 35:44Speaker 2: rectangular shape beneath the figure was interpreted by some as
- 35:47Speaker 2: a possible pedestal even. However, no particular statue was conclusively
- 35:52Speaker 2: identified as the source of the image. Now, the possibility
- 35:57Speaker 2: of deliberately manufacturing a ghost photo was also explored by
- 36:02Speaker 2: magician John Booth. Working with fellow magician Ron Wilson, Booth
- 36:07Speaker 2: created a comparable effect at Hollywood's infamous Magic Castle. Wilson
- 36:14Speaker 2: covered himself in a sheet and posed on the building's staircase,
- 36:17Speaker 2: while photographic techniques were used to produce a translucent ghost-like figure.
- 36:22Speaker 2: The resulting image demonstrated that a photo resembling the Brown
- 36:25Speaker 2: Lady could be created without supernatural involvement, although it didn't
- 36:30Speaker 2: establish which method, if any, had been used at Rainham Hall.
- 36:36Speaker 2: In the decades following the publication of the photo, reports
- 36:39Speaker 2: of the Brown Lady became considerably less frequent. although the
- 36:43Speaker 2: Townshend family continued to have occasional experiences that they attributed
- 36:46Speaker 2: to that apparition. During the 1960s, George John Patrick Dominic Townshend,
- 36:53Speaker 2: 7th Marquis Townshend, reportedly encountered a mysterious figure himself. Unfortunately,
- 36:59Speaker 2: very little information about this particular sighting is known. Interestingly,
- 37:04Speaker 2: stories also began circulating that the Brown Lady was actually
- 37:07Speaker 2: no longer confined to Rainham Hall. Some accounts placed her
- 37:11Speaker 2: at Hewton Hall. the nearby country estate associated with Dorothy
- 37:15Speaker 2: Walpole's family, while others suggested that she's also made appearances
- 37:20Speaker 2: at Sandringham House, another historical Norfolk residence. These later descriptions
- 37:26Speaker 2: sometimes portrayed the apparition as a younger, less frightening woman,
- 37:30Speaker 2: quite different from the hollowed-eye figure reportedly from other stories
- 37:34Speaker 2: centuries earlier. Although the Brown Lady remained Rainham Hall's most
- 37:38Speaker 2: famous supernatural resident, though, I should say she certainly wasn't
- 37:42Speaker 2: the only ghost associated with the property. Over the years,
- 37:47Speaker 2: stories emerged about two mysterious children, an unidentified caretaker accompanied
- 37:52Speaker 2: by a cocker spaniel, and even James Scott, Duke of Monmouth,
- 37:57Speaker 2: the illegitimate son of King Charles II, who was executed
- 38:00Speaker 2: for treason on July 15th, 1685. But in a more
- 38:05Speaker 2: modern sense, in 2006, another development brought renewed attention to
- 38:10Speaker 2: to the famous photo of the Brown Lady. Paranormal researcher
- 38:15Speaker 2: Alan Murdy discovered material preserved in the manuscripts department of
- 38:19Speaker 2: Cambridge University Library concerning the Society for Physical Research Investigation
- 38:24Speaker 2: for the photo in 1937. The previously unpublished findings offered
- 38:29Speaker 2: a different assessment from Harry Price's favorable comments. The investigators
- 38:34Speaker 2: had examined the photo and found possibilities of ordinary photographic defects.
- 38:40Speaker 2: particularly light entering the camera, movements or lengthy exposure, that
- 38:44Speaker 2: sort of thing, things we've already discussed. The discovery showed
- 38:48Speaker 2: that serious doubts, though, about the photo had existed almost
- 38:51Speaker 2: from the very beginning, even though the skeptical investigators had
- 38:54Speaker 2: received far less publication attention than Price's statements. But today,
- 38:59Speaker 2: Rainham Hall remains standing in the English countryside, more than
- 39:03Speaker 2: 400 years after its construction. The famous photograph continues to
- 39:08Speaker 2: be debated to this day, And despite decades of investigation,
- 39:12Speaker 2: no definitive explanation for the mystery and the figure standing
- 39:16Speaker 2: there in that staircase has ever been established. Whether the
- 39:19Speaker 2: brown lady was nothing more than a trick of the
- 39:21Speaker 2: camera or something much more difficult to explain, well, that
- 39:26Speaker 2: mystery remains. But if the stories are true, perhaps Dorothy
- 39:31Speaker 2: Walpole never really left Rainham Hall. And somewhere within its
- 39:35Speaker 2: century-old walls, the woman in brown may still be wandering
- 39:40Speaker 2: the corridors that she once called home. And that's the
- 39:45Speaker 2: story of the Lady of Rainham Hall.
- 39:49Speaker 4: Hmm.
- 39:49Speaker 3: That's quite a story.
- 39:51Speaker 2: Is it ever.
- 39:52Speaker 3: What a piss off though. These two literally take the
- 39:55Speaker 3: photo of their freaking life and everyone is just trying
- 39:59Speaker 3: to explain it away for eternity really.
- 40:02Speaker 2: Essentially and honestly that's still something that goes on today
- 40:05Speaker 2: is you know oh it's photoshopped oh it's fake and
- 40:08Speaker 2: even now in the new age oh it's AI.
- 40:10Speaker 1: Yeah.
- 40:11Speaker 3: You know. I mean, some of the reasonings that you
- 40:15Speaker 3: were given make sense, but I don't know. I really
- 40:17Speaker 3: want to believe that it's real.
- 40:19Speaker 2: It's an eerie photo.
- 40:20Speaker 1: It is.
- 40:22Speaker 3: It really is. I mean, they were probably like rushing
- 40:26Speaker 3: to take it.
- 40:27Speaker 1: Yeah.
- 40:28Speaker 3: So maybe something happened or could have even been like
- 40:31Speaker 3: in the developing process, really. But I don't know. I
- 40:35Speaker 3: want to believe it's real because there's also so many
- 40:38Speaker 3: other stories to go along with it, right?
- 40:40Speaker 2: There is.
- 40:41Speaker 3: So it kind of.
- 40:43Speaker 2: Well, and it's not something that just showed up on
- 40:45Speaker 2: the camera. Supposedly, Shira saw it and told them to
- 40:49Speaker 2: take the photo so they could capture what's going on.
- 40:52Speaker 3: I don't know. Yeah, that photo was wild. It's kind
- 40:56Speaker 3: of cool. It is.
- 40:58Speaker 2: We should get it framed in our house.
- 40:59Speaker 3: Kate, that's so funny. I was literally just thinking that.
- 41:02Speaker 1: Really?
- 41:02Speaker 3: That is so cool to have, if you had something
- 41:04Speaker 3: like that framed in your house. Like, oh my gosh.
- 41:08Speaker 2: Well, I hope you guys enjoyed this spooky tale today.
- 41:11Speaker 2: It's an infamous photograph. If you haven't seen it before,
- 41:15Speaker 2: look up the Lady of Rainham Hall, the brown lady.
- 41:19Speaker 2: You will find this photo. It is, it's haunting. It's
- 41:25Speaker 2: not scary. It's not eerie. It's just haunting. There's something
- 41:31Speaker 2: about it. I can't put words onto it.
- 41:33Speaker 4: Yeah.
- 41:33Speaker 3: It's hard to even explain it. It's, it like sucks
- 41:36Speaker 3: you in though. Like into a different world almost.
- 41:40Speaker 1: Yeah.
- 41:40Speaker 3: Like a moment.
- 41:41Speaker 2: It really does.
- 41:42Speaker 3: Yeah. I mean, we can put it on our socials too.
- 41:45Speaker 2: We definitely will. So you can take a look over
- 41:47Speaker 2: there as well. If you haven't got the ability to
- 41:49Speaker 2: look it up or you're curious, you can go over,
- 41:51Speaker 2: check out our Instagram and Facebook. We'll be putting it
- 41:53Speaker 2: up there soon and you can take a look and
- 41:55Speaker 2: let us know what you think. Is it real or
- 41:58Speaker 2: is it not? I mean, regardless if the image was fake,
- 42:02Speaker 2: the stories of the lady in brown sure are They're
- 42:05Speaker 2: sure in depth.
- 42:07Speaker 1: I know.
- 42:07Speaker 2: And they predate this photo by generations already.
- 42:12Speaker 3: And you almost kind of just hope that she's like
- 42:17Speaker 3: still living the afterlife that she wants. That she's not stuck,
- 42:20Speaker 3: you know?
- 42:20Speaker 2: I hope so.
- 42:21Speaker 3: But I'm kind of like, frick, that sounds fun. Just
- 42:23Speaker 3: wandering around this mansion and scaring the shit out of people. Like,
- 42:27Speaker 3: I don't know. Kind of into it. Is that weird?
- 42:30Speaker 2: I guess we know what Nicole's going to do in
- 42:32Speaker 2: her afterlife.
- 42:33Speaker 3: Yeah.
- 42:35Speaker 2: Anyways, thank you guys for being here. We appreciate you.
- 42:37Speaker 2: Day three of Halloween week is done and we'll see
- 42:41Speaker 2: you in day four. But before we do, Nicole's got
- 42:44Speaker 2: something she needs to give you.
- 42:46Speaker 3: Holy shit.
- 42:47Speaker 1: I do.
- 42:47Speaker 3: I would have forgotten. I'm like so into this case. Okay.
- 42:53Speaker 3: So today's number that you need to keep track of
- 42:57Speaker 3: is seven.
- 42:58Speaker 2: Number seven.
- 42:59Speaker 3: Number seven.
- 43:01Speaker 2: And until next episode.
- 43:03Speaker 3: I think Jacko needs to take us away. Jacko?
- 43:05Speaker 2: Where is he? Jacko!
- 43:08Speaker 1: Stay wicked.
- 43:10Speaker 4: © transcript Emily Beynon Thank you.