Latest / I Am All In with Scott Patterson / We're Here, Lets Talk (S4 E16 "The Reigning Lorelai”)

Transcript

We're Here, Lets Talk (S4 E16 "The Reigning Lorelai”) · I Am All In with Scott Patterson

• 0:00
  Speaker 1: I am all in that I am all in with
• 0:18
  Speaker 1: Scott Patterson and I heart Radio podcast. Hey everybody, Scott Patterson,
• 0:22
  Speaker 1: I am all in. Podcast recap, Season four, episode sixteen,
• 0:27
  Speaker 1: The Reigning Laurel I and uh It originally aired March two.
• 0:34
  Speaker 1: I am a little under the weather. I apologize, but
• 0:36
  Speaker 1: I'm rallying and I have support from my awesome team
• 0:39
  Speaker 1: Danielle Romo, Tara sued Ami'll join us in a minute.
• 0:42
  Speaker 1: But um, hey, guys, how you doing. You're so dedicated
• 0:49
  Speaker 1: you I know you're sick, and you're just like, you
• 0:52
  Speaker 1: know what. I'm still gonna show up and I'm still
• 0:54
  Speaker 1: gonna watch an episode and we're gonna do. We're gonna
• 0:56
  Speaker 1: do the thing. I'll tell you, man, a little Nike. Well,
• 0:59
  Speaker 1: nice night's sleep right after this. I don't want to
• 1:02
  Speaker 1: do the day quill because it's like it's seven that
• 1:06
  Speaker 1: in you and I just like give my liver a
• 1:08
  Speaker 1: little bit of a rest. But I apologize for the
• 1:12
  Speaker 1: creepy deep voice, and I'm not mad at it. I
• 1:16
  Speaker 1: kind of like it. I can't really breathe right now,
• 1:20
  Speaker 1: so your breath or your mouth mouth, so anyway, Danielle,
• 1:28
  Speaker 1: take it away, synopsizing the way only you know how
• 1:31
  Speaker 1: to alright? Season four, episode sixteen, The Reigning Lorelai air
• 1:36
  Speaker 1: date March second, two thousand four. The unexpected death of
• 1:40
  Speaker 1: Grandma Tricks devastates Richard, plus a secret letter is unveiled
• 1:46
  Speaker 1: that sends Emily over the edge. Lorela is left to
• 1:49
  Speaker 1: finish planning the funeral while Rory writes the obituary for
• 1:53
  Speaker 1: her great grandmother. Man, what do you think of this episode? Oh?
• 2:00
  Speaker 1: I mean, we just see Emily and Richard just go downhill,
• 2:07
  Speaker 1: but at the end that there's hope. There is hope.
• 2:09
  Speaker 1: So I did love that. But I kind of liked
• 2:12
  Speaker 1: seeing their demise for an episode. Yeah, like they were
• 2:15
  Speaker 1: they were not Emily and Richard. Yeah, not at all,
• 2:20
  Speaker 1: like we've never seen them before. Um, did you remember
• 2:24
  Speaker 1: this episode, Scott? Did you remember this? No? Not at all, No,
• 2:29
  Speaker 1: not even a little bit. It was look who decided
• 2:32
  Speaker 1: to join us. I don't even want to talk about it.
• 2:35
  Speaker 1: Technology is so challenging. Did you have to move to
• 2:39
  Speaker 1: twenty different spots in your house too? Well? Yeah, I'm
• 2:45
  Speaker 1: not my mom's and I'm on the floor and then
• 2:48
  Speaker 1: the computer just crashes. But whatever, And I don't want
• 2:52
  Speaker 1: to be a buzz scale. But I did not love
• 2:54
  Speaker 1: this episode, did you, guys? I mean, it's not my
• 2:59
  Speaker 1: top but it it wasn't the worst. It was definitely
• 3:02
  Speaker 1: entertaining for me and not my top two. But I
• 3:05
  Speaker 1: did I did enjoy it. I enjoyed it too well. Yeah,
• 3:09
  Speaker 1: I mean it proves so it kind of it kind
• 3:12
  Speaker 1: of goes against my theory that, you know, just the
• 3:15
  Speaker 1: Gilmore stuff at the Gilmore House can can work as
• 3:18
  Speaker 1: a standalone series. No, I'm saying no. But if if
• 3:24
  Speaker 1: audiences had never experienced Stars Hollow before and this show
• 3:30
  Speaker 1: just came out, it was just like the four of
• 3:32
  Speaker 1: them and then Maids and Friends and things like that, um,
• 3:36
  Speaker 1: it probably could have stood alone, you know what I mean?
• 3:39
  Speaker 1: Those those four are dynamic and interesting enough. Um, and
• 3:43
  Speaker 1: obviously the writing team, you know, we didn't spend very
• 3:46
  Speaker 1: much time in Stars Hollow. I didn't spend very much
• 3:48
  Speaker 1: time at all with anybody else. It was. It was
• 3:50
  Speaker 1: a heavy, heavy, heavy Richard Emily episode, which is you know,
• 3:55
  Speaker 1: kind of great all on its own because it wasn't
• 3:57
  Speaker 1: look it was an easy episode. Not easy, but an
• 4:00
  Speaker 1: easier episode for Lauren and alexis because a lot of
• 4:05
  Speaker 1: the heavy lifting was being done by their parents, and
• 4:09
  Speaker 1: so the onus is on them, and and it's nice
• 4:13
  Speaker 1: to give Lauren and Alexis a little breather, you know
• 4:17
  Speaker 1: what I'm saying, because and I'm not saying that they
• 4:20
  Speaker 1: didn't have to be there all day every day, and
• 4:22
  Speaker 1: of course they did, but um, you know, emotional emotionally speaking,
• 4:27
  Speaker 1: it was on Richard and Emily and they hit it
• 4:29
  Speaker 1: out of the park and it was and it was
• 4:31
  Speaker 1: also for me. Yeah, well, I mean I think acting
• 4:35
  Speaker 1: wise great, Maybe I'm just like grouchy Party of One
• 4:43
  Speaker 1: like it was because it was sad. Maybe it was
• 4:47
  Speaker 1: because it was too sad for me, Yeah, that could
• 4:50
  Speaker 1: be it Like Richard's mother dying, It was sad for me.
• 4:54
  Speaker 1: I was thinking that too. Like you know, this show
• 4:58
  Speaker 1: does death really well. But do you really want to
• 5:02
  Speaker 1: do death on this show? You know what I'm saying,
• 5:04
  Speaker 1: because usually when when somebody dies on this show, and
• 5:07
  Speaker 1: it's happened before, it's been somebody a little distant and
• 5:12
  Speaker 1: for some they always glean the comedy out of it.
• 5:15
  Speaker 1: Somehow you're kind of nailing it, you know, you know
• 5:18
  Speaker 1: what I mean. And and you know, like Suki and
• 5:22
  Speaker 1: Lauren show. I think you're nailing it because I think
• 5:25
  Speaker 1: I think I don't want to have Danielle take her
• 5:27
  Speaker 1: headphones off. But I think that's my problem with it
• 5:31
  Speaker 1: is because it really brought it too close to home
• 5:34
  Speaker 1: for me with what happens later in the movie, right,
• 5:39
  Speaker 1: because this isn't this kind of show. Yeah, and that
• 5:42
  Speaker 1: was so painful, and the other shows do death, Yeah,
• 5:47
  Speaker 1: this doesn't. This show is not about it. It's not
• 5:51
  Speaker 1: even close to being about it, right in a sense,
• 5:55
  Speaker 1: but when they do it, it's it was. It was
• 5:57
  Speaker 1: pretty good, actually, it is good. The way that Emily
• 6:03
  Speaker 1: revealed the death was also such a Gilmore way to
• 6:06
  Speaker 1: do it. Like I I even forgot, like I've seen
• 6:09
  Speaker 1: this episode before, but I forgot. I was like, oh
• 6:12
  Speaker 1: this is this episode, Like I even it was just
• 6:14
  Speaker 1: so blunt, like, hey, have a second to talk on
• 6:17
  Speaker 1: the phone, and your grandmother died. Yeah, it was like, okay,
• 6:21
  Speaker 1: it kind of like three for a loop for a second. Yeah,
• 6:25
  Speaker 1: because it was shocking too because we just bettle with
• 6:28
  Speaker 1: her and she was fine. Yeah. Yeah, So it was
• 6:30
  Speaker 1: like and we knew Marian Ross was fine obviously because
• 6:35
  Speaker 1: she's alive now another character, right, So it's like, why
• 6:42
  Speaker 1: did they do it? Although there's reasons, Well, I feel like,
• 6:47
  Speaker 1: do you think, excuse me, do you think it's mainly
• 6:50
  Speaker 1: because there's so much of the storyline with like Richard
• 6:53
  Speaker 1: and Emily and Richard because you know then not to
• 6:57
  Speaker 1: jump ahead, but the letter comes in place. So I
• 6:59
  Speaker 1: feel like it was more of a storyline for Richard
• 7:01
  Speaker 1: and Emily in their character developed more. They had to
• 7:04
  Speaker 1: bring them back together, and they used her death to
• 7:07
  Speaker 1: do it. Yeah, because because I don't think fans were digging,
• 7:12
  Speaker 1: uh where Richard and Emily were going in the series,
• 7:15
  Speaker 1: because their their beloved. You need that solid base. Yeah,
• 7:19
  Speaker 1: you buckle up, everybody. Yeah, do we all have to
• 7:26
  Speaker 1: take our headphones off? Now? It's not Tara but you two. Yeah.
• 7:34
  Speaker 1: I mean, I I don't know why I think look everybody.
• 7:39
  Speaker 1: I mean, I don't know about you guys, but I've
• 7:42
  Speaker 1: experienced this loss, this type of loss too many times
• 7:46
  Speaker 1: in the last fifteen years. Um, and it's gut wrenching.
• 7:50
  Speaker 1: It's really really tough to get through it. But um
• 7:54
  Speaker 1: it forces you to grow as a person. It's it's
• 7:57
  Speaker 1: but it's it's you know, when you lose your mom,
• 7:59
  Speaker 1: there is nothing like that. Uh, it's it's horrible, and
• 8:05
  Speaker 1: it's it's you know, how did it make I kept thinking,
• 8:09
  Speaker 1: how is this making me feel? And how is it
• 8:12
  Speaker 1: making everybody in the audience feel? Because you know everybody,
• 8:15
  Speaker 1: it made me feel terrible. So that's why you kind
• 8:17
  Speaker 1: of don't do death in this show. And I kept thinking,
• 8:22
  Speaker 1: is there another way something could have happened to Trixie
• 8:24
  Speaker 1: or there could have been a different way to bring
• 8:28
  Speaker 1: Emily and Richard together, right except for like losing like
• 8:32
  Speaker 1: what became for me one of my favorite characters in
• 8:34
  Speaker 1: the show. Uh, And it didn't start out that way,
• 8:38
  Speaker 1: but that last episode she was in, just she it
• 8:40
  Speaker 1: was just so brilliant and I wanted more of that,
• 8:43
  Speaker 1: you know, and now we don't. Now we can't get it. Yeah, yeah, yeah,
• 8:48
  Speaker 1: that conflict between them, Yeah, I think a very useful
• 8:54
  Speaker 1: uh nice tension added to the show. Um, you know,
• 8:58
  Speaker 1: just my opinion. And the letter, I mean, I know,
• 9:03
  Speaker 1: I don't know if you want to start going through
• 9:04
  Speaker 1: the whole episode, but the letter was so horrible. And
• 9:08
  Speaker 1: then I don't Emily is unhinged enough for me, so
• 9:12
  Speaker 1: seeing her so unhinged, Although it was funny the smoking
• 9:16
  Speaker 1: and the drinking. I was like, I don't, why do
• 9:19
  Speaker 1: I not love this? Right? Right? You're seeing a great
• 9:23
  Speaker 1: actress um doing things we haven't seen her do before,
• 9:28
  Speaker 1: and she's she's just so good, isn't she? And she's
• 9:31
  Speaker 1: so funny and she's so I mean, I think of
• 9:35
  Speaker 1: all of the talent in that cast, um, you gotta
• 9:39
  Speaker 1: hand it to Kelly Bishop. Yeah, I mean you just
• 9:42
  Speaker 1: have to give it to her. I mean, she's what
• 9:45
  Speaker 1: a fierce, fierce talent um and that was on full
• 9:50
  Speaker 1: display in this episode. And and I see a little
• 9:53
  Speaker 1: note here by our team that that that Kelly Bishop
• 9:58
  Speaker 1: said to People Magazine, this is her face of an
• 10:00
  Speaker 1: episode of the series. You can see why. Well, yes,
• 10:04
  Speaker 1: okayause she got to come out of that that, you know,
• 10:07
  Speaker 1: the tautness and the tightness of that role she was
• 10:10
  Speaker 1: playing and just let it go get drunk and like,
• 10:13
  Speaker 1: who cared? That's what's making me think is because she
• 10:18
  Speaker 1: was so good in the episode is maybe why I
• 10:21
  Speaker 1: also didn't love the episode, because it was all just
• 10:25
  Speaker 1: way too believable to me. And I don't like Richard
• 10:29
  Speaker 1: being like that. Richard is a force. Richard is the steady,
• 10:34
  Speaker 1: strong father figure. So maybe it was just not that
• 10:40
  Speaker 1: it was not a great episode, it was just setting episode.
• 10:45
  Speaker 1: It was it was definitely different. Um. I was engaged.
• 10:49
  Speaker 1: I was engaged. I was on the edge of my seat.
• 10:52
  Speaker 1: I was all the great lines were coming, all the
• 10:54
  Speaker 1: great acting was there. I mean, you're getting so much
• 10:58
  Speaker 1: from the show, even when it's what we consider to
• 11:01
  Speaker 1: be a little bit off center in terms of tone. Right, Okay,
• 11:06
  Speaker 1: it's still bringing the heat. It's still engaging and great
• 11:10
  Speaker 1: and just filled with great acting. And man, when do
• 11:13
  Speaker 1: you ever see that, um like to that level? When
• 11:18
  Speaker 1: did people ever get to do that? Because that's you're
• 11:22
  Speaker 1: it's like you're watching theater or you're watching really really
• 11:25
  Speaker 1: good film. I just thought this was it was unlike
• 11:30
  Speaker 1: what we're used to on Gilmore Girls. But I think
• 11:33
  Speaker 1: that I think that the writers have trained us as
• 11:36
  Speaker 1: an audience to expect the unexpected, and that's kind of
• 11:39
  Speaker 1: how they write. And this was definitely unexpected, but you know, delightful.
• 11:43
  Speaker 1: Well yeah, maybe it was also because Luke and Nicole.
• 11:46
  Speaker 1: It was just for me, I was like, uh, there's
• 11:49
  Speaker 1: no unhappy and stars right now, right right right. It
• 11:55
  Speaker 1: certainly didn't have the levity, shall we say, um, it
• 12:01
  Speaker 1: was a different kind of humor, right, it was. It
• 12:03
  Speaker 1: was deep, unt wrenching reels. And we come right from
• 12:06
  Speaker 1: the very beginning of her friend dying. It's like, why
• 12:10
  Speaker 1: is already dying? You know what I mean? Like her
• 12:13
  Speaker 1: her friend dies, and then there's that drama and Richard
• 12:17
  Speaker 1: isn't going to go to that funeral because he's gonna
• 12:19
  Speaker 1: go with Mr. Himoto and Digger and yeah, and so
• 12:25
  Speaker 1: I was like, okay, and then then they got another death.
• 12:30
  Speaker 1: What did you find out? A little odd that, um,
• 12:32
  Speaker 1: you know, Richard begged off that funeral. He said he
• 12:34
  Speaker 1: had a business meeting and a lunch golf thing with
• 12:38
  Speaker 1: with clients with Jason, and well, what's it's like so
• 12:41
  Speaker 1: unfeeling and so uncaring. You know, her her good right,
• 12:47
  Speaker 1: you're a good friend passed away, right, and nobody cared.
• 12:50
  Speaker 1: Larela I didn't care, making jokes about it. Richard didn't care,
• 12:53
  Speaker 1: didn't want to go to the funeral. It's like, jeez man. Yeah,
• 12:57
  Speaker 1: it was tracking though, based off the right off of
• 13:00
  Speaker 1: Richard's got going on right now. His work and Digger
• 13:03
  Speaker 1: are so much more important. And look, I just want
• 13:06
  Speaker 1: to say, it's almost like this is one of those
• 13:09
  Speaker 1: episodes where four episodes from now, when we do that,
• 13:14
  Speaker 1: this is going to make a lot of sense. And
• 13:16
  Speaker 1: maybe that's what's clouding me because I'm a little dreading
• 13:20
  Speaker 1: some of the things that are coming. So I don't
• 13:24
  Speaker 1: know what's messing with me. They obviously I thought they
• 13:29
  Speaker 1: needed to build another foundation to the structure and this
• 13:34
  Speaker 1: is it. This was it um and you know that's life, right,
• 13:38
  Speaker 1: People get, people become invisible in relationships at times they
• 13:44
  Speaker 1: have to sort of, you know, shout a little bit
• 13:47
  Speaker 1: and say, hey, you know, take care of me. And
• 13:49
  Speaker 1: that's just sort of this natural cycle of relationships in life.
• 13:53
  Speaker 1: And you know, Emily is in one of those right now.
• 13:55
  Speaker 1: So you're so right, Like I know that we don't
• 13:58
  Speaker 1: like you know, death on Gilmore Girls or you know,
• 14:01
  Speaker 1: problems between Emily and Richard because they are you know,
• 14:05
  Speaker 1: quote unquote the pillars of you know, the show. But
• 14:09
  Speaker 1: I do think Gilmore Girls in general, there's a really
• 14:12
  Speaker 1: good way of of like mirroring what's happening in life
• 14:17
  Speaker 1: for just people, but also making it you know, a
• 14:20
  Speaker 1: little adding a flare to it, a little more dramatic
• 14:23
  Speaker 1: obviously because it's a TV show. But I think people
• 14:26
  Speaker 1: can can watch this and relate to it, you know,
• 14:29
  Speaker 1: whether their grandmother passed away or they feel invisible in
• 14:33
  Speaker 1: you know, their relationship, or um a relative passes away
• 14:38
  Speaker 1: but they're not close to them, so they don't know
• 14:39
  Speaker 1: how to feel. You know. Like all these different elements
• 14:43
  Speaker 1: of this show. Although it does suck, it's centered around death.
• 14:46
  Speaker 1: I think everyone can kind of find a thing that
• 14:49
  Speaker 1: they can relate to. It's almost like, oh, I didn't
• 14:52
  Speaker 1: know they could do that, And look how versatile the writings,
• 14:56
  Speaker 1: look how versatile the acting is. They went there. It's
• 14:59
  Speaker 1: like a band. You know, some bands they're very versatile.
• 15:03
  Speaker 1: They can do all different kinds of styles and oh,
• 15:05
  Speaker 1: nice ballads and then heavy stuff and then cool rock
• 15:08
  Speaker 1: stuff and some bands just do straight rock stuff or whatever.
• 15:10
  Speaker 1: And you know what, you're gonna get this one. It's like,
• 15:13
  Speaker 1: this is a different type of a song that Yeah,
• 15:16
  Speaker 1: that's that's a good analogy, you know what I'm saying.
• 15:18
  Speaker 1: And you still like the band, but you're like, right,
• 15:22
  Speaker 1: it deepens the experience with the band. It's like I
• 15:24
  Speaker 1: didn't know they could do that, or they would do that,
• 15:27
  Speaker 1: Like it was a risk, right, they took a risk
• 15:30
  Speaker 1: and it paid off. I thought. I just thought it
• 15:32
  Speaker 1: deepened the show, deepened the quality of the show, and
• 15:35
  Speaker 1: it deepened our experience as an audience of it because
• 15:37
  Speaker 1: we're going deeper with them. Yeah. I liked loraa Lye,
• 15:43
  Speaker 1: like she was handling everything. Well. I sort of brought
• 15:45
  Speaker 1: it up like Digger kind of bugged. I don't know why. Yeah,
• 15:50
  Speaker 1: that one, that one line he said where he was
• 15:52
  Speaker 1: like someone like ever like was the one lighte he
• 15:57
  Speaker 1: said where he was like it's a bad time my family,
• 16:00
  Speaker 1: where someone's dying once a month or something like that. Yeah,
• 16:03
  Speaker 1: and when he was ten years old. Yeah, Yeah, I
• 16:07
  Speaker 1: just thought Digger didn't really step up. He didn't really
• 16:10
  Speaker 1: step up for Richard, he didn't really step up for
• 16:12
  Speaker 1: lower Lie. Yeah. But do we expect him to We don't.
• 16:15
  Speaker 1: I don't, absolutely not. I sort of always hoped he
• 16:18
  Speaker 1: would be a really great guy. I'm waiting for the
• 16:20
  Speaker 1: funny excuses, and I find him just bizarre and funny.
• 16:23
  Speaker 1: Now you know, he's like the funnier. He was the
• 16:26
  Speaker 1: funniest guy in the episode because he was like, no,
• 16:28
  Speaker 1: I like, you don't understand. I'm really screwed up and
• 16:31
  Speaker 1: I can't do this when I was Tennis Like, it's like, okay, alright,
• 16:34
  Speaker 1: this guy he's like, did you see how long that
• 16:37
  Speaker 1: hug was? Wait? Okay, I know I'm being annoying by
• 16:42
  Speaker 1: like trying to direct so long? Why did that? Luke
• 16:48
  Speaker 1: and Nicole we get that kind of so, so we
• 16:50
  Speaker 1: get the opening scene and they're eating the scargo, which
• 16:54
  Speaker 1: is so gross. I mean, just that scargo was great
• 17:00
  Speaker 1: if it's done well, No, it's just that's so good.
• 17:04
  Speaker 1: Such a Now it's Scot's like such a Yes, I've
• 17:09
  Speaker 1: never tried it, but I want it. Oh, Tara, Tara
• 17:13
  Speaker 1: just opened up the hole. I know you should have
• 17:16
  Speaker 1: said that. I actually why, I'm very like, I'll eat anything,
• 17:21
  Speaker 1: like I really do. I'll try anything, so at least
• 17:23
  Speaker 1: once I've tried it. It's not the taste of it's
• 17:27
  Speaker 1: the thought of it. Yeah, is it like really salty?
• 17:31
  Speaker 1: Like the chew of it? You know, if you combine
• 17:35
  Speaker 1: it with a pesto like a warm pluck. I don't
• 17:39
  Speaker 1: even like pesto. Well, let's talk about Nicole and Luke,
• 17:48
  Speaker 1: because I feel like there's a lot there, and I
• 17:51
  Speaker 1: feel like, Amy, you are passionate about Nicole and Luke,
• 17:54
  Speaker 1: so you go for it. Well, I don't like it.
• 17:57
  Speaker 1: I've never liked it. I'm ready to be done with Nicole.
• 17:59
  Speaker 1: I actual really thought she was done. I forgot that
• 18:02
  Speaker 1: we have to deal with this, so, you know, I'm
• 18:06
  Speaker 1: not feeling like she could like I liked. She's fine,
• 18:10
  Speaker 1: she's fine. No one's right for him. So anyway, I mean, okay, fine,
• 18:14
  Speaker 1: they're fighting. It's really annoying. They should end it. And
• 18:17
  Speaker 1: it was a little sad when he's like, are you
• 18:18
  Speaker 1: going home? And she's just like, yeah, no, are you
• 18:22
  Speaker 1: going back to our place? And she's like whatever she says,
• 18:26
  Speaker 1: what did she say? She said our place? Yeah, because
• 18:31
  Speaker 1: it's not their place, like Luke does not stay there there. Yeah.
• 18:36
  Speaker 1: Well right, I don't even want to know what's going
• 18:39
  Speaker 1: on between those two. I just wanted to end. Yeah,
• 18:44
  Speaker 1: no one cares. Sorry, love Tricia, right, she's great. Yeah,
• 18:49
  Speaker 1: she's a great actress and she was fun on set.
• 18:52
  Speaker 1: It looks great. She's just great every way. But yeah,
• 18:56
  Speaker 1: that relationship is seen better days. Man, it never saw
• 19:01
  Speaker 1: better days. It was bad from the start. I don't know,
• 19:08
  Speaker 1: so anyway, I'm not sure. I guess Look who am I?
• 19:11
  Speaker 1: Who am I to judge? I'm supposed to be fired.
• 19:14
  Speaker 1: But what it's fine. Look, we're all trying, and I'm
• 19:19
  Speaker 1: working on all the things that you guys criticize. I'm
• 19:21
  Speaker 1: working on it also. Anyway, let's get back to it.
• 19:24
  Speaker 1: So Lane is working at the diner, which I like,
• 19:28
  Speaker 1: and how the fish pan got mixed with the eggs?
• 19:31
  Speaker 1: I correct, Yeah, But what I actually I don't know.
• 19:38
  Speaker 1: It's is this weird of me to get territorial because
• 19:41
  Speaker 1: those are my lines? Right? I wanted to deliver those lines.
• 19:45
  Speaker 1: You know what I'm saying, Lanes lines. He means, yeah,
• 19:48
  Speaker 1: it's like, now Lane's taking my lines away from me
• 19:50
  Speaker 1: just because you were fighting the coal. But I want,
• 19:55
  Speaker 1: I want, I want, Then I want Luke any line
• 19:58
  Speaker 1: in the diner's looks, I mean, I agree, I mean
• 20:02
  Speaker 1: you don't. They're not Lane lines. They're lukelines, and having
• 20:06
  Speaker 1: Lane do lukelines is then Lane's not being Lane. So
• 20:10
  Speaker 1: it's sort of all mixed up. Yeah. I feel like
• 20:13
  Speaker 1: when I was watching this, I felt like, Okay, obviously
• 20:16
  Speaker 1: Rory's in Yale and they don't want to like get
• 20:18
  Speaker 1: rid of Lane, so like they're trying to incorporate her
• 20:21
  Speaker 1: in a different way that she can hear in every episode,
• 20:25
  Speaker 1: or of her with the boys at the apartment. I've
• 20:28
  Speaker 1: gotten more of that. Probably she needs money through but
• 20:33
  Speaker 1: we can know she works at the dinner. I think
• 20:35
  Speaker 1: for me maybe it was too much with the death,
• 20:39
  Speaker 1: Emily's meltdown, the letter, Richard heartbroken, and Luke and Nicole
• 20:45
  Speaker 1: are fighting like I didn't have any Luke and lower
• 20:47
  Speaker 1: Lie comfort. As it might be. I think that in
• 20:53
  Speaker 1: the last couple of years, we have all been conditioned,
• 20:57
  Speaker 1: if we're fans of TV watching UM to get ten
• 21:03
  Speaker 1: great episodes and that's it. That's all you get per season.
• 21:07
  Speaker 1: This order when we were doing it, was twenty two,
• 21:11
  Speaker 1: so it's hard. It's so hard to do twenty two.
• 21:15
  Speaker 1: It's really hard to do, like and I think this
• 21:17
  Speaker 1: show does it better than anybody to give you twenty
• 21:20
  Speaker 1: two really quality episodes, even though yes we can point
• 21:23
  Speaker 1: out some um you know, we could do a little
• 21:26
  Speaker 1: Monday morning quarterbacking, which isn't terribly fair because we're not
• 21:30
  Speaker 1: there in the writer's room in the moment, under pressure,
• 21:32
  Speaker 1: taking studio notes, taking network notes, rejecting them, you know,
• 21:36
  Speaker 1: filing through everything. What do we do? What do we do?
• 21:39
  Speaker 1: And then they make these decisions, and we're still getting
• 21:41
  Speaker 1: these great episodes. So it's really tough producing, especially back then,
• 21:45
  Speaker 1: producing all these episodes now a lot of these new
• 21:49
  Speaker 1: ten episode arc things that one season. I don't think
• 21:54
  Speaker 1: that these show runners are getting the level of notes
• 21:58
  Speaker 1: that network television gives their showrunners. I think that since
• 22:02
  Speaker 1: they're coming from the film side, right and creating these
• 22:05
  Speaker 1: wonderful shows, these dynamic, incredibly insightful and beautifully acting and
• 22:10
  Speaker 1: beautifully written shows, you're not getting the kind of uh
• 22:14
  Speaker 1: network or studio notes that one would expect. It's like,
• 22:18
  Speaker 1: hands off. You know, we've got Oscar winning people in here,
• 22:21
  Speaker 1: Oscar nominated writers in here. You know, f off, We're
• 22:25
  Speaker 1: gonna do what we're gonna do. You're gonna and that's
• 22:27
  Speaker 1: the way it is. So it's it's um So I
• 22:30
  Speaker 1: thought they navigated. I thought Gilmore, the Gilmore writing staff
• 22:33
  Speaker 1: navigated this stuff beautifully because it's well, it's really hard
• 22:36
  Speaker 1: to do back then. I'm able to separate myself and say,
• 22:39
  Speaker 1: just because I didn't love it doesn't mean it's not
• 22:43
  Speaker 1: an amazing episode. I think it was an amazing episode. Yeah,
• 22:47
  Speaker 1: I think I maybe it was just in the headspace
• 22:48
  Speaker 1: or it was too two. It almost just made me
• 22:53
  Speaker 1: think too much, and I didn't like where my head
• 22:55
  Speaker 1: was going. Right, It's not what this show does best,
• 22:59
  Speaker 1: but it proved that it can do it if call
• 23:02
  Speaker 1: upon to do it. And what did you think of no,
• 23:05
  Speaker 1: go ahead, go ahead? I mean, what did you think
• 23:07
  Speaker 1: of sort of incorporating a little bit of Yale into
• 23:10
  Speaker 1: this episode with the paper and Doyle. I enjoyed that stuff. Yeah,
• 23:15
  Speaker 1: I didn't mind that. I could have done without it.
• 23:18
  Speaker 1: I'm over. I'm over Doyle, Like well, oh no, really, guys,
• 23:25
  Speaker 1: Doyle is going to be around. He just is. Like
• 23:30
  Speaker 1: so I will say, like, I don't like Doyle. Here,
• 23:36
  Speaker 1: I don't I I like Doyle. Fine, if Rory starts
• 23:40
  Speaker 1: dating Doyle, I'm going to be mad. Not saying anything,
• 23:44
  Speaker 1: but again, if they if they cut to a Yale scene,
• 23:48
  Speaker 1: the pull is the pull away from death and into
• 23:52
  Speaker 1: life and you know, and youthful life and energy. It's
• 23:56
  Speaker 1: really strong and you want to stay there so you
• 23:58
  Speaker 1: don't want to leave, and then you go back to
• 23:59
  Speaker 1: death and it's like, you know, but you're so yeah,
• 24:04
  Speaker 1: so interesting. You bring that up too, because I thought,
• 24:07
  Speaker 1: and I don't know, i'd be interested to take a
• 24:09
  Speaker 1: stop watch. I felt like the death anything with the
• 24:12
  Speaker 1: death storyline, the scenes felt long, and the other scenes,
• 24:16
  Speaker 1: the diner scene, the Doyle scene, the Suki scene, they
• 24:20
  Speaker 1: all seemed so short to me. So I don't know
• 24:22
  Speaker 1: if they were they actually were shorter, or if it
• 24:27
  Speaker 1: was just like I was getting these brief breaths and
• 24:30
  Speaker 1: then I had to go back to the terrible and
• 24:33
  Speaker 1: then I'm already feeling terrible, and then the letter, I'm like,
• 24:36
  Speaker 1: oh my god, And now I don't like Tricks. I
• 24:41
  Speaker 1: mean I always thought she was sort of like, we
• 24:44
  Speaker 1: have so much to talk about, Okay, go to Suki.
• 24:48
  Speaker 1: You know who I did love in this episode, Michelle, Yeah,
• 24:53
  Speaker 1: he's always great. Anyone else look up mock turtle soup?
• 24:56
  Speaker 1: I think I did. But what I'm confused about is
• 24:59
  Speaker 1: they say turtle next soup? Did they not? Well, Richard
• 25:03
  Speaker 1: did Emily did? I think she misunderstood from Richard and
• 25:07
  Speaker 1: that's why they're like, do you mean mock turtle soup
• 25:09
  Speaker 1: because it doesn't correct, and she's like, what is turtlenext soup?
• 25:14
  Speaker 1: Like that does not I think that was just didn't exist.
• 25:17
  Speaker 1: I think he was supposed to be a funny joke. Yeah,
• 25:19
  Speaker 1: it was like Emily didn't know what it was. Like,
• 25:21
  Speaker 1: clearly she doesn't cook, she doesn't know what these things are.
• 25:24
  Speaker 1: And then that's why Suki was like, oh, you mean
• 25:25
  Speaker 1: mock turtle soup? Is it like chili mock turtle soup?
• 25:29
  Speaker 1: I looked it up and and yeah, it kind of
• 25:31
  Speaker 1: looks like that. It's it's almost like a beef stew soup.
• 25:37
  Speaker 1: It doesn't look It contains chicken thibe and beef and
• 25:42
  Speaker 1: is filled with tomatoes, eggs, onions, and peppers. I'm not
• 25:47
  Speaker 1: mad about it. That could be one variation. Oh it
• 25:51
  Speaker 1: was an article saying eat like a Gilmore mock turtle soup?
• 25:58
  Speaker 1: Do you really? Yeah to me? Yeah, that's right. I'm
• 26:04
  Speaker 1: still waiting on some pillows and shirts and things like
• 26:07
  Speaker 1: that which I'll never can thank you. Oh yeah, I
• 26:09
  Speaker 1: haven't gotten mine either, Scott, don't you feel bad getting soon? Yeah?
• 26:14
  Speaker 1: And James pettit's on it too. We've been emailing with
• 26:16
  Speaker 1: him getting some more merg So okay, I did like Suki.
• 26:20
  Speaker 1: I like how they reacted very appropriately to the situation. Yeah,
• 26:27
  Speaker 1: they were like, we're here for you. Michelle was so
• 26:30
  Speaker 1: cool and even the hug and then the funny joke
• 26:33
  Speaker 1: and let's not do that again. The whole thing. I
• 26:35
  Speaker 1: thought that whole scene that felt good, and Michelle was
• 26:39
  Speaker 1: trying to find the dog show all that. I was
• 26:41
  Speaker 1: like that. But it also let us know as an
• 26:44
  Speaker 1: audience that we're gonna push the pause button on all
• 26:48
  Speaker 1: of these characters, every single one of them, because the
• 26:52
  Speaker 1: showcase is going to be Richard had a little bit uh, Lauren, Yeah,
• 26:59
  Speaker 1: you know, this is this is who we're dealing with.
• 27:01
  Speaker 1: So we're gonna, we're gonna we're gonna do that to
• 27:04
  Speaker 1: the rest of them, and we're going to stay here,
• 27:06
  Speaker 1: which is which is you know, kind of fine. Right,
• 27:10
  Speaker 1: everybody needed to rest, and it was a chance maybe
• 27:13
  Speaker 1: for Amy and Dan to see what they could whip
• 27:18
  Speaker 1: up for Kelly um and here I go again, here again,
• 27:25
  Speaker 1: still be ignored by the Academy. You want to tell
• 27:30
  Speaker 1: me they were better performances than what Kelly get Bishop gave.
• 27:34
  Speaker 1: There weren't, So maybe that was just sort of a
• 27:39
  Speaker 1: measuring and Richard, I mean, like Richard in this episode
• 27:43
  Speaker 1: was just so incredible, That's what. So we just get
• 27:47
  Speaker 1: to that scene where Laura and Laura Lae brings in
• 27:50
  Speaker 1: the soup and Richard's on the couch, and that's when
• 27:53
  Speaker 1: you're just like, oh my god, this is brutal and
• 27:59
  Speaker 1: he's so sad, and then he has that regret and
• 28:02
  Speaker 1: it's just like, which is a very again another thing
• 28:05
  Speaker 1: somebody can relate to, like this is morbid. But like
• 28:09
  Speaker 1: anytime I see my parents and if I get into
• 28:11
  Speaker 1: a fight with them, I cannot let them leave until
• 28:13
  Speaker 1: totally we're okay again and happy and giving each other
• 28:17
  Speaker 1: a hug. Kill that stress, that the thought of what
• 28:20
  Speaker 1: happened to Richard stresses me out, like I I don't
• 28:26
  Speaker 1: I don't know. I totally agree, And maybe that's why
• 28:28
  Speaker 1: it was so upsetting, Yeah, because you you started thinking
• 28:33
  Speaker 1: about all those things. So I almost was like removed
• 28:38
  Speaker 1: from the show because I started thinking about so many
• 28:41
  Speaker 1: real life things. I don't know if that was my problem,
• 28:44
  Speaker 1: probably because it made you actually sad. You know, you're not.
• 28:48
  Speaker 1: You're not sad at Emily and Richard. You're sad at
• 28:51
  Speaker 1: like how it's actually reality and even in your own
• 28:53
  Speaker 1: life too. We're normally and I think Scott, we've talked
• 28:57
  Speaker 1: about this. It's like with Gilmour girls, you're so did
• 29:00
  Speaker 1: I forget everything happening around me when I'm watching it. Literally,
• 29:04
  Speaker 1: sometimes I'll be like, I'm just gonna watch twenty minutes
• 29:06
  Speaker 1: and then I'm like, oh, the whole episodes over, whereas
• 29:09
  Speaker 1: this one I kept taking me out, maybe because I
• 29:12
  Speaker 1: was like, oh, that happened to me. It wasn't. It
• 29:15
  Speaker 1: wasn't the escapism that we have grown accustomed to. And
• 29:18
  Speaker 1: when Doyle said he goes to call his grandpa or grandma,
• 29:22
  Speaker 1: that happens to me all the time. So I think
• 29:24
  Speaker 1: maybe it was just too many, like real life things
• 29:27
  Speaker 1: were coming in my head because I always try to
• 29:30
  Speaker 1: call my grandpa always. I don't know, maybe that was
• 29:33
  Speaker 1: the thing. I think so Amy, if it pulled a
• 29:37
  Speaker 1: real life you know, sadness from you and it put
• 29:41
  Speaker 1: you in that in that headspace, I mean, Luke, oh
• 29:45
  Speaker 1: my god, wow, Scott, Scott, you had that with with um,
• 29:50
  Speaker 1: your sister, and you talked about that and how you
• 29:53
  Speaker 1: were just so upset that episode and that hits such
• 29:56
  Speaker 1: a real life moment for you and real life parallel
• 30:00
  Speaker 1: and Amy, that's what this episode is doing for you,
• 30:05
  Speaker 1: you know, And then you know, Emily, she was eighty six.
• 30:10
  Speaker 1: Tricks was eighty six, so it was like great life
• 30:15
  Speaker 1: mm hmm. And then I think the pain for Emily.
• 30:20
  Speaker 1: Emily is running around like a you know, trying to
• 30:23
  Speaker 1: do everything and on her all her wishes when it's like,
• 30:27
  Speaker 1: oh my god, this woman. It was so awful. Do
• 30:31
  Speaker 1: you imagine what the show would have been like had
• 30:34
  Speaker 1: Tricks been a series regular and it was structured like
• 30:38
  Speaker 1: Tricksie and her brood and then Richard and Emily and
• 30:44
  Speaker 1: too much Tricks. You can only take her in small time.
• 30:46
  Speaker 1: I mean the fact that Tricks married her second cousin.
• 30:50
  Speaker 1: We talk about that she was so Gilmore. She's like,
• 30:53
  Speaker 1: I'm just gonna be a Gilmore Gilmore and I and
• 30:58
  Speaker 1: I love that it can come up. I think also
• 31:02
  Speaker 1: those phone calls. So then we have the phone call
• 31:05
  Speaker 1: where Lorely calls Rory and they sort of chat, because
• 31:08
  Speaker 1: you can't just be like, oh, hey, your grandma died,
• 31:12
  Speaker 1: like would you almost like why the way Emily, like
• 31:14
  Speaker 1: that's how Emily did it, So I think lourely, I
• 31:16
  Speaker 1: didn't want to do the same thing to Rory. Emily
• 31:18
  Speaker 1: it was better because it's like when someone says, oh,
• 31:20
  Speaker 1: I need to tell you something, you have that moment
• 31:24
  Speaker 1: of pure and total like that, Ah, that is the worst.
• 31:33
  Speaker 1: But there's like no other way to preface it. I
• 31:35
  Speaker 1: don't feel Hi, your grandma died. Yeah, it's either the
• 31:38
  Speaker 1: way Laurea I did or the way Emily did it,
• 31:39
  Speaker 1: Like there's no one between. Yeah. And then Rory trying
• 31:44
  Speaker 1: to sort of grapple with how she was feeling. I'm
• 31:46
  Speaker 1: not crying, shouldn't be more sad, Like I was just
• 31:48
  Speaker 1: getta know her, like, oh, that's funny. At least a
• 31:56
  Speaker 1: person called her what she loved and told her right, yeah, uh,
• 32:00
  Speaker 1: some family experience, you know, they get an email or
• 32:04
  Speaker 1: they got a phone call from a police officer. Oh god,
• 32:07
  Speaker 1: oh god. Yeah, and it was there were still good
• 32:12
  Speaker 1: moments of levity to where they were like, oh, well,
• 32:14
  Speaker 1: you've worked yourself up into a nice panic attack. Rory
• 32:20
  Speaker 1: was very relatable sort of how she was dealing. That
• 32:23
  Speaker 1: was very because this is not even her. This is
• 32:25
  Speaker 1: her great grandmother, so it's like who she didn't even
• 32:30
  Speaker 1: know that like, and then her wanting to learn about
• 32:34
  Speaker 1: her and wanting to help. I did love that she
• 32:38
  Speaker 1: learned about It was a kind of weird things she
• 32:40
  Speaker 1: learned about her great grandmother more through like researching for
• 32:43
  Speaker 1: her obituary than talking to her. But I feel like
• 32:48
  Speaker 1: that in a weird way. Really, I saw a bond
• 32:51
  Speaker 1: between Richard and Rory and this episode more than and
• 32:55
  Speaker 1: I've always known he's had like a special connection with her,
• 32:58
  Speaker 1: but this episode, I was like, oh, they are. They
• 33:02
  Speaker 1: are very connected totally. When she said I've got your back, like,
• 33:06
  Speaker 1: if you need me to do it all, I can
• 33:08
  Speaker 1: do it yea and tie his tie, Hey, grandpa, you're
• 33:11
  Speaker 1: not wearing your shoes like and having a piece of
• 33:13
  Speaker 1: paper and he's yeah, Like she took care of him
• 33:17
  Speaker 1: in a different way of this episode. Yeah, And I
• 33:21
  Speaker 1: was happy when Richard got it together. Yeah, I'm only
• 33:25
  Speaker 1: was still unhinged. He started to get it together a
• 33:27
  Speaker 1: little bit more, and then she really got it together
• 33:30
  Speaker 1: for the funeral, thank god. Yeah, I mean I'm skipping ahead,
• 33:36
  Speaker 1: but it was very sweet when that scene where she
• 33:38
  Speaker 1: talks about make sure he eats, and then he acknowledges it, Yes,
• 33:43
  Speaker 1: a woman with a tray is coming over to me
• 33:44
  Speaker 1: every eight minutes you're doing. And then they are sort
• 33:48
  Speaker 1: of reunited, and and Rory and lower Lie or maybe
• 33:51
  Speaker 1: it's just lower Lie. It's so happy to see that
• 33:53
  Speaker 1: m hmmm. Well, and the main part of that was
• 33:57
  Speaker 1: that Richard was like, I'm you know, I don't think
• 34:00
  Speaker 1: she belongs on our mantle. I think she should be
• 34:02
  Speaker 1: married next to next to dad. And Emily was like, um,
• 34:07
  Speaker 1: but she you know, she had her request and then
• 34:10
  Speaker 1: he was like, well, no, like I think she should
• 34:12
  Speaker 1: be very next to dad. And then you know, Emily
• 34:15
  Speaker 1: was like, whatever you want, Richard, and they like she
• 34:17
  Speaker 1: just you can just tell she was like, thank you,
• 34:19
  Speaker 1: thank you, thank you, thank you, thank you. And we
• 34:22
  Speaker 1: don't even know that Richard knows about the letter. I
• 34:27
  Speaker 1: don't think he does. Do you think he doesn't? Um, Well,
• 34:33
  Speaker 1: if he doesn't, if he's not aware of the letter,
• 34:35
  Speaker 1: he's certainly aware of her feelings about right, he's aware
• 34:39
  Speaker 1: of the letter because he got the letter, but he's
• 34:42
  Speaker 1: not aware that Emily now knows about well. Do you
• 34:44
  Speaker 1: think that he, like, he could have also completely forgot
• 34:47
  Speaker 1: about the letter. You know, I didn't remember he saved it.
• 34:49
  Speaker 1: It's one of those things where he like threw it.
• 34:53
  Speaker 1: Do we know if she even gave him the letter? Like,
• 34:56
  Speaker 1: do we know that? We're assuming because that's a carbon copy?
• 35:02
  Speaker 1: Do you guys know what that means? Yeah, they don't know,
• 35:09
  Speaker 1: like an exact copy. Yeah, well, because it was written
• 35:12
  Speaker 1: on carbon paper. So back in like the day, you
• 35:17
  Speaker 1: would write something on this paper and then it would
• 35:21
  Speaker 1: keep a copy of it, like you know your checkbook.
• 35:24
  Speaker 1: You yeah, yeah, I get that, but they don't really know.
• 35:30
  Speaker 1: I know, I know what Yeah, yeah, I didn't know.
• 35:33
  Speaker 1: Shout out to Easton. That's what CC means and emails
• 35:38
  Speaker 1: is it? Yeah? Carbon carbon copy? Me, oh, I don't
• 35:44
  Speaker 1: know that. That's so. Is BCC blind? BCC is blind copy.
• 35:49
  Speaker 1: I didn't know that a carbon cop. I shouldn't say this.
• 35:55
  Speaker 1: Actually I'm going to be a little bit more vague.
• 35:58
  Speaker 1: But it was an email that went out where I
• 36:01
  Speaker 1: think everyone was supposed to be b C c oh no,
• 36:06
  Speaker 1: and everyone was c seed no. You're going through the
• 36:11
  Speaker 1: list going well, just on this do I have it?
• 36:15
  Speaker 1: I just haven't read it yet. It's like the other
• 36:22
  Speaker 1: thing that everyone does and don't act like you don't.
• 36:25
  Speaker 1: When you get someone's address immediately, you're all zello zello
• 36:32
  Speaker 1: within point oh five seconds, like immediately, coffee in her
• 36:39
  Speaker 1: house like so much. I got invited to the houseworving
• 36:43
  Speaker 1: party and I was like zillo zila, that thing the
• 36:46
  Speaker 1: second I got the housewarming party invite. Oh my god,
• 36:49
  Speaker 1: I'm mad at you. When they're like sold off market
• 36:51
  Speaker 1: and you're all a really good price, I'll do that,
• 37:00
  Speaker 1: Oh my god. Everyone. You know what's interesting about Punel
• 37:08
  Speaker 1: and Lot. She was in one episode, right, she is referenced.
• 37:15
  Speaker 1: I think actually you can even find out how many
• 37:17
  Speaker 1: times she's referenced. She's referenced so many times in this show. Yeah,
• 37:22
  Speaker 1: she was. I agree with you. I thought of that too.
• 37:25
  Speaker 1: I'm like, how did she only appear once in this
• 37:27
  Speaker 1: such a presence in this to show? Um? Yeah the bomb? Yeah, okay, Scott,
• 37:38
  Speaker 1: I have a question for you the letter. Let's just say,
• 37:42
  Speaker 1: you know your wife got that letter from her dad, like,
• 37:46
  Speaker 1: and you found out about it, Like, what does it
• 37:50
  Speaker 1: like for me? Personally? I would die? Like I literally
• 37:54
  Speaker 1: don't know how I can come back from that. Mm hmm.
• 38:00
  Speaker 1: But Graham was already so awful and she's wrong. Richard
• 38:04
  Speaker 1: and Emily are meant to be so she was wrong. Well,
• 38:08
  Speaker 1: you know, it gives us a clue. So it was like,
• 38:13
  Speaker 1: you know, it was this sort of Lady Die and
• 38:15
  Speaker 1: Prince Charles scenario. Camilla Parkle balls, right, it reminds you
• 38:19
  Speaker 1: of that. Yeah, but obviously Richard was a better man
• 38:27
  Speaker 1: at that time and understood more what he needed in
• 38:34
  Speaker 1: his life than his own mother. Well, and Graham was
• 38:37
  Speaker 1: tough on him. That's the whole fight that he has
• 38:39
  Speaker 1: so much regret about, is that she was remember when
• 38:45
  Speaker 1: she had to bail him out, which probably was sort
• 38:47
  Speaker 1: of fine at the time, but then calling it out
• 38:50
  Speaker 1: this many years later and not really honoring all the
• 38:54
  Speaker 1: success that he has had on his own. She sort
• 38:57
  Speaker 1: of tried to take credit for a lot of the
• 38:58
  Speaker 1: air and he was like, I paid you back within
• 39:01
  Speaker 1: three months or whatever the time was. Like, she was tough, yeah,
• 39:07
  Speaker 1: and you know, at one point, do you do you
• 39:11
  Speaker 1: do you lay down your sword and and for the
• 39:15
  Speaker 1: for the betterment of all and for the good of
• 39:16
  Speaker 1: the family. Uh, you know, embrace Emily and yeah, keep
• 39:21
  Speaker 1: your shut. Yeah. It's like and she just kept coming
• 39:24
  Speaker 1: in and coming, you know. It's like, that's why I
• 39:28
  Speaker 1: didn't like her. It's after Emily, after forty plus years,
• 39:32
  Speaker 1: it's like, chill, okay, accept it, grow up totally. Stop
• 39:37
  Speaker 1: being such a a fly in the ointment, right, It's like, okay,
• 39:41
  Speaker 1: stop castrating your son. Stop degrading Emily in front of
• 39:48
  Speaker 1: the granddaughter. In front of the daughter. It's like, you know,
• 39:51
  Speaker 1: they had every reason to explode at her prior to
• 39:57
  Speaker 1: I mean, it was just inappropriate. That's what you write
• 39:59
  Speaker 1: that letter, right, So she writes that letter horbal letter, awful.
• 40:03
  Speaker 1: But Richard married Emily anyway, So if you love your kid,
• 40:06
  Speaker 1: then you go. I said my piece, and now I
• 40:09
  Speaker 1: must move on. But yeah, after all these years, and
• 40:14
  Speaker 1: also the fact that it's Emily like cleaning up her
• 40:16
  Speaker 1: estate essentially, you know what I mean, Like this person
• 40:19
  Speaker 1: that she deemed so bad for her son is taking
• 40:24
  Speaker 1: care of everything with her death, you know, like, just
• 40:28
  Speaker 1: had that nice lady in that pretty suit do everything exactly,
• 40:32
  Speaker 1: Like why is Emily even in there? Just have that
• 40:34
  Speaker 1: nice lady who who's packing up the house just do everything. Yeah, yeah,
• 40:40
  Speaker 1: well then you don't get that scene right exactly. How
• 40:48
  Speaker 1: about grand met three presidents? Pretty good? Okay? Can we
• 40:57
  Speaker 1: go back to the fight with Nicole and Luke. The
• 41:00
  Speaker 1: one thing that I thought was so hysterical was the
• 41:03
  Speaker 1: entire diner it's quiet listening. That was good and Kirk
• 41:11
  Speaker 1: saying he can read lips and first of all, yeah,
• 41:16
  Speaker 1: my other question is, what is it? A chef salad?
• 41:19
  Speaker 1: Our chef salad? Does anyone order a chef salad anymore?
• 41:22
  Speaker 1: I feel like they order a cob salad. A chef
• 41:27
  Speaker 1: salad is kind of like a cop, right, That's what
• 41:29
  Speaker 1: I was bad cob. I think I ordered a Greek
• 41:31
  Speaker 1: salad last night. Greek sp It's a great call. That's
• 41:35
  Speaker 1: very current. Chef salad seems so it's like it's like
• 41:40
  Speaker 1: the B version of a chop. It's a B version.
• 41:43
  Speaker 1: It's a that's meant to say, have a cop. Yeah,
• 41:47
  Speaker 1: it says it's lettuce, it's Swiss cheese, bad hay um,
• 41:57
  Speaker 1: turkey or chicken roast, beef, my god, it's a meat salad,
• 42:03
  Speaker 1: meat salad. And then there's eggs, avocado, tomatoes. God does
• 42:10
  Speaker 1: anyone when have you guys ever ordered a chef salad
• 42:12
  Speaker 1: in your life? I don't think so. Maybe I like
• 42:16
  Speaker 1: a good cob. I love the Yeah, I love a chop.
• 42:24
  Speaker 1: We know. I hate to miss I've missed out on
• 42:34
  Speaker 1: salad conversations before I thought of getting involved. Welcome to
• 42:39
  Speaker 1: I am all salad. It's a lot of meat and
• 42:44
  Speaker 1: I don't know that Swiss cheese in a salad. I
• 42:47
  Speaker 1: gotta call that little chef rider. He's got a lot
• 42:49
  Speaker 1: to do. He's gonna have a taste turtles, turtle soup
• 42:54
  Speaker 1: and a chef sal He's busy. He's a busy week.
• 42:59
  Speaker 1: Jackie came in with a question. Oh yeah, Jackie, what
• 43:02
  Speaker 1: was that question you had about what I was going
• 43:04
  Speaker 1: to bring up? Yeah, she said, without knowing Marian Ross
• 43:08
  Speaker 1: played Maryland, which is Richard's cousin. Would you have noticed
• 43:12
  Speaker 1: it was the same actric actress as Trick? It was?
• 43:15
  Speaker 1: It was. It was very jarring. Yeah. I feel like
• 43:18
  Speaker 1: Gilmore has done that a couple of times though, so
• 43:20
  Speaker 1: I've noticed. I was like, just a new wig, that's all.
• 43:24
  Speaker 1: You got new inflections. It's like, how Kirk wasn't Kirk?
• 43:30
  Speaker 1: Not Kirk in the season season one? He were like, oh,
• 43:33
  Speaker 1: you're right, Yeah, it was not Kirk, just for like
• 43:35
  Speaker 1: a couple episodes. But yeah, I love that question because
• 43:39
  Speaker 1: it's like, of course I would notice Marian Ross like,
• 43:45
  Speaker 1: but maybe not, maybe not. I mean, we were we
• 43:47
  Speaker 1: were on alert in the world would notice. I know
• 43:54
  Speaker 1: you're right, but we were especially on alert. I was
• 43:57
  Speaker 1: waiting for her to come back because we knew that
• 43:58
  Speaker 1: we didn't got it, Maryland, I don't know, but that's
• 44:01
  Speaker 1: sort of had the seeds of a budding horror film,
• 44:06
  Speaker 1: you know, all of a sudden she's back from the dead,
• 44:09
  Speaker 1: back from the dead and standing there posing as her
• 44:12
  Speaker 1: but his cousin, where's this going? Oh Emily in the
• 44:17
  Speaker 1: row by the way with the drink and the cigarette.
• 44:19
  Speaker 1: It's kind of like with the yeah they say the
• 44:22
  Speaker 1: rope too. Oh, the Victoria's Secret scene or the fake
• 44:26
  Speaker 1: Victoria's Secret whatever that Laurel becomes unhit underwear and she
• 44:33
  Speaker 1: totally just loses it with that poor salesperson, Marylyn. Isn't
• 44:38
  Speaker 1: two episodes, We've got one? Yeah? Yeah, death makes people
• 44:44
  Speaker 1: lose it? Who does even Laurel? I lost it? Victoria's Secret?
• 44:51
  Speaker 1: Yeah she did, But also like what a weird thing
• 44:57
  Speaker 1: to do out? Yeah, yeah, I don't think you. I
• 45:04
  Speaker 1: think somebody's told you. I was gonna say, isn't someone's
• 45:06
  Speaker 1: drop to dress them? Like, unless there's something, there's a
• 45:09
  Speaker 1: dress special you want to give? Yeah, you still bring
• 45:13
  Speaker 1: the clothes. Did you guys ever see that show six
• 45:15
  Speaker 1: ft Under? I never watched it, but I think that
• 45:17
  Speaker 1: whole show was about I think they owned but yeah,
• 45:24
  Speaker 1: that's like a that's quite a business. I did. I
• 45:27
  Speaker 1: did enjoy at the end where Rory was like I
• 45:31
  Speaker 1: did see that you put a Hello Kitty bracelet on her,
• 45:33
  Speaker 1: like like that was so funny. Oh god, I mean
• 45:40
  Speaker 1: Laura I put. Yeah, but that's just the guilt, you know,
• 45:49
  Speaker 1: that's the yah. It's a Laura I touch. We talked
• 45:53
  Speaker 1: about the scene with Richard and Rory though. That's where
• 45:55
  Speaker 1: we're at now. It's like such a great scene. I
• 45:59
  Speaker 1: love fourth times the charm with the bow tie looks good.
• 46:02
  Speaker 1: Fourth times a charm and again reference references the internet. Oh,
• 46:07
  Speaker 1: you can find anything on the internet. I had this
• 46:10
  Speaker 1: conversation with my I bumped into a friend the other
• 46:13
  Speaker 1: day and she was married, divorced, married again, and I
• 46:16
  Speaker 1: hadn't seen her since she got married again. And the
• 46:19
  Speaker 1: ring was like so beautiful and I'm like, you're it's amazing,
• 46:24
  Speaker 1: and she goes, you only get married twice. That's a
• 46:30
  Speaker 1: fourth of times. The charm reminded, um, did you think
• 46:36
  Speaker 1: we should have seen the eulogy? Were you happy we didn't?
• 46:38
  Speaker 1: It's kind of like all of a sudden we knew
• 46:39
  Speaker 1: he got through it. I was fine without it. Yeah,
• 46:42
  Speaker 1: me too. Yeah, I'm always like skip skip over the wedding,
• 46:46
  Speaker 1: skip over the funeral. Yeah, I think it would have
• 46:48
  Speaker 1: been enough. We had enough already with the death. We
• 46:52
  Speaker 1: didn't really need. Yea, this is my granddaughter, Laurla. She's
• 46:58
  Speaker 1: not married. Yeah, there was that. Somehow Tricks said that.
• 47:06
  Speaker 1: I forget who was telling the story, but she's like, oh.
• 47:09
  Speaker 1: And then that was so sweet when Marilyn says, am
• 47:12
  Speaker 1: I possibly related to you? That was that was cute.
• 47:16
  Speaker 1: That was very cute. Did you like I liked her.
• 47:20
  Speaker 1: I liked her. She's less annoying than Tricks slightly. What
• 47:28
  Speaker 1: a character. Yeah, she's fun and I like that. We
• 47:31
  Speaker 1: heard all those stories about Tricks that, you know, like
• 47:34
  Speaker 1: we're when she was here and there, she did this
• 47:37
  Speaker 1: and that. I don't know, it's kind of cool. There
• 47:45
  Speaker 1: were some epic lines when when lord lyon Emily are
• 47:48
  Speaker 1: on the couch and she's all, how are you? My
• 47:50
  Speaker 1: feet are killing me. How's the rest of you? Oh God?
• 47:56
  Speaker 1: And then she says, did you were really wear those
• 47:58
  Speaker 1: shoes to a funeral? Still the same old Emily back? Yeah,
• 48:02
  Speaker 1: she just had like one day she was off. Yeah,
• 48:06
  Speaker 1: I don't know. There was some good stuff yeah, what
• 48:10
  Speaker 1: did you think about the reigning Lorelai conversation? Interesting because
• 48:16
  Speaker 1: Lorelai is now the rain. But I want to hear
• 48:19
  Speaker 1: Scott h Well, I mean talk about a huge responsibility.
• 48:28
  Speaker 1: I mean, I don't know what it even means. What
• 48:30
  Speaker 1: does that mean? What is she carrying on? I mean
• 48:38
  Speaker 1: she couldn't be you know, she's a hundred and eighty
• 48:41
  Speaker 1: degrees different from um from Trixie. Does anybody have that
• 48:47
  Speaker 1: in their family where like they can't, they can't somebody
• 48:50
  Speaker 1: carries on a name like I don't know, that doesn't
• 48:53
  Speaker 1: exist in my family. There's not like me, I was
• 48:56
  Speaker 1: supposed to be the fifth No, so's my point. It's like,
• 49:02
  Speaker 1: what is Lauraa carrying on? What her what will her
• 49:06
  Speaker 1: reign include? What will she how will she carry the
• 49:10
  Speaker 1: family name? And I know that's probably a big deal,
• 49:13
  Speaker 1: but I mean, I mean she is also kind of
• 49:18
  Speaker 1: I mean not yet, but the reigning Gilmore in the
• 49:22
  Speaker 1: from her, you know, her dad's line, because they don't
• 49:25
  Speaker 1: have another kid or anything like that, only child, one granddaughter,
• 49:30
  Speaker 1: big responsibility. No, she's she's redefining the d NA. What
• 49:36
  Speaker 1: the DNA is capable of? Richard Emily don't have siblings
• 49:40
  Speaker 1: that we know of. Who doesn't Richard and Emily? Yeah,
• 49:44
  Speaker 1: we never meet them. I mean, was I guess Richard
• 49:47
  Speaker 1: was an only child? Wasn't? I said, I'm looking and
• 49:50
  Speaker 1: and Emily was an only child? Richard was because they
• 49:53
  Speaker 1: had mentioned it. Okay, what about Emily? Emily? Emily? I
• 49:56
  Speaker 1: don't know, but I know what Tricks mentioned. I've been
• 49:58
  Speaker 1: feeling that Emily was a opted Really, so, Richard, Lorelei,
• 50:04
  Speaker 1: and Rory Gilmour were all only children. Emily was not. Oh,
• 50:09
  Speaker 1: Emily Gilmour has a sister. Hope she lives in Paris, France. Really, yeah,
• 50:15
  Speaker 1: Emily has a sister. She's mentioned in season one, episode eight.
• 50:21
  Speaker 1: We must have forgotten it was my mother's name. Oh really,
• 50:25
  Speaker 1: it's name. Why did Richard and Emily have only one child?
• 50:29
  Speaker 1: They had fertility issues? Wow, they would have had a
• 50:33
  Speaker 1: lot of value placed on their bloodline. They would not
• 50:37
  Speaker 1: consider adoption a viable alternative, which maybe is another reason
• 50:41
  Speaker 1: Tricks doesn't like Emily didn't produce enough airs. How old
• 50:46
  Speaker 1: was Emily when when Rory was born? Emone has a
• 50:49
  Speaker 1: complicated relationship. Wow, the internet is just I could do
• 50:52
  Speaker 1: a deep dive here for days. To get a question,
• 50:55
  Speaker 1: and then it gives you a more quick Why is
• 50:57
  Speaker 1: Bebett's house so small? Does Rory have a half sister? Yes,
• 51:03
  Speaker 1: we already know that. Wow, this you could just really
• 51:06
  Speaker 1: go on and not we could do a whole episode
• 51:07
  Speaker 1: of this. Let's do one day. We're gonna just type
• 51:10
  Speaker 1: gilmore questions into the internet and just do I hope
• 51:13
  Speaker 1: Danielle didn't hear that. Just now, by the way, is
• 51:16
  Speaker 1: already born. Okay. I was like, no, one Flint and
• 51:22
  Speaker 1: I was like, oh Danielle, no I thought. I was like,
• 51:25
  Speaker 1: I was like, oh, no, Sherry had a baby. I
• 51:27
  Speaker 1: forgot the house after she saved enough money from working
• 51:32
  Speaker 1: at the Independence In. Most of the furniture, including the beds,
• 51:35
  Speaker 1: are discarded pieces from the Inn courtesy of Mia Wow.
• 51:40
  Speaker 1: I mean, all right, what do you what do you
• 51:43
  Speaker 1: let's rate this? What do you what do you want
• 51:44
  Speaker 1: to give it? It was, by the way, it was
• 51:46
  Speaker 1: so funny. I saw a comment saying, why didn't you
• 51:48
  Speaker 1: guys rate last week's episode in costco membership card. Okay,
• 51:57
  Speaker 1: I have two ideas. We can't either rate it turtle
• 52:00
  Speaker 1: turtle or mock turtle soups or what about class car
• 52:07
  Speaker 1: glasses or yeah, what about s car go mock turtle soups?
• 52:15
  Speaker 1: Is what's hitting it for me? But Chef, why don't
• 52:20
  Speaker 1: we just give it our own like that? How you
• 52:22
  Speaker 1: pick your own? Okay, good, pick your own. I say
• 52:28
  Speaker 1: eight out of ten, Hello kitty bracelets. I'm gonna say
• 52:35
  Speaker 1: seven point five, Hello kitty bracelets. Seven chef salads, seven
• 52:43
  Speaker 1: let six and a half chef salads. Wow, you really
• 52:47
  Speaker 1: like it? Um, I'm gonna give this Uh, I'm actually
• 52:53
  Speaker 1: going to award it an extra point for being so
• 52:56
  Speaker 1: bold as to go where no man has gone before,
• 53:04
  Speaker 1: exploring new planets and planetary solar systems. Um. They explained
• 53:10
  Speaker 1: they went to explore death in the starship, and I
• 53:14
  Speaker 1: kudos to them for doing it. So I was going
• 53:17
  Speaker 1: to give it um seven point five, but I think
• 53:22
  Speaker 1: I'm going to add a point for exploration and risk taking.
• 53:27
  Speaker 1: I love risk taking. Um, So I'm gonna give it
• 53:31
  Speaker 1: not only an eight point five, and I'm gonna give
• 53:33
  Speaker 1: an extra point four points for the Emily performance, and
• 53:39
  Speaker 1: then another point four points for Richard's performance, so that
• 53:43
  Speaker 1: we're up to nine point three now, and are you
• 53:45
  Speaker 1: giving it nine point three? What's bar classes that was
• 53:52
  Speaker 1: a more important question? Or nine point three open bathrobes?
• 54:03
  Speaker 1: Do you know that I learned on TikTok that everyone
• 54:06
  Speaker 1: is doing their bathrobes wrong? Wait? Why? Okay, so you
• 54:10
  Speaker 1: know you've got your bathrobe right, and you know there's
• 54:12
  Speaker 1: that like rope or tie and people put it through
• 54:15
  Speaker 1: like it's a belt. Right, They put it through the
• 54:17
  Speaker 1: one loop it around their back and put it through
• 54:20
  Speaker 1: the other thing and tie it. Nope, you're supposed to
• 54:24
  Speaker 1: put it just through the front. So you put the
• 54:27
  Speaker 1: bathrob on and you put it through the one on
• 54:29
  Speaker 1: the right, and then you don't go around your back.
• 54:31
  Speaker 1: You just put it across your stomach and you tie
• 54:33
  Speaker 1: it there. And what's the point of all the loops?
• 54:36
  Speaker 1: There's only two loops. No, there's always one on your back. Incorrect,
• 54:41
  Speaker 1: So listen, I hate to cut into this fascinating diet
• 54:47
  Speaker 1: at my room. I am all rope talk, but the
• 54:52
  Speaker 1: crack staff has unearthed some very interesting, very interesting observations
• 55:00
  Speaker 1: or this episode. People don't want I am off chef
• 55:04
  Speaker 1: talk and I'm all road talk. We'll be back. Don't
• 55:06
  Speaker 1: you want uh this? No? No, no, we're definitely gonna
• 55:09
  Speaker 1: it'll be a thing. Yes, the road talk quite riveting. Uh.
• 55:16
  Speaker 1: This episode features several actors who have previously appeared as
• 55:19
  Speaker 1: different characters. Of course, there's Marion Ross, who previously played
• 55:22
  Speaker 1: Tricks and is now playing cousin Marylyn. Tiffany Frasier appears
• 55:26
  Speaker 1: as the sales clerk in the lingerie store. She previously
• 55:30
  Speaker 1: appeared as a hostess at the bar that Emily and
• 55:34
  Speaker 1: Laurel I went to during their spa trip in season
• 55:38
  Speaker 1: two episodes right exactly. Uh. Charles C. Stevenson Jr. Plays
• 55:46
  Speaker 1: the reverend that comes to town for Grants funeral. He
• 55:49
  Speaker 1: also appeared as one of Richard's golf buddies in season
• 55:53
  Speaker 1: one episode three, Kill Me Now, and spoiler alert, he
• 55:57
  Speaker 1: will show up again in a year in the life. Ye.
• 56:03
  Speaker 1: At twenty nine minutes exactly, look outside the diner window.
• 56:08
  Speaker 1: You can see Miss Patty just standing there, waiting for
• 56:11
  Speaker 1: her cue to enter the dinner. At nine minutes that
• 56:27
  Speaker 1: they do. They're freaking good man. Uh. At one, while
• 56:34
  Speaker 1: uh Luca Nicole are arguing, Miss Patty is sneaking a
• 56:38
  Speaker 1: taste from the marmalade jar. At thirty, here we go,
• 56:45
  Speaker 1: what do we have? Okay? We got twenty nine? Oh yeah,
• 56:50
  Speaker 1: that really takes an eagle eye because you could have
• 56:54
  Speaker 1: play it, Jackie, so I can see if she's staying,
• 56:57
  Speaker 1: like if she like moving or let me tell you something.
• 57:00
  Speaker 1: And the correct staff is so juiced up on Scotty Peace.
• 57:03
  Speaker 1: Oh yeah she was the seconds. Yeah, go back, go back,
• 57:09
  Speaker 1: so we can see her go back, yep, Okay, let's
• 57:12
  Speaker 1: see it here. By the way, that kid had the
• 57:14
  Speaker 1: funniest line of the episode. Yeah, we're looking at the
• 57:17
  Speaker 1: news at the paper. Okay, you're just standing like as
• 57:23
  Speaker 1: long as she walked around the corner, and she's just like,
• 57:26
  Speaker 1: that's really classic. What's crazy is when we go back again, Jackie,
• 57:32
  Speaker 1: when we watch these you really look at all the
• 57:36
  Speaker 1: extras out the windows that you would never notice, but
• 57:40
  Speaker 1: like they're there. Do you think she was supposed to
• 57:43
  Speaker 1: be behind like the green pillar? And yeah, and she
• 57:47
  Speaker 1: was just like two steps back. Is that the chef
• 57:51
  Speaker 1: salad on the table? No, that looks like a that
• 57:55
  Speaker 1: looks like a club sandwich? Okay, all right. At UM
• 57:59
  Speaker 1: thirty two thirty five, in the scene where laurel Ie
• 58:02
  Speaker 1: visits the Longest Race Star, keep an eye on Lauren
• 58:04
  Speaker 1: right after she says the mayflower for a quick second,
• 58:10
  Speaker 1: it appears she breaks character and suppresses a laugh with
• 58:13
  Speaker 1: her hand, but she recovers and moves on with the scene.
• 58:18
  Speaker 1: I feel like that was acting. We're gonna have to
• 58:20
  Speaker 1: examine that. We're gonna have um all right, crack staff
• 58:25
  Speaker 1: has let's see see can we see it again? We
• 58:28
  Speaker 1: couldn't tell anything anyway, alright. Favorite lines from the crack Staff,
• 58:32
  Speaker 1: uh kirk. I don't know why everyone in this town
• 58:35
  Speaker 1: always thinks I'm crazy. They enjoyed that. Also another one
• 58:41
  Speaker 1: favorite line Emily talking about the wake because personally, I
• 58:44
  Speaker 1: think she would just toss some cheese cubes in the
• 58:47
  Speaker 1: coffee stuff, some toothpicks in her mouth, and let the
• 58:51
  Speaker 1: people go to town. Yeah that was good too, all right,
• 58:55
  Speaker 1: thank you, crack Steah, well done. Indeed, like kids, I
• 59:01
  Speaker 1: think that's it. We're gonna anyone else have favorite lines?
• 59:03
  Speaker 1: I did mine. I had one. It was when Rory
• 59:07
  Speaker 1: said it was my great grandmother. I dropped the grate
• 59:10
  Speaker 1: to make it sound sadder true, just like you could
• 59:16
  Speaker 1: tell she was just like felt so bad, like lying
• 59:18
  Speaker 1: about it. You're gonna go ahead and give mine. Give
• 59:22
  Speaker 1: one from Nicole when she is like I was in
• 59:25
  Speaker 1: the middle of the word september. I thought he was like,
• 59:29
  Speaker 1: I thought we were done. She was like I was
• 59:31
  Speaker 1: in the middle of the word september. Irritates Nicole. I mean,
• 59:39
  Speaker 1: I don't know. I said some of them, but this
• 59:41
  Speaker 1: wasn't my favorite. But it didn't make me chuckle. How
• 59:43
  Speaker 1: when at Victoria's secret Lore like really said she's dead.
• 59:47
  Speaker 1: So many times she's dead? That was really God. Wasn't
• 59:53
  Speaker 1: there something about nuts with extra nuts or was that
• 59:57
  Speaker 1: my line? I kept writing down these people are all
• 59:59
  Speaker 1: nuts with extra nuts. What's up in the episode? Where
• 1:00:03
  Speaker 1: did I write that? I don't remember he wrote that?
• 1:00:07
  Speaker 1: Good writing? Don't write it is um? Alright, kids, that's
• 1:00:11
  Speaker 1: gonna do. We're gonna wrap this up next episode, Season four,
• 1:00:15
  Speaker 1: episode seventeen, Girls and became these boys doing the twist?
• 1:00:20
  Speaker 1: Do you remember it? Remember? I remember? Thank you Tara,
• 1:00:24
  Speaker 1: Thank you Danielle, thank you Amy. Alright, kids, thanks best
• 1:00:28
  Speaker 1: fans on the planet. Thanks for tolerating my sickness, my sneezing,
• 1:00:31
  Speaker 1: my coll I didn't want to talk about it, but
• 1:00:33
  Speaker 1: I feel bad for you. I'm going to go back
• 1:00:36
  Speaker 1: to bed right now. I love you guys, all the best,
• 1:00:41
  Speaker 1: but hey, everybody, and don't forget Follow us on Instagram
• 1:01:15
  Speaker 1: at I Am all In podcast, and email us at
• 1:01:19
  Speaker 1: Gilmore at I Heart radio dot com. Oh you Gilmore fans.
• 1:01:23
  Speaker 1: If you're looking for the best cup of coffee in
• 1:01:25
  Speaker 1: the world, go to my website for my company, scott
• 1:01:28
  Speaker 1: EP dot com. S C O T. T y P
• 1:01:31
  Speaker 1: dot com, scott ep dot com Grade one Specialty Coffee. Yeah.