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MY LADY'S SONG - Act 3 · Table Read

• 0:03
  Speaker 1: At three, Sal has broken the code of La Familia
• 0:06
  Speaker 1: and has killed family in order to save Hara. Vince
• 0:10
  Speaker 1: forces Sal to bring Hara back by putting Sal's family
• 0:14
  Speaker 1: in danger. Does Sal bring Hara back to meet her
• 0:17
  Speaker 1: fate with Vince? Or do Sal and Vince meet and
• 0:20
  Speaker 1: have the inevitable Vinyl showdown? Interior Sal's Hotel Room, Continuous,
• 0:28
  Speaker 1: Right way you belong? Interior Harrah's Hotel Room, Chicago night.
• 0:34
  Speaker 1: Harah has just come out of the shower. She's in
• 0:36
  Speaker 1: the hotel bathrobe, her hair done up in a towel.
• 0:39
  Speaker 1: There's a faint knock at the door. She cautiously goes
• 0:42
  Speaker 1: to the door.
• 0:44
  Speaker 2: Who is it, Sah?
• 0:46
  Speaker 1: Harah opens the door to see Sal, his face beaten
• 0:50
  Speaker 1: to a pulp. Sal is holding his jacket, an overnight bag,
• 0:53
  Speaker 1: Leo's pistol in his belt.
• 0:55
  Speaker 2: Oh my god, we gotta get out of here.
• 0:58
  Speaker 3: Can you give me a little more?
• 0:59
  Speaker 4: Exhausted?
• 0:59
  Speaker 5: We got and he's out of breath, straight off the fight.
• 1:07
  Speaker 2: I just had lasagnas.
• 1:12
  Speaker 3: All right?
• 1:13
  Speaker 2: Here we go? Who is it?
• 1:16
  Speaker 3: Sal?
• 1:17
  Speaker 1: Parah opens the door to see Sal, his face beaten
• 1:20
  Speaker 1: to a pulp. Sala is holding his jacket, an overnight bag,
• 1:23
  Speaker 1: Leo's pistol in his belt.
• 1:25
  Speaker 2: Oh my god, we gotta get at you.
• 1:28
  Speaker 1: Sal falls through the doorway and onto the floor. Interior
• 1:32
  Speaker 1: black Lincoln town car night Parah drives. Salah is in
• 1:36
  Speaker 1: the front seat, leaning against the passenger door, reeking of pain.
• 1:40
  Speaker 1: His left arm cradles his broken ribs, and his right
• 1:44
  Speaker 1: hand holds a zip lock baggy of ice to his face.
• 1:47
  Speaker 1: The Nancy Wilson song.
• 1:49
  Speaker 6: Ends, we gotta get you to a hospital.
• 1:51
  Speaker 1: He drops the ice bag.
• 1:53
  Speaker 2: Oh, no, hospital, I got a call fence. He just
• 1:55
  Speaker 2: tried to kill you. No, no, he would never do
• 1:57
  Speaker 2: that unless he had to.
• 2:00
  Speaker 1: Le sal Limo Service Office late night. Uncle Charlie and
• 2:04
  Speaker 1: Vince played gin waiting for Leo's call. The phone rings.
• 2:07
  Speaker 1: Vince puts the call on speaker. Intercut between front seat
• 2:11
  Speaker 1: of town car and office.
• 2:13
  Speaker 4: Yeah, Vince, sal my man, Leo get that.
• 2:16
  Speaker 2: Yeah, Yeah, Leo got here all right. Said you sent
• 2:19
  Speaker 2: them to the girl and me.
• 2:21
  Speaker 7: Oh you know that ain't true. I'll kill that rep
• 2:23
  Speaker 7: bested with my bare hands.
• 2:25
  Speaker 4: Sal Leo wanted a piece of your ass from day one.
• 2:28
  Speaker 4: You know that. I swear we didn't send them for you.
• 2:31
  Speaker 2: Charlie, relax, I know you never said a punk like
• 2:34
  Speaker 2: that for me.
• 2:35
  Speaker 4: Sal You didn't try to protect that girl, did you.
• 2:38
  Speaker 2: I didn't have time to do shit.
• 2:40
  Speaker 5: That stupid fuck came at me with those big hamhockses
• 2:43
  Speaker 5: no weapon.
• 2:44
  Speaker 4: Where is he now?
• 2:46
  Speaker 2: His body's laying on a garbage dumpster behind all hotel.
• 2:49
  Speaker 1: Vince and Uncle Charlie laughed.
• 2:52
  Speaker 7: Sala, Barbo, You're a rock, a fucking stone age rock,
• 2:56
  Speaker 7: a petrified rock that can't even be scratched.
• 2:59
  Speaker 2: What are you a full? He scratched me good. I'm
• 3:02
  Speaker 2: not gonna be able to head back for a few days.
• 3:04
  Speaker 4: They bust you up bed.
• 3:05
  Speaker 2: I think I got a couple of broken ribs.
• 3:07
  Speaker 4: Ah, you're getting old South, Yeah.
• 3:09
  Speaker 2: I no shit.
• 3:10
  Speaker 5: If he wasn't such an amateur, you'd be talking into
• 3:12
  Speaker 5: a dead phone.
• 3:14
  Speaker 2: He had to blood in the mouth, he talked when
• 3:16
  Speaker 2: he should have just took a shot.
• 3:18
  Speaker 4: What about the girl?
• 3:19
  Speaker 2: Are you kidding? Have to see my face in lee
• 3:21
  Speaker 2: in the alley with his brains pouring out of his ears.
• 3:23
  Speaker 2: She took off. I ain't any shape to go.
• 3:26
  Speaker 7: After I'll take care of her. You just get back
• 3:29
  Speaker 7: here as soon as you can.
• 3:30
  Speaker 2: I just need a day or two.
• 3:33
  Speaker 4: You need anything, You call Charlie.
• 3:35
  Speaker 2: Vince next time you try to kill me, don't it
• 3:37
  Speaker 2: sold me? Send the prop Sal hangs up.
• 3:41
  Speaker 4: His brain's pouring out.
• 3:42
  Speaker 2: Is he.
• 3:45
  Speaker 1: Interior? Black Lincoln Town car night traveling moving along I
• 3:50
  Speaker 1: fifty five from Chicago to Saint Louis.
• 3:52
  Speaker 2: He bought it for now.
• 3:55
  Speaker 6: I'll get off at a train station and you'll never
• 3:57
  Speaker 6: see me again, I promise.
• 3:58
  Speaker 2: How are you don't know these people?
• 4:00
  Speaker 5: You need a new identity passport and new Social Security number,
• 4:03
  Speaker 5: not to mention money. Even then, it's a fifty to
• 4:06
  Speaker 5: fifty chance Vince will find you.
• 4:08
  Speaker 2: Don't worry about me.
• 4:09
  Speaker 1: I'll get by.
• 4:11
  Speaker 2: How as long as I got what men want. If
• 4:14
  Speaker 2: I could raise my hand right now, I'd slap your face.
• 4:17
  Speaker 6: I'm trying to get you out of this.
• 4:18
  Speaker 5: If you care anything about yourself or me, you'll do
• 4:21
  Speaker 5: as I tell you.
• 4:22
  Speaker 6: So why why are you doing this for me?
• 4:25
  Speaker 2: I don't know.
• 4:26
  Speaker 5: Maybe because no one ever Just drive?
• 4:30
  Speaker 2: Where are we going Saint Louis?
• 4:32
  Speaker 5: This?
• 4:32
  Speaker 2: He said? That old junkie he works for Vince. We
• 4:36
  Speaker 2: did eight years together.
• 4:37
  Speaker 5: He owes me, and he's the only one I know
• 4:39
  Speaker 5: who can get you your papers fast.
• 4:40
  Speaker 2: He's gom a pervert. We gotta take a shot now,
• 4:43
  Speaker 2: just shut up and drive. Put on some music.
• 4:47
  Speaker 1: Harah Press's play. Eartha Kid sings Saint Louis Woman exterior,
• 4:52
  Speaker 1: black Lincoln Town Car early morning. We drive down I
• 4:55
  Speaker 1: fifty five to Saint Louis. As Eartha sings Night turns
• 4:59
  Speaker 1: to mourning.
• 5:00
  Speaker 2: We hear in voiceover one of those stupid questions, what
• 5:06
  Speaker 2: what's your real name?
• 5:09
  Speaker 6: Lily and Scott from Kansas.
• 5:13
  Speaker 2: Lily like the flower.
• 5:15
  Speaker 5: Lily's always reminded me of the old phonograph horn on
• 5:18
  Speaker 5: the RCADS.
• 5:20
  Speaker 2: You know what the dog now you're too young. Of
• 5:23
  Speaker 2: course the head horn wasn't white, but I used to
• 5:26
  Speaker 2: think that God spoke to the world through the Lily horn.
• 5:30
  Speaker 2: It was all just too damn busy to listen. You
• 5:33
  Speaker 2: look pretty with the song coming up behind you.
• 5:34
  Speaker 6: Lily, Leo must to hit you good.
• 5:38
  Speaker 2: Go back to sleep, brust.
• 5:42
  Speaker 1: Exterior, sid Sin City, early afternoons. Sid Sin City is
• 5:46
  Speaker 1: the largest perversion oasis in the Midwest. Not only is
• 5:49
  Speaker 1: it a club twice or three times the size of
• 5:52
  Speaker 1: the Private Eye Club, it's a triple X rated video center,
• 5:55
  Speaker 1: an exotic lingerie boutique, and a sex toy shop that's
• 5:58
  Speaker 1: second to none. There also happens to be a motel
• 6:01
  Speaker 1: right next door. The black Lincoln town car pulls in
• 6:06
  Speaker 1: interior sid Sin City Club continuous. The lunch crowd is
• 6:10
  Speaker 1: small but vocal as they cheer on a young girl
• 6:13
  Speaker 1: who's obviously new to the strip. Tease, hold on, et,
• 6:18
  Speaker 1: what was it like for you here in your day?
• 6:21
  Speaker 4: All right, page ninety, everybody.
• 6:23
  Speaker 2: Move it along.
• 6:26
  Speaker 1: Haarrah, still dressed in her navy blue conservative suit, and
• 6:29
  Speaker 1: Sal still hurting. Come up to the bar. Some mindless
• 6:32
  Speaker 1: disco shit is playing, as the bartender says, what.
• 6:35
  Speaker 5: Do you have about some real music? What tell Sid
• 6:39
  Speaker 5: that sal Ma Reno from New York is here to
• 6:41
  Speaker 5: see you.
• 6:42
  Speaker 4: He'll be out in the second. You can tell him yourself.
• 6:45
  Speaker 4: You want to drink or ross steak for that map yours?
• 6:48
  Speaker 2: I have very funny Dievebepsi for me?
• 6:51
  Speaker 4: How about you?
• 6:52
  Speaker 1: Kettle one and tonic Sal gives her a look.
• 6:56
  Speaker 6: On second thought, how about it ginger Ale?
• 6:59
  Speaker 4: Not too much ice? Huh, couple of high rollers.
• 7:02
  Speaker 2: This girl could use some pointers.
• 7:04
  Speaker 5: Don't get any ideas, miss Lily and Scott.
• 7:07
  Speaker 1: As the song ends, the young girl on stage finishes
• 7:10
  Speaker 1: her feeble attempt. Sid parts the curtains and walks onto
• 7:14
  Speaker 1: the stage. Sid is an old timer dressed in a
• 7:16
  Speaker 1: very stylish outfit Armani suit, Gucci shoes, and a black
• 7:20
  Speaker 1: T shirt.
• 7:21
  Speaker 3: Hey, how about a big hand for the young ladies.
• 7:23
  Speaker 2: First try?
• 7:29
  Speaker 3: You got the makings, darling. Believe me, Sid knows you.
• 7:34
  Speaker 8: Come to Sid's private office and Sid I'll give you
• 7:37
  Speaker 8: a few pointers.
• 7:37
  Speaker 2: Ah.
• 7:39
  Speaker 8: Hey, hey, Felis, You're not gonna believe this, But yesterday
• 7:43
  Speaker 8: a mushroom walks into Sid's barn.
• 7:44
  Speaker 3: Yeah no, no, no, no, no, no, I mean it,
• 7:46
  Speaker 3: And I said, I'm sorry, we do not served mushrooms here.
• 7:50
  Speaker 3: The mushroom says, why not. I'm a fun guy.
• 7:55
  Speaker 4: Fun guy.
• 7:58
  Speaker 1: Laughs and booze from the crowd. Sid is about to
• 8:01
  Speaker 1: tell another when he spots Sal at the bar.
• 8:03
  Speaker 8: Sal waves, Hey, all right, boys, Sid'll give you a break.
• 8:08
  Speaker 8: No more jokes for a while. Now, let's get on
• 8:12
  Speaker 8: with the amateurs show. Next, here is a young lady
• 8:15
  Speaker 8: to try her hand and all other parts at the
• 8:18
  Speaker 8: art of the strip death Jack.
• 8:21
  Speaker 1: Sid leaves the stage and goes right over to Sal.
• 8:23
  Speaker 1: As the next girl comes on stage, Sid looks in
• 8:26
  Speaker 1: Sal's eyes and then hugs him.
• 8:29
  Speaker 3: What the fuck happened to you?
• 8:33
  Speaker 2: I need your help.
• 8:34
  Speaker 1: Interior Sid Sin City Club office, late afternoon. Harris stands
• 8:38
  Speaker 1: against a light colored wall as a flashbulb goes off.
• 8:41
  Speaker 1: Sid has just taken her photo.
• 8:44
  Speaker 5: She's going to need everything passporard, social security, drive, his license,
• 8:48
  Speaker 5: the whole show.
• 8:49
  Speaker 3: Okay, where was her? Never mind? I don't want to
• 8:51
  Speaker 3: know her real name and where she comes from.
• 8:53
  Speaker 2: What do you want to know?
• 8:55
  Speaker 8: I only want to know what my friend needs. Okay,
• 8:59
  Speaker 8: here's a key to Cavin nine next door. It's the
• 9:01
  Speaker 8: last room on the bottom floor.
• 9:03
  Speaker 2: I'll wait for salth It's okay. I can make it
• 9:06
  Speaker 2: by myself. Just bring in the bags.
• 9:07
  Speaker 8: It's okay, I'll help show over. Don't you worry at all.
• 9:11
  Speaker 8: Sid has got it all under control here. You are
• 9:15
  Speaker 8: very lovely to look at my child.
• 9:18
  Speaker 2: Go ahead, I'll be right there.
• 9:20
  Speaker 1: Para exits, Sid removes his jacket and throws it across
• 9:23
  Speaker 1: his desk, then enters a back room. Interior Sid's Sin
• 9:28
  Speaker 1: City back Lounge, early evening. Sid's private lounge is like
• 9:32
  Speaker 1: a chik's sexual playroom. Dark red curtains hang from everywhere.
• 9:36
  Speaker 1: A large fluffy bed takes up most of the room.
• 9:39
  Speaker 1: A nude young girl is passed out on the bed.
• 9:43
  Speaker 1: Two young boys no more than fifteen years older there.
• 9:46
  Speaker 1: One of the boys is freebasing, the other draws on
• 9:49
  Speaker 1: a bong. The young girl, who was on the stage
• 9:51
  Speaker 1: is filling a needle with juice. Sid puts on a
• 9:54
  Speaker 1: smoking jacket.
• 9:56
  Speaker 8: I would offer you something, but present can this and
• 10:01
  Speaker 8: maybe next trip. You know, that's a nice piece of
• 10:05
  Speaker 8: ash you got there. That's your private stock.
• 10:08
  Speaker 2: It's now what you think.
• 10:09
  Speaker 8: Then when you're well, I'll get you a piece that'll
• 10:12
  Speaker 8: make that look like yesterday's lunch.
• 10:14
  Speaker 3: Sure, I said, but.
• 10:15
  Speaker 2: Right now I just want new papers for her?
• 10:17
  Speaker 3: How long tomorrow night? Maybe next morning?
• 10:20
  Speaker 2: Sid.
• 10:20
  Speaker 5: This is between you and me, no one else, not
• 10:23
  Speaker 5: even Vince. You can't do that. I'll be out of
• 10:25
  Speaker 5: here tonight.
• 10:26
  Speaker 3: So sah, how could you?
• 10:30
  Speaker 2: I figured you owe me one.
• 10:31
  Speaker 3: Sid. This isn't like you.
• 10:34
  Speaker 2: Fuck.
• 10:35
  Speaker 3: Let's Sid talk to Vince. See what I can.
• 10:39
  Speaker 2: Vince tried to have me killed.
• 10:41
  Speaker 3: That's not so you'd.
• 10:43
  Speaker 2: Be lying in a prison Morgan. If it wasn't for me, sure, Sally, yeah,
• 10:47
  Speaker 2: sure for you.
• 10:48
  Speaker 3: But then Sid has always had a soft heart.
• 10:52
  Speaker 1: Interior Sid's sin City motel room. Early morning. Ella Fitzgerald sings,
• 10:57
  Speaker 1: Come rain or Come shine. Salas sleeping on the bed.
• 11:01
  Speaker 1: Haah sits on the bed and applies a cold, wet
• 11:04
  Speaker 1: towel to his still swollen face. Sal barely moves. Harah
• 11:09
  Speaker 1: gets up, goes to the dresser and takes the car
• 11:11
  Speaker 1: keys and exits the room. Exterior black Lincoln town car
• 11:16
  Speaker 1: early morning. Hara drives west along I forty four. Ella
• 11:20
  Speaker 1: Fitzgerald continues singing, Come Rain or Come Shine. Signpost reads
• 11:25
  Speaker 1: Saint Cloud, Missouri, another sign reading State Psychiatric Hospital. The
• 11:30
  Speaker 1: town car turns in exterior Psychiatric Lawn, Saint Cloud, Missouri. Afternoon,
• 11:36
  Speaker 1: Harah pushes an old woman in a wheelchair towards a
• 11:39
  Speaker 1: gazebo next to a beautiful pond. At a closer glance,
• 11:43
  Speaker 1: we can see that the woman isn't as old as
• 11:45
  Speaker 1: she appears. However, the woman is obviously in a world
• 11:48
  Speaker 1: of her own. Ella stops singing.
• 11:52
  Speaker 6: The nurses say you like to come out here? I
• 11:55
  Speaker 6: can see why it's beautiful.
• 11:57
  Speaker 9: The nurses A nurses stee they do not they do?
• 12:02
  Speaker 2: Oh?
• 12:03
  Speaker 10: They do? The nurses steal my makeup when I'm sleeping.
• 12:07
  Speaker 2: Why would they do that?
• 12:09
  Speaker 10: Because when I look good, their boyfriends notice me. They
• 12:14
  Speaker 10: watch me and the.
• 12:16
  Speaker 9: Nurse's skitchell us.
• 12:18
  Speaker 6: I bet they do, Mama. I'll just bet they do that.
• 12:22
  Speaker 10: When I dress up, my hair is done just right
• 12:26
  Speaker 10: mm hmm, like Rita Hayworth. My Lord knows I'm the
• 12:31
  Speaker 10: definitive source of beauty and style. Oh yes, I am.
• 12:39
  Speaker 9: Do you have some makeup that I could use? I'll
• 12:41
  Speaker 9: be sparing of it.
• 12:43
  Speaker 1: Sure. Harah takes a small makeup kid with mirror and
• 12:47
  Speaker 1: lipstick out of her pocketbook and gives it to her mother.
• 12:50
  Speaker 1: Mama opens the kid as Hara turns and looks out
• 12:53
  Speaker 1: over the pond.
• 12:54
  Speaker 9: Oh mmm, my, this will do nice. Sleep.
• 13:01
  Speaker 6: I sent you a check to this hospital, almost all
• 13:04
  Speaker 6: the money I had. It shall last for a while year,
• 13:07
  Speaker 6: year and a half. But that's it, Mama.
• 13:10
  Speaker 2: No more. You can't count on me.
• 13:13
  Speaker 6: No more, you understand, Mama.
• 13:14
  Speaker 9: Oh why yes, don't you go worrying about me.
• 13:20
  Speaker 2: Roy will be here anytime now, Roy.
• 13:23
  Speaker 9: I want to look nice for when Roy comes.
• 13:26
  Speaker 2: Back from me. Mamma.
• 13:27
  Speaker 6: Roy ain't coming.
• 13:27
  Speaker 9: Back, Yes he will. You just see. He knows where
• 13:32
  Speaker 9: his bread is buttered.
• 13:33
  Speaker 6: Mamma, Roy was a drunken bum hush child.
• 13:37
  Speaker 9: That lady like of you to talk about your daddy
• 13:39
  Speaker 9: that way.
• 13:40
  Speaker 6: My stepdaddy was a pig.
• 13:43
  Speaker 9: He was my husband, my husband, he provided for.
• 13:51
  Speaker 6: Us, Mama, He had me every time you left me.
• 13:55
  Speaker 9: That is not true.
• 13:57
  Speaker 6: Every time you left the house. No, every time, and
• 14:01
  Speaker 6: you knew it.
• 14:02
  Speaker 10: That is not true. You are confusing me.
• 14:05
  Speaker 1: God, I wish it wasn't true.
• 14:08
  Speaker 10: Roy had problems with your sister. That's slut her lying
• 14:12
  Speaker 10: way my sister. That's slut Lily who took my Roy
• 14:16
  Speaker 10: away from me.
• 14:16
  Speaker 1: My own blood.
• 14:17
  Speaker 2: Mama.
• 14:18
  Speaker 9: I'm Lilian, I'm your only Yes, yes you are.
• 14:21
  Speaker 10: You are my Lilian who loves her Mama. And your
• 14:25
  Speaker 10: sister Lily is the one who stole my husband with
• 14:27
  Speaker 10: her cheap and sinful ways. But Roy is coming back
• 14:31
  Speaker 10: because he don't like that trumpet type.
• 14:34
  Speaker 2: How do I look? How do I look?
• 14:37
  Speaker 3: Now?
• 14:38
  Speaker 9: Ain't not just the prettiest thing?
• 14:41
  Speaker 1: Harah stares at Mama's face covered with makeup that looks
• 14:45
  Speaker 1: more suited to a circus clown than a Southern woman
• 14:47
  Speaker 1: of beauty and style. Judy Garland sings summertime exterior sid
• 14:54
  Speaker 1: Sin City, late afternoon, Judy sings as a light blue
• 14:58
  Speaker 1: Lincoln town car mobile pulls into the parking lot. A
• 15:02
  Speaker 1: bandaged Sal gets out of the passenger side front door
• 15:05
  Speaker 1: and goes into the club. The car pulls away and
• 15:08
  Speaker 1: parks by Room nine Interior Sid SID City Private Lounge,
• 15:13
  Speaker 1: late afternoon. The young girl who was shooting up after
• 15:16
  Speaker 1: her strip tease is now on Sid's bed, totally nude
• 15:19
  Speaker 1: and totally strung out. Throughout the following scene, Sid sits
• 15:24
  Speaker 1: up on the bed, back up against enormous pillows. Sid
• 15:28
  Speaker 1: rubs the young lady's body with his right hand, while
• 15:30
  Speaker 1: a nude young boy sits on the floor at Sid's
• 15:33
  Speaker 1: left hand. A second young girl, partially dressed, is at
• 15:37
  Speaker 1: Sid's dresser, working on the fixings for a needle.
• 15:40
  Speaker 3: Song ends, soal so, what did the good doctor say?
• 15:44
  Speaker 2: A couple of busted ribs, A butterfly from my eye.
• 15:47
  Speaker 2: I'll lift. Thanks for the car.
• 15:49
  Speaker 3: You're moving better.
• 15:51
  Speaker 11: Now, how about a little recreation now, my friend Joy,
• 15:56
  Speaker 11: there can be gentle when she wants.
• 15:58
  Speaker 1: Sid indicates the girl fixing the needle. She smiles at Sal.
• 16:02
  Speaker 1: She looks as gentle as a lioness.
• 16:05
  Speaker 5: The back brace helps, but I don't think I could
• 16:06
  Speaker 5: handle anything as lovely as young joy Lily come back?
• 16:12
  Speaker 3: Do you really expect her to?
• 16:15
  Speaker 2: She needs her papers?
• 16:17
  Speaker 3: They ready? Oh oh they were done in an hour.
• 16:20
  Speaker 3: All I needed was Lilian's photo.
• 16:22
  Speaker 2: Why didn't you?
• 16:23
  Speaker 1: During the following dialogue, the young girl takes the needle
• 16:26
  Speaker 1: to Sid, who opens a ring on his index finger.
• 16:29
  Speaker 1: The girl carefully fills the ring with the liquid. Sid
• 16:32
  Speaker 1: closes the ringtop and turns it palm down. He touches
• 16:36
  Speaker 1: the ring to his tongue and enjoys the jolt it
• 16:39
  Speaker 1: gives him.
• 16:45
  Speaker 11: You see you A lovely young girl by the name
• 16:49
  Speaker 11: of Betty and McCormick die suddenly in New York City.
• 16:52
  Speaker 11: Natural causes Day tells Sid Uncle Charlie sends Sid her papers.
• 16:57
  Speaker 11: Best to do these things right away. I believe you
• 17:01
  Speaker 11: knew missus Betty.
• 17:02
  Speaker 2: N No, I didn't know her.
• 17:04
  Speaker 8: Oh one of Sid's discoveries a lot of menace.
• 17:08
  Speaker 3: Her professional name.
• 17:09
  Speaker 5: Cut the crap, said, you know who Lily is? So
• 17:11
  Speaker 5: what's that to do with the odds?
• 17:13
  Speaker 8: Sid never forgets a nice piece of ass anyway. Vince
• 17:18
  Speaker 8: put out the word about Harra before you ever got here.
• 17:23
  Speaker 8: Soal Cid has lived too long for It's too late
• 17:27
  Speaker 8: in the game for me to start crossing a man
• 17:29
  Speaker 8: like Vince. Uncle Charlie's waiting in your room.
• 17:33
  Speaker 2: You're enjoying this, aren't you.
• 17:34
  Speaker 1: Sid smacks the nude girl's ass with the palm of
• 17:37
  Speaker 1: his hand, and she reacts with a smile.
• 17:41
  Speaker 3: Sid enjoys life and death.
• 17:43
  Speaker 2: I should kill you right now.
• 17:45
  Speaker 8: Why I told Uncle Charlie that you came here or
• 17:49
  Speaker 8: beat up with Lillian?
• 17:50
  Speaker 3: I mean, Sarah.
• 17:52
  Speaker 8: It's not Betty yan yet. Listen, you've got a way out.
• 17:56
  Speaker 8: I did that for my friend. All you have to
• 17:58
  Speaker 8: do is get in one of Sid's cars and go
• 18:00
  Speaker 8: back to New York City.
• 18:01
  Speaker 2: Uncle Charlie will never buy that.
• 18:04
  Speaker 3: He might when he sees your face.
• 18:06
  Speaker 2: He killed me when he sees my face.
• 18:07
  Speaker 3: But don't be a fool. You can't run.
• 18:11
  Speaker 8: Vince even knows about her mother at the nuthouse, the
• 18:13
  Speaker 8: stupid bitch center at check.
• 18:15
  Speaker 3: Long as Vince is alive, they'll find her. No matter
• 18:18
  Speaker 3: what you do. You can't cross her man like Vince.
• 18:21
  Speaker 2: Now tell me something I don't know interesting.
• 18:23
  Speaker 3: So how far does loyalty go with men like us?
• 18:27
  Speaker 3: It's your call.
• 18:27
  Speaker 2: Sal Thanks for nothing, he Sid.
• 18:30
  Speaker 8: Tries to please just let her go to your room,
• 18:32
  Speaker 8: and Uncle Charlie will live. I mean no, no, you'll
• 18:36
  Speaker 8: be off the hook.
• 18:38
  Speaker 5: Maybe I want Lilian's photo on those papers, and I
• 18:40
  Speaker 5: want a pink slip for one of your cars, and
• 18:42
  Speaker 5: I want it now.
• 18:44
  Speaker 8: They're on the table. So don't place, sir Lance a lot.
• 18:49
  Speaker 8: It doesn't fit in next con like you take it
• 18:52
  Speaker 8: from Sid. He's a wise old bestard.
• 18:55
  Speaker 1: Sal takes the papers Sid.
• 18:57
  Speaker 2: If you crossed me, Sid, never now run.
• 19:03
  Speaker 1: Billy Holiday sings stormy blues storm exterior Sid's sin City
• 19:09
  Speaker 1: Motel twilight. As Billy sings, we see Sal come up
• 19:13
  Speaker 1: to the light blue Lincoln town car. He looks at
• 19:15
  Speaker 1: his hotel room door. He gets into the light blue
• 19:18
  Speaker 1: limo and pulls away. Billy Holiday continues singing as twilight
• 19:22
  Speaker 1: turns to night and the black Lincoln town car pulls
• 19:25
  Speaker 1: into the motel parking lot. Harah gets out of the
• 19:28
  Speaker 1: car and walks toward her hotel room door, the last
• 19:31
  Speaker 1: room on the bottom floor. Harrah's about to insert card
• 19:35
  Speaker 1: key when a hand covers her mouth and pulls her away.
• 19:38
  Speaker 1: It's Sal. Billy stops singing.
• 19:41
  Speaker 5: Woo, don't scream, Uncle, Charlie's inside, give me a minute,
• 19:46
  Speaker 5: then put the card key in the lock and push
• 19:48
  Speaker 5: her open the door and then hit the deck.
• 19:50
  Speaker 2: One minute.
• 19:51
  Speaker 1: Sal goes to the back of the motel room. There's
• 19:54
  Speaker 1: a public garbage can just to the side of the
• 19:56
  Speaker 1: French doors. Sal takes the cover off the garbage can
• 19:59
  Speaker 1: and stands to the side of the French doors. Sal
• 20:02
  Speaker 1: peeks inside and sees a sleeping Uncle Charlie with his
• 20:05
  Speaker 1: arm resting on the arm of a large cushioned chair.
• 20:08
  Speaker 1: After a moment, Parah puts the card key in the
• 20:11
  Speaker 1: door and kicks the door and it flies open. Uncle
• 20:14
  Speaker 1: Charlie jumps to his feet and fires at the door.
• 20:17
  Speaker 1: Sal slams the garbage can cover onto the French windows,
• 20:20
  Speaker 1: breaking the glass. Charlie turns and fires toward the French doors.
• 20:25
  Speaker 1: Sal fire's back, putting three bounds into Charlie's chest, spinning
• 20:28
  Speaker 1: him around. Uncle Charlie sinks back into the cushioned chair.
• 20:33
  Speaker 1: The pistol falls from his hand. Parah stands in the
• 20:36
  Speaker 1: doorway as Sal comes face to face with the dying
• 20:40
  Speaker 1: Uncle Charlie.
• 20:43
  Speaker 2: Yeah, he.
• 20:47
  Speaker 9: Per see, hey, hey, hey he oh we.
• 20:54
  Speaker 2: Said he was the best I had a great teacher here.
• 21:00
  Speaker 4: But I taught Vince too.
• 21:02
  Speaker 2: Vince comes after me, or Harry's going to get the
• 21:03
  Speaker 2: same thing Vince.
• 21:05
  Speaker 4: Vince won't crumb after you. He'll make you come to him.
• 21:10
  Speaker 2: You're probably right.
• 21:11
  Speaker 4: Oh Jesus, this hurts.
• 21:15
  Speaker 2: Says that you're doing all of this for a piece
• 21:17
  Speaker 2: of assh I taught you better than that. It's not
• 21:22
  Speaker 2: about that, Charlie.
• 21:23
  Speaker 4: Ohy, you mean you ain't doing this?
• 21:25
  Speaker 2: Girl? No?
• 21:27
  Speaker 8: Oh oh well nah hem really fucking confuse.
• 21:35
  Speaker 1: Uncle Charlie slumps over dead. Judy Garland sings somewhere over
• 21:40
  Speaker 1: the rainbow.
• 21:42
  Speaker 2: Get our bags ready, put them in the light blue
• 21:44
  Speaker 2: Lincoln around back.
• 21:45
  Speaker 1: Sal tosses the keys and exits. We follow Sal across
• 21:49
  Speaker 1: the parking lot and through the strip club. Disco is playing,
• 21:52
  Speaker 1: but we only hear Judy singing somewhere over the rainbow.
• 21:56
  Speaker 1: Interior Sid sin City back Lounge, late evening. The song
• 22:00
  Speaker 1: continues as the young ladies from before are both nude
• 22:04
  Speaker 1: and rubbing up to Sid. The young boy is at
• 22:06
  Speaker 1: the dresser snorting cocaine. Sid is about to receive an
• 22:11
  Speaker 1: oral sexual favor from one of the young girls. When
• 22:13
  Speaker 1: the door flies open, Sal fires one shot into Sid's forehead.
• 22:18
  Speaker 1: The girls scream and look towards Saal in sheer fright.
• 22:21
  Speaker 1: Sal looks around, then walks out. The two girls and
• 22:25
  Speaker 1: the boy look at Sid and then run to the drugs,
• 22:28
  Speaker 1: which they try to carry off. Exterior Route seventy East,
• 22:33
  Speaker 1: night into day. Judy continues singing as we see the
• 22:36
  Speaker 1: blue Lincoln town Car traveling east towards Indianapolis. The song
• 22:40
  Speaker 1: ends as we hear in voiceover.
• 22:43
  Speaker 2: Say, why did they call him uncle?
• 22:45
  Speaker 6: He ain't nobody's uncle.
• 22:47
  Speaker 2: You're wrong there.
• 22:48
  Speaker 5: Vince's Anne on his mother's side, was married to Charlie
• 22:51
  Speaker 5: for over thirty years. Two amateurs tried to take Charlie
• 22:54
  Speaker 5: out and got her. Charlie got them no shit. Believe me,
• 22:58
  Speaker 5: you don't want to know what Uncle Charlie did to
• 22:59
  Speaker 5: the guy who ordered that hit. He had blood in
• 23:02
  Speaker 5: the mouth.
• 23:03
  Speaker 2: Ever since, blood in the mouth, it.
• 23:06
  Speaker 5: Was always business with Charlie. Now he enjoys it, did
• 23:09
  Speaker 5: enjoy it.
• 23:11
  Speaker 6: I bet Vince has a little blood in his mouth. Gallinsworth.
• 23:14
  Speaker 5: No, no, no, Vince don't care. He'll do whatever he has
• 23:17
  Speaker 5: to do, but he don't care.
• 23:19
  Speaker 2: That makes him even more dangerous.
• 23:21
  Speaker 1: Interior light blue town car night traveling.
• 23:26
  Speaker 6: Why are we heading.
• 23:26
  Speaker 2: Nie right now?
• 23:28
  Speaker 5: I'm not sure where you're heading, but I'll have to
• 23:31
  Speaker 5: head east sooner or later. Why we'll try to make
• 23:34
  Speaker 5: Columbus by tonight. They'll put you on a plane, in
• 23:36
  Speaker 5: our train or something in the morning.
• 23:38
  Speaker 1: Exterior light blue Lincoln town car twilight tonight. The day
• 23:42
  Speaker 1: now passes tonight. As we approach Columbus, Ohio, Keeley Smith
• 23:46
  Speaker 1: sings that old black magic Interior Hotel room in Columbus, Ohio.
• 23:52
  Speaker 1: Early evening, Sal sits at the desk looking at a
• 23:56
  Speaker 1: train schedule from Columbus to points anywhere. He then picks
• 24:00
  Speaker 1: up the hotel phone and dials Hello, Ma Interior. Sal's kitchen,
• 24:07
  Speaker 1: benson Hurst, Brooklyn. Evening intercut phone conversation between locations.
• 24:13
  Speaker 9: Sal, where are you?
• 24:15
  Speaker 2: I'm in a hotel?
• 24:17
  Speaker 9: Oh, you should be here tonight.
• 24:18
  Speaker 11: We got everything you like.
• 24:20
  Speaker 2: I wish I could be Mom.
• 24:22
  Speaker 1: Carmela is standing at the phone. She walks to the
• 24:25
  Speaker 1: stove with the cordless phone to stir her boiling sauce.
• 24:29
  Speaker 1: We say a prayer for you.
• 24:31
  Speaker 4: I could use it, we all could.
• 24:34
  Speaker 1: Who's that my boyfriend this year?
• 24:37
  Speaker 2: Vince is there?
• 24:38
  Speaker 1: Vince is sitting at the table, cutting vegetables for salad
• 24:41
  Speaker 1: with a large chopping knife.
• 24:43
  Speaker 4: Hello, my friend Ma, what's he doing? I'm making salad.
• 24:47
  Speaker 1: He took me for a ride in the big white bus,
• 24:51
  Speaker 1: you know the one you had here before you went.
• 24:54
  Speaker 4: Away, sALS. She loved the TVs.
• 24:58
  Speaker 2: Oh what a big call.
• 25:00
  Speaker 9: No wonder you had Anthony help you clean up.
• 25:03
  Speaker 2: It's bigger than a bedroom. Please, Vince, I'll do anything.
• 25:08
  Speaker 4: You left me no choice, Leo. We could have worked out.
• 25:11
  Speaker 1: But Charlie, what are you two talking about?
• 25:14
  Speaker 2: Vince, don't do this?
• 25:16
  Speaker 4: What I gotta do? You knew the rules?
• 25:20
  Speaker 2: What rules? What for you talk about rules?
• 25:24
  Speaker 4: You go against family? We kill you killed family? We
• 25:28
  Speaker 4: killed family, well killing.
• 25:31
  Speaker 9: I don't like this talk.
• 25:34
  Speaker 1: We don't see Vincent walk up to Carmela at the
• 25:36
  Speaker 1: stove and shove the large chopping knife into her chest.
• 25:39
  Speaker 2: Ah.
• 25:40
  Speaker 1: He does it again and again. We hear Carmela fall
• 25:45
  Speaker 1: to the floor and the plots from the stove fall
• 25:47
  Speaker 1: with her. No, no, kill.
• 25:50
  Speaker 2: You, I'll kill you.
• 25:51
  Speaker 4: You hear her die, I'm gonna kill you.
• 25:54
  Speaker 1: Vin Vincent sits at the table and speaks calmly, that's right.
• 25:58
  Speaker 7: You are going to come back and try to kill me.
• 26:01
  Speaker 7: Only you're going to bring that slut with you.
• 26:04
  Speaker 2: Forget the girl. This is between you and me.
• 26:06
  Speaker 4: No more lies, Sy, no more lies.
• 26:10
  Speaker 7: You bring her back, or I'm gonna play a little
• 26:12
  Speaker 7: game with your lying nephew in a welding torch.
• 26:15
  Speaker 4: Don't make me do that.
• 26:18
  Speaker 1: Vince slowly walks away. In the background, we see Carmela
• 26:22
  Speaker 1: on the floor, back up against the stove with the
• 26:25
  Speaker 1: knife in her heart and covered with the sauce from
• 26:27
  Speaker 1: the stove. Vince's feet crossed the camera as Eda James
• 26:32
  Speaker 1: sings someone to watch over me. Interior Sal's hotel room continuous.
• 26:39
  Speaker 1: Eda James continues singing as Sal bangs the phone down
• 26:42
  Speaker 1: over and over again, then throws it across the room.
• 26:45
  Speaker 1: He rips the hotel phone out of the wall. He
• 26:48
  Speaker 1: falls to his knees and cries. Exterior Root seventy east
• 26:53
  Speaker 1: to Wheeling, West Virginia, day to night. Traveling the light
• 26:58
  Speaker 1: blue Lincoln Town Car drives through Ohio to the West
• 27:01
  Speaker 1: Virginia border. Edna James finishes her song, then we hear
• 27:05
  Speaker 1: in voiceover.
• 27:06
  Speaker 6: Saal, when do I get off this merry go Round?
• 27:09
  Speaker 1: I got papers?
• 27:10
  Speaker 2: Now you get off one? I say.
• 27:12
  Speaker 6: I was just wondering, Well.
• 27:13
  Speaker 2: Don't, I'll make the moves. Why are you acting this way?
• 27:17
  Speaker 1: Interior light blue Lincoln town car afternoon. During the following
• 27:21
  Speaker 1: two scenes, images of Lada and Harra having sex in
• 27:24
  Speaker 1: the back of Sal's limo keep flashing through Sal's mind.
• 27:29
  Speaker 2: Why why? Because you don't listen.
• 27:32
  Speaker 6: That's not true.
• 27:33
  Speaker 2: I listened to everything.
• 27:34
  Speaker 6: Oh yeah, Flash, When did I not listen to you?
• 27:36
  Speaker 5: I told you no phone calls, no letters, no nothing
• 27:40
  Speaker 5: to the outside. I didn't you mailed a check to
• 27:42
  Speaker 5: your crazy mother in the nuthouse.
• 27:44
  Speaker 6: How did they find out about that?
• 27:45
  Speaker 2: I told you? They know everything everything.
• 27:48
  Speaker 1: Flash, sALS.
• 27:49
  Speaker 6: She's just a crazy old lady who doesn't even know me.
• 27:52
  Speaker 5: Well that's the last you see of her because they
• 27:55
  Speaker 5: already traced the check.
• 27:56
  Speaker 6: They wouldn't hurt her. She can't tell them anything about me.
• 27:58
  Speaker 2: They will use whatever can to get what they want.
• 28:01
  Speaker 2: That was a stupid thing to do. Stupid. Why are
• 28:04
  Speaker 2: you talking to me like this? Because I added knot Flash, I.
• 28:07
  Speaker 6: Want to go to the train station.
• 28:09
  Speaker 2: Why you don't trust me anymore? I I didn't say that.
• 28:12
  Speaker 2: I serve my purpose now? Fuck Sal? Right? Am I right?
• 28:17
  Speaker 2: Answer me? You don't trust me to get the fuck
• 28:21
  Speaker 2: out now.
• 28:23
  Speaker 1: The light blue Lincoln pulls over to the shoulder. Sal
• 28:26
  Speaker 1: gets out the behind the wheel, goes around to the
• 28:28
  Speaker 1: passenger side and opens the door.
• 28:30
  Speaker 2: Sal, Sal, what are you doing out? Get the fuck out, bitch.
• 28:34
  Speaker 1: Harah doesn't get out. Sal starts pulling her out of
• 28:37
  Speaker 1: the car. Harrah is scared out of her mind.
• 28:40
  Speaker 6: Stop this, Sal, Please, you're scaring me.
• 28:43
  Speaker 5: Why why are you doing this?
• 28:45
  Speaker 2: Question me?
• 28:45
  Speaker 5: You fucking question me after what I've done to save.
• 28:48
  Speaker 2: Your worthless life. I'm not worthless, worthless piece of shit.
• 28:52
  Speaker 6: Flash, I'm not worthless.
• 28:55
  Speaker 1: Sal reaches into the backseat and throws out two pieces
• 28:58
  Speaker 1: of Harah's luggage.
• 29:00
  Speaker 5: Save your own fucking ass. You would even last a
• 29:03
  Speaker 5: day without me. Now go fuck yourself a ride someplace, Sal.
• 29:07
  Speaker 2: I thank you, you're on your own. Please like me slash.
• 29:11
  Speaker 1: Sal pushes her away, gets in the car and takes off.
• 29:15
  Speaker 1: Harah looks at the passing cars. Julie London sings crime
• 29:19
  Speaker 1: your River. Haarah doesn't know where to go or what
• 29:22
  Speaker 1: to do. She picks up her suitcases and starts walking,
• 29:26
  Speaker 1: then drops the suitcases. She sits on one and cries
• 29:33
  Speaker 1: afternoon becomes twilight, and Harah is still sitting there when
• 29:36
  Speaker 1: the light blue Lincoln pulls into view. Sal gets out
• 29:40
  Speaker 1: and goes to her. Haarah throws her arms around Sal's
• 29:44
  Speaker 1: neck and hugs him for dear life. Interior Pioneer Diner Mcmetchen,
• 29:50
  Speaker 1: West Virginia, early evening. From the inside of the diner,
• 29:53
  Speaker 1: we see the light blue town car pull up. Sal
• 29:56
  Speaker 1: and Harrah get out and walk into the diner and
• 29:58
  Speaker 1: sit at a booth. Light blue town car is in
• 30:01
  Speaker 1: the background, and so is a help wanted sign in
• 30:03
  Speaker 1: the booth window right next to a jukebox. Haah sits
• 30:07
  Speaker 1: as Sal heads for a bathroom. The Julie London song ends.
• 30:12
  Speaker 2: I'll be right back.
• 30:14
  Speaker 1: Haraah looks at a menu when she notices a nice
• 30:17
  Speaker 1: looking young man at the counter looking at her. The
• 30:20
  Speaker 1: young man tips his baseball cap. Haarah just smiles and
• 30:23
  Speaker 1: looks away. The young man comes over to the booth.
• 30:27
  Speaker 2: Excuse me, my name is Jeff Tyler.
• 30:31
  Speaker 1: Good for you. You just come in from Missouri.
• 30:36
  Speaker 6: How did you know that?
• 30:37
  Speaker 2: I just saw your license plate?
• 30:39
  Speaker 3: I didn't mean to pray.
• 30:39
  Speaker 2: I went to school in Jefferson City.
• 30:43
  Speaker 6: Learn anything.
• 30:44
  Speaker 2: Excuse me?
• 30:46
  Speaker 1: Sal comes up behind Jeff. During the following conversation, Sal
• 30:50
  Speaker 1: just stares at Jeff up and down.
• 30:53
  Speaker 2: This is Jeff Tyler. Jeff Tyler.
• 30:57
  Speaker 3: I went to school in Jefferson City, Missouri, and I
• 31:00
  Speaker 3: was just well, I saw your plates, and I didn't
• 31:04
  Speaker 3: You didn't want.
• 31:07
  Speaker 4: Nothing, sir.
• 31:09
  Speaker 2: Didn'mian to interrupt your dinner with your daughter, if you
• 31:11
  Speaker 2: excuse me.
• 31:12
  Speaker 1: Jeff goes back to his dinner at the counter as
• 31:14
  Speaker 1: Sal gets into the booth. You thought I was your daughter.
• 31:19
  Speaker 2: I don't think that's so funny.
• 31:22
  Speaker 1: I thought it was nice.
• 31:24
  Speaker 6: I didn't think they made hecks like him anymore.
• 31:27
  Speaker 1: Scared the shit out of him. The waitress comes over, Hello,
• 31:30
  Speaker 1: welcome to the Pioneer.
• 31:31
  Speaker 9: What can I get you?
• 31:33
  Speaker 2: How's the stew here?
• 31:35
  Speaker 9: I wouldn't serve it to my cat in.
• 31:37
  Speaker 2: My kind of place. Tell me, sugar, what do you recommend?
• 31:43
  Speaker 10: Not a bad steak, and we have the best burger
• 31:45
  Speaker 10: you ever.
• 31:45
  Speaker 9: Ate comes with fries, burger.
• 31:47
  Speaker 2: And a beer for me, Betty Anne, I'll have a
• 31:50
  Speaker 2: turkey burger and water.
• 31:52
  Speaker 10: Right, I'll be right back with those drinks.
• 31:55
  Speaker 6: Probably hasn't got a dime.
• 31:57
  Speaker 5: Who Jeff Tyler, most likely the son and grandson, coal miners.
• 32:03
  Speaker 2: That's what this area used to be known for.
• 32:06
  Speaker 6: What do you think he does now?
• 32:08
  Speaker 2: I don't know. High school gym teacher, coaches baseball.
• 32:12
  Speaker 6: Yeah, he looks the type I thought he recognized me
• 32:16
  Speaker 6: from them.
• 32:18
  Speaker 5: Yeah, you know, keep yourself looking like you are now
• 32:20
  Speaker 5: a normal will.
• 32:21
  Speaker 2: Ever suspect you look fine? I'm proud to be seen
• 32:25
  Speaker 2: with you.
• 32:26
  Speaker 6: Think so that's how he looked at me, like he
• 32:30
  Speaker 6: like you.
• 32:30
  Speaker 5: Just thought you were a good looking girl. The kind
• 32:33
  Speaker 5: of girl he'd like to take to a nice dinner
• 32:35
  Speaker 5: and maybe a movie. The kind of girl that, after two,
• 32:38
  Speaker 5: three four dates, he'd like to make love to in
• 32:41
  Speaker 5: his own bed instead of a cheap sex in the
• 32:42
  Speaker 5: backseat of a car. The kind of girl he'd like
• 32:45
  Speaker 5: to take home to meet his family the coal miners.
• 32:49
  Speaker 2: The kind of girl that.
• 32:49
  Speaker 5: If things go well, he may want to marry and
• 32:52
  Speaker 5: raise a family with the kind of girl that he
• 32:55
  Speaker 5: wants to go through a dull, boring, more normal than
• 32:58
  Speaker 5: normal life with a girl.
• 33:01
  Speaker 6: M can you see me in a life like that?
• 33:05
  Speaker 1: Sal takes hold of her hand.
• 33:07
  Speaker 2: Yeah I can't.
• 33:10
  Speaker 6: It's too late.
• 33:11
  Speaker 2: You got a new life handed to you.
• 33:13
  Speaker 6: Could you live that life?
• 33:16
  Speaker 2: I'd give anything to have had a life like that.
• 33:19
  Speaker 6: Sal, what's wrong?
• 33:23
  Speaker 2: Look about what happened back there on the road. I
• 33:25
  Speaker 2: am I'm kind of in a Sal, I'm in for
• 33:30
  Speaker 2: the whole ride.
• 33:31
  Speaker 6: I'm with you, even if it means going back to
• 33:33
  Speaker 6: New York to face Vince. I know you love me,
• 33:35
  Speaker 6: and I I mean, I don't.
• 33:37
  Speaker 9: Mean like shit.
• 33:39
  Speaker 6: I have to go to the john. Just play some music,
• 33:41
  Speaker 6: will you.
• 33:42
  Speaker 1: Sal watches Harrah as she exits. He puts a coin
• 33:45
  Speaker 1: in the jukebox and presses a couple of buttons. He
• 33:49
  Speaker 1: takes the help wanted sign out of the window and
• 33:51
  Speaker 1: a pen out from his inside suit jacket pocket. Sarah
• 33:54
  Speaker 1: Vaughan sings, Motherless Child. Sl writes a note to Harah
• 33:59
  Speaker 1: that reads.
• 34:01
  Speaker 2: Take this job. If you don't hear from me or
• 34:04
  Speaker 2: my nephew Anthony in two days, run for it. Sah ps,
• 34:10
  Speaker 2: you love me too.
• 34:12
  Speaker 1: Sal folds the note and takes it with him. We
• 34:15
  Speaker 1: listened to Sarah sing. We see Sal and Jeff going
• 34:18
  Speaker 1: to the light blue Lincoln town car. Sal pulls Harrah's
• 34:21
  Speaker 1: luggage out of the back seat. He gives Jeff some money.
• 34:25
  Speaker 1: Jeff doesn't want it, but Sal insists, Sal gives him
• 34:28
  Speaker 1: the note. Sal gets into the car and we see
• 34:31
  Speaker 1: the back of Harah at the booth. Harah comes running
• 34:34
  Speaker 1: out after Sal, but the car has pulled away. Jeff
• 34:38
  Speaker 1: hands Sarah the note and carries her luggage to the diner.
• 34:42
  Speaker 1: Harrah stands there looking after the light blue Lincoln exterior
• 34:47
  Speaker 1: light blue Lincoln town car. Twilight to night traveling. Sal
• 34:51
  Speaker 1: drives east on Route seventy seventy six to Harrisburg, then
• 34:54
  Speaker 1: Route eighty one seventy eight north to Allentown twilight, and
• 34:58
  Speaker 1: we see the first sign for the Verrizanto Bridge to Brooklyn,
• 35:02
  Speaker 1: the fourth largest city in the US of A. Sarah
• 35:05
  Speaker 1: Vaughan finishes her song interior Sal's kitchen, Bensonhurst, Brooklyn, dusk.
• 35:11
  Speaker 1: Sal's sister, Donna sits at the kitchen table with a
• 35:14
  Speaker 1: coffee cup in her hand. Sal enters, Mama's dead.
• 35:19
  Speaker 2: I know.
• 35:21
  Speaker 12: That animal has my son. I know, hey, you know everything.
• 35:26
  Speaker 12: You know your best friend killed my mother. You know
• 35:29
  Speaker 12: he's gonna kill my son. You know that you and
• 35:31
  Speaker 12: your dirty, filthy world killed everything I loved.
• 35:35
  Speaker 2: I'll make them pay, Promise pay.
• 35:37
  Speaker 1: Donna gets up and starts smacking Sal's face.
• 35:40
  Speaker 2: Hey, is that all you can think of? Making someone pay.
• 35:43
  Speaker 4: For your sins?
• 35:44
  Speaker 2: You brought that world into this house. You no one
• 35:49
  Speaker 2: else you.
• 35:50
  Speaker 1: Sal grabs her arms and holds her close to his chest.
• 35:53
  Speaker 2: He's got my head, please said, I won't. Anthon will
• 36:03
  Speaker 2: be back in the morning. Promise.
• 36:06
  Speaker 1: We hear Billie Holiday singing, God Bless the child. Interior
• 36:10
  Speaker 1: Sal's bedroom in Brooklyn Night. Sal takes a new black
• 36:14
  Speaker 1: suit out of his closet. He lays it on his bed.
• 36:17
  Speaker 1: A montage of images a freshly starched, clean white shirt
• 36:21
  Speaker 1: being laid on the bed, Sal polishing a pair of
• 36:24
  Speaker 1: black shoes. Sal in the shower, Sal strapping a holster
• 36:29
  Speaker 1: to his ankle, Sal putting on pants, black socks and shoes.
• 36:34
  Speaker 1: Sal putting on the leather harness that holds his razor
• 36:36
  Speaker 1: in his sleeve. He tests it out. It works fine.
• 36:40
  Speaker 1: Sal taking a suitcase out from under his bed. He
• 36:43
  Speaker 1: removes a bullet proof vest. Sal buttons his shirt and
• 36:47
  Speaker 1: puts on the jacket. He sits at the desk and
• 36:49
  Speaker 1: writes a note. Sal exits as the doorbell rings. Interior
• 36:56
  Speaker 1: seven K Senator Baxter's suite. Knight opens the door as
• 37:01
  Speaker 1: the sounds of a large political party are heard. In
• 37:04
  Speaker 1: the background. The Billie Holiday song plays until it ends.
• 37:08
  Speaker 2: May I help you tell the Senator I want to
• 37:10
  Speaker 2: see him? As you can see, he's very busy.
• 37:12
  Speaker 5: Listen, Slick, you go tell the Senator that Sal, the
• 37:16
  Speaker 5: driver of the limo he fucked those pornos stars in
• 37:19
  Speaker 5: is here.
• 37:20
  Speaker 1: The aid is in shock. He tries to say something
• 37:23
  Speaker 1: to Sal, then turns and goes to the Senator, who's
• 37:26
  Speaker 1: in the middle of a conversation. The Aid whispers in
• 37:29
  Speaker 1: his ear. The Senator looks at Sal, excuses himself and walks.
• 37:33
  Speaker 2: Over what No pawnstars listen to me? No, you listen
• 37:38
  Speaker 2: to me because I'm going to do you a favor.
• 37:41
  Speaker 3: And what might that be?
• 37:43
  Speaker 2: After tonight you won't have to worry about Vince?
• 37:48
  Speaker 3: Did you hear me? I'm listening, but.
• 37:51
  Speaker 2: I still have a copy of you. Howrah? And the
• 37:53
  Speaker 2: missing Lada?
• 37:55
  Speaker 4: What would you want for that?
• 37:57
  Speaker 2: Not a fucking thing?
• 38:00
  Speaker 4: That's very generous of you.
• 38:02
  Speaker 2: Well that was easy, hey, asshole. Nothing's easy.
• 38:07
  Speaker 5: If a certain party like Hawer Reems even gets a cold,
• 38:09
  Speaker 5: whether I'm still around or not, your naked.
• 38:12
  Speaker 2: Ass will be all over the nightly news. You got
• 38:15
  Speaker 2: my word. Now I'm worried. Call Vance and tell him
• 38:20
  Speaker 2: I'm coming to the garage.
• 38:22
  Speaker 1: Sal exits and slams the door behind him. Exterior La
• 38:26
  Speaker 1: Sallemo Service Garage, late night. It starts to drizzle as
• 38:30
  Speaker 1: Sal drives up to the enormous garage door of the
• 38:33
  Speaker 1: lasal Limo Service. The ambient New York City night light
• 38:37
  Speaker 1: makes the outside of the garage look as much like
• 38:39
  Speaker 1: an old Gothic horror movie as the inside. Sal gets
• 38:43
  Speaker 1: out of the light blue Lincoln and the enormous steel
• 38:45
  Speaker 1: gray garage door opens as if welcoming Sal to the inevitable.
• 38:50
  Speaker 1: Sal walks into the garage and the huge door closes
• 38:53
  Speaker 1: as if locking him in hell. Interior La Sallemo Service Garage, continuous.
• 39:00
  Speaker 1: Sal walks over to the light switch next to the
• 39:03
  Speaker 1: office door. He flicks it on, but no good. He
• 39:06
  Speaker 1: looks toward the grease pit and sees Anthony hanging off
• 39:10
  Speaker 1: the car lift by his bound hands in the same
• 39:13
  Speaker 1: manner as Lada, only this time the dog is not
• 39:16
  Speaker 1: in the grease pit below. The dog is chained to
• 39:19
  Speaker 1: the same steel ring as before, but is on ground level.
• 39:23
  Speaker 1: The dog barks at Sal, Uncle, Sel, Uncle, Sal, Please
• 39:27
  Speaker 1: a few moments of excruciating silence before we hear Vince's
• 39:32
  Speaker 1: voice over the PA system.
• 39:34
  Speaker 4: Sally boy, my old friend.
• 39:36
  Speaker 1: Sal is trying to find out where Vince's voice is
• 39:39
  Speaker 1: coming from a series of shots, long row of Limos,
• 39:42
  Speaker 1: tool rack, the office window, Anthony hanging close up of Sal.
• 39:48
  Speaker 2: I could remember a time when you weren't afraid to
• 39:50
  Speaker 2: talk to me face to face.
• 39:52
  Speaker 7: And I can remember a time when you knew how
• 39:54
  Speaker 7: to do what you were told, when you knew what
• 39:56
  Speaker 7: family meant.
• 39:58
  Speaker 4: You disappointed me, Sally.
• 40:00
  Speaker 1: The girl, Sal pats his breast pocket.
• 40:03
  Speaker 2: She's right here.
• 40:05
  Speaker 4: You know, I'll kill the kid if I have to. Now,
• 40:08
  Speaker 4: No games, where's the girl?
• 40:10
  Speaker 1: Sal holds up a piece of paper.
• 40:12
  Speaker 2: No game, Vince.
• 40:13
  Speaker 5: Here's the address and phone number of the diners she's
• 40:16
  Speaker 5: working at, her new name, social security number, everything you need.
• 40:20
  Speaker 4: You were supposed to bring her this way.
• 40:23
  Speaker 2: You can pick her off anytime you want.
• 40:26
  Speaker 5: Charlie always said revenge is a dish best served, Cole.
• 40:31
  Speaker 4: That's very obliging of you. Uncle Charlie would be proud
• 40:36
  Speaker 4: of you if he was still alive.
• 40:38
  Speaker 2: Release the kid.
• 40:40
  Speaker 4: How do I know what's on that paper?
• 40:42
  Speaker 2: I give you my word.
• 40:43
  Speaker 7: Your word means nothing since you've been fucking that tu Tom.
• 40:47
  Speaker 2: Let the kid go, Vince. This is between you and me. Now.
• 40:52
  Speaker 1: There's a long pause, and finally the lift goes down
• 40:55
  Speaker 1: and Anthony's able to release his arms from the rung
• 40:58
  Speaker 1: of the lift. He runs to out who unties him.
• 41:03
  Speaker 2: Uncle Sale, he killed? I know, I know, I get
• 41:08
  Speaker 2: out here. It'll be easier with the two of us.
• 41:12
  Speaker 5: Nothing's easy, kid, Now get lost before you get us
• 41:15
  Speaker 5: both killed. There's a letter on Grandma's table telling you
• 41:18
  Speaker 5: what to do next.
• 41:19
  Speaker 1: Anthony slowly backs away and exits through the normal door
• 41:22
  Speaker 1: within the enormous steel gray garage door. However, we see
• 41:26
  Speaker 1: Anthony peeking in through the door's mail slot.
• 41:29
  Speaker 4: I'm glad I didn't have to kill him. He's a
• 41:32
  Speaker 4: good kid.
• 41:33
  Speaker 7: After I kill you, maybe I'll get him a job
• 41:36
  Speaker 7: of some kind. Now, you lay that piece of paper
• 41:39
  Speaker 7: down on the hood or the first limmo.
• 41:42
  Speaker 1: Sal puts the piece of paper back in his breast
• 41:44
  Speaker 1: pocket and starts walking around the garage looking for Vince.
• 41:48
  Speaker 2: Not Vince. I think I'll let you come and take
• 41:51
  Speaker 2: it from me.
• 41:54
  Speaker 4: You and me? Is that it salth you and me?
• 41:58
  Speaker 4: The too bad?
• 42:00
  Speaker 2: How could you do that to Carmela?
• 42:02
  Speaker 4: That was your fault, your prick. You killed Charlie.
• 42:05
  Speaker 2: That was different. Charlie would have killed me. My mother,
• 42:09
  Speaker 2: now killed family.
• 42:10
  Speaker 4: You know the rules?
• 42:11
  Speaker 2: Fuck your rules. You killed her, and I'm gonna kill you. Vince.
• 42:15
  Speaker 1: Sal notices a cable running under the office door, across
• 42:18
  Speaker 1: the workbench and into the third limo. Sal pulls out
• 42:21
  Speaker 1: his pistol with his right hand and grabs the cable
• 42:24
  Speaker 1: with his left. Sal yanks the cable and the microphone
• 42:28
  Speaker 1: is pulled out of Vince's hands. Sal fires two shots
• 42:31
  Speaker 1: into the tinted windshield of the third limo. Sal ducks
• 42:34
  Speaker 1: behind the first limo. Vince is now out of the limo,
• 42:38
  Speaker 1: in the open and no longer on the PA speaker.
• 42:41
  Speaker 7: You are becoming a very hard man to have a
• 42:43
  Speaker 7: nice conversation with zal.
• 42:46
  Speaker 2: Vince, your chief. Fuck. You should have invested in wireless.
• 42:50
  Speaker 2: You're behind the times.
• 42:52
  Speaker 7: After I kill you, I'll call up Anthony and hire
• 42:54
  Speaker 7: him to put in a new system I'm in since
• 42:57
  Speaker 7: he knows so much about all this new text.
• 43:00
  Speaker 2: Yeah, he's good at that.
• 43:02
  Speaker 5: Too bad you won't be around to see some of
• 43:04
  Speaker 5: the tapes he got.
• 43:05
  Speaker 1: Sal lies on the floor, looking under the limbos for
• 43:07
  Speaker 1: Vince's feet. The dog barks like crazy. Vince moves up
• 43:11
  Speaker 1: closer to Sal. Sall loises Vince's feet moving around a
• 43:15
  Speaker 1: limo and fires to shot, misses but causes Vince to run.
• 43:20
  Speaker 1: Sal jumps up and fires and hits Vince in his
• 43:22
  Speaker 1: back shoulder. Vince goes down, scrambling behind a tire.
• 43:26
  Speaker 2: You hit me, prick, You're gonna die.
• 43:29
  Speaker 4: No, no, I don't think so. You'll have to do
• 43:33
  Speaker 4: better than that, Sath.
• 43:35
  Speaker 1: Vince works his way to a chain that's locked in
• 43:37
  Speaker 1: a vice on the workbench. Sal starts working his way
• 43:40
  Speaker 1: towards Vince.
• 43:41
  Speaker 2: I figured you wouldn't be that easy to kill.
• 43:44
  Speaker 4: I'm glad you hit me, Saal. It's just what I needed.
• 43:47
  Speaker 4: I'm getting a real.
• 43:48
  Speaker 2: High from this.
• 43:50
  Speaker 7: This is how it should be for men like des
• 43:53
  Speaker 7: last two real warriors, left.
• 43:55
  Speaker 2: Warriors, what warriors? Too old?
• 43:59
  Speaker 5: Mean fox trying to each other because of a girl.
• 44:02
  Speaker 5: Just two dinosaurs with nothing left to do.
• 44:05
  Speaker 7: Maybe you have nothing. It's a little surprised for you, Sally.
• 44:10
  Speaker 1: Vince jumps up and fires in Sal's direction, causing him
• 44:13
  Speaker 1: to duck. Vince runs for the vice, on the workbench.
• 44:16
  Speaker 1: Sal fires and misses. Vince releases the vice grip with
• 44:20
  Speaker 1: the butt of his pistol, causing the chain to run
• 44:22
  Speaker 1: out and freeing the dog. The dog attacks Sal, causing
• 44:26
  Speaker 1: a pistol to fall from his hand. Sal tries to
• 44:29
  Speaker 1: fight off the dog and reach for his second pistol
• 44:31
  Speaker 1: on his leg. Sal is being torn alive by the dog,
• 44:35
  Speaker 1: but manages to get the pistol and fires two quick shots.
• 44:39
  Speaker 2: You're torn alive, it says, torn alive.
• 44:47
  Speaker 1: The dog screams, flies, moans, then staggers away. Falling dead,
• 44:54
  Speaker 1: Sal tries to get to his feet only to see
• 44:56
  Speaker 1: Vince walking at him. Vince smiles and fire. He's getting
• 45:00
  Speaker 1: Sal in the belly below the vest. Sal fires and
• 45:03
  Speaker 1: hits Vince in the side, but Vince puts three more
• 45:06
  Speaker 1: rounds into Sal's chest, pinning him to the floor. One
• 45:09
  Speaker 1: of the rounds catches Sal in the next the pistol
• 45:13
  Speaker 1: drops from Sal's hand. Sal lies there dying. Vince stands
• 45:18
  Speaker 1: over him. Blood is pouring out of his shoulder.
• 45:21
  Speaker 7: You stupid fuck, You could have had anything you wanted.
• 45:26
  Speaker 7: You had to go play Knight in shining armor for
• 45:28
  Speaker 7: a piece of ass.
• 45:30
  Speaker 2: It wasn't about that.
• 45:32
  Speaker 7: Then you're a bigger asshole than I thought. I'll take
• 45:35
  Speaker 7: that note now.
• 45:37
  Speaker 1: Sal tries to pull the note out of his breast pocket,
• 45:40
  Speaker 1: but falls back.
• 45:41
  Speaker 4: Face down, stupid basted.
• 45:44
  Speaker 1: Peggy Lee sings, is that all there is? Vince reaches
• 45:48
  Speaker 1: down and turns Sal's face up. Sal whips his right
• 45:52
  Speaker 1: arm and the razor comes from nowhere and slices Vince's neck.
• 45:56
  Speaker 1: Vince staggers back, clutching his throat and gasping for air.
• 46:00
  Speaker 1: He looks towards sallin his last seconds of life and
• 46:03
  Speaker 1: almost seems to smile, then falls to the ground, dead ghost.
• 46:14
  Speaker 2: And ss his pants at the pants.
• 46:19
  Speaker 4: We took that line, Joe's age, that's what it sounds.
• 46:24
  Speaker 1: Anthony comes running up to his uncle and opens his shirt,
• 46:27
  Speaker 1: trying to remove the bulletproof vest that has at least
• 46:30
  Speaker 1: four shots in it. However, when Anthony spots the neck wound,
• 46:34
  Speaker 1: he stops. Sal motions for Anthony to come closer as
• 46:38
  Speaker 1: he whispers into his ear. Peggy Lee continues singing as
• 46:42
  Speaker 1: we hear the sound of a phone ringing Interior Pioneer
• 46:47
  Speaker 1: diner mcmetch in West Virginia early morning. Peggy Lee is
• 46:51
  Speaker 1: still singing Parrah, now wearing a name tag that says
• 46:54
  Speaker 1: Betty Ann is working as a waitress. She's running her
• 46:58
  Speaker 1: buns off, trying to work the breakfast crowd. The waitress
• 47:01
  Speaker 1: from before calls out to.
• 47:02
  Speaker 10: Her, Betty Anne, phone, make it fast time.
• 47:06
  Speaker 1: Betty and McCormick picks up the phone by the cash register.
• 47:10
  Speaker 1: She can't hear who's at the other end he called it.
• 47:13
  Speaker 1: She reaches behind the register, turns a dial, and the
• 47:16
  Speaker 1: Peggy Lee song fades out.
• 47:19
  Speaker 6: Yes, this is Betty Anne. Who Yes, Yes, I understand.
• 47:27
  Speaker 1: Betty and McCormick hangs up the phone and stands there motionless.
• 47:32
  Speaker 1: The salty waitress carrying four plates of ham and eggs
• 47:35
  Speaker 1: comes up to her.
• 47:36
  Speaker 6: What's the matter, Kay, my friend sal is uh his
• 47:41
  Speaker 6: nephew called to tell me, tell you what to have
• 47:47
  Speaker 6: a wonderful life.
• 47:49
  Speaker 10: Oh yeah, well, how about making my life wonderphone? Start
• 47:53
  Speaker 10: passing out those eggs. Okay, one more time.
• 47:57
  Speaker 4: Pass the eggs.
• 47:59
  Speaker 3: Eggs.
• 48:01
  Speaker 10: Now, how about making my life wonderful and start passing
• 48:04
  Speaker 10: out those eggs?
• 48:06
  Speaker 1: Sure, anything, you say, Betty and McCormick reaches behind the
• 48:12
  Speaker 1: counter and turns up the sound. Peggy Lee sings, Is
• 48:16
  Speaker 1: that all there is? We see Betty Ann doing her job.
• 48:20
  Speaker 1: We even see her serve coffee to young Jeff who
• 48:23
  Speaker 1: can't keep his eyes off her. Slow fade to black,
• 48:28
  Speaker 1: the
• 48:28
  Speaker 9: End, If that's all there is,