Latest / Aaron Mahnke's Cabinet of Curiosities / No Good Deed
Transcript
- 0:03Speaker 1: Our world is full of the unexplainable, and if history
- 0:08Speaker 1: is an open book, all of these amazing tales right
- 0:11Speaker 1: there on display, just waiting for us to explore. Welcome
- 0:17Speaker 1: to the cabinet of curiosities. Not everyone had it easy
- 0:29Speaker 1: growing up. Many of us were forced to make our
- 0:32Speaker 1: own way due to any number of hardships. Carl knew
- 0:36Speaker 1: that better than most. He grew up in Germany, and
- 0:39Speaker 1: his father had a certain kind of idea about how
- 0:42Speaker 1: men should behave He told Carl's mother not to coddle him.
- 0:46Speaker 1: His boy had to make his own way, forge his
- 0:49Speaker 1: own path, like he had done so. Carl learned early
- 0:54Speaker 1: on that he had to be self sufficient in order
- 0:56Speaker 1: to get what he wanted or needed. By the age
- 0:59Speaker 1: of two, he had learned to feed himself. By ten,
- 1:02Speaker 1: his interest in music had led him to take up
- 1:05Speaker 1: the violin, and with no one around to teach him,
- 1:08Speaker 1: Carl taught himself instead. He got pretty good too, so
- 1:12Speaker 1: good in fact, that when he turned sixteen, his parents
- 1:15Speaker 1: sent him to a music conservatory to continue his education.
- 1:20Speaker 1: Karl studied with some of the finest teachers in Germany
- 1:23Speaker 1: for several years. After he graduated. He used his talents
- 1:27Speaker 1: to take him far beyond what even he believed possible.
- 1:31Speaker 1: Before he was old enough to drink, he was playing
- 1:33Speaker 1: with international orchestras in sold out concert halls. His skills
- 1:38Speaker 1: were so renowned he was invited to perform before the
- 1:41Speaker 1: famous composer Johann Strauss in Vienna. He developed a little
- 1:47Speaker 1: trick previously unseen during your average concert. Whenever he'd break
- 1:52Speaker 1: a string, Karl would change it in the middle of
- 1:55Speaker 1: the show while the rest of the band played on.
- 1:58Speaker 1: Then he'd rejoined the group and continue the performance. But
- 2:02Speaker 1: he didn't do it backstage or off to the side.
- 2:05Speaker 1: He made it part of the act. It got so
- 2:07Speaker 1: popular that he started using a weakened string in his shows,
- 2:12Speaker 1: just so he would be forced to demonstrate his ability
- 2:14Speaker 1: each time he played, and his talents were limited to
- 2:18Speaker 1: just music or impromptu violin repairs. It's hard to imagine
- 2:23Speaker 1: how someone might learn to shoot at a music conservatory,
- 2:26Speaker 1: but Carl also managed to become an a smarksman. He
- 2:30Speaker 1: was so good at it that he was said to
- 2:32Speaker 1: shoot the spots off of playing cards. Of course, word
- 2:36Speaker 1: about it spread, and the public wanted to see this
- 2:39Speaker 1: new skill with their own eyes, so Carl added it
- 2:42Speaker 1: to his repertoire anything to keep the people in their seats.
- 2:45Speaker 1: Right Throughout his career, he shared his gifts with audiences
- 2:50Speaker 1: all over the world. Carl even took his unique brand
- 2:53Speaker 1: of music and marksmanship to America, where he eventually settled
- 2:57Speaker 1: with his wife and gained citizenship. Carl had lived the
- 3:01Speaker 1: kind of life most men only dream of, becoming a celebrity,
- 3:04Speaker 1: both at home and abroad. But when his later years
- 3:08Speaker 1: were up ended by the First World War, he saw
- 3:11Speaker 1: a bigger calling for himself. He wanted to help the
- 3:14Speaker 1: veterans returning from battle, specifically those who had lost limbs.
- 3:19Speaker 1: To do this, he wrote and illustrated a guide book
- 3:22Speaker 1: for them. It took him less than a month to finish,
- 3:25Speaker 1: and it taught recent amputees how to use their feet
- 3:28Speaker 1: for things they used to do with their hands. I
- 3:31Speaker 1: know it sounds strange for a master violinist, a man
- 3:35Speaker 1: who could change a broken string in the middle of
- 3:37Speaker 1: a performance or shoot a playing card, to write a
- 3:41Speaker 1: book about using one's feet to perform everyday tasks. Well,
- 3:45Speaker 1: As the old saying goes, you have to write what
- 3:48Speaker 1: you know, and Carl knew all about doing things with
- 3:51Speaker 1: his feet, from shuffling cards to smoking cigarettes to writing
- 3:56Speaker 1: his autobiography. Carl was a phenom with his feet. That's
- 4:01Speaker 1: because he had no choice. Carl Anthan had been born
- 4:07Speaker 1: without hands. It's wooden frame is unmistakable, the leather straps
- 4:25Speaker 1: worn and cracked, waiting to envelop a new guest, and
- 4:30Speaker 1: the helmet, once fastened to the head, it's capable of
- 4:33Speaker 1: delivering two thousand volts straight through the body. They took
- 4:37Speaker 1: something as simple as a chair a place of rest,
- 4:41Speaker 1: and transformed it into an instrument of death. Little did
- 4:45Speaker 1: Ben Franklin no when he first collected that bolt of
- 4:48Speaker 1: lightning on a stormy night in seventy two, that his
- 4:52Speaker 1: discovery would be used to power the ultimate method of justice.
- 4:56Speaker 1: For over one years, the electric chair was designed as
- 5:02Speaker 1: a more humane form of execution. Back in the late
- 5:05Speaker 1: eighteen hundreds, a dentist, yes, a dentist, had heard about
- 5:10Speaker 1: a man who had died instantly after grabbing onto the
- 5:13Speaker 1: high voltage wires of a large electric generator. The dentist
- 5:17Speaker 1: saw a way to use this electricity to do more
- 5:19Speaker 1: than just power lights around town. It could be used
- 5:23Speaker 1: to ensure a quick and painless end for death row
- 5:26Speaker 1: inmates everywhere, especially after a recent series of botched hangings
- 5:30Speaker 1: had landed in the newspapers. The Governor of New York
- 5:35Speaker 1: established a commission to seek an alternative method, consisting of
- 5:39Speaker 1: three members, a human rights advocate, a lawyer, and that dentist.
- 5:44Speaker 1: The commission sought advice from experts such as Thomas Edison
- 5:48Speaker 1: on how best to harness electricity as a means of execution,
- 5:53Speaker 1: because justice was meant to be swift but not cruel.
- 5:57Speaker 1: There's that word again, justice, I guess it's apt. The
- 6:02Speaker 1: first electric chair went into use in eighteen nine, and
- 6:05Speaker 1: ten years after its introduction, Charles Justice, and inmate at
- 6:10Speaker 1: the Ohio State Penitentiary, came up with an idea. While
- 6:15Speaker 1: serving his sentence, he'd been given a job of cleaning
- 6:17Speaker 1: up the room where the electric chair was housed, the
- 6:20Speaker 1: death chamber, as it was called. It was during one
- 6:23Speaker 1: of his rounds when he noticed something about the chair,
- 6:26Speaker 1: the restraints. They weren't strong enough to keep a man
- 6:29Speaker 1: from shaking all over as the electricity course through him.
- 6:33Speaker 1: This constant movement resulted in burned flesh, which offended witnesses
- 6:37Speaker 1: and went against the whole more humane thing they'd been
- 6:40Speaker 1: aiming for. Charles worked with prison officials to enhance the restraints.
- 6:46Speaker 1: I mean, why not. He would have done anything to
- 6:49Speaker 1: reduce his own sentence, and he certainly had the technical
- 6:52Speaker 1: knowledge to make those changes. Instead of leather straps, he
- 6:56Speaker 1: created metal clamps that fit over the prisoner's wrists and les,
- 7:00Speaker 1: designed to reduce movement and the risk of burned skin.
- 7:03Speaker 1: The results worked wonders for the prisoners, the witnesses, and Charles.
- 7:09Speaker 1: When the time came for his parole hearing, he had
- 7:11Speaker 1: no problem convincing the board he was ready for a
- 7:14Speaker 1: second chance. After all, he'd been instrumental in making their
- 7:17Speaker 1: executions more efficient and humane, just as they had intended.
- 7:23Speaker 1: It's unclear how Charles spent his newfound freedom. Whether he
- 7:27Speaker 1: traveled the world or sought a job as an engineer,
- 7:30Speaker 1: will never know, though I can hazard a guess that
- 7:33Speaker 1: whatever he did, it was far from legal. That's because
- 7:37Speaker 1: ten years after he was released, Charles Justice found himself
- 7:41Speaker 1: right where he'd started. He'd been convicted of murder and
- 7:45Speaker 1: sent back into his old stomping ground, Ohio State Penitentiary.
- 7:51Speaker 1: There was only one difference. Now, he would never be
- 7:54Speaker 1: eligible for parole. He would never sleep in his own bed,
- 7:58Speaker 1: or drink a beer or do anything again that a
- 8:01Speaker 1: freeman might enjoy. He was the latest addition to Ohio
- 8:05Speaker 1: State Penitentiary's death row, and on November nine of nineteen eleven,
- 8:10Speaker 1: Charles Justice was strapped into the same chair he'd helped
- 8:13Speaker 1: improve a decade earlier. You got to feel firsthand the
- 8:18Speaker 1: metal restraints around his wrists and ankles, albeit only for
- 8:22Speaker 1: a few moments. Seconds later, charles life came full circle. Justice,
- 8:29Speaker 1: as they say, had been served. I hope you've enjoyed
- 8:36Speaker 1: today's guided tour of the Cabinet of Curiosities. Subscribe for
- 8:40Speaker 1: free on Apple Podcasts, or learn more about the show
- 8:43Speaker 1: by visiting Curiosities podcast dot com. The show was created
- 8:48Speaker 1: by me Aaron Manky in partnership with how Stuff Works.
- 8:52Speaker 1: I make another award winning show called Lore, which is
- 8:55Speaker 1: a podcast, book series, and television show, and you can
- 8:58Speaker 1: learn all about it over the world of Lore dot
- 9:01Speaker 1: Come and until next time, stay curious.