Latest / The Bald Brothers Podcast / The Mummy REWATCH | Top 10 heist movies

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The Mummy REWATCH | Top 10 heist movies · The Bald Brothers Podcast

• 0:00
  Speaker 1: What up, y'all? It's your boy, Kel, on stage. Tony Baker.
• 0:03
  Speaker 1: We are the Bald Brothers. Today, we got something fun
• 0:07
  Speaker 1: for you. We are re-watching The Mummy. And we're talking
• 0:13
  Speaker 1: best heist movies. Let's kick it off. Tony, box office
• 0:18
  Speaker 1: nerd time. Give us the deets on The Mummy.
• 0:23
  Speaker 2: That's why I come in, you know what I'm saying?
• 0:25
  Speaker 1: The Mummy. On the underneath?
• 0:27
  Speaker 2: I remember when The Mummy was released, Back in 1999.
• 0:32
  Speaker 2: I saw it at Albuquerque, New Mexico at the movie theater.
• 0:36
  Speaker 2: So the movie was released in May 7th, 1999. I
• 0:41
  Speaker 2: was going to be a father to be in that time.
• 0:48
  Speaker 2: I think Serene was in the oven at that time.
• 0:50
  Speaker 1: You had sex before The Mummy came out?
• 0:54
  Speaker 2: Wow. Wow.
• 0:56
  Speaker 1: Should do top ten movies that came out when we
• 0:58
  Speaker 1: were having sex.
• 0:59
  Speaker 2: I was in the theater watching Fight Club when her
• 1:03
  Speaker 2: water broke with Serena.
• 1:05
  Speaker 1: Really?
• 1:06
  Speaker 2: I was in the movie theater.
• 1:07
  Speaker 1: Fun fact.
• 1:08
  Speaker 2: My homeboy Andre busted up in the theater, told him,
• 1:11
  Speaker 2: because he knew I was at the movies. I didn't
• 1:13
  Speaker 2: have no cell phone.
• 1:16
  Speaker 1: He came and found you?
• 1:17
  Speaker 2: Yeah, because they knew I was at the movies. And
• 1:19
  Speaker 2: I was at the movies with this girl, Veronica.
• 1:22
  Speaker 1: A different girl.
• 1:24
  Speaker 2: Yeah, because me and Sheree weren't together at that time.
• 1:26
  Speaker 2: But me and Veronica was just cool. It wasn't like
• 1:27
  Speaker 2: I was on an official date. But he busted up
• 1:31
  Speaker 2: in the movie theater. And then, Tony! And I was like, man,
• 1:34
  Speaker 2: what the fuck? Because he was loud, man. We watched
• 1:38
  Speaker 2: the movie.
• 1:38
  Speaker 1: And you know, the movie, Joe Stakes, man.
• 1:40
  Speaker 2: I didn't know the stakes was high. Yeah. And then
• 1:42
  Speaker 2: he was like, Sheree Waterbrook.
• 1:44
  Speaker 1: I was like, oh.
• 1:45
  Speaker 2: So I just got the hell up out of there
• 1:46
  Speaker 2: and went to the hospital.
• 1:47
  Speaker 1: Dang! Did you have to come back and watch Fight
• 1:50
  Speaker 1: Club a different time?
• 1:51
  Speaker 2: Yeah, I watched it later on. I think I watched
• 1:53
  Speaker 2: it on DVD or something. That's a good father right there.
• 1:55
  Speaker 1: The fact that you left and then you didn't even
• 1:58
  Speaker 1: come back while it was in theaters. No, I was like, man,
• 2:02
  Speaker 1: I'm a father, y'all. I remember Melissa's water broke. She
• 2:05
  Speaker 1: had water to break, but she was watching, we were
• 2:08
  Speaker 1: watching Steve Harvey's special.
• 2:09
  Speaker 2: Oh.
• 2:13
  Speaker 1: What's Steve Harvey's special?
• 2:14
  Speaker 2: I don't think I ever seen a Steve Harvey's special.
• 2:19
  Speaker 1: I cannot think of the name. But anyway, that's when
• 2:22
  Speaker 1: Melissa's water broke. We was watching Steve Harvey's special.
• 2:24
  Speaker 2: Y'all was together.
• 2:25
  Speaker 1: Yeah, we were in our little apartment and I got
• 2:29
  Speaker 1: so nervous, I took my shirt off, put another shirt on,
• 2:32
  Speaker 1: a switching shirt. I don't know what to do, Tony.
• 2:35
  Speaker 1: I was like, all right, let me change. Hold on.
• 2:39
  Speaker 1: That's what it is. God not finished with me yet.
• 2:42
  Speaker 1: I was like, all right, let me get these shoes.
• 2:44
  Speaker 1: Melissa's like, what are you doing? I was like, God!
• 2:47
  Speaker 1: I'm about to laugh. Don't trip.
• 2:50
  Speaker 2: That's the sitcom. It really was.
• 2:53
  Speaker 1: I was just like, man, shirt, footie, no, glasses, keys, keys.
• 3:01
  Speaker 1: Her water didn't break. It was just like, nah, it's
• 3:04
  Speaker 1: time to go. But I think most people just leave. Like,
• 3:06
  Speaker 1: I got to come back for the water. We'll pop
• 3:08
  Speaker 1: that up later. Yeah, we'll get that later. All right,
• 3:10
  Speaker 1: kick it off, Tone. You didn't even say the numbers, man.
• 3:12
  Speaker 2: 1999, May 7th, 1999. The Mummy did $ 157 million domestically,
• 3:19
  Speaker 2: $ 261 internationally. It made $ 418 million worldwide. The domestic gross
• 3:25
  Speaker 2: of you adjusted for inflation is at $ 352 million.
• 3:29
  Speaker 1: Wait, wait, you said four?
• 3:31
  Speaker 2: Oh, domestic, domestic. So the production budget was $ 80 million.
• 3:35
  Speaker 1: And it made $ 400 million global?
• 3:38
  Speaker 2: $ 418 million. I ain't going to hold you to it.
• 3:42
  Speaker 1: I did not recognize The Mummy was that much of
• 3:44
  Speaker 1: a smash.
• 3:47
  Speaker 2: So they just made three films just for kicks?
• 3:51
  Speaker 1: I mean, dang. 400 mil, though?
• 3:54
  Speaker 2: 400 mil in 1999. That's 1999.
• 3:59
  Speaker 1: I don't like this movie.
• 4:00
  Speaker 2: Come on, man.
• 4:01
  Speaker 1: Man, I don't like it.
• 4:02
  Speaker 2: What you don't like about it, man?
• 4:04
  Speaker 1: I don't like it. I think it's the worst version
• 4:06
  Speaker 1: of Indiana Jones.
• 4:08
  Speaker 2: Take Indiana Jones out of it. What you don't like
• 4:11
  Speaker 2: about it on its own merit? I'm gonna tell you
• 4:14
  Speaker 2: what I like.
• 4:15
  Speaker 1: It's half heist, it's half fake horror. I was much
• 4:20
  Speaker 1: more interested in what the mummy had going on than
• 4:23
  Speaker 1: I was the heist aspect.
• 4:25
  Speaker 2: That's good, because it's not a heist movie.
• 4:27
  Speaker 1: It is a heist movie.
• 4:28
  Speaker 2: The movie is about the mummy. Their reason for getting
• 4:31
  Speaker 2: there is the heist. But the mummy is the reason
• 4:36
  Speaker 2: for the season. You just got distracted by the heist.
• 4:39
  Speaker 2: That's not... They needed a reason to go there. It's
• 4:43
  Speaker 2: not gonna be like, yo man, I heard there's a
• 4:44
  Speaker 2: mummy there that's gonna kill us if we awaken it,
• 4:46
  Speaker 2: let's go. That's not gonna happen. You gotta get greedy
• 4:52
  Speaker 2: people trying to get gold and riches, and she's trying
• 4:56
  Speaker 2: to just learn because she's a scholar.
• 4:58
  Speaker 1: Rachel Weisz was cute, by the way.
• 5:00
  Speaker 2: Rachel Weisz in The Mummy was perfection.
• 5:03
  Speaker 1: She is a cutie pie. Loved her character. She had
• 5:07
  Speaker 1: the knowledge. She was speaking the language.
• 5:10
  Speaker 2: I fully believed every molecule of her performance.
• 5:12
  Speaker 1: She was fantastic. She was great. And I don't dislike
• 5:16
  Speaker 1: Brendan Fraser. It's crazy. One of the things I pitched
• 5:19
  Speaker 1: to myself to tell you, I would have thought Brendan
• 5:23
  Speaker 1: Fraser's career was going to be bigger based off the mummy.
• 5:28
  Speaker 2: It was big.
• 5:29
  Speaker 1: Do you think so?
• 5:31
  Speaker 2: He did. He did.
• 5:33
  Speaker 1: He did.
• 5:34
  Speaker 2: Georgia the Jungle was a hit. Yeah. Although I've never
• 5:39
  Speaker 2: seen it, but it grossed over $ 100 million domestically. Nobody
• 5:41
  Speaker 2: expected that. And then he did The Mummy, he did
• 5:44
  Speaker 2: The Mummy Returns, which was another hit.
• 5:46
  Speaker 1: Yeah, yeah.
• 5:47
  Speaker 2: And then he had Journey to the Center of the Earth,
• 5:51
  Speaker 2: which was a hit as well. But he became this
• 5:54
  Speaker 2: kind of.
• 5:54
  Speaker 1: Didn't he, like, fall out for many years, though?
• 5:57
  Speaker 2: Well, he didn't come back for the sequel. They replaced
• 6:00
  Speaker 2: him with The Rock.
• 6:01
  Speaker 1: The Scorpion King?
• 6:02
  Speaker 2: The Scorpion King was a spinoff of The Mummy, but
• 6:07
  Speaker 2: they replaced Brendan Fraser in the Journey movies with The Rock.
• 6:12
  Speaker 2: But I forget.
• 6:13
  Speaker 1: Oh, when he was wearing the green and cream shirts.
• 6:17
  Speaker 1: One of the movies where he was wearing green and cream.
• 6:20
  Speaker 1: You ever seen that meme where it's like The Rock
• 6:23
  Speaker 1: has the same clothes? You've never seen this? Uh-uh. Oh, Tom.
• 6:28
  Speaker 2: Yeah.
• 6:28
  Speaker 1: The Rock has worn a tan shirt in a lot
• 6:30
  Speaker 1: of movies.
• 6:31
  Speaker 2: Oh, I know about the tan.
• 6:32
  Speaker 1: That's what I'm saying. In this one, he had green
• 6:34
  Speaker 1: pants and a cream, like a tan shirt. Got you.
• 6:36
  Speaker 1: Another one, he just had. But the tan shirt, man.
• 6:40
  Speaker 1: He's tan shirt McGee. I think he had, it's called
• 6:44
  Speaker 1: Journey to the Center of the Earth? He might have
• 6:46
  Speaker 1: a tan shirt on.
• 6:48
  Speaker 2: Hold on. This is 2008?
• 6:51
  Speaker 1: No, oh, Brendan Fraser's 2008.
• 6:54
  Speaker 2: Oh, dang, I thought it was 2008. That was 2008? Yeah.
• 7:03
  Speaker 1: Yes, he had a tan shirt on. Yeah, I guess it's... Oh, okay.
• 7:08
  Speaker 1: Tanned shirt, man. I'm telling you. That's his go-to. They
• 7:11
  Speaker 1: say the rocks in this. Get the tan shirts, y'all.
• 7:15
  Speaker 2: That'll be me, man. I'm going to tell y'all right now,
• 7:18
  Speaker 2: I'm wearing the same shit.
• 7:20
  Speaker 1: Me and Tony was on set yesterday. Tony has. Four shirts,
• 7:25
  Speaker 1: the exact same build, different colors with the four matching
• 7:30
  Speaker 1: new balances in a shoe case. I said, Tony don't care.
• 7:34
  Speaker 1: But honestly, man.
• 7:36
  Speaker 2: I'm just rocking this. Let me tell you.
• 7:38
  Speaker 1: What, Tony. If it weren't for Melissa, I would have
• 7:42
  Speaker 1: a closet with 20 pairs of black jeans and 40
• 7:46
  Speaker 1: black t-shirts. And I would never think about getting dressed.
• 7:51
  Speaker 1: All I want to do is wear the cool shoes.
• 7:53
  Speaker 2: If you knew How many versions of the same shit
• 7:57
  Speaker 2: I have in my possession?
• 7:59
  Speaker 1: I know, Tony.
• 8:02
  Speaker 2: I know you.
• 8:03
  Speaker 1: I know you. I know it.
• 8:06
  Speaker 2: That little camouflage workout hoodie?
• 8:09
  Speaker 1: How many you got? Five of them. I know. I
• 8:11
  Speaker 1: can see you packing them. I got a show. I
• 8:13
  Speaker 1: got three nights. Here's Wednesday's camo, Saturdays and Sundays. Tony,
• 8:20
  Speaker 1: you know how many pairs of these pants I have? Sixteen. Actually,
• 8:26
  Speaker 1: I got, I can have Lulu, A-Lo, whoever makes this
• 8:32
  Speaker 1: type of pants. Josh, you're right now in my house.
• 8:35
  Speaker 1: I'm wearing a pair. I got three in my suitcase
• 8:38
  Speaker 1: for this weekend. I got four, five in the hamper.
• 8:42
  Speaker 1: And I got two or three at the fluff and fold.
• 8:45
  Speaker 1: And I got six in my drawer.
• 8:47
  Speaker 2: This is Taurus energy, yo.
• 8:49
  Speaker 1: Black jeans? Always. Joshy, I have them everywhere I need them.
• 8:54
  Speaker 1: On my body, in the hamper, getting washed, and in
• 8:57
  Speaker 1: my suitcase. At all times.
• 8:59
  Speaker 2: This is how it should be.
• 9:00
  Speaker 1: When I get off the road, black jeans. I take
• 9:03
  Speaker 1: three black jeans for three shows. When I get home,
• 9:05
  Speaker 1: those three go to the cleaners. And when I go
• 9:08
  Speaker 1: to the cleaners, I pick up three more black jeans,
• 9:10
  Speaker 1: and I pack three black jeans on the road, and
• 9:13
  Speaker 1: I got three more black jeans for my week at home.
• 9:16
  Speaker 1: We the same, dog.
• 9:18
  Speaker 2: We the same.
• 9:19
  Speaker 1: And it's the same pair. Paige, they made a good
• 9:22
  Speaker 1: pair of black jeans. I done had these jeans for
• 9:25
  Speaker 1: about six years, eight years. They got polyester in them,
• 9:29
  Speaker 1: so they don't fade. And when I run out, I'm
• 9:33
  Speaker 1: going right back to Paige.
• 9:34
  Speaker 2: That's how it should be, man. I'm with you.
• 9:37
  Speaker 1: Steve Jobs really nailed it with the thing and the shirt.
• 9:41
  Speaker 1: I said, man, this man knows what he's talking about.
• 9:43
  Speaker 1: I don't want to think about it.
• 9:45
  Speaker 2: I don't want to think about it. Go ahead, man.
• 9:46
  Speaker 1: We're off track.
• 9:46
  Speaker 2: All right, so Brendan Fraser was in Dudley Do-Right after
• 9:52
  Speaker 2: the moment. So this is his trajectory, and this is
• 9:55
  Speaker 2: why he faded off. Dudley Do-Right, bomb. Bomb hard. right?
• 10:01
  Speaker 2: Then he did Bedazzled.
• 10:03
  Speaker 1: Oh my God.
• 10:04
  Speaker 2: Which did, it would have did okay if the budget
• 10:06
  Speaker 2: wasn't so large, but it was funny to me. I
• 10:08
  Speaker 2: enjoyed it. But he did Bedazzled. Yeah. He did Monkeybone. Monkeybone. Yeah,
• 10:15
  Speaker 2: Monkeybone bombed hard. Then he did The Mummy Returns. And
• 10:18
  Speaker 2: we back. We back. Yeah. Then he did, he had
• 10:22
  Speaker 2: some small roles and stuff. Then he did Looney Tunes
• 10:24
  Speaker 2: Back in Action.
• 10:25
  Speaker 1: Man, watch out.
• 10:26
  Speaker 2: Bomb.
• 10:27
  Speaker 1: Got Bomb Atomic.
• 10:28
  Speaker 2: He was just saying yes to everything.
• 10:30
  Speaker 1: Pearl Harbor featuring Brendan Fraser.
• 10:33
  Speaker 2: He was saying yes to everything. So we still moving
• 10:38
  Speaker 2: and grooving. So then he does, at the Looney Tunes
• 10:41
  Speaker 2: Back in Action, he does... Revenge of the Mummies. Is
• 10:45
  Speaker 2: this the third one? Wait, hold on. Let me just
• 10:48
  Speaker 2: double check on this one.
• 10:49
  Speaker 1: Oh, it's The Ride.
• 10:50
  Speaker 2: Okay.
• 10:51
  Speaker 1: He was blackballed?
• 10:52
  Speaker 2: No, so then he did Crash. Then he did.
• 10:55
  Speaker 1: Wait, the racism movie Crash? Yeah, he was in there.
• 10:58
  Speaker 1: He was in there?
• 10:58
  Speaker 2: Yeah, he was in there. I think he was Sandra
• 11:01
  Speaker 2: Bullock's husband, if I'm not mistaken.
• 11:03
  Speaker 1: I ain't gonna hold you, Tone. I ain't seen Crash
• 11:06
  Speaker 1: since it came out, since the year it came out.
• 11:08
  Speaker 1: I watched it a few times that year. I enjoyed it.
• 11:10
  Speaker 1: I had a good time. Then it turned out a
• 11:12
  Speaker 1: lot of people hated that movie.
• 11:13
  Speaker 2: People be hating on that movie, too. I like Crash.
• 11:15
  Speaker 2: I only seen it once.
• 11:15
  Speaker 1: And you can't stop me from liking it?
• 11:18
  Speaker 2: Like what it's on. So, Journey to the Center of
• 11:20
  Speaker 2: the Earth.
• 11:21
  Speaker 1: Yeah.
• 11:21
  Speaker 2: It did well, right? And then he did The Mummy,
• 11:25
  Speaker 2: Tomb of the Dragon, whatever it was. That didn't do
• 11:29
  Speaker 2: as well as the first two. You know, Rachel Weisz
• 11:31
  Speaker 2: didn't come back.
• 11:32
  Speaker 1: Tomb of the Dragon, whatever. That's probably how they pitched it.
• 11:36
  Speaker 1: All right, y'all, we need to know what y'all got. Hey, man,
• 11:40
  Speaker 1: Mummy 3, Tomb.
• 11:41
  Speaker 2: Of the Dragon. Love Seed of the Hidden Shenanigans.
• 11:46
  Speaker 1: Legend of the Gold Cloak Ranger.
• 11:50
  Speaker 2: Queue it up. Quest of the Must.
• 11:53
  Speaker 1: Throw some words in there. Just make sure the mummy's
• 11:57
  Speaker 1: in bold and run it up.
• 11:59
  Speaker 2: The mummy. Renaissance of the Cuban links. Don't be built.
• 12:05
  Speaker 2: The mummy.
• 12:06
  Speaker 1: Bacon, egg, and cheese. Salt, pepper, ketchup. The mummy.
• 12:12
  Speaker 2: Don't forget to get my black pants from the goddamn cleaners.
• 12:15
  Speaker 2: Then that way you lose track of how many it was.
• 12:20
  Speaker 2: So then he didn't come back for... The center of
• 12:24
  Speaker 2: the earth movies, from there it was like, he was
• 12:27
  Speaker 2: kind of just doing small stuff.
• 12:30
  Speaker 1: Before it's like that. And he came out big, big
• 12:32
  Speaker 1: come up with the whale. Yeah, he was good.
• 12:35
  Speaker 2: He got an Oscar for that.
• 12:36
  Speaker 1: I like Brendan Fraser, though.
• 12:37
  Speaker 2: I like Brendan Fraser, too. He seems like a good guy.
• 12:39
  Speaker 1: He does. And let me tell you what, that's not
• 12:41
  Speaker 1: Billy Zane in that movie.
• 12:43
  Speaker 2: It's Arnold Vosloo.
• 12:45
  Speaker 1: Arnold Vosloo. When I tell you I was right in
• 12:48
  Speaker 1: my nose, I said, man, what up with Billy Zane?
• 12:50
  Speaker 1: Cue it up. Arnold, who?
• 12:52
  Speaker 2: You thought it was Billy Zane? Man.
• 12:54
  Speaker 1: I said, man, Billy Zane had this. He had Titanic.
• 12:57
  Speaker 1: I cued it up. I said, Arnold, that dude look
• 13:00
  Speaker 1: just like Billy Zane, man.
• 13:02
  Speaker 2: The Knox of the Woods.
• 13:04
  Speaker 1: Anaxunamun! When I was in Egypt, I said Anaxunamun 417
• 13:09
  Speaker 1: times because of the mummy. Because that's the thing I
• 13:14
  Speaker 1: remember the most.
• 13:14
  Speaker 2: Anaxunamun, Anaxunamun.
• 13:16
  Speaker 1: I was touching hieroglyphics on the walls like Anaxunamun. Now
• 13:19
  Speaker 1: what would happen if one of them things would have opened?
• 13:21
  Speaker 2: Anaxunamun. The tomb that they had never found for hundreds
• 13:29
  Speaker 2: of years just comes forward.
• 13:31
  Speaker 1: And that kind of stuff would happen to me. And
• 13:34
  Speaker 1: knocks through the moon, y'all. Falling into the ground, open up, sad.
• 13:40
  Speaker 2: Oh, my God. Oh, my legs, Liz.
• 13:45
  Speaker 1: My legs. When you go to Egypt, you get what,
• 13:49
  Speaker 1: you get it.
• 13:50
  Speaker 2: Yeah.
• 13:51
  Speaker 1: There's so much, you gotta go, Tone.
• 13:54
  Speaker 2: Man, I can't wait.
• 13:55
  Speaker 1: Tone, there's so much lore there, history, artifacts.
• 14:00
  Speaker 2: Those pyramids are so old, man, I need to get
• 14:02
  Speaker 2: in on it.
• 14:03
  Speaker 1: Yo, when you come from like, not only America's already young,
• 14:10
  Speaker 1: but the West Coast compared to the East Coast, it's
• 14:14
  Speaker 1: really young. From Europe to America, you see the age. Right.
• 14:18
  Speaker 1: From New York, Boston to LA, you see the age.
• 14:23
  Speaker 1: From LA to Egypt, you'd be like, man, watch out America,
• 14:28
  Speaker 1: you toddler. We ain't got no pre-civilization modern times, nothing.
• 14:35
  Speaker 1: There's nothing in LA that predates nothing. But in Egypt,
• 14:39
  Speaker 1: you see like modern marvels, the pyramids, the Sphinx. The
• 14:46
  Speaker 1: Abu Simbel. Man, King Tutankhamun. The museums, like there's history.
• 14:54
  Speaker 1: There ain't nothing in LA but the Hollywood sign. Egypt
• 14:58
  Speaker 1: got like, man, this stuff is thousands of years old.
• 15:02
  Speaker 1: This is how people used to live. How did they
• 15:04
  Speaker 1: get these? How did they, man, you be in the tombs, man.
• 15:07
  Speaker 1: That's like, first of all, it's hot as hell in there.
• 15:09
  Speaker 2: I remember you telling me that. That kind of kept
• 15:11
  Speaker 2: me at bay.
• 15:12
  Speaker 1: Let me tell you what. You don't, if you claustrophobic
• 15:15
  Speaker 1: or you don't like heat or you have- Oh, that's
• 15:18
  Speaker 1: a double whammy. Tone, it's like, I kind of had
• 15:22
  Speaker 1: a little freak out moment.
• 15:23
  Speaker 2: I don't think I can handle it.
• 15:25
  Speaker 1: Tone, because you walking up, it's hot. There's a lot
• 15:28
  Speaker 1: of people. You're cramped. There's no AC. And it's just like,
• 15:35
  Speaker 1: I got to get out of here.
• 15:37
  Speaker 2: Yeah, man.
• 15:38
  Speaker 1: You can't. And you tall. So you can't stand up
• 15:41
  Speaker 1: straight at all. So you bent over.
• 15:44
  Speaker 2: So we're hot and we claustrophobic.
• 15:47
  Speaker 1: The stairs are small and there's a lot of people.
• 15:51
  Speaker 1: It's loud.
• 15:52
  Speaker 2: And I don't like a lot of people.
• 15:53
  Speaker 1: It's a lot. Then when you come out, the people
• 15:55
  Speaker 1: trying to panhandle stuff, it's overstimulated. But other than that,
• 16:00
  Speaker 1: it's great.
• 16:01
  Speaker 2: I don't know, man. You might have discouraged me, man. No, no.
• 16:05
  Speaker 1: Other than that, it's great.
• 16:06
  Speaker 2: What's Egypt like outside of the pyramid area?
• 16:10
  Speaker 1: So Sharm el-Sheikh is like a beach city. Beautiful.
• 16:14
  Speaker 2: That's where y'all was at?
• 16:14
  Speaker 1: We went there too. We went to, Cairo is like
• 16:17
  Speaker 1: a regular city. Like Cairo has, feels like Mexico city, Tokyo,
• 16:23
  Speaker 1: you know, hella people everywhere, but modern. Then you also
• 16:28
  Speaker 1: have the pyramids in a different part of Cairo. Then
• 16:31
  Speaker 1: you have like, we floated along the Nile river for
• 16:34
  Speaker 1: like four days. Yeah, that was great. That was like,
• 16:37
  Speaker 1: God is amazing. Abu Simbel's older, more chill. Sharm El
• 16:43
  Speaker 1: Sheikh is like a beach, chill town. So they had
• 16:46
  Speaker 1: a lot of different stuff. You know, history, culture, fine dining,
• 16:51
  Speaker 1: like the best of everything. But Cairo is like, it's
• 16:54
  Speaker 1: Mexico City. It's very similar to Mexico City, to me. Yeah,
• 16:58
  Speaker 1: we love Mexico City. But man, back to The Mummy, Tom.
• 17:00
  Speaker 1: The Mummy, man.
• 17:03
  Speaker 3: What I liked about The Mummy, man, it gave me
• 17:06
  Speaker 3: that old school adventure action feel that was missing since
• 17:11
  Speaker 3: Indiana Jones and the Last Crusade came out in 1989.
• 17:14
  Speaker 2: We ain't had nothing like this in movies on a
• 17:19
  Speaker 2: big hit tip. And man long. Yeah. Since 89.
• 17:23
  Speaker 1: Yep.
• 17:23
  Speaker 2: And so I get that you like, man, it's like
• 17:27
  Speaker 2: Indiana Jones, but the mummy predates Indiana Jones. What you mean?
• 17:32
  Speaker 2: the mummy as a entity, as a character. So that's
• 17:37
  Speaker 2: why I don't equate it to Indiana Jones, even though
• 17:39
  Speaker 2: it gives you that kind of time period adventure archeology,
• 17:44
  Speaker 2: the mummy is the, I keep going back to that.
• 17:47
  Speaker 2: The mummy is the reason for the season. I feel
• 17:50
  Speaker 2: like they nailed that movie in that regard. It's like, yo,
• 17:54
  Speaker 2: the mummy, they show you what he did to get killed.
• 17:59
  Speaker 1: That was good.
• 18:00
  Speaker 2: He was after the pharaoh's wife. They had an illicit affair.
• 18:02
  Speaker 2: You know what I'm saying? So they set up this
• 18:05
  Speaker 2: grand scheme. It's like, yo, I'm going to kill myself.
• 18:07
  Speaker 2: You just bring me back. But they end up hemming
• 18:10
  Speaker 2: him up and his priest. Yep. Giving them the worst
• 18:13
  Speaker 2: type of burial set up you've ever seen.
• 18:16
  Speaker 1: Which is big in Egypt. Their whole thing is like,
• 18:18
  Speaker 1: the afterlife is like.
• 18:19
  Speaker 2: We're going to wrap you up while you're alive. Put
• 18:21
  Speaker 2: these beetles in there and just bury you like that.
• 18:23
  Speaker 1: Yes. And you're going to take it.
• 18:26
  Speaker 2: You're going to take it, man. Arriba dirt you. And
• 18:29
  Speaker 2: so ultimate death. So then it's cursed. It's like, you
• 18:34
  Speaker 2: know what I'm saying? Don't move this. Don't open that.
• 18:36
  Speaker 2: Don't be reading from the book. You got these people.
• 18:40
  Speaker 2: So it's haunted. The whole site is haunted. It's just like, yo,
• 18:44
  Speaker 2: when you come around, because they were fighting wars out here.
• 18:46
  Speaker 2: That's how O'Connell got out there. And so everything just
• 18:50
  Speaker 2: came together. And it was like, yo, do not wake
• 18:52
  Speaker 2: the mummy up. And you got that whole crew that
• 18:54
  Speaker 2: protects that land from people that are like, man, Do
• 18:58
  Speaker 2: not wake this nigga up.
• 18:59
  Speaker 1: It's serious business.
• 19:00
  Speaker 2: Well, Dead Fair and them is just like, yo, we
• 19:02
  Speaker 2: are the such and such. Yeah. Don't wake this nigga up.
• 19:07
  Speaker 2: We're going to shoot y'all if y'all are over here.
• 19:09
  Speaker 1: Yes.
• 19:09
  Speaker 2: And so all of these elements, and then they end
• 19:11
  Speaker 2: up going back. Rachel Weisz is like, there's a treasure.
• 19:14
  Speaker 2: She's all excited. I'll take you all over there. It's
• 19:18
  Speaker 2: just adorable, man. You look up adorable in the dictionary,
• 19:23
  Speaker 2: Rachel Weisz.
• 19:24
  Speaker 1: And the mummy is going to be right up in
• 19:25
  Speaker 1: that bitch.
• 19:26
  Speaker 2: Soon as soon as she on there, she knocked down
• 19:28
  Speaker 2: all the library pillars and just like, whoop, whoop. Yeah,
• 19:31
  Speaker 2: she was great. She just reminds you of those old
• 19:34
  Speaker 2: school actresses and those old school movies.
• 19:36
  Speaker 1: Very much. Audrey Hepburn. Like, she could have fit in
• 19:41
  Speaker 1: with those old Hollywood starlets.
• 19:42
  Speaker 2: That's the vibe they was going for.
• 19:44
  Speaker 1: Yeah.
• 19:44
  Speaker 2: They done away. They was going beyond. To me, there's
• 19:49
  Speaker 2: nothing Indian. Jones about any of this.
• 19:51
  Speaker 1: Man, watch out. I said it's Indiana Jones. You got
• 19:54
  Speaker 1: the two people going for the same thing.
• 19:56
  Speaker 2: Except for archaeology.
• 19:58
  Speaker 1: That's a big part of it.
• 19:59
  Speaker 2: But it's still... Brendan Fraser does not act like Indiana Jones.
• 20:04
  Speaker 1: Well, not one-to-one.
• 20:05
  Speaker 2: You know what I'm saying?
• 20:06
  Speaker 1: But he's the guy going after the thing. Actually, he's
• 20:08
  Speaker 1: the guy, really.
• 20:09
  Speaker 2: It's not Indiana Jones to me. You know what I'm saying?
• 20:16
  Speaker 2: So then when the mummy gets awakened.
• 20:19
  Speaker 1: Now it's cooking.
• 20:20
  Speaker 2: Now, you know what I'm saying, the whole thing changes.
• 20:23
  Speaker 2: Now we got some biblical plague shit coming in. The plagues,
• 20:28
  Speaker 2: the locusts, it's raining flowers. Scarabs. All that good stuff.
• 20:33
  Speaker 2: And the mummy is like, I need whoever opened the
• 20:36
  Speaker 2: sacred jars, I'm coming for this. I can go back.
• 20:41
  Speaker 1: That's the best part of that movie. Yeah. He's gaining
• 20:45
  Speaker 1: power and skin.
• 20:47
  Speaker 2: I need your eyes. I need your. Yeah. Every time
• 20:50
  Speaker 2: he kills one of them, he gets more complete and whole. Yeah.
• 20:53
  Speaker 2: Once he completes everybody, that's what he's like. So how
• 20:58
  Speaker 2: can you not feel this, man?
• 21:00
  Speaker 1: Man, I don't feel it.
• 21:04
  Speaker 2: That's fantastic.
• 21:06
  Speaker 1: I had my arms crossed.
• 21:08
  Speaker 2: The mummy coming back. Man, watch out. I'm trying to
• 21:11
  Speaker 2: get the knocks on the moon back charged up.
• 21:12
  Speaker 1: When you text me the mummy, I was like, man,
• 21:15
  Speaker 1: I don't want to watch the mummy.
• 21:16
  Speaker 2: Because your reason for not liking it is it's not
• 21:18
  Speaker 2: holding up.
• 21:19
  Speaker 1: Nah, man, I ain't feel it then, and I don't
• 21:21
  Speaker 1: feel it now. I was just like, man, watch out.
• 21:24
  Speaker 1: Rachel Weisz is cool, and I like the mummy, and
• 21:27
  Speaker 1: the scares is cool.
• 21:28
  Speaker 2: It was funny. Rachel Weisz's brother was funny. He was
• 21:30
  Speaker 2: a coward.
• 21:30
  Speaker 1: He was great.
• 21:30
  Speaker 2: He was fumbling around. That one shady dude that.
• 21:33
  Speaker 1: Was just going to work for whoever he can get
• 21:35
  Speaker 1: on with. Yes. When her brother, uh. Benny.
• 21:38
  Speaker 2: Benny is his name.
• 21:39
  Speaker 1: Benny, when he acted like a zombie with the people.
• 21:41
  Speaker 2: Yeah, he was like, hey, Motel. Yeah, man, come on.
• 21:45
  Speaker 1: He felt like he could fit into an Edgar Wright
• 21:46
  Speaker 1: movie perfectly. Cause that was an Edgar Wright scene if I.
• 21:51
  Speaker 2: Ever seen one.
• 21:52
  Speaker 1: I said that a lot in Egypt too. Those were
• 21:56
  Speaker 1: my two things. I know, I thought it was very funny.
• 22:00
  Speaker 2: Americans.
• 22:02
  Speaker 1: Sure, I just realized I'm not the first person.
• 22:05
  Speaker 2: You was that annoying ass American. You had a hat
• 22:08
  Speaker 2: on with the drinks attached. He was like, Egypt is great,
• 22:12
  Speaker 2: right guys? Hey boys, come over here, you loud ass.
• 22:16
  Speaker 2: They were just looking at you like, this is everything
• 22:19
  Speaker 2: we hate about America. You had all the touristy, I
• 22:22
  Speaker 2: love Egypt shirt.
• 22:24
  Speaker 1: On, just standing there. This shirt is hot in here.
• 22:30
  Speaker 1: It's hot in here, huh, guys? Show me where Nuxunamun is, y'all.
• 22:34
  Speaker 1: What you mean that's not real?
• 22:36
  Speaker 2: Where's the Sphinx? They was like, yuck, man. Get him
• 22:43
  Speaker 2: out of here, man. Go back to America.
• 22:44
  Speaker 1: Hold on.
• 22:46
  Speaker 2: You was that guy. For sure. And Melissa was like,
• 22:50
  Speaker 2: can you just? No, you right.
• 22:52
  Speaker 1: Can you just? You right.
• 22:54
  Speaker 2: And then, but yeah, so the mummy had his ambitions
• 23:00
  Speaker 2: in place. Yeah. I want to become whole again. Get
• 23:03
  Speaker 2: a clear goal. I can rule the world and get
• 23:05
  Speaker 2: my woman back.
• 23:06
  Speaker 1: And I'm going to kill Rachel Weisz.
• 23:08
  Speaker 2: Rachel Weisz is just going to be the sacrificial lamb
• 23:10
  Speaker 2: for me to get back.
• 23:11
  Speaker 1: To Anaksuna Moon. Anaksuna Moon.
• 23:13
  Speaker 2: You know what I'm saying?
• 23:14
  Speaker 1: Also, big white people as Egyptians. Oh, yeah. Nobody was
• 23:18
  Speaker 1: calling woke. They get mad at Lupita Nyong'o being black
• 23:24
  Speaker 1: and a fictional character, but you make a movie about
• 23:27
  Speaker 1: Egyptian people.
• 23:28
  Speaker 2: Right.
• 23:29
  Speaker 1: Everybody's white. Not the archaeologists. I'll give you white people
• 23:33
  Speaker 1: coming to steal something.
• 23:34
  Speaker 2: Oh, archaeologists are big white.
• 23:34
  Speaker 1: White people coming to steal, that's y'all.
• 23:36
  Speaker 2: That's big white right there.
• 23:37
  Speaker 1: That's y'all to a T. That better not be nobody else.
• 23:40
  Speaker 2: Everybody should be white on that T.
• 23:41
  Speaker 1: On the team of stealing something? Yeah. White people. But
• 23:45
  Speaker 1: the Egyptians are also white? Watch out. Even the dude
• 23:50
  Speaker 1: who led the other team with the long hair, it
• 23:53
  Speaker 1: wasn't even Middle Eastern. He was another white dude. I
• 23:55
  Speaker 1: looked him up like, oh, he was Middle Eastern.
• 23:57
  Speaker 2: Oh, you're talking about O'Dear Fair? Who? The guys that
• 24:01
  Speaker 2: protect the- Yes. Yeah, yeah, yeah.
• 24:04
  Speaker 1: Also white.
• 24:04
  Speaker 2: I thought he was too at the time.
• 24:06
  Speaker 1: I was like, okay. Man, he just had dark hair.
• 24:08
  Speaker 2: Arnold Vosloo was South African.
• 24:10
  Speaker 1: Yeah.
• 24:12
  Speaker 2: Knox of the Moon is Latino, right?
• 24:15
  Speaker 1: I believe so. I looked this up when I was watching.
• 24:17
  Speaker 1: I said, man, this was, nobody ever, white people was
• 24:20
  Speaker 1: quiet for years. Last Samurai, Tom Cruise. Yeah. Gods of Egypt,
• 24:27
  Speaker 1: white people. There was some noise made on that, though. Yeah,
• 24:31
  Speaker 1: but he didn't stop it. Yeah. Ben-Hur, big white.
• 24:35
  Speaker 2: Yeah, big white on Ben-Hur. Big white.
• 24:38
  Speaker 1: Big white on Ben-Hur. I mean, that Hawaiian movie that
• 24:40
  Speaker 1: was recent, all white people. George Clooney, Emma Stone or Watson.
• 24:47
  Speaker 1: Who's the Emma from... Which is the Emma that just
• 24:51
  Speaker 1: won the Oscar? Oh, Emma Stone. Emma Stone. Big white,
• 24:55
  Speaker 1: all up and through there.
• 24:58
  Speaker 2: She pale, too. Was she supposed to be Hawaiian?
• 25:00
  Speaker 1: Yes, it was all supposed to be Hawaiian. I said, what?
• 25:03
  Speaker 1: It was that Hawaiian, the George Clooney Hawaiian movie, Tone.
• 25:08
  Speaker 2: I love George Clooney, by the way. I feel like
• 25:11
  Speaker 2: he would be my friend.
• 25:14
  Speaker 1: The Descendants. No, no, no. But there was people, some
• 25:19
  Speaker 1: of those people were supposed to be native Hawaiian. And
• 25:21
  Speaker 1: they was like, man, white. And the people just don't,
• 25:25
  Speaker 1: they don't, but there ain't no big outcry. You know,
• 25:28
  Speaker 1: when it's white people doing that for years, they didn't
• 25:31
  Speaker 1: try to.
• 25:32
  Speaker 2: We be vocal now though.
• 25:33
  Speaker 1: We'll be vocal now.
• 25:34
  Speaker 2: If it was whitewashed, we'd be like.
• 25:36
  Speaker 1: All right now. Yes.
• 25:39
  Speaker 2: Yes. That's when the racist people started. Now we're woke.
• 25:42
  Speaker 1: Yeah.
• 25:43
  Speaker 2: Because y'all mad that white people ain't playing everything anymore. Yeah.
• 25:46
  Speaker 2: But anyway, go ahead. But yeah, The Mummy, man, the casting,
• 25:49
  Speaker 2: you know, it's questionable. But The Mummy was a good time, man.
• 25:53
  Speaker 2: The adventure, the excitement.
• 25:54
  Speaker 1: It was Aloha, by the way. Oh, Aloha. Emma Stone.
• 25:58
  Speaker 2: Okay, I don't know. Yeah.
• 26:00
  Speaker 1: George Clooney was another Hawaiian movie with big white people
• 26:02
  Speaker 1: in it.
• 26:03
  Speaker 2: I saw The Descendants, though.
• 26:04
  Speaker 1: Yeah, I was talking about Aloha.
• 26:06
  Speaker 2: Oh, gotcha, gotcha, gotcha. But yeah, man.
• 26:08
  Speaker 1: Ben Kingsley played Gandhi. Yeah, he did. White. Oh, he's
• 26:12
  Speaker 1: not white, though.
• 26:13
  Speaker 2: He's not.
• 26:14
  Speaker 1: Actually, he's something, ain't he?
• 26:15
  Speaker 2: I think Ben Kingsley is white, ain't he? I thought
• 26:18
  Speaker 2: he was something.
• 26:18
  Speaker 1: I looked this up. He's from somewhere.
• 26:21
  Speaker 2: Hold on. Gandhi was racist anyways. I don't care.
• 26:23
  Speaker 1: He was born Krishna Banji.
• 26:26
  Speaker 2: Wow.
• 26:27
  Speaker 1: Oh, wait.
• 26:27
  Speaker 2: So maybe he's legit. Just look up Ben Kingsley ethnicity.
• 26:32
  Speaker 1: Okay, I'm going to do that. That's how you do that.
• 26:34
  Speaker 2: Once you start looking at where people were born, that's true.
• 26:36
  Speaker 1: You could be German. Martin Lawrence was born in Germany.
• 26:39
  Speaker 2: Right.
• 26:39
  Speaker 1: He ain't German. Somebody get these beggars out of here.
• 26:44
  Speaker 1: With the blinks.
• 26:46
  Speaker 2: Oh, my God.
• 26:47
  Speaker 1: Okay, so his father, Ben Kingsley, is English. Oh, he's Indian.
• 26:53
  Speaker 1: He's mixed.
• 26:54
  Speaker 2: Okay.
• 26:54
  Speaker 1: He's mixed. He's Indian and English. His father is a man,
• 27:00
  Speaker 1: Rahim Tula Harjibanji.
• 27:02
  Speaker 2: Oh, okay.
• 27:03
  Speaker 1: A Kenyan-born doctor.
• 27:04
  Speaker 2: Oh, wow.
• 27:06
  Speaker 1: Of Muslim descent, and his mom, her name Anna. Her
• 27:14
  Speaker 1: mom's name is Anna. She's English.
• 27:16
  Speaker 2: One thing that's going to happen, man. These white women
• 27:19
  Speaker 2: are going to get penetrated. These white women are going
• 27:24
  Speaker 2: to get penetrated. What? Every time it's a famous person
• 27:29
  Speaker 2: and they're mixed. Especially with a Nigerian born father and
• 27:35
  Speaker 2: an English mom named Elizabeth. These white women is out
• 27:40
  Speaker 2: here giving up the cheeks. To everybody. Indian, African, Hawaiian man,
• 27:50
  Speaker 2: the white women are out here like, let's go raw.
• 27:55
  Speaker 2: And these kids are just coming out big mix.
• 27:59
  Speaker 1: Think about all of these on Sade.
• 28:02
  Speaker 2: Nigerian father, white mom.
• 28:05
  Speaker 1: Sally, the.
• 28:09
  Speaker 2: These white women is out here getting done up.
• 28:14
  Speaker 1: Oh my God.
• 28:15
  Speaker 2: Nora Jones, her pops is mad in there.
• 28:19
  Speaker 1: Moms is just becky.
• 28:21
  Speaker 2: I don't know if that's a name.
• 28:24
  Speaker 1: But you get it, man. Yeah, you know what I'm saying, though.
• 28:26
  Speaker 1: For sure. I was just talking about that this morning
• 28:28
  Speaker 1: on Twitter. There's a soccer player. He's Ghanaian descent, lives
• 28:33
  Speaker 1: in Canada, something like that. And he, I mean, white
• 28:38
  Speaker 1: wife in Nigerian clothing for the wedding. She was like,
• 28:42
  Speaker 1: you know what it is? You remember I'm gonna get you, sucker,
• 28:45
  Speaker 1: when the black dude had the white wife? And she
• 28:48
  Speaker 1: was like, preach on, brother. Oh, yeah, yeah. The poor
• 28:50
  Speaker 1: white twash.
• 28:51
  Speaker 2: The poor white twash.
• 28:52
  Speaker 1: It's that white lady. Yeah. Like, I'm white, y'all. Orange slices. Milk.
• 28:58
  Speaker 2: Big white. Yes, well.
• 29:02
  Speaker 1: Hold on.
• 29:02
  Speaker 2: I'm not half white, y'all. I'm 25%. My mama's half.
• 29:07
  Speaker 2: Get it right.
• 29:08
  Speaker 1: That's so funny. Hey, hey.
• 29:10
  Speaker 2: I saw that. Tony can say that because he's half.
• 29:13
  Speaker 1: No. Quarter German, y'all.
• 29:15
  Speaker 2: My mama's half. My grandmother was the white woman giving
• 29:18
  Speaker 2: up the cheese. My grandmother was the white woman giving
• 29:24
  Speaker 2: it up to the black, the black dilk. Okay?
• 29:31
  Speaker 1: Man, watch out, dog!
• 29:34
  Speaker 2: My grandmother was the one. Hey, man, these blacks is
• 29:38
  Speaker 2: all right. Panties loose. I'm 75. That hurts.
• 29:47
  Speaker 1: First of all, it ain't my mom, man. It's my grandma.
• 29:55
  Speaker 2: My mom is the mixed one. Just get it right
• 29:58
  Speaker 2: if you're going to be coming. Because you came in
• 30:00
  Speaker 2: as a matter of fact. And Tony could say that
• 30:02
  Speaker 2: because he's half. Wait, hold on now. Let's get the mathematics.
• 30:07
  Speaker 1: But Tony came back in with the black wife.
• 30:10
  Speaker 2: I did. You repopulated it. I came in, black wife,
• 30:13
  Speaker 2: had two black sons. And then God was like, let
• 30:16
  Speaker 2: me get one of them up off you. Hey, I
• 30:19
  Speaker 2: needed both. God was like, let me get your oldest son. No, man,
• 30:24
  Speaker 2: come on. So now the pressure's on Sincere.
• 30:27
  Speaker 1: Sincere, if you're listening. Sincere. You got to start the
• 30:31
  Speaker 1: cycle back on. I'm going to need you to go raw. Tony, man,
• 30:37
  Speaker 1: do the grief set, man. We ready as the people. Now,
• 30:42
  Speaker 1: Tony don't like being pressured, so don't be in the
• 30:44
  Speaker 1: comments like, do it, Tony. But stop being scared, man.
• 30:47
  Speaker 2: Man, I just want to make sure the audience is ready, man.
• 30:50
  Speaker 1: Man, forget them. Your art is your art.
• 30:52
  Speaker 2: But I also don't want them to be crying when
• 30:55
  Speaker 2: the show is bad.
• 30:56
  Speaker 1: And if they, the show ain't going to be bad.
• 30:58
  Speaker 1: You're one of the greatest. Tickets ain't selling. Tickets, let
• 31:00
  Speaker 1: me tell you what. Tickets selling.
• 31:03
  Speaker 2: Yeah.
• 31:03
  Speaker 1: My tickets are selling. But I think it's because people
• 31:06
  Speaker 1: are curious about my art. Not like, I think it's
• 31:09
  Speaker 1: the box office nerd. Like, this is something that's important
• 31:12
  Speaker 1: to you. We are fans of you. So if you say, hey, man,
• 31:15
  Speaker 1: I'm doing my next hour on grief. As a Tony
• 31:19
  Speaker 1: Baker fan, I'm going to be like, okay. I'm going
• 31:21
  Speaker 1: to pull up on that. And also, our fans are
• 31:24
  Speaker 1: our age. People 35... 33, 40 up. They might not
• 31:30
  Speaker 1: have lost a son, but they lost somebody. Yeah, for sure. So,
• 31:34
  Speaker 1: and me and you ain't going to have the same set, man.
• 31:36
  Speaker 1: Watch out.
• 31:37
  Speaker 2: We're going to have the same set. They're going to
• 31:39
  Speaker 2: be like, man, since Kev doing grief, man, here come
• 31:41
  Speaker 2: Tony doing grief.
• 31:43
  Speaker 1: Marlon Wayans did grief before me, and I didn't even know.
• 31:46
  Speaker 2: But you didn't have a whole grief set.
• 31:47
  Speaker 1: It's called good grief.
• 31:49
  Speaker 2: But he didn't make it like grief grief.
• 31:51
  Speaker 1: It's called good grief, man. Because yours is on the nose.
• 31:55
  Speaker 1: Mine is.
• 31:55
  Speaker 2: Yours is like, man, grief sucks. Hey, y'all. This is
• 31:58
  Speaker 2: Kevin on stage here. I'm doing a one-man play about grief.
• 32:03
  Speaker 2: You could do a set on grief.
• 32:05
  Speaker 1: Next year you could do a set on growing up
• 32:07
  Speaker 1: in Chicago. Next time you could do a set on
• 32:10
  Speaker 1: being single in your 50s. It's you. At this stage
• 32:14
  Speaker 1: in your career, we have signed up for Tony Baker.
• 32:17
  Speaker 1: These niggas don't care when they buy tickets. Nobody knows
• 32:21
  Speaker 1: what you're gonna talk about. Tony Baker, Arlington, this weekend.
• 32:25
  Speaker 2: Click. They really don't know.
• 32:26
  Speaker 1: What I'm talking about.
• 32:28
  Speaker 2: I just want to make sure that they're not all, oh,
• 32:32
  Speaker 2: you went to my show. But yours is a one-man show, though.
• 32:36
  Speaker 2: It's different. How? Because you can tap into those dramatic
• 32:42
  Speaker 2: beats in one minute.
• 32:44
  Speaker 1: But you can do, I've done a version that's super,
• 32:46
  Speaker 1: super live, less dramatic. Like, when I came back from
• 32:49
  Speaker 1: Mexico City, I did three in a row.
• 32:52
  Speaker 2: You still got the PowerPoint presentation?
• 32:54
  Speaker 1: Still have the PowerPoint. But I went a much lighter version.
• 32:58
  Speaker 1: And they was with it. Like, I didn't, all the
• 33:00
  Speaker 1: parts that was heavy when you was there, I ain't
• 33:02
  Speaker 1: feel like doing it. I was like, man, nah. I
• 33:06
  Speaker 1: was literally like, I wanted to be funnier. I just wanted.
• 33:10
  Speaker 2: To be a straight stand-up set about.
• 33:12
  Speaker 1: Tom telling you. Your ability is you can make anything funny.
• 33:16
  Speaker 1: And grief still is funny. That's how we process.
• 33:19
  Speaker 2: I was laughing in mid. We was so shattered.
• 33:24
  Speaker 1: For sure.
• 33:24
  Speaker 2: I was still laughing.
• 33:25
  Speaker 1: We was laughing when we went and had dinner with you.
• 33:27
  Speaker 2: Middle of hell.
• 33:29
  Speaker 1: My son died. That's not exactly what we was laughing at,
• 33:34
  Speaker 1: but the idea is the same. Anyway, y'all. Pull up
• 33:38
  Speaker 1: on Tony. If he does the grief hour in six
• 33:40
  Speaker 1: years or nine, next time you come in, if I
• 33:42
  Speaker 1: come see you and you don't do the grief and
• 33:44
  Speaker 1: you like, man, serious, I'll be like, man, shut the
• 33:46
  Speaker 1: hell up.
• 33:47
  Speaker 2: Every time.
• 33:47
  Speaker 1: I'm going to heckle you every city. I'm going to
• 33:50
  Speaker 1: cancel my tour. I'm going to heckle you. You're going
• 33:52
  Speaker 1: to have to throw me out every time. Soon as
• 33:55
  Speaker 1: you see, like, man, the thing about Raisin Bran, man,
• 33:57
  Speaker 1: shut the hell up. Talk about the grief, bitch. And
• 34:04
  Speaker 1: stop being scared. Nah, because that's what I be telling him. Hey,
• 34:09
  Speaker 1: talk about the grief. I'm going to be like that
• 34:11
  Speaker 1: dude in How High. Hey, yo, wrap it up, B.
• 34:13
  Speaker 1: If you ain't talk about the grief, shut the hell up,
• 34:16
  Speaker 1: Tony Baker. I won't hear about no damn french fries.
• 34:20
  Speaker 1: Talk about the grief, nigga. Stop being scared, bitch. I'm
• 34:26
  Speaker 1: going to do that front row. I'm leaving. I'm leaving
• 34:30
  Speaker 1: before the security gets to me. I know my way out.
• 34:34
  Speaker 1: I'm leaving. I'm leaving. I'll get out of here.
• 34:36
  Speaker 2: I'm doing my way out.
• 34:40
  Speaker 1: Not even ordering the two out of minimum because I
• 34:42
  Speaker 1: know I'm getting thrown out.
• 34:43
  Speaker 2: I'm going to.
• 34:45
  Speaker 1: Do it when your opener's up. Ladies and gentlemen, Brandon Lewis. Hey,
• 34:48
  Speaker 1: make Tony talk about the grief or I'm heckling you too.
• 34:53
  Speaker 1: And stop playing that falling down the stairs stuff, you conscious. Oh, stop, man.
• 35:00
  Speaker 1: I'm telling you, Tone. And then you can go right
• 35:03
  Speaker 1: back to your regular stuff.
• 35:04
  Speaker 2: About regular nothing, son. Mm-hmm.
• 35:07
  Speaker 1: Do it scared, man.
• 35:09
  Speaker 2: I want to make sure the audience is ready, man.
• 35:11
  Speaker 1: Tell the audience, yo, we talking about my son who
• 35:13
  Speaker 1: passed away. I'm giving you full jokes. You have my
• 35:15
  Speaker 1: permission to laugh.
• 35:16
  Speaker 2: Let's go.
• 35:18
  Speaker 1: First joke.
• 35:20
  Speaker 2: Whatever.
• 35:21
  Speaker 1: Here we go. You can also prep the audience before
• 35:24
  Speaker 1: the tour. That's the benefit of this level of your career.
• 35:28
  Speaker 1: You can tell the audience in the video. Like I
• 35:31
  Speaker 1: told him, Grief, this is what I'm talking about. This
• 35:33
  Speaker 1: means a lot to me. So they decide. Some people
• 35:36
  Speaker 1: will be, I actually think because yours will be lighter,
• 35:40
  Speaker 1: they'll be more like, oh, he ain't even going heavy, heavy.
• 35:43
  Speaker 1: Then I'll come laugh.
• 35:45
  Speaker 2: Man, niggas is nosy. Oh, that's the big part.
• 35:48
  Speaker 1: Niggas is nosy. I want to know how you feel.
• 35:53
  Speaker 2: That's the main seller.
• 35:54
  Speaker 1: For sure.
• 35:55
  Speaker 2: People is nosy.
• 35:56
  Speaker 1: They nosy, man.
• 35:58
  Speaker 2: If I was like, yeah, I'm talking about losing my son,
• 36:01
  Speaker 2: or I'm talking about who I'm dating now.
• 36:04
  Speaker 1: Nosy, buying early just to be nosy. For sure. If
• 36:08
  Speaker 1: you talk about Tony Baker, I've been single since I
• 36:11
  Speaker 1: got divorced. Click.
• 36:13
  Speaker 2: They're going to be loving it. And then I'm going
• 36:15
  Speaker 2: to tell you who I've been messing around with. Click.
• 36:19
  Speaker 1: Guarantee you ain't got to worry about no soda. Everything's
• 36:22
  Speaker 1: going to be five lotions out of five. No point
• 36:26
  Speaker 1: in five. Five out of five. Nobody going to be asking.
• 36:30
  Speaker 1: They're going to be drenched in moisturization.
• 36:32
  Speaker 2: Because when I first lost Serene, them tickets were selling
• 36:35
  Speaker 2: like hotcakes.
• 36:36
  Speaker 1: Tony, your first video we posted, Tony Baker's first jokes
• 36:40
  Speaker 1: after losing his son.
• 36:41
  Speaker 2: Yeah.
• 36:42
  Speaker 1: Dumb numbers.
• 36:44
  Speaker 2: Dumb. I was like, man, y'all can't rock with me
• 36:47
  Speaker 2: when I'm talking about Honey Bunches of Oats. I got
• 36:51
  Speaker 2: to be talking about the art. Bro, hold on now.
• 36:54
  Speaker 1: And also, you're some few years removed from it, so
• 36:56
  Speaker 1: people will understand if you ain't crying on stage. You
• 37:00
  Speaker 1: know what I'm saying? At the earliest, it'll be 2027. Like,
• 37:03
  Speaker 1: you some years away, man. I ain't going to be
• 37:06
  Speaker 1: off you until you do it. I'm going to let
• 37:07
  Speaker 1: you go on the traveling. You know that I ain't
• 37:09
  Speaker 1: saying travel more, travel more.
• 37:10
  Speaker 2: Oh, yeah, yeah. I'm not interested.
• 37:12
  Speaker 1: And I was like, you know what, man? Let that
• 37:13
  Speaker 1: nigga walk around his neighborhood. If that's what gives you peace, man,
• 37:16
  Speaker 1: walk around your neighborhood. I actually get it. Yeah. But
• 37:19
  Speaker 1: that art? Aw, man. You deserve.
• 37:22
  Speaker 2: All right.
• 37:23
  Speaker 1: Moving on. Top 10 heist movies of all time.
• 37:29
  Speaker 2: Top 10 heist movies of all time.
• 37:30
  Speaker 1: I think it's you first.
• 37:32
  Speaker 2: Me first?
• 37:32
  Speaker 1: You first.
• 37:33
  Speaker 2: Heat.
• 37:36
  Speaker 1: I should have went first. Heat.
• 37:39
  Speaker 2: Heat is Al Pacino, Robert De Niro, Robert De Niro,
• 37:42
  Speaker 2: Al Pacino, Michael Mann, Val Kilmer, man, Tom Sizemore, God damn.
• 37:47
  Speaker 2: Dennis Haysburg.
• 37:49
  Speaker 1: Dennis Haysbert should have stayed his butt at work.
• 37:52
  Speaker 2: He should have stayed in that goddamn sweaty ass kitchen.
• 37:56
  Speaker 1: That man, his boss yelled at him at the wrong time.
• 38:01
  Speaker 2: He took the- His boss got him killed.
• 38:02
  Speaker 1: His boss got him killed.
• 38:03
  Speaker 2: If his boss was nice to him, be like, you
• 38:05
  Speaker 2: know what? I got a good thing going. Yes. Nah,
• 38:08
  Speaker 2: you wanted to be a dick at the little greasy
• 38:10
  Speaker 2: spoon spot. Just disrespecting the former inmate. Now he's just
• 38:14
  Speaker 2: forced to go back out here and be the getaway driver.
• 38:16
  Speaker 2: He got shot in the head in mile one. He
• 38:19
  Speaker 2: didn't even get a block away.
• 38:20
  Speaker 1: Pow!
• 38:23
  Speaker 2: He didn't even get a good block off.
• 38:24
  Speaker 1: I felt so bad for him, man. Because this girl
• 38:28
  Speaker 1: tried to tell him, like, man.
• 38:30
  Speaker 2: Just come on. I know, but please. Please.
• 38:34
  Speaker 1: Just do this little job.
• 38:35
  Speaker 2: Be boring. It's okay. I still rock with you. I'm
• 38:37
  Speaker 2: right here. This woman told him I'm right here.
• 38:40
  Speaker 1: I'm right here. He put the thief clothes on. Done.
• 38:47
  Speaker 2: And then she got to find out on the news.
• 38:50
  Speaker 1: On the news! Man!
• 38:51
  Speaker 2: She had to stand there and take it on the news.
• 38:57
  Speaker 1: I always reference this movie with Tony Becker because the
• 39:02
  Speaker 1: setup of De Niro's character and the beef with Wayne Groh.
• 39:09
  Speaker 1: I love this movie because he had it all.
• 39:11
  Speaker 2: He had it all.
• 39:12
  Speaker 1: The money, the passports. The girl, the private plane.
• 39:20
  Speaker 2: The other way everything was set.
• 39:22
  Speaker 1: Your exit is three exits away.
• 39:26
  Speaker 2: He out of here.
• 39:27
  Speaker 1: And the girl is like, please.
• 39:30
  Speaker 2: She's sitting there like, let it go.
• 39:34
  Speaker 1: And Wayne grows in the back of his head. He's like, ah.
• 39:40
  Speaker 1: I said, he's dead.
• 39:41
  Speaker 2: Couldn't let it go.
• 39:43
  Speaker 1: And I love that. Because that's good character writing. You
• 39:47
  Speaker 1: don't have to agree with that character, but that character's
• 39:49
  Speaker 1: decision makes sense.
• 39:51
  Speaker 2: Yeah.
• 39:51
  Speaker 1: Based on how he was set up. He told you
• 39:53
  Speaker 1: in the beginning, I'm not going back.
• 39:55
  Speaker 2: Right.
• 39:55
  Speaker 1: So you know he's going to be.
• 39:56
  Speaker 2: That's not an option. I'm not going back.
• 39:58
  Speaker 1: Shoot out McGee. Yeah. I'm not going regular job. And
• 40:01
  Speaker 1: I'm not letting it go.
• 40:03
  Speaker 2: Yeah.
• 40:03
  Speaker 1: So now you've given him a reason. When he looked
• 40:05
  Speaker 1: under the car and Wango was gone.
• 40:07
  Speaker 2: Oh, he was. He was dead.
• 40:11
  Speaker 1: Oh, he was seething, man. Oh, and Wayne Grove, just
• 40:17
  Speaker 1: the way his hair was long and stuff. You just,
• 40:20
  Speaker 1: you got to kill that, man.
• 40:22
  Speaker 2: He was so annoying from the jump. They told him
• 40:25
  Speaker 2: right off the way, hey, man, shut the hell up, bro.
• 40:28
  Speaker 2: Remember when he got in the car and he was
• 40:29
  Speaker 2: talking to Tom Sizemore a little too much? He was like, hey, man,
• 40:33
  Speaker 2: just shut the fuck up, bro.
• 40:35
  Speaker 1: He was like, what?
• 40:38
  Speaker 2: And they're just doing too much in the house, watching
• 40:40
  Speaker 2: shit up.
• 40:42
  Speaker 1: You need a Wayne Grove.
• 40:43
  Speaker 2: If you have.
• 40:44
  Speaker 1: An underworld group, there's going to be a Wayne Grove
• 40:48
  Speaker 1: because that person can't function in regular society. That's why
• 40:52
  Speaker 1: he's in the criminal underworld. But even the criminal underworld
• 40:56
  Speaker 1: has rules.
• 40:56
  Speaker 2: They got rules.
• 40:57
  Speaker 1: But if I don't follow the rules, I don't follow
• 40:59
  Speaker 1: the rules.
• 41:00
  Speaker 2: Some people never follow the rules, whether it's the underground
• 41:03
  Speaker 2: rule or whether it's the tight-ass cop rule. I'm breaking
• 41:06
  Speaker 2: them all.
• 41:07
  Speaker 1: Everything got rules. That's Wayne Grove.
• 41:09
  Speaker 2: All right. Trash.
• 41:10
  Speaker 1: Ocean's a lamb.
• 41:12
  Speaker 2: Pause. Y'all see how Kev going in on heat? He
• 41:15
  Speaker 2: gave me nothing on the mummy, man. I just want
• 41:18
  Speaker 2: y'all to log that.
• 41:20
  Speaker 1: What you mean?
• 41:20
  Speaker 2: He gave me nothing on the mummy.
• 41:22
  Speaker 1: I gave you that.
• 41:22
  Speaker 2: I hate it. You say, man, it's too much like
• 41:23
  Speaker 2: Indiana Jones, Rachel Weisz.
• 41:25
  Speaker 1: I hate it. I gave you a lot.
• 41:27
  Speaker 2: I said I like your boy. But keep going, man.
• 41:30
  Speaker 1: Billy Zane.
• 41:31
  Speaker 2: Keep going.
• 41:31
  Speaker 1: I was with you. I was with you.
• 41:34
  Speaker 2: Keep going.
• 41:35
  Speaker 1: Y'all like the scarabs?
• 41:36
  Speaker 2: I mean, watch out, man.
• 41:37
  Speaker 1: All right, man.
• 41:38
  Speaker 2: Ocean's a lamb.
• 41:41
  Speaker 1: Might be my favorite George Clooney film. Probably is.
• 41:46
  Speaker 2: I mean, you know what I'm saying?
• 41:47
  Speaker 1: Yeah. He is Danny Ocean. Cool as a cucumber. I
• 41:52
  Speaker 1: think Michael B. Jordan is coming for that cool. George
• 41:55
  Speaker 1: Clooney was the coolest person after Denzel, but they had
• 41:59
  Speaker 1: a different type of cool. Denzel is cool, but like
• 42:03
  Speaker 1: so much charisma and aura and bravado, it is more
• 42:06
  Speaker 1: than cool. He's just Denzel. George Clooney got a lot
• 42:11
  Speaker 1: of roles by just being a cool, untucked shirt guy.
• 42:15
  Speaker 1: But Ocean's 11. But he had a hard bottom though.
• 42:20
  Speaker 1: That's what they get you, hard bottoms. But him and
• 42:26
  Speaker 1: Brad Pitt make a great two man team, but the
• 42:29
  Speaker 1: whole group, I mean, Casey Affleck and Scott, Scott, Scott Kahn,
• 42:37
  Speaker 1: Don Cheadle with the accent, Bernie Mac, the Asian dude.
• 42:41
  Speaker 1: I don't know the Asian dude's name.
• 42:42
  Speaker 2: I forget his name.
• 42:43
  Speaker 1: Dude who played Saul, dude who played Ruben.
• 42:46
  Speaker 2: Elliot Gould, Rob Reiner.
• 42:49
  Speaker 1: No, Rob Reiner's dad, Carl Reiner.
• 42:52
  Speaker 2: Carl Reiner.
• 42:53
  Speaker 1: Man, rest in peace, Rob Reiner, too. Carl Reiner. Carl Reiner. See,
• 42:58
  Speaker 1: I want to be Carl Reiner, man. He was just
• 42:59
  Speaker 1: working old in comedies. Big old. Big old. But yeah,
• 43:05
  Speaker 1: great ensemble piece. Great heist. Matt Damon on The Young.
• 43:11
  Speaker 1: Big pocket Matt Damon.
• 43:12
  Speaker 2: Matt Damon.
• 43:13
  Speaker 1: And the dude Andy Garcia. Andy Garcia was a great villain.
• 43:21
  Speaker 1: Julia Roberts, my favorite white woman of all time.
• 43:24
  Speaker 2: Julia Roberts.
• 43:25
  Speaker 1: Just great. But yeah, Ocean's Eleven.
• 43:27
  Speaker 2: Ocean's Eleven's a great heist.
• 43:28
  Speaker 1: I love it. I watch it the most. You're up.
• 43:30
  Speaker 2: I'm going to go with Dead Presidents, even though it
• 43:34
  Speaker 2: was a disastrous heist. That heist was disastrous. It was
• 43:41
  Speaker 2: from the jump. Whole girl gets murked, dude blows the
• 43:45
  Speaker 2: shit up, he just blew it up for no reason,
• 43:47
  Speaker 2: burns the money. Then he gets killed, he gets run
• 43:51
  Speaker 2: over in the alley. Then they end up shooting cops,
• 43:54
  Speaker 2: this shit was just, it was just raggedy as hell.
• 43:58
  Speaker 2: Then somebody snitches, the preacher man snitches, they come and,
• 44:02
  Speaker 2: Chris Tucker ODs.
• 44:07
  Speaker 1: This is terrible.
• 44:08
  Speaker 2: This heist was trash, man. It just didn't go right
• 44:13
  Speaker 2: at all. But the movie itself was outstanding.
• 44:16
  Speaker 1: Love the movie. Praise dancers galore.
• 44:19
  Speaker 2: Yeah, President.
• 44:19
  Speaker 1: All right, set it off.
• 44:21
  Speaker 2: Set it off. It was great.
• 44:23
  Speaker 1: Queen Latifah, Jada Pinkett, Kimberly Elise, Vivica Fox, Blair Underwood.
• 44:29
  Speaker 1: John C.
• 44:31
  Speaker 2: McGinley or whatever his name is.
• 44:33
  Speaker 1: That's your guy.
• 44:34
  Speaker 2: From Scrubs.
• 44:34
  Speaker 1: You wait! You wait! What's the procedure? Queen Latifah as Cleo.
• 44:44
  Speaker 1: Oh my gosh. Those, her, man, what? Her kissing, that
• 44:50
  Speaker 1: lesbian stuff would turn me on as a child. I
• 44:53
  Speaker 1: was 13, that was 96, wasn't it? I was 13
• 44:56
  Speaker 1: years old, I was going through the change of life.
• 44:59
  Speaker 1: When Queen Latifah's girlfriend was on that car, I said.
• 45:01
  Speaker 2: God, bless America.
• 45:05
  Speaker 1: Why don't y'all kiss a little bit more? I'm 13,
• 45:08
  Speaker 1: I like it.
• 45:09
  Speaker 2: Queen Latifah's performance in there was outstanding.
• 45:12
  Speaker 1: Cleo was, she had the scariness, but when Stoney checked her,
• 45:17
  Speaker 1: she was like, dang, okay. But when she went out
• 45:23
  Speaker 1: in a blaze of glory, I liked the moment before.
• 45:26
  Speaker 1: where she was scared. And then she was like, I
• 45:29
  Speaker 1: ain't no punk. Cool smoking a cigarette.
• 45:32
  Speaker 2: Cool smoking a cigarette.
• 45:33
  Speaker 1: We should have put her in there. Hydraulics. Zoop, zoop.
• 45:38
  Speaker 1: And they shot her too much. Man, God.
• 45:41
  Speaker 2: I was like, man, we get it, man.
• 45:44
  Speaker 1: She is dead.
• 45:45
  Speaker 2: You could have shot her in the hips, bro.
• 45:47
  Speaker 1: Then she turned around. That was.
• 45:52
  Speaker 1: I get if you got a machine gun or even
• 45:55
  Speaker 1: a pistol. The shotgun police, boom, boom. You think that's necessary?
• 46:02
  Speaker 1: Why you one at a time?
• 46:05
  Speaker 2: She was black.
• 46:06
  Speaker 1: Yeah, they was waiting to get that off. And still,
• 46:09
  Speaker 1: Vivica Fox, I don't care. I'm going to say it
• 46:11
  Speaker 1: every time. Why you run when they had guns? She
• 46:15
  Speaker 1: was like, I still don't.
• 46:16
  Speaker 2: Believe in shooting a runaway suspect.
• 46:20
  Speaker 1: The cops do.
• 46:22
  Speaker 2: I'm like, that's a trash rule.
• 46:24
  Speaker 1: They were like.
• 46:25
  Speaker 2: Let's take the L, man. You'll catch him next time.
• 46:29
  Speaker 2: Unless it's a serial killer.
• 46:30
  Speaker 1: Yeah, she poses no threat.
• 46:32
  Speaker 2: Yeah, man.
• 46:32
  Speaker 1: She got a little bag of bread. And then Stoney
• 46:36
  Speaker 1: was on the bus. She was basically Odysseus.
• 46:41
  Speaker 2: You know what's a low-key sequel to set it off?
• 46:46
  Speaker 2: Girls Trip. Cleo Never Died.
• 46:50
  Speaker 1: Hilarious.
• 46:51
  Speaker 2: And Stoney turned her life around, had a family. Oh, hilarious.
• 46:56
  Speaker 2: Oh my God. That's why, you know what I'm saying?
• 46:59
  Speaker 2: That's the set it off sequel. Vivica Fox and Kimberly
• 47:03
  Speaker 2: Elise actually died. Kimberly Elise's character, T.T.
• 47:09
  Speaker 1: My arch nemesis to the film. I was with Vivica
• 47:13
  Speaker 1: Fox when she was in Rockin' with T.T. getting her share.
• 47:17
  Speaker 1: I need that money! Rawr!
• 47:21
  Speaker 2: She needed it though.
• 47:25
  Speaker 1: When she tried to not be scared, she was like,
• 47:26
  Speaker 1: you just do what you gotta do, Frankie. I was like, man,
• 47:29
  Speaker 1: sock around, man, Frankie. Next stop, Balboa Savings and Loans. Oh,
• 47:35
  Speaker 1: love it. All right, Tony, you up.
• 47:36
  Speaker 2: I'm going to go with Inception. Oh, snap. Inception is
• 47:41
  Speaker 2: a great... Even though it's a different kind of heist.
• 47:44
  Speaker 1: I wouldn't even classify it and that's my movie.
• 47:46
  Speaker 2: A big heist. We gotta go in there and then plan.
• 47:48
  Speaker 2: So we going in to put some stuff in there
• 47:50
  Speaker 2: without getting caught. But Inception is a fantastic heist flick.
• 47:54
  Speaker 1: Okay.
• 47:56
  Speaker 2: To the next level.
• 47:57
  Speaker 1: I'm with you. I love Inception. That is a heist.
• 48:01
  Speaker 2: Yeah.
• 48:01
  Speaker 1: That's a dream sequence. Heist, okay.
• 48:06
  Speaker 2: It looks and feels like a heist film.
• 48:08
  Speaker 1: Oh, yeah.
• 48:08
  Speaker 2: All right, we got to hurry up.
• 48:10
  Speaker 1: All right, okay, okay. I'm going to go. I'm going
• 48:12
  Speaker 1: to go. The Italian Job.
• 48:15
  Speaker 2: The Italian Job is a good time.
• 48:16
  Speaker 1: I love that movie, man.
• 48:18
  Speaker 2: Good cast.
• 48:18
  Speaker 1: Most deaf.
• 48:19
  Speaker 2: Most deaf. Jason Statham. Mark Wahlberg. Mark Wahlberg. Charlize Theron.
• 48:25
  Speaker 1: The Italian Job is a good time, man.
• 48:29
  Speaker 2: Edward Norton.
• 48:31
  Speaker 1: Love that movie.
• 48:32
  Speaker 2: That was a good one. All right. I'm going to
• 48:34
  Speaker 2: give y'all one that's low key that y'all might not
• 48:36
  Speaker 2: have seen, but I love it. It's called The Bank Job,
• 48:38
  Speaker 2: also with Jason Statham.
• 48:39
  Speaker 1: Oh, yeah.
• 48:40
  Speaker 2: The Bank Job is really good. Yep. That's on the
• 48:43
  Speaker 2: British tip. I feel like it got slept on, but
• 48:48
  Speaker 2: when you watch it, top to bottom, it's a great
• 48:52
  Speaker 2: heist film. Okay.
• 48:53
  Speaker 1: I'm with you.
• 48:54
  Speaker 2: I'm with you.
• 48:54
  Speaker 1: I'm going to go The Town.
• 48:56
  Speaker 2: Yes.
• 48:57
  Speaker 1: Ben Affleck. I think that's my favorite film. Jeremy Renner role.
• 49:01
  Speaker 1: Oh yeah, he's great in that. He is a stone cold,
• 49:07
  Speaker 1: like that's the kind of guy you want as your homeboy.
• 49:09
  Speaker 2: For sure, he didn't even ask no questions.
• 49:10
  Speaker 1: We're gonna hurt some people, you can never bring it
• 49:12
  Speaker 1: up again. He was like, all right. The way he
• 49:16
  Speaker 1: got shot, drank that drink.
• 49:18
  Speaker 2: He was like, Yeah.
• 49:22
  Speaker 1: I love that.
• 49:23
  Speaker 2: Dying cool.
• 49:24
  Speaker 1: Dying cool. We should do that.
• 49:26
  Speaker 2: Dying cool.
• 49:26
  Speaker 1: Dying cool. The florist was really cool.
• 49:30
  Speaker 2: Oh, in that movie? The movie.
• 49:32
  Speaker 1: The dude who played the florist.
• 49:34
  Speaker 2: Yes. That was Pete Pastaway. Yeah. He passed away shortly
• 49:38
  Speaker 2: after that. But he... He was great.
• 49:41
  Speaker 1: He was great in there. All right, you're up.
• 49:44
  Speaker 2: I would say there's so many good heist films.
• 49:49
  Speaker 1: Here's a list if you need one. Baby Driver was
• 49:54
  Speaker 1: on my list. Josh, you get in here, man. You
• 49:58
  Speaker 1: ain't a bald brother, but you Mexican. Baby Driver was...
• 50:03
  Speaker 1: Jimmy Foxx, I love him in that movie. You know what?
• 50:06
  Speaker 2: I gotta go snap.
• 50:09
  Speaker 1: Man Snatch is one of my favorite movies. Shout out,
• 50:15
  Speaker 1: not Guy Ritchie. Oh, it's Guy Ritchie. Brad Pitt with
• 50:19
  Speaker 1: the accent. Benicio. There's a soccer player in there. Jason
• 50:26
  Speaker 1: Statham early.
• 50:26
  Speaker 2: Oh, you're talking about.
• 50:29
  Speaker 1: Benny something.
• 50:30
  Speaker 2: Benny Jones.
• 50:30
  Speaker 1: Benny Jones. I just watched a documentary on him.
• 50:32
  Speaker 2: I watched that too.
• 50:33
  Speaker 1: You saw it?
• 50:34
  Speaker 2: I didn't know he was that deep in the soccer game.
• 50:36
  Speaker 1: I didn't know he played soccer. I only knew as
• 50:39
  Speaker 1: an actor, man. Me and Melissa just watched pretty much
• 50:42
  Speaker 1: any Untold.
• 50:43
  Speaker 2: I said, man, that.
• 50:44
  Speaker 1: Dude was a great soccer player for years.
• 50:47
  Speaker 2: I didn't know to the level of which, because I
• 50:49
  Speaker 2: knew he was. I didn't know to what level he was.
• 50:52
  Speaker 1: Nah, he was really out here.
• 50:54
  Speaker 2: Yeah, and I was just like, oh, he was thorough. Yeah.
• 50:57
  Speaker 1: Snatch is one of my I don't mean guilty pleasures
• 51:00
  Speaker 1: in the like, it's a bad movie, but Snatch was
• 51:02
  Speaker 1: one of the movies in college when I didn't have
• 51:04
  Speaker 1: no money or cable, I had that on DVD.
• 51:07
  Speaker 2: I watched it so many times.
• 51:07
  Speaker 1: So many movies was just like, well, if I ain't
• 51:10
  Speaker 1: got no bread.
• 51:11
  Speaker 2: I seen Snatch so many times.
• 51:13
  Speaker 1: I put Snatch in that Xbox 716 times at the
• 51:17
  Speaker 1: University of Washington.
• 51:19
  Speaker 2: And I love the fact that what's his name is
• 51:21
  Speaker 2: getting his flowers and shine now.
• 51:23
  Speaker 1: Who?
• 51:23
  Speaker 2: The one that played Jason Statham's boy. He's going up
• 51:32
  Speaker 2: now because he was in Adolescence on Netflix recently. He
• 51:38
  Speaker 2: was in Boardwalk Empire. What's his name, y'all?
• 51:44
  Speaker 1: The actor? Yeah. Stephen Graham?
• 51:46
  Speaker 2: Stephen Graham. Yeah. Stephen Graham is he? He's in a
• 51:49
  Speaker 2: nice space right now where he's just getting his flowers.
• 51:51
  Speaker 1: He talked about Queen Latifah when he won that last award.
• 51:54
  Speaker 2: Yeah, yeah.
• 51:54
  Speaker 1: Queen Latifah, man. One of my favorite roles is when
• 51:57
  Speaker 1: he played Al Capone in World of Warcraft.
• 51:59
  Speaker 2: Oh, he was great in that. He was a great
• 52:00
  Speaker 2: Al Capone.
• 52:01
  Speaker 1: You know he's like a quarter black?
• 52:02
  Speaker 2: Yeah.
• 52:03
  Speaker 1: Yeah, I know.
• 52:04
  Speaker 2: I found that out. I was like, oh, shit. He
• 52:05
  Speaker 2: was an Irishman, too.
• 52:06
  Speaker 1: He was.
• 52:07
  Speaker 2: He with us. Yeah, he's good, though. All right.
• 52:10
  Speaker 1: You got any more? I'ma go Baby Driver.
• 52:13
  Speaker 2: Baby Driver, okay.
• 52:14
  Speaker 1: Baby Driver was a good time. It was a different
• 52:17
  Speaker 1: spin on it. Jamie Foxx was good. And I just
• 52:20
  Speaker 1: love Edgar Wright. He ain't had a bad movie. Wait, no,
• 52:25
  Speaker 1: maybe not.
• 52:26
  Speaker 2: What?
• 52:27
  Speaker 1: Just double checking my mind. Three Flowers of Cornetto was good. Nah,
• 52:31
  Speaker 1: he's good.
• 52:32
  Speaker 2: I'ma say this, man. The heist movie... Heist movie genre
• 52:37
  Speaker 2: might be one of the most stacked genres. Yes.
• 52:41
  Speaker 1: Because you got Widows.
• 52:42
  Speaker 2: Because I'm just looking at different films, and I'm just like, man.
• 52:46
  Speaker 1: Reservoir Dogs, one of my favorite movies.
• 52:48
  Speaker 2: Of all time. Reservoir Dogs.
• 52:50
  Speaker 1: It's like a deconstructed heist movie. It ain't in order.
• 52:52
  Speaker 2: Yeah, because you never see the heist.
• 52:55
  Speaker 1: National Treasures. Low-key, National Treasures is a good movie. You
• 53:01
  Speaker 1: know what I like about Nicolas Cage? He is fully
• 53:04
  Speaker 1: aware of who he is and what movie he's making. Yeah.
• 53:06
  Speaker 1: And he never judges the movie. If I got to
• 53:09
  Speaker 1: be a natural treasure or face off, face off, he
• 53:12
  Speaker 1: makes it.
• 53:13
  Speaker 2: They're going to give you 110%.
• 53:14
  Speaker 1: I got to take your face off.
• 53:17
  Speaker 2: They're going to give you 110%. Oh, I love them.
• 53:20
  Speaker 2: The heist flick might be the best genre.
• 53:21
  Speaker 1: Might be.
• 53:22
  Speaker 2: I'm looking at these movies. The Sting was amazing.
• 53:25
  Speaker 1: Dog Day Afternoon.
• 53:26
  Speaker 2: Dog Day Afternoon.
• 53:27
  Speaker 1: Inside Man.
• 53:28
  Speaker 2: It's called one. Hell of High Water is fantastic. Mm-hmm.
• 53:31
  Speaker 2: You ain't seen it. Nope. I knew it.
• 53:34
  Speaker 1: Now you see me as concerned about the heist movie?
• 53:35
  Speaker 2: I'm putting it on the list in the future. You
• 53:36
  Speaker 2: need to watch it. Put it on there. Now You
• 53:39
  Speaker 2: See Me, Ronin, Drive, Ghost Protocol, Out of Sight. Man,
• 53:45
  Speaker 2: this might be my favorite genre.
• 53:47
  Speaker 1: Out of Sight is one of my favorite movies.
• 53:48
  Speaker 2: That's my favorite Jennifer Lopez movie for sure.
• 53:52
  Speaker 1: She look good in that. In the poster, she looks
• 53:55
  Speaker 1: so good. All right, man, we done with this.