Latest / The 50 Greatest Old Time Radio Shows | Old Time Radio / Escape - "A Shipment of Mute Fate - Jack Webb" (Old Time Radio, 1947)
Transcript
- 0:00Speaker 1: At Venezuela's port of La Guayra, collector Chris Warner is
- 0:04Speaker 1: preparing to carry a crated Bushmaster snake aboard the liner
- 0:08Speaker 1: Chan K, bound for New York. The captain has reservations
- 0:13Speaker 1: about taking such cargo, while a stewardess has a small
- 0:16Speaker 1: problem of her own, a cat she hopes to keep
- 0:19Speaker 1: from the chief steward. From CBS, this is Escape, episode 10.
- 0:26Speaker 1: A Shipment of Mute Fate, first broadcast October 15, 1947.
- 0:32Speaker 1: Jack Webb stars with Raymond Lawrence and D.J. Thompson in
- 0:36Speaker 1: a radio adaptation of Martin Storm's short story, written by
- 0:40Speaker 1: Les Crutchfield and directed by William N.
- 0:42Speaker 2: Robson.
- 0:44Speaker 1: Once the Chan-K is underway, Warner's shipment becomes a matter
- 0:48Speaker 1: for everyone aboard. And now, our story begins.
- 1:07Speaker 3: Did you miss out on that big football game last week?
- 1:11Speaker 4: Can't get rid of that head cold? Want to get
- 1:14Speaker 4: away from it all?
- 1:15Speaker 2: CBS offers you Escape. Escape.
- 1:28Speaker 3: You are groping your way slowly through the dark hold
- 1:31Speaker 3: of a ship at sea, moving carefully step by step,
- 1:35Speaker 3: searching intently for something you dread to find, because you
- 1:39Speaker 3: know that this ship carries a cargo of death.
- 1:43Speaker 5: The Columbia Broadcasting System and its affiliated stations presents Escape,
- 1:47Speaker 5: produced and directed by William N. Robeson, and carefully plotted
- 1:51Speaker 5: to free you from the four walls of today for
- 1:53Speaker 5: a half hour of high adventure.
- 2:02Speaker 3: Tonight we escape to a harbor front in Venezuela and
- 2:05Speaker 3: a grim voyage that started there, as told by Martin
- 2:08Speaker 3: Storm in his gripping story, A Shipment of Mute Fate.
- 2:12Speaker 5: © BF-WATCH TV 2021.
- 2:27Speaker 4: I stopped on the wharf at La Guayra and looked
- 2:29Speaker 4: up the gangplank toward the liner Chan Cay, standing quietly
- 2:33Speaker 4: there at her moorings. The day was warm under a
- 2:36Speaker 4: bright tropic sun, and the harbor beyond the ship lay
- 2:40Speaker 4: drowsy and silent. But all at once in the midst
- 2:43Speaker 4: of these peaceful surroundings, a cold chill gripped me, and
- 2:47Speaker 4: I shivered with sudden dread. Dread of the thing I
- 2:50Speaker 4: was doing and was about to do. But too much
- 2:56Speaker 4: had happened to turn back now. I'd gone too far
- 2:59Speaker 4: to stop. So I set the box down on the
- 3:02Speaker 4: edge of the wharf, placed it carefully so as to
- 3:04Speaker 4: be in plain sight and within gunshot of the captain's bridge.
- 3:08Speaker 4: And then I turned and started up the gangplank. I
- 3:11Speaker 4: knew what I was going to do, but I couldn't
- 3:13Speaker 4: forget that a certain pair of beady eyes were watching
- 3:17Speaker 4: every move I made. Eyes that never blinked and never closed.
- 3:22Speaker 4: Just watched and waited. Oh, I beg your pardon.
- 3:27Speaker 6: Why, it's Mr.
- 3:28Speaker 7: Warner.
- 3:28Speaker 4: Hello, Mother Willis. How's the best-looking stewardess on the seven seas?
- 3:31Speaker 6: Well, I'm fine, Mr.
- 3:32Speaker 8: Warner.
- 3:33Speaker 6: I guess I'd better run along now and get on
- 3:35Speaker 6: with my show.
- 3:36Speaker 4: Now, wait a minute. That's a fine greeting after two months.
- 3:38Speaker 6: Well, it's just that I'm so busy.
- 3:40Speaker 4: I don't believe a word of it. Sailing day's tomorrow.
- 3:42Speaker 4: You're simply avoiding me, that's all. Oh, no, really, I'm not.
- 3:45Speaker 4: And on the trip down from New York, you said
- 3:46Speaker 4: I was your favorite passenger.
- 3:48Speaker 6: But I'm only.
- 3:48Speaker 9: Here, wait a minute.
- 3:49Speaker 4: What's that you're carrying in your apron there?
- 3:50Speaker 2: Oh, it's nothing.
- 3:51Speaker 6: Just supplies.
- 3:52Speaker 4: Supplies? Well, let's have a look, huh?
- 3:54Speaker 6: No, please. Please.
- 3:55Speaker 4: What do you know? It's a cat.
- 3:57Speaker 8: It's Clara, Mr. Warner. Mr.
- 4:00Speaker 6: Bowman said I had to leave her ashore, and I
- 4:02Speaker 6: just couldn't.
- 4:03Speaker 4: Who's Mr.
- 4:03Speaker 7: Bowman? The new chief steward.
- 4:06Speaker 6: Clara's been aboard with me for two years, and I
- 4:09Speaker 6: just can't leave her here in a foreign country, especially
- 4:12Speaker 6: with her condition so delicate and all.
- 4:15Speaker 4: Yeah, I see what you mean. Well, I hope you
- 4:18Speaker 4: get away with it.
- 4:20Speaker 6: You won't tell anyone?
- 4:21Speaker 4: Not a soul. As a matter of fact, if things
- 4:23Speaker 4: don't work out right... We may both end up smuggling.
- 4:27Speaker 9: I was happy.
- 4:34Speaker 8: To have you on board on the trip down two
- 4:36Speaker 8: months ago, Christopher. I'm very glad you're coming along with
- 4:39Speaker 8: us on the run back to New York.
- 4:40Speaker 4: Thanks, Captain Wood. There is one thing, though. I'm having
- 4:44Speaker 4: a little trouble with the customs men here, and I
- 4:45Speaker 4: wondered if you might.
- 4:46Speaker 8: I can't do it, Christopher. I just cabled your father
- 4:50Speaker 8: this morning. Told him I'd done it for you if
- 4:52Speaker 8: I possibly could. He sent a request from New York.
- 4:55Speaker 2: You know.
- 4:56Speaker 4: Yeah, I thought he would. I wired him from upriver
- 4:59Speaker 4: last week.
- 4:59Speaker 8: I hate to refuse, but it's absolutely out of the question.
- 5:02Speaker 4: Well, Captain Wood, I'm afraid I don't follow you there.
- 5:04Speaker 8: Responsibility to the passengers, son. We'll have women and children aboard.
- 5:09Speaker 8: On a liner, the safety of the passengers comes ahead
- 5:12Speaker 8: of anything. But with proper precautions. Something might happen. I
- 5:15Speaker 8: don't know what, but something might.
- 5:18Speaker 4: You've carried worse things.
- 5:19Speaker 8: There isn't anything worse. And any skip or a float
- 5:22Speaker 8: will bear me out.
- 5:24Speaker 2: No, Christopher.
- 5:25Speaker 8: I simply can't take the chance, and that's final.
- 5:35Speaker 7: Final?
- 5:36Speaker 4: Well, it wasn't final if I could do anything about it.
- 5:38Speaker 4: I hadn't come down here to spend two months in
- 5:40Speaker 4: that stinking backcountry and then be stopped on the edge
- 5:42Speaker 4: of the wharf. Two months of it. Heat, rain, insects, malaria.
- 5:47Speaker 4: I'd gone clear in past the headwaters of the Orinoco,
- 5:50Speaker 4: traveled through country where every step along the jungle trail
- 5:52Speaker 4: might be the last one. Oh, Sanchez.
- 5:56Speaker 2: Si, senor Warner.
- 5:57Speaker 4: We better start looking for a place to camp. It'll
- 5:59Speaker 4: be dark in a little while.
- 5:59Speaker 2: Si, senor.
- 6:01Speaker 9: Very soon we turn to river. Camp on rocks by water.
- 6:04Speaker 9: This very bad country. This very bad country. You've been
- 6:07Speaker 9: saying that for ten days now. Very bad country.
- 6:10Speaker 2: Si, senor Warner. This very bad country.
- 6:12Speaker 4: Yeah, we'll skip it. For all the luck we've had
- 6:14Speaker 4: so far, it might as well be Central Park.
- 6:16Speaker 2: Central Park? I don't understand.
- 6:19Speaker 4: Oh, never mind. If we don't find something... Here, here,
- 6:22Speaker 4: what's the matter? Quiet now. Sanchez, what's wrong?
- 6:25Speaker 2: They're in the path.
- 6:26Speaker 3: See?
- 6:26Speaker 2: Bushmaster.
- 6:31Speaker 4: Bushmaster. The deadliest snake in the world. Bushmaster. Its Latin
- 6:36Speaker 4: name was Lachesis muta. Mute fate. It lay there in
- 6:40Speaker 4: the center of the path. A ten-foot length of silent death.
- 6:43Speaker 4: Coiled loosely in an undulant loop. Ready to strike violently
- 6:47Speaker 4: at the least movement. Here was the one snake that
- 6:50Speaker 4: would go after any animal that walked, or any man.
- 6:53Speaker 4: It lay there and watched us, not moving, not afraid,
- 6:57Speaker 4: ready for anything. The splotch of its colors stood out
- 7:00Speaker 4: like some horrible gaudy floor mat lying there on the
- 7:03Speaker 4: brown background of the jungle, waiting for someone to step
- 7:07Speaker 4: on it. Here was what I'd come 2,000 miles for.
- 7:10Speaker 4: A Bushmaster.
- 7:12Speaker 2: Sanchez!
- 7:13Speaker 4: I didn't want that snake killed.
- 7:14Speaker 2: He no kill, senor. He gone. Bushmaster very smart, very quick.
- 7:18Speaker 9: Must always see bullet in time to dodge.
- 7:20Speaker 4: Well, anyway, he's gone. And the only one we've seen
- 7:22Speaker 4: in five weeks.
- 7:23Speaker 2: Oh, we find other. This very bad country.
- 7:26Speaker 4: Well, lay off that gun the next time. Don't shoot,
- 7:29Speaker 4: you understand?
- 7:30Speaker 2: Why you say no shoot? You want Bushmaster.
- 7:33Speaker 4: Sure, but I want it alive.
- 7:35Speaker 2: Hombre, ser Cristo.
- 7:38Speaker 9: Senor Warner, you tell me you want Bushmaster, but you
- 7:42Speaker 9: no say alive.
- 7:43Speaker 4: You're getting $ 200 for it.
- 7:45Speaker 9: For dead man, what is $ 200?
- 7:48Speaker 2: Tomorrow we go back to Caracas.
- 7:50Speaker 4: I'll make it $ 500, Sanchez.
- 7:52Speaker 9: I catch water snake, rattlesnake, any other kind. But I
- 7:56Speaker 9: no catch Bushmaster.
- 7:58Speaker 4: Sanchez, I'll give you $ 1, 000.
- 7:59Speaker 2: We go back to Caracas.
- 8:02Speaker 4: Well, it cost me $ 1, 500 American dollars. But three days later,
- 8:05Speaker 4: Sanchez brought me the snake in a rubber bag... He
- 8:08Speaker 4: was shaking so hard, I thought for a moment the
- 8:10Speaker 4: thing had struck him.
- 8:11Speaker 9: One thing you make sure, Senor Warner, not turn him
- 8:14Speaker 9: loose in Venezuela. Because he know I the one who
- 8:17Speaker 9: catch him. And he know where I live.
- 8:21Speaker 4: All right, Sanchez, I'll keep an eye on him.
- 8:22Speaker 9: También he know you pay me to catch him. All
- 8:26Speaker 9: the time he watch and wait. You no forget that,
- 8:29Speaker 9: Senor Warner. Because he no forget. Not ever forget.
- 8:42Speaker 4: Well, after going through all that trouble and danger and
- 8:44Speaker 4: laying out 1,500 bucks, I wasn't going to let a
- 8:47Speaker 4: pig-headed ship captain stop me at the last minute. At
- 8:50Speaker 4: least not as long as the cables were still in
- 8:52Speaker 4: operation between LaGuardia and New York. Morning, Captain Wood. The
- 8:56Speaker 4: boy at the hotel said you wanted to see me.
- 8:58Speaker 2: That's right, Christopher. Sit down.
- 9:01Speaker 4: Thank you.
- 9:02Speaker 8: It seems you weren't willing to let matters stand the
- 9:04Speaker 8: way we left them yesterday.
- 9:06Speaker 4: I'm sorry to go over your head, Captain Wood, but
- 9:08Speaker 4: I had to. The museum sent me all the way
- 9:10Speaker 4: down here for it. And I'm not going to be
- 9:12Speaker 4: stopped by red tape. This will be the only live
- 9:14Speaker 4: Bushmaster ever brought to the United States.
- 9:18Speaker 8: Yes, and if I had my way... Well, orders are orders.
- 9:23Speaker 8: I got a cable from the head office this morning.
- 9:27Speaker 8: All right. I suppose we talk about precautions.
- 9:30Speaker 4: I'll handle it any way you say.
- 9:32Speaker 8: Got to have a stronger box. That crate's too flimsy.
- 9:35Speaker 4: It's stronger than it looks. And that wire screen on
- 9:38Speaker 4: top would hold a wildcat. But anyway, I bought a
- 9:40Speaker 4: heavy sea chest this morning. I will put the crate
- 9:42Speaker 4: inside of it.
- 9:43Speaker 8: Sounds all right. You got a lock on it?
- 9:45Speaker 4: Heavy padlock. It's fixed so that the lid can be
- 9:48Speaker 4: propped open to crack without unlocking it. The snake's got
- 9:51Speaker 4: to have air.
- 9:52Speaker 8: But in dirty weather, that lid stays shut. I'll take
- 9:56Speaker 8: no chances.
- 9:57Speaker 4: Fair enough.
- 9:58Speaker 8: I will keep the thing in my inside casket. where
- 10:00Speaker 8: I sleep. I can't have it in the baggage room.
- 10:04Speaker 8: And nobody on board's to know about it.
- 10:07Speaker 4: Whatever you say, Captain. But we won't have any trouble.
- 10:10Speaker 4: After all, it's only an animal. It doesn't have any
- 10:12Speaker 4: magical powers.
- 10:14Speaker 8: I saw a bushmaster in the zoo crack us once.
- 10:18Speaker 8: Had it in a glass cage with double walls. It
- 10:21Speaker 8: would never move.
- 10:23Speaker 2: Just lay there.
- 10:25Speaker 8: Look at you as long as you were in sight.
- 10:28Speaker 8: Gave a man the creeps.
- 10:30Speaker 4: I didn't know they had a Bushmaster at the Caracas Zoo.
- 10:32Speaker 8: They don't now. Found the glass broken one morning and
- 10:37Speaker 8: the snake gone. Night watchman was dead. They never found
- 10:42Speaker 8: out what happened.
- 10:43Speaker 4: Well, the watchman must have broken the glass by accident
- 10:45Speaker 4: some way.
- 10:46Speaker 8: The way they figured it, the glass was broken from
- 10:49Speaker 8: the inside. Well, we sail in four hours.
- 11:00Speaker 4: We steamed north into the Caribbean with perfect weather and
- 11:04Speaker 4: a sea as smooth as an inland lake. The barometer
- 11:07Speaker 4: dropped a little on the third day but cleared up
- 11:09Speaker 4: overnight and left nothing worse than a heavy swell. But
- 11:13Speaker 4: in spite of the calm seas and the pleasant weather...
- 11:16Speaker 4: I found myself feeling more and more often an ominous foreboding.
- 11:21Speaker 4: I was developing an almost unnatural fear of that snake. Well,
- 11:25Speaker 4: I stayed clear of the passengers, pretty much. Got the
- 11:28Speaker 4: habit of dropping into Captain Wood's quarters several times a day.
- 11:31Speaker 4: He kept the heavy box underneath his berth. I'd approach
- 11:35Speaker 4: it quietly and shine my flashlight through the open crack.
- 11:39Speaker 4: Never once could I catch that 12-foot devil asleep or
- 11:43Speaker 4: even excited. He'd be lying there, half coiled, his head
- 11:46Speaker 4: raised a little, staring out of those beady black eyes, waiting.
- 11:52Speaker 4: He'd still be like that when I'd turn away to leave.
- 11:56Speaker 4: Maybe that's what bothered me, that horrible and constant watchful waiting.
- 12:00Speaker 4: What in the name of heaven was he waiting for?
- 12:02Speaker 6: Well, hello there, Mr.
- 12:03Speaker 8: Warner.
- 12:04Speaker 4: Oh, how are you, Mother Willis?
- 12:06Speaker 8: My, but you and the.
- 12:06Speaker 6: Captain spend an awful lot of time around this cabin.
- 12:09Speaker 6: I'm beginning to think the two of you must have
- 12:11Speaker 6: some guilty secret.
- 12:13Speaker 9: Oh, no.
- 12:13Speaker 4: Nothing like that, Mother Willis. I don't know about Captain Wood,
- 12:15Speaker 4: but I... Well, I certainly don't have any guilty secret. Well,
- 12:30Speaker 4: she's running quite a swell out there, Mr.
- 12:31Speaker 7: Bowman. Yeah, it's a little heavy, all right, Mr.
- 12:34Speaker 6: Warner.
- 12:35Speaker 7: Guess a storm passed through to the west of us
- 12:37Speaker 7: yesterday when the glass dropped.
- 12:38Speaker 4: Think it missed us then, huh?
- 12:39Speaker 7: Yeah, that's what the mate figures. Sure stirred up some water, though.
- 12:44Speaker 4: This'll put half the passengers in their bunks.
- 12:46Speaker 7: Makes it great for my department. Two-thirds of them will
- 12:49Speaker 7: want a steward to hold their heads.
- 12:51Speaker 4: They'll keep Mother Willis so busy she'll have... Wait, look
- 12:54Speaker 4: at the size of that wave.
- 12:55Speaker 6: Huh?
- 12:56Speaker 7: Great Jehoshaphat, we're gonna take it on the port bow.
- 12:58Speaker 8: Hang on!
- 13:06Speaker 4: Well, that was a freak if there ever was one.
- 13:09Speaker 4: Not another wave in sight.
- 13:10Speaker 7: You see them like that sometimes, even in a calm sea. Well,
- 13:14Speaker 7: I gotta get below, Mr.
- 13:15Speaker 6: Warner.
- 13:16Speaker 7: That water probably did some damage on the officer's deck.
- 13:18Speaker 4: Yeah, I suppose it... What did you say?
- 13:20Speaker 7: Uh, the wheel companionway was open on the port side.
- 13:23Speaker 7: Bridge cabins must have taken a pretty bad smashing up.
- 13:26Speaker 7: They're right below the, uh... Here, uh... Is something wrong, Mr.
- 13:31Speaker 6: Warner?
- 13:32Speaker 4: No. No, nothing at all, Mr.
- 13:33Speaker 6: Warner.
- 13:34Speaker 4: At least, I hope not. I looked first for Captain
- 13:44Speaker 4: Wood and couldn't find him. Of course, I knew it
- 13:46Speaker 4: was only one chance in a thousand, but the chances
- 13:47Speaker 4: against that freak wave were one in a thousand, too. Well,
- 13:50Speaker 4: I couldn't waste any more time, so I stumbled down
- 13:52Speaker 4: the companionway and along the passage to the captain's cabin.
- 13:56Speaker 6: Oh, come on in, Mr. Warner.
- 13:58Speaker 4: Mother Willis.
- 13:58Speaker 6: Why, isn't this cabin a mess? Trying to get some
- 14:01Speaker 6: of these things out to dry.
- 14:02Speaker 4: Yeah, well, I just wanted to check. Where's that box
- 14:04Speaker 4: that was under the captain's bunker?
- 14:06Speaker 7: Threw it out on that, Mr.
- 14:12Speaker 4: But where? We didn't know. It was nearly dark when
- 14:15Speaker 4: we met together again in the chart room.
- 14:17Speaker 7: I don't get the thing at all.
- 14:18Speaker 8: There's no other way around it. We've risked all the
- 14:20Speaker 8: time we can. We've got to warn the passengers.
- 14:22Speaker 7: Well, how do we do it, Captain? Call them all
- 14:24Speaker 7: together in the lounge?
- 14:25Speaker 8: No, if we did anything like that, we'd be asking
- 14:27Speaker 8: for a panic.
- 14:28Speaker 7: We'll get one, whether we ask for it or not.
- 14:30Speaker 8: Pick a few men and go through the cabin decks.
- 14:32Speaker 8: Tell them individually, inside their cabins. Watch for any act
- 14:36Speaker 8: that looks as though it might cause trouble. And we'll
- 14:39Speaker 8: keep an eye on them. Handle the crew the same way.
- 14:41Speaker 7: All right, sir.
- 14:42Speaker 9: Okay.
- 14:43Speaker 8: As soon as you're finished, arm all the deck officers
- 14:45Speaker 8: and start searching again. Our only chance of preventing a
- 14:48Speaker 8: riot is to find that damnable snake.
- 14:56Speaker 4: The slow nightmare that followed grew worse by the hour.
- 15:00Speaker 4: None of us slept. All the ship's officers, not on duty,
- 15:03Speaker 4: kept on with that endless search. Passengers locked themselves in
- 15:07Speaker 4: their cabins or huddled together in the lounges... knowing all
- 15:11Speaker 4: the time that no spot on board could be called safe.
- 15:14Speaker 4: Fear was a heavy fog in the lungs of all
- 15:16Speaker 4: of us, and every light on the vessel burned throughout
- 15:19Speaker 4: the night. Morning came and brought no relief. Terror and
- 15:24Speaker 4: tension mounted by the hour.
- 15:28Speaker 7: There now, Mrs.
- 15:29Speaker 6: Crane, stop getting yourself all worked up and go back
- 15:31Speaker 6: to your cabin. The horrid thing's probably crawled overboard anyway.
- 15:35Speaker 4: You're just saying that. You're paid to say it. You
- 15:38Speaker 4: don't know.
- 15:38Speaker 6: Nobody does. Now, now, everything's going to be all right. Oh,
- 15:41Speaker 6: if you could only do something.
- 15:43Speaker 4: If all of us could only get off the ship.
- 15:46Speaker 4: They could fumigate it. Yes. That's what we've got to do.
- 15:50Speaker 6: We've got to get off the ship.
- 15:51Speaker 8: Now wait, Mr.
- 15:52Speaker 7: Bowman.
- 15:52Speaker 9: Mr.
- 15:53Speaker 4: Bowman, she's going to jump off the ship.
- 15:54Speaker 9: No, you don't, lady.
- 15:55Speaker 4: Let me go.
- 15:56Speaker 2: Let me go.
- 15:59Speaker 4: Let me go.
- 16:00Speaker 5: Nice work, Mr.
- 16:00Speaker 9: Bowman.
- 16:01Speaker 8: Get her down to her cabin.
- 16:02Speaker 5: Whatever you do, don't turn her loose.
- 16:03Speaker 4: Help!
- 16:07Speaker 10: Well, you never know when it might strike you. You
- 16:11Speaker 10: can't put on a coat or move a chair without
- 16:13Speaker 10: risking your life. Now, something's got to be done. It
- 16:15Speaker 10: might be right here in this flower.
- 16:17Speaker 7: All right, Mr.
- 16:19Speaker 8: Eve.
- 16:19Speaker 7: You better quiet down and take it easy.
- 16:20Speaker 8: Take it easy, huh?
- 16:21Speaker 5: Well, you're a great officer.
- 16:23Speaker 2: Why don't you do something about it?
- 16:24Speaker 10: That thing might be crawling around here right under our
- 16:27Speaker 10: feet somewhere.
- 16:27Speaker 2: Like I said, shut up.
- 16:28Speaker 7: Are you trying to start a panic? I got a
- 16:30Speaker 7: right to talk.
- 16:30Speaker 5: I don't want to die.
- 16:31Speaker 2: Nobody's going to tell me.
- 16:39Speaker 4: The second night passed and morning came around again. A
- 16:43Speaker 4: gray and rainy day, just as grim and tense, dragged past.
- 16:47Speaker 4: And the night came down again. Third night of the terror. Again,
- 16:52Speaker 4: every light burned and the whole ship seethed in the
- 16:54Speaker 4: throes of incipient panic. Faced by a horror they'd never
- 16:58Speaker 4: met on the sea before, crew and officers alike were
- 17:00Speaker 4: on the verge of revolt. Passengers sat huddled in a
- 17:03Speaker 4: trance-like stupor, ready to scream at the slightest unknown sound.
- 17:06Speaker 4: At seven bells, I made my way forward to the
- 17:09Speaker 4: chart room and found Captain Wood bent over a desk.
- 17:15Speaker 6: Ah.
- 17:16Speaker 8: Hello, Christopher. Come on in.
- 17:18Speaker 7: Sit down.
- 17:19Speaker 4: It's got to be somewhere, Captain Wood. It's got to be.
- 17:22Speaker 4: I don't know.
- 17:22Speaker 8: You could search this ship for six months and never
- 17:25Speaker 8: touch all the places aboard. We can only hold out
- 17:28Speaker 8: for two more days. We'll be in.
- 17:30Speaker 4: What's the home office say?
- 17:31Speaker 8: Oh, here's the latest wireless from them. Keep quiet and
- 17:35Speaker 8: keep coming. What else can we do? How is it
- 17:40Speaker 8: on the decks?
- 17:40Speaker 2: Pretty bad.
- 17:41Speaker 4: Anything could happen.
- 17:42Speaker 8: Yeah. That's why I took the guns away from the men.
- 17:46Speaker 8: One pistol shot and we'd have a riot on our hands.
- 17:48Speaker 4: Oh, the whole thing's my fault, Captain Wood. That's what
- 17:50Speaker 4: I can't forget.
- 17:51Speaker 8: Oh, take it easy, Ben.
- 17:52Speaker 4: There was only some way I could pay for it myself, alone.
- 17:56Speaker 8: No, I know how you feel, but it's no more
- 17:59Speaker 8: your fault than mine or the man who asked you
- 18:02Speaker 8: to bring the snake back alive. Nobody planned this. You'd
- 18:07Speaker 8: better try and get a little sleep.
- 18:09Speaker 4: Sleep? Mr.
- 18:10Speaker 8: Bowman made some coffee down in the steward's galley a
- 18:13Speaker 8: while ago. You'd better go down and get yourself a
- 18:16Speaker 8: cup and then rest up for a couple of hours. Rest?
- 18:19Speaker 4: I can't rest.
- 18:20Speaker 8: Christopher, it's no good going... What are you going to do?
- 18:24Speaker 8: You can't help anything. You'll be stumbled through a hatch,
- 18:26Speaker 8: half asleep, and break your neck. Go on and get
- 18:29Speaker 8: some coffee. One way or another, we've got to hold
- 18:32Speaker 8: out for two more days.
- 18:44Speaker 4: The light was on in the steward's galley, and the
- 18:46Speaker 4: coffee pot was standing on the stove. It was still warm,
- 18:50Speaker 4: so I didn't bother to heat it. I poured out
- 18:52Speaker 4: a cup, carried it over and set it on the
- 18:55Speaker 4: porcelain tabletop in the center of the room. I started
- 18:59Speaker 4: to light a cigarette. The door of the pan cupboard
- 19:02Speaker 4: beneath the sink was standing slightly ajar, and I happened
- 19:05Speaker 4: to glance down toward it. Out from the dark interior
- 19:09Speaker 4: of the cupboard shone two glittering points of light two
- 19:11Speaker 4: inches apart. I dropped the cigarette and moved slowly backward.
- 19:16Speaker 4: I'd found the Bushmaster. As I moved, the snake slid
- 19:25Speaker 4: out of the cupboard in a single sinuous glide and
- 19:28Speaker 4: drew back into a loose coil on the galley floor,
- 19:31Speaker 4: never taking his eyes off me. I moved slowly back,
- 19:34Speaker 4: waiting any moment for that deadly slithering strike. How had
- 19:38Speaker 4: he known it was me? He'd stayed quiet when Bowman
- 19:41Speaker 4: was here. How did he know to pick the first
- 19:44Speaker 4: time in three days when I didn't have a gun?
- 19:47Speaker 4: My hands touched the wall behind me and I stopped.
- 19:50Speaker 4: Only then I realized in terror what I'd done. The
- 19:53Speaker 4: call button and the door were on the far side
- 19:55Speaker 4: of the room. I'd backed into a dead end. I
- 19:58Speaker 4: stared at the snake in fascination, expecting any moment the
- 20:01Speaker 4: ripping slash of those poison fangs. The horrid coils tightened
- 20:06Speaker 4: a little and then were still again. Ten million years
- 20:10Speaker 4: of evolution to produce this moment. Homo sapiens versus Lachesis muta.
- 20:15Speaker 4: Man against mute fate. And all the odds were on fate.
- 20:20Speaker 4: I knew then that I was going to die. I
- 20:25Speaker 4: could feel the sweat run down between the painted wall
- 20:27Speaker 4: and the palms of my hands pressed against it. My
- 20:30Speaker 4: skin crawled and twitched. And the pit of my stomach
- 20:33Speaker 4: was as cold as ice. There was no sound but
- 20:35Speaker 4: the rush of blood in my ears. The snake shifted again,
- 20:39Speaker 4: drawing into a tighter coil. Always tighter. Why the devil
- 20:43Speaker 4: didn't he get it over with? And then, for just
- 20:45Speaker 4: an instant, his head veered away. Something moved over by
- 20:49Speaker 4: the stove. I didn't dare turn to look at it.
- 20:51Speaker 4: Slowly it moved out into my line of vision. It
- 20:54Speaker 4: was a cat. That scrawny cat Clara that Mother Willis
- 20:57Speaker 4: had sneaked aboard in La Guaira. Its back was arched
- 21:03Speaker 4: and every hair stood on end. It moved stiff-legged now,
- 21:06Speaker 4: walking in a half circle around the snake. The Bushmaster
- 21:09Speaker 4: shifted slowly and kept watching the cat. He tightened. He
- 21:13Speaker 4: was going to strike at any second. He struck and missed.
- 21:18Speaker 4: The cat was barely out of reach. Now she was
- 21:20Speaker 4: walking back and forth again. She was asking to die.
- 21:28Speaker 4: Missed again by a fraction of an inch. He was
- 21:30Speaker 4: striking now without even going to a full coil. Missed
- 21:33Speaker 4: again and again, always missing by the barest margin. Each
- 21:36Speaker 4: time the cat danced barely out of reach, and each
- 21:38Speaker 4: time she caught it with one precise spat of a
- 21:40Speaker 4: dainty paw, bracing her skinny frame on three stiff legs.
- 21:43Speaker 4: And then suddenly I realized what she was doing. The
- 21:47Speaker 4: Bushmaster was tiring, and one strike was just an instant slow.
- 21:51Speaker 4: But in that split second, sharp claws raked across the
- 21:53Speaker 4: evil head and ripped out both of the lidless eyes.
- 21:55Speaker 4: That cat had deliberately blinded the snake. Well, he didn't
- 22:00Speaker 4: bother to coil now, but slid after in a fury,
- 22:02Speaker 4: striking wildly and rapidly, always missing, and every strike was
- 22:05Speaker 4: a little slower than the last one. Until finally, as
- 22:08Speaker 4: the snake's neck stretched out at the end of a strike,
- 22:10Speaker 4: the cat made one leap and sank her razor-sharp teeth
- 22:12Speaker 4: just back of the ugly head, sank them in until
- 22:13Speaker 4: they crunched bone. With tooth and claw, she clung as
- 22:16Speaker 4: the monster snake flailed and lashed on the floor, striving
- 22:18Speaker 4: to get those hideous coils around her, trying to break
- 22:20Speaker 4: her hold, to shake off the slow and certain paralyzing
- 22:22Speaker 4: breath that gradually crept over him and at last stilled
- 22:24Speaker 4: his struggles forever. I took a deep breath. And first
- 22:36Speaker 4: in minutes. The cat lay on her side on the floor, panting.
- 22:41Speaker 4: Resting from the fight just over. And she had a
- 22:45Speaker 4: right to rest. That mangy, brave, beautiful alley cat had
- 22:50Speaker 4: just saved my life. And maybe others as well. But
- 22:55Speaker 4: as I turned toward the stove... I suddenly became very humble.
- 23:00Speaker 4: And I knew all at once... What a small thing
- 23:03Speaker 4: a human being really is. I and others aboard were
- 23:07Speaker 4: still alive only by the merest accident. There were three
- 23:12Speaker 4: reasons why that cat had fought and killed the world's
- 23:14Speaker 4: deadliest snake. And those three reasons came tottering out from
- 23:18Speaker 4: under the stove on shaky little legs. Three kittens with
- 23:23Speaker 4: their eyes bright with wonder and their tails stiff as pokers.
- 23:27Speaker 4: Up on the decks, hundreds of passengers were waiting for
- 23:30Speaker 4: the news that the days and nights of terror were ended,
- 23:34Speaker 4: and I could wait a little longer. I pulled open
- 23:38Speaker 4: the doors of the cabinet, found a can of milk,
- 23:43Speaker 4: and then I dropped down on my knees on the
- 23:46Speaker 4: floor of the galley. THE END.
- 24:06Speaker 5: Escape is produced and directed by William N. Robeson, and
- 24:10Speaker 5: tonight brought you A Shipment of Mute Fate by Martin Storm,
- 24:14Speaker 5: adapted for radio by Les Crutchfield, with Jack Webb as
- 24:17Speaker 5: Chris Warner, Raymond Lawrence as Captain Wood, and D.J. Thompson
- 24:21Speaker 5: as Mother Willis. The special musical score was conceived and
- 24:24Speaker 5: conducted by Cy Fuhrer.
- 24:28Speaker 7: Next week.
- 24:30Speaker 3: At this same time, when you're tired from a hard
- 24:34Speaker 3: day at the office... or leaning over a hot stove
- 24:37Speaker 3: all day, when you want to get away from it all,
- 24:41Speaker 3: CBS again offers you Escape.
- 24:55Speaker 5: Good night, then, until this same time next week when
- 24:57Speaker 5: CBS again brings you Escape. This is CBS, the Columbia
- 25:04Speaker 5: Broadcasting System. Escape has concluded with A Shipment of Mute Fate.
- 25:11Speaker 1: Follow the 50 greatest old-time radio shows for more classic broadcasts.